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rhiannon Mar 2019
Once upon a time there was a special girl called Sonya Randall. She was on the way to see her Dad Tristan Godfrey, when she decided to take a short cut through Hyde Park.

It wasn't long before Sonya got lost. She looked around, but all she could see were trees. Nervously, she felt into her bag for her favourite toy, Laura, but Laura was nowhere to be found! Sonya began to panic. She felt sure she had packed Laura. To make matters worse, she was starting to feel hungry.

Unexpectedly, she saw a naughty Uni-pug dressed in a blue dungarees disappearing into the trees.

"How odd!" thought Sonya.

For the want of anything better to do, she decided to follow the peculiarly dressed Uni-pug. Perhaps it could tell him the way out of the forest.

Eventually, Sonya reached a clearing. In the clearing were two houses, one made from peas and one made from cakes.

Sonya could feel her tummy rumbling. Looking at the houses did nothing to ease her hunger.

"Hello!" she called. "Is anybody there?"

Nobody replied.

Sonya looked at the roof on the closest house and wondered if it would be rude to eat somebody else's chimney. Obviously it would be impolite to eat a whole house, but perhaps it would be considered acceptable to nibble the odd fixture or lick the odd fitting, in a time of need.

A cackle broke through the air, giving Sonya a fright. A witch jumped into the space in front of the houses. She was carrying a cage. In that cage was Laura!

"Laura!" shouted Sonya. She turned to the witch. "That's my toy!"

The witch just shrugged.

"Give Laura back!" cried Sonya.

"Not on your nelly!" said the witch.

"At least let Laura out of that cage!"

Before she could reply, the naughty Uni-pug in the blue dungarees rushed in from a footpath on the other side of the cleaning.

"Hello Big Uni-pug," said the witch.

"Good morning." The Uni-pug noticed Laura. "Who is this?"

"That's Laura," explained the witch.

"Ooh! Laura would look lovely in my house. Give it to me!" demanded the Uni-pug.

The witch shook her head. "Laura is staying with me."

"Um... Excuse me..." Sonya interrupted. "Laura lives with me! And not in a cage!"

Big Uni-pug ignored her. "Is there nothing you'll trade?" he asked the witch.

The witch thought for a moment, then said, "I do like to be entertained. I'll release him to anybody who can eat a whole front door."

Big Uni-pug looked at the house made from cakes and said, "No problem, I could eat an entire house made from cakes if I wanted to."

"There's no need to show off," said the witch. Just eat one front door and I'll let you have Laura."

Sonya watched, feeling very worried. She didn't want the witch to give Laura to Big Uni-pug. She didn't think Laura would like living with a naughty Uni-pug, away from her house and all her other toys.

Big Uni-pug put on his bib and withdraw a knife and fork from his pocket.

"I'll eat this whole house," said Big Uni-pug. "Just you watch!"

Big Uni-pug pulled off a corner of the front door of the house made from cakes. He gulped it down smiling, and went back for more.

   And more.

      And more.

Eventually, Big Uni-pug started to get bigger - just a little bit bigger at first. But after a few more fork-fulls of cakes, he grew to the size of a large snowball - and he was every bit as round.

"Erm... I don't feel too good," said Big Uni-pug.

Suddenly, he started to roll. He'd grown so round that he could no longer balance!

"Help!" he cried, as he rolled off down a ***** into the forest.

Big Uni-pug never finished eating the front door made from cakes and Laura remained trapped in the witch's cage.

"That's it," said the witch. "I win. I get to keep Laura."

"Not so fast," said Sonya. "There is still one front door to go. The front door of the house made from peas. And I haven't had a turn yet.

"I don't have to give you a turn!" laughed the witch. "My game. My rules."

The woodcutter's voice carried through the forest. "I think you should give her a chance. It's only fair."

"Fine," said the witch. "But you saw what happened to the Uni-pug. She won't last long."

"I'll be right back," said Sonya.

"What?" said the witch. "Where's your sense of impatience? I thought you wanted Laura back."

Sonya ignored the witch and gathered a hefty pile of sticks. She came back to the clearing and started a small camp fire. Carefully, she broke off a piece of the door of the house made from peas and toasted it over the fire. Once it had cooked and cooled just a little, she took a bite. She quickly devoured the whole piece.

Sonya sat down on a nearby log.

"You fail!" cackled the witch. "You were supposed to eat the whole door."

"I haven't finished," explained Sonya. "I am just waiting for my food to go down."

When Sonya's food had digested, she broke off another piece of the door made from peas. Once more, she toasted her food over the fire and waited for it to cool just a little. She ate it at a leisurely pace then waited for it to digest.

Eventually, after several sittings, Sonya was down to the final piece of the door made from peas. Carefully, she toasted it and allowed it to cool just a little. She finished her final course. Sonya had eaten the entire front door of the house made from peas.

The witch stamped her foot angrily. "You must have tricked me!" she said. "I don't reward cheating!"

"I don't think so!" said a voice. It was the woodcutter. He walked back into the clearing, carrying his axe. "This little girl won fair and square. Now hand over Laura or I will chop your broomstick in half."

The witch looked horrified. She grabbed her broomstick and placed it behind her. Then, huffing, she opened the door of the cage.

Sonya hurried over and grabbed Laura, checking that her favourite toy was all right. Fortunately, Laura was unharmed.

Sonya thanked the woodcutter, grabbed a quick souvenir, and hurried on to meet Tristan. It was starting to get dark.

When Sonya got to Tristan's house, her Dad threw his arms around her.

"I was so worried!" cried Tristan. "You are very late."

As Sonya described her day, she could tell that Tristan didn't believe her. So she grabbed a napkin from her pocket.

"What's that?" asked Tristan.

Sonya unwrapped a doorknob made from cakes. "Pudding!" she said.

Tristan almost fell off his chair.

The End
Gaffer Jun 2017
What’s a lovely girl like you doing in a dump like this.
I own it.
That course i took is working well.
Was that the diplomatic course.
It was, have you been on it.
Have i asked you any stupid questions.
Not yet, but give it time.
Ask me another question.
What’s your name.
Sonya.
You’re kidding, did your parents not like you.
Did you actually attend that course.
Well i sort of started the online application, but this **** site popped up and i got distracted.
Did anything else pop up.
That’s quite witty, Sonya.
It wasn’t meant to be. I was meaning, did any religious sites pop up.
Well they do say God works in mysterious ways. So i’m thinking he came through as ***** Bertha from Berlin.
Are you a bit rusty chatting up women.
Well i have just come out of a long term relationship.
Sorry to hear that, how long were you together.
A week.
Wish i hadn’t asked now. Was that a full week.
Well a week is a week.
Not necessarily, it might have been Saturday, Sunday.
I suppose so.
So was it.
No, it was Wednesday, Saturday.
So technically it was four days.
If you want to be pedantic about it.
What about your relationship before that.
Eight days.
What’s your longest relationship.
Three weeks.
That must have seemed like a marriage to you.
Actually my wife died tragically.
I’m really sorry, that was insensitive of me.
Only kidding Sonya, she ran off with the window cleaner. The windows have never recovered.
My God, you’re a train wreck.
You want to be on that train, don’t you Sonya.
I do, i actually want to go out with you. Why the hell do i want to go out with you.
Well Sonya, if you don’t go out with me. Then one fine day you’ll marry this boring guy, and i’ll be at the back of your mind.
But in my mind, I’ve already dumped you.
Not necessarily Sonya, this could be a match made in heaven.
It won't be, I’ve already known you five minutes, and already you’re doing my head in.
Well that is a sort of a relationship, is it not.
I suppose so. I don’t even know your name.
It’s Paul.
Paul, did your parents not like you.
Do you see what you did there, Sonya.
*** i’ve become you, how the hell did that happen.
I’m not sure Sonya, maybe we shouldn’t go out together.
No we must, it’s like i need to go out with you for my sanity’s sake.
Okay Sonya, pick you up at eight tomorrow night...
Terry Collett Apr 2015
Sonya lay on the bed in the Parisian hotel room. It was a small room with an adjoining bathroom, a bidet and toilet, with French windows that opened out so one could see and hear the busy streets of Paris below. The windows were open and sounds came into the room with a summery warm air. She lay there in a blue skirt and  white blouse; her feet bare, her legs curled up in a fetal position; she wore nothing underneath, she seldom did; it gave her a sense of daring, of a hidden freedom. Benedict had gone out for cigarettes and a breath of fresh air as he called it. She had a book in her hands. Kierkegaard's Either /Or. Her favourite philosopher. He kept her mind fresh; gave her life a direction. She looked down at another book by her side: Benedict's Dostoevsky novel: Crime and Punishment. It had a page marker about half way through. She could have gone out with him, but she wanted time alone, time to reflect on her life at that moment. She lay her book beside her. She thought of her husband on business in New York and her two sons in boarding school and not due home until the present term ended. Her husband Erik knew she was going to Paris, but he thought she was going alone to research on her proposed book on Zola. Benedict was in Paris on vacation and having met Sonya in a wine bar near her home when Erik was away for the weekend and the sons at school, and after a deep conversation and feeling low, she and Benedict made love in her bed at home, and arranged the trip to Paris between them. Erik was a lousy lover who had become increasingly lousier, and they seldom had *** as he was always busy, and she not in the mood. But Benedict was different; he made *** exciting again, made the whole process something alive and daring, and not just a set out process of mild urges. She lay on her back with her legs out straight reaching for the end of the bed...Benedict bought cigarettes at a small shop in a side street and spoke in English as his French was almost non-existent. The woman who served him understood him well enough and they talked of London where she had stayed for six months few years before. He loved Paris. The whole city seemed alive and full of history and art and literature. No one knew him here; there was almost no chance of him meeting anyone he knew here or who knew Sonya. A sense of freedom invaded him. He and Sonya had had *** that morning and he needed to get out to buy cigarettes and breath in the Parisian air. She was an exciting lover; willing to explore different angles and approaches to ***. The night before had been one long episode of ****** games and experiences and moment of just laying there catching their breath and reading to each other from their own books, then *** again and again. And there was the factor that she wore no underclothes, so that when they went out to a restaurant, they both were aware of this factor, and he got a kind of kick knowing, and she got a thrill knowing that she was free, and walking out on a limb of acceptable behaviour and dress code...Sonya wished that Benedict would come back again soon. She wanted him, wanted to make the most of their time together, their days of freedom to be together, and eat and drink and have *** as often as they wished, and for as long as they wished, without fear her husband would be home at a certain time or that neighbours would see them together and tell Erik. She pulled up her skirt and lay there as if waiting the return of her lover, letting herself feel the freedom of laying so, of not having to worry about her husband walking in on her as he nearly did one late afternoon when she lay on their bed bringing herself to a poor organism...Benedict sat on a seat in a small cafe smoking and sipping from a coffee. He would return to the room after his coffee and smoke. Later they would go out for a meal, and see the city, and feel the history of the place about them. He knew it would come to an end in a few days, and she would be back with her husband and her boring life, and he back to his job, and in his own place sharing with others. Make the most of. Take to the limits. Explore and live and enjoy...Sonya wondered where Benedict was. She missed him being there if only for a short duration. Once their days together were over, and she back with Erik, it would seem like a dream, and her own regular life be one big bore. She ran her hands down her thighs. Sensed her fingers. Soft, smooth. Erik never explored her. He was a five minute and over and done with type. More like a mechanic than a lover. Benedict had taken her to places she had not been before, explored her and brought her to the point of bubbling over and out, leaving her feeling that she was empty and vacant, and yet so alive, and buzzing like a beehive...Benedict made his way back to the hotel room. The coffee had refreshed him; the Parisian air made him feel like a new man, a man of freedom, a man on the edge of a huge abyss, with his very life tingling with new excitement of the big dare. Sonya would be waiting for him, brimming like a *** on a  hot stove. He had released her of her hang ups and held in senses; had unbutton a new area of excitement, and sexuality and sensuality. And she in turn had opened up for him that arena of experience which he had only dreamed about in his tossing and turning nights at home... Sonya heard the door open. Benedict saw her laying there like Venus on a beach of blue and white and bare, a radio playing a Delius piece, filling the air, and he, Benedict, so alive, ready and waiting, and going there.
A COUPLE IN PARIS IN 1973 AND A ****** TRIP.
WS Warner Mar 2013
Prescient, her essence
Casts a demure persuasion,                
Endowed with verve and vision;
Concept to consummation,
The serenely possessed,
Creator, originator,
Allusion to the eternal azure,
Logos of abstraction,
Word and image collision.

Tonal palette of faith infused reason
Beauty and sublimity,
Serve to season
Verse, canvas and film,
Mediating aesthetic, seminal senses blossom,
Lyrical each permutation,
Seeds of vibrant chroma diffusing the mystical.

Visage and hair,  her figure haunted
With perfection - a work of Art
Nurtured and lived invocation,
The canon of taste;
Crystal for the *****
Devotional fragrance ,
Holistic ethos, melodic invention,
Animated, pure -
The embodiment of redemption.

Transcending form, parenthetically  
(Merely) the decorative,  
Allure, artistry and symmetry
Superlative complexity,
Her erudition satiates, supplanting
Winds of constructive banality.

Purveyor of an uncommon savor,
She collaborates in the peculiar
Pursuit and reward,
Encounter  with depth, explored,
Human and divine, prosaic meets sublime
Igniting within an Eros
Passion for truth, being and Telos.

Visionary of grace and peace
Transforming our earthbound dissonance;
Our caprice,
Hope and abundance, the myth of scarcity,
She narrates the Good.
Pen, lens, color and stage
Vulnerable, unrepressed, effusive
Romantic articulation,
The reservoir deep,
Innately primed conduit of Love.

Beyond plebeian, cosmetic, the trite
Woman of substance, pulchritude
And delight.
Effervescent - her smile exquisite,
Eclipsing suffering,
Wordless expression, understood language.
I am transported, my imagination replete,
Sonya Rose -
Art personified; unabridged, complete.

©2008 & 2013 W.S . Warner
Terry Collett May 2014
Sonya liked the Eiffel Tower,
the art galleries,
the Arc de Triomphe.

We met in a café
in a back street of Paris,
coffee, small cream cakes,
she smoking
her French cigarettes.

You have regrets?
She asked.

Most of us do,
I said.

When my father died
I regret things
I didn't say to him,
she said,
always the regrets,
and when Mother go
and leave,
I thought it was
because of me,
I regret not trying
to find her
when I was older,
she added.

I sipped the coffee,
taking in her blonde
pulled-back-in-a-tight-pony-tail hair,
her red lips,
opening and closing with words.

Regrets are useless things,
I said,
you can do nothing with them,
they change nothing,
don't make one
feel better, only worse.

She looked at me,
her steely blue eyes
sharp as blades.

One cannot choose
to regret or not,
it is there, like scar,
one cannot push out,
she said.

I regret having regrets,
I said,
if I counted up all my regrets
and could turn them
into coins I’d be a rich guy.

She inhaled on her cigarette;
her fingers were browning
where she held
the cigarette so often.

I regret my first boyfriend,
she said,
he wanted *** all the time,
like animal, always
the wanting *** *** ***.

I looked at the waitress
passing by the table,
tight black dress,
white apron
tight about her waist,
nice legs.

Yes, that can be a problem
I guess,
I said,
awkward on dates;
when or do you
get down to ***
on the second date
or third or not at all?

She sipped her coffee,
looked at me,
blue eyes to sink in.

Not have ***,
she said,
until both are ready,
until both agree
time is right.

I noted the waitress
pass by again.

Nice behind,
I thought.

Regrets,
Sonya said,
always there,
like sin,
once it bite into soul
hard to get out.

Yes, I guess so,
I said,
I've been in
the confessional more times
than a *****
drops her draws.

She flushed, looked away.
I put a hand
to my lips;
the things(regretted),
I thought,
I say.
MAN AND WOMAN IN PARIS IN 1973.
Terry Collett Aug 2014
We had been
to the Impressionist gallery
in Paris
been to the Tower
seen the views
had coffees
and seen street artists
and Sonya was wanting
to see an American film
at a cinema with sub-titles

I’m not keen
I said

why not?

I can see it
once back in the UK
without having to read script
on the screen
at the same time
watch the action
anyway seeing Clint Eastwood
speaking French
is off putting

she pulled a face
and went sat down
on a seat of some café
and I sat next to her

you always have to spoil things
she said
reading the menu
it's in French
she said

we're in France

so how am I to know
what to order?

point at it
and ask what it is

she looked at me
with her icy-blue eyes
she tossed back hair
from her face

I went with you
to the art gallery
she said
to see all those boring Impressionists
but you can't go with me
to see Clint

a waiter came up to us
and she asked him
if we could
have two coffees with cream
he nodded and smiled at her
and went off

he's ****

I didn't notice

had lovely eyes
dark and deep

he's a waiter and French
I said

I can imagine him
beside me in bed
breathing on me
with his breath

oniony and garlicky

she tapped my hand
jealous is what you are
she said

I don't want him
you do
I said

I didn't say I wanted him
I said I could
imagine him in my bed
she muttered

she looked around her
at the other tables

I looked at her profile
the curve of neck
the run of her jawline
her ear visible
through her blonde hair
momentarily
I felt like a vampire
wanting to sink
my teeth
into the soft flesh
of her neck
and **** her sexily

she looked back at me
you owe me
she said
having to go
to that boring art place

ok
I said
what do you want?

I want to see the film
with Clint Eastwood

ok
I said
thinking of the bed
and her
and do what I could
if she would.
A MAN AND WOMAN IN PARIS IN THE 1970S.
Terry Collett Jun 2014
Sonya spoke
of Kierkegaard.
I sat enthralled,
not by the Danish philosopher

or his philosophy,
but by her,
the way she sat
outside the Parisian café,

her long blonde hair,
her blues eyes
like deep fires,
awaking

my ****** desires,
the way she waved
her slim hand.
She was eating

her second croissant.
I liked the way
she licked
her fingers after,

each one
at least twice,
as if they
were small penises

waiting in turn
to be done,
one by one.  
She sipped her coffee,

licked her lips.
I studied
her small ****,
firm and tight,

waiting to be touched
or ******.
She spoke
of Kierkgeaard's books,

of the leap of faith.
I thought of her
secret garden
waiting to be dug

and ******.
I sipped coffee,
held it on my tongue,
around my mouth,

savouring it all,
the taste,
the warmth,
the slight bitterness,

sweetness,
each in turn.
She spoke of
Fear and Trembling,

Either/Or,
The Sickness Unto Death,
and other books
he'd written,

that Kierkegaard guy,
while I sat there,
drinking her all in,
hair,

eyes,
**** and hands
and fingers
licking and *******,

while sat dreaming
of bed and her
and digging
and *******.
A ****** ENCOUNTER IN PARIS IN 1973.
Terry Collett Oct 2014
Sonya posed
by the Eiffel Tower

I had my box
Brownie Cresta camera
I took a photo or two
trying to get her in focus
bring in the Tower
behind her

she smiled
and put her hands
on her hips
as dames do

her blonde hair
was bunched
behind her
in a ponytail
her face looked drawn

afterwards we went
for a coffee
at some bar
down by the Seine

and she sat there
with one leg
over the other
the foot dangling

I sat opposite
******* through
the French money
looking at the notes

you should read
Kierkegaard
she said
leave Nietzsche
to the Germans

I prefer Nietzsche
he's more realistic
I said

Kierkegaard
is more religious
and more positive
she said

the waiter came
and we ordered our coffees
and he went off

Kierkegaard
is Danish like me
she said

not so good looking though
I said
and he's been dead
sometime

she lit up a cigarette
and offered me one
I took and lit up
and inhaled

there's something
about Paris
I like
the atmosphere
the way these people
just live here
all this history
all the art
I said
as I exhaled smoke

cultural capital
of the world
she said

I listened
as she went on
about this artist
and that
and who did what
and when

as she spoke
the waiter returned
with our coffees
and went off again

I sipped mine
remembering her
coming out
of the bath
the night before
like some Venus
all stark and bare
shaking her head
letting loose
the water
from her long
blonde hair.
A COUPLE IN PARIS IN 1973.
Terry Collett Jul 2014
Sonya was in a mood
because it was raining
and we were in Paris

the hotel room
looked out
on the Parisian streets
wet and shiny
people passing by

she at the window moody
I on the bed
reading Dostoevsky

we should be out there
she said

well go out there
I said

it's wet
my hair will look terrible
why does it rain
while we're here
on holiday?

maybe the rain didn't know
we were on holiday

funny
she said sulkily

I glanced over at her
standing there
by the open window
arms folded
her red shorts
and pink top
long legs

we can go out
once it stops

I want to go out now
she turned
and stared at me
how can you read a book
at a time like this?
and a Russian book too

it's about a guy
who murders
a couple of women
I said

and I’m supposed to care?
she looked at the streets again
hissing at the rain

the book takes you
right there
makes you feel
like you witnessed
the murders
like some snoop

**** the rain
she said

when I read
Solzhenitsyn's book
about a day
in a labour camp
in Russian's cold
and snow and such
I felt I was actually there
I said

she leaned out the window
and put one
of her hands out
think it's stopping

I felt I knew
the main character
in the novel
like an old friend

I want to go out now
she said

I closed the book
and sat
on the side of the bed

she came away
from the window
arms still folded
eyes blue and stern
and hair fixed
into a blonde
pony tail

we had good ***
the night before
but that's
another tale.
MAN AND WOMAN IN PARIS IN 1973
Terry Collett Jun 2014
Sonya loved Paris
loved the cafés
the streets
the Tower

the people
the ideas
the artists  
and we stood on a bridge

looking
at the river below
she dressed
in that pink dress

with patterns
her blonde hair
in a pony tail
her blue eyes

drinking in
the scene  
we'd just been
to the art gallery

and studied
the Impressionist painters
Monet is my favourite
she said

I could drink him in
all day
the way he paints
soothes me

and at the same time
stirs me up
I was dressed
in pink flared trousers

and white
open necked shirt
with the sleeves
rolled up

I like Van Gogh best
I said
his passion touches me
we moved off the bridge

looking for a café
for a coffee
Vincent drove himself mad
with his search

for truth
she said
too uptight for me
too deep and dark

we found a café
and sat outside
and ordered two coffees
we lit cigarettes

and smoked
and talked more
she about Kierkegaard
the philosopher

and Either/Or
I sat watching her
taking in her hair
the way

she moved her jaw
as she talked
the fine lips
her eyes

that Vincent
would have loved
and how
the night before

we lay in bed
looking out the open window
at the Parisian sky
and the moon

and us and ***
and wanted then
to be back there
all too soon.
MAN AND WOMAN IN PARIS IN 1973
Terry Collett Feb 2015
Sonya sleeps
I watch her
laying there

beside her
the moonlight
highlights her

pale features
we'd made love
more than once

now she sleeps
solo dreams
I'm awake

watching her
wondering
whom she loved

before me
she doesn't
speak of one

in her past
maybe I'm
the first one

whose made love
to this dame
maybe not

just unknown
just out there
another

in his arms
but I'm here
watching her

as she sleeps
the hot ***
simmering

on my skin
as she dreams
her hot ***

deep within.
A MAN AND WOMAN AND LOVE IN 1973.
Terry Collett Jan 2014
Sonya likes
Paris streets
dark cafés

black coffees
cigarettes
those French ones

she likes nights
with wet streets
like oil slicks

those artists
selling cheap
second hand

Picassos
or such like
but mostly

she likes ***
between sheets
in back street

hotel rooms
with windows
with shutters

listening
to a cheap
transistor

radio
some French dame
singing of

a lost love
as she feels
Benedict

kiss each inch
of her flesh
his warm lips

and wet tongue
slide along
her soft groove

the outline
shadowy
of his ****

rise and fall
as they ride
the wild waves

of hot ***
between sheets
Sonya loves

Paris streets.
Gunga peas calypso
Madly
in my cooking ***
gradually I pour canned coconut milk
into the swirling flavors
of cilantro, garlic and onions


Staring into the rich brown
stew
I can see my Mother grating
coconut meat and hand squeezing
the milk like teats from a cow
(Too much work for me)
creating a traditional coconut rice and peas
dish


She was raised on a farm in St. Elizabeth,
Jamaica
early hours, rugged, hard labor were natural
for the family which included nine siblings
Pauline was a kind big hearted Soul
with ample soft *****
perfect for children
to lay their heads upon
and skin that always seemed
to smell of curry


Burnt sienna Indian complexion
wavy black river hair
and colorful patois accent
painted a portrait
cavorting over the dandy, rolling
goat hooved hills of
Jamaican village peasantry


The Moravian church of England formed
beliefs woven inextricably through
the fabric of her simplistic
innocent existence
our Mom instilled a love of
God in us that was pure and hearty

"Sonya stop your daydreaming"
my Mother's clarion voice interrupts
my avid reverie

"Bumba!" I cry aloud
"I haven't had bammy in eons"

Quickly my fingers Google
Another tasty native recipe

chock full of memories
and cassava root
David flew into my bedroom
light blue eyes flashing excitement

"Sonya ki," he gushed

"We are now the proud parents
of a newborn baby pineapple!"

For two years David fathered
and diligently nurtured the
pineapple cutting from
the Yoga ashram

Cooing, lullabying,
coaxing, fertilizing

I threw on my sandals
and dashed into the
bucolic nursery

There peeking up at us
it's amber pink body
swaddled in spiky
leaves
was our own little
darling pineapple
Terry Collett Mar 2015
Sonya talks
endlessly
her Danish

stark beauty
saves her from
boring me

to no end
the Wagner
opera

in London
had gone well
a good meal

and fine *****
then back home
to her place

a ****** of
Delius
then it's bed

lying there
after ***
she talking

of the art
of being
what we make

of ourselves
from our birth
to our graves

I'm thinking
of the dame
singing loud

in Wagner's
Das Rheingold
how her *******

stole the show
as they say
the show's not

over till
the fat dame
sings her last

ending note
then Sonya
talks no more

and we lay
down in bed
to make love

with Wagner's
opera
going round
in my head.
A BOY AND GIRL IN 1973 AFTER A DAY OUT.
The morning was fresh
The morning was new
Oh how I longed
For my sister that is you

When shall our day come
Our day of togetherness
And happiness

I miss you dearly
My lil bundle of joy
Om Sai Ram Dear Family

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Sai Blessings,

Sonya Ki Tomlinson
Terry Collett Apr 2015
Sonya sips
the white wine
I sip beer

we'd just seen
Das Rheingold
by Wagner

in London
she is blonde
and quite tall

and Danish
what you think?
you like it?

she asks me
yes I did
very much

I reply
I’ve seen all
of Wagner's

Ring cycle
but not in
the order

he composed
why is that?
she asks me

how over
the four years
I’ve seen them

I tell her
she sips more
of her wine

I light up
one of my
cigarettes

and inhale
you know who
Jesus Christ

really was?
she asks me
Son of God

so they say
I reply
no she says

He was God
existing
as a man

with all man's
frail limits
in body

and in mind
Son of God
I tell her

not at all
God himself
no second

close person
just himself
being man

for a short
duration
in our sad

history
of being
then why come?

I ask her
just to be
to try out

our frail case
not to judge
or redeem?

I ask her
to judge what?
redeem whom?

He came to
act out His
acting role

in His own
sad drama
she tells me

Nietzsche said
God is dead
I tell her

so He is
we killed Him
she replies

looking past
her blonde hair
at the bar

I see Christ
beard and all
sitting there

drinking wine
preparing
so it seems

to fine dine
with some dame
dressed in red

alive still
in His role
as actor

and not dead
as is said
but Sonya

doesn't see
and sips wine
and I say

nothing more
but listen
to the tide

of the sea
on a far
away shore.
ON A VISION OF CHRIST AT A LONDON BAR IN 1973.
Terry Collett Dec 2013
Sonya in the moments free
of serving the customers
leaning on the serving bench
dark brown eyes

on you
her dark hair
pinned back
said she liked

Mahler’s 4th best
O so exciting
so full of the life
you preferred

the 5th or 2nd
but she said
no no too deep
too long

life is for living
not dozing
to long symphonies
she preferred Kierkegaard

to your Nietzsche
liked his leap of faith
his books on God
and such

you liked her mouth
small
like rose petals
stuck together

her ears visible
and so lickable
(if ever permitted
to do so)

that Nietzsche
she said
went mad
think it

was the pox
stuck his *****
in some *****'s hole
she stopped to serve

a customer
all smiles
and politeness
that butter

wouldn't melt
in her mouth
kind of thing
you carried paint

up from the basement
and shelved it
in colour order
thinking of her

laying in some bed
Mahler's 4th
blaring out
she putting chocolates

one by one
into her small mouth
and licking
her fingers

afterwards
so sexily
one leg
slightly lifted

the other flat
and you imagined her
yakking off
about the Kiergegaard guy

her other hand
not stuffing chocolates
in her mouth
resting over

her ***** hairs
you read Dante?
she asked
having served

the customer
with a smile
and politeness
yes the Purgatory

you said
that is where men belong
she said
unless they take

the leap of faith
she leaned
on the serving bench
eyeing you deeply

what you thinking about?
she asked  
how well you serve
the customers

you lied
thinking of her lips
pressing against yours
her tongue meeting yours

in her mouth
of her body
her hair
her eyes

that is why
I am here
to serve
she said

but she was serving you
differently
inside
your young man's head.
Terry Collett Sep 2014
Sonya was reading
some Kierkegaard book

I was reading Dostoevsky
both laying on the bed
in a cheap hotel in Paris

the window was open
street sounds outside
traffic
people
snatches of conversations

want to go out
for a coffee?
I asked

if you're paying
she said

I paid last time

she turned a page
you're the male
you're supposed to pay
she said

I put down the book
and looked up
at the ceiling
I thought this was equal time
for women
woman's rights and all that?

what's that got to do with it?

equal paying of bills
I said

she sighed
and put down her book
you always
have to make arguments
always have to see things
so **** black and white
she said

do you want coffee or not?
I said

she turned over
and away from me
her backside
just about cover
by her tight skirt

why do women
have to sulk
when things
don't go their way?

who said
they're not going my way?

your **** says so

what's the matter
with my ****?

it isn't so pretty
as your face

she turned back to me
and gazed at me
it's always either or
with you isn't it?
she said

you've been reading
too much Kierkegaard
I said

you want *** again?

I looked at her lips
her *******
her eyes blue
as washed out blue can be
sure if it's on offer

well it won't be
if you keep on
with this equal thing
she said

you like ***?

she frowned
yes of course

well I do too
so that's equal
so what's the problem?

she lay back down
on the bed
I’ll have black coffee
and I’ll pay
she said
but you get the food

I smiled
OK if that's
what you want

can we go see
some art afterwards?

sure
I said

she kissed me
and I kissed her
and coffee was forgotten
as we decided
to rock
the cheap old bed.
MAN AND WOMAN IN PARIS IN 1973.

— The End —