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You know, there's always a song that takes me back
To a year, so long before
It's not always a top ten song
That hits my very core
It just grabs me and transports me
Back in time while standing still
It might take me to a good place
Release a memory I should ****

But, my soundtrack is different
It's not just music in my mind
There's sounds that make my playlist up
Sounds of a different kind
A baseball smacking leather
God, that sets me free
Some good, some bad, some coaching
Some involve my ******* up knee
The click on every eight track
When it switches channels to play on
Brings back those early mornings
when the house cleaning was done

But, music, yes the music
makes a large part of my list
Some take me back to dances
And the girls I never kissed
The good songs stretch my senses
Make me smell things from the past
The memories still linger
While the music didn't last

Sirens, car wrecks, yelling
Have their place on my list too
It's not music to most people
It made my list though, who knew?
A sound as small as raindrops
Take me back to a morning when
I stood on line with a hundred others
Brave women and brave men

Cornwallis, Nova Scotia
rain and U2 take me on a track
To basic training on the east coast
Wow, that's 25 years back
A car crash and a siren
Takes me to when I met my wife
This was on the television
when Princess Di, she lost her life

So, my soundtrack is eclectic
It's not just music fuels my trips
It might be a golf ball bouncing
That takes me through a time warp slip
A song, that's just too easy
Everyone has one of those
But, can you travel back, oh, 30 years
When someone blows their nose?

There's more sounds that effect me
But, those I think I'll hide
I will write about them later
And I will take you on that ride
In 50 years of living
Lots of sounds have hit my ears
We'll  sit and chat about them
One day over a few beers....
AAron Roz May 2018
Music is loud or quiet.
Music is soft or heavy.
Music can have meaning or not.
Music can be nothing or everything.
Music is:
◾Art Punk
◾Alternative Rock
◾College Rock
◾Crossover Thrash (thx Kevin G)
◾Crust Punk (thx Haug)
◾Experimental Rock
◾Folk Punk
◾Goth / Gothic Rock
◾Grunge
◾******* Punk
◾Hard Rock
◾Indie Rock
◾Lo-fi (hat tip to Ben Vee Bedlamite)
◾New Wave
◾Progressive Rock
◾Punk
◾Shoegaze (with thx to Jackie Herrera)
◾Steampunk (with thx to Christopher Schaeffer)

•Anime
•Blues ◾Acoustic Blues
◾Chicago Blues
◾Classic Blues
◾Contemporary Blues
◾Country Blues
◾Delta Blues
◾Electric Blues
◾Ragtime Blues (cheers GFS)

•Children’s Music ◾Lullabies
◾Sing-Along
◾Stories

•Classical ◾Avant-Garde
◾Baroque
◾Chamber Music
◾Chant
◾Choral
◾Classical Crossover
◾Contemporary Classical (thx Julien Palliere)
◾Early Music
◾Expressionist (thx Mr. Palliere)
◾High Classical
◾Impressionist
◾Medieval
◾Minimalism
◾Modern Composition
◾Opera
◾Orchestral
◾Renaissance
◾Romantic (early period)
◾Romantic (later period)
◾Wedding Music

•Comedy ◾Novelty
◾Standup Comedy
◾Vaudeville (cheers Ben Vee Bedlamite)

•Commercial (thank you Sheldon Reynolds) ◾Jingles
◾TV Themes

•Country ◾Alternative Country
◾Americana
◾Bluegrass
◾Contemporary Bluegrass
◾Contemporary Country
◾Country Gospel
◾Country Pop (thanks Sarah Johnson)
◾***** Tonk
◾Outlaw Country
◾Traditional Bluegrass
◾Traditional Country
◾Urban Cowboy

•Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-)) ◾Club / Club Dance (thx Luke Allfree)
◾Breakcore
◾Breakbeat / Breakstep
◾Brostep (cheers Tom Berckley)
◾Chillstep (thx Matt)
◾Deep House (cheers Venus Pang)
◾Dubstep
◾Electro House (thx Luke Allfree)
◾Electroswing
◾Exercise
◾Future Garage (thx Ran’dom Haug)
◾Garage
◾Glitch Hop (cheers Tom Berckley)
◾Glitch Pop (thx Ran’dom Haug)
◾Grime (thx Ran’dom Haug / Matthew H)
◾*******
◾Hard Dance
◾Hi-NRG / Eurodance
◾Horrorcore (thx Matt)
◾House
◾Jackin House (with thx to Jermaine Benjamin Dale Bruce)
◾Jungle / Drum’n’bass
◾Liquid Dub(thx Ran’dom Haug)
◾Regstep (thanks to ‘Melia G)
◾Speedcore (cheers Matt)
◾Techno
◾Trance
◾Trap (thx Luke Allfree)

•Disney
•Easy Listening ◾Bop
◾Lounge
◾Swing

•Electronic ◾2-Step (thx Ran’dom Haug)
◾8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
◾Ambient
◾Bassline (thx Leon Oliver)
◾Chillwave(thx Ran’dom Haug)
◾Chiptune (kudos to Dominik Landahl)
◾Crunk (with thx to Jillian Edwards)
◾Downtempo
◾Drum & Bass (thx Luke Allfree)
◾Electro
◾Electro-swing (thank you Daniel Forthofer)
◾Electronica
◾Electronic Rock
◾Hardstyle (kudos to Dominik Landahl)
◾IDM/Experimental
◾Industrial
◾Trip Hop (thank you Michael Tait Tafoya)

•Enka
•French Pop
•German Folk
•German Pop
•Fitness & Workout
•Hip-Hop/Rap ◾Alternative Rap
◾Bounce
◾***** South
◾East Coast Rap
◾Gangsta Rap
◾******* Rap
◾Hip-Hop
◾Latin Rap
◾Old School Rap
◾Rap
◾Turntablism (thank you Luke Allfree)
◾Underground Rap
◾West Coast Rap

•Holiday ◾Chanukah
◾Christmas
◾Christmas: Children’s
◾Christmas: Classic
◾Christmas: Classical
◾Christmas: Comedy
◾Christmas: Jazz
◾Christmas: Modern
◾Christmas: Pop
◾Christmas: R&B
◾Christmas: Religious
◾Christmas: Rock
◾Easter
◾Halloween
◾Holiday: Other
◾Thanksgiving

•Indie Pop
•Industrial
•Inspirational – Christian & Gospel ◾CCM
◾Christian Metal
◾Christian Pop
◾Christian Rap
◾Christian Rock
◾Classic Christian
◾Contemporary Gospel
◾Gospel
◾Christian & Gospel
◾Praise & Worship
◾Qawwali (with thx to Jillian Edwards)
◾Southern Gospel
◾Traditional Gospel

•Instrumental ◾March (Marching Band)

•J-Pop ◾J-Rock
◾J-Synth
◾J-Ska
◾J-Punk

•Jazz ◾Acid Jazz (with thx to Hunter Nelson)
◾Avant-Garde Jazz
◾Bebop (thx Mwinogo1)
◾Big Band
◾Blue Note (with thx to Jillian Edwards)
◾Contemporary Jazz
◾Cool
◾Crossover Jazz
◾Dixieland
◾Ethio-jazz (with thx to Jillian Edwards)
◾Fusion
◾Gypsy Jazz (kudos to Mike Tait Tafoya)
◾Hard Bop
◾Latin Jazz
◾Mainstream Jazz
◾Ragtime
◾Smooth Jazz
◾Trad Jazz

•K-Pop
•Karaoke
•Kayokyoku
•Latin ◾Alternativo & Rock Latino
◾Argentine tango (gracias P. Moth & Sandra Sanders)
◾Baladas y Boleros
◾Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
◾Brazilian
◾Contemporary Latin
◾Cumbia (gracias Richard Kemp)
◾Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
◾Latin Jazz
◾Nuevo Flamenco (and again Michael Tafoya)
◾Pop Latino
◾Portuguese fado (and again Sandra Sanders)
◾Raíces
◾Reggaeton y Hip-Hop
◾Regional Mexicano
◾Salsa y Tropical

•New Age ◾Environmental
◾Healing
◾Meditation
◾Nature
◾Relaxation
◾Travel

­•Opera
•Pop ◾Adult Contemporary
◾Britpop
◾Bubblegum Pop (thx Haug & John Maher)
◾Chamber Pop (thx Haug)
◾Dance Pop
◾Dream Pop (thx Haug)
◾Electro Pop (thx Haug)
◾Orchestral Pop (thx Haug)
◾Pop/Rock
◾Pop Punk (thx Makenzie)
◾Power Pop (thx Haug)
◾Soft Rock
◾Synthpop (thx Haug)
◾Teen Pop

•R&B/Soul ◾Contemporary R&B
◾Disco (not a top level genre Sheldon Reynolds!)
◾Doo ***
◾Funk
◾Modern Soul (Cheers Nik)
◾Motown
◾Neo-Soul
◾Northern Soul (Cheers Nik & John Maher)
◾Psychedelic Soul (thank you John Maher)
◾Quiet Storm
◾Soul
◾Soul Blues (Cheers Nik)
◾Southern Soul (Cheers Nik)

•Reggae ◾2-Tone (thx GFS)
◾Dancehall
◾Dub
◾Roots Reggae
◾Ska

•Rock ◾Acid Rock (with thanks to Alex Antonio)
◾Adult-Oriented Rock (thanks to John Maher)
◾Afro Punk
◾Adult Alternative
◾Alternative Rock (thx Caleb Browning)
◾American Trad Rock
◾Anatolian Rock
◾Arena Rock
◾Art Rock
◾Blues-Rock
◾British Invasion
◾**** Rock
◾Death Metal / Black Metal
◾Doom Metal (thx Kevin G)
◾Glam Rock
◾Gothic Metal (fits here Sam DeRenzis – thx)
◾Grind Core
◾Hair Metal
◾Hard Rock
◾Math Metal (cheers Kevin)
◾Math Rock (thx Ran’dom Haug)
◾Metal
◾Metal Core (thx Ran’dom Haug)
◾Noise Rock (genre – Japanoise – thx Dominik Landahl)
◾Jam Bands
◾Post Punk (thx Ben Vee Bedlamite)
◾Prog-Rock/Art Rock
◾Progressive Metal (thx Ran’dom Haug)
◾Psychedelic
◾Rock & Roll
◾Rockabilly (it’s here Mark Murdock!)
◾Roots Rock
◾Singer/Songwriter
◾Southern Rock
◾Spazzcore (thx Haug)
◾Stoner Metal (duuuude)
◾Surf
◾Technical Death Metal (cheers Pierre)
◾Tex-Mex
◾Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
◾Trash Metal (thanks to Pierre A)

•Singer/Songwriter ◾Alternative Folk
◾Contemporary Folk
◾Contemporary Singer/Songwriter
◾Indie Folk (with thanks to Andrew Barrett)
◾Folk-Rock
◾Love Song (Chanson – merci Marcel Borchert)
◾New Acoustic
◾Traditional Folk

•Soundtrack ◾Foreign Cinema
◾Movie Soundtrack (thanks Julien)
◾Musicals
◾Original Score
◾Soundtrack
◾TV Soundtrack

•Spoken Word
•Tex-Mex / Tejano (with thx to Israel Lopez) ◾Chicano
◾Classic
◾Conjunto
◾Conjunto Progressive
◾New Mex
◾Tex-Mex

•Vocal ◾A cappella (with kudos to Sheldon Reynolds)
◾Barbershop (with thx to Kelly Chism)
◾Doo-*** (with thx to Bradley Thompson)
◾Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
◾Standards
◾Traditional Pop
◾Vocal Jazz
◾Vocal Pop

•World ◾Africa
◾Afro-Beat
◾Afro-Pop
◾Asia
◾Australia
◾Cajun
◾Calypso (thx Gerald John)
◾Caribbean
◾Carnatic (Karnataka Sanghetha – thx Abhijith)
◾Celtic
◾Celtic Folk
◾Contemporary Celtic
◾Coupé-décalé (thx Samy) – Congo
◾Dangdut (thank you Achmad Ivanny)
◾Drinking Songs
◾Drone (with thx to Robert Conrod)
◾Europe
◾France
◾Hawaii
◾Hindustani (thank you Abhijith)
◾Indian Ghazal (thank you Gitika Thakur)
◾Indian Pop
◾Japan
◾Japanese Pop
◾Klezmer
◾Mbalax (thank you Samy) – Senegal
◾Middle East
◾North America
◾Ode (thank you Sheldon Reynolds)
◾Piphat (cheers Samy B) – Thailand
◾Polka
◾Soca (thx Gerald John)
◾South Africa
◾South America
◾Traditional Celtic
◾Worldbeat
◾Zydeco
etc...
Just Melz Nov 2016
Throughout this soundtrack that I call my life,
       your heart is the beat,
          your voice is the lyrics,
   your soul is the slow and steady rhythm,
             your kisses are the chorus
       and your face is the album art.
Without you,
  I would never hear music the same again.
Phoebe Taylor Mar 2013
Drip… drip. The endless soundtrack of that leaky faucet,
Drops of water waste away, minutes trickle by.
Melted wishes flow on down, those pipe dreams only that.
Drip… drip. They all collect in that sea of broken promises.
Drip… drip. The Pacific, the Atlantic, they are dwarfed by this, the broken ocean.
Drip… drip. The waves do not crash, the storms do not roar, they do not recycle this endless sea.
Drip… drip. No ship has ever dared sail, for none will come running back.
Drip…drip. Not a ripple above, but a wail from below, those hopes just don’t want to let go.
Drip… drip. Maybe there’s a girl up there… maybe a boy… maybe they’ll go fishing, maybe they’ll brave a sail on that lonely river.
Drip…drip. Maybe they’ll care to mend piece of that broken ocean.
Drip… drip. Maybe. Maybe someday, someone will come. Maybe someone with know-how, and some brains to match it up. They’ve got to have a heart, but maybe… someday.
Drip… drip. But for now, we just listen to the soundtrack, of that leaky faucet.
Evon Benjamin Nov 2016
Her soundtrack
Plays deafening volumes to my soul
Drowning out the hum of the mundane
Trying not to make a false step or trip over my own feet
You dance to the rhythmn of her beat
I waltz into her arms, shimmy into her psyche
Two step over her frowns and walk it out onto her street
The music beckons, I can hear it
Calling me with its pulse, vibrations and crescendos complete
Give her your best moves and she will reward you
With nothing less than her heart
This is the soundtrack of her life
Make sure you play your part
Sunny Snow Nov 2013
Every wave length moves me in ways I can not explain. I get high off the viberations, I get drunk off the harmonys. Every note I take in and love, major to minor, music always inspires me to dream, to think beyond myself, my world of busyness, and my dark hearted mind, I dream of places, places near and far. Every song comes with a picture, a movie, and a real or two of film. Creating a soundtrack to what I paint my life to. Making pretty views look bolder and ugly views seem less disturbing. Cuz life is beautiful and music is the soundtrack to how we feel
Hello, everyone! This is one of the weirdest sites: or your money back! We have ZIM, neopets, music, and much, much, more. E-mail us for questions, comments, complaints and information. Why not click on the Very Weird Stuff link to see more, or click on the music link? We have halloween and christmas pictures on the NeoPics link. Cheese is not a wild thing!!!!!!!!! Now I have decided to go for a world record. I will try to make the longest web page ever, made completely out of text! Won't that be fun? I will just type, and type, and never, ever use copy and paste. Wow...I really must be bored. Just goes to show what boredom can do to you. Any way, that's it for now. Wait, no it isn't, I still have to keep going, and going, and going. Because I do. THE REST OF THE STUFF I TYPE WILL BE COMPLETLY IN CAPS JUST BECAUSE I CAN. THAT IS ALL. SEEYA! Hi, I'm back. So far this is nowhere near the world record. I think. I don't exactly know where it is...oh, well. I'll just have to do the very best that I can. No one is really coming here, anyway. So it doesn't matter. By the way, TAB is a worthwhile, community-service organization. The form link is to a 100% fake TAB registration form that you can fill out just for laughs. I can't believe I'm bothering to do this. I have very low expectations of my site. None ever comes here, I could do this all day long and I still wouldn't have any more hits. This is just a pointless excursive in spelling errors and grammatical imprecision. May your day be shiney! The following is an extremely weird poem-thingy that I wrote when I was in a relatively weird mood:
never mind that noise my dear can anyone pass the cheese only if you say pretty please oh, boy do I have to sneeze. why must everyone always rhyme, why I’m a poet and don’t I know it? what I fear comes right after here not this life or the next will I ever be able to pass the test? we’re stuck in here, (alone my dear) and we’ll problem never get out so don’t start to shout. it’s dark and I want to go home is where the heart was where is it now? we’ll never know but oh crap it’s starting to snow and it’s time to show and tell about the well that you found last summer at camp when it was damp it was near the ramp oh god why must this be I liked that tree but now it’s gone, farewell so long I’ll miss you as long as you write but then I’m afraid to say good-night. my dear there’s nothing to fear that’s only a box that’s made of blocks next to the wagon that looks like a dragon why are you shaking it’s your fear that is making you shiver and act all a quiver. don’t you know that you only need be afraid of fear and never anything here and certainly not a post that acts like a ghost?
See, very weird. At least it fills up my word quota for the day. Not that I exactly have a word quota for the day. It just sounded very professional to say it. Anyway, I still don't think that anyone is actually coming here. You'd have to be an absolute loser (or really bored) to come here. I'd probley come here, but that isn't much of a surprise. After all, I've been to the Really Really Big Button That Doesn't Do Anything website over 50 times. Pathetic. But, whatever. As long as I'm happy, right. Humor the crazy person, okay? Oh, guess what? According to someone you problem don't know, this is the second most pointless website ever! Next to the Really Big Button, of course. I feel special. Come on everyone, group hug. Okay, now I'm starting to scare myself...I'm gonna quit for today. Seeya. Now I'm back. Is this getting confusing to you? Too bad. Now I want you to go to http://quiz.ravenblack.net/blood.pl?biter=eon" If you do this I'll get points in the game. Come on all you non-existing people! Help me! You know you want to! It's a worthy cause! Honestly, the more time I waste playing the game, the less time I'll work on this site and the less stuff you gotta read. Although why you'd be here if you didn't want to read is beyond me. Maybe you're lost. Okay, if you want to get out, click the little refresh button, okay? Good...what? You say it didn't let you out? Oh, well. You must be caught in a time warp. Keep pressing it. Maybe you'll break free. What's that. The little counter at the bottom keeps going up? Never mind. That's just how many times you have to click before you can leave. Good-bye.

Hey, I'm once again: back. I don't suppose you fell for that little thing about the refresh button. After all, you're a responsible, intelligent person who apparently has a lot of time on your hands. Well, you can't possibly have more time than I do. I mean, after all, I made this site. You're only browsing it. And most people don't even come here. Not even my friends...sniffle The just ignore this poor, pathetic little page. All they do is fill out the TAB form and leave. I think. Maybe they're here right now! HI! HOW ARE YOU DOING? I'M FINE! THANKS FOR COMING! YES, I'M YELLING! Who am I kidding. This page won't get a single hit, unless I bribe people...now that has possibilities. Okay, fill out the TAB form, so I have proof that you bothered to come here and...uh...I'll...uh...send you a sandwich? Please allow 6-8 weeks for delivery. I'm bored. I'm gonna go hug a moose. MOOSE! I love-d you moose! Hey, I'm back again! Yea...waits for applause okay! Now I want all you loyal fans...cricket chirps to go to the link to see what I'm like. I took a whole bunch of personality quizzes and posted them there. I'm an evil villain, kitty and a freakazoid so far. And I only took the quiz once, too. Spooky how accurate they are...anyway, I command you to go! I'm going. I'm back. I'm gonna start counting how many times I say back. Let's see: 1...2...3...4...5! Wow. I must really be desperate for something to do. I now officially have proof that someone has been here! It was one of my friends. Apparently this page really is getting long, because my friend said something to that effect. Maybe. Anyway, moving on! I'm just basically typing nothing. Just like all those reports people have to do. You know? With a specific number of words. They start out with half that number, and then just fill in words until they have the right amount. I salute those people. You're great tradition is being carried out here, on the second most pointless site ever! Well. Maybe eventually some weird, bored person will wander onto my site on accident and be mildly entertained be my site until they wander onto a live video feed of a coffee maker. Or maybe not. I only know that I'm entertaining me, which was my original goal. So. I've done what I've set out to accomplish. Yea, me! I'm so special. You see, most people, they don't like reading or writing. So if you're not most people, you've made it down this far without skipping, skimming or getting the spark notes version. (Which I think does not exist) My point is, if you've bothered to read this, then, (like me) you probley have also read the ketchup bottle so many times that you have it down verbatim. Look verbatim up. It's a word. But, you should know that, since you like reading. Or maybe you're just skimming. Anyway, there's nothing wrong with reading food labels. You might be asked a question about them on a quiz show. And now, for the million-dollar question: How many calories are there in a single serving of Mustard? I can just see it now...It could be called Know-Your-Food. Or You are What you Eat. It'd probley be as popular as those game shows that no one's ever heard of. Speaking of food, what's up with pie? There's strawberry pie, apple, pumpkin and so many others, but there is no grape pie! I know. I'm just as upset about this unfortunate lack of development in the pie division. Think about it. Grapes are used to make jelly, jam, juice and raisins. What makes them undesirable for pie? Would they dry into raisins? Couldn't you just stick some jelly in a piecrust and bake it? It just doesn't make any sense. Another thing that bothers me is ***** grinders. You know, the foreign guys with the bellhop hats and the little music thingy and the cute little monkey with the bellhop hat who collects the money? Okay. They're basically begging on the street. How did they ever afford an *****-thingy? Wouldn't it make more sense to get a kazoo, if you're broke? And if they're so poor, what possessed them to buy a monkey? I mean, I don't think I could afford a monkey, and I'm not exactly on the streets. Obviously I at least have a computer...so, back to the ***** grinders. I would have sold the monkey and the ***** and been able to eat for at least a year. Or, if I was weirder than I am, I could at least **** the monkey with the ***** and eat it. Why on earth did they keep the monkey? It must have cost a fortune to feed...not to mention the mess. That's just one of those many facts of life that are better left mysteries. Especially since no one but me would ask the question. I better go. I think I hear a monkey...Okay...now I'm back. That's the sixth time I've said back! I realize that this longest text ever must be very boring and not worth anyone's time. But I'd like to take this time to thank the 2 and 1/2 people in the entire universe who have bothered to read this entire thing. I'm not exactly sure who they are, but: thanks! Right now, my spacebar is malfunctioning...that's not good...I have to press it two or three times just to insert a freaking space. Maybe the evil little faeries with the sharp little teeth have put their evil faerie dust on my computer. Or maybe not. This is too frustrating. Goodbye for now...Now I'm back. And still frustrated. But for a different reason. Today I had the misfortune of playing a Treasure Planet game on neopets.com It was terrible. Apparently the point of the game was to get your character to shout "Whoo-Hoo!" as many times as possible before you splattered your brains on the rocks, all the while listening to a soundtrack that is similar to a dying ceiling fan. Of course, when I started out I accidentally hit the rocks approximately three million times. Halfway though I used my four remaining brain-cells to decide that the game was dumb. So my goal changed from surviving to laughing evilly while my character died. So the game naturally did everything it could to preserve my life. The stupid game is still going on and I refuse to quit because I want my points. My character is actually dodging the stupid rocks better now then when I controlled him. I hate irony. Seeya. Okay. Now I'm back again. Today I added an update page, which is basically a less chaotic, outlined version of this without all the ranting. It's more like techno talk about arrays and how much I **** and whether or not the Braves will win this year. Okay, the whole braves thing is made up. But everything else I've said so far is true. I think. Maybe I should start on a boring disclaimer...Eh-hem. All contents of this site were designed for entertainment purposes only. Any use thereof that is not stated in the above mentioned statement would make the author, hereby referred to as Patron Saint of Paper Clips, very angry. Should you violate the purpose of this site: i.e. become not entertained, the Patron Saint of Paper Clips will be forced to take drastic measures. This is specified in Code: 343 of the Flaming Chicken Handbook. Ooooo…that’s a great idea! I’m gonna start quoting from the Flaming Chicken Handbook! Code: 343 of the Flaming Chicken Handbook states that the Patron Saint of Paper Clips (that’s me) is allowed to cause vague, pain like sensations while the offending person (or alien life form, dog, etc.) isn’t paying attention. Now I have a purpose in life! To make up quotes from the non-existent Flaming Chicken Handbook, which I’m sure you have a copy of. No? Too bad. It’s in the mail, I promise! Now I must take my leave…and remember. Cheese is watching. Okay...I'm back...I think that eventually half of this thing will consist of the word back over and over again...that's just weird. Which fits the motif of the rest of the site. There's even a money back guarantee. Isn’t' that nice? See? Now no one can ever say that I don't take care of my viewers. Especially since I don't have viewers. I have readers. Wait...I really don't even know if anyone bothers to read this. Even if I put it in a less chaotic, more user-friendly format people would still ignore this because it involves: reading. Yes. Sad to admit, but the majority of people would rather read the summary at the back of a book rather than the whole book itself. What has the world come to? It's pathetic. Especially since I'm bothering to write all this. It's not fair! Why can't I have more readers?! All the other internet writers have nothing on me, except they're better at advertising, having a central theme/plot and basically more talented. Whereas I'm more into the whole ranting and raving stage right now. Plus, I am horrible at spelling. Which is bad. Thank the powers that be for spell-check. The single greatest invention of the computer gods. I'm getting bored, so I think I'm done for the day. May your day be shiney! I'm back again! And I feel weird! I found at that yet another one of my friends is reading this. Creepy. Just how much time do they have on their hands. Perhaps their just trying to be nice. I can just see it now...an organization devoted not to feeding the hungry, or peace, or love or whatever, but to giving recognition to all those poor, pathetic, unpopular websites. I wonder what it's name would be. Don't Ignore Sites? Would it be called DIS? Isn't that like a slang term for an insult? Would that be considered poetic justice, or just a nice coincidence? And why do I even care? I'll tell you why. Because I have nothing else to do right now. I could be playing neopets, but ever since my bad experience with Treasure Planet, I don't feel like it. Oh, by the way, I noticed that whenever I use spell-check, my stupid computer turns the word probley into to word problem. To prevent this, I did nothing. So, it is now up to you, the imaginary reader, to decide whether I mean probley or problem...it's almost like a game! But without the bad sound track. And I promise not to force you to live when you would rather die. Moving on, I have nothing else to say, but don't feel like quitting just yet. I'm like the little engine that could. Or maybe the Energizer Bunny. I just keep going, and going and going. Or I could be like that annoying guy on T.V. who keeps asking if you can hear him. If my site manages to last a decade, my readers snicker will probley wonder what I'm talking about. My answer is simple. It doesn't matter. I'm just rambling. Which means that it doesn't matter if you understand anything I say. Doesn't that make you feel better? I bet it does. Wow. Look how long this has gotten. I even impress myself. Who would have thought I have this much free time? And I congratulate any reader who has gotten this far. Ooooooo! You must check out the fortunes section of the random stuff page! I've just gotten an idea for some more, original, fortunes...I gotta go!(may the moose be with you) And now I am back. I swear. If iI fill out the fake tab form I'm gonna have to put back as my favorite word...I already have filled it out, though. Would it be cheating to fill it out again? Only if I had multiple personalities. Or would it be cheating if I didn't have multiple personalities? The world may never know. Just like how many licks it takes to get to the bottom of a tootsie pop. Would it vary? The number of licks, I mean. Someone could have super-disolving spit, or watery-spit. Or what if you took big ol' slobbery licks? Does the commercial take that into account? No. It doesn't. And let me tell you, it's an outrage. It deludes all of American's sweet, innocent, candy-loving children into thinking that a cartoon owl is smarter than they are! "Mr. Owl, can you tell us how many licks does it take to get to the bottom of a tootsie pop?" Or whatever. And "Mr. Owl" replies "One...Twoo...Three! Chomp" And he bites it. That teaches our youth that it's okay to agree to help someone, and then ruin their experiment. Well...it's not. I am going to start a protest group. Teens Against Cartoon Owls. We could call ourselves TACO! I love the little tacos, I love them good! That is a direct quote from GIR, co-star and comic-relief on INVADER ZIM
Mateuš Conrad Oct 2018
.well... a horror movie soundtrack is just a choice... there's always a loop of the song dreaming, from the coraline soundtrack; i'm such a sentimental schmuck.

fasting all day,
blood sugar levels low in
the later afternoon...
filling up on an English
breakfast leftovers past
midnight...

it's raining... and there's
still more than 3/4 of
a whiskey bottle left...
but it's raining...
and...
   i suppose i should wish
to write something...
but then... then again...

with the bedroom window
ajar...
putting on some horror movie
soundtrack...
and subsequently listening
to the rain...

do i really need another "poem"?
another, rather *******
statement concerning
flashing numbers...
in red, rather than emerging
words from a blank space?

no... not really...
there's just something about
a recalibrate of the body
after a day of fasting...
it's like ******* Ramadan
with me, almost all year round...

i guess with the whole globalist
affair... i sleep-stalking
my time in these hours...
at twenty minutes past 1am
most people are asleep...
while i'm...

   just shy of pouring myself
another drink,
and contemplating falling asleep
mingling a horror movie
soundtrack and the falling rain;

rhapsody of the most gentle
scuttling, tapping...
i call it...
    the aqua-aranea effect...
water-spider effect...
       ghostly piano of the night...
weaving a lullaby like
no other lullaby could ever
be sung;

like the hallow call of the impeding
inevitability of death -
and: that rare grace:
of primordial yet at the same time:
eternal sleep.
Swanswart Aug 2016
I’ve quit the meaning and let the end fall
my subscription to America has just expired
and the soundtrack of furniture echoes down the hall

Oh lucky day in the shadows of this pall
this war of regrets is truly uninspired
I’ve quit the meaning and let the end fall

I’m fearful of this symmetry and the mirror on the wall
slept in stolen moments without even being tired
and the soundtrack of furniture echoes down the hall

I no longer need a lover I bought myself a doll
Hi-def latex silicon chip wired
I’ve quit the meaning and let the end fall

Ring tone homily I don’t want to take this call
practicing excuses and the will of being fired
and the soundtrack of furniture echoes down the hall

TV dreams for me and I swear that that is all
folks at home getting idols of the mired
I’ve quit the meaning and let the end fall
and the soundtrack of furniture echoes down the hall
Mateuš Conrad Mar 2017
no... i can fall asleep listening to a horror movie soundtrack... some of the stuff i read on this website? i'm traumatised to the point that i have to take painkillers... horror movie soundtracks are the ******* dream-machines! some of the poems i read on this website? a bit like watching a nine year old getting gang-***** and then being decapitated in a war zone... i can't even reason to suggest a "reasonable" argument... some of these poems really spell out: t     r     a    u    m   a.

i read poems on this website... sure,
it allows me to hack google...
but you know...
            i turn on *a nightmare on elms street

soundtrack, and for some reason...
feel comforted...
  i turn on any horror movie soundtrack
for some reason...
   and it makes reading some of these "poems"
less scary...
                     i really need to listen to horror movie
soundtracks...
              it just encapsulates these pieces of
writing...
          to the brimming point of: so... eh...
where's the butcher's knife and the hockey mask?
     it's
  
                    not
                          
                             "there"
          
                                                     or
anywhere.
       i have a shudder in admitting this, but:
some of the poems on this website are outside
the horror genre...
                       they're ultra horror...
       otherwise... why would i find more peace in
a horror-movie soundtrack?
                   it's not mozart to be pompous about...
i'd probably have a lesser freak-out session
watching
                           a guillotine session of events...
     i guess you really have to see words
to appreciate the true nature of horror...
          you start to avoid the logos, and learn
the phonos... and then you see the words...
and then hear them...
       and then suburbia yawns...
      or at least opens its mouth and says:
come in...
               and all you're really going to
say is: no thank you.
           at first i thought this was a sane medium...
but then i realised it wans't... so i started
hacking google to deviated my attention
elsewhere.
Kasandra Curtis Sep 2012
In a house of love,
Sweet sounds ring out constantly,
The soundtrack is warm and energetic,
In the movie of my life.
Countless kisses, and close embraces,
Hugs and playful wrestling.
The booming laugh, and
Giddy giggle of my loved ones.
The occasional squawks or yips.
Just add to the beauty of our melody.
It is our love that fills the air with song.
It is your love that sustains me,
My beloved composer of bliss.
Hannah Feb 2017
You're the soundtrack of my life

You're my favourite songs
Songs that make me dance around with joy
Feeling happy and elated
Alive in the moment without a past
Or a thought of any future

You're the sad slow songs
They give me feeling and emotion
Making me cry every so often
Giving me pain in the middle of my chest
But making me stronger all the same

You're the really good songs
Ones where I appreciate all the effort
The band worked hard to make their music
I like what they have done
The words and sounds at one

You're all the bad songs
Songs with lyrics making me cringe
Annoying in the simplest way
In a way that makes the song less bad
A way that makes it that much better

You're songs with meaningful lyrics
I listen very attentively
Intrigued at all the life in the words
Imagining the thoughts of the writer
Knowing it's all right and true

You're the soundtrack of my life
To my boyfriend
19.11.16
em Mar 2016
My eyelids seem
to be the strongest part of me.
When the rest of my body
falls
into the ocean
of blankets they
float open upon the white water
atop
the waves of sleep.
This is when you come back.
In this mattress I am a piece
of clay and I can still feel the deep indentations of where your fingers
wrapped themselves like Ivy around my hips.
Hips, that stuck out like white flags of surrender and
fell to the ground in a straight line.
I can still hear
you.
I am a broken record,
and your whispers are the only track that plays at this hour.
“You are fat”
“Look at how flat you are Emma, no boy will ever look at you.”
“You are ugly.”
These are the nights when I can
feel the spiderwebs your words wrapped around my ribs and
listen to the way my heart beats constricted
in its cage, your hand still clenched around it.
Can’t you see me bleeding?
Safety lies
beneath my eyelids but you pull them open
I can feel
your icy touch behind my eyes as I stare
coldly at the ceiling.
you demand to be heard.
Did you mean to put your words
in my pocket when you reached in to steal the sleep that was nestled there like crumpled dollar bills?
Do you realize that you stayed with me?
Can you take your stolen midnight hours back and place them on your pillowcase?
Will your eyelids close?
Or can you still hear my cries of protest as your soundtrack plays into the night?
I don't understand?
Did you think it wouldn't hurt me?
Or did you want to live forever,so you put your
fingerprints where you knew they wouldn't fade.
This is almost the completed version of a poem I am submitting to a contest. Please please please leave feedback and suggestions. I really want this to go somewhere. I believe it is a message that people need to hear.
Could be I’m on a mission:
Convince the entire world
I am the World's Greatest Living
English Language poet;
Of course, genius such as mine
Goes generally unrecognized until
The posthumous crowd weighs in.
And yet, wouldn’t it be nice?

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Yes, wouldn’t it be nice?
(The Nobel Prize,
Tribute at the Kennedy Center,
A MacArthur Grant,
The Presidential Medal of Honor,
Reverent BJs from hipster groupies . . .
The Poet Laureate in his vicarage,
Enjoying my sweet twilight celebrity.)

(Cue “Guys & Dolls” soundtrack: “What's in the daily news?
I'll tell you what's in the daily news.”)
23: Beheaded at Nigerian Election Rally!
Amanda Knox Gets Away with ****** Again in Italy!
Kung Pow: Silicon Valley Penisocracy Crushes Ellen Pao
German Crash Dummy Co-pilot Flies Jet into the Alps!
Hilary’s Emails Are *****!
Sierra Leone Ebola Lockdown!
Iran: Kooks with Nukes!
Sri Lankan President’s Brother Dies from Ax Wounds!
Saudi Diplomats Evacuate Yemen!
Stampede at Hindu Bathing Ritual, Bangladesh Kills at Least 10!
Simply put:  THE WORLD IS IN A STATE OF ****.

Perhaps it’s time we turn again.
Seek solace in poetry—
“Yeah, chemistry,” insists my Sky Masterson,
My “Guys & Dolls” alter ago.
Surprised? You shouldn’t be.
All poets are gamblers & moonshiners.
We polish our chemical craft,
Sweet-talking the distillation apparatus,
Getting us, getting at linguistic essence.
Cunning linguists are we.
(Colonel Angus, are you back?)
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
We open this hearing to determine
Whether or not S.I. Hayakawa—guilty of
Numerous crimes against humanity & other
Professional Neo-Fascist “entrechats.”--
Whether or not he merits a kinder, gentler
Wikipedia BIO.
(Wikipedia ( i/ˌwɪkɨˈpiːdiə/ or  i/ˌwɪkiˈpiːdiə/ WIK-i-***-dee-ə) Wikipedia)
We open this forum, focusing on his
Courageous stand against the
SDS & Black Panthers, part of
An unlikely coalition: The Worker-Student Alliance
& It’s rival, Joe Hill Caucuses.
Da Name of the Place:
(“I like it like that!” Hot Chelle Rae-“I Like It Like That” lyrics| Metro Lyrics www.metrolyrics.com Lyrics to 'I Like It Like That' by Hot Chelle Rae. “Let's get it on, yeah, y'all can come along/Everybody drinks on me, buy out the bar /Just to feel like I'm.”)
The name of the place: San Francisco State,
1968-69, the longest student strike in U.S. history,
Led successfully to the creation of
Black & Other Ethnic studies programs
On campuses across the country,
And, one could argue,
Gave the green light to
Osama Hussein Obama,
Our first Uncle Tom President.
But I digress.

ACTING SFSU President, Dr. Hayakawa—
Perpetual audition, the pressure on,
Feisty, independent-minded & combative,
Screaming at that skeevy student mob:
(Skeevy as in “He bought the thing from
Some skeevy dude in an alley.")
Declaring “A State of Emergency,”
Calling in the SFPD, whose
Inexplicable slogan says”
“Oro en Paz,
Fierro en Guerra.”
Archaic Spanish for
Gold in peace,
Iron in war, by the by,
For you holdouts,
Those of you who still
Think the “English First Movement”
Breathes life still.
I’ve got more news for you:
That crusade died long ago,
Locked up, dark & shuttered,
Bank Repo thugs, their thick
Neck muscles flexing from side to side,
Sashaying across the parking lot,
Like John Wayne on steroids,
Right up to the front door.)
The SFPD: San Francisco city fuzz,
(As they were known at the time) &
The California National Guard, as well,
Obstreperously, generously catered by
Governor Ronald Wilson Reagan,
(Early stage, Alzheimer’s at the time.
But still very much “The Gypper,”
Still chipper in Sacramento.)
Ronnie--keenly interested in
The Eureka State’s congressional clout,
Lassoes a seat in the U.S. House of Lords:
AKA: The U.S. Senate, SPQR.
It’s still hard . . .

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Still hard to believe that California was once
Rock solid in the clutches of the GOP,
Gripped tightly in the Party’s
Desperate talons. But the grip slipped,
Slipped in the slip-sliding 1970s.
It got harder and harder . . .

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Harder and harder to remind
Leroy & the rest of his ebony posse,
That it was Abraham Lincoln—
“The Great Emancipator” himself—who was,
Our first Republican President.
The Emancipation Proclamation:
That toothless rhetorical flourish,
Based solely on Abe’s
Constitutional authority as
Commander-in-Chief,
Not on a law passed by Congress.
It was just Abe blowing smoke
Up their ***** again,
Just an egalitarian blast from
His Old Kentucky past,
A youth spent splitting rails,
Busting his *** just like
Any plantation ******,
A stark plebeian commonality,
Too deeply etched to be ignored.
Poor Abraham Lincoln:
Probably a **** Creek crypto-Jew,
Neutered by the opposition:
His very own Republican majority Congress,
Another example of the GOP
Shooting off its own foot, right up there
With Mitt Romney’s "47 percent of the people,”
The rhetorical gaffe which cost him his
Second & final shot at the White House.
But I digress.

Senator Sam S.I. Samuel Hayakawa:
That inscrutable Asian fixer, is now U.S. Senator,
Republican, California, 1976-83
Pulpit-bullying his Senate colleagues,
Fiercely opposed to transfer of the
Panama Canal & Panama Canal Zone to
Panama: a diplomatic no-brainer; Duh?
Their freaking name is on both of them.
Senator Sam, obstinate & blustering:
"We should keep the Panama Canal.
After all, we stole it fair and square.”
And Hayakawa, later the driving impetus
Behind the Far Right “English Only” movement.
His co-founding an "Official English"
Advocacy group, U.S. English;
Their party line summarizes their belief:
“The passage of English as the official language will help to expand opportunities for immigrants to learn and speak English, the single greatest empowering tool that immigrants must have to succeed."
That’s how they sold it, anyway.
In sooth: just old-fashioned nativist
Anti-immigration hysteria.

Hayakawa: always the high achiever.
Hayakawa: The Great Assimilator,
Preaching his xenophobic Gospel:
“Immigration Must Be Reduced!”
Aryan rhetoric, of course,
A bi-product of radical authoritarian nationalism,
A movement with deep American roots.
Senator Sam: a Japanese-Canadian-American,
Always tried too hard to fit in.
Sam, comfortable in Chicago during WWII,
Not personally subject to confinement,
Advocated that Japanese-Americans
Submit to FDR’s 1942, Executive Order 9066.
“Time in camp, will eventually work to Japanese advantage."
Later, during the Congressional debate over
The Civil Liberties Act of 1988 . . .
(Passed the House on September 17, 1987 (243–141)
Passed the Senate on April 20, 1988 (69–27, in lieu of S. 1009)
Reported by the joint conference committee on July 26, 1988,
Agreed to by the Senate on July 27, 1988 (voice vote) and
By the House on August 4, 1988 (257–156,
Signed into law by President Ronald Reagan 8/10/88.
He opposed $reparations for WWII internment:
“Japanese-Americans should not
Be paid for fulfilling their obligations."
Some guys, I guess, would say, or
Do anything for Bohemia Club membership.
Plagued by night terrors, nonetheless,
His Manzanar nightmares, his vivid
Imaginary experience at other Japanese
Internment Sites: Tule Lake & Camp Rohwer.
Stalag (German pronunciation: [ˈʃtalak])
Stalags, infamous still,
“Stalags ‘R Us,”
Still palpable memories for
Issei ("first generation")
& Nisei ("second generation").
See: 323 U.S. 214. Korematsu v. United States
(No. 22: Argued: October 11, 12, 1944.
Decided: December 18, 1944.140 F.2d 289.
The opinion, written by Hugo Black,
Chief Justice Harlan Stone, Presiding.)

Hayakawa: a strange duck, of course,
But we mustn’t ignore his strong credentials,
And I’d like to disabuse anyone here
Of the notion that it was anything
Other than his academic record
That got his case to this Forum.
Oyez! Oyez! The gavel raps:
“The Curious Case of Sam Hayakawa.”
So begins this fractured Pardoner’s Tale,
This petition for forgiveness,
The Capo di Tutti Capi,
Presiding: the original Italian mafioso,
His Eminence--the Vicar of Jesus Christ,
The Supreme Pontiff
Pope Paparazzi of Rome!
Roma: the only venue large enough to
Dispense dispensation of this magnitude.

Hayakawa: everyone says his C.V. is “impeccable.”
But did anyone ever freaking Google it?
Just where did Professor Sam go to school?
Undergrad? The University of Manitoba,
Truly, by any Third World Standard
A great bastion of intellectual rigor;
Grad school? McGill and U Wisconsin-Madison.
He was a Canadian by birth,
His academic discipline was Semantics.
(As in “That’s just semantics,”
That all-purpose rejoinder in any argument.)
Professor Hayakawa, The Semanticist,
He taught us: “All thought is sub-vocal speech.”

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Hmmm? We think in words.
The medium of thought is language.
If you grok this for the first time,
Let’s stop to celebrate our enlightenment,
With a cultural nod of respect,
We salute our Islamic brethren.
Radical Islam: the new bogeyman,
Responsible for keeping lights on in Alexandria,
Paying the defense & intelligence bills,
Sustaining that sinister
Military-Industrial complex
Ike warned us about.
Hang in there, Mustafa, old buddy.
Like the Cold War, this insanity
Will eventually blow over.
Orwell’s Oceania will reshuffle
Its deck of global grab-***, and a
New enemy will suddenly appear.
Big Brother, as always,
In the full-control mode,
Simply put: on top of the situation.
So Hurrah!
Allāhu Akbar. “God is Great!
The Takbīr (the term for the
Arabic phrase: usually translated as
"God is [the] greatest.")

“All thought is sub-vocal speech.”
What a simple, yet profound insight!
Just a short hop, skip & jump to the
Realization that, perhaps, the clarity
& Power of our minds can be groomed,
Improved upon by mastery of—
In Sam’s case, anyway--the English Language.
Was this, perhaps, the germ of U.S. English,
The political lobbying organization
He co-founded, dedicated to making
English, the official language of the United States.
Hayakawa: a wooly conservative of his own design;
No wonder Governor Reagan loved him.

Dr. S.I. Hayakawa, a colorful and polarizing
Figure in California politics during the 1960s and 70s.
Can we forgive his daily afternoon naps.
Asleep on the floor of the U.S. Senate,
Leaving California so pathetically,
So ostensibly under-represented.
Senator Sam’s comatose presence at
Washington-on Potomac; the
District of Columbia.
A long time ago,
In a distant galaxy . . .
Far, far away.

TEAR GAS.
Alas, long before he got to Washington,
Long before ever setting foot off campus,
He called for tear gas to
Disperse those pesky college kids.
I repeat myself for emphasis:
He authorized the use of tear gas at SF State.
Tear gas: a lachrymatory agent?
Actually, a potentially lethal
Chemical agent . . .
(Yeah, Chemistry!
To wit: Sgt. Sara Brown,
Referencing “Guys & Dolls” again.)
Outlawed for use during wartime,
Banned in international warfare
Under both the 1925 Geneva Protocol; & the
Chemical Weapons Convention;
“Tear gas:  a weapon of war against
The people. We believe that
Tear gas remains a chemical weapon
Whether used on a battlefield, or city streets.”

Thus, history will be your judge,
You unleashed tear gas on college kids,
So I wouldn’t expect a rep makeover
Any time soon, Ichiye-san, my ichiban friend.
PrttyBrd Feb 2015
Silenced by the past
Ballet dancers lie in wait
Music unwritten
22615
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
Martin Narrod Apr 2014
I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
There's A Wocket In My Pocket by Dr. Seuss
David Jin Mar 2014
The loudest sounds most kids hear on a school day
are lockers slamming, or maybe the late bell tone
I hear all of those, but the loudest sounds by far
are those created by the lacrosse team
when they beat the **** out of me
every day,
after 8th hour, at the intersection of nerd street and **** avenue

The attacks were formulaic, more complex than Pythagoras
but simpler than Newton’s Binomial Theorem;
Two would tackle me, one would pin me down,
and the rest would kick me around as if it were soccer tryouts
and I was nothing more than a ball
and regardless of whether you derived or integrated this equation
you always got the same solution
me ******, and them ****** happy

I would go home bawling; so would they
but instead of tears they dropped floaters
And I had a rep as the kid with a concussion before the season even began

I was born five pounds tops, with no biceps whatsoever
and as I grew my arms didn’t follow
making me as clear a target as a corpsman in World War 2
To my doc’s urging I drank milk religiously
but that didn’t do **** when I tangled with Darren Shields and his Air Jordans on 4th and eternity
Instead of my ankles however, he broke my ribs; 6 of em’
Told me he’d **** me if I ratted
So I told the mother I fell off my skateboard
Because I didn’t want a rematch with Muhammad Ollie

I considered hitting the off switch on my life
at least three times a week
but I didn’t know how to tie a noose,
didn’t know where my dad’s shotgun was
and I wasn’t ballsy enough to try a steak knife
Which is ironic because if I was brave enough for that
none of this may have happened
I’ll even admit I liked to daydream about building
and bringing a bomb to school by backpack
getting revenge by leaving a crater
where my class was at

And though the bible said suicide was cowardly
I was too cowardly for suicide
So I reasoned that if I got into college out of state
it would be worth a couple more years
of broken bones, ***** dousings, and concussions
So I did nothing


Fast forward eight years
I gained two feet in height
Armanis replace my Reeboks
a multinational corporation, my 4.0’s
I’ve made the covers of Fortune and GQ,
my speed-dial list comprises of more celebrities than actual friends
my annual salary consists of two significant numbers
followed by double-digit zeroes

When I’m not working overtime I spend my days
pulling beautiful women and enjoying the pleasures
that God gave us
Every time I yank my shirt off, each girl gives me the
same wide-eyed expression and unspoken question
regarding the cruel scars all over my body,
to the point where I resort to answering every time with,
“I played lacrosse in high school.”

And I have never forgotten about high school
But Darren Shields has, and fate has him working several floors down
He HAS forgotten
He has forgotten me, my face, my voice when I pleaded for mercy
But I have not forgotten him
Nor have I forgotten my hatred
Nor my fear

I could hurt him
I could fire him with contempt
or disgrace him publicly
or to the very least, remind him of the good old days
and make him feel like the **** he was
But I don’t; I won’t

He must wonder why I struggle
to look him in the eye
or shudder when he cheerfully claps me
on the shoulder every morning  
As I am still haunted by them old days

And despite how I now spend my life in a huge office
surrounded by wealth, women,
and mostly absolute silence
I can still hear the sounds of lockers slamming,
of late bell tones
But loudest of all, I hear the sound of my body breaking
Thanks to Darren Shields on 4th and eternity
Entirely fictatious poem, no references to people I know. If you are reading this, try to imagine someone is presenting it as a slam poem, you know?
Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I
Mateuš Conrad Feb 2019
so, i was waiting for this one for several
days,
   dribbling - if that's the best
to express: anticipation...

            and...
                   thank **** i brought with me
some left-over ***,
and some whiskey...
  because... if those weren't handy...
i would start thinking:

  this is a horror movie...
or an art gallery?

         in question? the neon demon...
sure, sure,
i've hear snippets from the critics,
i've heard the soundtrack,
what could be bad about
a movie with such a hypnotic
soundtrack?

   oh... right... the movie itself...
ten minutes later,
after i have watched it...
and...
             where was the horror...
you know, the stereotypical
horror of a zombie-esque
male 6ft+ protagonist,
hooded, walking alone
in either the woods
or the out-suburbs...

         oh, right...
that's me day to day,
day to night...
          
    i've seen the face of being
astouded by horror...
me, turning into a walk
down
a low lit alley,
and an old man...
200 metres away,
spotting me, and cowering,
to give me a pass so that
both our bulks of flesh
would fit into the conscrition
of a pathway...

      200 metres away,
and the ****** still saw me...
let me tell you,
it would have been
twice as creepier
if i just bowed
and implied: you first,
kind sir...

the neon demon... hmm...
fun film...
but is it really worth being
labelled horror, by genre,
and nothing short of:
     "risque"...
     i mean...
          art nouveau...
****... what's the other term
for it?
      (tick-tock-tick-tock): ah!
avant-garde
  albeit mingling with still-life
painting...
   sure, sure,
  i loved all the angles...
and the... colours...
  but... maybe it was the last
remaing dosage of ***,
or the extra whiskey that came
later...
       i'd prefer horror
to be in allingement to
1970s slasher movies...
  where i'd... panic! and no disco...

once again,
a movie that... became overpowered
by the soundtrack...
           come on...
julian winding with the song...
the demon dance...
and the poverty's worth
of a the meagre scraps of the movie...
hey... ooh... ooh...
look at me... listening
to the song in full, solo...

and... what a circus of thoughts
i have to accompany me with...
like...
this example...
   i must be living in some
alternative universe...

just today,
i was walking to my Iraqi Pirate
shopkeeper "fwend"...
listening to some cheap-***
babylonian bongo-bongo
music...

           and just ahead of me...
5 starlings...
which basically implies
5 english girls geared up,
and ready to hit the small town,
with dreams of L.A....
   pristine figures...
cat-walk models...
don't you ever find that
cat-walk models can implant
in you a thought-virus
making you overtly conscious
of how you walk?

   anyway... what time and day
and month is it?
oh...
                 half-term...
    so what i wtinessed was...
a bunch of 16 year olds
(hopefully)
   walking to the bus-stop
from a pre-drinks session
in their council houses...

          i'm too awkward...
big frame, easily spotted...
    and that's prior to watching
the movie...
   hmm...

  you know the one thought
running through my 'ed
when watching the neon demon...
now i love animals...
but seeing what people do
to other people?
    can someone, please(!)
give me an apron and send me
to the slaughterhouse?!
  the whole affair
just took my mind off
(if ever) advocating for
veganism...
              
           all that "excess" furr...
perfected pork chops...
***** of beef...
          and... the fashion industry's
underbelly...
heavenly standards
it would seem:
the fatter the pig...
        the prettier the inverted
Blakean painting
of the great dragon
and the woman dressed in
the sun...
   as... made a fetish from...
by?
                   ralph feans: toothfairy.

one ******* month spent
visiting my grandparents
in Poland,
and here i am,
a month later, upon my return,
just... so, so, so so eager
to welcome back this
cluster-**** of vestern
modernity!

     but those girls?
            those essex girls...
it's... late... february...
and they're out there, tonight,
wearing nothing but
skimp clothing,
   yeah... back in the 1960s...
mid-winter...
   the mini-skirts were
all but rave...
   i'm huddling in a polysterene
hoodie...
gloves...
and they're "out-there"
             donning raw flesh...

like i said, alternative universe...
i think i was told this
was going to be a horror movie...
dunno...
   i look at myself in
the mirror and i see a horror movie...
the hell did i just watch?

  it wasn't horror...
       in the classical concept
of a horror movie...
there are instances in a film...
where you hush the noise
down...
         because the images
are less scary
than the sound beneath them...
this ******* movie?
every time some music
became prominent
i decided to reign the volume
up...

         rare, but it happens...
when a movie is overpowered
by a soundtrack...
        n'ah... this wasn't horror...
it was art...
i give you that...
    that someone being
the director must have really
studied
        edward hopper
     and david hockney...
someone fused them together...
dimmed the colour in david hockney
and made emphasis of angle
           in edward hopper...
of the former and both the latter...
i just love the quote:
  'i just like to capture light...'
first ******* painter to say so...
by any standards of a stretched
imagination...

         me? critic?
              yeah... by way of:
             music was over-powering...
dialogue was... scraps...
         and... compared
to a latex mask...
     those californian models
are supposed to scare me
with their: to become generic
beauty standards equivalent to e.t.?
yeah... i was petrified...

                it's like those people
in tech are trying to avert
    interacting with...
                less robot, more flesh...
but more robot in the end...
  i.e.
        no flesh, all robot...
      but more human in the end...

oi oi chaps! hopes this helps
your algorithms studying
   whatever this will end being...
necrophilia of a desairologist..
seriously?
   that's the zenith?

        i heard that the one from
the city i was born in...
used to play poker with them!

  ah... because nothing that's
human can ever be alien to us...
can it?
                if that's not the case...
then no wonder...
all those poor eleanor rigby
types...
        suffocating in
    a beauty that's no more than
a labyrinth
              of assembled shards
that could never resemble
  the mild discomfort of, ugly,
sedated by the feeling of
an armchair...
             of all the prostitutes
i've ever been with:
   armchair beauties...
       middle-aged... chub...
but beauty that could be made...
mandible;

to add:
     reciproated responsibility...
condoms were in full play...
     not like this russian teenager...
she the cage, me the ******* sparrow...
just because:
that's how you translate emotions...
to a reciprocated zenith...
        no no, no thank you...
i'm better off with a *******
for an hour...
than with a starved russian teen
who thinks it best
to lie about contraception...
   i already mentioned this before...
year later...
   so... her grandmother was
her mother...
   her mother was her sister...
her father was her mother's boyfriend...
and her uncle was her brother...

     see what being dipped
in a lake of naivety does to you?
me... in america...
ha ha... ha ha ha ha!
it's one thing to have visited
russia...
          that pile of croissants?
no thank you...
   it's enough to have to deal
with whittle miss morbid England.
Hello, everyone! This is one of the weirdest sites: or your money back! We have ZIM, neopets, music, and much, much, more. E-mail us for questions, comments, complaints and information. Why not click on the Very Weird Stuff link to see more, or click on the music link? We have halloween and christmas pictures on the NeoPics link. Cheese is not a wild thing!!!!!!!!! Now I have decided to go for a world record. I will try to make the longest web page ever, made completely out of text! Won't that be fun? I will just type, and type, and never, ever use copy and paste. Wow...I really must be bored. Just goes to show what boredom can do to you. Any way, that's it for now. Wait, no it isn't, I still have to keep going, and going, and going. Because I do. THE REST OF THE STUFF I TYPE WILL BE COMPLETLY IN CAPS JUST BECAUSE I CAN. THAT IS ALL. SEEYA! Hi, I'm back. So far this is nowhere near the world record. I think. I don't exactly know where it is...oh, well. I'll just have to do the very best that I can. No one is really coming here, anyway. So it doesn't matter. By the way, TAB is a worthwhile, community-service organization. The form link is to a 100% fake TAB registration form that you can fill out just for laughs. I can't believe I'm bothering to do this. I have very low expectations of my site. None ever comes here, I could do this all day long and I still wouldn't have any more hits. This is just a pointless excursive in spelling errors and grammatical imprecision. May your day be shiney! The following is an extremely weird poem-thingy that I wrote when I was in a relatively weird mood:
never mind that noise my dear can anyone pass the cheese only if you say pretty please oh, boy do I have to sneeze. why must everyone always rhyme, why I’m a poet and don’t I know it? what I fear comes right after here not this life or the next will I ever be able to pass the test? we’re stuck in here, (alone my dear) and we’ll problem never get out so don’t start to shout. it’s dark and I want to go home is where the heart was where is it now? we’ll never know but oh crap it’s starting to snow and it’s time to show and tell about the well that you found last summer at camp when it was damp it was near the ramp oh god why must this be I liked that tree but now it’s gone, farewell so long I’ll miss you as long as you write but then I’m afraid to say good-night. my dear there’s nothing to fear that’s only a box that’s made of blocks next to the wagon that looks like a dragon why are you shaking it’s your fear that is making you shiver and act all a quiver. don’t you know that you only need be afraid of fear and never anything here and certainly not a post that acts like a ghost?
See, very weird. At least it fills up my word quota for the day. Not that I exactly have a word quota for the day. It just sounded very professional to say it. Anyway, I still don't think that anyone is actually coming here. You'd have to be an absolute loser (or really bored) to come here. I'd probley come here, but that isn't much of a surprise. After all, I've been to the Really Really Big Button That Doesn't Do Anything website over 50 times. Pathetic. But, whatever. As long as I'm happy, right. Humor the crazy person, okay? Oh, guess what? According to someone you problem don't know, this is the second most pointless website ever! Next to the Really Big Button, of course. I feel special. Come on everyone, group hug. Okay, now I'm starting to scare myself...I'm gonna quit for today. Seeya. Now I'm back. Is this getting confusing to you? Too bad. Now I want you to go to http://quiz.ravenblack.net/blood.pl?biter=eon" If you do this I'll get points in the game. Come on all you non-existing people! Help me! You know you want to! It's a worthy cause! Honestly, the more time I waste playing the game, the less time I'll work on this site and the less stuff you gotta read. Although why you'd be here if you didn't want to read is beyond me. Maybe you're lost. Okay, if you want to get out, click the little refresh button, okay? Good...what? You say it didn't let you out? Oh, well. You must be caught in a time warp. Keep pressing it. Maybe you'll break free. What's that. The little counter at the bottom keeps going up? Never mind. That's just how many times you have to click before you can leave. Good-bye.

Hey, I'm once again: back. I don't suppose you fell for that little thing about the refresh button. After all, you're a responsible, intelligent person who apparently has a lot of time on your hands. Well, you can't possibly have more time than I do. I mean, after all, I made this site. You're only browsing it. And most people don't even come here. Not even my friends...sniffle The just ignore this poor, pathetic little page. All they do is fill out the TAB form and leave. I think. Maybe they're here right now! HI! HOW ARE YOU DOING? I'M FINE! THANKS FOR COMING! YES, I'M YELLING! Who am I kidding. This page won't get a single hit, unless I bribe people...now that has possibilities. Okay, fill out the TAB form, so I have proof that you bothered to come here and...uh...I'll...uh...send you a sandwich? Please allow 6-8 weeks for delivery. I'm bored. I'm gonna go hug a moose. MOOSE! I love-d you moose! Hey, I'm back again! Yea...waits for applause okay! Now I want all you loyal fans...cricket chirps to go to the link to see what I'm like. I took a whole bunch of personality quizzes and posted them there. I'm an evil villain, kitty and a freakazoid so far. And I only took the quiz once, too. Spooky how accurate they are...anyway, I command you to go! I'm going. I'm back. I'm gonna start counting how many times I say back. Let's see: 1...2...3...4...5! Wow. I must really be desperate for something to do. I now officially have proof that someone has been here! It was one of my friends. Apparently this page really is getting long, because my friend said something to that effect. Maybe. Anyway, moving on! I'm just basically typing nothing. Just like all those reports people have to do. You know? With a specific number of words. They start out with half that number, and then just fill in words until they have the right amount. I salute those people. You're great tradition is being carried out here, on the second most pointless site ever! Well. Maybe eventually some weird, bored person will wander onto my site on accident and be mildly entertained be my site until they wander onto a live video feed of a coffee maker. Or maybe not. I only know that I'm entertaining me, which was my original goal. So. I've done what I've set out to accomplish. Yea, me! I'm so special. You see, most people, they don't like reading or writing. So if you're not most people, you've made it down this far without skipping, skimming or getting the spark notes version. (Which I think does not exist) My point is, if you've bothered to read this, then, (like me) you probley have also read the ketchup bottle so many times that you have it down verbatim. Look verbatim up. It's a word. But, you should know that, since you like reading. Or maybe you're just skimming. Anyway, there's nothing wrong with reading food labels. You might be asked a question about them on a quiz show. And now, for the million-dollar question: How many calories are there in a single serving of Mustard? I can just see it now...It could be called Know-Your-Food. Or You are What you Eat. It'd probley be as popular as those game shows that no one's ever heard of. Speaking of food, what's up with pie? There's strawberry pie, apple, pumpkin and so many others, but there is no grape pie! I know. I'm just as upset about this unfortunate lack of development in the pie division. Think about it. Grapes are used to make jelly, jam, juice and raisins. What makes them undesirable for pie? Would they dry into raisins? Couldn't you just stick some jelly in a piecrust and bake it? It just doesn't make any sense. Another thing that bothers me is ***** grinders. You know, the foreign guys with the bellhop hats and the little music thingy and the cute little monkey with the bellhop hat who collects the money? Okay. They're basically begging on the street. How did they ever afford an *****-thingy? Wouldn't it make more sense to get a kazoo, if you're broke? And if they're so poor, what possessed them to buy a monkey? I mean, I don't think I could afford a monkey, and I'm not exactly on the streets. Obviously I at least have a computer...so, back to the ***** grinders. I would have sold the monkey and the ***** and been able to eat for at least a year. Or, if I was weirder than I am, I could at least **** the monkey with the ***** and eat it. Why on earth did they keep the monkey? It must have cost a fortune to feed...not to mention the mess. That's just one of those many facts of life that are better left mysteries. Especially since no one but me would ask the question. I better go. I think I hear a monkey...Okay...now I'm back. That's the sixth time I've said back! I realize that this longest text ever must be very boring and not worth anyone's time. But I'd like to take this time to thank the 2 and 1/2 people in the entire universe who have bothered to read this entire thing. I'm not exactly sure who they are, but: thanks! Right now, my spacebar is malfunctioning...that's not good...I have to press it two or three times just to insert a freaking space. Maybe the evil little faeries with the sharp little teeth have put their evil faerie dust on my computer. Or maybe not. This is too frustrating. Goodbye for now...Now I'm back. And still frustrated. But for a different reason. Today I had the misfortune of playing a Treasure Planet game on neopets.com It was terrible. Apparently the point of the game was to get your character to shout "Whoo-Hoo!" as many times as possible before you splattered your brains on the rocks, all the while listening to a soundtrack that is similar to a dying ceiling fan. Of course, when I started out I accidentally hit the rocks approximately three million times. Halfway though I used my four remaining brain-cells to decide that the game was dumb. So my goal changed from surviving to laughing evilly while my character died. So the game naturally did everything it could to preserve my life. The stupid game is still going on and I refuse to quit because I want my points. My character is actually dodging the stupid rocks better now then when I controlled him. I hate irony. Seeya. Okay. Now I'm back again. Today I added an update page, which is basically a less chaotic, outlined version of this without all the ranting. It's more like techno talk about arrays and how much I **** and whether or not the Braves will win this year. Okay, the whole braves thing is made up. But everything else I've said so far is true. I think. Maybe I should start on a boring disclaimer...Eh-hem. All contents of this site were designed for entertainment purposes only. Any use thereof that is not stated in the above mentioned statement would make the author, hereby referred to as Patron Saint of Paper Clips, very angry. Should you violate the purpose of this site: i.e. become not entertained, the Patron Saint of Paper Clips will be forced to take drastic measures. This is specified in Code: 343 of the Flaming Chicken Handbook. Ooooo…that’s a great idea! I’m gonna start quoting from the Flaming Chicken Handbook! Code: 343 of the Flaming Chicken Handbook states that the Patron Saint of Paper Clips (that’s me) is allowed to cause vague, pain like sensations while the offending person (or alien life form, dog, etc.) isn’t paying attention. Now I have a purpose in life! To make up quotes from the non-existent Flaming Chicken Handbook, which I’m sure you have a copy of. No? Too bad. It’s in the mail, I promise! Now I must take my leave…and remember. Cheese is watching. Okay...I'm back...I think that eventually half of this thing will consist of the word back over and over again...that's just weird. Which fits the motif of the rest of the site. There's even a money back guarantee. Isn’t' that nice? See? Now no one can ever say that I don't take care of my viewers. Especially since I don't have viewers. I have readers. Wait...I really don't even know if anyone bothers to read this. Even if I put it in a less chaotic, more user-friendly format people would still ignore this because it involves: reading. Yes. Sad to admit, but the majority of people would rather read the summary at the back of a book rather than the whole book itself. What has the world come to? It's pathetic. Especially since I'm bothering to write all this. It's not fair! Why can't I have more readers?! All the other internet writers have nothing on me, except they're better at advertising, having a central theme/plot and basically more talented. Whereas I'm more into the whole ranting and raving stage right now. Plus, I am horrible at spelling. Which is bad. Thank the powers that be for spell-check. The single greatest invention of the computer gods. I'm getting bored, so I think I'm done for the day. May your day be shiney! I'm back again! And I feel weird! I found at that yet another one of my friends is reading this. Creepy. Just how much time do they have on their hands. Perhaps their just trying to be nice. I can just see it now...an organization devoted not to feeding the hungry, or peace, or love or whatever, but to giving recognition to all those poor, pathetic, unpopular websites. I wonder what it's name would be. Don't Ignore Sites? Would it be called DIS? Isn't that like a slang term for an insult? Would that be considered poetic justice, or just a nice coincidence? And why do I even care? I'll tell you why. Because I have nothing else to do right now. I could be playing neopets, but ever since my bad experience with Treasure Planet, I don't feel like it. Oh, by the way, I noticed that whenever I use spell-check, my stupid computer turns the word probley into to word problem. To prevent this, I did nothing. So, it is now up to you, the imaginary reader, to decide whether I mean probley or problem...it's almost like a game! But without the bad sound track. And I promise not to force you to live when you would rather die. Moving on, I have nothing else to say, but don't feel like quitting just yet. I'm like the little engine that could. Or maybe the Energizer Bunny. I just keep going, and going and going. Or I could be like that annoying guy on T.V. who keeps asking if you can hear him. If my site manages to last a decade, my readers snicker will probley wonder what I'm talking about. My answer is simple. It doesn't matter. I'm just rambling. Which means that it doesn't matter if you understand anything I say. Doesn't that make you feel better? I bet it does. Wow. Look how long this has gotten. I even impress myself. Who would have thought I have this much free time? And I congratulate any reader who has gotten this far. Ooooooo! You must check out the fortunes section of the random stuff page! I've just gotten an idea for some more, original, fortunes...I gotta go!(may the moose be with you) And now I am back. I swear. If iI fill out the fake tab form I'm gonna have to put back as my favorite word...I already have filled it out, though. Would it be cheating to fill it out again? Only if I had multiple personalities. Or would it be cheating if I didn't have multiple personalities? The world may never know. Just like how many licks it takes to get to the bottom of a tootsie pop. Would it vary? The number of licks, I mean. Someone could have super-disolving spit, or watery-spit. Or what if you took big ol' slobbery licks? Does the commercial take that into account? No. It doesn't. And let me tell you, it's an outrage. It deludes all of American's sweet, innocent, candy-loving children into thinking that a cartoon owl is smarter than they are! "Mr. Owl, can you tell us how many licks does it take to get to the bottom of a tootsie pop?" Or whatever. And "Mr. Owl" replies "One...Twoo...Three! Chomp" And he bites it. That teaches our youth that it's okay to agree to help someone, and then ruin their experiment. Well...it's not. I am going to start a protest group. Teens Against Cartoon Owls. We could call ourselves TACO! I love the little tacos, I love them good! That is a direct quote from GIR, co-star and comic-relief on INVADER ZIM. Hmmmm.
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.
This one was the unedited version (if I make that sound naughty or euphemistic).
Trish Oct 2018
There exists certain songs
That carry along
Distant memories

When I hear that tune
Feelings resume
Unexpectedly

My emotions take control
Like they’ve been locked inside my soul
With no escape

So I sing with everything I have
And let the music take me back
To that place

When life was simple
My worries were little
And I was carefree

Or to one of life’s many troubles
A reminder of that struggle
Yet still, I sing

Because the times that I’ve had
Through the good and the bad
The joy and the strife

Can more or less be retold
Through the music I chose
The soundtrack of my life
Peter Watkins Apr 2015
Come on, get up.
Don't be lazy now.
Get dressed, step it up.
Wipe away the frown.
Shovel some cereal down,
step through the door,
another day closer to a crown,
but another closer to death's claw.
You're walking again, keep going.
Eyes forward, there's a few girls and an elderly man.
Remember that homework and the test you're doing.
Try to recall all that information in your head so crammed.
Through the doors, people looking at you...
Let them look at you, you are who you are.
Some of them smile in your presence, don't know if it's true.
Make your way to the hall, ready for the exam.
Maths: find the perimeter,
quickly add up the sides...
Equal square of 7 centimetres.
4 by 7 comes to 28, easy like a children's ride.
The next is a roller coaster compared,
area of a circle of course,
Regress into concentration, ignore the faces around you so scared.
Destroy the test with your superior mental force.
Not bad, if I say so myself,
the bell has rung so stop writing.
I hope you did well, time passed so fast.
Watching you work was kind of entertaining.
But honestly we're *******,
allow the songs to play in your head again.
Sounds pretty good, eat some food.
I can tell you're fighting me, am I a pain?
I'm simply you're psyche.
Have fun with your 'friends' then.
Get these lessons out of the way, don't become fiery.
Head home, you're tired of this place, can't wait to reach your den.
You like me don't you,
more than real people?
Of course you don't know.
Don't tell me you like both equal.
What because they're real and I'm not?
Because I only know and think what you do?
Well they can go and rot,
now you should go and sit and stew.
You tell me you're happy, away from them.
But eventually you want to go back.
Why do you want to be alone at one point,
but surrounded the next until you're going to crack.
Peter, this is your mind's soundtrack,
It's a good escape, I can tell you know that.
But you quickly neglect this track.
Then you come crying back when people treat you like tat.
Well, no matter whether you need me or not,
I'll be here in the back of your head.
Sleep now, we'll tackle the second day, I'll remain until you rot.
We'll never surrender, like you always said...
Take what you can take and leave what you can't.
Just and insight into the conversations I have with my mind; if that's not weird.
Tegan Apr 2014
a perfect half hour drive
with a perfect sunset keeping me high
and a perfect soundtrack buzzing
in my perfect battered car
down a perfect country lane
lined with green waves
and soft bluebells
smudging the hard lines of winter away
the air is still cold
but this evening is too perfect
to notice
or care
and i realise i have been driving
with a smile greeting stranger's stares.
Aaron LaLux Jul 2016
...Of course I’ve been flying around the infinite sky,
what else is a star supposed to do,
and yes I am a loner but I extend and invite why,
because even though I’m a loner I know you’re a loner too,

this is far from a sober orchestra,
there is no reality to base any of this off,
no precedent has been set in this experience,
called life remind me we are alive,

“Let me hear your soundtrack.”,
I say to her,
“You are inspiration.”,
nothing is certain no one is pure,
and we found each other lost in this madness,
and I love the sound of your orchestra for sure...

The H Trilogy
Volume 1
7/716

I just published a new book.
If you could take a moment to check it out,
and even write a review it'd be most appreciated.
All profits go to a charity that prevents ****** assault against children.
So not only are you getting an epic book of poetry,
but you're also supporting a good cause.
Thank you SO much ∆

Here are the links for my new book:

www.createspace.com/6393238

www.amazon.com/dp/B01I4621OE
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal with the inevitable death of the night. They bruise the air I breathe with love and faith and trust with no meaning—without even meaning it. But what do they know what I didn’t feel when I sat on that bridge or cowered on the fringes of the ocean? Their hands aren’t ***** like mine—their confidence does not seem fractured by these words that will never reach them, or their kids, or grandkids.
As day begins to move, I know I work at two and will be home by midnight again. The witching hour—where some stay and others go.
Simon Obirek Jan 2015
the sound of a baby crying and
a mother sulking.

the sound of a car screeching and
bones breaking.

the sound of moans of delight and
a scream of pain in the night.

boring how life always uses
the same soundtrack.
Cathyy Feb 2015
When I'm at the end of my rope,
You're my only hope, you're my go to- road.
And if I leave you on a cliffhanger, a slippery *****,
Would you still give me hope? Oh darling please, don't go

Oh make a soundtrack for my life,
Make a playlist so good it'll keep me alive,
You're all I've got, all I want, and I'd let go of my alternative world, if I could keep you in this real one here..

Cause when I'm at the end of my rope,
You're my only hope,
You're my go to road.

And sometimes life is a lonely road,
But I'll hold you close, In my heart
You're my favourite poem.
Shed a few tears.
I really love someone, as well as myself and life of course ;3
Eryri Sep 2018
Your shrill, yet oddly pleasant sound, echoes loudly down the long corridor.
I try to ignore you as the jaunty sound clashes with my melancholy mood,
Yet I find the notes and melodies cling to my mind like tissue stuck to a shoe,
Hanging on for it's own amusement,
Ignorant of my desire not to be teased nor humoured at this anxious time.

I feel I shouldn't like your racket,
My naïve ears and young years sense, not only an inappropriate comedy in your sound,
But also a daunting undertone,
Adding to my sense of having been plunged into deep icy waters.

Perhaps your music soothes those who are leaving,
Your high happy notes providing optimism and assurance of recovery,
Or of a restful sleep enveloping dear ones.
For me, however, at the point of no-return in my pilgrimage,
I hear only the low notes,
Out of time with my quickened pulse,
And lending a foreboding soundtrack to my slow deliberate steps.

But you play for no pay,
Busking in this hospital,
Doing good both night and day.
Yes, you are well known in this place,
Admired for the hours you commit to this space where lives can hang in the balance,
And where your instrument by day is a sharp sleek scalpel,
Invasive in its desire to alleviate suffering,
Your steady, practiced hand rehearsed and well versed in the methodically planned procedure of a surgical concerto.

But out of hours your instrument of choice lends you a voice,
Allowing flourishes and improvisations.
But were you aware that for visitors like me who visited repeatedly,
The clarinet would take on a significance beyond other instruments,
Taking me instantly back to bittersweet memories of visiting my family,
As, in turn, they aged and became unwell and recovered and became unwell again.

Now I am older and a little wiser,
I reflect and ruminate on this period;
My memories of family are more than just hospital visits,
And I wonder if I could ask one thing of you?
Why no Rhapsody in Blue?!
Mateuš Conrad Sep 2018
i love women, don't get me wrong, i finally succumbed
to watching the female world cup,
since the lionesses reached the semi-finals
against u.s.a., but the man in me just kept thinking:
yeah yeah, great footie, but those beauties...
where's martin keown, i need to look at
a mugshot of a brute, i can't concentrate
on the skill without a girl that looks like
martin keown... oh god... alex morgan...
              julie ertz... steph houghton...
   don't get me started on the swedish team...
    wimbledon has also started...
                    i do enjoy female tennis more than
the male variation of serve-**** tactic...
or the terminator that's serena williams...
     cori "coco" gauff... wow...
                i wish she would win the championship
and replicate martina hingis wimblendon 1996...
problem... she's under 16...
so she's only allowed to play 5 matches
in the tournament... and what if she wins
the 5th? that's the quarter-finals...
7 to win the tournament... the rules should be bent,
she should be able to continue...
end of an era... the dinosaurs are being chased
by the younglings...
prof. green (roger federer) still has it in him...
but... well he is a professor of tennis...
his style? his backhand? immaculate "conception"...
who played as well as he does?
roger sampras... the list is very short...
but i don't have a problem watching woman's
tennis, it's so much better than the brute strength
of the serve akin to the game played
by: ivanišević, rusedski, roddick, čilić (chy-lea-'c -
piquant, that acute c)...
   n'ah... in terms of tennis?
i think the males are over-rated,
                except for the prof. of grass court...
i do love women... apart from the nostalgia
for primary school playground banter with
the girls: when we still had an asexual
sense of it... before all the **** jokes,
before the greatest schism in ether of existence:
beyond the religious and in the biological realm...
o.k.: i tease... which is something a prepubescent
girl would understand:
   if i was also a prepubescent boy...
times, have, changed...
i'm with ms. amber and ginger ale,
cigarettes and a decent soundtrack...
               i still don't want to understand incels...
i listen to them, but then i reach a limit...
thank god i didn't lose my virginity to a *******...
but... if you have to?
         isabella of grenoble...
               a fine fine catch...
          mind you... have you ever been
to an 18 year old's birthday party,
   and it was not what you were used to,
i.e.: bal samców / cockfest?
   this 18 year old's birthday party?
  my friend ian tagged along for about an hour
or two... then he suddenly bailed on me...
i was the only male... among... um....
20 or so girls...
              why, the, ****, are, muslims,
blowing themselves, up,
for a reward of 72, virgins?! eh?! can anyone
please please tell me?!

no brainer question(s)
   (as dictated by h'american girls in venise):
the beatles or the rolling stones -
to be honest? neither.

   top three songs with the bass guitar
setting the rhytm:
   1. tool - forty six & two
  2. the offspring - bad habit
3. róże europy - kości czerwone, kości czarne...

roy orbison or elvis? m'hahaha... royo...

  a lot has happened since i attended that
18 year old's birthday party...
why are muslim men so eager to entertain
eternity with 72 virgins?
      will they be keeping them virgins
or what? that would be the best way
to not move past kissing and oral ***...
once 3rd base is entered: the third eye
of transgender shiva opens up...
    
              why did solomon give up his harem
for the monotheistic monogamy associated
with the queen of Sheba?
   beyond one, what good is a harem?
if you've never been around 25 or so virgins...
you really don't know what you're talking...
or getting yourself into...
                    herrdildomaschinekopf...
look, i just changed the background to show
you i'm not lying:
  that evening i came home: ex-haus-ted...
did i spend the past few hours in
the company of teenage girls or was i being
ripped apart by a pack of wolves / hyennas...
and you know how drunk teenage girls
behave... you're shreds... they're competing
like it's both the 100m sprint and the marathon
cooked up into one!

i really could have chosen a different path:
***** ***** all year round...
   well, why didn't i, why did i become
voluntarily "celibate"?
            as much as might want the company
of the opposite ***: picking up a thai surprise
bisexual in the park one day...
******* her in the garden...
   walking her home while she drowned
in my jacket... she telling me i should stop
drinking... now... drinking...
i was taught to listen to rules under the arch
of pedagogy... now? i'll be as stubborn as
i am expected to be...
i don't like being told what to do,
thank you for telling me to do for the first
21 years of my life...
  now? welcome to the plateau!
even the best advice is the worst advice
after a certain period of time...
do i look like a ******* puppett that will
listen to such things: oh, but if you don't
do x, you'll become homeless...
   i've met some happy homeless people...
one even told me why he became homeless:
'my mother told me to never lie'...

i don't even think these jihadis know what
they're getting into,
wishing up 72 celestial virgins...
i'll take to the count of "72" valkyrie serving
me drinks than expecting me to **** them,
and the eternal library of text and music...
don't get me wrong...
receiving attention from women:
esp. those younger than you,
while they're intoxicated: it is fun...
but when it comes to the sort of
intimacy of a relationship with a women,
when she starts to read you the cosmopolitan
magazine's questionnaire as to whether
she's the perfect girlfriend /
you're the perfect boyfriend /
   you're a perfect couple?
i love women outside the realm of a molten
heart... i don't like finding myself
vulnerable...

              am i missing out on something?
oh i know i am...
but it's like owning a car:
great! you own a car!
             "mobility"...
  but you also own car insurance...
the m.o.t. payments and spare parts...
and washing the car on the weekend...
oh i'm so jealous!

  what's that famous saying?
women... can't live with them,
  can't live without them...
       well... more like: can live without them,
but much harder to live without them
and stop wanting them...
whatever glimpses i've had of past
relationships: i sober up even if i'm drunk...
she didn't want to split the restaurant bill...
this "modern thing": feminism,
my "toxic masculinity"...
  whatever, whatever...
                   i guess i'll have to end
on a note superstitious of a teenage girl's whim...
i'm bored, the end.

_______

.now i have a fox, without a leash, that i tend to feed everyday... keep feeding him, or her, lamb fat, cat food synthetics, and once in a while a frankfurter... and the Polacks you minded so much? only attacked ****** night0club owners... made plums and figs out of their faces... bulging and caress worthy... same ****, different cover, with the easy girls of Liverpool and Newcastle... back down in London? the story goes: she's an exchange student from New Hampshire... riddled by the madonna-***** complex... and i'm not really adamant adamant on stealing the cherry... if you've ever ****** aa ******? one, is enough...  i'd sooner become ****** up by a ******* tornado... and giggle... dying with a half breath... before plummeting face down onto the hearth; watching daisies, growing, roots up!

i've had one irish migrant educate me:
you know...
there are plenty of neo-nazis
in Poland...  
       and? am i one of them?
   liked him, a high school friend...
i'm sorry the friendship ended...
so i am?
   **** me... better i brush up on
reading some Heidegger!
         oh look 'ere i go...
        can't stop me now...
unless befriending Pakistanis
who have kept a null of Urdu...
              because you know...
   if there's a culture that's integrating,
and doesn't,
   have the honor, capacity,
to keep in line its origins?
no problem...  not worth it...
           people who do not retain their
skeleton -
their basics -
  their language -
   they, "magically" lose it...
half-castes... half-people...
   no pride in an origin,
   not upkeep with a language?
might as well call your mother a,
*******, *****!
      ****** by an antiques dealer!
******.
      no pride in origin,
  no subsequent pride in a "return"
on foreign soil...
   plethora of antagonizing Islam...
good look...
    i have mine,
but i hide it...
      ex-girlfriend -
almost took a ride on one of those
buses in the 7/7 bombings...
     what?!
               guess what...
i'm an ex-pat...
  i know that you wouldn't call
your similar genetics of
a "family" an ex-pat
and neither a migrant or an immigrant...
   (economics comes later,
doesn't it?) -
  but i'm sure the english
are loved up with Hindu grannies
and their grandchildren
taking them to the doctors to
translate symptoms...
   fine by me... you do the math...
   apparently i'm not speaking
English, but? ******* Urdu!
         no problem...
thank god i never allowed myself
a pledge of allegiance to the people,
rather, the language they spoke...
the language is all i pledge my
allegiance to... and for...
the queen... and her people?
        **** it... shooting albatrosses
off the shoreline of Cornwall...
attempting to spot
  porky Siamese twins...
        one does the eating,
the other does the oral ***...
             what?!
             i have not pledged any allegiance
to the english people...
  they love their **** curry
and their Afghan foot-soldiers...
   i'm doing the Pontius Pilate
washing of hands...
   which is a secondary theater of
a baptism...
                      no...
no allegiance to the people....
but the language?
   i'd give my life for it...
           the people are not exactly
the main ingredient in terms
of existential coordinates -
but the language is...
    on a per se basis mingling with
the appropriate focus.
Jeremy Betts Feb 2018
Just look around you and you'll notice that every day there's another sucker born
Another mother fuucker trying to pick around the thorn
But there'll never be breath blown through the victory horn and there won't be one to worn
Cause the new norm is news meant to deform not to inform
Leaving only torn fragments of real mixed with lies, a new truth is born
And it's one that defies the meaning of truth so it's armor for our thoughts and soul that must be worn

Cause it's forced upon every sense, attached to ignorance, illegal for an opinion to be drawn
It's a new dawn where rational thinking is gone, new laws signed in crayon
And it doesn't matter what paawn gets passed the baton when an election comes along
Cause it was years ago that this corruption spawn with a freedom slogan button on
And it's the divide that's grown from a line to a deep chasm of a wide canyon
That'll be our legacy, the legend we pass on till we feel defeat and meet the same demise that fell upon Krypton

It's crazy how we as a society love to single out one to staple blame on, makes it simple
But every man that's held an oval as his office might as well have been a floating carcass, dead in the water from the get go
Don't just agree cause I said so, that's half the problem yo, go do your own research bro
And know that they fear intelligence so go gather up a couple library's full
And don't jump in half cockeed like you only got one teesticle
Give it your all, fuuck being humble, we keep this shiit up we're all in fuuckin trouble
So burst this bubble, let it trasnform to rubble, forget being subtle
It's time to break huddle and be a factor in this much needed rebuttal
Screamed in the face paced on this ancient government scandal

But fuuck it. I'm only one person and not the one to change it cause I'm not perfect
But my imperfectly perfect plan sits perched in dust, never to be touched like it's deadly sick
Like a dripping diick, you pretend you don't have it 'til the graphic turns horrific
Then they say it's fake news but you're looking at the problem, starring derectly at it
But it's me that's ignorant and insignificant? I see it different you one percenter priick

I have a thought, just a notion, top of my head, tell me what you think
How long can we survive on the brink? On a doomed vessel destined to sink?
Holding the knowledge of where the boat is weak, have known about the leak but putting off repairs till next week
We can see the old, rusty chain of command, it's obvious who's the weakest link
But if we the people aren't in sync (bye bye bye) we're all gonna drown in the drink
The spiked cool aids laid out just waiting for that sly wink
The nod to give the go-ahead once we're in to deep, swerling round the bottom of the sink

But there's more of us then them so I say we push back
Take the power that we hold off the rack, grow a pair of metaphorical baalls in a metaphorical nuut sack and attack
Put on Hatebreed as the soundtrack and dish out some payback
This is a call to all who can't just lay back like seats in a Maybach and watch the train skip off track
You don't need an almanac to predict this fact, the shiit storm is here, lead by a maniac
And if we don't take our country back then it's our fault, not theirs, that the future seems bleek and black
Let that fact sink in and fill the crack like plaque stacked from years of no contact
Then get back to me when you see clearly that the peace tready that was eagerly signed so freely is actually a death contact

You can't dispute that once you've read the small print on the back of this sinister contract
And realize we've given to much slack but we do hold the rains, we must pull back
But mustn't hold back, can't afford to hoard the ball and record a sac
It's already fourth down and forever, standing in our own in zone taking the snap
A hail Mary is our only hope, but it might be crazy enough to be the key to the exact play we need to get the lead back
We lose this game and that's it, no respawn, no next season to fall back on, blap, extinction just like that
But fuuck that **** Jack, I'll fight till my last breath escapes me, I ain't going out like that
Can't give up with my back turned to a population under attack
Cowering in a ransacked bomb shelter resembling the shrieking shack
Can't do it, no matter our differences no one deserves that
But I'm going to need all the help I can get to keep this flaming wreckage off the tarmac

So please, as soon as the Kodak filters been lifted and you see the mess that we've been gifted
You'll come join the million other kindred spirits that have enlisted
No longer tainted by politicians political poison, no longer frightened
Instead, our ability to sift through the ******* has been heightened
With no blinders I'm enlightened now, our vision has readjusted, the true path brightened
Our senses now sharp as a tack like they've been augmented, you look frightened
And I'm ready to attack, take our lives back, combat tested
And mother approved, well connected, you've been vetted
And we've all come to the conclusion that it's time this reign of terror ended
Way past time for this regime to be upended
Quickly removed and  permanently suspended
Only then can we drop the act, no longer need to pretend
political
Indian Phoenix Oct 2012
The very first thing I learned about you was your ex-communication from Mormonism. Did you really try teaching a preschool class that Jesus was a Rastafarian? Or was that one of your many big fish tales told to me over the years?

This was when you were only a mischievous high-schooler. Not the cynic you are today, worn down after choosing the safest choices life can offer. When did a clever person like you acquiesce to such homogeneity? Somewhere between your Economist-reading days in undergrad and law school? I know you claim the reason was something about getting your heart broken one too many times. And yes, I know I whacked it around like a pinata... as you did mine. Because that's what reckless kids do. Will you ever accept this as an excuse? Or will you always use it as the reason to avoid my calls?

Back at the age of 15, though, you could do no wrong. A shy smile was all you'd see from me, but I'd go to bed dreaming of all of the clever things I wanted to say to you. My friends would later say you exploited your teaching role as my debate tutor... but me? I was totally, utterly, and blissfully enamored by your explanation of Foucault and FoPo. I'm convinced the reason you fell in love with me was because I wrote a letter to Crayola pretending to be 5 in hopes of getting a free pack of crayons. You liked that kind of smart *** behavior because it was the kind of stuff that made you come alive. Which reminds me... do you still have the "#1 bestseller" sign you swiped from the grocery store? You wore it in your back pocket while wearing your "I spoil my grandkids" t-shirt.

How appropriate that our first kiss was on the debate room couch. I'm glad kissing was, in fact, better for you with your braces removed. And how appropriate that my first date was you taking me to the high school musical, "Kiss Me Kate."

What is it about first loves that make even the most mundane so magical? I can't tell you the number of times I looked out the window in hopes of seeing your red Ford Escort pull up. It took my breath away more than any Mercedes could. Who knows what we'd do when you did come over--probably play Donkey Kong Country, or watch some ironic movie like Donnie Darko. If nobody was home we'd make out to the Disney "Fantasia" soundtrack.

Back then you were always intrigued with the whimsical. Nowadays it's 1940s classics, malt scotch and Coachella concerts. I think your career ***** you so dry of life that you overcompensate with your expensive tastes. The wildest you'd ever get was smoking a hookah. But the guy I remember? He liked pocket watches, Rufus Wainwright, and Harry Connick Jr. I know you're a responsible tax-paying adult now, but I still see you as the wild-eyed wholesome troublemaker you once were. I prefer you that way, even if it's mentally dishonest of me.

Since you, men have wined and dined me at world-renowned resorts and have taken me to presidential *****. But none of these dates have given me the same rush of euphoria as sneaking out and spending the night with you in the home you were house-sitting: That night, we were a pair of 16-year-old rebels. At least we didn't get caught by the cops making out in the high school's agriculture department parking lot. That would happen in a few months' time.

Then you left for college, to gain an education and have experiences that sounded overwhelming for my sheltered ears. It didn't matter that I left for Europe that year--you had left for college, which was a distance in my head that couldn't be measured geographically.

I could recall a thousand barbs exchanged from then until we both finished college: you dated her. I dated him! We made promises. We broke promises. You'd come home for summer. We relished in the relatively new-found art of *******, mostly perfected on each other in our youth. We'd hate each other. We'd love each other. Your friend would hate me; my sister would hate you. On it would go.

But there were such sweet times. We saw Harry Potter together and we sat on my roof, imagining that one night could stretch til forever as we looked up at the stars. It was then that you dedicated Coldplay's "Yellow" to me. And no expression of love was greater than seeing you in the back of the auditorium, waiting to drive me home after my 6th period drama class.

I honestly don't know the person you are today. Sure, you give me snippets. Usually when some girl breaks your heart and you need to vent. In truth, I know you saw me as your plan B. Always. Shame on me for playing that part so beautifully for so long. Could we have worked out, you and me? I smile, knowing that some things from the past should stay firmly rooted where they are. There would always be a part of me that would feel like that freshman trying to impress you, a senior. All the while I wouldn't feel funny enough, cool enough, witty enough by comparison. No, we simply wouldn't work.

You know the rule, about loving your family because they're the only one you've got? I think the same is true with first loves. When I reflect on our oh-so-ordinary relationship, you--I mean, US: we weren't so great. Nothing special.

But my heart sure seems to think you were... even after all of these years.
huwriting Jun 2014
It's 3am.
I'm sitting on the kitchen counter, looking out the window,
I look up at the beautiful moon,
the dark sky and scattered twinkling stars.
I look down at the bar across the street,
a group of girls waiting for a cab,
a couple in the corner stealing kisses,
a drunk sitting on the sidewalk laughing.
I can't help but smile.

"You're beautiful", he says "I just saw a dream where I lost you. Please come back to bed."
"Oh, but baby, you've only just found me. And I know you always will."

I sit here at this odd time not because I have anything to be sad about but because I finally have it all.
I watch him sleeping next to me, that crooked smile still on his face, his tousled hair falling on his forehead, his chest rising and falling
and that rhythm becomes the soundtrack to my nights.

I can't sleep,
I can't afford to sleep,
Not when I should spend every moment thanking the Universe for giving me my dream, for giving me him.

He wraps his arms around me and pulls me back to bed. We're back in our little bubble, our piece of heaven.

    - H.U.
I know it's all a little jumbled. Not very well executed but I can't seem to put it in any other way.
Donall Dempsey Aug 2018
MONKEY IN A RED FEZ DANCING TO ABBA

I watch the children play
on a sunny Sunday in Rotterdam

like a stereotypical alien
studying humans.

Their cries rise and fall
like seagulls as they swing

sea-sawing or blurring into one
on a brightly coloured turnstile.

A man looking
like a badly drawn cartoon

turns the handle slowly  of
a broken down barrel *****.

A monkey in a red fez
dances on the end of a chain.

The barrel ***** spews out
everything from Abba to Franz Lehar.


The decrepit old man
and even more decrepit monkey

appear as if they have
stepped out of another century.

I am far from home.
The day is dying.

I read from my battered book
Hamsun's HUNGER.

It's lurid cover torn
half hanging on/off.

The park deserted now
as night steals its colours.

The last words of
of this the final chapter

are lost to me
swallowed by the dark.

The barrel ***** peersists
the soundtrack to some forgotten film

The monkey red fez
fallen at its feet.

The monkey blissfully
asleep.

The music caught
entangled in branches and  leaves.

I watch the yellow lights
blossom one by one

a silhouette of houses
like a stage set.


Houses like cut-out silhouettes
a stage set.

The last lines revealed
under a passing  lamp

"...where the windows shone so
brightly in every home..."

I laugh at such
a coincidence.

Leave the book on the bench
for some other me

to discover
when the sun comes up.

And return
to my space ship.
SG Holter Apr 2017
With eyes narrow from fatigue
And worries, I gaze at the
Traces of time on my bedroom
Ceiling.

Cracks and flaking paint.
Do nightmares and dreams
Leave their imprints
In wood, like silent poltergeists

Remembered; collected;
Guarded; stored?
Invisible scars on dead surfaces.
So unlike those on me

That she finds with drowzy
Fingertips in the dark,
When I visit and cannot
Sleep from the alien music

Of the Oslo City night. It
Lacks the sound of wind
In trees playing with leaves
That usually make up my

Bedtime soundtrack.
I awoke from dreaming she'd
Left me; driving away with
Some ex and not looking back.

I ran until my
Legs buckled. Ran after her.
I sure hope her poor walls
Don't remember.
Teaspoons *****
Cups rattle
Water gushes
Cans pop
Steam shrieks
Laughter tinkles
Voices rise
Over the top
Fridges buzz
Bacon sizzles
Coffee drips
As gossip spreads
Tea brews
Cakes devoured
Oranges juiced
Knives shred
Papers rustle
Scones rise
Eyebrows lift
Voices fall
Toast crisps
Eggs bubble
Soup warms
One and all

The surface noise
Always concerned
With etiquette
And propriety
But underneath
Can be found
The sounds of
Café society
Mateuš Conrad Aug 2018
a bit like listening to
enya's take on the lord of the rings
soundtrack...
who, the ****, wouldn't
wish to drown, listening
to these Celtic mermaids?
i know i would...

the lunch?
salad....
  cherry tomatoes, fresh pepper,
fresh chillies...
      guacamole with chillies...
god, infused with lime...
greek goat's cheese...
           crunch iceberg lettuce...
and?
****... must have missed somethng...
well...
there was also prosciutto...
like i once said:
i hate bacon...
    prosciutto?
             give me a bucket-load
and i'll play the chipmunk...

   god i hate bacon...
ugh...
     it's lile eating gorilla turds
with a comparison
to what tuna steaks will never be,
and what smoked
salmon slices share with
prosciutto...

the bits that make a whiskey...
smoked salmon...
           if the Japanese will not
entertain salt in their sushi?
**** it...
we'll smoke the ******* out...

what a glorious statement of
attaching oneself to hubris...
  and the Celtic mermaids?
one question:
can i drown, right here and now?!
i want to drown!
i want to turn into a merman!
i want to cry!
oh god... for all eternity!
i want to cry!
i want to cry when
beauty is expressed so piquantly!

i want to be acknowledged
my by second mother, art,
who would never dare
to engage in the ancient greek
ritual of placing two coins
over my eyes to pay
Charon...

             oh sweet Celtic mermaids
from a missing Odyssey!
I.R.A.: punch the grieving
paw of the Anglican lion
surrendering
with a take on dentistry!

i want to drown...
   you songs turn the salty
seas into sugary fountains!
   i want to drown!
embraced by your voices
in the choir or the echoing
chambers of oyster shells!

   i never liked sushi to begin
with...
either the north sea smoked salmon
slices...
or the Baltic Sea raw herrings...

                 the English?
leave them...
   congregating on the money...
surmounting there sphere of influence,
the Atlantic Ocean that becomes
a pond...
   leave them... bestow a leverage of
stalling them...
         keep them comfortable...
keep them exclusionary...
  keep them: 50+ years too late...
that will buy us time...

           keep them sifting through rat ****...
we need them disorientated,
looking at a cul de sac,
rather than a road with, other, road
genesis injunctions
of what life, twist and burden turn
we have to share...

         now... i don't cry because
i'm sad...
      i cry... when beauty is made
sacrificial...
             and since so few cry at beauty?
i have to cry...
because?
  whatever is being regurgitated
mainstream?
   does not gravitate me
to the necessary emotional stratum...

all i can think of is...
  
               Celtic mermaids of Ireland...
and drinking buddies of Scottish
trans-gender kilt highlanders,
Welsh longbow men spies
   of Swansea...
   and the English?
guess it's just a case of talking:
"right across the... 'pond'"...
     like ******* are...
pond people my ******* god...

          i would have feigned the delusion
of... a shared tongue = a shared
cultural reference!
but in sudoku?!

   linear + sq. ≠ diagonal -

England and the U.S. and Australia?!
a dog barking up the wrong tree...
it always was, it always will be...

          i'll rephrase my concept
of England and America...
   being "specially" connected...
what? like retards?!

                        Pontius Pilate:
i'm washing my hands clean of the affair...

ask a Swiss... what he might have felt
about **** Germany!
no?
                           no what?!

      this country already constituted
a perfected allowance to deem my
ethnicity equivalent to vermin,
rats.... foxes...

     well... better this commentary
stays underground...
i wouldn't want some, ******,
reading this sort of wording;

mind you, he, it, she, they,
might forget it 10 minutes later.      

god, i hate bacon...
   but prosciutto?
                            as long as it's combined
in a salad...
  with fresh veg., and greek
goat's cheese...
    no, *******, problem!

SPRING ONIONS!
Sarah May 2015
Your song on repeat
like a soundtrack to pain
and with every listen
I feel you again
Just as soon as I forgot
but I can't let you go
now that you've tugged my sleeve
and pleaded me, no

But your face in my mind
is not close to me anymore
I looked through the window
just as you closed the door
and saw you glance back
but never turn around
Some things that are lost
are dead and can't be found

The song of your heart
I understood back then
too well to believe now
I'll never see you again
You were a sister to me,
so your brother is my brother, too
Now you are his brother
and I don't know what to do

except to sing
except to miss you
Aaron LaLux Sep 2018
Mac Miller’s death wasn’t an Overdose,
it was a Suicide,
it was the path that he chose that’s the way it goes,
when you’re chewed inside,

when you’ve got those demons,
and even beautiful music doesn’t exercise them,
we all gotta go sooner or later,
so Mac at 26 is tragic but not surprising,

wish he’d held out for one more year,
then he could’ve gotten in the Forever 27 Club,
joined the likes of Hendrix Morrison and Joplin,
but anyways whatever it’s still all love,

even though,
it hurts so bad,
especially since I’m writing this,
to Mac’s Swimming soundtrack,

13 songs on Mac’s last album,
and the last track’s ‘So It Goes’,
and ‘So It Goes’,
is playing on a record in Mac’s final post,

one moment we’re living one moment we get ghost,
and that makes me think of Jaden,
who’s last track was Ghost,
oh God Jaden no don’t start fadin’,

you’re it man,
you’re the one,
please push past the darkness of the pain,
and shine like the All Seeing Sun,

you’re our last hope like Obi-Wan Kenobi,
so don’t shut your eyes Young Jedi,
you’ve got the torch now so let it burn bright,
because the only thing that doesn’t wait is time,

time doesn’t give a fck about clocks,
until they stop,
she puts me together when I’m out of order,
perfect,

gives me the shivers how the Lord deliver’s,
and I don’t even read psalms,
but I swear to God it was all written,
that’s why even in the chaos I’m calm,

nothing’s GO:OD in the AM,
when you’re not feeling The Divine Feminine,
nauseous everyone feels toxic and obnoxious,
you're conscious that the poison feels like medicine,

resurrected just to be dead again,

it’s scary or rather haunting how Mac’s last video,
show’d him trapped in a coffin,
with a message that read Memento Mori,
you might win some but you just lost one,

shout out to Lauryn Hill,
she lost her mind but didn’t lose her life,
see no matter how difficult things get,
you win no matter what as long as you stay alive,

and it hurts so bad that we lost him,
that even I right now feel dead inside,
better take care out there and beware,
Self Care's only effective with friends to stand by,

**** I,
want to find a way to make everything alright,
want to find a way to bring back Mac,
gone forever to that Castle in The Sky,

and I just wish I could’ve said one last word to him,
and it hurts so bad I want to cry,
see Mac Miller’s death wasn’t an Overdose,
it was a Suicide,

so if you’re feeling hurt and depressed,
find someone to get that ****t off your chest,
because you’re loved whether you know it or not,
and life’s to short for long stories or regrets,

life’s too short for long stories,
life’s too real for fake friends,
so know that I love you you can always come see me,
because it’s peace love and respect till the end,

and ****,
we lost a good one today my oh my,
Mac Miller’s death wasn’t an Overdose,
it was a Suicide,

RIP Mac Miller,
may you Rest In Peace on Cloud 9,
may you finally find that love you need,
at that Eternal House in The Sky….

∆ Aaron LaLux ∆
RIP

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