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"southend" poems
Today I had a bout of acute-you shyness one where I try to pretend I don't notice but have you noticed how difficult it is when outside idles but inside there's a race to views like you leaning side to side on the motorcycle ride slot machine driving my eyes to sly around your slides taking them wide as when I was eighteen I'd look for curves at Southend pier's end give out stares and start to take in scenes of free amusement at the Fun Bump arcade around and around the circuit you rode I was lapping up your every move sneaking a view through the coin drop peeping behind the pinball of Dr Who prying open the photo booth curtain gap faux testing the mallet with your strength playing air hockey with my thoughts were your short chic bangs a wig? they sit so still I long for the straights then swing to one side with a leg tight vibrant jeans in hairpin bends ironing out where the centre line is damp polishing the dashing leather saddle vibrating with wrist twist contempt loveliness revving up to red line exploding in my face with daring this bike crash heart of mine please forgive not stopping staring a race course habit never outgrown I go too fast and of course I fall in love as bad as deeply madly but the fact that it's with you.. well I have to forgive myself this malady I'm a side-road heading for a spin on ways to tell you you're beautiful dangerously close I risk self harm imagining that colour of pink and pale the flush u-turn will be a charm If I can get you climbing off hot and flustered I’ll have done my pit stop job at once a chance encounter and a fateful winning score to let you know you've entered into being my prize draw I'll walk away but don't be sore it's up to you to take it further but just know one thing more that if you call me to confirm and tell me that I’m worth it I would turn around so fast the world would gearshift and wait but not in neutral for us
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Aug 8, 2014
Aug 8, 2014 at 1:30 PM UTC
Not a slot insight
Today I had a bout of acute-you shyness one where I try to pretend I don't notice but have you noticed how difficult it is when outside idles but inside there's a race to views like you leaning side to side on the motorcycle ride slot machine driving my eyes to sly around your slides taking them wide as when I was eighteen I'd look for curves at Southend pier's end give out stares and start to take in scenes of free amusement at the Fun Bump arcade around and around the circuit you rode I was lapping up your every move sneaking a view through the coin drop peeping behind the pinball of Dr Who prying open the photo booth curtain gap faux testing the mallet with your strength playing air hockey with my thoughts were your short chic bangs a wig? they sit so still I long for the straights then swing to one side with a leg tight vibrant jeans in hairpin bends ironing out where the centre line is damp polishing the dashing leather saddle vibrating with wrist twist contempt loveliness revving up to red line exploding in my face with daring this bike crash heart of mine please forgive not stopping staring a race course habit never outgrown I go too fast and of course I fall in love as bad as deeply madly but the fact that it's with you.. well I have to forgive myself this malady I'm a side-road heading for a spin on ways to tell you you're beautiful dangerously close I risk self harm imagining that colour of pink and pale the flush u-turn will be a charm If I can get you climbing off hot and flustered I’ll have done my pit stop job at once a chance encounter and a fateful winning score to let you know you've entered into being my prize draw I'll walk away but don't be sore it's up to you to take it further but just know one thing more that if you call me to confirm and tell me that I’m worth it I would turn around so fast the world would gearshift and wait but not in neutral for us
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56
We camped down the first night in some old caravan sleeping bags everywhere outside Bruges next morning we wake up all cramped up and annoyed where are our tents meant to be set up? Dalya asks the guide says got held up just rang them be here soon he tells her have breakfast in the bar and wait there so we do 8 of us 4 young males and females have coffee and pancakes and a smoke what a joke Dalya says we walk out together walk about the camp site you're Benny? She asks me yes that's right what a crowd for camping a mother and daughter some teacher from Southend some Yorkshire girl loud mouth and Aussie and the guide Dalya says do we share two a tent? I ask her same sexes she replies so I'm with Yorkshire lass I suppose Aussie's yours she tells me the teacher's with the guide at the next base camp place I like her her spirit her tight curls and dark hair and small bust we walk back to the old caravan for our bags and our stuff keep with me Dalya says and we'll see how it goes at the next camping site and maybe she whispers we can share a whole night.
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Jun 21, 2016
Jun 21, 2016 at 2:28 AM UTC
OUTSIDE BRUGES 1974.
In Hamburg an American girl climbed aboard sitting next to the Southend teacher with the spectacles and loud mouth and she looked back at the rest of you and said Hi you guys how’s it going? murmured replies returned Moira said behind her cupped mouth a ******* Yank is all we need you looked windowward spying new buildings post-war the could-be-any-where kind of set up the driver drove off the Polish mother and daughter muttered in their tongue Moira’s hips pushed into yours as the mini bus turned sharp down some side street the American girl chatted up the driver some long haired hippy type smoking and puffing and you remembering the night before the tent up the canvas tight and you and Billy down on your bags he staring up at the canvas green and unclean you listening to Moira in the next tent sharing with some unfortunate giving it the rant and rave about some misgivings in her Glasgow tone Billy raising his eyes in disbelief and you wondering if ever she silenced her tongue and tone and charmed her fearsome stare whether you’d be happy there lying beside her kissing her neck or lips or cheek or nestling between her small plump **** but looking beside you as the mini bus moved off at a pace you saw her sour face glare at the American’s head and thought you’d rather kiss the old Polish mother instead.
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Dec 23, 2012
Dec 23, 2012 at 11:54 AM UTC
HAMBURG IN 74.
Was out past Southend, about eleven thirty five, Saw a whole troop of girls, dancing very much alive; I struggled to my feet, slapped a smile across my face, Turned my sallow gaze toward their alcoholic grace. I said "evening ladies," and I just tipped my hat, but Hell, no sorry luck for this shabby-legged cat. They ascer- Tained a certain thought and laughed into the night, Quite the effervescent attitude for the solemn moonlight. So with no Pennies in my cap despite my earnest little ditty, I just got Right back on the train and rode it straight into the city. The conductor with his cyanide in silver coated capsules, takes a Tricolor mandolin and plays it to relax you. A Beggar on the chairs emitting insight by the glass, and a Banker saying prayers for our little midnight mass. Be- Spoke attire from far away to dress your tired frame, and a Medal and a badge with which to decorate your name. Tracks of steel and sterling pounds to take you where you please, with Speed unwavered, flying through with masochistic ease. I got my Map and made it through, to Angel up on high, Got off the train in pouring rain, with nurses passing by.
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Jul 7, 2011
Jul 7, 2011 at 5:13 PM UTC
Out Past Southend
Oslo that summer having left the base camp and the tent with the Australian guy (he was with the Yank girl) you walked about looking at the sights Moira beside you in her denims and white tee shirt and her hair frizzed after a shower (which she had taken alone worse luck) and she was talking about the Yank girl with whom she shared her tent O the perfume she wears I’d rather sleep in a tent with a camel than with her and her voice ***** my head and do you know I've heard about her love life from the very beginning I’d rather spend the night listening to a duck quack you nodded and listened taking in her fire talk her four letters words filling the air floating there like black angry birds you can share with me any time well you could if I didn't have the Australian guy there smelling of beer and talking about Sheilas and how he did this and that you said no Moira said and have them talk about me too no I’m not that kind of girl besides how would we work it to allow that to be? don't get so angry about things why do you Scots get so moody? it's not just us she said it's the ******* world's view of us as wee tight ******** when we're not anyway she went on giving you the stare what do you know of Scots? lived in Edinburgh for a while you said nice place so much history well there you go she said anyway what’s that got to do with the Yank ***** and her perfume and the love life of a ******* rabbit nothing I guess you said I think she's over here studying art O then that explains it the way she has the I-couldn’t-go-a-day -without- a man's- **** -in-me kind of talk and philosophy Moira said spitting out words like broken teeth what about a beer? you said chill out and take in a view and have a smoke and I can tell you of my love life? the beer's a good idea but I’m not so keen on the tales of your **** life she said so you found a bar off a street and sat outside with two beers and a couple of smokes and you wondering how she bedded and how indeed to get her into your tent and what to do with the Australian guy and the Yank dame and off she went again moaning about the Southend teacher guy did you see him at the from of the mini bus giving it all that talk of history and that Lancaster ***** all ears and ******* teeth ? you sat and smiled listening to her talking of herself and the world's grief.
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Dec 22, 2013
Dec 22, 2013 at 2:20 AM UTC
MOIRA AND THE WORLD'S GRIEF.
Oslo that summer having left the base camp and the tent with the Australian guy (he was with the Yank girl) you walked about looking at the sights Moira beside you in her denims and white tee shirt and her hair frizzed after a shower (which she had taken alone worse luck) and she was talking about the Yank girl with whom she shared her tent O the perfume she wears I’d rather sleep in a tent with a camel than with her and her voice ***** my head and do you know I've heard about her love life from the very beginning I’d rather spend the night listening to a duck quack you nodded and listened taking in her fire talk her four letters words filling the air floating there like black angry birds you can share with me any time well you could if I didn't have the Australian guy there smelling of beer and talking about Sheilas and how he did this and that you said no Moira said and have them talk about me too no I’m not that kind of girl besides how would we work it to allow that to be? don't get so angry about things why do you Scots get so moody? it's not just us she said it's the ******* world's view of us as wee tight ******** when we're not anyway she went on giving you the stare what do you know of Scots? lived in Edinburgh for a while you said nice place so much history well there you go she said anyway what’s that got to do with the Yank ***** and her perfume and the love life of a ******* rabbit nothing I guess you said I think she's over here studying art O then that explains it the way she has the I-couldn’t-go-a-day -without- a man's- **** -in-me kind of talk and philosophy Moira said spitting out words like broken teeth what about a beer? you said chill out and take in a view and have a smoke and I can tell you of my love life? the beer's a good idea but I’m not so keen on the tales of your **** life she said so you found a bar off a street and sat outside with two beers and a couple of smokes and you wondering how she bedded and how indeed to get her into your tent and what to do with the Australian guy and the Yank dame and off she went again moaning about the Southend teacher guy did you see him at the from of the mini bus giving it all that talk of history and that Lancaster ***** all ears and ******* teeth ? you sat and smiled listening to her talking of herself and the world's grief.
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140
Lydia sat on the red painted tile doorstep waiting to see if Benny would come along she breathed heavily angry and frustrated her mother had just told her that she(Lydia) and Benny could not go to Edinburgh or Southend by train as they had wished she had tried to explain to her mother the plan but her mother wasn't having it in fact she had bellowed NO NO NO so loud that her big sister Gloria was disturbed drunkenly in the bed she shared with Lydia she watched the milkman pull up in his horse drawn wagon and take out 2 bottles of milk and walked with them across the way and put them on the doorstep then walked back the horse was eating from a nosebag Lydia sat a few more minutes if Benny hadn't showed she'd go and find him and tell him the bad news the man with the boxer dog walked past doffed his cap and smiled then walked on then she saw Benny galloping(on his pretend horse) up from the slope and into the Square she stared at him then waved him over he galloped towards her she felt angry and tearful Benny rode up to the red painted tile doorstep what's up? he said smiling we can't go she said pouting can't go where? he said his horse vanishing into thin air can't go to Edinburgh or Southend by train she said who said? he said my mum said no no no but louder Lydia said Benny sat on the doorstep beside her she said at 9 we were too young Lydia said looking at him her lower lip pouting more I'll have a word with her Benny said turning around to stare at the front door won't make any difference she said no Lydia said persuasion can sometimes work Benny said my mum said if you want something bad enough you must like that Scottish king bloke try and try again you can try I suppose Lydia said they got up from the step and Benny knocked on the front door and they waited the door opened (after a few minutes) and Lydia's mother stood there hair in a scarf and a cigarette hanging from the corner of her mouth and arms folded why'd you knocked the door? she said to Lydia you bloomin live here I knocked Benny said what do you want then? the mother said we want to go to Southend Benny said we are willing to forgo Edinburgh until later but Southend is a must for us as a sort of a trial run the mother stared at him coldly I've told her now I'm telling you you're too young to go anywhere at 9 years old so the answer is the same NO she bellowed and slammed the door shut Benny stared at the door Lydia sat down again and stared at the milkman walking his horse along to the next block of flats plan B the Benny said plan B? Lydia said what's that? we go anyway but say nothing to them he said arms folded a determined look about his face do we dare? she said of course Benny said working the plan b out inside his 9 year old head.
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Jul 26, 2016
Jul 26, 2016 at 2:03 AM UTC
BENNY'S PLAN B 1957.
Lydia sat on the red painted tile doorstep waiting to see if Benny would come along she breathed heavily angry and frustrated her mother had just told her that she(Lydia) and Benny could not go to Edinburgh or Southend by train as they had wished she had tried to explain to her mother the plan but her mother wasn't having it in fact she had bellowed NO NO NO so loud that her big sister Gloria was disturbed drunkenly in the bed she shared with Lydia she watched the milkman pull up in his horse drawn wagon and take out 2 bottles of milk and walked with them across the way and put them on the doorstep then walked back the horse was eating from a nosebag Lydia sat a few more minutes if Benny hadn't showed she'd go and find him and tell him the bad news the man with the boxer dog walked past doffed his cap and smiled then walked on then she saw Benny galloping(on his pretend horse) up from the slope and into the Square she stared at him then waved him over he galloped towards her she felt angry and tearful Benny rode up to the red painted tile doorstep what's up? he said smiling we can't go she said pouting can't go where? he said his horse vanishing into thin air can't go to Edinburgh or Southend by train she said who said? he said my mum said no no no but louder Lydia said Benny sat on the doorstep beside her she said at 9 we were too young Lydia said looking at him her lower lip pouting more I'll have a word with her Benny said turning around to stare at the front door won't make any difference she said no Lydia said persuasion can sometimes work Benny said my mum said if you want something bad enough you must like that Scottish king bloke try and try again you can try I suppose Lydia said they got up from the step and Benny knocked on the front door and they waited the door opened (after a few minutes) and Lydia's mother stood there hair in a scarf and a cigarette hanging from the corner of her mouth and arms folded why'd you knocked the door? she said to Lydia you bloomin live here I knocked Benny said what do you want then? the mother said we want to go to Southend Benny said we are willing to forgo Edinburgh until later but Southend is a must for us as a sort of a trial run the mother stared at him coldly I've told her now I'm telling you you're too young to go anywhere at 9 years old so the answer is the same NO she bellowed and slammed the door shut Benny stared at the door Lydia sat down again and stared at the milkman walking his horse along to the next block of flats plan B the Benny said plan B? Lydia said what's that? we go anyway but say nothing to them he said arms folded a determined look about his face do we dare? she said of course Benny said working the plan b out inside his 9 year old head.
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171
Go where? Lydia's mother said Southend Lydia said you can't go to Southend on your own I'm not going on my own I'm going with Benny her mother stared at her Benny? Go with Benny? You're both too young to go to ****** Southend what put that thought into your mind? Her mother said we talked about it when we were at King's Cross station who is we? The mother said Benny and me Lydia said frowning ********* her fingers o so you talked it over o that's all right then is it? The mother said just to Southend as a first run then we want to go to Scotland Lydia said SCOTLAND her mother bellowed are you mad you two? You can't go to ****** Scotland at your age what 9 years old and want to go Scotland and alone? The mother stared at Lydia as if she was mad Lydia wished Benny was there he had a way with words he might be able to put it better whose idea was it? Both of us Lydia said we thought it would be good and we could go to Edinburgh and see men in kilts and see the castle NO NO NO the mother bellowed Lydia lowered her head and gazed at her mother's slippers you can't go to Scotland or Edinburgh or Southend not alone the mother said quieter staring at her daughter when can we go then? Lydia said looking at her mother's stockinged legs when you are old enough and we say so her mother said when will be old enough? Lydia said gazing at her mother's blue patterned apron when we say so her mother said and walked off back to the kitchen where the boiler was boiling washing and steam came down the passageway Lydia sighed and opened the front door and went out to find Benny and tell him the bad news and not being able to see the Edinburgh views.
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Jul 3, 2016
Jul 3, 2016 at 4:42 AM UTC
EDINBURGH VIEWS 1957
Go where? Lydia's mother said Southend Lydia said you can't go to Southend on your own I'm not going on my own I'm going with Benny her mother stared at her Benny? Go with Benny? You're both too young to go to ****** Southend what put that thought into your mind? Her mother said we talked about it when we were at King's Cross station who is we? The mother said Benny and me Lydia said frowning ********* her fingers o so you talked it over o that's all right then is it? The mother said just to Southend as a first run then we want to go to Scotland Lydia said SCOTLAND her mother bellowed are you mad you two? You can't go to ****** Scotland at your age what 9 years old and want to go Scotland and alone? The mother stared at Lydia as if she was mad Lydia wished Benny was there he had a way with words he might be able to put it better whose idea was it? Both of us Lydia said we thought it would be good and we could go to Edinburgh and see men in kilts and see the castle NO NO NO the mother bellowed Lydia lowered her head and gazed at her mother's slippers you can't go to Scotland or Edinburgh or Southend not alone the mother said quieter staring at her daughter when can we go then? Lydia said looking at her mother's stockinged legs when you are old enough and we say so her mother said when will be old enough? Lydia said gazing at her mother's blue patterned apron when we say so her mother said and walked off back to the kitchen where the boiler was boiling washing and steam came down the passageway Lydia sighed and opened the front door and went out to find Benny and tell him the bad news and not being able to see the Edinburgh views.
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99
Underbelly of seabirds As White blue grey sky Scrolls above. Feathers frolic on Thermal waves Unknown to eyes On Southend pier. Rusting legs step out to Sea Swell and cresting small Over silted bed
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Sep 21, 2024
Sep 21, 2024 at 1:12 AM UTC
Yellow Beak
This summer's almost over I sit in a south end coffee bar Wondering exactly what I did To warrant a fall this hard I'm writing again But it's all useless **** I curse entirely to much My moods these days lack wit I'm half angry Half broken And two halves sad That's too much emotion for one person No wonder I can't sleep No wonder I'm going mad
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Jul 23, 2014
Jul 23, 2014 at 1:30 PM UTC
Southend coffee bar
I don't like Flensburg Dalya said as we rode in the passenger carrier she next to me at the back the Polish girl and her mother having changed seats for a different view the Southend teacher prat still in the front with the driver and guide I want to be out of Germany my dad was in Germany in the War she said she stared at the passing view not sure where he was he didn't say much about it I looked at her sitting there the green top and tight blue jeans her dark hair pulled in a bunch at the back my old man was in Egypt in the War I said what did he do there? she said fought the Desert Fox were there foxes in Egypt? he was a German general in the north African fight called Rommel the fight was called Rommel? I looked at the nape of her neck the love bite still there remembering her in her tent unclothed and bare no the general was called Rommel I said was your old man as you term him the general? I remember her ******* like two small jelly moulds shaking there no he wasn't a general he was an engineer he mended tanks somewhat lower in the ranks she pointed out a church as we passed it by my father said he prayed in a church in Germany I rememberer that she said I remembered her laying there unclothed completely bare a soft aroma of onions hanging in the air.
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Aug 15, 2014
Aug 15, 2014 at 4:45 PM UTC
FLENSBURG 1974.
Lydia sat on the red painted brick front doorstep of her parents' ground floor flat, in a mood, fuming, elbows on her knees, chin on hands, staring out at the Square. Behind her in the flat her parents rowed: he arguing he had come home drunk, yes, but he had sung to her: I'll walk you home again Kathleen, and she(the wife) saying: and all the fecking Square could hear you, and I'm not Kathleen, so who the fecks this Kathleen? Her big brother Hem was out pulling wings off butterflies or flies or teasing the girls on the block. Her big sister Gloria snoozed hangovered in the bed snoring. Lydia wanted Benny to come by, wanted his ear to hear, his voice to calm her and make her pleased.   The baker drew up in his horse-drawn wagon and got off and got loaves from the back and took them to the flats he knew. She watched him walk, and his horse stand still nose in a nosebag, eating. The rows indoors continued. The horse stood still eating. Benny came across from his parents' flat upstairs, hazel eyed   and quiff of brown hair and a smile. What are you doing sitting there? He said. Waiting for you, she said. What's up? He asked. She nodded back towards the flat behind her and rowing voices. What's it about? He asked. Dad came home drunk last night, singing to the new moon and my mother on the doorstep and an unholy hour, she said. And so? Said Benny, what's new? He sang I'll walk you home again Kathleen and my mum's not Kathleen, Lydia said. Where we going? He said. Not Southend or Edinburgh that's for sure, she said, somewhere to get away from this until the air is cleared. London Bridge train station watch the steam trains, have glasses of milk and biscuits? He said, I've some money. She nodded, looked back the rowing flat, sighed and took his hand and walked through the Square leaving the rowing behind, and down the slope to get the bus to the station. Benny by her side, walking and talking, watching boys on the wall, rude words chalking.
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Aug 18, 2016
Aug 18, 2016 at 9:30 AM UTC
RUDE WORDS CHALKING 1957
Lydia sat on the red painted brick front doorstep of her parents' ground floor flat, in a mood, fuming, elbows on her knees, chin on hands, staring out at the Square. Behind her in the flat her parents rowed: he arguing he had come home drunk, yes, but he had sung to her: I'll walk you home again Kathleen, and she(the wife) saying: and all the fecking Square could hear you, and I'm not Kathleen, so who the fecks this Kathleen? Her big brother Hem was out pulling wings off butterflies or flies or teasing the girls on the block. Her big sister Gloria snoozed hangovered in the bed snoring. Lydia wanted Benny to come by, wanted his ear to hear, his voice to calm her and make her pleased.   The baker drew up in his horse-drawn wagon and got off and got loaves from the back and took them to the flats he knew. She watched him walk, and his horse stand still nose in a nosebag, eating. The rows indoors continued. The horse stood still eating. Benny came across from his parents' flat upstairs, hazel eyed   and quiff of brown hair and a smile. What are you doing sitting there? He said. Waiting for you, she said. What's up? He asked. She nodded back towards the flat behind her and rowing voices. What's it about? He asked. Dad came home drunk last night, singing to the new moon and my mother on the doorstep and an unholy hour, she said. And so? Said Benny, what's new? He sang I'll walk you home again Kathleen and my mum's not Kathleen, Lydia said. Where we going? He said. Not Southend or Edinburgh that's for sure, she said, somewhere to get away from this until the air is cleared. London Bridge train station watch the steam trains, have glasses of milk and biscuits? He said, I've some money. She nodded, looked back the rowing flat, sighed and took his hand and walked through the Square leaving the rowing behind, and down the slope to get the bus to the station. Benny by her side, walking and talking, watching boys on the wall, rude words chalking.
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119
Out of flanders mud He crawled Dulce et decorum est Over southend pier i trudged Pro patria mori
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Aug 24, 2017
Aug 24, 2017 at 3:25 AM UTC
The old lie