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"sparingly" poems
If there was one word One word, isolated by itself That I cannot stand above all others It would have to be "Okay" I despise "Okay" "Okay" Is how your millionth day at work went "Okay" Is off-brand raisin bran "Okay" Is how you say life is going When you don't want to admit you spend Every second of it Wanting to die "Okay" Is packed to the brim with Hidden implications Like a treasure chest Filled with bottles With little subliminal hatreds Written on tiny slips of paper Passively aggressively pushed inside To discover later As I pull out a treasure map And try to decipher Where I went wrong "Okay" Is a one word dismissal That feels like an essay a thousand pages long "Okay" Is a poison dripping with disinterest When I dared to share with you Something I thought might make you smile "Okay" Is like trying to talk to a wall While watching the paint on it dry "Okay" Takes two seconds to write Yet I waited days For that dreaded word To grace my notifications "Okay" Should be used sparingly As if each time you send it You **** the receiver just a little bit "Okay" Should not be said so often that I know what you're about to say Like I saw it in a crystal ball "Okay" Is not looking up from your phone When I tell you about my day "Okay" Is not the proper response To "I love you" They say that the opposite of love isn't hatred It's indifference And I can't think of a response More indifferent to pouring out My heart into your hands Than "Okay" At least the last thing you said to me Before we parted ways Showed that you cared At least a little bit "I hate you" Stung less Than the thousands of times Over our countless conversations You responded "Okay" Okay?
0
Aug 2, 2018
Aug 2, 2018 at 12:09 PM UTC
Okay
If there was one word One word, isolated by itself That I cannot stand above all others It would have to be "Okay" I despise "Okay" "Okay" Is how your millionth day at work went "Okay" Is off-brand raisin bran "Okay" Is how you say life is going When you don't want to admit you spend Every second of it Wanting to die "Okay" Is packed to the brim with Hidden implications Like a treasure chest Filled with bottles With little subliminal hatreds Written on tiny slips of paper Passively aggressively pushed inside To discover later As I pull out a treasure map And try to decipher Where I went wrong "Okay" Is a one word dismissal That feels like an essay a thousand pages long "Okay" Is a poison dripping with disinterest When I dared to share with you Something I thought might make you smile "Okay" Is like trying to talk to a wall While watching the paint on it dry "Okay" Takes two seconds to write Yet I waited days For that dreaded word To grace my notifications "Okay" Should be used sparingly As if each time you send it You **** the receiver just a little bit "Okay" Should not be said so often that I know what you're about to say Like I saw it in a crystal ball "Okay" Is not looking up from your phone When I tell you about my day "Okay" Is not the proper response To "I love you" They say that the opposite of love isn't hatred It's indifference And I can't think of a response More indifferent to pouring out My heart into your hands Than "Okay" At least the last thing you said to me Before we parted ways Showed that you cared At least a little bit "I hate you" Stung less Than the thousands of times Over our countless conversations You responded "Okay" Okay?
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72
*be ever gentle to thy words treat them, your tools, well, cleansing and protecting, wrapping them in cloths of chamois and moleskin that they may be well conditioned and pour forth with a temperament clear and viscous, reflecting their high honors and a noble lineage, they are well-intentioned to exist far longer than your meager temporal life, upon this ever hasty, ever perpetual, orbit give them all respect, their fair due, they are treasure immeasurable, for which you have been granted guardianship, custody received from others to be gifted onwards, yours, but for the duration so oft we trifle words, expel them from the country of our body, without passport and earnestness, as if they were the cheapest of footnote filler, day tourists, to be treated as leavings, refuse for daily discardation, barely noting their fast comings and faster disappearance, but leaving not, a mark of distinction more truffle than trifle, find them in the dark forest of your life, use them sparingly, just for soaring, take them from the roots of your trees, shave them with a paring knife, counts them in bites and measure them in grams, even in grains, for words are the seasoning of our lives, agent provacateurs that can modify the moment, bringing out to the fore the flavor of the underlying speak them slow and distinct, for they arrive slow to you, a trickling of refugees for your sheltering, harbor them as full companions, protected by natural law, provision them well, prepared and ever ready for a quick departure, moor them at the embarcadero, for the next restless leg of endlessness, which they themselves will inform you will last longer than eternity, long after there are no humans to speak them*
0
Oct 10, 2015
Oct 10, 2015 at 6:01 PM UTC
oh poet! be ever gentle to thy words...
*be ever gentle to thy words treat them, your tools, well, cleansing and protecting, wrapping them in cloths of chamois and moleskin that they may be well conditioned and pour forth with a temperament clear and viscous, reflecting their high honors and a noble lineage, they are well-intentioned to exist far longer than your meager temporal life, upon this ever hasty, ever perpetual, orbit give them all respect, their fair due, they are treasure immeasurable, for which you have been granted guardianship, custody received from others to be gifted onwards, yours, but for the duration so oft we trifle words, expel them from the country of our body, without passport and earnestness, as if they were the cheapest of footnote filler, day tourists, to be treated as leavings, refuse for daily discardation, barely noting their fast comings and faster disappearance, but leaving not, a mark of distinction more truffle than trifle, find them in the dark forest of your life, use them sparingly, just for soaring, take them from the roots of your trees, shave them with a paring knife, counts them in bites and measure them in grams, even in grains, for words are the seasoning of our lives, agent provacateurs that can modify the moment, bringing out to the fore the flavor of the underlying speak them slow and distinct, for they arrive slow to you, a trickling of refugees for your sheltering, harbor them as full companions, protected by natural law, provision them well, prepared and ever ready for a quick departure, moor them at the embarcadero, for the next restless leg of endlessness, which they themselves will inform you will last longer than eternity, long after there are no humans to speak them*
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46
she was leaving and got the gumption to see me before she did so we went to dinner she sat, crumpled at the edge of the booth playing with her silverware hands sweating our knees barely touching underneath the table they shook like the day we met they shook like floodgates when the clouds get upset her hair was drawn back into an apology and she didn't answer when the waiter asked for drinks she pans, tilts looking for the restroom but doesn't get up covers her mouth to hide her furled chin i cut her a piece of bread not sparingly i didn't want to ruin the symbolism of cutting a gangrenous thing from ones self she half wept out "tell me a joke" i thought to say "look at us." that's it. that's the joke. the premise & the punch line sharing some silence here in this ominous moment so thick with goodbye you could touch it i said "when they asked what the name was for the wait, i should've said "awkward, party of 2" but that's not the joke "knock knock" she whispered "who's there?" i sat for a moment and said "so we've come full circle.. we're even in the same seats, from all those months ago" her lips quivered and she hid her mouth "i just wanted to hear a joke" she said i came back with "if i fell for you in a quiet restaurant & no one was around to hear it, does the laughter of children i drempt we'd have make a sound?"
0
Sep 6, 2014
Sep 6, 2014 at 7:19 PM UTC
dialogue & jargon
An Open Letter to my Best Friend You, dear are the strongest person I know, And trust me when I say, I know a lot of people. You stand, rooted as deep as an oak tree in my heart Your eyes find their way into my dreams, burning with passion and fired belief. Your sorrow matches the winds of the sea Constantly badgering you With the threat of drowning, I'm so scared you'll take yourself from me. Your voice is something, I can only be thankful for Coming to me in times of need It has all the power to make my heart soar, suturing the bleed. Your dreams, You've been told, Are far fetched at best And unachievable at most. What people don't understand Is unicorns are shy creatures Who just don't have the heart To prove they exist. Even though they run free, Jump high And take great pride (Their horns are always meticulously shined.) I think back on the times You taught me to be strong Without even knowing You were consistently adding words To my life's song. The melody just a little sweeter While it plays in my head Added like you do with sugar to your coffee before bed. Sparingly, But needed. Oh so very needed. You, my darling, have your roots dug deep Your dreams being dreamed Your life, I do believe Is worth so much more than an amount that any bank could offer, Is worth more than the english language can explore, And all I need you need to remember, The alphabet is composed of 26 letters, Voldemort wasn't always in power, take each insult And pull a Tom Marvolo Riddle out of the sorting hat. Believe that the positive outweighs the negative, And yes that means your scale is wrong. Tumblr's idea of pretty girls, Doesn't take place in my song. So this is an open letter, To my very best friend. Darling, please know You can always depend and lean and cry on and hate and call and love and trust me.
0
Aug 4, 2013
Aug 4, 2013 at 10:10 PM UTC
An Open Letter to My Best Friend
An Open Letter to my Best Friend You, dear are the strongest person I know, And trust me when I say, I know a lot of people. You stand, rooted as deep as an oak tree in my heart Your eyes find their way into my dreams, burning with passion and fired belief. Your sorrow matches the winds of the sea Constantly badgering you With the threat of drowning, I'm so scared you'll take yourself from me. Your voice is something, I can only be thankful for Coming to me in times of need It has all the power to make my heart soar, suturing the bleed. Your dreams, You've been told, Are far fetched at best And unachievable at most. What people don't understand Is unicorns are shy creatures Who just don't have the heart To prove they exist. Even though they run free, Jump high And take great pride (Their horns are always meticulously shined.) I think back on the times You taught me to be strong Without even knowing You were consistently adding words To my life's song. The melody just a little sweeter While it plays in my head Added like you do with sugar to your coffee before bed. Sparingly, But needed. Oh so very needed. You, my darling, have your roots dug deep Your dreams being dreamed Your life, I do believe Is worth so much more than an amount that any bank could offer, Is worth more than the english language can explore, And all I need you need to remember, The alphabet is composed of 26 letters, Voldemort wasn't always in power, take each insult And pull a Tom Marvolo Riddle out of the sorting hat. Believe that the positive outweighs the negative, And yes that means your scale is wrong. Tumblr's idea of pretty girls, Doesn't take place in my song. So this is an open letter, To my very best friend. Darling, please know You can always depend and lean and cry on and hate and call and love and trust me.
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62
these thoughts... they are my own, walled within the deepest recesses of my cerebral labyrinth. sprouting out of vine covered walls, are multicoloured blooms brandishing thorned stems and thirsty stigmas, dripping with absinthe. mind full of poison in permissible amounts... i am caught in a web of restless stupor, anguish... and regression... these thoughts... rationed out sparingly, for they're not for unready ears blooms of thought meticulously triaged before necessary expulsion. hairline cracks between insanity and peace... i tread precariously the fine, meandering line. still clutching my flowers in a tight obstinate grasp... not letting go for these tainted blossoms are undoubtedly mine.
0
Nov 13, 2014
Nov 13, 2014 at 6:42 AM UTC
Absinthe Minded
the narrative does not cling to classicalism of stating whether the pronoun usage is either singular or plural or both to allow an armchair of expression; after all... there's enough for us to bypass the classical philosophical debate about subject and object, simply investigating pronoun usage in relation to singularity or pluralism. there’s a theory where poetry came from, one read: cleopatra wanted to hear sweet-nothings calibrating a razor with a viper’s kiss... another read: she báthory? she báthory? she the one that turned milk into blood? she can burn in hell. i thought we were un-dialectical in the realms of concern? no... you see... poetry came from punctuated-impressionism... or a fear of it... punctuation of course, not from the impressionism... poets fear punctuation... give them a semi-colon and they treat it like a sidelined line of verse. this is poetry in mathematical equations: i had a pear(,) it was a spare(.) i had a care for traffic(-) so i missed( ) the expressions and started using an obelisk to quarter up the mammoth into chop suey... poets simple say: next line! when prose says next paragraph and the prized execution of the 100m sprint . . . (.) that’s universal alpha romeo with alfa bravo charlie delta (echo)... come on in the u-turn... give us a smile......... :), poets says... i need breathing space without sentenced timing of silence, for the toad to feed inspiration and envy! no wonder you came with the alpha - zulu alphabet given that you used ɪɡ and zoʊ... so tell me... where’s this copernican west upside down (this heliocentric west with east being the big bang)?! i'd swear the thing stopped orbiting in circles and a thing that's on it's thought started to become orbital... a fashion sense of the 60s 70s 80s 90s repeated - that's right, the whole thing became heliocentric and we became narcissists instead of solipsists in the geocentric system of worked-up plagiarism with adequate excuses.) it's here it the poets apprehensive of punctuation symbology and instead writing "sparingly," to write, e.g.: i hate         this love                 affair claimed                      to be           the world...                  i rather                          chisel chequers                          into geometry                      of x4               90º. makes sense poets begot fear of punctuation and not grammar, they serviced to explore nothing else, leaving grammar open long enough to ***** mathematics in... remember... poets are firstly concerned with punctuation... secondly with grammar... philosophy for poets is grammar; **** i'm um um so drunk i'll need to revise.
0
Oct 30, 2015
Oct 30, 2015 at 9:27 PM UTC
what poets fear
the narrative does not cling to classicalism of stating whether the pronoun usage is either singular or plural or both to allow an armchair of expression; after all... there's enough for us to bypass the classical philosophical debate about subject and object, simply investigating pronoun usage in relation to singularity or pluralism. there’s a theory where poetry came from, one read: cleopatra wanted to hear sweet-nothings calibrating a razor with a viper’s kiss... another read: she báthory? she báthory? she the one that turned milk into blood? she can burn in hell. i thought we were un-dialectical in the realms of concern? no... you see... poetry came from punctuated-impressionism... or a fear of it... punctuation of course, not from the impressionism... poets fear punctuation... give them a semi-colon and they treat it like a sidelined line of verse. this is poetry in mathematical equations: i had a pear(,) it was a spare(.) i had a care for traffic(-) so i missed( ) the expressions and started using an obelisk to quarter up the mammoth into chop suey... poets simple say: next line! when prose says next paragraph and the prized execution of the 100m sprint . . . (.) that’s universal alpha romeo with alfa bravo charlie delta (echo)... come on in the u-turn... give us a smile......... :), poets says... i need breathing space without sentenced timing of silence, for the toad to feed inspiration and envy! no wonder you came with the alpha - zulu alphabet given that you used ɪɡ and zoʊ... so tell me... where’s this copernican west upside down (this heliocentric west with east being the big bang)?! i'd swear the thing stopped orbiting in circles and a thing that's on it's thought started to become orbital... a fashion sense of the 60s 70s 80s 90s repeated - that's right, the whole thing became heliocentric and we became narcissists instead of solipsists in the geocentric system of worked-up plagiarism with adequate excuses.) it's here it the poets apprehensive of punctuation symbology and instead writing "sparingly," to write, e.g.: i hate         this love                 affair claimed                      to be           the world...                  i rather                          chisel chequers                          into geometry                      of x4               90º. makes sense poets begot fear of punctuation and not grammar, they serviced to explore nothing else, leaving grammar open long enough to ***** mathematics in... remember... poets are firstly concerned with punctuation... secondly with grammar... philosophy for poets is grammar; **** i'm um um so drunk i'll need to revise.
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73
This is for all the girls Who think they aren’t skinny enough This is for all the girls Who think they aren’t pretty enough This is for all the guys Who think they have to act a little more “tough”, As if mere kindness isn’t enough. This, my friends, is for you. Our society today Has painted its own little picture Of how we should look So that guy’ll wanna “get wit cha” Of how to live and how to dream Of what to do and who to be Today it seems the only way to be “cool” Is to smoke a little and drink a few To stay out until all hours of the night Partying, getting higher than a kite See, what gets me confused is this The things we are told are right Are much different than what we see on TV If there is one thing I hate more than lying, It’s hypocrisy. We are told to exercise To get fit, and eat right Then what do we see? Models throwing up at night Scared Because the pressure is too much To eat is too pricy So food, they don’t touch. What is a model? Someone or something used as an example I don’t know about you, but When I shop, I grab up ALL the samples Starving isn’t realistic Nor is it “right” Regardless of your pant size, Regardless of your height. We are told that beauty is only skin deep That what really matters is all underneath I have yet to see one person at the VMAs With less than 5 makeup products on their face Why is that? There’s a simple Answer. Thanks to Maybelline and L’Oreal It costs 6 dollars for a beauty enhancer. Girls talk all the time About how there are no good guys out there. I hate to burst your bubble But saying that isn’t fair There are plenty of guys Who are respectful and kind But you push them away Without a care in your mind You want one thing Then it changes to another Because movies make you think You don’t have to really care for one another They show relationships as prideful, Full of lust and lies So when it comes to the real world, Kind guys are despised. So they mask their emotions with Hardness and Vulgarity Showing love on occasional, Rarely, and sparingly. See According to society, Men have to be “tough” Or else they are judged and pushed aside Left waiting for the one to call their bluff. This is for all the girls Who think they aren’t skinny enough This is for all the girls Who think they aren’t pretty enough This is for all the guys Who think they have to act a little more “tough”, You’re beautiful, you are loved. Don’t ever let anyone tell you You aren’t enough.
0
Oct 19, 2012
Oct 19, 2012 at 4:07 PM UTC
This Is For You
This is for all the girls Who think they aren’t skinny enough This is for all the girls Who think they aren’t pretty enough This is for all the guys Who think they have to act a little more “tough”, As if mere kindness isn’t enough. This, my friends, is for you. Our society today Has painted its own little picture Of how we should look So that guy’ll wanna “get wit cha” Of how to live and how to dream Of what to do and who to be Today it seems the only way to be “cool” Is to smoke a little and drink a few To stay out until all hours of the night Partying, getting higher than a kite See, what gets me confused is this The things we are told are right Are much different than what we see on TV If there is one thing I hate more than lying, It’s hypocrisy. We are told to exercise To get fit, and eat right Then what do we see? Models throwing up at night Scared Because the pressure is too much To eat is too pricy So food, they don’t touch. What is a model? Someone or something used as an example I don’t know about you, but When I shop, I grab up ALL the samples Starving isn’t realistic Nor is it “right” Regardless of your pant size, Regardless of your height. We are told that beauty is only skin deep That what really matters is all underneath I have yet to see one person at the VMAs With less than 5 makeup products on their face Why is that? There’s a simple Answer. Thanks to Maybelline and L’Oreal It costs 6 dollars for a beauty enhancer. Girls talk all the time About how there are no good guys out there. I hate to burst your bubble But saying that isn’t fair There are plenty of guys Who are respectful and kind But you push them away Without a care in your mind You want one thing Then it changes to another Because movies make you think You don’t have to really care for one another They show relationships as prideful, Full of lust and lies So when it comes to the real world, Kind guys are despised. So they mask their emotions with Hardness and Vulgarity Showing love on occasional, Rarely, and sparingly. See According to society, Men have to be “tough” Or else they are judged and pushed aside Left waiting for the one to call their bluff. This is for all the girls Who think they aren’t skinny enough This is for all the girls Who think they aren’t pretty enough This is for all the guys Who think they have to act a little more “tough”, You’re beautiful, you are loved. Don’t ever let anyone tell you You aren’t enough.
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80
Windmills Life’s short From the gate Better use time well Spend sparingly And wait For your chance to dwell Forever comes Sooner than later More often than never When millions of men deny Windmills spin And time testifies As an eye-witness It spent Like seconds Collected as you went Saw dust dance in the air Took for granted Then used as evidence Of what happens When we go
0
Oct 4, 2011
Oct 4, 2011 at 4:02 PM UTC
Windmills
How can I recall the past? when I can’t even remember your face, I can’t even remember your voice. All I've got is your jewellery box and your writing in chalk, probably not worth a lot. I save the box for the moments of loss that feel like I’m scraping nails down a wall with no foothold. Within the lining I can, if I concentrate, recall your scent. Sometimes I open up your old lip-balm and wear it sparingly. Loose as it may be, it’s as though you’re reality and touching me. Emersed in these moments, I forget, you’ll always be someone I never knew.
0
Dec 23, 2012
Dec 23, 2012 at 8:48 PM UTC
Lost Inheritance [Cheated]
Who do you think leads us When we find it there at the top of the mountain The sky a sweating forcefield Defending an unknowable cannibal society from the rages of brutality No lifeguards here at the sidewalk hot dog stand No golf carts swerving in and out of lanes On a neighborhood parkway Our footsteps bend back with tension Where we face a collision course With a culture three short steps removed And left to warp and mutate in the lee of the stone Where sands of time blow sparingly To the pace of a sputtering tractor motor
0
Sep 18, 2012
Sep 18, 2012 at 1:48 PM UTC
Reproductive Isolation
this isn't heartbreak, no, this is swollen and there's a difference between the two heartbreak is what you feel when you get your heart broken swollen is what happens when you give too much of yourself away and I do too often without thinking I love like everyone is dying and my passion is the only thing that can save us like the end of the world is coming and all we have to save the human race is my weakness I care like it is an alternative to breathing and every available ounce of oxygen has gone missing I give like a one time supply that thinks itself endless like my limbs can regenerate without trying like my lips are incapable of cracking like my bones were made for splitting I give like if I were to empty out completely I could still call myself whole like I can auction off this body and still refer to it as home like I can hand out my vulnerability in pieces and still have something for myself this isn't heartbreak, no, nor is it swollen this is a resignation from my conscience to my desperation this is a reminder for my own to give all I have sparingly and this is an apology to my sanity for when I don't listen
0
Nov 5, 2015
Nov 5, 2015 at 2:10 PM UTC
Acquiescence
There are moments of clarity. They come sparingly And I ache for their return Once they decide to depart. In those mere seconds I finally know what my life entails And accept the greatness I hold. I am at a high that throws my mind Above its own capabilities, But I know the end is near Once my body begins to plummet Through the stratosphere, A simple shooting star To the eyes of onlookers.
0
Sep 12, 2018
Sep 12, 2018 at 9:21 PM UTC
Tumble
My heart is fragile and frail, and few are the words that she so sparingly; so seldom says. "I love you." My heart, she says.
0
Jan 4, 2021
Jan 4, 2021 at 5:28 PM UTC
My Heart.
How do I love thee? Let me count the ways of soul soothing play, unique in it's own way. To join our hands and walk over the Sands. Dreams of lands, adorned by scintillating star bands. Together we breathe and share the lovable air, Full of aroma and sweet scents of pine. Let's start to clear the clouds of fear, Make love not sparingly, in actions of passion.
0
Mar 10, 2016
Mar 10, 2016 at 10:50 PM UTC
Love Play
the day you called me i could hear that tin can tear drop echo in the midst of my happy hello, but my hopes crashed faster than my ego as you recited those rehearsed lines of let go, & the words were wet with sobs & sweat & love wasn't mentioned amidst the mess of apologies & idle threats. & i listened with my full attention until you ran out of breath, & i responded cautiously with tiny verbal tip-toed steps. & while your eyes ***** dishonesty, your heart hunts for a better chest because you're aware of it so sparingly it's just a ribcage ornament. & i felt empathetic as you wept because your valves were finally thawed & thumping & i wonder if you felt the weight on your breastplate as it was shocked into a waking state, & made up for missed decades by pounding at a rapid pace & revitalizing vapid veins. & as i listened to you come alive over that claustrophobic cell phone line it floods my ears & drains my eyes & makes my heart divide...
0
May 8, 2010
May 8, 2010 at 3:21 PM UTC
phone surgery
Such an abatement of voices creep sparingly, verily I tell you, they shall be accrue in the mornings dew!! Acquaint me on mine wrongs, thank me for mine songs I subdue!!! They are just registry's of what's real and what's not!!!! Must you haveth natural air to breathe? Annotater of annunuity. Apprentice fakes overtake innocent babies where the unnatural scabies infest the freshest of human skins. Carrouse all your symptoms away. You leader, you fearer, you murderer by day!!! Your one charitable cent gives to noone, for someone in thy heavens watches your do's and donts!!!! Sure you won't infest beyond breed. You striver to succeed, your alive today aren't thou? Grant it, you don't look it....
0
May 12, 2015
May 12, 2015 at 5:50 PM UTC
one for wakeup, two for a sleep
Lydia's mother sliced the bread thinly and buttered sparingly and handed Lydia two limp slices and said get that inside you can't have you going everywhere with your stomach rumbling people'd think you've not been fed Lydia took the two slices and a mug of stewed tea but she hadn't been fed that was why she went and got the rolls and bread but she said nothing just nodded her head and followed her mother into the living room and sat at the table her big sister had gone to bed her father was sleeping off the beer Lydia nibbled like a mouse a thin long haired girl of a mouse can I go up West? she asked up West? her mother repeated as if her daughter had sworn at her up West? she said again turning the words around in her head to see how they fitted in best   can I? her daughter asked again anxiously you can in the sense that it's possible but if you mean may as a permissibility then no her mother said what? Lydia said uncertain where she was in her request your gran always said that the difference between can and may is one of possibility over permissibility said Lydia's mother may I go? Lydia asked softly no you may not her mother said why not? her daughter asked because I said so her mother replied why do want to go there? her mother asked Benedict said he was going there and that he'd take me Lydia replied oh him her mother said she sat and took a bite from her sandwich picturing the boy from upstairs in the flats with his hazel eyes and big smile and self assurance about him why does he want to go up West? she asked he likes adventures Lydia said adventures? her mother said repeating the word as if it were unknown to her who does he think he is Biggles or someone like that? Lydia sat nibbling frowning holding the bread in her thin hands he's never mentioned Biggles Lydia said don't talk with your mouth full her mother scolded Lydia swallowed the bread he's not said nothing about no Biggles Lydia said well you can't go her mother said firmly looking at her daughter's thin frame and lank long hair do you mean I mayn't? Lydia uttered gently I said what I mean her mother said and don't get mouthy like your big sister or you'll feel my hand across your backside Lydia nibbled and looked away a train steamed crossed the railway bridge leaving grey white smoke behind it lingering there unsettling the air her mother muttered words but Lydia didn't listen she watched clouds cross the sky darkly carrying a storm or rain she liked her backside as it was she didn't want no pain she'd not ask again.
0
Nov 7, 2013
Nov 7, 2013 at 7:44 AM UTC
NOT ASK AGAIN.
Lydia's mother sliced the bread thinly and buttered sparingly and handed Lydia two limp slices and said get that inside you can't have you going everywhere with your stomach rumbling people'd think you've not been fed Lydia took the two slices and a mug of stewed tea but she hadn't been fed that was why she went and got the rolls and bread but she said nothing just nodded her head and followed her mother into the living room and sat at the table her big sister had gone to bed her father was sleeping off the beer Lydia nibbled like a mouse a thin long haired girl of a mouse can I go up West? she asked up West? her mother repeated as if her daughter had sworn at her up West? she said again turning the words around in her head to see how they fitted in best   can I? her daughter asked again anxiously you can in the sense that it's possible but if you mean may as a permissibility then no her mother said what? Lydia said uncertain where she was in her request your gran always said that the difference between can and may is one of possibility over permissibility said Lydia's mother may I go? Lydia asked softly no you may not her mother said why not? her daughter asked because I said so her mother replied why do want to go there? her mother asked Benedict said he was going there and that he'd take me Lydia replied oh him her mother said she sat and took a bite from her sandwich picturing the boy from upstairs in the flats with his hazel eyes and big smile and self assurance about him why does he want to go up West? she asked he likes adventures Lydia said adventures? her mother said repeating the word as if it were unknown to her who does he think he is Biggles or someone like that? Lydia sat nibbling frowning holding the bread in her thin hands he's never mentioned Biggles Lydia said don't talk with your mouth full her mother scolded Lydia swallowed the bread he's not said nothing about no Biggles Lydia said well you can't go her mother said firmly looking at her daughter's thin frame and lank long hair do you mean I mayn't? Lydia uttered gently I said what I mean her mother said and don't get mouthy like your big sister or you'll feel my hand across your backside Lydia nibbled and looked away a train steamed crossed the railway bridge leaving grey white smoke behind it lingering there unsettling the air her mother muttered words but Lydia didn't listen she watched clouds cross the sky darkly carrying a storm or rain she liked her backside as it was she didn't want no pain she'd not ask again.
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147
I heard a rumor part of the reason Amy Winehouse died is she abruptly stopped drinking and her body did not adjust well.    She harmonized with poison. She needed this. Isn't that interesting? I wonder if a similar rule applies to other poisons. Let me tell you about the time I got really, really wasted in Spanish class. The bartender sat directly to my left. She would give me dopamine bombs with oxytocin shots and serotonin chasers. She poured me love in a pint glass. I was drunk every day. One day the bartender cut me off. My body did not adjust well. I harmonized with poison. I needed this. But it's okay, I have different flaws now. I have SSRIs for synapses. I have whiskey for frontal lobes. I have potassium cyanide for contemplation. I have THC for memories of her playing symphonies on heart strings. Also the guy who sold me these colorful pills is a ******* liar. Ecstasy feels like those fingertips. Now every birthday I wish for smiling wrinkles when I'm old. I'll do with these blisters on my passion and these calluses on my character and if she really is gone I hope sunshine takes it's job back. I apologize. Blaming her isn't fair. I'm just tired of my reflection at the bottom of whiskey neats. But I do hope she pours sparingly now. Over-serving is ******* reckless.
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Jan 24, 2014
Jan 24, 2014 at 8:50 PM UTC
The First Time I Got Drunk Was In Spanish Class
*It was a gloomy Halloween night, misty, dark and cold, With madness and mysteries that were yet to unfold, When a pretty and pleasant witch, simmered hot brew, Preparing to cast a spell, to the young and old. With a poisonous drink, in scents of sweet potion, And a fragrance of pure white lilies, only if they knew, Tasty and hot, similar to a steamy cup of tea, Placed in a large *** plenty for everyone, and not leaving a clue. As ghosts glided through, generating spooky sounds, Reflecting mysterious whispers, as light as the winds, And scary black bats flew endlessly, into the darkness, Sparingly stroking, their generous long wings. As guest gathered hopelessly and anxiously, drinking her brew, And became drowsy, falling asleep, And the witch grew weary and tired, through the night, Upon her awakening, her invitees managed to escape, and she started to weep.*
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Oct 5, 2014
Oct 5, 2014 at 9:39 PM UTC
A Night Of Madness And Mysteries
The Wildest Conclusion Who are you To tell me My thoughts Aren't worth being heard I deserve And demand my rights I might Shout amendments First, Then commence To irregular common sense My stability Is retained By the imbalance In my brain You see, I can't enable These "Cain and Able" angels That rest on your shoulders Because I ain't able Fables Fly out the mouth Of an astounding author His sound Is profound His prowess authorized By his copy written Signature Which is his style Italicized and laid back Now, Crack open Another pack of pens And draw out The wildest conclusions In deep thought Then listen... .The world disapproves. The extent Of my intentions Were wilder than I could imagine So I didn't know I would take it this far The words written Were forbidden In the foulest belief system I wouldn't have wrote them If my outrageous mind Wasn't dying From boredom Boarding off the monsters That alter ideas From beneath the bed They reach my head And toy with my Emotions Tantalize and Taint my tender mind Then morph it To be the tainter! To picture death You'll need help From this Morbid painter Why do I Write so wickedly Then spread like pandemics It's Pandemonium momentarily Shared with you With whatsoever You should do With Evil knowledge Is truth Look in your hands I say "Vice is right" Can I persuade? Like a gun used to ****** a murderer Some executions Are executed At the exact moment Of redemption How tempting Is it for A wholesome man To make A half-hearted attempt At prosperity Sparingly Laying in Evil's bed But never staying When he awakes Will he use the tools Because he learned the trade Or teach others To not It's hard to reach others When all they believe Is a happy ending I conclude But The true ending You can't imagine Because it's too wild For you.
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Oct 4, 2011
Oct 4, 2011 at 4:03 PM UTC
The Wildest Conclusion
The Wildest Conclusion Who are you To tell me My thoughts Aren't worth being heard I deserve And demand my rights I might Shout amendments First, Then commence To irregular common sense My stability Is retained By the imbalance In my brain You see, I can't enable These "Cain and Able" angels That rest on your shoulders Because I ain't able Fables Fly out the mouth Of an astounding author His sound Is profound His prowess authorized By his copy written Signature Which is his style Italicized and laid back Now, Crack open Another pack of pens And draw out The wildest conclusions In deep thought Then listen... .The world disapproves. The extent Of my intentions Were wilder than I could imagine So I didn't know I would take it this far The words written Were forbidden In the foulest belief system I wouldn't have wrote them If my outrageous mind Wasn't dying From boredom Boarding off the monsters That alter ideas From beneath the bed They reach my head And toy with my Emotions Tantalize and Taint my tender mind Then morph it To be the tainter! To picture death You'll need help From this Morbid painter Why do I Write so wickedly Then spread like pandemics It's Pandemonium momentarily Shared with you With whatsoever You should do With Evil knowledge Is truth Look in your hands I say "Vice is right" Can I persuade? Like a gun used to ****** a murderer Some executions Are executed At the exact moment Of redemption How tempting Is it for A wholesome man To make A half-hearted attempt At prosperity Sparingly Laying in Evil's bed But never staying When he awakes Will he use the tools Because he learned the trade Or teach others To not It's hard to reach others When all they believe Is a happy ending I conclude But The true ending You can't imagine Because it's too wild For you.
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110
Within this crimson, opalescent phial entwined with metallic vine slumbers death's grim visage. A few drops laced in wine or tea produces sinister hallucinations and searing agony. To be used so sparingly, only in greatest need to avoid discovery of secrets harbored. I tuck the phial away. He never knew how close he was to agonizing death by my hand.
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Oct 23, 2011
Oct 23, 2011 at 2:47 PM UTC
Sinister Crimson
I've never been one for talking. My words have always been used sparingly As a child, they were minimal and meaningful But my years progressed I lost confidence So they became less and less. I started to believe That my opinion was worthless And I could never formulate a perfect method In which to express my emotions to others So I began to fall into myself. As depression hit like a crashing wave And anxiety was the flood that followed I looked for ways to cope. I would attack myself with anything sharp Sending me to the hospital was it's only effect. An eight year battle with an eating disorder Seldom reaped any benefits. But through it all, I began recording my experiences. Not ****** But with a pen in my hand And a cigarette hard-pressed between my lips. I would write anywhere I could In classes In my bedroom Sometimes, surrounded by nature And it was so unexpectedly freeing. It was as though My words finally made sense And flowed seamlessly, one into the next I didn't stammer or hesitate when I wrote. I felt esteemed and witty and self-assured I finally had a space where I was free of judgement. All in all, Writing is a gift To express thoughts and say exactly what you mean Is beautiful. For me, Writing is a means of escape Of expression Of art. Writing is really The way I communicate with the world around me.
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Oct 10, 2014
Oct 10, 2014 at 9:25 PM UTC
Communication
Balancing whispers in our scales We exhaled our reason And spent a lifetime Immersed in a spiral of pleasure The grass may seem greener But only in fair weather And your mind is a heavy sweater That you wear sparingly To cover up the bareness Of your shoulders
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Apr 22, 2019
Apr 22, 2019 at 11:13 AM UTC
a somnambulist's vacation