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Ivan Brooks Sr Feb 2018
In my poverty songbook, I wrote
Fear nothing but to do some wrong
Yet I wrote nothing about being broke
All because poverty made me strong.

From birth, I've sung the poverty song
It's about a unilateral fight against poverty
I know the road to the summit is long
I'll rest at nothing until I dwell in prosperity.

There's a verse in the book about perseverance
It's the main reason for which I wrote the song
In there I thanked God for His grace and Providence
For it's within his grace where we all belong.

In my poverty songbook, I left out a lot of things.
There ain't a single verse about laziness and self-pity.
I instead included a request for a Timberland and wings
These two I'll need to get about and do my hustle duty.

IvanBrooksPoetry©️
The quest to escape poverty is the reason people like me made it...I used it as a yardstick and a prism.
Michael R Burch Apr 2020
Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. Her bio appears after her poems, and it is a fascinating bio...



Temple Hymn 42: an Excerpt

to the Eresh Temple of Nisaba
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns, Gishbanda, Ningishzida



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.



Untitled Heresies: The ur Poems

& GAUD said, “Let there be LIGHT VERSE
to illuminate the ‘nature’ of my Curse!”
—michael r. burch

reverse the Curse
with LIGHT VERSE!
recant the cant
with an illuminating chant
,etc.
—michael r. burch

Can the darkness of Christianity with its “eternal hell” be repealed via humor? It’s time to recant the cant, please pardon the puns.

if ur GAUD
is good,
half the Bible
is libel.
—michael r. burch

Christianity replaces Santa Claus with Jesus, so swell,
and coal, ashes and soot with an “eternal hell.”
—Michael R. Burch



day eight of the Divine Plan
by michael r. burch

the earth’s a-stir
with a GAUDLY whirr...

the L(AWE)D’s been creatin’!

com(men)ce t’ matin’!

hatch lotsa babies
he’ll infect with rabies
then ban from college
for seekin’ knowledge
like curious eve!

dear chilluns, don’t grieve,
be(lie)ve the Deceiver!

(never ask why ur Cupid
wanted eve stupid,
animalistic, and naked.)

ah-men!

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn
Still Crazy Jun 2015
~~~

Happy Father's Day, God in Heaven!
(A Continuing Dialogue)


~~~

wonder if I am the first,
even the last,
to wish a deity,
happiness based on a human construct

but feeling groovy with you,
meaning we ride sums of the same
curves and the lines, grooves,
connecting holes in the palms of
our hands

ya see,
got some familiarity
with
fatherhood...
and all that entails

the balance of imbalance,
it's tough I know,
load-bearing children,
leave ten ton scars,
but don't expect no
tea and sympathy from me

you and I,
we have our beefs,
and by the by,
master of the universe,
nothing has changed between us,
just saying, for the record,
ya know, for our inscribed
bible personal with our own bible argumentative stories privé

a human has no right to offspring,
but off they spring,
when the '**** dam’ springs a leak,
and them kids then spend
their lives.
saying yes and no
in light speedy abundance,
or worse!
ugh

...whatever...

if
they respondez
to whatever you suggest-see

rebels even when
they hug you
around the knees,
all knowing we papis (poppys)
fully, way in advance,
that in their supposed adulthood,
children will curse and bless you with
the equality principle
of self-righteousness and I know everything

Let us think upon it....

somewhere in the world,
it is a sabbath,
your citizen-creations
are beheading and burning
each other, Papa,
in your name,
so Happy Father's Day...

I mean,
really, that must be tough,
so it's perfectly clear
why you created free will,
all parents need a way to
walk away sometimes from
the children's choices

somewhere in the world,
it is a sabbath,
billions sending you a
litany of liturgy, a sweet songbook
in so many languages,
the simultaneous translation machina
must get overheated,
all those human claques submitting
liar loans applications

the backlog must be
eons in length

you see,  I am,
muy simpatico

of fatherhood,
what is my expertise?

a fair question
from one who provided
us the classic excuse,
"that's so not fair"

two sons have I,
a Cain and Abel,
so in this, expertise,
we've trod familiar ground

but this be about us pops,
not about how our embodied creatures,
bent and beautiful,
sending us formalities of video thanks,
should they remember or be bothered

maybe we should institute
greater frequency
of celebratory notifications,
making it easier for all of us
to forget,
lessen the guilt, the ache,
for it's more convenient, easier
to be overlooked,
with familiarity

nah,
I am not a complaint
in human guise,
not much, anyway,
and don't you fret,
I got you
a Father's Day present

as appealing as it is,
atheism in me won't take root,
cause I look forward to giving you
holy hell, next we meet
it's so richly deserved
so maybe I'll repost this in a year,
or maybe, I’l be close enough
to whisper this in your ears,either way, come hell or
high water,
Meus Pater,
you can bet your last bitcoin or
anything you might value,
I'll be bugging you,

(cause I'm
still crazy after all these years,
from standing upright,
on one left foot,
showing the world the poetry
of your world)

so tween us, I wish us
a Happy Father's Day
*best wishes
https://en.m.wikipedia.org/?title=Father's_Day
just one of our prior conversations:

A Personal God - Wailing and Complaining
for my friend, AJB, mother, artist

why
would anyone believe in invisible...
coordinator of billions of trillions
of interactions daily,
the microscopic
the telescopic

at what level
is there intercession
where is the
intervention,
rhymed reasoning of
impoverishing failing-me inadequate comprehension

so here I am
at 4:00 am
wailing and complaining
not so much at life's happenstance,
not even a foolish why me uttered,
talking to invisibility,
demanding culpability
at the very least
an apology

by that act
admitting the fact
that in conversation with parties
invited and drop-ins welcome,
in the silence sewn
in the residence permanent
of my mind's lobe of disquietude

logic forgone,
I am a believer,
no understanding
nor forgiving
at the illogic
of my tragedy
mine,
not so divine,
wailing and complaining

this my diatribe
knowing your silence
is a listening signature,
my complaining and wailing
my curse my blessing,
my transmitting frequency
of a multivariate equation
demanding a solution

too busy mastering the universe?
your data base
endless and unfathomable
file this under
audios of
YouTubes of
complaining and wailing,
hoping you cleanse yourself
with a good long listen
K Balachandran Feb 2015
You still are my blue jay of yore,
the songbird on the low branch
of the evergreen tree under which
I pitched my tent till my thirst was quenched
by your arias in blissful altisima poured in to my soul.
Your songs steadfastly refuse
to go down with time like leaves that wither and fall
those immortal moments, you gifted
did flow in to the blue ocean of time
where i float, refusing to  be beaten down by waves.
Those notes by sheer power of infused spirit
of your heart, make me still buoyant, I am indebted,
your song book,  in gold is engraved,  in my heart.
One journey continues, unmindful of every change,
through planes of timeless nature where we are one
defying rules man made, and imposed by mind.
We are two pure notes of music that fly, up and above
merge with the sonorous primordial hum of divine.
beyond   mystery-plane     subtle    union
Michael R Burch Apr 2020
The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



The Exaltation of Inanna: Opening Lines, an Excerpt
Nin-me-šara
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

Lady of all divine powers,
Lady of the all-resplendent light,
Righteous Lady clothed in heavenly radiance,
Beloved Lady of An and Uraš,
Mistress of heaven with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess,
Powerful Mistress who has seized all seven divine powers,
My lady, you are the guardian of the seven divine powers!
You have seized the divine powers,
You hold the divine powers in your hand,
You have gathered up the divine powers,
You have clasped the divine powers to your breast!
Like a dragon you have spewed venom on foreign lands that know you not!
When you roar like Iškur at the earth, nothing can withstand you!
Like a flood descending on alien lands, O Powerful One of heaven and earth, you will teach them to fear Inanna!

Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns
Michael R Burch Apr 2020
Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



Temple Hymn 15

to the Gishbanda Temple of Ningishzida
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain
like a mother's womb ...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying ...

Though approaching through a safe-seeming field,
our hair raises as we near you!

Gishbanda,
like a neck-stock,
like a fish net,
like a foot-shackled prisoner's manacles ...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's holy one,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt

to the Eresh Temple of Nisaba
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn
Robert Ronnow Aug 2015
blueberries gasoline and prostate gland
breast cancer Wonderbread and pacifier

controlled experiment space travel and honey
peanuts inductive reasoning and electricity

tornadoes torture chamber and biscuits
copyright car radio cantaloupe

golden eagle lunch break tomato
Romanian songbook rhubarb and barbed wire

always hungry nevermind meat loaf
goosefoot mango juice Ipad

mosquito bite city street and broccoli
Chinese cabbage female *** drive water sport

pure contralto goat yogurt new year
black death white light and green tea
www.ronnowpoetry.com
Michael R Burch Apr 2020
Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. Her bio appears after her poems, and it is a fascinating bio...



Temple Hymn 15

to the Gishbanda Temple of Ningishzida
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain
like a mother's womb ...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying ...

Though approaching through a safe-seeming field,
our hair raises as we near you!

Gishbanda,
like a neck-stock,
like a fish net,
like a foot-shackled prisoner's manacles ...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's holy one,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains!...



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



Lament to the Spirit of War
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



The Exaltation of Inanna: Opening Lines and Excerpts
by Enheduanna, the daughter of Sargon I of Akkad and the high priestess of the Goddess Inanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady adorned in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her own high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting the unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day became favorable to Her.
Clothed in beauty, radiant with joy,
she carried herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!



Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history and the first known author of prayers and hymns. Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. She was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement. Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. And she was the first editor of a poetry anthology, hymnal or songbook. Now known as the Sumerian Temple Hymns, this was the first collection of its kind; indeed, Enheduanna so claimed at the end of the final hymn: "My king, something has been created that no one had created before." And poems and songs are still being assembled today via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as she made Inanna the supreme deity. Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Nanna, Inanna, Ur, Sumerian temple hymns, Gishbanda, Ningishzida



The Love Song Of Shu-Sin
(the earth's oldest love poem, Sumerian, circa 2,000 BC)
loose translation/interpretation by Michael R. Burch

Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.
Darling of my heart, my belovéd,
your enticements are sweet, far sweeter than honey.

You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!
You have captivated me; I stand trembling before you.
Darling, lead me swiftly into the bedroom!

Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!
In the bedchamber, dripping love's honey,
let us enjoy life's sweetest thing.
Sweetheart, let me do the sweetest things to you!
My precocious caress is far sweeter than honey!

Bridegroom, you will have your pleasure with me!
Speak to my mother and she will reward you;
speak to my father and he will award you gifts.
I know how to give your body pleasure—
then sleep, my darling, till the sun rises.

To prove that you love me,
give me your caresses,
my Lord God, my guardian Angel and protector,
my Shu-Sin, who gladdens Enlil's heart,
give me your caresses!
My place like sticky honey, touch it with your hand!
Place your hand over it like a honey-*** lid!
Cup your hand over it like a honey cup!

This is a balbale-song of Inanna.

This may be earth's oldest love poem. It may have been written around 2000 BC, long before the Bible's "Song of Solomon, " which had been considered to be the oldest extant love poem by some experts. The poem was discovered when the archaeologist Austen Henry Layard began excavations at Kalhu in 1845, assisted by Hormuzd Rassam. Layard's account of the excavations, published in 1849 CE, was titled Nineveh and its Remains. Due to Nineveh's fame (from the Bible) , the book became a best seller. But it turned out that the excavated site was not Nineveh, after all, as Layard later discovered when he excavated the real Nineveh.

As a surrogate for Inanna, the bride's mother would be either Ninlil or possibly Ningal, both goddesses.

As a surrogate for Inanna, the bride's father would be either Enlil or possibly Suen, both gods.

Shu-Sin was a Mesopotamian king who ruled over the land of Sumer close to four thousand years ago. The poem seems to be part of a rite, probably performed each year, known as the "sacred marriage" or "divine marriage, " in which the king would symbolically marry the goddess Inanna, mate with her, and so ensure fertility and prosperity for the coming year. The king would accomplish this amazing feat by marrying and/or having *** with a priestess or votary of Inanna, the Sumerian goddess of love, fertility and war. Her Akkadian name was Istar/Ishtar, and she was also known as Astarte. Whichever her name, she was the most prominent Mesopotamian female goddess. Inanna's primary temple was the Eanna, located in Uruk. But there were many other temples dedicated to her worship. The high priestess would choose a young man who represented the shepherd Dumuzid, the consort of Inanna, in a hieros gamos or sacred marriage, celebrated during the annual Akitu (New Year)ceremony, at the spring Equinox. The name Inanna derives from the Sumerian words for "Lady of Heaven." She was associated with the lion-a symbol of power-and was frequently depicted standing on the backs of two lionesses. Her symbol was an eight-pointed star or a rosette. Like other female love and fertility goddesses, she was associated with the planet Venus. The Enlil mentioned was Inanna's father, the Sumerian storm god, who controlled the wind and rain. (According to some god/goddess genealogies, Enlil was her grandfather.)In an often-parched land, the rain god would be ultra-important, and it appears that one of the objects of the "divine marriage" was to please Enlil and encourage him to send rain rather than destructive storms! Enlil was similar to the Bible's Jehovah, in that he was the supreme deity, and sometimes sent rain and plenty, but at other times sent war and destruction. Certain passages of the Bible appear to have been "borrowed" by the ancient Hebrews from much older Sumerian texts such as the Epic of Gilgamesh. Such accounts include the creation myth, the Garden of Eden myth, and the myth of the Great Flood and a mankind-saving ark. However, the Hebrew scribes modified the accounts to suit their theology, so in the Bible there is only one "god" who controls everything, and thus behaves like an angel at times and like a demon at others. And that is understandable if one posits that one god controls the weather, since earth's weather is unpredictable and at times seems like a blessing and at other times like a curse.

Keywords/Tags: Enheduanna, Poetess, Sumer, Sumerian, Akkad, Akkadian, Saragon, Ur, High Priestess, Hymn, Hymns, Hymnist, Psalm, Psalms, Psalmist, Prayer, Prayers, Lament, Lamentations, Goddess, Nanna, Inanna, Ishtar, Astarte, Aphrodite, Sauska, Ornament of Heaven, mrbtr, mrbtran, mrbhymn
Robert Ronnow Aug 2015
You may feel about the planet what
you feel about a great baseball team or band:
that once there was a moment when, unknown
to us at the time, we convened
and lost and found ourselves in what we created.

Who should I thank for this day?
A fresh-mown lawn is a robin's repast.
A bear a black bear a rolling delicately dancing
graceful as silence sailing through the ferns and understory
unafraid and in no hurry.

My musician referral service, vacation rental business,
nonprofit management system, plant identification database,
great American songbook and anthology of poems. Coach says
in a thousand years back and forth games like lacrosse and soccer
will be played against genetically engineered primates

but baseball will be played solely by humans.
In a thousand years, amen.
www.ronnowpoetry.com
Grame Rabbit Mar 2015
Attentive student of the songs of birds,
    No beakèd beast hath e'er more sweetly trill'd
A pair of notes or call'd in major thirds
    Or minor with musicality more skill'd.
Adaptive linguist, practic'd in the tongue  
    Of wingèd feather'd creatures, thou hast writ
Into "The Birdsong Songbook" songs unsung
    By birds which yet harmoniously fit.
And though the book began in higher throats
    Diversely tun'd by Nature's artful hand
Ere measur'd were the times and tones of notes,
    (Which often rest them now upon a stand),
Its finest lines (o'er which I now do rave)
Witness thy penmanship on every stave.

^ ^
nivek Jan 2015
filled with the voices of a thousand chirrups
how I love brother Starling
he has the songs of eternity
Nat Lipstadt Oct 2016
~for bd~

there is a well in our backyard,
a cooperative well of sorts,
for the water source is a
earth stream deep, an east-west latitudinal,
attitudinal canal,
well traversed, intercontinental and interoceanic,
belonging to no one, free to those who
drink with their eyes

given its diversity,
it's salty sweet earthy soiled provenance,
strike me strange, strikes me well,
its fiercest flavor is its
mundanity,
the plainest cool of tasteless, clear, fresh water,
so easy taken for granted

but therein lies the rub,
for the mundane is the gold vein,
from which we mine our greatest stories,
the best crumbs,
the mineral origins of our words,
to capture the gift of needed inspirational,
for our daily living hymnal
songbook

the aging parental care-taking
wisely and sadly seceded,
the golden child learns lessons of
illness and passing, renewal and replacement,
how to mourn and how to love anew,
when one pet goes, and another comes to
roost and roam in his youthful heart,
and a lover ages and so does she,
for tandem is the ever-changing, graying color of their
fierce attached tenacity

a professor supervises the household management,
grading student papers, grading life,
secretly writing love paeans to celebrate
what it's all about, the visible so oft ignored,
recorded, recored, reordered,
in the observatory of
bed crumb starry words

I,
a stranger never to be seen,
a million miles from the scene,
smile and weep, loving the shallow for its deep,
finding amazement in the complexity
that only humans have the capacity to commit,
all of us captains of the capital we store,
in the small hallmarks of every day living,
and in an overdue,
catchup e-transmission,
a well wish comes true,
a poem born,
a kindness to myself,
the best gift of and to,
those who are both,
well,
friends and strangers

who remind us that hope too,
is a
well

~~~~~
The Message

Hello Natty man....we are all well...but it has been a busy and difficult year, Mum finally went into residentail care, very busy at work, the golden boy grows in leaps and bounds, my surfer dude grows more grey hairs as do I....sadly there has been a shift change in the demigods of the house the little blue cat, got sick (bowel cancer)...and after much heartache..we made the decision to let him go with dignity and he was put to sleep...We are now presided over by a little tuxedo boy (still a devon rex)....whose energy is sometimes insurmountable....he and the golden boy have bonded....*

hope all is well your end
Take care...and be kind to you
I read a message, I write a poem...
Bardo Aug 2023
< So how far back can you go then ?
How far down the Rope of Songs can you go ?
You were a Rocker weren't you, you liked Rock n' Roll
In the 80's you had a Walkman, you'd be listening to tapes and songs on the radio
You also wanted to be a drummer once, you loved the power and energy there
But what about the early days though, I'm interested particularly in the early days
How far back can you go I wonder
Yea! How far back and what memories do they bring up ? >

Back in the 70's watching Top of the Pops every Thursday evening on the BBC, essential viewing
With its exciting Whole Lotta Love intro
It was something exciting, thrilling
Waiting to see your favourite Band
And to see the Charts, how they were doing
In the Seventies there was Glam Rock, my eldest brother and me we were always arguing and fighting with one another, sibling rivalry I suppose
If he supported United then I'd have to support City...silly stuff
He liked the band Slade whereas I liked...I supported Marc Bolan and T-Rex
Solid Gold East Action I really liked that song
It was very fast, he rarely did fast songs Marc
Telegram Sam..."you're my main man"
Metal Guru..."is it true"
Twentieth Century Boy..."I wanna be your toy"
The hair on your neck would stand up when he'd come on...
Slade were good though, secretly I liked Slade too, they had great songs
*** on feel the Noise/ Girls grab the boys..
Coz I luv you...Mama we'er all crazy now...
Skweeze me Pleeze me "You know how to squeeze me..."
But there were lots of other good bands and so many great songs
We used to play cards for small money...pennies, a series of different card games, and we'd put on records while we played
We even learned to play Chess and we started a Chess League between us,
We'd always listen to the music as we played.

The Sweet's "Blockbuster" with its intro of police sirens, it spent about 5 weeks at No.1 in the UK Charts...
It reminds me of...of Fish that song...Fish on Fridays, we used to have fish every Friday, I didn't like fish there was bones in it
I wouldn't eat it then Mam would get angry
One time she took a mouthful of my fish trying to prove there were no bones in it
Then suddenly she started to cough and splutter and choke
A Bone had actually got caught in her throat
I thought it was my fault, I thought I'd killed her
She had to go to hospital to get it out
I was going to tell her "I told you the fish was dangerous"
That memory just came back to me when I thought of that song and that time

Yea! I liked Marc Bolan and T-Rex, songs like Metal Guru, Twentieth Century Boy
I remember I didn't like the lyric "Twentieth Century Boy/ I wanna be your toy"
It sounded silly to me that lyric, I suppose I wanted things to make sense
And when he did that song "New York City" with the lyric
"Did you ever see a woman coming out of New York City with a frog in her hand"
I thought then he was maybe losing it a bit
< You...you were a very serious child then weren't you ? >
I suppose I was...like a lot of children are...maybe I just wanted things to make sense.

< I'm interested in the early days, even the very early days and the memories you have
How far back can you go ? What about the funny novelty songs ? >
Chuck Berry had a No. 1 with "My Ding a Ling" playing with his Ding a Ling, we all thought it was very funny
Stayed at No. 1 for several weeks
"Gimme that thing, gimme gimme that thing (or Ding)" was another funny song
"Mouldy Old Dough" by Lieutenant Pigeon a keyboard song with the constant refrain of just "Mouldy Old Dough"
Cat Stevens had a song "I can't keep it in/ I gotta let it out/ gotta show the world..."
Novelty songs were important, they'd interest even your parents
They'd pass a comment "Ha! Ha! That's a funny song"
< And there were sad songs too, weren't there, really sad songs ? >
"Billy don't be a hero don't be a fool with your life" by Paper Lace about a young bride trying to talk her young fiancee out of going off to war, he doesn't listen and never comes back, he gets killed
The Government sends her a letter, she throws it away...
"Seasons in the Sun" by Terry Jacks, 'Goodbye Michelle my little one/
We've known each other since we were nine or ten/ We climbed hills and trees skinned our knees...ABC's / O! Michelle it's hard to die when all the birds are singing in the sky..."
You'd nearly be in tears listening to it.
We used to buy Top of the Pops compilation records with lots of hits on them
Sometimes Mom would like a song, 'Stay with me' by the band Blue Mink
"Stay with me, lay with me/ Love me for longer..."
Always reminds me of my Mom that song
'Killing me softly with your song' Roberta Flack was another
'Tie a yellow ribbon round the old oak tree..."
At school every Friday the teacher would have a spelling test, I used win it a lot, I was good at spelling
The teacher used to give some sweets as a prize, I used bring them home to my Mum.

The Eurovision Song contest (all the European countries would put forward a song), I remember being let stay up to watch Abba win in 1974 with 'Waterloo'
In their fabulous outfits...they looked like Stars, Giants to us, Norse legends from Sweden.  They were amazing!
And what about our own Dana, the young Irish girl from Derry who won the Eurovision for Ireland for the first time with 'All kinds of everything...remind me of you"
I was too young to be allowed to stay up to watch that one
But you could probably hear the adults shouting for Joy from the room below
Happy Nay amazed to see one of our own having done so well, being recognised, flying the flag for Ireland
And then there was seeing Thin Lizzy playing 'Whiskey in the Jar' on Top of the Pops, the first Irish Rock band ever to appear on the show
It was so exciting watching them on our old Black and white TV...an Irish Band one of your very own up there on the World stage
And what about Gilbert O'Sullivan from Waterford I think reaching No. 1 in the Charts with his lovely song 'Clair'
We thought it was a love song but at the end it was revealed it was in fact about a little girl he used babysit for...so sweet.
We used to get comics and magazines secondhand, bought at jumble sales (remember jumble sales)
There was a music magazine for young kids, mainly for girls I think
It was called 'Jackie', there'd be a few in our bundle
They'd have big pictures of all the current hearthrobs
Donny Osmond, David Cassidy, the Bay City Rollers
The young fans would go crazy for their idols
I remember Donny Osmond singing Puppy Love and his version of The Twelfth of Never...
"I'll love you till the bluebells forget to bloom
I'll love you till the clover has lost its perfume
I'll love you till the poets run out of rhyme
Until the Twelfth of Never/ And that's a long long time"...
They were beautiful words about loving, a forever love
And Baby I love you by The Ronettes "Baby I love you/ I love everything about you...
All singing about this wonderful mysterious thing called...called Love.

<Can you go back further than that?>
When we'd go up the village where the amusement arcade was
There'd be songs playing, there were dreamy songs
Albatross by Fleetwood Mac, A whiter shade of Pale by Procol Harum
There was an instrumental I remember called "Sylvia" by the Dutch band Focus
There was a lovely leggy blonde girl named Sylvia in my class at school
And yes! I think she was actually from Holland
(We had a few foreign girls in our class)
Y'know I think she fancied me...did Sylvia
She used to smile at me a lot.
I have a memory of being at the fairground in the Summer with its swing boats and bumper cars
It's roundabouts with the horses and swings, the shooting gallery, the stall for throwing rings over things and taking a prize home
I remember candy floss and ice cream cones
I remember playing the penny slot machines in the amusement arcade, all the different machines
I remember a song "California Man" by The Move... wonderful Summer days.

In the Sixties an Elvis or a Beatles film was a big deal
I remember A Hard Days Night in brilliant black and white
And then "Help" in wonderful colour
Trying to get a fabulous Ring off Ringo the drummer's finger... great songs
Watching The Banana Splits "One Banana Two Banana Three Banana Four/All Bananas going right through the door...
Remember The Monkees"Hey!Hey! We're The Monkees/You never know where we'll be found... We're the young generation and we got something to say"
Last Train to Clarksville, I'm a Believer... great songs too
Remember The Age of Aquarius "This is the age of Aquarius..."
The Sixties yeah!

<Did your Mom and Dad have a Singles collection, the old 45's. Do you remember?>
On our old Dansette record player Roy Orbison singing In Dreams and its B side Sharadoba a magical Egyptian sounding song
And also It's Over about a love affair breaking up
And its wonderful B side Indian Wedding, that was my favorite song among the 45's
It told the story of Yellow Hand and White Feather two Indians getting married
But then going off into the swirling snow never to return
Gone to the Land of the Rising Sun...
You'd listen to them over and over again those songs and that wonderful haunting voice.
<And what were you thinking about, what would be running through your mind when you'd be listening to those songs?>
I remember I wanted to be special that I'd have some special powers and be able to do great things
Something that would make me stand out and that people would be amazed
Maybe some of the girls too, would be very impressed.
My Dad he liked Jim Reeves, he had a lovely velvety smooth voice
He sang Billy Bayou 'Billy Billy Bayou watch where you go/ You're walking on quicksand/ Walk slow/ Billy Billy Bayou watch what you say/ A pretty girl is gonna get you one of these days...
He sang a lot of slow love songs "Put your sweet lips a little closer to the phone and let believe that we're together all alone...
Anna Marie... Anna Marie
Four Walls to know me...

<Tell me about Christmas, the Christmas songs?>
Christmas was a magical time in our house, we'd have the Christmas tree with all the decorations and coloured lights on it
We'd have long concertina like decorations going from wall to wall, so colourful
And lots of glittery things
The songs... Slade singing 'Happy Christmas Everybody', Wizard singing 'I wish it could be Christmas everyday', Mud singing 'It'll be lonely this Christmas (without you to hold)' sounded like Elvis
Johnny Mathis singing 'When a child is born',
'Little Drummer Boy'...
In those days because of school and family you had a strong sense of belonging, having friends, attending birthdays and sports and community events and church
I remember the Christmas party in Primary school (Kindergarten), you had to bring your own treats
I'd only have some biscuits and diluted orange juice
Most people were relatively poor in those days
I was a bit embarrassed having so little
There was one boy and all he had was a bottle of milk to bring
Some used make fun of him, kids could be cruel sometimes.

I remember the teacher brought in a tape recorder once and taped every boy and girl's voice and then he'd play them back
I used dread when my voice would come up
'Cos suddenly the whole class would erupt in laughter
For some reason my voice sounded funny when taped
Even the teacher used smile
I felt so humiliated nay destroyed with them all laughing at me...
I remember... I remember singing the Christmas Carol 'Angels we have heard on high' with its chorus
"Glo..ooria, Gloria in Excelsis Deo"
It was Latin I think but I didn't know this
I thought we were singing "Gloria in a Chelsea stable"
I thought to myself "Jesus must be a supporter of Chelsea football/soccer club" heh!
We had Perry Como's Christmas album with the story of 'Frosty the Snowman' and 'The Christmas Song' ...
"chestnuts roasting on an open fire/ Jack Frost nipping at your nose/ Yuletide carols being sung by a choir/ And folks dressed up like Eskimos..."
And Bing Crosby of course, singing White Christmas
I think we all dreamed of a White Christmas
At school we'd sing 'Away in a Manger' and 'The First Nowell'
Y'know if I sing those songs even now to myself, I can... I can almost remember...

<What about the other songs you learned at school, funny songs, sad songs and the memories they bring up? >
There was a song 'Those were the days (my friend we thought they'd never end)' it was in the Charts
I think the teacher taught us it
The people in the song would be having a great time laughing and drinking and dancing in the taverns
But as they'd grow older their lives would change and they'd get lonelier and sadder...
'Puff the Magic Dragon' I remember there was a very sad bit in this song
Puff and his childhood friend would have so many great adventures together
But then one day, his friend he came no more (he'd found other toys to play with)
Poor Puff was left bereft, he slowly slunk back into his cave... this used to make me sad...
We did patriotic songs 'Roddy McCorley' (goes to die on the Bridge of Toom today)
We had a songbook at school, I still have it
It had lots of old folk songs
Oh! Susanna, Skip to my Lou, The Camptown Races
"Michael Finnegan beginagin/ He had hairs on his chinagin/ Poor old Michael Finnegan"
We used laugh at that song
"What are we going to do with the drunken sailor... early in the morning "
'Marching through Georgia' "Hurra! Hurra! We bring the Jubilee/ Hurra! Hurra! The flag that sets us free...a rousing song
The teacher would play a musical instrument, a melodica I think it was called
She'd blow into it and it had keys on top that'd she'd finger to create the notes
She divided the class into those who could sing and the others, the Crows she called us who couldn't
I was among the Crows
It made me feel bad being called a Crow.
In Primary school we used to play soccer during the breaks
It was usually the Boys from the Housing Estate versus the rest of us from the Village
There was never any tactics, the whole team en masse would just run after the ball LoL
I remember I used to get angry sometimes probably because of something someone had said to me
When I was angry I'd become like The Incredible Hulk
I'd go through the whole lot of them, beat them all
I was Unstoppable
I was the first boy in my class to ever score a goal using my head
The school would also have soccer leagues and we'd get put onto teams
But we were so small compared to the bigger older boys we'd hardly ever get a touch of the ball
But I... I managed to get a goal once which was unheard of from someone in our year
I was so happy.... delighted! My teacher even announced it to the whole class
That I'd scored... I was so chuffed
When I went home and told my parents though they didn't seem to think it was anything special....
My Dad he liked accordion music, he liked The Alexander Brothers from Scotland
They had a song 'Nobody's Child'
"I'm Nobody's Child, no one to love me/ No mother's kisses no mother's smiles/ I'm like a flower just growing wild..."

I used to sleep alone in my room
You'd be afraid there in the Dark on your own
There'd be a nightlight on the wall all lit up
A religious picture, the ****** Mary holding the child Jesus
I'd get Mom to leave the door open so I could faintly hear the voices downstairs
Sometimes I couldn't hear anything and I'd be afraid everybody had gone and left me
So I'd get up and sit on the landing listening
There was a few times when I'd actually go down the stairs
I'd be so relieved to see them all still there
I used sing songs in the dark to keep the fear away, songs we learned at school
"We're going to the Zoo Zoo Zoo/ How about You You You/ You can come too too too..."
Old MacDonald had a farm E-I-E-I O! and on that farm he had some...
"10 green bottles standing on a wall/ And if one green bottle should accidentally fall/ There'd be nine green bottles standing on the wall...
Sometimes I used recite poems we'd learned
"Two little blackbirds singing in the sun/ One flew away and then there was one... One little brick wall lonely in the sun/ Waiting for the blackbirds to come and sing again "
I also remember trying to recite to myself the multiplication tables...

<There were funny rhymes and nursery rhymes wasn't there? >
Christmas is coming/ The Goose is getting fat/ Please put a penny in the old Man's hat/ If you haven't got a penny a halfpenny will do/ If you haven't got a halfpenny God bless you...
Hickory Dickery dock/ The mouse ran up the clock...
They could be strangely violent sounding
Jack and Jill went up the hill/To fetch a pail of water/ Jack fell down and broke his crown/ And Jill came tumbling after...
Humpty Dumpty sat on a wall/ Humpty Dumpty had a great fall...
Three blind mice/ See how they run/ They all run after the farmer's wife/ She cuts off their tails with a carving knife...
Girls are made of all things nice... sugar and spice/What are little boys made of/ Frogs and snails and puppy dogs tails...
Adam and Eve went up my sleeve and never came down till Christmas Eve...
I remember the early games we played, Snakes and Ladders, Ludo, Tiddlywinks trying to flick little plastic counters into a tiny plastic bucket, also playing draughts and marbles...

<Can you go back any further ? >
My Mom singing in the kitchen doing her daily chores singing some song off the radio
Dickie Rock an Irish showband singer singing
"Come back to stay/ And promise me you'll never stray/ I promise that I'll be true...
Sean Dunphy another Irish singer singing "If I could choose" (came second in the Eurovision Song contest)
Tom Jones 'The Green green grass of Home '
There was a lot of easy listening type songs on the radio Burt Bacharach type songs
Andy Williams, Englebert Huberdinck (Please release me let me go/ I don't love you anymore), Doris Day maybe
There's a lot I can't remember now
Val Doonican another Irish singer who'd made it big in the UK
(Had his own TV program for many years on the BBC)
He had a big hit with the song "Walk Tall"
"Walk tall and look the world right in the eye/That's what my mother told me when I was about knee high...
I remember one magical Christmas we got a present of a plastic projector
It came with several slides, they had wonderfully colourful cartoony pictures on them that told a story
We'd turn off all the lights and project it onto the wall
I remember it was like magic, the colours they were so vivid, they were like the colors off stained Glass windows...
The colour of things was very important when you were a kid, they'd almost create feelings inside of you
Colours came first... before words ever did
We often didn't understand the grown ups with their big words...
I remember getting collections of different kinds of toy soldiers and then staging battles
I remember collecting little toy Dinky cars they were called, that was their brand
And Matchbox cars (another brand) ... even today when I see certain colours of cars I am reminded of those old toy cars I used to play with... strange

<What are your earliest memories then? >
There was a question I always wanted to ask the adults but I never did, I thought it kind of funny and didn't want them to laugh at me
The question was "Why does Life always show me ?" An existentialist question even then.

We lived by the sea so you'd be lulled to sleep every night by the flowing up and flowing back of the sea... the tide... its gentle swaying back and forth motion
We had a black cloth picture/painting on the wall, a night scene with swans on a lake and an exotic house in the background with the Moon shining
It was so quiet and peaceful to look at...
My bedroom wallpaper had lovely red or pinkish roses
There was a colourful flower design sewn onto my pillowcase
It used to be lovely getting into bed with fresh linen...
I remember I used to get funny dreams even then, sometimes scary dreams
But I remember you were always safe 'cos in the dream you had a special ring you could put on and then the scary dream would go away (I've often wondered after was that maybe where Tolkien got his inspiration for The Lord of the Rings and Wagner the music composer for his music opera "The Ring")

<Can you go back...any further ? >
Going back further, you're almost falling off the edge of the world there
To a time... to a time when there were no words
When a child comes into the world they have no words
There's only... only The Silence... The Great Silence,
Silence is a strange thing, you can hear Silence
The fact that you can hear it means it must be changing from moment to moment
It too is just like a music, it's probably the first music
Without it there could be no other
The Music of the Spheres someone once called it
It just stays there in the background... glistening... your constant companion
Probably the first sound you ever heard, and probably the last you'll ever hear
It can grow very loud
It wasn't threatening, there were no monsters in it
Not until you went to school and learned words and heard scary stories
Did the monsters come
Words they can cast shadows... sometimes very long shadows...
There was a cot with wooden bars, I remember having a blanket with lovely warm colors on it, soft light blues and yellows, wooly sheep, Bo Peep or Bears or something
We had a golden coloured curtain with lots of designs on it in the bedroom
I remember if you looked hard enough you'd start to see faces in the curtain
Sometimes they would frighten me, they'd look very sharp and angry looking or maybe very sad unhappy looking...
I suppose today I still see faces, in my mind, in the great curtain of all my memories, all those I ever met and knew...

I remember looking at my Mom's face and not knowing what she was
Babies their a complete clean slate, have no words, they know nothing of this world
Gradually they warm to their Mom's affections and come to trust her and bond with her.
Because you had no words when very young there'd be huge gaps in your consciousness
When your consciousness would be completely clear and still
The silence and stillness would envelop you
... and there was something else... something else there... something deep in the silence
Out of it would come something very strange and quite wonderful
It'd come upon you suddenly...it was like your consciousness was changing, opening up
It was like you were descending into some great... some great complex
Your eyes would be closed but still you could see it and feel it... you were part of it
And it was so natural and so familiar...it was where you came from...it was Home
There was a first part that would lead into another part... and then another, all different
Yea, it had several stages and you'd pass through each stage from the outside going inward right to the very last stage... the very Source of Life itself
And you'd be completely at ease with yourself, you'd be completely at Home there
It'd come every night... that Special thing.,. that Special Place
Y'know sometimes when I see a little baby asleep in its pram, I know... I know where they are
Their away now, away in that Special Place
Far faraway from this world of care, so peaceful and so quiet there
Guarded by unknowingness and the Great Silence
With no fear or confusion there to bedevil it
Knowing only a relaxation so deep and a great Stillness within...

But me! I was the youngest in my house, I was always fighting with my brothers
And I was a terrible worrier just like my Mother
I'd be worried about school and the teachers, and trying to understand my (school) lessons
And there'd always be problems, arguments, confusions... humiliations and cruel harsh words spoken
At night I remember I used shake my head vigorously as if trying to rid my mind
Of words that had been spoken, words that hurt or stung...or confused me
I used bump my head gently against the wall
But no! I couldn't escape them... my peace it was broken now...it was gone
And that Special Place just like in the song Puff the Magic Dragon
It came no more...it was lost to me.

I suppose this is all I can remember, all I can recall
I guess this is where I must have come in
I suppose I must have reached the end... the End of my Rope here.
More a series of reminiscences than a poem, a bit like a meditation. No one ever writes about the very early days of their lives, it's a closed door, written off, a time forgotten, that goes unvisited. But perhaps there was something magical incredible behind that door. Everyone should maybe take a trip down their Rope of Songs.
Andrew Saunders May 2018
If I'm wrong, I die.
I cease to exist.
But I know what it's like not to exist.
Or at least I can imagine.

I didn't exist before I did.
For billions of years.
And Mark Twain was right.
It didn't bother me in the slightest.

But I'll give it a chance.

I will read Awake!
And I'll visit the Hall.
And I'll use your name for God.
Jehovah.

But what if you're wrong?
You feel joy, love, peace.
Meaning, purpose, certainty.
Those things elude me.

But what else?
Fear? Guilt? Isolation?
A hatred that you call pity?
Those things are beyond my reach.

An education cut short?
A marriage too long?
"Don't talk to her.
It's for her own good."

What if it's not?

There will always be people trying to hurt you.
It's easier when they have God on their side.

"Two eyes saw this, but two others did not.
I'll take my reward now.
Did I mention I'm good with kids?"

What if you're wrong?

Sure, your Tower is tall.
It dwarfs my cathedral.
And it does.
I stand in awe.

Your Tower is tall.
It Watches all things.
And it does.
But is it tall enough to see Clearwater?

You know, Celebrity Centers and personality tests.
Cruise and Travolta.
Your names are different: Michael Jackson and Prince.
But the songbook is the same.

Leadership is accountable to no one.
Dissent is a **** that must be eliminated.
The world is out to get you.
And critical thinking is a trap.

Families are vital (until they aren't).
Our authority will not be questioned.
We make no mistakes.
But we do become more perfect over time.

"But it's not 'disconnection,' it's disfellowship.
And they're not 'suppressives,' they're apostates.
And we live in no bubble.
But we'd rather not debate you."

"Besides, they're new.
They're small and they're few.
They have strange beliefs.
That's what matters, right?"

But it's not.
It's not what matters.

And it's not in my nature to hurt people.
I can **** when it's justified.
But I don't know that this is justified.

And consider the life of a poor, worldly soul.
Fear is no friend.
Guilt is a memory.
(Guilt for things that warrant no guilt.)

We see the world as it is.
Science is no threat.
Solitude is a choice, not a lesson.

Education is full.
Abuse is reported.
Families talk.

We are slaves to no Slave.

Of course these things are foreign to you.
Your book precludes them.
And your book is infallible.
But so are all the others.

So thank you for visiting, but I'm hedging my bets.
I wish you the best, but I'd rather take death.
I was raised religious but am now an atheist. This poem depicts an imagined conversation between me and a group of Jehovah's Witnesses. The content is informed by a very dear friendship with a Witness and a personal interest in cults and other high-control groups.
Robert Ronnow Aug 2015
Between conjecture and classification there is
observation, experiment, data (collection and analysis),
statistics, calculus, and a good guess
about God's intentions -- probabilities, fractals, chaos and complexity.
This is the thunderous city.

The form of the poem, the rhyme.
Form cannot be first if you want to reach high artistic levels, since
      you are then bound by form, and that form is very often a
      betrayal of reality
.
Yet I find I am attracted all the time
to philosophies in short skirts, jewels and eyes lined with kohl.
I love where her legs lead, to her very soul.

Three women hike by under an umbrella in a winter rain. Two men
      side by side run in rhythm.
An oil truck takes the hill in low steady gear.
My old Marine, 89, died last night without anxiety or fear.
May I overcome my pain enough to reach the place where the deer
      lay down their bones
and, like them, die alone.

When making an axe handle, the pattern is not far off.
The purpose of school is to introduce us to the world's innumerable
      wonders.
The periodic table, World Wars I and II, Huckleberry Finn and Jim.
      But soft,
what light through yonder window breaks?
It is a billion trillion nuclear detonations per second without which
      nothing can be done or faked.

The temple bell stops, but the sound still comes out of the
      flowers.
Forests and the composite species will be nameless. Genetic
      prowess,
receiving the sacrament, performing Lohengrin from the Great
      American Songbook,
the look of love in all the wrong places, facebook,
fakebooks, folios of old family photos on or in pianos.

How can I be both still and skilled?
When we took Pop-Pop off the ventilator, we put him in a refrigerator.
He stopped eating, he stopped breathing. Circle with a dot.
He had his dream, he'd rowed his boat.
No single line can completely explain -- or rhyme -- or untie this knot.
--with lines by Nye, Milosz, Jeffers, Snyder, Basho, Dunbar

--Nye, Naomi Shihab, "Pakistan with Open Arms", Words Under the Words: Selected Poems, The Eighth Mountain Press, 1995
--Milosz, Czeslaw, Partisan Review, Summer 1996
-- Jeffers, Robinson, "The Deer Lay Down Their Bones", The Selected Poetry of Robinson Jeffers, Random House, 1953
--Snyder, Gary, "Axe Handles", No Nature: New and Selected Poems, Pantheon Books, 1992
--Shakespeare, William, "But soft, what light through yonder window breaks?", Romeo and Juliet, II, ii, 2
--Matsuo Basho, "The temple bell stops", trans. Robert Bly, The Sea and the Honeycomb: A Book of Tiny Poems, Beacon Press, 1971
--Dunbar, Paul Laurence, "He Had His Dream", The Collected Poetry of Paul Laurence Dunbar, University of Virginia Press, 1993

www.ronnowpoetry.com
Carl Papa Palmer Feb 2018
Harmonica Player                                                        

Dad was a harmonica player.
He always played those same several songs,
but he played them well.

Everyone recognized and sang along with
Camptown Racetrack, Oh Susannah
and Red River Valley.

On his visit to Germany
while I was in the Army
Dad played, Ach Du Lieber Augustin
and Beer Barrel Polka much
to everyone’s enjoyment over there.

He could also do a good imitation
of that train chugging along the tracks
down by the plywood factory
in Ridgeway Virginia,
steam whistle and all.

Dad was a harmonica player.
          
He always had a harmonica
in one of the kitchen drawers
or on our mantle above the fireplace,
sticky from a child’s fingers
and clogged with ******* crumbs.
With six children he went through
quite a few harmonicas.

Out of us kids, I was the only one
to learn to play anything,
just 3 or 4 songs, but that,
none the less, means

I am a harmonica player.
          
That one Christmas Dad gave
each of his four grandsons
a Hohner “Old Standby” harmonica
with beginner instruction and method book.

I guess none of the other grandsons
had done much with their instrument,
because when Dad asked my son, Jason
if he could play the harmonica he’d sent,
it was something like,
“Well, I guess you never learned to play yours either.”
          


Jason came out of his room a little later,
handed Dad the songbook and asked,
“Which would you like to hear?”
He picked You Are My Sunshine
and Jason played it note for note
from the music written on the page.
          
Dad was both surprised and thrilled,
but most of all amazed.
Jason not only could play his harmonica,
but also read music,
something neither he nor I could ever do.

He talked about this for many years to come.
That, of course, means

Jason is a harmonica player, too.
brooke Jul 2015
so nervous and usually wrong
full of answers, draining words,
a songbook full of songs he
doesn't like, has never heard.
(c) Brooke Otto 2015
LJW Apr 2015
This room is empty now. No words in here to complete the sentiment for the feelings that sweep over you when a person you care for walks away from your life leaving you in the room you have furnished for yourself.

They walk away into the empty zone mixed with new faces, red haired ladies in tight see through black bras, excellent jobs like stock analyst, lobbyist, journalist, emergency room nurse, or worse. They don't let anyting stick to their walls, not yet, not now. They get to rewrite their songbook while yours becomes yellowed, dogeared, coffee stained.

Your room, blanketed in dust, dirt in the corners, dog hair covering your bedquilts.  ***** laundry piles up, you never become wealthier or smarter.  Your circle of friends degenerates into locals and deadenders like yourself. Days pass, you become old.

You latch on to anything that is moving.  Hopefully it is moving upward and outward. You dream about driving away, far away from where you live, driving for miles into the desert.  You want to live in a town where nobody knows who you are, you don't know anyone either; your home an isolated, small, cheap apartment like the one you had when you were a freshly freed adult.

Dreaming and dreaming about a life where you can be left alone so you will have the freedom to maybe, this time, find a life that resembles your fantasy of what it is supposed to be like.  All the promises of what education and college would bear.  Intelligent friends, moving and shaking the conciousness and politics, life, and town were supposed to surround you, invite you to dinner parties where you would drink smart wine and discuss shaping the tone of the future.

Turning over in your sleep, you wish everything around you would walk out and leave you. Everything except your child. He would stay, weather the change, ride the storm into your own empty room where you could paint the walls of life newly.
c. April 5, 2015
Rex Allen McCoy Jan 2015
My easy-chair shifts closer to the hearth
with each passing winter
My ingle-nook...
forestalling isolation and despair

A wisp of smoke and the gentle song of embers
as flames engulf stale reality
with their golden glow
Stirring
merry voices
from so many years ago

Recalling...
the chime of Church-bells
faintly mingling
with the sound of carollers
weaving through streets
door to door
through the fresh trackless snow
Smiling eyes
singing
with hand in hand
Their warm wishes reaching out
and then hugs
before moving on
to the next Manor-house

Yet

One stayed on to linger ...

Songbook clutched across a breast
throbbing
to the feathered touch of fairy feet

One face...

framed by a wreath of flaxen hair

The shyest stare from downcast eyes

Cheeks... flushed to rose

and a voice that still whispers to my deepest parts


If only you knew that from that very moment
to this
you've brought to me
and always will
kindle my fondest memories
each fireside
~
Kurt Philip Behm Aug 2018
The great American Songbook
  whose words march off the page

Its music now a footnote
  —to a century of rage

(Villanova Pennsylvania: June, 2016)
Wk kortas Feb 2018
The cast is ever changing, be it at Old Eli its ownself
Or various other institutions, most sans ivy,
Their distinguished here-and-gones
A touch short of presidents and laureates,
And certainly the songbook has changed
(Out with the Crosby and Waring,
In with the Cobain and the Stryper)
But certain verities, gnawing and implacable,
Remain unchanged, the inevitable realization
That, for all one's promise, all of our ilk
Have preceded us in our arrival, flush with pride and promise,
And made the odd ripple or two, perhaps,
Before shambling onward to other things
(Very rarely bigger and better, sadly enough)
And all those songs we sang and steins we hoisted
Have now been consigned to less fashionable quarters
In the anterooms of memory,
The melodies and laughter filtered, transformed, muted
The sound not unlike the slightly discomfiting bleatings
Of some distant barnyard animal.
Barton D Smock Aug 2017
[notes from life under bell]

(i)

on video my cousin is singing a song she’s learned by heart. she’s maybe four. I don’t know where to begin. this pond behind her, perhaps? that in my memory is the size of a fire pit. or maybe, here, in the darkening sameness of those sentences strung together by cows. or years from now, even, with the word no and her sister’s lookalike being assaulted by an only child in a library of fragile non-fiction. my cousin is singing a song she’s learned by heart. she’s five. a careful six. sound’s fossil. no city half-imagined. no insect obsessed with privacy. time matters to the frog we catch.

~

(ii)

there are days he is the son of muscle memory and funny bone. days his hands are gloves from a small god. poor god, he says, and grows. days he can carry a circle to any clock in the town of hours. days his past can be heard by his siblings- you’re beautiful the way you are. days his blood pushes a bread crumb through his thigh. days his scar is a raft for ear number three. nights his brain / the separation of church and church.

~

(iii)

violence is a dreamer. a boy on a stopped bus is dared to eat a worm. it feels authentic. alas, there is no worm. the devil knows to stay pregnant. word spreads about the girl without a tongue. cricket lover. and then, bulimic, when she won’t sneeze.

~

(iv)

the mother of your hand is smashing spiders with her wrist. we have a high-chair for every creature that eats its own hair. the twins in the attic have switched diapers. skeptics. voices heard by the ghost of my stomach.

~

(v)

it is snowing the first time my daughter drives alone. Ohio is cruel. stillbirth, old four-eyes. you want them to like you. the insects you save.

~

(vi)

a lawnmower starts then dies then is pushed by a noisemaker past fog’s dark church.  an unprepared prophet drinks the milk meant for baby eyesore.  my sister loses most of her hair putting together a puzzle of her mouth.  a bomb is dropped on a bomb.                

~

(vii)

the man his shadow and the woman her dream.  

their child
its track
of time

~

(viii)

onstage a dog barks at an empty stroller.  the mosh pit is weak.  last count had three pregnant, three resembling the man who unplugged my father, and two praying for the inner life of a hole.  onstage a boy is holding up a kite for another boy to punch.  dog’s been tased.

~

(ix)

we put a museum on the moon. I had all my dreams at once. a mouse was wrapped in a washcloth then crushed with the songbook of baby hairless. fire treats grass like fire.

~

(x)

outside the bathroom’s designer absence, our melancholy impressed by symbolism, we form

a line

~

(xi)

tree: the unbathed statue of your screaming

shade: the folder of my clothes

~

(xii)

praying he’ll see again them cows of lake suicide, the handcuffed frog shepherd

prays he’ll see again them cows of lake suicide    

~

(xiii)

a body to dry my blood.  some god

seeing me
as a person…  

how quickly birth gets old.  

~

(xiv)

lonelier than creation, I have nothing on trauma.  genetically speaking, I don’t think anybody expected us to spend so much time on one idea.  this open umbrella.  ghost at the keyboard.

~

(xv)

and in the spacecraft where a mother diapers the doll that makes her fat there plays the voice of god asking for a film crew none will miss

~

(xvi)

we wore clothes as an apology for being nearby.  a door was a door.  a ghost was a ghost and a door.  the house was possible.  its rooms were not.  baby was a body spat from the mouth of any creature dreaming of a bathtub.  I got this lifejacket from a scarecrow.  said the redheaded tooth fairy.

~

(xvii)

his baby is wailing in its crib for its mother and he mans you up for a cigarette and blows on the baby’s face and somewhere you yourself have stopped crying as you are pulled from a pile of leaves by two people made of smoke

~

(xviii)

for a spine, doll prays to fork.    

all kinds
of shapes
miscarry.

~

(xix)

one day my son is dying, the next he is not, and the next he is.  day four:  prayer is dismissive, but welcome.  whose past is how we left it?  body is delivered twice.  beginning and end.  nostalgia and wardrobe.  middle eats everything.  it snowed and I thought my blood was melting.  could be the way you reason that happens for a reason.  I was a kid when mouse was a kid.  there’s no hope and I hope.  

-

my son’s weight is a cricket on a piano key.  it’s more than I can handle that god gave us god.      

-

aside:  we don’t come out faking our death, but are born because birth can’t sleep

-

aside:

I study lullaby
and lullaby
bruise    

-

it takes four juveniles to recruit his thumb.  his fist has been called:  hitchhiker practicing yoga in a junkyard.  I cannot visit the instant ruin that forgiveness creates.

-

sickness in the young is god’s way of preventing nostalgia from becoming the god I remember

-

I was beautiful but now I’m ugly. (now) being the most recognizable symbol of the present. this is the silence I speak of. my son says (more ball) and you hear (moon bone). he is very sick. his moon has bones.

-

the disappearance surrounding said event.  a horse belly-up in water’s blood.  see telescope.  also, cane of the blind ghost. magician, maybe, on a rabbitless moon- oh cure.  

oh silence afraid to start a sentence.  

-

in the photograph a fist is cut from, a kneeling family of five is putting to bed

the unremembered
present.  

-

traced, perhaps, for a terrible circle-

today was mostly your hand.
Lamar Cole Nov 2019
Her voice is like a song.
That's written on the pages of my heart.
Soft and low.
With a sweet melodic flow.

Each word spoken.
Like a beautiful note.
Straight out of a songbook.
For my heart she wrote.

Voice so sweet.
What a treat.
My heart melts whenever we meet.
Barton D Smock Jun 2018
thru June 11th, Lulu is offering 10% off all print books AND free mail shipping (or 50% off ground) with coupon code of BOOKSHIP18

poetry collections, mine, self-published, are here: http://www.lulu.com/spotlight/acolyteroad

~



NOTES FROM LIFE UNDER BELL

(i)

on video my cousin is singing a song she’s learned by heart. she’s maybe four. I don’t know where to begin. this pond behind her, perhaps? that in my memory is the size of a fire pit. or maybe, here, in the darkening sameness of those sentences strung together by cows. or years from now, even, with the word no and her sister’s lookalike being assaulted by an only child in a library of fragile non-fiction. my cousin is singing a song she’s learned by heart. she’s five. a careful six. sound’s fossil. no city half-imagined. no insect obsessed with privacy. time matters to the frog we catch.

~

(ii)

there are days he is the son of muscle memory and funny bone. days his hands are gloves from a small god. poor god, he says, and grows. days he can carry a circle to any clock in the town of hours. days his past can be heard by his siblings- you’re beautiful the way you are. days his blood pushes a bread crumb through his thigh. days his scar is a raft for ear number three. nights his brain / the separation of church and church.

~

(iii)

violence is a dreamer. a boy on a stopped bus is dared to eat a worm. it feels authentic. alas, there is no worm. the devil knows to stay pregnant. word spreads about the girl without a tongue. cricket lover. and then, bulimic, when she won’t sneeze.

~

(iv)

the mother of your hand is smashing spiders with her wrist. we have a high-chair for every creature that eats its own hair. the twins in the attic have switched diapers. skeptics. voices heard by the ghost of my stomach.

~

(v)

it is snowing the first time my daughter drives alone. Ohio is cruel. stillbirth, old four-eyes. you want them to like you. the insects you save.

~

(vi)

a lawnmower starts then dies then is pushed by a noisemaker past fog’s dark church. an unprepared prophet drinks the milk meant for baby eyesore. my sister loses most of her hair putting together a puzzle of her mouth. a bomb is dropped on a bomb.

~

(vii)

the man his shadow and the woman her dream.

their child
its track
of time

~

(viii)

onstage a dog barks at an empty stroller. the mosh pit is weak. last count had three pregnant, three resembling the man who unplugged my father, and two praying for the inner life of a hole. onstage a boy is holding up a kite for another boy to punch. dog’s been tased.

~

(ix)

we put a museum on the moon. I had all my dreams at once. a mouse was wrapped in a washcloth then crushed with the songbook of baby hairless. fire treats grass like fire.

~

(x)

outside the bathroom’s designer absence, our melancholy impressed by symbolism, we form

a line

~

(xi)

tree: the unbathed statue of your screaming

shade: the folder of my clothes

~

(xii)

praying he’ll see again them cows of lake suicide, the handcuffed frog shepherd

prays he’ll see again them cows of lake suicide

~

(xiii)

a body to dry my blood. some god

seeing me
as a person…

how quickly birth gets old.

~

(xiv)

lonelier than creation, I have nothing on trauma. genetically speaking, I don’t think anybody expected us to spend so much time on one idea. this open umbrella. ghost at the keyboard.

~

(xv)

and in the spacecraft where a mother diapers the doll that makes her fat there plays the voice of god asking for a film crew none will miss

~

(xvi)

we wore clothes as an apology for being nearby. a door was a door. a ghost was a ghost and a door. the house was possible. its rooms were not. baby was a body spat from the mouth of any creature dreaming of a bathtub. I got this lifejacket from a scarecrow. said the redheaded tooth fairy.

~

(xvii)

his baby is wailing in its crib for its mother and he mans you up for a cigarette and blows on the baby’s face and somewhere you yourself have stopped crying as you are pulled from a pile of leaves by two people made of smoke

~

(xviii)

for a spine, doll prays to fork.

all kinds
of shapes
miscarry.

~

(xix)

one day my son is dying, the next he is not, and the next he is. day four: prayer is dismissive, but welcome. whose past is how we left it? body is delivered twice. beginning and end. nostalgia and wardrobe. middle eats everything. it snowed and I thought my blood was melting. could be the way you reason that happens for a reason. I was a kid when mouse was a kid. there’s no hope and I hope.



my son’s weight is a cricket on a piano key. it’s more than I can handle that god gave us god.



aside: we don’t come out faking our death, but are born because birth can’t sleep



aside:

I study lullaby
and lullaby
bruise



it takes four juveniles to recruit his thumb. his fist has been called: hitchhiker practicing yoga in a junkyard. I cannot visit the instant ruin that forgiveness creates.



sickness in the young is god’s way of preventing nostalgia from becoming the god I remember



I was beautiful but now I’m ugly. (now) being the most recognizable symbol of the present. this is the silence I speak of. my son says (more ball) and you hear (moon bone). he is very sick. his moon has bones.



the disappearance surrounding said event. a horse belly-up in water’s blood. see telescope. also, cane of the blind ghost. magician, maybe, on a rabbitless moon- oh cure.

oh silence afraid to start a sentence.



in the photograph a fist is cut from, a kneeling family of five is putting to bed

the unremembered
present.



traced, perhaps, for a terrible circle-

today was mostly your hand.





WE BROUGHT HOME THE WRONG DYING BABY



I ain’t been talked to in so long my wife’s kid thinks I have amnesia. ain’t been touched since Ohio’s ramshackle symbolism swallowed up some ***** donor’s shadow. I went yesterday to a funeral for a woman’s ear. told people what I was wearing was a bedsheet belonged to the man in the moon. told myself I had this microscope could see a ghost and that I’ve only ever lost an empty house. I don’t know how old I am but I know what year I want it to be. before dying I saw it flash how I should have died. low creature. tugboat.

~~~

father an optometrist inspecting a replica of a totem pole and mother an eel collapsing at the thought of a play performed in a stone.

and there, at the bottom of grief, a cup of dirt with nothing to bury.

~~~

mother is chewing gum like something fell asleep in my mouth. I say dog for both dog and puppy. pray for things I know will happen. a rooster through a windshield. a dried-up toad in a deep footprint.

~~~

mother and father give their word that all narrators are orphans. that blood is a short leash. sometimes, a fence. be, they say, the symbol your god remembers you by. tell your brother to act like a chicken. your stickmen to share a toothache.

~~~

I saw a cigarette with its mouth open. today was hard. hate is amazing.

god will die with his ear on my stomach.

~~~

the darkness has many stomachs and we’ve no one to tell my son he’s lonely.

seller of the disappearing stone, the mouth names everything and is born after eating a blindfold.

~~~

for desperation, boy puts a bird in a hand puppet. here a finger and there a worm, sadness has no family. oh fetus my moth of many colors. oh mosquito that bit an angel. time with my son

in scenario’s territory.

~~~

atavism
(god is someone’s calendar



valley
(a girl with a marble who answers to overdose



pulpit
(rooster ghosted by elevator



subculture
(in my years with the poor, I wrote nothing down



alpenglow
(the scalp will baby its grief

~~~

on muscle detail, the clapping boy from the cult of thunder brings a wheelchair to the last rocking horse known to model swimwear for the few dolls that remain married to the same mask. the boy is weak but maybe he puts two words together. like ghost

and exodus. for the second coming of the handcuffed animal.

~~~

the boy picking flowers for my shadow loves no one. everything I touch remembers being my hand. the world has ended, or started early. god’s heartbeat. sound’s watermark.

~~~

because her son can see the future, she is not yet born. god matters to the discovered.

~~~

overtook no cigarette. surprised no sleep. keyed the car

of a minor
toymaker.

radar is getting possessive.

~~~

for the gone and for the nearly, brother has the same stick.

I call belly
what he calls
eye
what answers
to limb

~~~

to speak
it needs gum
from the invisible
purse.

comes with everything. cries like me.

~~~

she says
three times
the word
brain
to her stomach’s
blue
mirror
and scores
sight’s wardrobe
of rags
in earworm’s
dream

~~~

there’s a comb
in my narrative, a goldfish

coming to
in a beheaded
angel
Jester May 2020
Dark skies and broken hearts fill my journal pages as I sit down and write a lasting letter to whoever finds it.

I'm tried. I've been fighting for so long now....fighting for food, for sanity, for money, for validation and for love.

Once more into the breach for the love of love. Battle chinked armor, bloodied hands, scared face, full blooded urban soldier.

My piano is this pen, my songbook is the journal with "Kilroy was here"

I bend down and pray to myself which is how I know God watches my back.

This is another battle, another fight, another trudge through the minefield of emotion, of work, of heart, of soul.

I'm tired of being tried, I'm tried of fighting, but we don't retire into the quiet.

Johnny get yer gun, grab the sword, find your marks.

Muscle up soldier, we have one more fight.

One more battle.

I've said before in a poem that I had one last fight in me and one more after that, and several more. As long as I can stand it seems I'm in some form of combat.

I sacrifice my body for this because it's a personal victory, or loss...at this point I can't tell the ups from the downs anymore and it's simply because I don't care to look.

It's nothing I haven't done before, nothing I haven't seen, nothing I haven't done, it's old hat to me but that doesn't make it easier, it doesn't make it something that gets easier to cope with over time.

I grab my bottle, I climb to the top of my ivory tower of self isolation and I take my throne.

It has been said that when one does something right, you won't know they've done anything at all, this is our gift and curse, this is the chain we've wrapped around our necks and hung ourselves by.

So yes, one more battle- and a million more. Alone because no one else can, or will and someone has to hold back the high hell waters.

One must sit at the gate and make sure it operates correctly, one must fight until they die from it. Until they exhaust from it. Until they burn out from it.

From the top of this tower, from the bottom of my heart, I give all I have in every fight because that's whats required, I rebuild myself because I'm just that strong, because someone has to be, because when everyone falls to pieces, some must pick themselves up and dust themselves off, wipe the blood from the mouth, pick the shrapnel out, look in the mirror and do it again.

When you've got nothing to do and you can't do anything, you do what you can because it's what's required of you. Most of the time no one asks, no one steps up because it's not needed but the void must be filled and so we fill it.

a million dead hearts left behind, so we pick up what we can and move onward. Onward into the fight.
Barton D Smock Aug 2017
we put a museum on the moon. I had all my dreams at once. a mouse was wrapped in a washcloth then crushed with the songbook of baby hairless. fire treats grass like fire.

— The End —