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"sophistry" poems
first I smell myself. the deep bass tonality of my musk, hot, creamy, sweetness unique, of coffee and creamy, my owned sweat oiled secretions massaged into her skin emplaced by vigorous parts rubbing and tongue caressing, under the fading shadows of my glancing, desirous admirings then I smell herself. sinking sunset glimpses of last nights parfume parfait, scattered in random strategic locations architecturally planned, some flavors come over me like modest waves, others spelunking found in crevices, cracks and caves, where humans tread in guileless search of guiltless pleasure then I smell our sharings. lemon and thyme, paprika, sea salt and pepper, a basted rub laid upon animal skin consuming, and consumed, the vinaigrette balsamic and California yellow raisins, pine nuts, decorating leaves of red soil spinach and spicy arugula, word salads, so miraculously ingenious, you swear off eating flesh then I smell our combinations. the air conditioned atmosphere that blends us properly chilled, the olive oils pressed from two colored differing skins, the mortal and pestle finely grinding our own fresh crumbled dirt, appearing in places where dirt is wet panko crumbs encrusting us, our combined liquidity, shaken and stirred, drying in martini tandem it is 8:17am and this recipe of reciprocity, at its most pungent peaking, for soon raining waterfalls of potable city water and the sophistry of French soap, the pseudoscience of modern chemical shampoo, together erasing, scrubbing away this poems aromatherapy tapestry, your perplexed complexing nostrils will mock you once more, for ever disbelieving, thinking you could no longer write of only love poetry that crested high above the trite Friday, March 29 2019
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Mar 29, 2019
Mar 29, 2019 at 8:40 AM UTC
The Aroma of Us
first I smell myself. the deep bass tonality of my musk, hot, creamy, sweetness unique, of coffee and creamy, my owned sweat oiled secretions massaged into her skin emplaced by vigorous parts rubbing and tongue caressing, under the fading shadows of my glancing, desirous admirings then I smell herself. sinking sunset glimpses of last nights parfume parfait, scattered in random strategic locations architecturally planned, some flavors come over me like modest waves, others spelunking found in crevices, cracks and caves, where humans tread in guileless search of guiltless pleasure then I smell our sharings. lemon and thyme, paprika, sea salt and pepper, a basted rub laid upon animal skin consuming, and consumed, the vinaigrette balsamic and California yellow raisins, pine nuts, decorating leaves of red soil spinach and spicy arugula, word salads, so miraculously ingenious, you swear off eating flesh then I smell our combinations. the air conditioned atmosphere that blends us properly chilled, the olive oils pressed from two colored differing skins, the mortal and pestle finely grinding our own fresh crumbled dirt, appearing in places where dirt is wet panko crumbs encrusting us, our combined liquidity, shaken and stirred, drying in martini tandem it is 8:17am and this recipe of reciprocity, at its most pungent peaking, for soon raining waterfalls of potable city water and the sophistry of French soap, the pseudoscience of modern chemical shampoo, together erasing, scrubbing away this poems aromatherapy tapestry, your perplexed complexing nostrils will mock you once more, for ever disbelieving, thinking you could no longer write of only love poetry that crested high above the trite Friday, March 29 2019
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34
I sit in the top of the wood, my eyes closed. Inaction, no falsifying dream Between my hooked head and hooked feet: Or in sleep rehearse perfect kills and eat. The convenience of the high trees! The air's buoyancy and the sun's ray Are of advantage to me; And the earth's face upward for my inspection. My feet are locked upon the rough bark. It took the whole of Creation To produce my foot, my each feather: Now I hold Creation in my foot Or fly up, and revolve it all slowly - I **** where I please because it is all mine. There is no sophistry in my body: My manners are tearing off heads - The allotment of death. For the one path of my flight is direct Through the bones of the living. No arguments assert my right: The sun is behind me. Nothing has changed since I began. My eye has permitted no change. I am going to keep things like this.
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5.4k
Hawk Roosting
Does evil exist? Well, does it, or not? I demand an answer And if it does, hold that thought Because if wrong does exist We must face the reality That calling something wrong means There's a right way things ought to be But if wrong does not truly Exist in bright colors Well, what, then is justice But a meaningless construct? If the **** of a child In all histories and cultures Can be called pure evil Even by society's worst prisoners If the ****** of innocents Is forever and always An evil in society That can't be tolerated If imprisonment of a woman Like chattel for sale Being held as a *** slave In her own private hell Or murdering Jews Like Hitler's evil plan Or starving millions unjustly In Stalin's Ukraine Or killing the masses For political expedience Culling babies in China Or locking up dissidents If beheading of heretics Is inherently wrong Or even violating your privacy Or invading your home If these are universally bad And there's meaning in words Then there's universal good That our souls are drawn toward Something more than just philosophy Because that lacks authority And if good is defined by the majority Then what about the minority? Tyrants run roughshod When rights come and go At the whims of the powerful Because what they say goes No, evil is something More than laws, or from cultures Or philosophical sophistry From ivory towers To try to stop badness Is really to defend That there's a god of pure goodness Who wants us like him We can discuss who that god is And what is his substance But the least we can do Is acknowledge his existence You can say that religion Starts evil wars and such And you might just be right But you've just proved too much Because if there is no god Whose nature defines goodness Who are you to call war bad Or **** evil, or hate, darkness? Who are you to sit in judgment Of the religious who you think hate you? If there is no moral standard That makes hate wrong, and judging too? If morality is nothing more Than just a social contract Then it's just he said/she said And there's no moral compass You see, your compass is as good as mine And that may be fine, generally Until the ****** asserts his own Warped idea of morality What makes his wrong And yours universally right? That's a tough question That keeps philosophers up at night Because indeed, if there is no god There's no guilt to assuage For the wrongs that man does Because there is no such gauge It's like measuring empty Without knowing what full is Or like trying to describe love Without knowing who God is
0
Jun 24, 2014
Jun 24, 2014 at 6:59 PM UTC
Does evil exist?
Does evil exist? Well, does it, or not? I demand an answer And if it does, hold that thought Because if wrong does exist We must face the reality That calling something wrong means There's a right way things ought to be But if wrong does not truly Exist in bright colors Well, what, then is justice But a meaningless construct? If the **** of a child In all histories and cultures Can be called pure evil Even by society's worst prisoners If the ****** of innocents Is forever and always An evil in society That can't be tolerated If imprisonment of a woman Like chattel for sale Being held as a *** slave In her own private hell Or murdering Jews Like Hitler's evil plan Or starving millions unjustly In Stalin's Ukraine Or killing the masses For political expedience Culling babies in China Or locking up dissidents If beheading of heretics Is inherently wrong Or even violating your privacy Or invading your home If these are universally bad And there's meaning in words Then there's universal good That our souls are drawn toward Something more than just philosophy Because that lacks authority And if good is defined by the majority Then what about the minority? Tyrants run roughshod When rights come and go At the whims of the powerful Because what they say goes No, evil is something More than laws, or from cultures Or philosophical sophistry From ivory towers To try to stop badness Is really to defend That there's a god of pure goodness Who wants us like him We can discuss who that god is And what is his substance But the least we can do Is acknowledge his existence You can say that religion Starts evil wars and such And you might just be right But you've just proved too much Because if there is no god Whose nature defines goodness Who are you to call war bad Or **** evil, or hate, darkness? Who are you to sit in judgment Of the religious who you think hate you? If there is no moral standard That makes hate wrong, and judging too? If morality is nothing more Than just a social contract Then it's just he said/she said And there's no moral compass You see, your compass is as good as mine And that may be fine, generally Until the ****** asserts his own Warped idea of morality What makes his wrong And yours universally right? That's a tough question That keeps philosophers up at night Because indeed, if there is no god There's no guilt to assuage For the wrongs that man does Because there is no such gauge It's like measuring empty Without knowing what full is Or like trying to describe love Without knowing who God is
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92
A frozen avalanche set my night aglitter, A festive shroud descends upon the theater. Crimson sirens cleave apart the verdant veil, Into the darkness we stride without fail. Beyond the jubilation lies the next chapter, With adamant fortitude we give thee cheer. To each their own joys; for none with least, Lest we drown in today, few dice are cast. Behold my picture, let the verdict be: asleepy. I jest, I grin, yet within: smooth boreal sea. Tis simpler to repulse that which is coveted, A gaze that levels souls; I've gladly forfeited. Why? I cannot answer what I do not know, Yet reason continues to war with my soul. Let the rain cleanse my self-aimed ire, From whence come this burning desire? By dulcet caitiff, I set my conundrum aside, The crux of life remain, my Draconian hide. Plebeian ennui paralyzes my gifted facilities, Enough sophistry, let I bid thee turgidities. Let mine eyes be painted blind. How else to behold beauty so fine? Why, my sober vision... Scream in revulsion! :DD
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Aug 28, 2010
Aug 28, 2010 at 5:13 AM UTC
Cosmetic Milestones
Off that windy bay wharf, where old poets speak to lost walkers, you dove into aporia Morality the highest myth dreaming conquered by Capital shelter replaced by property the immaterial, theft by sophistry a bay carved from jade, crescent moon. horizon cradling distant storms waves upon waves accelerating towards the shore.
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Aug 21, 2017
Aug 21, 2017 at 1:03 AM UTC
Don't talk about Politics
for logic to work, certain coordination words must be excluded from ever attain a thesaurus privilege, certain words must attain the same consistency as numbers already present, for worded logic to work, certain words cannot entertain synonyms or antonyms, and must be freed from the shackles of sophistry. can one animate object truly objectify another animate object? i ask, because this supposed feminist narrative of man objectifying a woman seems rather bogus - as i have to reiterate - can an animate object truly objectify another animate object?            i "think" (i.e. "i" deny) this to be highly unlikely, near impossible...                   i am innately inclined to the puritanical observation, that i can only objectify an inanimate object, point being: a man can no more objectify a woman than an animate object can make an animate an inanimate object without having to subject himself to hammering a nail into a plank of wood: using a hammer. how can an animate object (a man) objectify another animate object (a woman) - without, first of all objectifying a part of him as quasi-inanimate, namely his phallus?   women do not seem to be complaining about objectification of a woman, rather, a man objectifying his member -   and isn't that the point, to posses an object that you're not subject to obeying?                              once more how can a woman be objectified, when in fact man is attempting to de-subjective himself from his genitalia?                          an animate object can't objectify an animate object -                             since the contradiction is: both are in animation...                   the only time objectification happens is when an animate object subject an inanimate object into a purpose... a hammer is hardly a woman, while is hammer one-dimensional,    a woman is either mother, sister, vice,       a one night stand, a girlfriend, or a wife...    women are never objectified -    they are subject to the self-objectifiction of man, by man alone... and if you think that's post-modernist jargon, let me spell it out for you: T, O, G, E, T, A, H, A, R, D, O, N. objectification happens when an animate object subjects / encompasses an inanimate object into a subject of the animate object's intent...         unless of course you care to disclose a fetish for necrophilia... since only in necrophilia are women actually objectified.
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Nov 3, 2017
Nov 3, 2017 at 8:34 PM UTC
objectification / necrophilia
for logic to work, certain coordination words must be excluded from ever attain a thesaurus privilege, certain words must attain the same consistency as numbers already present, for worded logic to work, certain words cannot entertain synonyms or antonyms, and must be freed from the shackles of sophistry. can one animate object truly objectify another animate object? i ask, because this supposed feminist narrative of man objectifying a woman seems rather bogus - as i have to reiterate - can an animate object truly objectify another animate object?            i "think" (i.e. "i" deny) this to be highly unlikely, near impossible...                   i am innately inclined to the puritanical observation, that i can only objectify an inanimate object, point being: a man can no more objectify a woman than an animate object can make an animate an inanimate object without having to subject himself to hammering a nail into a plank of wood: using a hammer. how can an animate object (a man) objectify another animate object (a woman) - without, first of all objectifying a part of him as quasi-inanimate, namely his phallus?   women do not seem to be complaining about objectification of a woman, rather, a man objectifying his member -   and isn't that the point, to posses an object that you're not subject to obeying?                              once more how can a woman be objectified, when in fact man is attempting to de-subjective himself from his genitalia?                          an animate object can't objectify an animate object -                             since the contradiction is: both are in animation...                   the only time objectification happens is when an animate object subject an inanimate object into a purpose... a hammer is hardly a woman, while is hammer one-dimensional,    a woman is either mother, sister, vice,       a one night stand, a girlfriend, or a wife...    women are never objectified -    they are subject to the self-objectifiction of man, by man alone... and if you think that's post-modernist jargon, let me spell it out for you: T, O, G, E, T, A, H, A, R, D, O, N. objectification happens when an animate object subjects / encompasses an inanimate object into a subject of the animate object's intent...         unless of course you care to disclose a fetish for necrophilia... since only in necrophilia are women actually objectified.
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58
So you think you are a master of techniques of persuasion? You shallow pips-squeak, mediocrity is your mastery the obsequious hoi polloi that surround you are the pitiable averageness of conciliation Sophistry and subterfuge are your game of compromised facts syllogistic  arithmetic conceptualizing  doesn't make anything so your addition is flawed by your bungled bombast of banality and guile fortunately for you, your crowd will never study logic fortunately for you semi-literacy is  de rigueur You pompous swollen grandiose mass of hyperbolic gas Fear is what you offer, lies are what you sell your rhetorical flourish is as the stench of a waste  dump fetid, corpulent, fallow and febrile toxic half-truths, innuendos, ambiguities, conjecture and asinine aspersions comprise your specious fare, fostering rumours,  manipulating facts, you are the purported Biblical brood of vipers so extensively reviled against Your relevancy is attributable to the dull stupidity so profusely prevalent today Your "success" is the stuff of taint and treachery You'll probably choke to death on a stuck piece of poorly masticated  flesh so appropriate  and  befitting the demise of a professional liar
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Apr 28, 2013
Apr 28, 2013 at 12:44 AM UTC
Rush et al.
You are witnessing a prodigious talent and promise, and to a lesser extent but still to the degree whereby it should keep you awake at night writhing in cold sweats, your life, slip agonisingly through your open and clammy palms. Promise means so little if not actualised. You have been granted chance after warning after fortuitous escape yet have blithely spurned every omen and will one day fall, swiftly and perhaps terminally. You are almost certainly depressed. You say you love your girlfriend, and you mean it wholeheartedly when you do, but you worry that the relationship perpetuates as without her there would be no reason to rise with the sun. Even if the relationship is  unstable, and at times verging on the unhealthy, you believe you love her but are too great a coward to consider decisive action if that belief is to reside or subside. Your friends range from kind and honest yet deeply flawed to somehow toeing an inextricably thin line between dependability and duplicitousness. Conversations with a certain few of your friends necessitate decrying every undercooked ethos you've every conned yourself into believing you hold (you could well be the most hypocritical liberal to walk the earth, for you are innately and irrepressibly selfish) yet you still nod placidly as your conscience squirms. Grotesquely, like a beaten spouse, you crave the gaze of those who have treated you with the most insulting derision, but are too proud (of what?) and, a running theme, too cowardly, to stoop to a simple detante. You must change, for it pains you on a most base level to have to accept the feeble, whimpering, simpering spectre you have become. You must be bold, brave, unashamed in your convictions, anything but pursed and silent lips. You have a voice, and you must now speak loud enough for them to hear, for that which has become blunted must be whetted, sharpened, readied for battle to be unsheathed at an utterance. Heed the signs and change, for our sake. You, a milksop who attentively notes the sophistry of courage, you can still be brave, and you must be. For one day you will be swelled with a courage and fortitude to fill your sails taut, enough to leave this place, forget these people and bear you away.
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Sep 7, 2012
Sep 7, 2012 at 8:08 PM UTC
self portrait
You are witnessing a prodigious talent and promise, and to a lesser extent but still to the degree whereby it should keep you awake at night writhing in cold sweats, your life, slip agonisingly through your open and clammy palms. Promise means so little if not actualised. You have been granted chance after warning after fortuitous escape yet have blithely spurned every omen and will one day fall, swiftly and perhaps terminally. You are almost certainly depressed. You say you love your girlfriend, and you mean it wholeheartedly when you do, but you worry that the relationship perpetuates as without her there would be no reason to rise with the sun. Even if the relationship is  unstable, and at times verging on the unhealthy, you believe you love her but are too great a coward to consider decisive action if that belief is to reside or subside. Your friends range from kind and honest yet deeply flawed to somehow toeing an inextricably thin line between dependability and duplicitousness. Conversations with a certain few of your friends necessitate decrying every undercooked ethos you've every conned yourself into believing you hold (you could well be the most hypocritical liberal to walk the earth, for you are innately and irrepressibly selfish) yet you still nod placidly as your conscience squirms. Grotesquely, like a beaten spouse, you crave the gaze of those who have treated you with the most insulting derision, but are too proud (of what?) and, a running theme, too cowardly, to stoop to a simple detante. You must change, for it pains you on a most base level to have to accept the feeble, whimpering, simpering spectre you have become. You must be bold, brave, unashamed in your convictions, anything but pursed and silent lips. You have a voice, and you must now speak loud enough for them to hear, for that which has become blunted must be whetted, sharpened, readied for battle to be unsheathed at an utterance. Heed the signs and change, for our sake. You, a milksop who attentively notes the sophistry of courage, you can still be brave, and you must be. For one day you will be swelled with a courage and fortitude to fill your sails taut, enough to leave this place, forget these people and bear you away.
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2
This, no song of an ingenue, This, no ballad of innocence; This, the rhyme of a lady who Followed ever her natural bents. This, a solo of sapience, This, a chantey of sophistry, This, the sum of experiments,-- I loved them until they loved me. Decked in garments of sable hue, Daubed with ashes of myriad Lents, Wearing shower bouquets of rue, Walk I ever in penitence. Oft I roam, as my heart repents, Through God's acre of memory, Marking stones, in my reverence, "I loved them until they loved me." Pictures pass me in long review,-- Marching columns of dead events. I was tender, and, often, true; Ever a prey to coincidence. Always knew I the consequence; Always saw what the end would be. We're as Nature has made us----hence I loved them until they loved me.
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2.3k
Ballade At Thirty-Five
You smile black-eyed as the city belches blue neon through its steel-glass canyons; a cobalt factory of lumen, pulsing through dendritic labyrinths of sapphired circuitry. Diodes of cerulean fire, spreading with virulent sophistry amid the glittering obsidian dark, like pale horses of light that leap from pane to inky pane, like a Pentium’s ****** God’s own seething fireworks watched in reverse as they float in through my car window, strobing blue against your freshly washed hair.
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Jul 13, 2012
Jul 13, 2012 at 8:51 AM UTC
Cerulean Fire
Ditch diggers don't write poems - As if there might be found A single thought profound Amid the mud they go in; The pungence in essence released From trees' roots that are severed Is never fragrant like lilacs, And their labor is of purpose, That dirt removed by aching backs - Gashed earth becomes the grave In which our sins can be hidden; Tomorrow ditches will be filled in, Restoring peace which land craves, The simple laborer's work done. Ditch diggers don't write poetry - Palms calloused in pick and ***** Too rough when art 's to be made, Remain convinced by sophistry They've no true claim to a pen. Clods of clay always remain Adhered to heels of workmen's boots, Becoming my life's defining metaphor. So we forgo more ethereal pursuits, Though forever treasuring sweetness Flowed over soil of our dank holes, Loving breaths exhaled from souls, Floral kisses blown across distance.
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Apr 24, 2010
Apr 24, 2010 at 7:29 PM UTC
Ditchdiggers
Earth in iniquity overall clad, in a stained satin of sin: loose garment of a loose life. Heart's maidenhead in twain was torn, in Eden, by Satan's scissors of lies and wiles, so crimson did stain the purest soul with red spots. Gold embroidery of righteousness, silver stitches of sanctity have all been marred by Lucifer's tailor-made sophistry. Wherefore bespoke beauty and dignity fell off Adam's body, and his nakedness seen. Calvary's grace, the bleach, the remover of blemishes great, doth make darkest heart than cotton to be whiter, dressing man up again to the nines with heaven's glory nice.
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Mar 13, 2013
Mar 13, 2013 at 3:48 PM UTC
Calvary's Grace
Sin takes the beautiful things and twists them into pain. An artist takes the pain and twists it back into beauty.
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Nov 15, 2015
Nov 15, 2015 at 5:50 PM UTC
Sophistry & Artistry
embroidery is your means of communication sophistry is your way at edification your veracity is a misrepresentation rejection to you is manifestation veiling your faults in meaninglessness your poetics show your indecision your own impulses have created an addiction evasion from the truth has become your nightmare affection turns to desolation after boredom sets in your disconnection with happiness has always been you float in a cycle built from the misfortune of your past yet you wear your beauty and pride like a mask one day your castle of fabrication will come crumbling down and this time I wont be there to catch you before you hit the ground goodbye © 2006 joshua deathdealer
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May 7, 2012
May 7, 2012 at 3:44 PM UTC
taint
I want an after dinner poem Because they are so delicious A poem on a pillow And one after I do the dishes I want a poem for breakfast Cause they are so mentally nutritious But most of all I want you in my poetry Because you are the best Poem I could read Form in figure fitting perfectly Moving and talking to me You are poetry in motion You are artistry in thought You are the queen of my desire Because you make my poems Shockingly hot So write me a love poem A poem of love lost A poem of philosophy Of such sweet sophistry And what you have gained And all that it cost Give me a biographical picture Or a nature walk I want a poem That is the truth of you And in exchange I will give you the poetry of names And call you humanity
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Jun 16, 2017
Jun 16, 2017 at 9:50 AM UTC
Untitled
There is something so calming About the spiders spinning web. Something so comforting, A song sung by the dead. Hear it wallow in the distance Like an unforgiven tune. Sung by the rivers daughter, The beauteous sunset muse. Bask in the moonlit waters Barely but blessed by shining sun. Hold to your heavn'ly quarters, The likes of which shall come undone. For if you catch the spider spindle You are likely to be safe. In other wares, their finer fares In absence, stay awake. I speak not for the Titan, Or God nor Goddess alike. I speak not for the tongue Of the mumbling friars might. For Alas my hearers hear this plea, Beware the nymph of sophistry
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May 20, 2019
May 20, 2019 at 10:41 AM UTC
The Nymph of Sophistry
the arrogance oh humankind terror fear suffering exponential death we have brought into this plane a world that may be no larger than my eyes attest oh humankind our purposeful waste dispensable products people populations oh humankind our sophistry of individuality greed power war genocide in the fallacious name of permanence oh humankind we cling to our objects our love and hate our righteous insecurities we claim these as authentic but we are little more than ghosts inflicting a blink a glimmer of intolerably painful light while we these pathetic apparitions stubborn and feeble dissipate into colorless purity
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Dec 27, 2014
Dec 27, 2014 at 11:55 AM UTC
we are not the world
Your cruel words are cursory Mean less than null to me Don’t need a PhD Learnt more in nursery Sweet song of ‘helping me’ No more than sophistry Pick out the forgery Lies with no artistry Flowing in, eyeless grin Sugary medicine Gaslighting, infighting Snarl under strobe-lighting Saccharine blathering Indolent flattering Backhanded compliments Heard without inner sense I reject totally Self-slighting sorcery Callous affrontery Bankrupting bursary I have observed more Preserved more Have learned more Deserve more Have value Don't argue Can trust me I must be Enough being just, me So hear me, my dear me, coz now we agree I am worthy
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Nov 3, 2024
Nov 3, 2024 at 5:01 AM UTC
To my inner critic
The season of beauty Has finally come to stay, But the wise sparrow Said to me, ‘Don’t mention names’ Never has nature begotten Such a pure sense of An African beauty, But the wise sparrow Said to me, ‘Don’t mention names’, Questioning thy true beauty Has placed me on the known, But the wise sparrow Said to me, ‘Don’t mention names’, Show me all That thou can, So I can perceive And conceive thy True seasonal countenance, But the wise sparrow Said to me, ‘Don’t mention names’ Oh no, the days of My love life is Blinking on a fast Lane for thy taste, But the wise sparrow Said to me, ‘Don’t mention names’, Is the length of my Dying days untamable by Thy faithful jewels? But the wise sparrow Said to me, ‘Don’t mention names’ Ah! The glorious sensitivity in The moon-like eyeballs Of thee, has imprisoned My reasoning power, But he wise sparrow Said to me, ‘Don’t mention names’ I hope thou may fall On my waiting lips, Though I cannot have thee, But the wise sparrow Said to me, ‘Don’t mention names’, My heart is bleeding in pain, For posterity may not live to Behold thy true beauty, But the wise sparrow Said to me, ‘Don’t mention names’ I do remember thy Precious name very well, But the wise sparrow Said to me, ‘Don’t mention names’ Accepting the sophistry Of thy symbolic hips Under the Kente cloth Has been an axiom, But the wise sparrow Said to me, ‘Don’t mention names’ Now I know, that The echoes of the Gods Do not tremble Over thy beauty alone, But the wise sparrow Said to me, ‘Achimota’. © PRINCE NANA ANIN-AGYEI Email: [email protected]
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Apr 8, 2013
Apr 8, 2013 at 6:51 AM UTC
ACHIMOTA, DON'T MENTION NAMES
The season of beauty Has finally come to stay, But the wise sparrow Said to me, ‘Don’t mention names’ Never has nature begotten Such a pure sense of An African beauty, But the wise sparrow Said to me, ‘Don’t mention names’, Questioning thy true beauty Has placed me on the known, But the wise sparrow Said to me, ‘Don’t mention names’, Show me all That thou can, So I can perceive And conceive thy True seasonal countenance, But the wise sparrow Said to me, ‘Don’t mention names’ Oh no, the days of My love life is Blinking on a fast Lane for thy taste, But the wise sparrow Said to me, ‘Don’t mention names’, Is the length of my Dying days untamable by Thy faithful jewels? But the wise sparrow Said to me, ‘Don’t mention names’ Ah! The glorious sensitivity in The moon-like eyeballs Of thee, has imprisoned My reasoning power, But he wise sparrow Said to me, ‘Don’t mention names’ I hope thou may fall On my waiting lips, Though I cannot have thee, But the wise sparrow Said to me, ‘Don’t mention names’, My heart is bleeding in pain, For posterity may not live to Behold thy true beauty, But the wise sparrow Said to me, ‘Don’t mention names’ I do remember thy Precious name very well, But the wise sparrow Said to me, ‘Don’t mention names’ Accepting the sophistry Of thy symbolic hips Under the Kente cloth Has been an axiom, But the wise sparrow Said to me, ‘Don’t mention names’ Now I know, that The echoes of the Gods Do not tremble Over thy beauty alone, But the wise sparrow Said to me, ‘Achimota’. © PRINCE NANA ANIN-AGYEI Email: [email protected]
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77
Nature’s lay idiot, I taught thee to love, And in that sophistry, Oh, thou dost prove Too subtle: Foole, thou didst not understand The mystic language of the eye nor hand: Nor couldst thou judge the difference of the air Of sighs, and say, This lies, this sounds despair: Nor by th’ eyes water call a malady Desperately hot, or changing feverously. I had not taught thee, then, the Alphabet Of flowers, how they devisefully being set And bound up might with speechless secrecy Deliver errands mutely, and mutually. Remember since all thy words used to be To every suitor, Ay, if my friends agree; Since, household charms, thy husband’s name to teach, Were all the love tricks that thy wit could reach; And since, an hour’s discourse could scarce have made One answer in thee, and that ill arrayed In broken proverbs and torn sentences. Thou art not by so many duties his, That from the world’s Common having severed thee, Inlaid thee, neither to be seen, nor see, As mine: who have with amorous delicacies Refined thee into a blisful Paradise. Thy graces and good words my creatures be; I planted knowledge and life’s tree in thee, Which Oh, shall strangers taste? Must I alas Frame and enamel plate, and drink in glass? Chaf wax for others’ seals? break a colt’s force And leave him then, being made a ready horse?
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1.2k
Elegy VII
the voices of the sea the whisper of the symphony are calling out your name and you just turn your head in shame your hopeless hands are tied and everything you love has died you've thrown away your pride and giving up now, means you never tried you're still pulling out the arrows of your former atrophies and perils fulfilling this discordance with your future purpose and importance pulling out the arrows. pulling out the arrows. pulling out the arrows. Reaching for the Surface but you're on the ocean floor. Praying for a Purpose, hoping for an open door. Scratching at the Surface, but it's harder than it was before. But what's the Purpose? what are you praying for? and you say God, please don't let me die. but you're Reaching for an Empty Sky. No one else is there to hold you're hand and say they care No one else will come so give it up, you're on your own. the forces of the sea have trapped you in this tragedy your belief in all their lies has done no good, open your eyes see the world as it is your existence within this nothingness as worthless as the sea another useless commodity you're still bracing for the arrows of your distant atrophies and perils fulfilling this whole prophecy by decoding all their sophistry bracing for the arrows bracing for the arrows bracing for the arrows Reaching for the Surface but you're on the ocean floor. Praying for a Purpose, hoping for an open door. Scratching at the Surface, but it's harder than it was before. But what's the Purpose? what are you praying for? and you say God, please don't let me die. but you're Reaching for an Empty Sky.
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Jul 12, 2013
Jul 12, 2013 at 5:17 AM UTC
Reaching For An Empty Sky
the voices of the sea the whisper of the symphony are calling out your name and you just turn your head in shame your hopeless hands are tied and everything you love has died you've thrown away your pride and giving up now, means you never tried you're still pulling out the arrows of your former atrophies and perils fulfilling this discordance with your future purpose and importance pulling out the arrows. pulling out the arrows. pulling out the arrows. Reaching for the Surface but you're on the ocean floor. Praying for a Purpose, hoping for an open door. Scratching at the Surface, but it's harder than it was before. But what's the Purpose? what are you praying for? and you say God, please don't let me die. but you're Reaching for an Empty Sky. No one else is there to hold you're hand and say they care No one else will come so give it up, you're on your own. the forces of the sea have trapped you in this tragedy your belief in all their lies has done no good, open your eyes see the world as it is your existence within this nothingness as worthless as the sea another useless commodity you're still bracing for the arrows of your distant atrophies and perils fulfilling this whole prophecy by decoding all their sophistry bracing for the arrows bracing for the arrows bracing for the arrows Reaching for the Surface but you're on the ocean floor. Praying for a Purpose, hoping for an open door. Scratching at the Surface, but it's harder than it was before. But what's the Purpose? what are you praying for? and you say God, please don't let me die. but you're Reaching for an Empty Sky.
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There are, dear daughter, oceans between us (At your insistence, though I say this without rancor) A buffer from the memories of our sad antics, Pottery reduced to shards, doors slammed in such a manner That the very jambs ached in regret, The hinges wept in the weight of their sadness, Though the human heart, mapped by its own wan geography, Is immune to such trifles as mere distance. We have tarried in foul gardens of sophistry, Engaged in predictable shows of dramatics, As if our outbursts can be measured in some calculus Seeking to ascertain our devotion In the rending of garments, the shrieking collapse upon the floor, For it has been revealed to me That the spectacle of our grand lamentations, Worn by us like the finest silver-threaded garments, Are no more than the strutting and preening Of some noisome, foul peacock. No, we must accept, indeed embrace, the notion That our love is as imperfect as our selves, And that we must approach its altar Not with grandiloquence and haughty pomp, But meekly, bearing the simple gift our person Modestly cloaked in the simple black gown of humility.
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Mar 20, 2017
Mar 20, 2017 at 9:48 AM UTC
In Which We Excerpt From The Heretofore Undiscovered Letter XLVII Of The Marqesa de Montemayor
What have you done to me? my heart bewitched by your strange love, turning into ice kept inside a furnace, every moment it melts into my tears, my intuitions taken aback by cowardly fear, I see whole world laughing at me, as if i am a statement of some humorous blasphemy, I see your eyes mocking away at my dreams, which surely I dreamt ,only to be stranded by your tyranny. roses now don't seem red anymore,every petal stained in my blood, music don't seems blessed anymore,just a wretched piece of cacophony, what have you done to me? am tired of your wicked sophistry, every thing you promised,now cowers beneath the veil of mystery... what have i done to thee..? Oh! Your wicked sophistry,your cursed affection.. has shrink wrapped me inside my tears..my fears This is what i feared,that you could do to me, but what have i done to thee....?
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May 24, 2014
May 24, 2014 at 6:41 AM UTC
Bewitched
this place where peace of mind is a material device where its tangible depth can be measured in more than words this fortification of stout heart and decided mind i fall back to reside here for a moments reprise from the clash of the seeming armed conflict that must rage about this place you cannot have dark without light peace without war isn't peace of mind measured by the conflict around it isn't the measure of a mans serenity in the struggles he must endure to achieve i fall back to this segue between dark of ignorant bliss and the blinding incandescence of misinterpretation of that so called enlightenment peace of mind is a state difficult to discover because it cannot be truly achieved it is the illusion of sophistry peace can be found in small amounts in the laughter and love of friends and family in the arms of a lover in the warm sun of summer's day in the grandeur of summer night
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Oct 20, 2013
Oct 20, 2013 at 1:30 PM UTC
amounts of peace
this debt, this book, this tort, so overdue, uncivil wrong demanding reconciliation, that the librarians sent the hoodlums to remind me of my obligations there must be unfinished, three or four Gebbie precursors, lying about awaiting further final definition unmarshaled me, unable to see them through to completion, but my hindsight, my guilty plea, aided by an assertive, rear self-kicking, offers me some motivation immediacy When I see the Auckland Sky Center in photos, a hard hatted man with softest heart always, is on top, doing his native Aussie global (in place) walkabout, better to see, the cubature volume of the global poetry underneath his feet, the poetic underworld, needing a Gebbie supervisory drilling read down Enough! unsatisfactory above this ditty notation for one who tenders unto me comforting words that drill down so deeply, keeping, "the night shall not disrobe you," that only a single rhyming word is satisfactory but yet too, is insufficient to capture the audio of innards weeping surely aware, the nighttime, is when I best my own analytics, disrobing in a room of black letters on a white background for all who stumble by moonlight on the bards of "perchance,^" giving pieces of me to the those who not only read my verses, but those who ken that the unspoken spaces in between, containers of what is not writ, but only modestly well hid, is where lies oft the more important script and he gets that... where the skills when most needed? his precision will deserves artistry, not sophistry, and I am flailing, failing inadequately to pay my overdue it is early morn in Taranaki, perhaps he will see this lackey's lacking insufficiency, before he goes climbing man-made towers that bear witness to mens bigger dreams, perhaps when he returns later tonight, in a snifter of old malt scotch, his "last one for the road" he will see it floating, and think of me, this time, happily, disrobing mine soul's own nighttime, trusting him to keep all safe, entrusting it to him, and to Janet, my best, red and black, sweetest dreams <> https://hellopoetry.com/marshal-gebbie/ 9/5/17 13:55pm
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Sep 5, 2017
Sep 5, 2017 at 1:53 PM UTC
"the night shall not disrobe you..." Marshal
this debt, this book, this tort, so overdue, uncivil wrong demanding reconciliation, that the librarians sent the hoodlums to remind me of my obligations there must be unfinished, three or four Gebbie precursors, lying about awaiting further final definition unmarshaled me, unable to see them through to completion, but my hindsight, my guilty plea, aided by an assertive, rear self-kicking, offers me some motivation immediacy When I see the Auckland Sky Center in photos, a hard hatted man with softest heart always, is on top, doing his native Aussie global (in place) walkabout, better to see, the cubature volume of the global poetry underneath his feet, the poetic underworld, needing a Gebbie supervisory drilling read down Enough! unsatisfactory above this ditty notation for one who tenders unto me comforting words that drill down so deeply, keeping, "the night shall not disrobe you," that only a single rhyming word is satisfactory but yet too, is insufficient to capture the audio of innards weeping surely aware, the nighttime, is when I best my own analytics, disrobing in a room of black letters on a white background for all who stumble by moonlight on the bards of "perchance,^" giving pieces of me to the those who not only read my verses, but those who ken that the unspoken spaces in between, containers of what is not writ, but only modestly well hid, is where lies oft the more important script and he gets that... where the skills when most needed? his precision will deserves artistry, not sophistry, and I am flailing, failing inadequately to pay my overdue it is early morn in Taranaki, perhaps he will see this lackey's lacking insufficiency, before he goes climbing man-made towers that bear witness to mens bigger dreams, perhaps when he returns later tonight, in a snifter of old malt scotch, his "last one for the road" he will see it floating, and think of me, this time, happily, disrobing mine soul's own nighttime, trusting him to keep all safe, entrusting it to him, and to Janet, my best, red and black, sweetest dreams <> https://hellopoetry.com/marshal-gebbie/ 9/5/17 13:55pm
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