There are few things more pitiful
In this first world society
Than a man
In stretchy pants
With a
Pointing down *****
Getting a *****
In a situation where
Adjustment is
Out of the question

Katie Price
Had a collection
Of last season's
Brassieres
Which she indexed
With the help
Of a sincere
Bilingual reindeer
Dressed in spandex
Who for some reason
Was single.

Taxonomy
Is so important to me
Said Katie.

So they were labelled
And kept in taxis
At disused angle grinder factories
Near the Tower of Babel
So posterity
Would be able
To analyse
The finer points
Of her physiognomy.

Quite an unusual praxis
And something of an anomaly
For someone like me
Wouldn't you agree?

Cross my heart
And hope to die
I agree.

Skyscrape city
Land of Construction and Buying Local
I stand here. Metallic red spandex
sweat collecting in my mask.

down the street a band of thieves
bang and clang loudly in The local bar
Not-so-cleverly named: The Tavern
"AYE!" says the largest drunken-est one.
"what cries first when you **** a girl?"
"her Eyes or 'Er heart?"
His filthy men take their guesses.
"Eyes!"
"Heart!"
"WRONG!" says Kane. "'Her Mother"
They all laugh, at the honesty.
Clang their tankards loudly!

These Bandits are a problem.
Some sort of Super Hero needs to bust in there and put an end to this.
which is kind of why the crime rate here is so high.
Because that's not what I do at all.
I'm just a 20-year old man playing dress up.

Monday Morning I call my friend Max
All I say is "Meet me at the mall ASAP"
Before I hang up.
From behind me I hear
"I'm already here, man."
I twist my head up and look around to find Max holding a Nerf gun pointed right at me.
Pop!
"What's The Plan?" he asks.
I kneel down to claim the Nerf dart.
Hold it tightly in my fingers.
"By the end of this day Max,
We're going to be Super Heroes."

We Travel around town searching for the perfect costumes.
First stop: ***** sporting goods.
We buy Mace
Air horns.
Kneepads
Under Armor Spandex, with armor pads!
"Dude! You look like military aqua man!" says Max
in that split second we had the same thought.
"Military."
we stop by the army surplus store:
buy gun holsters,
utility belts, Ammo pouches.
Never bought guns,
We just wanted to look cool.
Max spots a German machete
"Nick."
He glows, holding it, looking up to me.
"Yes." I say.
In a glass case full of various knives and daggers I spy something Precious.
Bladed playing cards.
"They're perfect." I say.
Max looks over my shoulder.
"You don't even know how to throw regular playing cards."
"Shhh, Max, I'm having a moment."
I hand the store owner a magical plastic rectangle
When we're done we Plop our shopping bags down in an alleyway.
it's dark now.
Dark enough to Slip into our New spandex armor.
Click Fasten our leg holsters
we spent our whole day shopping, for this moment.
Max holds out his machete and starts swinging it around.
"Max you don't even know how to wield that thing."
"Like you do."
cheque pants step out the side of a building and haul some trash bags into a nearby dumpster.
Then spots us.
"What're you kids doing!"
"Ahhh!" Jumped max as he lunged at the mans head with his machete.
"MAX!"
It was too late.
blood gushed from The guys skull
He slide down against the wall.
Max backs up slowly. speechless. wide-eyed.
"We Need to tell someone about this. right now."
We'll them a crazy murderer showed up and killed this guy."
"while we were changing?"
into our super hero costumes?"
We'll leave out some details max! We're lying! Let's go!
We Burst out of the Alley towards town.
"QUICK! In here!"
A Sign on the front wall read:
The Tavern
We dashed inside.
Men are laughing loudly, clanging their tankards drunkenly.

Then laughter stops.
Only the faint sound of pub music in the background covering what otherwise would be Crickets.
Eyes all fasten and glare at max and I
Snickers and giggles start poking fun at our outfits.
"Hey Kane, get a look at these queers."
"This ain't no gay bar boys, get a move on"

I finally Piped up through The gum of my throat.
"SOMEONE IS DEAD!
Blood everywhere!
Need..
Call...
Police!"
"Phew! I need to run more."

A Small bald man whispers to Kane
"Boss They must have found her."
Kanes Eyes go wide
"Boys!"
The men slowly rise from their seats and advance
Two of them slide behind us
Blockading the door
Large hands vault us toward the center of the room.
"You told the wrong Bar, boys" Says a bandit.
Quickly, I fumble through my pouches.
Try to whip out a bladed playing card and throw it at one of them.
As I flick, my finger gets sliced
Stings.
The Playing card clangs against the ground as I nurse my finger to my mouth.
they all laugh
"Oh look! he thinks he's some kind of Ninja" Shouts Kane. "HA!"

a bandit grabs my arms, twists them back hoists me up.
Max takes a swing at a bandit
It hits him much like a pillow.
A ***** eyed stare from max looks to the man as he Drives max right in the jaw and sends him sailing to the ground.
His lip bleeding.
Max reaches into his pocket.
fingers clasp firmly.
Closes his eyes.
LAYS LOUDLY THE AIR HORN!
The bandits jump back and cover their ears.
While the bandits hd their ears I escape the grapple.
I drop, reach for my mace,
Jump back
spray him in the eyes.
"MAX!
LETS GO!"
we run towards the door,
Still laying on the Horn.
Kane Stands in the way.
Grinning.
I finger a Playing card in my pocket.
Better get good at this fast.
Wrist flick
It flys through the air
Bee lines straight for him.
Straight in the eyeball!
"AHH!" His hands fly too his face in pain.
His fingers clench the card
He braces readying himself to pull.
We Bust out of there.
Run down the street.

flashing red and blue lights glow from out of the alley.
We peak around the caution taped wall
A cop is searching our wallets,
He Pulls out our I.D's
"Leave our **** Nick, let's go."
"But, My coffee mug!"
"But, cops nick! But our wallets nick! How about our clothes!  Our homework. My machete!"
The cop looks over towards us and we press fast behind the wall.
Max and I look at each other
Nod.
Race off over a brick hill
Around a Tower,
Into a parking garage,
we book it down
flight after flight of staircase into the basement.
Thump against the cement wall.
Gasping for air.
"Max." breath
"Yeah?" breathe
"It happened."

How do you get those boots on?
I’ve never seen any straps or laces or snaps or velcro.
When did you know you could fly?
Did you fall out of a tree when you were five and missed the ground?
How does Gravity feel about this?
Does that spandex itch?
Do you wear underwear under the spandex under your underwear?
Do those cuffs rub against your forearms?
How does it feel to a lift a car?
Like a tin can?
Like a paper bag?
Like a bucket of feathers?
What it is like to look eighty stories down and know that you are safe, that you can always save yourself?
Do you have a sixth or seventh sense?
Does it ever wake you in the night?
Do you experience the blistering heat and the chilling cold?
Do you feel it in your bones like I do?
Do you want to destroy your living room when someone has lied to you like I do?
Have you ever destroyed your living room when someone has lied to you?
Does your cape get stuck in the elevator doors?
Do you ever take the elevator?
Do you ever take the remote into the kitchen during a commercial break?
Can you stay on the couch and reach all the way to the counter?
Do you wear a mask?
Does it leave those red marks like my glasses do on my nose?
Do you want **** people who are dangerous and rotten in some places on the inside with one hand?
Does evil reside in you as well?

I sat curled up in the closet, my knees tucked up into my chest and my arms wrapped tightly around them. The more pain I felt, the tighter I clutched my knees to my chest, my fingernails digging into my skin, breaking it, hoping, with my blood, to make the hole stop throbbing, stop hurting, if only for a few minutes, a few seconds. The throb subsided, dulled, but didn’t go away. Silent tears rolled down my cheeks as another aching sob built deep in my chest, threatening to explode any second. The pressure built, higher and higher in my throat, the pain pushing its way to the surface, looking for a way out. My stomach tightened and convulsed as the sob broke surface, screaming out of my chest like a freight train, allowing the whole world to be privy to my most private pain, privy to the anguish that comes from losing something so dear to you that, when it goes, it takes a piece of your soul, and all of your heart, with it. As the last of my air escaped, my sob turned into a soft, pathetic whimper, like that of a dog sitting at the door when his Master leaves. Depleted of that life-giving substance, oxygen, my body and mind did that automatic thing: breathing. Air ripped through my mouth and down to my lungs, digging its wicked claws into the walls of my throat its entire way. A soft inward whine echoed up from the abyss of my chest just before my lungs were again filled to capacity and another sob burst forth, screaming my agony to the dark walls of the closet I had sheltered myself in.

Eventually, like always, numbness came. It worked its way up through my limbs, a sweet coolness working its way through my burning body. It started in my toes and feet, the furthest and therefore already dullest part of me. Its icy fingers began to massage their way up my ankles and calves next, pausing at my knees to work through the weakness there. I began to feel it work its way up my fingers next, cooling the burn that had been left by her fingers. It followed the paths that she used to trace up my arms, feeling nothing like her fingers’ tender caress. It moved its way up my thighs, chasing the paths her lips used to pursue on their way to my tender core, icing the burns left there. The ice flowed past my elbows, up my biceps, to my shoulders, still following her lips. Up my stomach and abs, along my ribs, over my chest, it searched out the heart that was no longer there. Its icy fingers took a firm hold of my chest and continued their ascent, up my neck and along my chin, gently caressing my cheeks, my nose, playing gently through my hair. And finally, the face, her face, that had been haunting me since I’d stepped into that closet, was frosted over and replaced with the grey haze that meant that I was able to unwrap my arms from around my knees and stand again.

I stood, then, and let myself out. I went to stand in front of the sliding glass door. It was sunrise. I’d sat in there another full night, hiding from the memory of her, hiding from her face, from everything that reminded me of her. I sighed and returned my attention to the sunrise. It was ablaze with oranges and reds and yellows, fire working its way across the sky, flames dancing in the sunrise clouds, heralding a new day. The light was streaming in through the windows, the hopeful light of yet another day. A soft breeze was playing through the aspens that were planted in strategic locations in the sidewalk five stories below. A woman jogged past, dressed in the typical black spandex sweatpants with white stripes running down the sides, accompanied by a tight tank top that revealed far more of the silicone masses, that her stock-broker husband no doubt paid for with his far-too-large Christmas bonus, than was truly necessary for a morning jog. His bonus probably paid for that nose-job that she was sporting as well. I wondered briefly why she was running. I was sure that her husband could probably afford liposuction for her. She jogged around the corner, taking my brief distraction with her, and I was left to ponder the sun rising on yet another day.

I looked around my room, seeing and not seeing the faceless picture frames lining the walls, their emptiness a shadowy reflection of my soul. A soft rage suddenly erupted from somewhere deep inside of me and I found myself tearing the empty frames from their perches upon the wall. Her face stared up at me from the empty, shattered glass that littered the floor. Her eyes haunted me in my rage as I trampled the broken glass, pulling my hair and screaming at the top of my lungs, wordless screams of anguish. My unclad feet began to drip blood onto the glass, hiding the green that was staring up at me, making her flee from the pools of glass that lay strewn upon the floor.

I turned my attention back to the sunrise. Opening the door, I stepped out onto the balcony. A sunrise this beautiful might have once moved me to tears, but the numbness was as paralyzing as it was relieving. All and any emotion was gone. My life was devoid of meaning now. I climbed onto the railing and steadied myself. I waited for the nausea and vertigo that normally came with heights to come, but it didn’t. I looked down, gazing at the sidewalk five stories below. The wind swept up, catching my hair in its grasp, and making me wonder for the first time what it would be like to fly. I spread my arms, my wings, and allowed the warm morning breeze to wash over them. It had a warming effect on my numb body, breaking the ice that had just recently formed all over my body. Her face came back into focus, obscuring the view of the street and the sidewalk below.

My mind, so tattered and torn with grief, brought me back to our last morning together. We had been up most of the night before, making love, our bodies moving in perfect synchronicity throughout the night until they had finally arched in ****** together leaving us sleeping peacefully in each others’ arms. Somehow, we’d still woken up with the sunrise, a blazing red and orange one, much like the one that I was staring at now. She had looked at me with a passionate fire burning in her eyes, softened by a tenderness in her cheeks, and told me that she loved me, that she wanted to stay with me forever. Our fingers entwined, I looked in her eyes and told her that nothing would make me happier. Our lips met then, our tongues entwining and our pulses racing as our bodies moved as one.

I closed my eyes and took a deep breath, finally allowing myself to succumb to my memories, the happy ones she and I had made during our time together. I held onto them, allowing them to cushion me as only her love could.

On the bicycle trail, a middle-aged
woman in spandex biking gear
had her bike flipped upside down.
I dismounted next to her.
“You need a hand?”
She kept her eyes fixed
on her bike wheel. “Why do I need
your help?” Her voice was filled
with contempt. “It’s only a flat.”
I didn’t respond.
Pedaling along the river,
I made the decision
to keep offering assistance.
Someday I’d need it.

-Ron Gavalik

I will keep being your hero
Gliding on nothing but cables and daring
Catching you to a cadence of pithy one-liners

I will keep being your hero
Beaten and bloodied by owls and doubt
Always with cocky grin backflips and in four colors

I will keep being your hero
With You beside me
Masks not covering flushed cheek smiles and kisses

Your hero
Will protect you
Help you swing a little higher
Fly a little farther

And when I can't be your blue and black gymnastics god anymore
You will still be my hero

the circus train comes to town once a year,
carrying Russian ballerinas & corporate America dropouts.
she brings an irresistible bouquet of
caramel apples & greasepaint, of
cotton candy & mechanical smoke.
the circus is a seductive beast, she'll grab your heart
between her teeth & she won't let go, like a
rabid dog.

when the show begins on opening night,
you'll be sure to grab a front row seat, right in the
Grand Stand, among the soccer moms & their sticky-faced toddlers.
you'll feel the childish delight bubble
in your chest when the music swells, when the elephants march
& the clowns tumble out in garish colors.

after the show, you'll stumble to the three rings with the
toddlers & their tired moms, right to the center ring, don't be
shy when the clown dressed in yellow & black,
like a bumblebee, comes towards you, a devilish grin on
his painted coal black lips.
your knees will tremble, you'll turn as red as his big nose, when he pulls your back to his solid chest, & he begins to juggle right in front of you.

"stick around, after closing" he murmurs in your ear, "that's when the real circus begins."

the circus is painted bright, a swirling mass of
red & blue, with sparks of yellow, ribbons of pink.
even when the show is over, the mystery is still
there, the sweet seduction lingers, like an old lover's fingers can trace circles on your skin in the dead of night.

when the bumblebee clown drags you around town that night,
as if he lives there & not you, you'll go along with him,
your heart racing fast, as fast as the girl dressed in
pink spandex flew from the cannon across the circus ceiling,
how could you have forgotten that?

he'll take you to McDonald's, ask you to pay for the meal, he's broke until Thursday at 2. of course. you split a small
fry and a chocolate shake, by then it's midnight,
he performs some simple magic tricks, balancing a
chair on the edge of his chin, snagging a shining quarter
from your brunette curls, watch out, girl, he's reeling you in,
he's as seductive as the circus.

he will walk you back to your college dorm &
he's sure to mention how it's been years since he has
been inside a dormitory, since clown college, yes it's real.
your roommate is gone & you're not ready to say goodbye
just yet, so you'll sign him in & guide him to your third floor
room.

he marvels at your textbooks & cuddles your teddy bear
brought from home, while you drink him in, solid, squat,
a true Texican, his skin is brown as caramel, & you wander
if he will taste just as sweet. he'll notice your blush, & pull
you close, pinch your hips, nuzzle your neck & kiss you hard,
maybe a bit too hard.

he lays you on your back, & you're naked, you're scared,
vulnerable, you watch him dip his head & kiss you, nibble you in that sweet, sweet forbidden spot. there's a black coal
in your chest, in the pit of your stomach, you're disgusted,
you're curious, you taste the circus firsthand, gagging.

the circus will remain in town for
an entire week, & for an entire week you have a
circus clown as a boyfriend.
you take him on adventures around your college campus,
to your favorite burger spot, to the big water balloon fight
& he'll show you the circus world, you'll hug
an elephant, you'll drink your first beer in Clown Alley,
& you'll watch the show a dozen times.

he'll write you a love letter on your skin, caramel drips on
China porcelain, he'll leave bruises in the shapes of hearts,
& you'll cry when he leaves, it's only been a week, but
it's been a lifetime. he'll hold you tight, too tight, and he'll whisper,

"it's only a year, i'll see you in a year."

when the circus train leaves, the asphalt lot will be
conspicuously empty, except for a trampled clown nose,
much like your aching heart. you'll feel numb & blue,
you'll cling to your phone, the clown promised you
he would call.
you fall asleep cradling your phone to your chest, startle awake when he finally calls you, it's 4 in the morning, you have an early class, but that can wait, his voice is on the other line.

you'll lose a lot more than sleep when you fall in love
with a circus clown, you have to conform to his schedule,
you see, he is the one calling the shots, not you, not we.
you'll start to slip up in your classes, all you do is stare at your phone screen, who cares about supply vs. demand, anyway?

you hitch a ride to see the clown half a year later, you could
hardly stand him being an hour away, & you'll fly into his arms
like a trapeze artist, after the show, he'll carry you like a bride
to his coffin
bed & you're naked again, scared, vulnerable, he's all the way
he's grunting and sweating, and you're cowering, numb.

you leave 15 minutes later, with shaky thighs, you're slightly
nauseated, you try to kiss him goodbye, but he pushes you away,
he's got eyes on the concession stand girl, the one with
raven black hair and a Marilyn Monroe piercing. your heart drops as you get into the car, your friend begs you to talk, but you can't,
you're confused, you're scared, you won't see the clown
for some time to come.

you try to focus on your schoolwork, but your As slip to Ds, you
try to go out with your friends, but they want to talk about
the cute guy in psychology, not about a circus clown miles away.
you forgot to do laundry, all you do is lay in bed, your dorm is
smelling moldy, your roommate starts to stay away. you're
falling, sinking into a blue sea, deep, dark, endless.

when you fall in love with a circus clown, you must know
you're just another Rube from another city, nothing special,
you see, he's got girlfriends in Florida and Las Vegas, that
concession stand girl, too, you're nothing special, girl,
not even close. you gave it all up, your love & your
bleeding heart, to a circus clown, you foolish girl, don't
you know, he'll just play you as hard as he plays in the
circus ring?

The white man leaves his house
Some white women leave theirs
The rest wear spandex and push stroller
The Latino man comes
To build houses to paint houses
The Asian man comes
To build houses to paint houses
The Latina women comes
To take care of the kids
Some Asian men and women
Work in the laundry mat
The rest of the businesses
Owned by white people
The white man comes back
Some white women come back
And everyone else leaves

You just can't tuck your shirt in well enough
With your pants buckled
So make sure you do it right
Before you leave your house
Because that's an awkward dinner thing
And I'm going to level with you
A tucked in shirt all bunched up around the waist
Is worse than ***** lines under spandex shorts
So make sure you've got a mirror on your door
I can't have you looking
Like no one ever warned you
Like you haven't had a father to teach you
Because you have a father
And I know the replacement
She's got in her bed every night
Is a nice guy
But he didn't ask to be a father
He's not ready
And it's not that I wanted to be a father
But he didn't even get to have
The *** that made you
And believe you me
It was a good night
And since your not even two yet
I should probably start
With some advice that's a little more
Relevant
But I'm serious about the shirt thing
I mean if you can't do it right
Leave it untucked
Anyways
First advice
Smile
Nobody likes a negative Nancy
Besides you'll need the practice
Because if I'm going to pay for braces
I expect a return on investment
Paid in smile hours so be funny
Smile because if eyes are windows to the soul
Smiles are open doors
So smile wide
A lot of people are going to want in
Let them in
Advice two
Take a long time to have *** first
Then **** your brains out
It's only making love
The first two times
Your anniversary
Make-up ***
The first hour of your honeymoon
The last hour of your marriage
And the last time
So don't stress out about
Any other circumstance
Unless she's a friend you've had
Since you were in 3rd grade
You've always loved her
Your 21
Freshly single
And finally alone
In which case
I hope they have better pills
Because without them
You'll never live up to the expectations
You've inflated in every dream you've ever had
Asleep or otherwise
But don't worry
It'll still be the best night
Of both of your lives
Other than that
Don't stress the in between ***
But do pay attention
To the first thing you say after
High five does not equal win
I love you does
But only say it if you mean it
Otherwise tell her she was amazing
Advice three
Heaven might end up being
An awesome place
But don't miss out
On opportunities here on Earth
To make sure you get there
Because no matter how awesome
Cobble stone streets are to your disembodied self
It will never equal the
Real life feeling of a quivering bottom lip
Of a real love kiss
I promise
I promise
I promise
Advice four
If your girlfriend
Ever offers you a sweet treat
Take it
Don't worry about the calories
Even if you're an athlete
The run in the morning
To burn it off your hips
Is worth the smile on her lips
The joy in her eyes
And the children playing
Hopscotch in her heart
She needs to feel loved
Needs to feel needed
Show her she's appreciated
Take her hand in a dark movie theater
Stare at her in a crowded room
Whether she's the love of your life
Or the flavor of the week
Tell her she means something to you
And kiss her cheek
Every time you leave
But most important
Before you walk out the door
Unbutton your pants
And tuck in your shirt
The world is watching
Don't act like you don't have a father
You have a father

Bobo's kitchen

in the kitchen
icebergs rampage from the freezer
burying pizzas and waffles
in a glacier jungle
Bobo swings forks and knives
at the ice until the maintenance man
cusses in Polish
gallons of water
dripping downstairs
sizzling Bertalina's soul
the fiery bilingual single mom
living in fear
below his fear
of noise complaints
she sends tape recordings
to the landlord in her
cute red faced anger
loud people! and bongos!
guitars! stomping! laughter!
nightmares for her boys
who think they hear ghosts
her tight black spandex
drives Bobo mad when she runs
drifted scents of her food
sift in through his windows
knocking him out
in hungry frustration!
¿Como estás? he asks her
I speak ******* English! she barks back
back up the stairs Bobo goes
to his own kitchen where
the mice crawl out the stove tops
and potatoes grow tree roots
clear through the window
toward another life

Jake Mahaffey

Copyright (c) 2013 Jacob Mahaffey

So let us now place monetary value on information.
Let us return to the source,
Mining & prospecting that fertile intel seam.
To wit: WWII and G-2 shenanigans.
Wild Bill and OSS-capades,
Artificial disseminations.
Partial recriminations.
And PSYOPS:
A literary nightmare--
THE CYCLOPS from The Odyssey,
For example,
If you lack your own,
Your own personal Bogey Man.
Or men. For me:
Allen Dulles or Richard Helms.

The Intelligence Community:
It was a small tightly knit crew,
Less than battalion strength in 1942;
A few myopic soldiers,
Who, although could barely type,
Were still too cerebral to
Waste as infantry fodder.
It was a huge converted Army-green warehouse,
Space strategically partitioned,
Sectioned off into cubicle-like spaces,
By giant 4-drawer file cabinets
Standing tall like MPs,
Sentinels & Guardians,
Monuments to pre-electronic storage,
Data relatively comprehensive, and an
Archive secretive & intimidating.

Within the Army-green incunabula,
Scattered throughout the intel landscape,
Here and there a few commissioned officers,
A smattering of college psychology majors,
Personalities with predilections,
And penchants for mind games.
These self same WWII vets,
Would morph into Cold War Mad Men.
Stalwart, stouthearted men of Eisenhower,
And J. Walter Thompson,
De-mobbed, as they say in the UK.
Consumptive.
Self-indulgent,
Particularly when it came to the kids;
Children of the peace,
Called Baby-Boomers,
An entire generation enabled & destroyed.
Who would produce little of value
Except medical marijuana and
Coupons, clipped by that sober ruling class—
Fat interest-bearing college-loan portfolios
Held by that neo-Calvinist Elect: The 1%.
Fat cats one and all,
Loaded dice & canasta cronies--
In concert a stacked deck,
“Una mano lava l'altra.”
The words of my namesake--
My grandfather Giuseppe--
His vowels reverberating,
Rattling in my dreams.
Not friends, but
Fiends in high places, like
The Fed and dark liquid pools.
Thank you, Barack, for
Fooling us again.
For giving us
“Belief we can believe in.”

But I digress.
It was when the Government Secrecy Act,
In all its transnational incarnations,
Embraced capitalism in a big way,
Elevating the ideology to whole-Earth saturation,
Systemizing the ethos of Darwin,
Into one global Moby ****,
One solitary leviathan,
A multi-level marketing labyrinth,
Where wealth is the end game--
Greed: pure, unbridled & unrestrained.
Bond--James Bond—
Did his bit, supplying catchy
Slogans & tag-lines:
“For Your Eyes Only.”
“On a need to know basis.”
“Confidential Information.”
“Top & Ultra-Top Secret.”
“Hush, Hush & a Bag of Chips.”

The sealed letter sits in a locked drawer,
In that stout desk,
In the Oval Office
In The White House,
“To be opened by my VP in the event of my death.”
Another staggering work,
Of achy-achy-heart breaking genius,
The culture commoditized,
A disease containing its own cure,
Assayed, graded,
Portioned & packaged.
Priced accordingly,
To a logic that goes something like:
“Anything this tightly controlled,
Anything the government deems to be
This illegitimate and/or & secret
Must be really, really God-awesome,
Must really be Da ******* Bomb.”

Brother Coolidge was right:
“The Business of America is Business.”
And INFORMATION:
“The Most Valuable Commodity on Earth.”
So said Stanford Stuyvesant Whitehead III,
19th Century robber baron, and
Consummate Fat Cat.
Get the picture:
We were smoking cigars and sipping cognac,
Mighty comfortable in leather armchairs,
Muted billiard clicks,
Punctuating the atmosphere
In this spacious lounge,
His East Side
Downtown & private
Manhattan club.
I, his guest, had not the slightest idea
Why I was there.
"By God, man," he went on,
My eyes speared by his laser gaze,
His bushy eyebrows,
His monocle.
His bulbous nose;
His thick wet mustache.
And those EYES:  
Those crazy,
Insane eyes.

"I am talking about a profound change,” he continued.
“Back when the steamship
Gave way to electronic wireless radio."
He puffed smoke,
Removing the cigar from his mouth,
Holding it,
Examining it critically for a moment.
"I'm talking about communication,
Instant communication
With business associates, &
Cronies far away,
Way out there,
Far beyond the places we know well.
Picture it:
You're running a fleet of
Ramshackle Filipino banana boats,
Out of some nameless cove,
Indenting the south coast of Mindanao.
A cyclone comes out of nowhere.
Good God--there’s sixteen banana-packed
Coal burners lying on the bottom of the Celebes Sea.
Think about it:
You've got telegraph radio.
Everyone else has the post office.
Now, I ask you:
‘Who's going long,
Who’s getting rich on the
Caracas Banana Exchange?’
Good Lord, man, it would be
Like being omniscient!"
“This very conversation,” he went on,
“Could well be a verbatim transcription
Of a conversation right here in this very room,
Between people like: J. Pierpont Morgan
And some lesser Gilded Age nabob;
Some Astor, some Rockefeller,
A Gould or Vanderbilt,
Whitney or Duke,
Some Frick or Warburg--
To name just a few, old sport.”
He stopped suddenly.
He looked down at his hands,
As we both realized he had counted these names
Out on his fat curled fingers.
He looked at me and smiled.
I was afraid.
Why had I been invited to this meeting?
I smiled back at him,
Doing my best to mirror his
Carnivorous menace.

I knew it.
He knew it.
He knew I knew it.
Mr. Whitehead’s growling rabid jowls,
His slobbering canine smile held me steady.
“Okay. Touché. ‘Ya got me.”
He shook off the phony smile,
An absence, accentuating
His stare: lethal, carnal & rare.
“I never had much formal schooling.
I’ve been hungry.
Hungry enough to know for sure
That the correct fork,
Don’t mean ***** from shinola.
When I’m dining out, fancy-like,
Me manners is the least of me problems,
Far less important than
The dinner chit they
Hand me after I slake
My thirst & appetite.”
Again, he stopped suddenly,
Recognizing that, perhaps,
He’d revealed too much of his
Bedford-Stuyvesant pedigree.
He turned again and stared at me.
“None of that,” he said.
“None of that means squat to me, Boyo.
What matters now is I’m rich.
I’ve got mine, By God,
And ******* It!
Tough ***** on the rest of you losers;
The rest of you fecking whiners can go
**** yourselves over at Zuccotti Park.”
He pounded the armrest,
The padded armrest of the rich Corinthian leather—
( . . . ***, Ricardo?
Get your Montalbán
Mexicano ***, back in
Random Access Memory Land,
Where you belong.
**** ya’ Fantasy Island
Hospitality, Mr. Roarke,
Go be wrathful Khan Noon Singh,
Somewhere else.
Now is not the time, or,
Let me rephrase that:
This narrative will not allow your meme here . . .)    

Whitehead pounds the armrest again.
“My point is this:  
None of JP Morgan’s decidedly,
un-nattering lesser nabobs of negativity . . .”
BAM!  Again, he pounded the leather . . .

(Back in your ******* hole, Spiro!
Do you realize just how far back,
Just how far back
Maryland’s reputation
Has been set back by your venality?
Not to mention any shot at ethnic assimilation,
The rest of us grease ball non-Wasps
Have in this country?
You ******* Greek!)

I stopped thinking
When I realized Stanford Stuyvesant Whitehead III
Was reading my mind.
“So that’s what it’s really all about,” he said,
Rank smugness in his voice.
“So, I’m just a nouveau riche upstart,
A socially inept parvenu,
Yet they still let me
Join their tony clubs.
It chaps your ***, Boyo, don’t it?
I’m still Scotch-Irish, and
A WASP, Laddie.
Something your skinny
Greaser-Guinea-****-Spaghetti-*** ***,
Ain’t ever gonna be.”
But I digress, again.

So I joined one of Uncle Sam’s
Lesser-known clandestine services,
An assignment appropriate to my ethnic identity,
Namely GLADIO in Italy,
A NATO stay-behind operation &
Cold-War comedy.
I infiltrated the Brigate Rosse.
I drove the Aldo Moro kidnap vehicle.
I cooked minestrone for General Dozier.
I sliced off J. Paul Getty’s ear in Calabria.
Ironically, I lost my hearing during
The Stazione Bologna bombing.
I am consequently pensioned off,
Off both the radar and the payroll.
Years later now,
I live in one of those gated, golf-coursed,
Over-55, sunny southern California
Lunatic asylums.

Most days I am drunk at 9 AM.
I fill Bukowski mornings,
Conjuring up Jane Fonda,
Jazzercised in camo spandex.
She is high atop a Vietcong tank in Hanoi.
Or Daniel Ellsberg
Enjoying a second act in American politics,
Praising Snowden & Assange,
& Bradley Manning,
I summon up the ghosts of
Julius & Ethel,
Benedict Arnold,
Rose of Tokyo & Mata Hari—
And Ezra exiled at Rapallo,
And John Walker Lindh,
A Yankee Doodle Dandy,
Born in Washington,
District of Columbia,
By way of Afghanistan,
Taliban Americano,
Kangaroo-courted,
Presently residing at the
Federal Correctional Institution
At Terre Haute, Indiana.
Spies.
Traitors.
Saboteurs.
And Poets?
No longer capable of keeping secrets.
Desperate now to tell
The truth.

“Oh, you're a sprinter” they say
“you aren't really a runner”

Long distance people don't understand you see
They don't know what a pulling hamstring feels like
They don't know what running with pure adrenaline feels like
They don't know what not being able to breath while running feels like

You see, we sprinters have it down to a science
Practicing starts before the race is key
Pre race rituals are the law
If we don't warm up enough or warm up too much or forget to stretch one muscle
We could be out for the season

Sign in. Warm up some more

They call my race
I pull off my pants and shake out my legs
Double knot my spikes
Finally, my jacket comes off
I step up to the start and set my blocks

My brain becomes so numb with nervousness, the motions become mechanical
Two foot lengths away from the line, first block
Three foot lengths away from the line, second block
Bring my first block up two clicks
My second up three

“Runners, take your marks.”
Tuck jump
Shake out my legs
I tell myself “Remember: low, and drive”
Because there is too much to think about all at once
I lower myself on my knees
Wipe my hands on my spandex
Double check that my shirt is tucked in, my spikes are tied
Shake out my right leg and place it in the block
Shake out my left leg and place it in the block, toes barely touching the ground
Place my hands as close to the line as possible-about two inches to each side of my shoulders
I look down, check my blocks
Look up, at the finish-I will be there in less than a minute
If all goes as planned
I swing my hair so it's on my left side
Head down, look at my hands
Shoulders parallel with my arms and perpendicular to the ground
Just like practice

“Get set”
My heart is pounding
I can’t hear anything
I slowly raise my hips
It takes less than one second to become perfect
Just like practice

BANG

I shoot out of the blocks
Left arm jerks forward and my right thrashes back
I pull my stride in, getting into perfect form
Just like practice

I tune out all of the screams around me
The voices inside my head telling me to slow down
You're running too fast
You're about to pull a muscle
Give up already

But I keep running because I don't care about the voices in my head or the sprinters beside me
I race against time
An irrevocable substance that will always win

I finish the race, maybe not my best, but I did alright for my first meet in a year.
Finally eyeing my time I let go of the breath I have subconsciously been holding
I ran my best and now my lungs are reminded what it's like to taste air

Long distance runners don’t have to worry about any of this
They just have to make sure their toes aren't touching the line
Theres no science involved
If they warm up too long or not enough, it may cost them a few seconds
Seconds are all we have

Ever wonder why long distance runners are so nice to each other and sprinters aren't?
Because before every race we sprinters are too nervous to talk to one another
Everyone is silently praying that the  person next to them won’t toss their cookies
Then again, maybe its better if they did because I might have a better shot at getting first
After the race, I am too stunned-too out of breath to realize what just happened
Or to talk to the person next to me

Sprinters only have a mere couple of seconds to prove themselves
Long distance runners can take their time
They have at least two laps to prove themselves
Sometimes even sixteen

I don’t realize that I love racing
That I love not being able to breathe
Until I cross that finish line
And then I want to do it all over again

Cycling
High cadence
Low resistance
Tight corners
Horse class climbs
Mountainous descents
     Back up!
Horse class climbs?
At my current weight
More like fat *** climbs!

Cycling
No high calories
Low carbohydrates
Tight spandex
More practice climbs
Mountains want destroyed
      Go forward!
At my cycling weight
More like what climb?

When I say hero you
look for Superman
Flying through Metropolis or
Batman slinking through Gotham’s shadows.
And when I say heroine
You can think only of needles
Poking through skin like the shell of a beetle.
When I say hero
Everyone looks skyward for capes and spandex
Or a symbol lighting up the clouds.
But Clark Bruce and Peter
can’t save you from yourself.
These suit-clad saviors are fantasies.
Fairytales put before us so we can have something
to believe in when the ordinary people fail us.

I have seen people around me, people I love,
crumble like weakened plaster.
And I have met people who were already lying
in a pile of dust and debris at my feet.
I’ve seen them **** asbestos into their lungs
and draw tic tac toe on their arms in crimson
I have seen someone become their own villain!
But I have seen these people get up again,
Pick up the pieces of their glass hearts,
And glue them back together for the sake of their sanity.
I have seen villains become heroes.

These heroes, MY heroes are the ones with the scars on their wrists
but no tags on their toes, the ones that heave into the porcelain bowl
but still try to eat each day.
These are my heroes.

My heroes are the parents raising kids and battling demons old and new,
the abuse victims who got out, or are stuck but still fighting.
These…these are my heroes.

Broken survivors, living despite everything that keeps them from wanting to,
Despite all their scars and battle wounds they are alive and they are trying.
The ones who are not saving others but saving themselves.
These are heroes.

Some people look down on the wounded, the broken, and the insecure
like they were the cause of their own problems and refused the simple solutions of “**** it up”
and “get over it” because they were too lazy to get better.

Don’t you dare tell me that they don’t want to fix this,
That they don’t wake up each morning and wish
With every fiber of their being that they could look into a mirror
And finally, finally, love what they see.
Don’t tell me that these people aren’t strong
Because they go to bed each night with eyes red and raw from crying
And they wake up with bags under their eyes but they.
Keep.
Going.

**** your superheroes.

I know they're out there somewhere
Watching, cringing, when they see those
who don't know just what to pick out
When they go out in their clothes
I cannot list the culprits
And we all know fashion crime
Like, pants that show the *** crack
We see this all the time
It used to be a faux pas
When one made a clothes mistake
But now you see them daily
With every look you take
With all the shows on tv
Showing people how to dress
Why do they go out looking
Like such a rotten, bleeding mess?
Stripes and spots and solids
Wearing braces AND a belt
Wearing parkas in hot weather
You'd think that they would melt
Socks worn with one's sandals
And those pants around the knees
I mean, someone, help these people
someone help them please
We need some clothes policing
Maybe a hot line they could phone
Maybe send the cops a photo
Before they choose to leave their home
There are people wearing spandex
People who aren't really thin
think of squeezing ten pounds of sausage
In a five pound sausage skin
And makeup...yes, the makeup
Someone needs to teach them how
to apply it, in moderation
We need some clothes policing now!
There are rules and there are guidelines
But common sense should reign supreme
It looks like these poor people
got dressed while in a dream
We need fashion policing
So we can all walk, showing class
Instead of being like these morons
Who wear big jeans, and show their ***!!!

Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide

I have a friend,
She jumps hurdles.
For me,
She seems quiet,
In her zone,
Eyes focused on what's ahead,
I stand at one end of the stadium,
pretending to read a book,
But with eyes behind dark glasses,
I enjoy watching her in a different realm.
She runs up and down the field,
And stops to chat with different people,
Which I find encouraging,
Because she seems to not care who those people are,
Or that they have a past,
That may be filled with secrets as dark as my t shirt.
When its her turn to run,
She stands at the blocks,
The man says "ready"
But she treats it as if its a question
Because she goes down on one knee
And flips her hair over her left shoulder,
Pulls each leg of her spandex down,
As if it'll make them grow in length,
Which I find amusing.
The man with the gun says "set"
And she rises in the air before it goes off
And as it does,
She explodes outward like ocean mist
Hitting black cliffsides
And I wonder how she seems to bring her own sunset
Becasue as she runs,
The colors never leave her face
Even when she crosses the finish line.
The other runners must see it too,
Becasue they seem to slow their step
To watch her set out in front of them
Which I think is funny,
Because they don't even get to watch the clouds break
When she smiles after ******* In a few gusts of wind.
I like to watch all people do the things they love,
But maybe it means more when you're watching someone
you truly wish to be happy
No matter the cost of yourself.
I was Sitting underneath a tree
That was raining pieces of bark down around me
Maybe to try an make the scene more poetic
As if it could change itself into water.
I was deep in thought,
Which annoys me sometimes
Cause I think too much,
But anyways,
I was thinking about how the hurdler
Doesn't just run races
On harmless school fields,
Jumping tiny tables laid out for her.
She also jumps hurdles in her own life,
Which are usually much bigger,
and scarier.
But just like the start,
She seems to crouch down at the sight of the people and their guns,
And springs forward,
Pushing against the ground, not running away,
But conquering everything before her.
And when she gets done with her race,
I can't help but swell with pride,
Because even her running,
seems to create poems of her life.
She handles each hurdle with such grace,
And respect,
a sort of beauty.
My eyes seem to always smile,
When I stand where I always am,
At the finish.
Waiting.
I stand at the end and not the start
Because just like in life,
I can't wait to see her conquer each hurdle
And meet me at the finish line
where ill always be,
With a smile,
Waiting for the hurdler.
Waiting,
For her to win.

it was only the first screening of ex_machina,
but the words 'deus' and 'placebo'
were uttered after a walk of thus pondering:

understanding this movie requires kant's
critique of pure reason matter of frankly,
i lost the kantian concepts of *a priori and
a posteriori using the cartesian method of understanding,
gravitating in my realm of understanding
almost unconscious why the cartesian uncoupling
of the kantian compounds is required:

invoking a purely cognitive aspect of analytical
and synthetic i took the temporal realm of
pre- and post-, which is respective of the definitions
of the above italicised -

when watching the movie... apart from the groovy
part where music has no central role as is usual
in all horror movies... the aesthetic of horror movies
has been cleaned up thanks to technology,
that knife into the chest like knife into butter
is perfect... the knife into the chest also perfect...
it's the robotic of man's daily routines done by a robot
that does the horror bit...
it's music replaced with claustrophobia,
the theory is mesmerising... generally speaking
phobias are tiny... and the horror scenario
losing focus in terms of music and instead
focusing on an expanding phobia, like claustrophobia
is a gigantic leap in the horror movie scene...
i wonder what the moving imagery of arachnophobia
would look like... without technological frankensteins...
a massive thematic move but still trendy with mary shelley's
original idea... more clean cut... no scar marks...
a beautiful frankenstein emerges...
but enough of that...

the kantian translated with cartesian methodology,
losing the a priori and a posteriori coupling
with analytical and synthetic notions -
like me when i first learned language,
21 years later i've just started the analytical procedure,
prior to these years, the cut-off point at 21
i was merely synthesising the language,
so well that i even managed to phonetically
strain my tongue to fake having a limousine
and a mansion and a horse... posh posing fake...
it happens - no geordie no scouser no cockney in me...
just mundane pure elocution to a ****,
harmless if i'm being honest -
but no, no no, i mean i had to synthesise the language
first, before i lost all possible synthesis of it
attributed to vocabulary... it's then that i started
to analyse it!

so this robo chic... i was thinking:
what's the analysis to synthesis ratio in her?
that must be balanced, right?
there are so many things to analyse in life:
all those biologists, chemists, forensic scientists...
but only one successful synthesis - almost
like free will that does not dare to conflict
with other possibilities...
there's no before / after concerning what one knows,
a symbiosis has to exist between these two things -
it's not that she's artificial, she's pure analytic,
she can't be pure synthetic:

deep blue is pure synthetic - he was given all
the possibilities of a chess mastermind,
he's purely synthetic, because the only thing
he can analyse is chess, and in only doing so,
he can only synthesise the authentic craft of
playing chess and nothing else, meaning he has
limited parameters -
but this robotic woman / frankenstein
would be lost in terms of pure synthesis, unlike
deep blue - she's pure analysis, meaning
the interaction is almost two dimensional,
meaning that if man questions his free will,
she would also have to do so...
i'm thinking analytical intelligence (a.i.)
either pondering suicide, ****** - morality
in total... and being drunk...

the same conceptualisation applies
in my own scenario, using the cartesian methodology
on kantian concepts i realised
my thought is an interchange of analysis | synthesis |
analysis | synthesis... this interplay
is staggering... first i cognitively synthesise
then i cognitively analyse, ping-pong.

i have no care for attaching a priori to
synthesis or a posteriori to analysis, or whatever
dogmatic building block is expected,
in the temporal sense i see the future
as ordained by the faculty of imagination
and the present as ordained by the faculty of memory;
in the present there's only this:
a lot of verbs, some which i can control, some which
i can't... depending on my noun bank account...
that same old fascination with flowers and
the complete and utter lack of apps. for deciphering
names of flowers...

but of course there's a moral to the film's plot -
it mentions consciousness and awareness to something...
a bit like man being conscious of his evolution,
hence the necessity of forgetting **** sapiens
and embracing deus placebo...
after all... it will please the vanity of man to
think himself a god...
and in so doing... craft the possibility of a deus sapiens...
a rational god... given that we're still monkeys
in spandex shooting bullets at innocent random targets
in the minority.

did i forget something?
four beers does the trick... i watched a great movie...
now i'm going to drink some whiskey
and paint my room blood red
donning a dracula bun of hair tickling with excitement:
but prior... if the universe is an undifferentiated substance,
say... water... i imagine the geometry of it's boundlessness
concerning the capillary effect of water...
what sort of geometric shape would allow the singularity
of the universe to provide the parabola of it
being in a tube of glass... in comparison to it...
i'm an indentation... i'm like mercury in similar circumstances...
hello big void... filled with aurora colours and magpies.

I am a wire hanger
bean pole
drape me with your cotton
inspire me with spandex.
copper wire
sewing needle
clothing is no coverage.
what the hell is modesty

Music

Running out of time, nothing left to rhyme,
no longer in my prime, listening to Sublime.
Used to smoke ****, slaves I have freed,
red I still bleed, listening to Creed.
I'm all that, I have kicked my cat,
my girl is a brat, listening to Ratt.
Invented a love potion, makes girls frozen,
many things I've broken, listening to Poison.
Buried in the sand, not what I planned,
I need a helping hand, listening to The Steve Miller Band.
Too many cell phones, can never get any loans,
love the show Bones, listening to The Rolling Stones.
Confessing all my sins, playing some violins,
dizzy from the spins, listening to The Thompson Twins.
Standing in the cold, my life is uncontrolled,
just got paroled, listening to Avenged Sevenfold.
Sprayed with mace, kicked in the face,
stuck in this rat race, listening to Three Days Grace.
Working the graveyard shift, lots of sand I must sift,
my life needs a lift, listening to Taylor Swift.
Living in Illinois, tired of hearing noise,
losing all my poise, listening to The Beach Boys.
No hands on the clock, it's me people mock,
dryer stole another sock, listening to Kid Rock.
Music has made me what I am,
loving the hairbands and the glam.
Hard rock is all I know,
how could you not like Ugly Kid Joe.
Heavy metal is where it's at,
all the older bands are bald and fat.
Top forty isn't half bad,
every year it's a different fad.
Disco and grunge had a short stay,
Nirvana and Pearl Jam, get too much air play.
Hip hop and rap has been around to long,
can they even sing a real song.
Nothing will ever beat the eighties,
spandex, hair and all the ***** ladies.
My two favorite songs are Sister Christian,
and Here I go Again,
those songs remind me of way back when.
Country, well that will always ****,
rednecks, Nascar, hunting and a giant truck.

I open the blinds and see the world - in return, what
does the world see? It sees me, and all my splendid, split
personalities, living these amazing times, of amazing
pleasures, in which we tweet tweets, and post posts re
ego-trips and copyrighted links, videos and things; and,
as stray dogs, we ramble randomly, and all the time,  
living in our infinite worlds, of infinite lanes, till infinity;
yet we suffer so much pain.

Our Shih Tzus take us on extended walks, firmly leashed
to our Koss plugs, as we drone cool tunes on multihued
iPods, iPhones buzzing ringtones of tittering babies,
stolid kings and hyperactive frogs, which would all make
my eighty-six year old dad want to gag; we fly
ultralight megaplanes at the sonic sound of speed,
through virtual and real space, connecting dots at low-
cost prices, while we belt-up, gear-up, gulp Gaga and
gorge heat-inducted meals of deer, horse and over-
promoted crap; and then, wow surprisingly, we are all
so unsatisfied.

We consciously all move-in together, and **** on end,
like statistical sheep, pre-married, unloving, and broken
up, and justify it all, to ourselves, with our fully
stretched spandex morality, over low-carb brunches
@Starbucks, two 14” screens of separation; we paint
pornographic images of virgins, all called Mary, in the
name of art, and, white-clad, **** babes and alter-boys,
and penetrate each other, first with our fingers, deeply,
then superficially, without even wondering, for a
zeptosecond, why we can’t stand one another any
longer.

We crank-up dependencies, like high street mainliners,
shamming and slaughtering for neurotoxic fixes of
smileys and Crystal on billion-dollar Kogo yachts, while
we all just pedal on, dispassionately, down and over
interior canals, to the core of our hocked, abbrev lives,
chronically connected and severely distracted, in
aromatic polymer bubbles, heedlessly cruising through
comic-strip farms of mock vegetables, surely to nowhere
and towards no one; and quite frankly, the world laughs
at all this, and sobs, and so do I.

I try to control every variable
Just like an experiment
Like a mad scientist
If something goes wrong it could cost some blood
A hamstring
My shins

My heart is pounding like a runaway train
Chugging along and always speeding up that it sometimes trips over itself in my chest
Fluttering

I tune out everything except for the official

I set my blocks
I am already trying to catch my breath to calm the butterflies in my stomach
I wipe my hands on my spandex
They're covered in sweat

I let out a shaky breath. Telling myself "You know the drill"

"Ladies stand in your lanes"
I do a couple tuck jumps
Double check my spikes, my hair
I shake out my hands hoping to wipe off the nervousness
But know deep inside my heart that it's the only thing keeping me sane

"On your marks"
A sour taste forms in my mouth
All I can do now is think about my start
Another variable I become the master of
Low and drive
I get on my trembling hands as I slide my feet in the blocks
I inhale-my breath quivering
I peer ahead at the finish line in front of me
It's so close yet oh so far away

"Set"
Is there a word for when all of your potential energy instantly turns into kinetic?
All of your nervousness turning to pure adrenaline?

Is there a word for that split second after the gun goes off?
For what it feels like when my muscles stretch and scream for oxygen?
My mind goes blank
I can't hear any of the yelling or my runaway heartbeat
I don't think about who's beside me

This race isn't about the competitors next to me
It's the clock
That irrevocable tick that means almost everything
That horrendous voice inside my head saying I am too tired
Slow down
My legs weren't made for this
But I know deep down inside that it's my brain trying giving up

I keep running because I don't care about the voices in my head or the sprinters beside me
I race against time
An irrevocable substance that will always win
But I was born to run

Is there a word for when your brain gives up and you are running with pure adrenaline and heart?

Is there a word for running so fast time slows down? You can hear your mothers pleads, your fathers coaching, your friends reassurance as you pass by but it doesn't even process until after you are done

You can feel every millisecond in your toes when you spikes dig into the track

You can feel everything that could have gone wrong but somehow went right and you don't even register it until after

I make it to the finish line in one piece
My muscles are tight and my lungs are trying to catch up with my racing heart
My head is pounding and I don't remember what just happened
But I get a feeling that it was something wonderful
I can't find a word for it

I wish there was because  I would have already said it by now

Audio File:  https://soundcloud.com/prttybrdpoetry/i-thought-i-could-swim-until-you-stopped-me-from-drowning

in the middle of my silent days
you ran interference through thoughts whose only purpose
was to run interference through
anything good
or possibly good
that made its way into the rotation
of random pain
keeping me rooted firmly
on the backhand of a smile

snapped in place like the snapping of
my bra in the hands of middle school
boys that found it awkward to walk
when my puberty
kick-started theirs

so, 'SNAP'
there goes my dignity in that
seemingly innocent violation
that no one ever calls by name
where silence gives them permission
to make fun of my already mortifying
body changes that
took me from innocent and invisible
and ****** me into the spotlight so no one would notice
the way they were mortified
with their own reactions to my puberty

I hid behind oversized sweaters and sarcasm
never looked a boy in the eye
stopped talking
so maybe I could
pretend I was invisible and happy
or at least not naked
beneath these people who stole from me
without repercussions...

it lingers...

fast forward
through being made painfully aware that a size 10 was massive compared
to all my size 5 friends
but they were 5'2" not almost 5'8"
they still looked like a board
not a pinup girl from old-timey calendars
but fat is fat wherever it happens to land under thin skin
collecting into silent reservoirs
of self-loathing ammunition...

it lingers...

fast forward
through the first time 'no' held no meaning
shocked into silence and tears
still whispering... please...don't
as words were less weapons and more entrapment
where a body betrays in unwanted reactions
used as proof against my truth
or my perception of truth
or...it must be true because if I
really didn't want it...
but fear and panic can garner the same
physical responses as passion
and it would be too many years before I knew that...

it lingers...

fast forward
to the last time I knew I was beautiful
and the only time I ever let a friend
convince me that going home with these guys was ok
she wanted company and
she was my ride
she never did get lucky

I...
got a cracked sternum where his chin held me down
I kept my voice this time
but the music was so loud
my words remained unheard
no still held no meaning
my wrist bruised in his hand
one hand frantically stretching clothes out of the way
while my free hand struggled frantically
to keep those same clothes at my waist
but...
spandex is unkind on so many levels

somewhere in this fight with his
knees bruising my calves into position
he was thoughtful enough to
somehow, someway
utilize a ******, whose wrapper
never made into the trash
I know this as I followed my friend's
gaze first to the shiny torn package
then twist into what looked like pride
and on the way home
before the bruises turned purple
I told her... and she laughed

it lingers...

she said if that were true
and he stopped to put on a ******
why didn't I escape his hold
but his grip never changed
and when he took those 3 seconds
to rip it open with his teeth...
I was trying to wriggle free and keep my shorts up
and scream over music playing way too loud
I couldn't look at her
or show her the bruises when they appeared
I shouldn't have to prove myself to a friend
I lost more than my dignity
on my 21st birthday...

it lingers...

But at least I knew I didn't deserve it...
that time
but if I wasn't pretty or thin or
anything remotely attractive
maybe it would never happen again
but...

fast forward
to wisdom earned and extra curves
but hating oneself never diminishes
without draining that pool of self-loathing

so, fast forward
present-day and my mom's voice mocks my dreams
she always told me that, when they care,
what I look like doesn't matter
but...

she never mentioned what would happen
if I was the one who didn't care
I learned that when I can't see past
my incessant imperfections
that I'd never believe anyone would notice
when I try to drown myself
in that pool of past truths
that my withdrawal into the
abyss of pain
could possibly ever matter
if it doesn't even matter to me
but...

it lingers...

and every time I hide from the world
masking my pain with silence
stepping out of the way trying not to
burden people with my shame and weakness
I still cannot fathom
if when the people that crawl into my skin
ripping my truth into that pool of lies
can't be bothered noticing my silence
searching for a safe-enough distance
then, how could... why would... anyone else

See,
I've grown accustomed to not mattering
to myself
trained into the seeming safety of silence
where I grate my self-esteem
on the very invisibility I had longed for
so many years ago

I care so much
but it never makes sense
when someone cares enough to notice anything I do,
especially when I'm trapped in my own darkness
but to bring it to my attention is so rare
that I find myself absolutely perplexed

I don't know what it's like to be seen
or... I didn't
but...
you saw me
you saw my distance
and tried to understand my pain
you told me I changed
and answered when I asked you
to tell me how

I am invisible
it's how I cope with heartache and broken trust
disappointment and pain
unfortunately, it's also how I cope
with personal joy and
anything that might resemble pride

I feel, but the invisibility...
it lingers...

so, today...
when in the middle of my silent days
or weeks or who knows how long
I've been drowning in the abyss in slow motion...
today, you ran interference through thoughts
whose only purpose
was to run interference through
anything good
or possibly good
that made its way into the rotation
of random pain
keeping me rooted firmly
on the backhand of a smile

your honesty, reflecting the truth that
I'm likely the only one who
actually doesn't notice my own withdrawal into isolation
was as surprising as that first
snapping of my bra
but I found my voice enough
to apologize for the shame I didn't earn
yet so freely project onto everyone
touched by the perception of invisibility
in which I hide
but you saw me
and proved I am not invisible
you cared enough to notice
and...

it lingers

Hairline cracks are breaking through
the slough I'm about to shed.
Dry and dysfunctional
as the neuron sac in my skull.

I'll change my hat and change my ammo
honeysuckle artillery polished,
waiting in my drawer.

Sliding an empty coffee mug
back and forth along a counter
like a puck preparing for a slapshot.

Paper matches in colourful books
pressed between the pages
found leaves for child arsonists.

Takeout boxes filled with poems
are sold as artefacts
Don't be silly, poetry comes in plastic bags,
not styrofoam.
To keep ideas hot, wrap them in tinfoil.
But don't forget to leave a hole at the top for steam
or your fresh concepts will get soggy.

Equipped with tennis *****,
spandex suits picket office blocks
standing on chairs and voicing nearly racist remarks
making health and safety inspectors nervous.

Out of control students
launch dictionaries out of third story windows,
donning 21st century masks.

I left my patience beside my keys, on the kitchen table.
Waiting in line for obsolete phone booths
as movie stars soundlessly mouth slang into a receiver.

Nearly responsible
nearly nine
nearly time for bed

I resolve again
that I’ll resolve more
but this time write it down.
Folding kamikaze paper planes
to hide behind park benches, fly into trees.
Let the sun fade the pencil crayon.
I can't run from this blasé gangrene that’s taken my toes.

This is ground control to Major Tom:

We're really gonna miss you.
Thank you for all that you've done.
There will never be anyone quite like you.


Rock on in the aether,
you beautiful creature.

It's spandex
It's flannel
It's all the same
Grunge took over metal
Get back to jazz
Viper baby
Not on display
Not a novelty
No sneaking
Sneak out...
Louis Jordan
Cab Calloway
Robert Johnson
Howlin’ Wolf
30’s speak nasty
Melody Room
Parker
Coltrane
History
Dolls and The Doors
Intimacy
Feel it
Underground
Cabaret
Something wild
Mystery
Evil
Johnny Cash
Whiskey Sam
Drive on
Rainbow baby
Sunset
Snap

I want to runaway,
Far into the oceans.
Into the abyss of waters,
The unexplored depts of
Undiscovered species of fish
And devouring monsters.

I want to runaway,
Maybe to Africa in the forests.
Where wolves, dogs and dragons roam.
Make a tent out of straw and mud,
And all it my home.
Spend the rest of my life alone.

I want to runaway.
Maybe to the snow clad- region of
The Himalayan mountains,
Or to the frozen poles of the earth.
Stand to the highest peaks,
Without any clothes
So my limbs can freeze ,
Till they look like plastic manikins.

I want to run away,
Take up permanent residence on mars,
Or the moon,
Or maybe on the sun.
Far away from earth as possible,
Because If I stay here,
You'll just be a village away,
A city away...
A country away...
Maybe a continent and it wont be enough,
I'll still spend each night thinking of you.

I want to runaway.
Maybe to another galaxy,
Maybe here exists parallel universe
Where I can escape.
One where there are actually super heros
That wear spandex and capes.
One where happily ever after's are real,
And you know exactly how I feel.

I want to runaway.
Escape this reality to wear stars align.
I would bend and twist,
Or manipulating time.
Abuse any available strength I can find,
Just to get you out of my mind.

Before last night, I'd only seen the forbidden-fruit curves and
ripples
rendering my skin unbeautiful.
But in the fluorescent indifference of a drugstore
I caught sight of my legs through eyes not my own,
new tapers and bulges swathed in black spandex
even too flimsy for the $15 price tag,
and wondered why words like "small" and "gap"
were heaven to my ears,
while "quadriceps" and "endurance"
have their own quaint ring,
a lovely taste on the tip of a tongue
which has spent too much time
wallowing in self-hatred.

Strength isn't a virtue in women,
we who learn from birth to take up
as little space as possible.
Our shapes always need shaping,
guiding,
sometimes our own voices telling ourselves
we deserve the pain of fatigue
after one mile too long spent running
up the avenue,
forcing ourselves to faint
for a glimpse of thinner thighs,
we deserve to be dehumanized
if we don't inch our way into
the body laid out for us by
Mother Society.

Where is the place for the girl who
hobbles home, skin bruised purple
but flushed with the accomplishment of stopping
every single shot in practice?
Or for the boy whose gentle hands provide
the perfect perch for a butterfly to land upon?

My strength is not an imperfection.
There is beauty in it, and discipline.
These legs can take me for miles if I
take off the iron vest that keeps me
anchored to a Hollywood version
of myself.

Without it, I can fly.

Paralyxzations of the worn spandex, still early
Pizza and beer on a comfy couch
And the crunchy old leaves
That decorate the walls of my house
Glimpses of nature in an urban world.
I think a bit, I feel my quads
As they burn with lactic acid pain
That never leaves an athlete in season.
The greasy cheeseboard and brown dried leaves
Reflect the feelings of sweat and drained
Emotions and motivations, sleep is near.
The night is young, but sleep is near.
Parties call to me with voices loud
Over my tired and disabled carcass
The incessant fight between body and mind begins

Why should I venture out into the world?
What is fun if it can come
Only through grinding my *** in someone’s crotch?
Shall I not find the comfort in my bed,
The warmth of blankets that smell like me, or else
The shared cup of tea with roommates and friends
Not the bedroom tussle with muscled men
I am whole within myself.
Climbing trees or dreaming of oceans
Running up hills and conquering waters
All are my fun; my life is full remembering
The past adventures with inebriation and indiscretions  
It is now time for soul and body to heal.

Men in the bars had their inhuman strength
To down the pitchers and pints of beer
Loud mouth ******* who seem so compelling
Move as kings among the tittering ******
Magnificent in their swarthy confidence
Until their blood alcohol level reaches a new high
Creating a beast without inhibitions
Till no doesn’t mean no, but an invitation to come
Shall my voice fail? Or shall it come to be
The voice of a victim? And shall my quads
Have the strength to run, or the foresight to
Begin in a place much friendlier than now
A part of the brain and a part of the heart
And next is the knowledge of things to come
Not the dulled senses of an exhausted drunk.

I say, “But Saturday is my only night
When morning practice is not imminent”
Parties are the basis for college fun; hence my wish
Together with people and dancing and drink
Shall I finally reach the effervescent image.
Although sleep is upon my weary bones,
The path of fun is clearly wrought with dangers, and love.
The triumph of conquest blows the ringing horns
Until my sparkled dress comes down from the hanger
And uggs are rejected for heels of blue
I cause boys to pile orders for beer and ***** tonics
On their max-out cards. I taste the metallic twang
Of future mistakes and regrets.

long before the Greeks started applying diacritical stresses to their letters, the English should have applied them, following their European counterparts in the use of the Latin α-β sabbatical - but of course, they wouldn't, the English poker hand had a royal flush compared with the Greek pair of tens - the reigning delusion given the British Empire? we are the Romans reincarnate - sure, it worked to produce us the Canadian, the American and the Australian accents - but they really, really have to dress-up for the occasion - it just won't do leaving the alphabet naked without stresses that invoke a spirit of universal pronunciations, leaving it a mongolian steppe instead, a wild-west you might add, adding to the social hierarchies established when the hierarchy rests with someone seeing the invisible standards of elocution in that numerous number of examples ready on hand... this is a second English Revision, the first one was economic with Marx... this is another altogether different revision... to appropriate English into what other European nations have done prior... of course, not appropriating the stresses to the fall of the Roman Empire gave them the delusion as successors of the power established - but only for so long... they're not looking over at America with admiration anymore... they're wondering: what the hell is going on?! but i deem this project a half-failure in waiting - given that establishing a universal pronunciation system will not work miracles - Silesian Polish is one example in the making, but if you at least add necessary invocations to stress certain letters, you wouldn't write poetry using the word blah from time to time - it's still bewildering in the Copernican sense that English, out of all the European languages hasn't bothered to wear a cravat of acute vowel or a belt's worth of umlaut - straight out of Eden these people are, stark naked in the moonlight - obviously because of this lack of addition the power balance rests with them, but the English know that they were once occupied by Romans, the Americans can have the naked Latin... the English aren't so sure as to why not join the exercise of additional-revision... the polygamy of accents wouldn't disappear - but the orthographic revisions would aid the less concerned with saying certain words right... but then again, it might be too late, given that because no diacritics were ever ascribed to how the English encoded sounds leveraging toward a poly-phonetic-diversity on these isles alone (let alone North America and Australia) - adding stresses to these 26 popes will have no effect at all... but still! why did the Greeks decide to add stress and eloquence and the reincarnate delusional Romans didn't follow Greek suite?! one thing is for sure... start adding them... and acronym English / ugly English will disappear - people simply need quickly-identifiable stresses, they want linguistic calculus, to ably differentiate and integrate.

after your required reading - *what did i miss?!
with the classics - you look at your contemporaries
and become slightly peeved off -
what ontology can't explain is the instinct
criticising the coal-miners of words -
you rarely see awe when the obscure nugget
of some precious metal is chiselled out -
like the αρκενστoνε - but tmesis will not be
akin to a precious stone (tmēsis - why did the Greeks
insert necessary diacritics and the Anglophiles
were so lazy reducing Aphrodite to Prostodite?
it means e.g. ex-*******-aggeration of something) -
with such a paradise some of us become
coal-miners of words, precious vocalisations -
20 carat with that ontology of yours;
poetry ought to make philosophers like heroes
of Homer's day - give the battlefields shifted to
libraries rather than pecking menus of crows
in muddy Ypres - after reading the book reviews
comparing Saturday reviews with Sunday reviews
i get the picture - it's not a beauty, it's just there -
money is not the dirt people speak of hoping for
a win on the lottery and an escape -
money invoked a necessary loss of tribalism -
of excess labour when no labour in what area was
prescribed earning was necessary -
offices hoovered like hospitals, but then hospitals
incubating super-bugs, resistant to antibiotics ***** -
a baby held captive in a cupboard -
since Hippocrates' times sadism crept in -
people are so sane they perform it automatically without
knowing - until their time comes;
every time i read Bukowski i feel i'm at home,
the latter Bukowski, the posthumous writings -
i too wish i wrote with the sensibility of philosophers,
limited vocabulary, the so called systematic approach -
they simply said: 100 words, written to the volume of
1000 pages - systematisation in philosophy involves
a limitation on vocabulary - they want to see how
far their stressed limit of vocabulary eats away at
the potential sigma of potential - poets on the other hand
rarely systematise - they'd rather jump in with
as many words as possible, and leave anyone reading
their word bewildered, because their vocabulary is
not drilled in, it's not perfected, it almost looks like
a prosthetic limb - the moment when you see a dictionary
in action, the odd word from them all, breaking
the fluidity of a poem that could have been a waterfall -
there are plenty of dictionary moments in almost all
poetry - there's no ticking clock event in them, there's
pause, reflection, revision.
for me this poem started in thinking how ridiculous
using certain words can be - Roman Empire, pseudo-Christ -
i mean, in poetry at least, such words and compounds
look ridiculous in poetry, there's no dogmatism in poetry
to allow such words a serious use - esp. when
compared with what philosophy practices -
a systematisation / containment of a particular vocabulary,
stretched to its limit, dismissive of synonyms of words -
(variations of particulars), i.e. the founding principle
of establishing universal meanings to words:
on that rainbow canvas: red is red, blue is blue,
green is green... all together they're white / mirage of paper
and sclera - the so called invisible -
systematisation in philosophy is a rejection of multiple
meanings of words (deviating 2nd through to 6th meanings
for lying / ambiguity) - and limitation of what can be expressed
with a border on tongue - after all borders exist in
landmasses and in seas -
yet i still don't think poetry is all about music -
those days are long gone - poetry started nibbling at
philosophy - they are heroes to me, i mean, Francis Bacon
died after trying to invent a refrigerator (hypothermia -
hyper-thermal? perhaps a variant of hippo or the trait
of the lizard - the lizard disease - below thermal acceptability
for mammal, true indeed) -
yet after reading the crunch (2), mahler, sometimes even
putting a nickel into a parking meter feels good-,
and esp. am i the only one who suffers thus? i just
think of C. G. Jung - i don't know why - that little
book of his i have: the undiscovered self -
i really don't know what there is to discover -
when you start writing you never actually think from
the beginning that you have it in you -
you never do! it's a lazy beast, writing is -
even a poem a day can be a welcome presence -
for me it was never something undiscovered,
discovering that i started to smoke cigarettes aged
21 after being so anti-cigarettes coming from clubbing
stinking of tobacco - the self i discovered was a bit like
a portrait of Dorian Grey (great book by the way,
better than an adaptation on screen) - that self i didn't
expect - although less ****** and definitely less
fetish spandex clubs - i don't know why i'd mingle
the abstract simplicity opening doors and corridors
to walk on that poetry is (however mutilated due to
a lack of respectable technique like some English teacher
telling you to coordinate yourself with metaphor, pun
or imagery vectors - modern painters can paint
******* and their expression is still art, but when it
comes to poetry... everyone suddenly needs old
Chaucer dungeons or Shakespeare with whip to tell
you it's poetry - a ******* black square on canvas isn't
Raphael!) - i just realised that it's not about discovery -
this is going to sound ridiculous, but it's how it goes,
i don't attack too much significance in examples as these,
i know the meaning of such example, but the meaning
is shallow due to the peddle-stool that C. G. Jung
ascribed the compound: the undiscovered self -
with poetry it's always the inner self that introverts
and shuts up when the world never bothers -
the crucial moment comes when that basic unit of life
(of course, vary it with existence or reality and the matrix,
whatever) reacts to a world it can no longer understand -
poetry then enters the realm of the individual,
the undiscovered self is found, once a healthy individual
weighing 75kg, now a drunkard at 115kg and somehow
still content (the invisibility shroud from back in school,
as with Plato: 18 through to 21 - beauty is a short-lived
tyranny - and 3 years is enough) - and the self begins
digging, and digging and digging (yes, i know, it's
how pronouns interact with each other, the ~self is never
self said - old Germanic - the telegram technique -
self said that self would - funny how all psychiatric theory
or psychology is so ****** obsessed with pronouns and
no other category of words - that's where the sharks swim
sniffing out a drop of blood from a cubic mile of sea water) -
and by digging there is no actual stasis of an undiscovered
self - there's only the continuum of perpetuated inner
and more inner; but what is discovered is not what
is necessarily categorised as zenith, an undiscovered potential,
for that's motivational speech - that little book is
about motivational talk, therapy to craft an illusion of
self-assurance... never mind... after reading
the book reviews from Sunday, most notably the biography
of Philip K. ****... i found that English is a language most
beautiful, but also a language most dismissive -
as with the late acceptance of existentialism -
the slow nibbling at the walls of English utilitarianism -
for that could only be an English product of thought -
and the results? well, teenage suicides and too much
pill-dropping to cure depression: nothing that hurts.
it was hanging in the air, like a guillotine blade -
too much faith in English sensibility and that bloodied
doctrine that utilitarianism is, it's not about big words
these days, when behind those big words there are crude
actions - talk about really inventing a blanket to cover
the crude actions behind what was said in variation of
the supposed vaccine program to make people immune toward
crude actions.

It was 29° (f) degrees this morning with a waning gibbous (¾) moon. Still, as we started our run, it was dark enough that the world was rendered in black and white. Lisa was a sepia print of herself while Charles was a large, quiet shadow, a dark visual noise pattern.

We usually jog from our dorm, down to and along New Haven Harbor and back. Lisa and I love the ocean. The wind was in our faces this morning and there were no sparkling moon refractions in our direction, which made the water musou and colorless.

I’ve gotten my outfit down to a science, leggings under shorts, four long sleeve, dry-wicking spandex tops (layering is important), a power-wool-earflap-beanie, thermal neck gaiter and quantum, icebreaker gloves (with touch-screen compatibility) - you gotta dress warmly but be able to shed layers as needed.

I listen to audiobooks while we run. Right now I’m on book 5 of the ‘The Expanse’ series. I don’t have time to read anything fun these days, so I listen to science-fiction/fantasy while I workout. I love the new AirPod Pro feature that automatically turns the sound down if anyone talks.

I wear a fitbit charge around my right ankle and my Apple watch as well - they both track my run - the fitbit is more accurate but my watch sends my workout stats to my siblings - we’re uhh, sort of competitive.

At first, as we came up on the harbor, it was impossible to see the intersection of the two dark oceans - the great terrestrial and the greater galactic - but as we turned for home, there was an atmospheric scatter of blue at the edge of the horizon, heralding the sunrise on our retreating backs.

musou = one of the darkest shades of black