(Inspired by the poetry, music, culture and rhythm of black people in the movie "Love Jones". As i play my imaginary guitar, enjoy.....)


I wanna be my own definition of a real woman
it’s in the way my hips sway to the beat
Or the way I smile when something touches my heart
It’s my excited face that I make when something inspires me
The look of adornment in something I love
I wanna be that classy lady at work
That's in full all black suits
strutting around in her heels like a real boss should
I wanna be that woman with ***** hair who isn't afraid of her curls
Who rocks her hair, untamed and wild like the first day she was born
I wanna be that woman who is street and unsophisticated
Who talks her mind as she pleases and holds nothing back
I wanna be that woman to screams when she wants to and doesn't care who listens and who doesn't
Who cares and who does not
I wanna wear skin tight little black dresses
Like they do in all first dates in every single movie
I wanna wear the smallest pair of cut-off jeans
I want to embrace my sexuality and push the limits of what I can and cannot do
I want to do what my soul speaks to me
And listens to that quiet song my heart sings to me when I'm alone
And best of all, I wannz laugh louder that the lion can roar
I want my melody to be felt higher than the giraffe can see
I wanna be on that stage performing the words most of us are scared to admit
I want to be the locksmith that fixes all locks
I wanna be the all in one
The nubian queen and the classic timeless beauty
I want the mountains to echo my statements and the sand dunes to quietly whistle with me
I want the swish-swash of the waves in the sea to bear testament of who I want to become
And I want you all to witness
Attest
and help me achieve
My quest..To be
my own definition
of what a real woman should be.
I wanna be that woman that defines a mother
whether I define it as letting my breast hang so that my child can suckle on it
Or feeding them a bottle
Whether a mother’s love lies solely in breast feeding or in shaping your child’s character
I wanna be that woman who refuses to labour extensively on hot coals in the scorching African sun to prepare a meal for a man who shall never wholly be mine
just because its expected
I wanna be the brave woman who dares tell her in-laws "Nay"
That brave woman who dares to rock up at her first meeting with her to be in-laws in pants
And refuses to wear a skirt on days her blissful soul doesn’t tell her to
Simply because a man who never wears a skirt has defined that as womanly
I want to be that daughter in law
My husband's mother hates because she never does as she is told
My husband’s sisters shall despise me as they shall know
That I don't believe in that stone age tradition that the amount of house work they do shall be reduced upon my arrival
I wanna be that woman, my own uncles hate for not allowing them to take part in my bogadi negotiations
I wanna be that woman who will have no bogadi negotiations
I am that woman who doesn't need a man to whistle at me
Like a man would calling a hound dog
Or a man still living in the rough west would calling  their horse
To know that I am beautiful
I want to be that woman whose character and words will stand the test of time
An oracle of enchanting wisdom in my old age
And a pillar of strength for generations
Which shall come after me
I am going to be that woman who refuses to let her boss take credit for the I did
Especially after spending years sleeping a four hour night working on my college degree
I wanna be that woman, my neighbours wife hates
Because I salsa my way to the dustbin to empty my trash
I wanna be that woman who doesn't need a cameras flash to know their eyes are upon me
Watching me as my move my melodious  *****
In total and absolute bliss at the woman I can be..
So then I want you all to witness
Attest..
And help me achieve
My own definition
Of what a real woman should be.

Whereabout of the heart, where might it be ?
When fury is a feeling which engages your senses, your mind and your soul in a raging outburst of negativity expressed in adrenaline,
Everything seems to be one sided, a loop which only fuels your anger with thoughts of unpleasant, disturbing annoyances, making it harder
Harder to resist, until alike a super nova, you explode in a viscious rampage with knows no escape, so, where is the heart ? Where is it?
A tantrum might be encouraged to grow in size if it's revenge you seek, desire, want to live for to make it expire, with violent passion,
Mercy or compassion, forgiveness and simpathy may be forgotten, within the depths of your burning soul, lit ablaze solely by hatred,
You may lose your mind, oh beauty of a living existence, becoming alike a lily of murderous intent, spiteful, yet elegant and wonderful,
A shivering star, ready to take its opponent down with itself while destroying what used to be so precious, unique and simply sweet,
Blemishing the unconscious without thinking of patience or the chance to calm this nuclear meltdown, unfolding in tragedy for us,
The pure light of your praying palms might help in this regard,
Because his remembrance is what makes furious hearts become calm.

~ Umi

Everyone Has a Story… Here’s Five.


Part I: Cousin

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

I was on the island,
At the very top,
Looking down from our mountain,
It was night time,
And the lights shined clearly,
Little holes from the bottom of heaven were penetrating the world,
As they did so I peered on,
Never truly understand what heaven was,
This was my element,
The curiosity which was placed in me,
Since the birth of my being,
Has never been one for being quenched,
Even if my parents tried to beat it out of me,
After a time they kind of hit a fork in the road and decided to go right,
But at the last second I side stepped and ran my behind to the left,
Because the right side isn't always the right way to go,
I felt that their minds died some time ago,
But I was a kid, in the hoods of Puerto Rico,
Only visiting, never witnessing,
The day to day realities,
That came from living so rapidly.

I met my cousin for the second time the days before that night,
He took me under his wing almost immediately and I was happy to follow,
He was a tall man, tattooed from head to toe,
I thought the second I laid eyes on him, that this was my role model
As a lover of Hip-Hop I thought this was how everyone should look,
He would cuss, and spit, and drink, and have several women on deck,
While rolling a couple of joints,
This was the MAN!

However, this view didn't last for very long,
Because on that night,
I witnessed the devil for the first time,
I crawled from beneath my covers,
That my mother had so carefully put into place,
As a safeguard against the realities of the world,
That would come true in my childish fantasies of the boogie man,
The only bad I knew was what was told to me by the news,
People falling left and right cause of wars and other endless fights,
But in my mind they could be brought back to life by the Dragon *****,
Unfortunately Goku wasn't here this night,
I snuck through the house silently,
As the noise would be drowned out by the singing of coquis,
My bare feet hit the humid pavement following the rush down the stairs,
I only wanted to see my view,
The view of heavens holes peering through the vast and dark sky,
It was located at the edge of a cliff that looked over a ravine and then the wilderness,
At the precise moment I stopped to realize my will,
My dream was disrupted by a voice,
Followed by a sound that sliced through my mind and deflated my childish intuition,
A sound that penetrates my adult mind and echoes in the silence to this day,
Muffled screams echoed out after I heard the gunshots ring,
Beneath the sounds of the forests singing,
My heart was pounding slowly,
I was strangely calm rather than panicky and fearful,
Not that I was a brave child, but I remained curious,
Until I saw the blood…
It was then that I saw the dimly lit lamp beneath the moon light,
Resulting in the two bodies casting elongated shadows against the dank Earth,
Followed by a larger body standing over them,
One body was completely still,
While the other one was rocking back and forth,
The terror that took me was shear and raw,
The only other time that I had witnessed such a fear,
Was through the appearance in a pig’s eye,
As my grandfather drove a machete through its heart,
I heard the second shot ring out,
In the same amount of time that it took me to blink,
The other man had been murdered just the same,
And before I knew it the gun was pointed at me,
I stared back and started shaking,
This had to be pure fiction,
But no, this was reality,
I turned to run, but stopped when I realized who it was,
Looking up at me as he exited the thicket and the shadows,
Was my cousin, my role model,
He cocked his head up and looked at me with concern,
But said nothing,
As I ran home breathlessly,
Under the holes into heaven,
That had been put there by bullets,
My childhood was finished…

And I'd never see him again.


Part II: Brother

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

As a child,
I thoroughly enjoyed,
Playing around outside,
I enjoyed getting into play fights,
I loved feeling like I could overwhelm any opponent, but I couldn't.
My brother was way stronger than me,
He had the height advantage,
And best believe he had the weight advantage,
But still, I thought I could manage,
It never really crossed my mind that my brother was a bit off,
To me he was a big kid,
A quiet companion,
My best friend,
My heart.

That was more than enough,
Until one day I went too far,
See my brother had one toy that he loved,
It was string; he'd tear up clothes to make string,
He'd cry up storms at department stores if he didn't get his string,
He'd hit my mother and punch my father if he didn't get string,
I just always thought the exception was me,
I was his play mate, he smiled at me,
Something quite rare for my big brother to do as a result of his condition,
And the medication he was taking,
You see when a child has autism they kind of want to do their own thing,
They want to be on their own,
Enjoying whatever it is they enjoy doing on their time,
But I had a child's mind and a child's ego,
His toys were mine too,
Share with me,
Play with me,
Look at me,
ME, ME, ME!
So he punched me right across the face,
I went flying into a sliding paneled glass door and began crying,
When my mother entered the room,
She asked what was going on and tried to calm me down,
I wouldn't listen so she told me shut up before the neighbors called police,
And we were both taken away,
Being that my mother was a single parent, I believed her,
With that being the case, I closed my eyes and didn't look at my arm,
Nor the blood slowly dripping down it onto my fingertips,
Down to the floor below,
I didn't play much anymore after that,
I was too childish to blame myself,
So the fault was his.

The fault would end up being mine,
As this action being a culmination of things done by my brother,
Led my father and my mother to do what I thought was unthinkable,
They chose to let him go,
Giving him to a group home,
My young mind couldn't even begin to comprehend the pain they felt,
But to me all I could see was two adults giving up on their son,
I saw love and hope dissipate right in front of my eyes,
He was playing with his string in the back seat of the car,
While I sat beside him just watching him,
Saving every movement of his,
And his joy into my memory banks,
To be left to gather dust; because the pain was too much to harness,
But with respect I chose to re-open the chest,
And hold my brother in my arms once again,
Before he was ripped away from me,
And given away to the monstrous people,
That wouldn't let him hug his mother nor me,
I didn't care if this is what was needed to be,
I was losing my brother!
My blood!
My playmate!
My best friend!
My only friend!
My HEART!
It didn't matter that he hit me,
It don't matter if he hit my mother or father,
Because the beating my heart was taking was too much,
For my slim frame and still developing body to handle,
As such my growth was stunted and I gained heart problems,
On top of the asthma,
Autism meant nothing to me,
He was everything!

But it ended with me sleeping alone,
At home he was gone.


Part III: Father

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

I never felt much towards you,
I was taught to love my mother solely,
As she was the one always there to heal my bumps and bruises,
The only memories I have of you from my childhood,
Are of you feeding me God awful food and teaching me to ride a bike,
But I forgot how to ride a bike,
And I could cook what you cooked on my own,
Burnt hotdogs, and pasta, and cereal never really fazed me,
Every other memory is a blur,
Your love was like a line or two painted upon a Mona Lisa of love,
That I had gathered from the various sources of inspiration in my life,
I could always gain appreciation for them,
But not for you.


As I entered my adult years,
You tried to make up for it,
I knew you had pent up guilt inside from not seeing me,
Yet you bought presents and rose up the seeds of another tree,
Seeds that I don't blame,
I only wanted to smell the same flowers that you gave them,
So you were trying to give them to me while I could still smell them,
But that sense was long gone along with my sense of sight,
Literally my vision was fading, but my mind was expanding,
As I was witnessing the world around me quite clearly, and the soul within me,
Just wouldn't release me, from the overwhelming feeling of needing you,
A father figure I could depend on,
A monument for what a man should be, and truly believe in,
As it comes to issues of morality, love, and loyalty,
Up until this point you had only taught me resentment,
Resentment leading to hate,
But I wanted to honor you in place,
So I hide the parts of me that you don't care to see,
I hide my relationships,
I hide my true feelings,
I hide my poetry,
Because if you found those things,
I would no longer be free,
And I refuse to submerge my soul into slavery,
Just for you to feel like you rose up the brightest son,
When truly the darkness is where I was brought up and where I belong,
Moonlight is the only thing I can touch with my pen,
As I compose the paintings residing in my head,
Of wordsmiths and demons battling,
Because words are my angels,
And they have always been there in every instance,
Whenever I've needed a piece of wisdom,
Or a calming presence that would come from the essence,
And recollections of stories of glory,
Stories that helped me forget you,
I love you, and hope our relationship can bloom,
But I no longer wish to speak on you.


Part IV: Mother

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

I was taught to feel love towards you,
And it still remains as strong as ever,
From when I was a child,
Your sacrifice made my life exactly what it is,
Exactly what I needed it to be in order to grow and explore my soul,
To reach for my dreams,
You have always given to me,
Even on your last two cents,
Both would be for me,
You were my mother goose,
Even if I seemed like a young rooster,
Because we were always so different,
You always wanted to mold me into your vision of me,
While you instilled in me many things which cling tightly to me,
You've made someone completely different from what you expected,
I hold different views and truths that are separate from you,
Which is fine, but for a time it would keep me from being who I desired to be,
Because you could never cut the umbilical cord.

In fact, it was wrapped around my neck,
The death of me was coming slowly,
Due to the inhibitions of my creativity,
You loved that I would write, but you hated what I was writing,
Hip-Hop, home to me, was looked at as purgatory,
You couldn't see why I would want to listen to these stories,
Stories of struggling and hustling and juggling jobs, drugs, women, and friendships,
These ships were all sailing gallantly through my mind; the wordplay was so sublime,
And the fact that the words blended with their worlds were so unkind,
Appealed to me, but you were blind,
This changed my perspective,
However what really taught me to be a man,
Was when you began pushing opposing women out of my life,
I would be deep in love, buy-a-ring love,
But one thing would be enough to trigger a string of insults,
And a manikin-like regard for the person of whom I adored,
This was too much for me, you were systematically ending my dreams,
I thank you for your love and for everything that you continue to do for me,
But the cataclysm that was forming in this poets mind,
Was becoming too much to bridge,
If this feeling was to be ongoing,
So as a desperate act of love and care,
I left you behind,
But the love is forever there,
I'm a man because of you,
Your heart will forever reside with me on my journey,
You’ve no need to be frightened,
I’ve got you, I’ve got us,
My senses have been heightened.


Part V: Lover

I remember
That daze I felt those days
Those days that were fixtures
In my life at the time
But like all good stories
They come to an end
Sometimes abruptly

We met after a string of accidents,
Accidents that nearly cost me my life,
These were love losses, blood losses,
Things I’d never thought I could recover from,
The experiences had me going numb,
Until you found me… or did I find you?
It's hard to tell it just seemed like we were two lost souls,
Looking to quell our young hunger for the opposite ***,
Each and every day was spent together,
First on the stoop in front of your sister’s house,
The place where I first kissed your mouth,
Second on the park benches,
This is where hours flourished from minutes,
Third was along the streets of the world,
You were my diamonds and my pearls,
Indestructible and irreplaceable,
Once you met the paper you were there forever,
With that ink blood that flows through your veins,
A fellow poet whose love would stain my mental,
Instrumental in gifting my simple world with a new understanding,
It wasn’t how I imagined, but God laughs at notions of planning,
I finally found out what it meant to be in love,
I never had two people show me what it was,
Honestly the many descriptions of hate,
Is what would be seen at the gate of my consciousness,
As such, I believed this same fate would await me,
It was once the singular feeling with which I could relate,
But the euphoric hands you laid on me,
Made me lose an awake thought process,
As I was in a lake filled with your waters,
That would flow to rivers,
Followed by seas of your loving,
Seas consummating your body,
As I laid on the beach,
Believing it to be a dream.

But it wasn't, and it shouldn’t have ended,
In reality, love has ways of being reprimanded,
I was so lucid, and the picture was candid,
It was the simplest of pleasures that I'd ever been handed,
I learned right away the right things to do,
To flow from my heart and work my way into you,
To take care of my lips,
A rough kiss can't ******,
Nor find proper pleasure,
Along a woman's surface,
You’d allow me to peruse your mind,
Sending shivers up your spine,
As I embarked on my conquest,
Explorations of lustful aspirations,
Symbolizing and synthesizing,
Each and every stroke,
Representing a new letter,
In the alphabet of love,
Allowing our tale to unwind,
To combine the breathlessness of our exploits,
With our hearts desire for choice,
Which declined to lend voice,
To the greater work to be done,
The acquisition of newer positions,
Are symptoms of the journey,
Keep going, never surrender,
Be tender and conquer,
Mental foreplay is stronger,
Than any physical touch.

Love of a poet both bold and stoic,
Is a simplistic view of unfolded vibes and rhythms from the inside,
This could never subside to anything less than genuine spirit of heart and signs,
Among the winds, trees, stars, because you are the art,
You are Moses parting the red sea of my subconscious,
You are the dark sphere which encircles me,
You are the light that penetrates me,
You are harmonic melodies and sweet remedies,
You are rude symmetries and cool symphonies,
You are a lesson learned and an angel untouched,
With exception of me,
Hushed whispers or high pitched screams,
Mean nothing, without the mind following the body to finality,
The fluidity of our ****** motion,
Is a reflection of our mental state,
I seek not to pass through you,
I seek to become one with you.

That's how I feel about poetry,
That's also how I feel about ***,
That's how I feel about you,
You showed me the way,
You are my soul mate,
One with the words I write,
And the memories that I seek the convey,
You are the sun pouring through with the rain,
You are my miracle, one year my junior,
Fifty years older under the skin,
Deep within, your soul, my solar,
Not an eclipse, but a shimmering glow,
Always for my love and never for show.

I fall in love with people's honesty.
Their smile.
Funny jokes.
Tears.
Scars.
Passions.
Eyes.
Dreams.
Their spirit.

Word to Marley Soul.

Five steps in my growth,
Five indispensable cogs of my sou

I feel like the white lion
stuck in a cage for the rest of my days
feet set to tread a path barred and dusty
from all of those who trod before it.

The only excitement, the jangles of
keys from the keeper who runs to
throw carcass of rabbit, turkeys
through my bars for me
to render sustenance, incomplete.

I fear the white lion
hear my lonely roar and wonder
at such talons, canines now stolen
and feet dismembered, claws ripped
from their shackles, top-of-the-food-chain
fear desecrated.

And a genetic time-bomb too
ticks under my skin and theirs
as I sit and I listen to the lies
your children now share.

My line also ends, a mere stutter
in the sand, as the tides flow steady
and the last lion lingers.

And I am, too, held high like a beacon,
a warning, a message spanning
centuries, look, children, look!
See the mistakes of your ancestors.

See how her coat shines so very bright
that it reflects all seven colours
of the light? See how lonely and low
the last of a manipulated, mistaken,
misconstrued species can go?

She was drawn from her mother
mixed with her father, no she doesn't need him
and the others, why yes, all left
are her kin!

How wonderful, how quaint, you
know only ten now remain?
None in the wild of course, where
their life cannot sustain,
better here locked under our
constraints where we have
so much wonder, so much recreation
and education to gain.

And true, from this bleak place
they can never migrate
but look at her, no where else to go
this man-made mistake.

Don’t worry about the pacing,
the maddened, gleaming eye
the freedom they miss
out there? They would die!
And they know no other way
than this.

I know she looks sad, but
that’s just your feelings projecting,
they’re just animals, my darling,
you’re innocent, shouting in consternation
save her in the name of conservation!

But we are all white lions
all now endangered, our steps
are no freer, our lives all
subject to external changes and we
cannot move but for the cage
they have constructed, their
lives are impacted but our
wonder is not deducted.

I feel like the white lion
this ambassador of our greatness
this one mistake, so very clever,
engineered to engage us, these lives that
were wrought solely to entertain us.

I feel it, their future entwined in mine
and in humans across the ages.

Meaning of life designed, its sibilant message
dangerous, a dumb animal wandering
a set path, disregarded, destructive, aimless.

People always say
how dreams do come true,
how wondrous it is
to be submerged into visions
that belong solely to your mind.

What they never speak of,
as if trying to forget,
is that dreams of wonder,
dreams of light,
can turn to darkness.

Suddenly, dreams of a perfect world
become the horror that we try
so desperately to escape.

Yes, dreams do come true,
but what no one ever tells you
is that nightmares are dreams too.



                                                                                                                    (w.n.)

I'm struggling with what it means to be a woman.
Does it mean that I am always in competition to be the top of my species?
Does it mean that I need to be perfect without a single curve out of line in order to find love?
Does it mean that I am only defined when owned by a man?
Does it mean that I can only find purpose in childbirth?
Does it mean that I will forever live in the shadow of men?
Does it mean that I am an object invented solely for a man's pleasure?
Does it mean that I'm forced to confine to gender roles and live in someone else's story?
Does it mean that I'm supposed to accept it when I'm harassed from across the street?
Does it mean that I'm supposed to lie there silent when he puts his hands up my skirt?
Does it mean that I am only worth 77 cents to a man’s dollar?
Does it mean that I am defined by my looks rather than my intelligence?
Does it mean that I will never be capable of holding a major position of power due to my mood swings?
Does it mean that I am defined by how many men I have had *** with?
Or does it mean something else entirely.
It's difficult learning to love being a woman.
Obvious and damaging disadvantages are visible to observers.
We are regarded as second best, property of our man.
We are erased from history, our pain is minimized and forgotten.
We are oppressed and have to fight for our rights.
We are afraid to walk the streets at night, afraid for our lives.
We are harassed without care and without penalty.
We are ***** and murdered for refusing proposals.
We are expected to live on the sidelines as a housewife whose only priority should be her children.
We are expected to keep quiet in situations of domestic abuse.
We are expected to be perfect, and pretty, fresh for a man’s picking.
We can’t even advocate for our own equality without being demonized.
There are times where I wish I wasn’t a woman.
Being a woman comes with innumerable expectations, pressures, and responsibilities.
My existence is not defined by a man, or by the patriarchal expectations that have been placed on me.
I am breaking free of my confinements and I’m not afraid to admit that,
I'm struggling with what it means to be a woman. And that's okay.
//sarahmann

Your atoms were once a part of the stars and maybe that explains your brown eyes and the shine inside them. The atoms that sculpt your body used to sculpt the ocean and maybe that explains the depths, hollows and dark corners of your mind I've yet gotten to discover. Maybe your rough edges are explained by the solely fact that the atoms forming who I'm deeply in love with were once rocks with gems inside them. It has been a privilege to fall for a beautiful, bright and amazing combination of Earth that is you.

i only write in the middle of the night
while the stars watch me
waste ink of blood
dripping from the veins of my brain

i only write in the middle of the night
while the moon guards me
as i write the message of my soul to the universe
solely dug from my heart

and suddenly everything comes back to reality
the sun sets high
illuminating the pitched black sky
and i wonder,
will i ever enjoy the daylight
while carrying the burdens i hold inside



a.t.

What I seek here is as a writer astutely commented “it was the pure breath of God playing on
Human heart strings” where better to start than an instrument that is played in such fashion
Solely by the wind its name is from ****** the Greek god of the wind my changeup calls for the
Wind of the one true God my line in lost friend not a person but a great black oak that grew on
A California ranch for over a hundred years in a storm it was destroyed the lines read this way
Two divergent seeds the ground did divide one of wooden grain the other flesh and blood
Their branches throughout the community do abide as charming as church bells ringing touching all the
Flesh and blood pertains to the ranch family that was so honored by this majestic guest all those years
That’s what I am speaking of bells are associated with the Aeolian harp because their sound is carried on
The wind crisp and clean without contamination this is written that we might prepare ourselves and
Have the pure spirit blow across our souls and from it have a better year ultimately a better life first in
These examples we will move closer to the Aeolian harp you will see this isn’t just living but its
Excelling in the richest spheres our lives can and must strive for this magnificence we are not
Just here just to expend time and enjoy ourselves we are to be in pursuit of a great and eternal
Reward there are many stratus of life others are in earthy terms more advanced that is only on
Social levels in the spirit we truly are equal each according to their gifts will answer on a same
Plane fair and honest judgment so that alone should birth passion in each one I want to be the
Best I can be not to out show another but to present our selves honorably and show we put in
The same effort as others first know all are not chosen to have such dramatic tunes of the harp
To drift across life’s varied landscape ours still will be unique and the highest tunes possible and
Will resound with glory we ourselves to a degree will be pleasantly surprised truly so it will be
Determined on the closeness we have with His Holy spirit when I first heard the harp was in
Hannibal Missouri I was in this rich place of American story telling the boy hood home of
Samuel Clemens better known as Mark Twain I was on the river frontage road the great
Mississippi was to my right but I wasn’t thinking of Tom Sawyer my thoughts weighed heavy on
My mind I was far away up by Chicago at a church where brother and Sister Willis was pastor
Then back in the present here in Hannibal this was their home town a beautiful blonde eight
Year old was their pride and joy life was full she had a older brother who was ten it was a
Musical joyous life and then dark ominous clouds rolled in one so filled with life small and
Gentle it was one of the cruelest and terrifying cancers sorry even her death was terrifying in
The midst of tears and anguish they prompted the Aeolian harp to play they brought her home
To this historical place that became so much more rich and sacred when they lay her in the
Cemetery it came as a rush it over powered my emotions in my mind I saw her waiting for that
Great call the dead in Christ will rise first and meet him in the clouds of glory then those still are
Living will be caught away with him this young heartbroken father and mother with
Out hesitation or actuation by faith and trust they continued and shortly thereafter they started
And completed a larger church the richness of the harp reached across the lost community
Families in peril confused and lost had their ears and hearts opened by the lives of these
Faithful Parents it’s not just about making heaven but look around you at the great and terrible
Day of Judgment the great white throne and He who sets there once the savoir now the judge
Of the world you have others standing there with you as you look at them you can’t help to
Look Beyond His great light and see out in the darkness the deadly silent crying trembling lost
That no one reached or worse they wouldn’t listen the next story of the harp is about Frank
Bartleman the great man God used to bring modern Pentecost to America through the gate of
Azusa St Los Angels he arrived in Los Angeles with his wife and two young daughters December
22 January his oldest daughter three year old Easter was seized with convulsions and passed
Away he echoed the word from Ester little Queen Ester seemed to have been born for a time such
As this Esther 4:14 “Beside that little coffin with heart bleeding I pledged my life anew for God’s
Work In the presence of death how real eternal issues become of all the music LA has produced
None comes close to the sounds made by the Aeolian harp that day all the days since and all
The Souls whose shouts resounded then and now what joy bells are ringing throughout the
Years you read this the harp cuts thorough every excuse every denial we make when His love is
Calling over pastoral fields over head white clouds azure blue sky a single white dove the son of
Man personally calls to you I love you you’re missing so much following the false and deadly
Trends of this world come let me pull you close your land a waste land of just material things in
My presence unquestioned exception hurts carried for years will be healed only as a father can
Do your guilt will be forever cast away moral purity that your soul cries for will be heaped in
Your life no longer dark shadows that haunt but real true life that satisfies to the uttermost it
Will heal bring new understanding addictions are flimsy bindings that hold only because you
Seek all things that are rooted in disfavor my favor knows no bounds and you will be free I will
Breathe my spirit and you will know the Aeolian harp tunes and breathtaking wonder will swirl
Through your mind heart and spirit Heaven will displace the black strangle hold of this world
Centered anew the rays of the cross and my love breaks every yoke true freedom is yours for
time and eternity

Solely roaming,
Solely flowing,
Slowly transcending,
Slowly ascending.

Where do those pretty wings belong?
On the sides of skulls.

Lifting our mind state,
Leading us
To the land of winged skulls.

There's a brain in a bowl who says so.

Only drifting
Behind gates with thee,
Receiving symbols.

Your eyes dilate,
Someone's head is hung over,
Bludgeoned by stones.

There's a brain in a bowl that says so.

Where do those pretty wings belong?
On the sides of skulls,

Lifting your mind state,
Leading you
To the land of winged skulls.

There's a brain in a bowl that says so.

(c) 2014 Brandon Antonio Smith

(Originally written 10/27/10
Revised 9/27/14)

She struts through her town
Chin up
Hair down.
Trying to hide
Her skinned knees.
She doesn’t want the world to see
The only evidence she bears
Of when she finally fell.
Tripped, stumbled, whatever you want to call it.
She could hold herself up no more.
Gravity overcame her
Truth overcame her
Life overcame her.
Her back bent
Her knees buckled
She tried to scream
But no sound came out.
Her one moment of weakness
Left her with scars
Unseen
And ****** knees.
How do you come back from a fall like that?
She built herself up for years
Like a mountain ever growing,
A trophy never rusting.
She shined her shoes,
She brushed her hair
She straightened her blouse
Every day
Trying with all her might
To maintain her image
Of perfection.
She should’ve realized sooner
No one is perfect.
Not a one of us
Not Ghandi
Not Martin Luther King
Not Eleanor Roosevelt
Not even Dr. Suess.
They weren’t perfect
So why was she?
Who is she, that gets to achieve the dream
That the majority of people are treading water just to get a glance of?
A better question would be
Why did she get to do such a good job
Of hiding her imperfection.
She walked everywhere with a bottle inside
Holding everything in
Nice and tucked away
Like a child at bedtime
Hidden
Safe and snug
Where no one could see it.
She pulled it out only in the wee hours of the morning
While sitting by herself
At the top of her mountain
Where she sat
And wept
Silently.
When the rays of dawn would peep over the distant horizon,
She would wrap the vial up
And swallow it again
Down into the depths of her soul
To remain hidden
To keep her secrets safe
To keep herself upright and a-okay in everyone else’s sight.
This went on
And on
And on.
Until one night
When the moon shone bright
And the stars and constellations shone around her head.
She went to examine the newly expanded contents of her secret container
When she realized the stars weren’t shining solely on her soft
Perfectly parted hair.
Someone else was there with her
But it was too late to put the ampoule away
It was already out, see
And in plain sight.
She fumbled,
Caught off guard, she dropped her flask.
She jumped to catch it but it was already rolling
She chased it.
Down the mountain they went
A bottle
And a girl
Moving in tandem
One no faster then the other.
She tried to slow herself down as they approached the base
But it was too late
The momentum was too great
She tumbled headfirst
Her knees hit the ground
At this speed
Grass feels like concrete.
Green stains on her elbows,
Blood on her knees.
Water marks down her cheeks.
The higher you build yourself up
The longer you have to fall
As she discovered the night the constellations revealed her façade to another.
No one’s perfect
No matter what they seem
You never know
Who, at nightfall, screams.
This young girl learned her lesson
It’s better not to hide
And now she struts around
Showing skinned knees
With pride.

She was always
Simply
           A
              Lock
                      Away; all they needed was the
Key.
Those who found it
Lost it soon enough too.
But those who fashioned it,
themselves
Without deterring from the task
Without trying to replicate a lost key
With nothing but a
egami euqinu
In their minds
Of what the lock looked like
And what the key should look like
Only those few,
Few, very few
Wizards
who toiled to work their magic
Succeeded.
And they never lost their key
They necklaced it around their heart
A symbol that was now etched into
their existence
Entangled in the life of the veins
That this heart so solely depended on
Becoming one with them

Those were the lucky ones

The others, the ones she wished mattered
Were still only searching
Searching
Meandering
Probing
Ferreting
Still only looking for
A key that had once been used
And whose lock was now
Rust rusting rusted
With time.

Still searching
But never creating, of course
Always only searching
Until they found it



        And then lost it again.

this is truly a welcome break from:
freeing all the drafts -
which i imagined to be equivalent, or rather:
the 2nd parallel of the original adjecent -

i imagined it would feel like:
releasing doves with laurel branches firmly
lodged in their beaks -
just as the waters of the flood would recede...

but it truly felt like:
the inversion of the diarrhoea-constipation
"paradox"... because it felt like both,
but never giving me a clue as to
what was more prominent -

the sharp edge of a knife -
or the horizon when the sky becomes
the sea far away....

i'm not ashamed to throw this onto the fore...
it happened to me once...
but on purpose...
i wanted to compensate marquis de sade's
antic in a brothel when he implored
the ******* to turn the crucifix into
a ***** into his decapitated precursor
of a mary antoinette... puppet...

profanity in images and all the other seances
of the senses...
i wouldn't go as far as to make the crucifix
profane... or do anything profane
with it...

only the words...
hic (est) mea corpus - hic (est) mea cruor...
this is my body - this is my blood...
and i am aware the mead is the gods' ****
when they're in a good mood - all... jolly...
and that beer is the gods' **** when
laughter hits a dry run...
and that ms. amber or whiskey is but:
the blood of the gods...

i had to corrupt it...
to prove to myself: that i am not a god...
it was quiet simple...
once upon a time i was drinking
a glass of wine...
and as you do... on a whim...
i decided to **** into it...
perhaps all that drinking prior would
give me something to elevate the palette
of exploration that was to come...

hmm... at least that sorts out
hic: mea cruor... *** urinae...
but back then i did that on purpose...
and if only this was a desert scenario...
and i would have to drink my own *****
to survive...
well... i just thought: here's to starving
from a lack of better imagery...

i will come unto some Horace in a minute...
i don't know how i managed to find
this citation - it's only very losely related...
and yes i will showcase another draft from
May of last year...

but today i was unsure...
did i leave yesterday's pepsi max bottle
with only the stale pepsi left...
or did i forget to do the lazy sly wee whizz
jumping out of bed in the middle of
the night...
but i already poured this "cocktail"
over two shots of whiskey...
and i'm hardly desperate but...
my original intention of alligning myself
to the profanity of the crucifix...
i had to somehow make profanity
of the wine...

since i am... thinking how to compensate
being satisfied with wine...
how the ancient world was always
satisfied with wine...
the story of the 3 ambers of the north...
the beer, the mead and the whiskey...
all in a varying degree...
but i will not bow before the blood of a god
that's so... diluted...
whiskey yes... that can be blood indeed...
otherwise it's down in the trench
with gods' **** - mead if they are in a good
mood... beer if they are in a talkative mood...

thank god i wasn't thinking:
better salvage those two shots of whiskey
and drink this cocktail of the "ultimate" surprise...
and apparently eating a woman's
placenta is good for you...
as was... apparently once... breastmilk...
funny... give me the milk of a cow or a goat
and i'll show you: one dislocated thumb...
one dislocated distal + intermediate phalange
from the index finger of the right hand's
proximal phalange... no broken bones...

knock-knock... who's there? touchwood superstition.

it's not as bad as it sounds...
stale, yes...
but i am also known for sometimes
performing the antithesis of drinking tequilla...
*****... i'll sprinkle some cigarette ash
onto my hand... lick it... take a shot of *****
then throw one or two black peppercorns into
my mouth for the crunch...
each drinker and his own myths... right?
i call that the black cracovite...
cracow being so close to aushwitz...
and once it snowed and they thought it was
snowing... sure... ash from the furnaces
of aushwitz... here's my ode to... the dead...
in a drink...

hell better a cracovite than a cracowite, white?
i mean: right? seriously: low hanging fruit,
the elephant's testicles...

i will never understand this whole veneration
of wine: in vino veritas...
these days wine is better drank by women
and castrated monarchs of the clergy...
i had to check... so i ****** in my holy grail...
and guess what didn't come out
the other end? gods' **** (beer and wine)
or gods' blood (whiskey and wine)...
just this stale, almost bland...
water with a pinch of grape that has been
left to sit in a puddle on some
industrial estate in dagenham enjoying
the ripe downpouring of chemicals
that leave it with a rainbow of diluted
petroleum...

akin to: try shoving that sort of doughnut
into this kind of pile of ****...
not that i would...
but i have also been prone to test
99.9% spirits... or 96% absinthe...
with a locust mummified in the bottle's neck...
from Amsterdam...

i had to rethink: why become engaged...
when chances are...
to the displeasure of someone who read:
but never bought my work...
the self-editorial process...
the self-publishing process could be...
guillotined on a whimsical constipation
of a "dear reader"...
as it might happen...

again... Horace and the perfect example
of poetry with conversational overtones...
poetry as prosaic...
my god... paper was expensive back in old
Horace's days... surely you would need
something spectacular to write:
like a psilocybin trip account word for word:
wrong!
a certain don juan said to a certain
carlos castaneda: don't bring back words from
such experiences...
but of course: they did...
upon once upon a time loving the beatniks...
i started to abhor them...
getting drunk and smoking "something"
is one thing... exposing the altars of solipsism
of such experiences: words intact...
is a profanity...
each dream is individually curated
to the dreamer... the introduction of words
to relate back... for some next be disciple...
the "drugs" / portals of escapism are already
contaminated...

why wouldn't i: even if these are only
objective recounts of an experience?
perhaps because... they are subjectivelly null...
there are only the comparable heights of Gideon...
such experiences are best: kept to each individual's
right to enjoy... a freedom of thought...
and of silence...
each keeps a secret...
but what secret is left?
when the objective parameters have already
been stated?
i see no point... better down and finding
it at the end of a bottle...
or... ******* into a glass of wine
and drinking it...

they have been contaminated by words that
have been retrieved from such experiences
that (a) no one should talk about...
(b) surprise! the objective reality already
being stated as altered...
am i going to a ******* cinema with my body...
or am i going to a surprise
gallery with my thought?
doesn't matter... word contamination...
bigmouth struck his final last time!
at least the remains is what gives me
the labyrinth... the blood the **** you name
it the three sisters amber... for all i care...
it's readily available: make do...
with what's already been given.

me? i drink for that very special date...
monday 9 march 2020...
when all the orthodox jews get drunk...
that's one of those celebrations i wouldn't mind
being a part of... purim, festival of Lots,
funny... that period of history...
the Persian aspect of the hebrews...
never made it to the big screen...
seeing modern day Iran as day-old Persia
in muslim garbs...
we're still only seeing the: African adventure...
perhaps once the dust has settled...
we will get the Persian installement...
and then... oh... **** it...
we're all in it for the long run...
then when christianity is no longer useful...
the Roman bit of history...
and how the hebrews conspired with the greeks...
2000 years later we'll probably see
some prince of egypt cartoon movie
of the pristine romance and a mention of germany...
not yet... ****'s still to ripe to entertain
the universal child and children...
no screen adaptation from "their" time in Persia...
songs... we have songs!
Verdi's Nabucco - the chorus...
perhaps only in song from Persia and always
with movies and hieroglyphs when from Egypt...

but the festivity... of course! i'll celebrate...
cf. though... Puccini's coro a bocca chiusa -
the humming chorus...
before the band enigma... i am pretty sure my mother
would crank up the volume to at least
one of these songs... should they come on the radio...
i'm still to hear christopher young's:
something to think about - to be on air...
and to also be treated as a piece of classical music...
if wojciech kilar's dracula soundtrack can be treated
as classical music... what's wrong with a little
bit of hellraiser?!

perhaps, "again" is this desecration of the sacred not,
simply hanging in the background,
all, the, ******, time?
who is to celebrate wine giving it a god's blood
status in sips? one is expected to somehow become
drunk on the passion!
no one is here for crumbs of sips!
first they came for the loaf of bread...
and said you should fast and eat only a crumb...
then they came for the bottle of wine...
and said you should abstain and drink only a sip...
then they came for *** and by then
vatican was a monaco with better tax protections...

it's an investement: having to **** into a glass
of wine you're about to drink...
worse... you accidently "forgot" about
******* into some left-over pepsi max
and you're making yourself a cocktail
with one of the graeae ambers - 2x -
and you wonder: is this the proper state
of carbonated water, stale?
but i'm hardly going to bash the crucifix...
i'm here for the words...

the... transfiguration of the wine into blood...
and i say of my gods:
and here is their **** - beer and mead...
and here's their blood: the three graeae ms. ambers...
see no: clearer? no... happier?

i will get onto ancient roman poetics
with its conversational overtones in a minute!
first we have to settle the sacraments!
the metaphors and the sacraments!
i have no ivar the boneless claim of god...
season 6? to be honest...
i'd rather watch an english soap opera...
at least the intricacy of the plot remains...
even though it has been recycled
so many times...

i can't **** out the gods' ***** even if it was
stale beer... or ideal mead...
as i can't leisure a Seneca's bath filled
with the blood of the immortals...
problem solved... "problem":
as if it ever was...

why, Horace? a very short rhetorical retort:
if Dante had his Virgil...
why can i have my Horace, as guide?
again... what Roman poet could venture for
ambitions among the myths -
or extend his "consciousness"
to devastate the land and become
the mad Xerxes wanting the waves
of a sea whipped into submission?
why, Horace? if Dante could have his Virgil...

poetry... at least among the roman poets
there's no boxed in a box "without" a "box"...
the conversational overtones are ripe...
the almost complete lack of
character dimensions... beside their dimensions
from anecdotes...

to difuse wine, to desecrate the hic mea cruor...
**** in it!
then drink it...
or have one of my antithesis of a tequilla surprise
with me...
smoke a cigarette... drop some ash on the lick-part
of the space between the thumb
and the index metacarpal... lick it...
follow it with a shot of *****...
then throw some black peppercorns
into the hades of your gob
and we've arrived at the black cracovite...

and also the day when the orthodox jews
recant their story of their time
in Persia... the festivity of Lots...
when they become blind drunk and pretend to
have the sort of alcohol intolerence as
the Japanese... 1 shot! just 1 shot:
and hey! they throw their kippahs in
the air and we can all dance the ukranian 'opak!

looks good to me!
but only looks good...
when there's this plump drunk playing the accordion:
i.e. me,
and there's the sort of adrew rieu directing
an upcoming crescendo of a poliushko polie...
and we can all leave the auditorium
feeling, less than russophobic...
and then i can be told...
you young to be old yet still
profane pan-siberian peasant root!
indo-european leftover!
well... at least then i have been allowed
the scrap i'm supposed to see
before i showcase my *****, frost riddled fangs!
of the lesser wolf that i am:
as a rabid dog!

since the crescendo will come...
what better fathom of it...
esp. just beside a cemetery... twirling to the music...
ear-plugs out seancing my time in a grand
orchestral hall... plucked from the ears...
the crescendo is coming...
but... plucked... the orchestra of buffalo-sized
snowflakes... and... the worst kind of ballet...
a male soloist... doing his crazy
ukranian folk... maestro! the music never ever
dies! even in the silence of the universe!
however micro- or macro- this theatre will take
form... the music remains playing: uninterrupted!

but the snow was there,
the "ballerina" was also there...
the night was there,
the music was there -
albeit no grand orchestral hall -
couldn't ask for a better canvas
than a cemetery -
and all the heart's content!
comparative "literature"
to love like a muslim...
or to love like a sparrow...
or to love with a grudge like a crow...
mind you; site note...
i have been many a pigeons attempt
fornication unabashed...
i've never seen two crows attempt it...
perhaps they do "it" in the night
and never in the open?

crows... pedantic priests of the kingdom...
and where the widower king
and the widow queen among the swans?
where i and you will have probably left them...
admiring a family of ducks...

as asked by the serpent of the swan...
you and me of the same birth in a Fabergé egg...
me with serpentine spine...
while you: with a crooked neck?
silly... it really is...
of a being.... that was once
a t-rex roar... now a pickled brain
in pickle jar... boasting about being...
pure spine and tingles and...
the better part of what... becomes the mammalian
hibernation...
hibernating "hibernating" upon the
impetus of digestion...
a serpent would ask a swan about
a crooked neck?

because what would a **** sapeins look toward,
as he is always prone to to look elsewhere?
if not to borrow the fixed, rigid ontology
of other animals?
i better from the birds, solely...
the swans and the crows...
perhaps the fox...
rarely something that has lent itself
to being curated by man's leash and grip...
collective the known herd...
otherwise the refined bonsai tigers...
perhaps the fish without a knowledge
of a tide or a wave...

i call a dog the noble friend,
the swan the sombre monogamist...
the crow the priest...
the furry spider one's own reflection
dealing with aracnophobia...
the snake the old "say-what?"
or that pickled spine with a brain
the worth of brine juices...
the extinguished remnant
of a dinosaur's toothache... or some
transcendental exploration
of the carpals of the wrist
extending into the length of a spine...

i'm not going to cry over this one...
skål!
i feel disinhibited from writing a memorandum!
slàinte!
gasoline to the peddle and... off... we, go!

i am bound to get this translaton right...
at some point of hinging-on... i.e. beginning with...
and most probably at the opposite end
of having to finish...
hence "open bracket"... prefix-
and -suffix allowance given the archeological
excavation began with:

-seu pila velox molliter austerum studio
fallente laborem, seu te discus agit, pete cedentem
aera disco: *** labor extuderit fastidia, siccus,
inanis sperne cibum vilem; nisi Hymettia mella
Falerno ne biberis diluta. foris est promus,
et atrum defendens piscis hiemat mare: *** sale
panis latrantem stomachum bene leniet. unde putas
aut qui partum? non in caro nidore voluptas summa,
sed in te ipso est. tu pulmentaria quaere
sudando: pinguem vitiis albumque neque ostrea
nec scarus aut poterit peregrina iuvare lagois.
vix tamen eripiam, posito pavone velis quin
hoc potius quam gallina tergere palatum,
corruptus vanis rerum, quia veneat auro
rara avis et picta pandat spectcula cauda:
tamquam ad rem attineat quidquam.
num vesceris ista, quam laudas, pluma?
cocto num adest honor idem?
carne tamen quamvis distat nil, hac magis illam
inparibus formis deceptum te petere esto:
unde datum sentis, lupus hic Tiberinus
an alto captus hiet? pontisne inter iactatus
an amnis ostia sub Tusci?
laudas, insane, trilibrem mullum,
in singula quem minuas pulmenta necesse est.
ducit te species, video: quo pertinet ergo proceros
odisse lupos? quia scilicet illis maiorem natura modum
dedit, his breve pondus: ieiunus raro stomachus volgaria
-temnit.

it's translated, isn't it? no
stefan gołębiewski or no 1980 warsaw...
is to know...

- nec meus hic sermo est, sed quae praecepit Ofellus:
these are not my words, this said the simpleton
Ofellus - neither of which of us is a laurel-leaf
adorned Orpheus...

that via a living "game": stoking up an appetite
with this entertainment the appetite increaes...
as does one health...

sorry... pagans... bloodthirty people...
trouble with the translation...
apparently the mud slinging
***** and bricks are nothing new...

or when you "minus" the disk,
litter the distance, head with the wind into
competition!
after hardships of the body is good and
the meal is simple -
(apparently all of this is still "connected",
scratch of the ol' 'ed and we're fine...
we're ******* sailing!)
Falern will not hurt "us"...
seasoned by honey from Hymettis,
before the entré. Safaz left,
the sea rumbles, the zephyr of fish it protects,
storm, fishing made unsafe;
stomach grumbles, bread with salt:
excuisite; you do not have any better! why?
taste does not reside in the scent of dishes,
but in your self alone.
toil merely increases appetite's presence.
he who over-eats, will not know the taste
of an oyster, nor a turbot, nor chickpeas,
the northern bird.
perceptions take the scalp of the mountain
above the actual taste of the dishes
(one might scalp... but never eat the scalp)...
you will not take a chicken onto a tooth,
when you are given a peacock,
you will trust your delusion:
a rare bird, worth its own weight of gold,
a most rarified tail, how it sparkles
with subtle hues!
as if the tail were to lead -
and there was no head to be found!
do you allow yourself to judge the hue
of the feathers as precursor for the adjecctive:
that's it's "also" tasty? the meat, of course?
the old - judge a book by its cover...
is the oven baked... also as delicious / beautiful?
chicken meat... or peacock meat?
almost without difference.
therefore: light... albeit...
although only vanity lures the peacock
(to be compared to a poultry)...
let's go further... i want to know: after what
do you recognise this, that a pike
with its gaping mouth was left:
from the sea... or from the Tiber fished?
somewhere among bridges... or from some
conrete estuary? idiot-kin of the surname whim...
you admire a three-pound mullet!
do you take size... for the gauge of all measure?
when you... cut the bell?
then why... why... with disgrace
do you demand in appreciation:
elongating pikes!
evidently nature: this greater gave the proper
measure... and with it: the lesser weight -
an empty stomach will rarely -
being fed a simple thing - despise -
what is...

an empty stomach - rarely despises -
simple matters.

how true... i was allowing myself the time
it would take to drink,
and translate into the vulgate...
but... from no better source...
and i am still to add to this one of my...
"freeing of the drafts"...

as promised...
"draft"...

- a most confiscated man -
no italics included...

.the original draft:

binges, worth the count
of a liter of whiskey
per night,
for a year, if not more...
become so...
so unspectular...

          the world either
screams, or yawns,
generally:
it exhaust a desire
to toss a coin,
agitate the vocab.,

a grand canyon
huddling
in the "depths" of
a glass of water...

baron science
comes with his rubric
of bore,
      and:
i find myself,
most idle:
while the world
orientates
itself in keeping
itself busy,
bothersome,
always the prime concern,

the ant-colony coup,
the:
i always find friends
in the orientations
of an empty glass,
but prior to:

i drink
before no altar,
no mirror,
no confidante...

     pure flesh revels itself
in a blank's worth
of prior to dictum's
  allowance of, a page...

bothersome
the knot of the pretentious
anti- in scold of
the passing fancy:
expression...

            poker charm
of a love's affair...

_

i sometimes entertain myself
with ancients proverbs,
one slavic proverb reads:
better a sparrow in your hand
than a dove on your roof...

what, could, possibly be,
the interpretation?
care for the small joys in
your possession,
than, for the peace of your household,
which is, on the roof,
but not in your hands...

if i were paid? would i be more
honest?
probably not...
        what i see, is what needs
to be seen...
  em... simple pleasures talk...
once upon a time,
donning long hair, implied
you were a mosher...
a metal-head...
    now? three days +,
long hair, and you're not a
grunge fanatic?
  trans-, etc.?

   a man of simple pleasures,
i know what long hair,
jealousy, associated with
putting it in a french braid,
does to a camel jockey ego...
ruins and ruins as far as the eyes
can see...
    he replicates...
he grows his hair long...
at the same time boasting about
haivng a premature beard...
then you grow a beard yourself...
you start fiddling with it...
****, ***** on my face...
and then...
the "question" of a girlfriend
flies out of the window...
i'm happy with a beard,
thank you, very much,
i don't, exactly want to wish upon
myself, a female, company...

*** protest all you want...
the *** differences between men
and women, to my sort of understanding,
are, unrepairable...
     they were, never,
bound, to being, repaired...
savvy?
            i take my route,
a woman took her route...
  we're even...
                
      since what can only frighten a freed
woman, beside a monarch,
a free man?
                   a man with...
a gamble...
         i am a man with a gamble...
i don't like being told what
to be, or what to think...
like any man,
and like any man:
i don't like being forced
ownership over a being:
that can share my sense of freedom...
so...
    i find myself,
thrilled with relief,
at now having to answer to
a woman's subjugation...
like a woman, and, i have learned
from women: i like being
my objective's self...
rather than a "self" made subject...

i like that: thank you...
i can start feedings the pigs and the peasant
the diatribe life, and lie,
of: there being an existential cricis,
a need to reproduce...
and i, and i am, being demeaning
in this, way, for a justified reason...

once the peasants attack you:
you attack, the peasants...
you demean them in the same way
they demeaned you...

once upon a time i thought:
greater good came from the number
of innocents being salvaged
than for the few great of grand bearing
being salvaged...
even if bound to an ill will:
an ill command,
of a will, predisposed to pretend
actions of the blind...
but now i see...

   the many: if beside fulfilling
their petty deeds,
having to stand outside of those,
petty deeds,
  have ambitions equivalent
to their emotions...
            akin to something worth,
pity, akin to something
worth: as little as a rat's heartbeat...
petty, primitive bull-*******...
and all the amount of sorrow,
or pity,
or mercy...
              that, these, ******* allow...
are worth the same response
Pontius Pilate gave...
       there isn't enough of water,
in this world,
to wash my hands, clean,
of these people...
   even if innocent blood plagues
them,
    not enough waters have run their
due course,
to... release me from the indentation
of memory upon my mind...
and i am plagued by an elephant's
memory...
        we've reached the conclusion
of: some people...
  just do not see an insult,
             past the insult's eloquence!

i am a most conflicted man,
i binge watched vikings
for a while now,
and right now, i'm ready for
an extraction of what i have learned...

believe me: i am not someone
who has the sort of ego-presence
to fate myself in the role
of the protagonist...
     i'm too pedantic to have to
market my body and deeds,
for the fates tio see,
and history to ascribe fame unto me...

even homer was off too war
with troy,
   and blessed he became...

because? time morphs,
the longer something is kept,
the more, "unreal" is becomes,
a fairy-tale...
esp. now, with the onslaught
of journalism...
two things in this world
are insomniac,
money never sleeps,
and, now, apparently,
journalism doesn't sleep either:
well, given its ******
bed-fellow of political liars...
why should it?

             Rolo... a semi-minor character...
but i feel his angst at the already
fervent dichotomy,
(dichotomy, modern variety variant
of schizoid-affective...
or bilingual in turn)...

            music...
                    all these modły...
gesticulations of prayer,
phantom conjuring,
               lunatics with candles
at high-noon...
                  i am fated by music,
i am perverted by music,
i am swayed by music...
who is the god, patron,
of music?
who is the angel (demi-god),
patron of music?
         i do not seek the highest
influencer...
the minor one...

   when Archangel Sandalphon
met St. Cecilia...
but as such, i am, conflicted...
even though, this is the first time
i have heard of Sandalphon...

Rome, never reached my peoples,
the Vikings did...
   weren't the ugly vikings the founders
of Kiev?
  so they must have passed via
the Polen (field) land, no?

feelings are not important,
facts don't care about your feelings...
granted...
but i'm not hear for facts,
contra, feelings,
i'm here for the rivers...
what i feel, what my heart yearns for,
needs to attain an equilibrium
with my mind...
for that: i need to clarify my feelings,
to hush my heart, silence it,
in order to listen to my mind,
and the mind, needs to feed into
heaving the heart: to do,
what, the heart, desires,
autonomous to what the heart
"thinks", is right...
                    that's how it was forver
going to work...
consolidated...
and yes, i much envy the punctuation
of king Ecgberht,
a man of cunning: much admired...
abstract thinker...
        and a reality...
        pun-ctu-a-tion...
the delivery of one's speech...
   much admired, as much as...
                the crude brawl possession...
the chief protagonist of the story?
as important as is: the required from
Atlas... burden upon burden...
a man burdened with the illusion
of freedom...

so why am i conflicted,
but becoming less and less so?
    it was always the music...

songs...

           chavelier, mult estes guariz...
wardruna - helvegen...
           da pacem domine...
             agni parthene...

you know... there's much more beside
being a jazz enthusiast or
a classical music snob...
         there's folk... there's religious and pagan
chants...
if there's one thing to benefit from,
in terms of the Byzantine context...
the chants...
        let the barbarians do the thinking
from now on: you do the sing-along...
no people ever reinvented themselves
from an ancient glory...
   new blood had to come to the fore...

like today...
       i spoke with my father and my mother...
about the names of apples...
we must have talked for an hour,
we named so many lost "breeds" of apple...
nouns i will not write,
nouns i wish death to write down,
i want Samael to have,
beside the book of my deeds in hand,
i want him to have
my dictionary in hand,
my knowledge of the sacred script,
i want to listen as he recites me the words
i've used,
notably today's conversation
            about the many types of apples...
e.g.: shogun apples...
             kox...
                    szare renety...
          papierówki...
                    marabella prunes...
that's all i ask of Samil.

in the year 2462 those with nails protruding from their palms
will talk in ancient tongues
& sway the tribes of men to eternal love,
& endless ammunition
of the soul.

spiritus.
kin, galactic
& the golden fire.
throb the saga of man,
into hip ****** illusions and combustive color schematas.
we bury our dead in flower clippings
or skull bits.

        [skateboarding rises as the highest form of intellectual sport]

thrum and plum-*** the sewers of electric babylon.
hive city reaching past gasp and wasteland,
her lips ruinous.
cement slabs and coils of fault with
vast artistic possibilities.
these skate-lords from their heaps, their clans, augmenting
& rattling bone masks
grinding themselves into meat-bit heroics
& death.
their teeth are yellowy awoken.

this is all seen globally,
via tele-cast-com-core-mind-warp-tech.
or video.

dreams impact reality
impact dreams
in such
that the cathode cortex filter, invented circa 2222,
evolves into a demi-god, a solar charged demon of unlimited knowledge.
& it mutates the psychosphere  of our mainstream public mind
with countless projected memories.
        [streamed alternate realities]
fills the belly and the brain,
but all those unhooked are skating.
sweet meat market.
ghost harddrives.

poor leftovers called children of the once-was-men
& their poolside parties.
they leap the rubble of centuries old plastic icons,
their boards, their weapons, their seeds and spit.
they hang chains from their necks
& spew black flame from their sunshaded boot-click
lickings.
they drink from large bottlesof elixer distilled
on old flowers
& worship archaic cassettes.

cults of cyborg women with gem-tipped-blade-additions
carve wooden planks from
groves of great oaks.
great oaken powers.
their creators chew gummies and bend time
to uphold
a proposed history of perfection.
they master pong from their crystalline towers,
& hire mathematicians to write
conceptual skate-deck algorithms,
solely for fun.
non-profit.

Oh, I know not!
I see not, and master not!
Why t'is caprice - t'is tender whim, is unwilling
to unveil my soul, conquering it with
mounds and plates of rapturous
yet canonical attention. How I dread
such falsehood! Strong, strong falsehood!
What an inconsiderate urgency! A matter, matter of the heart -
as mighty as it probably is, of its own accord! How serious
t'is would be! I am suffrage; and akin to its vigour areth my laugh,
and joy - I would be hatred if none cameth to stop my pace;
my frosty haze; and t'is gruesome maze! Yes, I would but be,
in th' length of some furt'er days!
I shalt no more be of t'is delight, and clustered inside my gloom,
pressed to th' walls of dainty loom; from which I shalt never
be comely enough to be granted an escape.
How terrifying t'ose scenes areth, to me! A poet as I am,
unenviable is my littleness, and humility; to t'ose who glare with jealousy
at pangs of my laughter, and childlike demands - as how t'ey always
chastised during t'eir coincidental encounters. But I am blessed!
I am blessed by my words - and t'ese cheerful, yet unending poems -
as unlike t'em I am, ungrateful and vile beings, flocking to th' church
only for th' sake of brand-new dowry, and enforced blessings.
Murderers of peace! Sons and daughters of vice! But I am convinced
t'at virtue shalt forever tower over t'em; and in th' right time t'ey shalt
be pulled off t'eir horses, and unedifying pleasantry. And goodness
shalt t'en win! For truth never bears t'eir unfaithful boasts, just like
it hates t'eir dishonesty; which so insistingly frosts me
with atrocity within 'tis lungs, and so soon as doth it start to cling stronger -
abashed shalt I be! Incarcerated shalt be my front, and dutiful
countenance - in t'at gross conflagration with secular flatness,
hesitations, and worldly doubts, in which yon grotesque salutation, corroborating
'tis assailed countenance, gouty and drained by rightful mockery;
comes but to avenge my love, my wondrous love -
which yesterday was dazzling and dripping fast
but contentiously, like a ripe cherry. Like a small burst of wine
craved by scholarly epicures, t'is feeling but anonymously grips
my lips, trembles my heart, and distracts my limbs;
should I be to think of thee, I shan't but be away
from t'is nauseatedness, of regrets, again! My thee, my thee,
areth thou truly gazing at me from afar? With fascination in thy stares,
wilt thou bestow me such destiny I hath been so desirous of - my dear?
And with thy serene, bulbous eyes - t'at sea of blackness
basked in marred turmoil - ah, a sign but of peace after such fire! - wilt thou
mould thy mind, thy stony mind, like a black-painted rose,
to throw at my being, just one, voluntary glance?
I am but anxious, my love, how I shake all over
with unreturned passion like t'is, my blood is circling
in distorting, yet irrepressible agitation.
How I wish t'at thou could be here, and rendereth me safe, in solely
but thy arms, my love! And shalt thou be my giddy knight - I entreat!
In my unmothered dreams, and t'eir precocious brambles - on t'ose journeys
of loom, doth I fear not, for thou shalt be t'ere to mirthfully comfort me.
And off shalt I fly again, to greet th' thoughtful morning!
But ought I to leaveth my dreams now; for thou canst be here to celebrate
t'is snowy day, and lift me onto triumph! And how I wisheth to cast away
t'is imprisonment, how I longeth for but thee here - just thee, remember t'at,
o but hark to my swift whisper, t'at calls only for thy name, my love!
How aggravated, and corrupted my conscience wilt be -
within th' membranes of my brain; t'eir hardship is severed by thy unpresence.
My love, o my restrained - single love, t'is ode that lights my soul
shalt illuminate thine; and 'tis long words - threads woven along
an abstracted lullaby, and vanquished by silent accusations, from thy, thy mouth!
A well t'at is perilous in its standing - standing like a torch, unruptured
albeit neglected, innocent in 'tis acute forlornness. Poor misery!
Hark, hark, my love - how t'ose dames, irresolute in t'eir volatility, and
charms of miraculous beauty - but tumultous inside, entranced by fear
of losing which, as so graciously raved and ranted all over th' year!
Th' dreary years - which th' above phrase caused me to be well-reminded,
and duly recall how t'eir sickening remorse tossed me around; and decreed
my jests of dread, sickness, and disdain - surges, and waves of animosity
wert but all about me. But how they areth happening again! Amongst th' snow -
running about as t'ey art, t'ose heartless, indignant creatures -
blind to th' tenderness of nature, bland and untouched by its shrieks, and
flickering toil! How I wish to save it, but incapable as I am - a minuscule shadow
of early womanhood t'at I own, I choose to stay distant,
and pray for t'eir impossible atonement, somehow, before t'ey entereth
t'eir silent graves. How t'ose ghosts of malice areth in no way acquainted
with th' woes of th' churchyard, and th' grimness of death - I declare!
How unafraid t'ey are, sacrificing t'is coherent life for such courses
of abomination. Victories upon th' misery of others,
dances to mourning songs, how evil! But I wish for t'eir salvation,
for t'ey art unable to even salve t'eir poor selves. I shalt be fervent
in my generosity, for 'tis th' most rewarding part of humanity;
I shalt be but a faithful servant to my innocuous nature. I adoreth my nature
just the way 'tis, and I shalt build its madly-scarred way back; with tons
of brightness, care, and hearty bliss! Yes, my love, my bliss - which inhabits
th' entire space of my maturity and unmolested passion. Inapprehensible as it is,
I am but to win its grace, and t'erefore thee - just as I hath so ardently dreameth of -
as heretofore, and shalt thou but be saluted and fended for
by my, my sincere and unbinding, affection.

in my family conversation is seldom thoughtful questioning filled with wonder quiet pauses instead it is sociable banter teasing goading spontaneous gratuitous remarks clever embellishment excessive flattery it is an ancient system passed down patronage pecking order nepotism sycophancy near to impossible for me to be honest in presence of their overwhelming vanity when it comes to family gatherings my voice isn’t very strong my family’s joking squelches my chirp they are each and all more loud sarcastic faster wittier more crude outrageous more funny loud gregarious sanguine Mom embarrasses herself with uncalled for flirtations (her mental state rapidly deteriorating) everyone laughs boisterously they snap kid exaggerate amplify taunt i can hardly get word in i need to repeat myself several times or more to be heard my voice is minor i struggle to tell story they listen politely then rush back into their rowdy repartee i am way too sincere way too naked in my ineptitude my stomach ties in knots biting lip shivering from cold fear what’s going to happen pitch black in front of me voice inside screams please i need help so bad please make it easier i’m lost in all this commotion drama hunger lack of clarity

Chicago 1980 Odysseus always revered cousin Chris is taller tan-skinned handsomer stronger protective of Odysseus knowing he is frivolous liability tags along with Chris and his prosperous trader friends advantaged echelon inherited wealth educated white young men they float above everyone else their tastes in clothes furnishings run Brooks Brothers Burberry Giorgio Armani Ralph Lauren John-Paul Gautier Paul Smith Emile Zegna Salvatore Ferragamo their preference in women run typically blonde large ******* tight butts make-up painted nails they think Odysseus is a freak because he usually chooses females none of them want Odysseus likes skinny girls flat chests glasses he knows he is an extraneous art pet to Chris and his group

Chris joins newly built state of art fitness facility pricey membership accesses all of Chicago’s fast track shakers movers politicians lawyers pretty people Odysseus has his limits he does not have money to join also he dislikes snooty elitism several times Chris invites Odysseus as guest Odysseus feels insecure outsider Chris always includes Odysseus pays for dinners they begin with round of doubles then 2nd round of doubles before glancing at menu Chris drinks Canadian Club on the rocks Odysseus follows they raucously order extravagant meals with appetizers 3rd 4th 5th rounds of doubles after pricey dinner at chic restaurant Chris’s group rendezvous at bar or club they order round of drinks tip lavishly sip drink glare around room leave barely touched drinks walk out with look of disdain they scavenge more bars in search of females or some intangible attraction Odysseus is never certain what they are looking for or what is the source of their contempt each wears black leather jacket carries huge wads of cash $20s $50s $100s folded stuffed in front pockets no wallets or clips

the Red Meat palace or Chang’s Szechwan grill are their favorite restaurants as many as 8 men sit at table pack mentality prevails for dessert course they pull out small brown bottles filled with ******* if it is Friday night Chris’s pad is frequently elected females other arrangements settle bill depart restaurant one night Odysseus arrives early at Chang’s wanders downstairs into women’s boutique salesgirl named Fiona greets him they hit it off he invites her to join him and his hosts upstairs after her shift is done Fiona arrives as dessert is about to be served table of men look desirously at Fiona beams Odysseus and Fiona along with Chris Phil Tom go to Odysseus’s place Fiona is perhaps 22 petite lovely with deep blue eyes set wide apart long eyelashes brown thick hair cut to shoulders high ******* pink ******* fragrance of linden flowers delighted by male attention Fiona ***** fondles each men are quite intoxicated Odysseus and Phil are only capable to sustain erections Odysseus stares mesmerized at Fiona’s extraordinarily swollen ***** she notices his fixation grins blushing men shout commands but in actuality Fiona is in charge reducing each of them to little boys vying for her attention near conclusion she requests they form circle around her ******* on her chest she fondles them touches herself men laugh mockingly as if to compensate for their lack of performance Tom picks up plastic dart gun aims it at Fiona she laughs crawls on all fours Tom fires dart hitting her on **** Phil grabs gun from Tom reloads another dart suddenly it feels like fraternity stunt Odysseus goes along offended by his own complicity to him episode feels more like men having *** with each other than being with a woman telephone rings it is Odysseus’s latest love pursuit she tells him she is on her way over everyone rushes to put on clothes change bed sheets they depart within minutes she arrives finally ready after weeks of romancing to put out for him after that night when Chris and Odysseus get buzzed in bar Chris routinely speaks the line to women have you ever been done by 2 cousins one night at Green River tavern woman squeezes milk from her ****** into shot glass dares cousins to drink Chris laughing turns down her offer Odysseus shoots back shot of milk then takes swig of Irish whiskey cousins go see Billy Idol at Odysseus’s insistence they stand near front stage young girls screaming after show driving home in Chris’s Fiat Spider Chris complains his ears are ringing i don’t know how i’ll be able to work tomorrow Odysseus nods like he hears hollers out window hey little sister shotgun!

Mom and Dad want their son to enjoy fruits of burgeoning affluence they feel certain what they are doing is best for him they rent quarter seat at Chicago Mercantile Exchange they originally promised full seat but they are overextended Odysseus enrolls in trading course he learns to trade Certificates of Deposit and Eurodollars which are recently established markets suddenly Odysseus has lots of cash his parents are dishing out he does not know what he is doing newly launched markets lack investment and fleece young men of their parent’s money his friends surroundings change he loses sight of himself he is a thoroughly incompetent trader bleeding cash scatters money between harebrained panicked trades or ******* girls $1000. wristwatch when Mom and Dad see jewelry they become furious in a way he represents his parent’s design for how to build successful son yet their plan is going dreadfully wrong he wants to stand up speak out against Dad and Mom he is not courageous enough to counter their weight he wants to express with more assurance his passion to pursue painting and writing isn’t fact he graduated from art school evidence enough of his aspirations commodities exchange is last place in the world he belongs Odysseus is risk taker but he is not aggressive or entrepreneurial only lesson he has learned with respect to his parents is how to run away

by all appearances cousin Chris is brilliant trader in reality Chris is hooked up with powerful crooked brokers they use him as their bagman he covers losing trades and is compensated or offsets winning side of profitable trades subsequently dealt his share Chris is not a criminal he stumbles into profit-making situation when certain conditions are flexible to advantages Chris is diligent hard worker the vast sums of money he earns do not distort his personality he is always generous shielding of Odysseus gold trading pit becomes so shady S.E.C. intervenes relinquishing exchange’s contract Chris and his bosses walk away unscathed having made their bundles

Mom and Aunt Rita run social itinerary for family including birthdays holidays all other gatherings where family will meet changes by the minute depending on Mom and Aunt Rita’s caprice checking in by telephone at least an hour before is mandatory arriving at destination Mom and Aunt Rita insist on specific table location seating arrangement it is important they be seen viewed by others at restaurant they never sit near kitchen or washrooms or where there is too much noise light away from drafts who sits next to who is crucial round tables are their favorite preferring backs to wall looking out so they can nod wave Mom rules from proud pedestal Dad upholds chain of command sometimes he irritably gripes Aunt Rita immediately comes to Mom’s defense Dad points finger back off Rita you’re way out of line where do you come up with a remark like that Mom mediates Max that’s enough in a way the sisters are spoiled little girls over-indulged by their father they believe their opinions and tastes are the best most correct everyone in family are subordinate to their no and don’t Mom and Aunt Rita routinely criticize Odysseus’s semantics oppose his observations critical of his clothes conduct they handily misconstrue his comments to mean fodder for their amusement Mom and Aunt Rita’s efforts to keep prim proper decorum cause resentment Odysseus feels constricted by his subservient role in drama of family he fails to understand their care

Odysseus busts out of markets leaving behind alarming debts for family to pay off he feels humiliation disgrace plunges into bottomless sleepless despair hides in house door locked window shutters shut phone rings unanswered hates life willfully wants to destroy himself there is no way out after week Chris comes by to see if he is all right Odysseus is reluctant to let Chris in Chris commands be a man get a grip on yourself Odysseus replies maybe i’m not a man he feels failure shame realizes he has become traitor to himself he wants to look at existence head on embrace it but all he knows are dishonor regret deception he conceives his being has been stolen he wants his life back but knows not how to recover it he feels deep in obligation to Mom and Dad thinks to escape from Chicago but his parent’s control is crushing he wakes late drinks black coffee smokes cigarettes marijuana hangs out alone sky changes from light to dark to light phone rings he reads Nietzsche Sartre frequents ***** Hole punk rock dive several blocks from residence becomes orphan of night drinking drugging

January 5 2011 30 years have passed Chris marries fathers son becomes best father to his child he can be leaves markets in late 80’s Dad dies in ’91 Odysseus leaves Chicago in 1994 he manages to paint some paintings write some words stomach ties in knots biting lip shivering from cold fear what’s going to happen ***** pink gray skies behind pitch black in front sometimes you need to take a step back in order to move forward Mom says she worried enough about money when she was younger and isn’t going to worry about it anymore her entire life she boasted i’m saving for my children but in the end she saved solely for herself Odysseus never learned to stand on his own all he ever wanted is to love and be loved he wonders what will happen next

has anyone said anything to the LGBT movement that,
ahem, it is also a pronoun? i can't believe people are
getting dragged into:
                a. not only being taught
a secondary vocabulary that's "political", well, let's just
say democratically fascist - but that
b. a theological argument
based solely in the pronoun category is pointless -
i know point b. isn't really big,
or relevant, and to think
that St. Thomas' gospel once rejected
by the Church came back and
reigned in so much havoc that
it could have sparked the Syrian
civil war, and in general:
well... better edit Jesus from the bible...
at first it was the imitation of
the Kippah and the Tonsure -
in between the peacock and the pig,
religion resides - how you juggle
that field is up to you...
i tend you approach it as: well, whatever.
but this is really the best to be alive,
you can laugh in the night like you'd
never imagine laughing before -
i mean - who the hell would think
it wise to attack someone who sees
grammar use and wonders: but that's
also a pronoun, the changed Freudian
that (scalpel probing utility), later
popularised as it - or the complete
objectification of unit, aliases involve:
thought, self, personality, character, etc. -
well it's catching on like a ******* virus,
this unearthed grail of the Egyptian
desert - yes, they did travel to Egypt,
and look what came back...
perfectly fits Josephus' account of things,
which is literally two sentences
including the words: Mt. of Olives insurrection
deposit - i'm literally showing the easier
way out... most people took it too literally...
the existence of demons turned allegorical
altogether, but the existence of the words
inscribed as: make the outer the inner,
and the male the female: just shows you a lack
of both grammatical knowledge, and
poetic knowledge - the literal approach throws
you into the maggot pit of bullock -
and that's how it's going to say...
people took it too literally, that's the first
wave... taken as a sign of guilt from
a colonial past - they call the Visegrad
the new goose-stepping surgeons of thought,
this idea of a free and open society
has no boots on the ground in Anglophile
society - they fake being arrogant by
being courteous - being courteous is a sublime
version of feeling one owns a moral
superiority, which one doesn't...
and can you actually imagine yourself
being dragged through the filth of a discussion
concern pronouns? learn to build up a
subconscious of pure grammar association...
the unconscious, who Jung discovered
to be a hive you can't control,
i once suggested the idea that the collective
unconscious would resemble a society
where plumbers didn't know they were plumbers,
and no one knew what they were doing,
but incorporating the individual i see
the point of finally rationalising the individual
via the collective toward the unconscious -
the great free ***** debate -
primarily though, the particular use of language
will never reach a universal use of language
that isn't fragmented into a pseudo-arithmetic
of grammar - but it would do you a greater
good to endorse and implant grammar spectacle
to see past the fluidity of casual language use,
i.e. spot the ****** debate and say: hyphen!
down the middle! it! after all, we were children
once, and we played the game: you're it!
and ensure there's laconic appropriation while
people become forceful addicts of the flesh
to provide the weight to the categorised words
due to their change, and you're all airy fairy
with just the worded explanation,
still with the required genitalia and 2 billion Chinese;
but it's true though, look how horrified
the church is... the old geezers are not getting it,
they left the Egyptian shepherd unleash hell
on both Christianity and Islam...
the revision of the kippah was the monkish
tonsure - but this bit about ***-changes?
once again, blow-bubbles-through-your-lips
by motorising them and move your index finger
up and down... hey presto! a mongolian harmonica -
i can't believe so much intelligence was wasted,
and so much incorporated, and so much lost,
over a piece of skin that wasn't even categorised
as cartilage - it's a joke, right?
well, if it ain't, why the **** am i laughing?
if you learn grammatical categorisation of words,
you learn the insulating method of using language,
if whatever is offensive, becomes inoffensive,
someone will spend a whole life arguing the
transition from she                   into                 he,
with the haircuts and other adjustments,
while you'll be there, calling it neither he or she
(the end and the original result), but call
the individual accepting the transition by
the act of transition - incorporating the past
and the future via the transition period,
it! that's the laws of grammar, grammar in
psychological terms is the subconscious:
Freud tapped into the unconscious with dreams,
i managed to censor dreaming and sleep,
hence i tapped into the subconscious by
exposing grammar as, well, yeah: subverted language:
or language submerged by universal laws -
               in context you can understand
everything i write, in content? probably not -
again the boiling point is not 100°C - it's
universals and particulars - that's the 100°C of language -
via the thesaurus you get similar d.n.a. strands
(i just hallucinated a smiling face, but not too vivid) -
i.e. via synonyms and worded cleansing of antonyms
   off the respective suggestion as zenith-conundrum
                                                                               of Socrates:
       if something is universal it's evolved or translated
   into context - the context? using the alphabet and
words... (time references to coordination aren't necessary,
   well, something has to be unanimously expressed
  even if via dyslexia) -
                    what's particular is what's rigid in terms
of evolutionary adaptation - verbiage, i know!
   inescapable! what should i do? gauge my eyes out?!
again, dittoed paraphrase, shortened self-plagiarism:
     if something is particular it's independent or non-reciprocatory
  within boundaries of context-out-of-context: content,
   which means a b c d e f g... but arranged to a self-proclaimed
deviation (let's call prefixing the self- to a word provides
    the whole mechanism of deviating non-universal
automation, mildly put: eccentricity) -
                  in summary, you ever wonder what's
related between the list of phobias such as arachnophobia
and xenophobia? apparently the term Islamophobia
was translated into Greek as: god is one, and Muhammad
is his test subject... the sum of all little fears -
         oddly enough phobias are spontaneous and are
rarely instilled, they're lightning strikes...
i see a big spider, i recoil - it's not a permanent setting -
i stand on a ladder 3 metres off the ground, sure:
acrophobia -                    i sit in a crowded tube train,
yet again: claustrophobia - but these phobias are
a sort of antidote to the maxim: the thing to fear is
fear itself... phobias are reflex reactions to being conscious,
how people managed to translate them into reflections
is beyond me... i happen to come across phobias
all the time... but in a reflexive way: a ****, a spontaneity
surrounding them... there's nothing to be reflective about...
it's not even a phobia when i tell you a similar
reaction: suburban street at night, beer, cigarette,
walking, eyes not concentrating on anything...
~suddenly two women sitting on a low cement fence
in front of their houses startles me... the immediate
reaction is a nervous shock... who the **** would
think of that as being a phobia worthy a category?
no one. which is why i don't understand
the concept of Islamophobia... it's weird...
i don't get the same nervous sudden **** of seeing
something that isn't supposed to be there
when i walk down Oxford street and see a Burqa-clad
woman... whoever invented this word,
had a really ****** time at school and transcended
all laws of etymological construction:
i.e. on basis of really claustrophobic syllable constructs,
Islam is way beyond syllables, it's a noun,
as if the suffix / affix phobia - or little fear,
no, not sigma fear, fractional fear.

On the heap,
Thou dangle and screech
And bedeck, for I seemingly espouse.
The anecdotes and myths:
Engaged in a mutual pose.
There comes the hymn,
And the sway and the hum;
The abnormality and the deform
Halted on a single stance.
To dozen of the tokens
Whom I prejudged;
The prevalence of the chaos
That sleeps merely on my tongue.
To all the estrangements
From which I refrain,
Within the bawl of the tantrum, upon the hook of the day.
Farewell to all, farewell the haze
Farewell the cluster,
To the resolution found within a fane;
Where rituals confuse,
Where the practice becomes a fame.
There thou taketh solely,
A hymn and an interminable haze.
Whats the sense of the ovation
When no screen displays
A mourning motion
For which no motion craves?
I sigh, and mumble
To which mere consciences giveth
To me only, mine solely.
His to hear and his, keenly.

If it form the one landscape that we, the inconstant ones,
Are consistently homesick for, this is chiefly
Because it dissolves in water. Mark these rounded slopes
With their surface fragrance of thyme and, beneath,
A secret system of caves and conduits; hear the springs
That spurt out everywhere with a chuckle,
Each filling a private pool for its fish and carving
Its own little ravine whose cliffs entertain
The butterfly and the lizard; examine this region
Of short distances and definite places:
What could be more like Mother or a fitter background
For her son, the flirtatious male who lounges
Against a rock in the sunlight, never doubting
That for all his faults he is loved; whose works are but
Extensions of his power to charm? From weathered outcrop
To hill-top temple, from appearing waters to
Conspicuous fountains, from a wild to a formal vineyard,
Are ingenious but short steps that a child's wish
To receive more attention than his brothers, whether
By pleasing or teasing, can easily take.

Watch, then, the band of rivals as they climb up and down
Their steep stone gennels in twos and threes, at times
Arm in arm, but never, thank God, in step; or engaged
On the shady side of a square at midday in
Voluble discourse, knowing each other too well to think
There are any important secrets, unable
To conceive a god whose temper-tantrums are moral
And not to be pacified by a clever line
Or a good lay: for accustomed to a stone that responds,
They have never had to veil their faces in awe
Of a crater whose blazing fury could not be fixed;
Adjusted to the local needs of valleys
Where everything can be touched or reached by walking,
Their eyes have never looked into infinite space
Through the lattice-work of a nomad's comb; born lucky,
Their legs have never encountered the fungi
And insects of the jungle, the monstrous forms and lives
With which we have nothing, we like to hope, in common.
So, when one of them goes to the bad, the way his mind works
Remains incomprehensible: to become a ****
Or deal in fake jewellery or ruin a fine tenor voice
For effects that bring down the house, could happen to all
But the best and the worst of us...
That is why, I suppose,
The best and worst never stayed here long but sought
Immoderate soils where the beauty was not so external,
The light less public and the meaning of life
Something more than a mad camp. 'Come!' cried the granite wastes,
"How evasive is your humour, how accidental
Your kindest kiss, how permanent is death." (Saints-to-be
Slipped away sighing.) "Come!" purred the clays and gravels,
"On our plains there is room for armies to drill; rivers
Wait to be tamed and slaves to construct you a tomb
In the grand manner: soft as the earth is mankind and both
Need to be altered." (Intendant Caesars rose and
Left, slamming the door.) But the really reckless were fetched
By an older colder voice, the oceanic whisper:
"I am the solitude that asks and promises nothing;
That is how I shall set you free. There is no love;
There are only the various envies, all of them sad."

They were right, my dear, all those voices were right
And still are; this land is not the sweet home that it looks,
Nor its peace the historical calm of a site
Where something was settled once and for all: A back ward
And dilapidated province, connected
To the big busy world by a tunnel, with a certain
Seedy appeal, is that all it is now? Not quite:
It has a worldy duty which in spite of itself
It does not neglect, but calls into question
All the Great Powers assume; it disturbs our rights. The poet,
Admired for his earnest habit of calling
The sun the sun, his mind Puzzle, is made uneasy
By these marble statues which so obviously doubt
His antimythological myth; and these gamins,
Pursuing the scientist down the tiled colonnade
With such lively offers, rebuke his concern for Nature's
Remotest aspects: I, too, am reproached, for what
And how much you know. Not to lose time, not to get caught,
Not to be left behind, not, please! to resemble
The beasts who repeat themselves, or a thing like water
Or stone whose conduct can be predicted, these
Are our common prayer, whose greatest comfort is music
Which can be made anywhere, is invisible,
And does not smell. In so far as we have to look forward
To death as a fact, no doubt we are right: But if
Sins can be forgiven, if bodies rise from the dead,
These modifications of matter into
Innocent athletes and gesticulating fountains,
Made solely for pleasure, make a further point:
The blessed will not care what angle they are regarded from,
Having nothing to hide. Dear, I know nothing of
Either, but when I try to imagine a faultless love
Or the life to come, what I hear is the murmur
Of underground streams, what I see is a limestone landscape.

^or the equivalent of the bushidō, i.e. way of the citizen: shimin dōro (shimindō).

it's truly electrifying watching the Olympics, the diversity of
bodies, it simply shames the football ballerinas
complaining about their tiaras
and fouls *****-whiskers tingling **** -
oh ooh oh god, the end of the world!
i finally find my body type,
Greco-Roman 130 kg wrestling,
or 105 kg weightlifting, no six pack...
you watch the Olympics long enough to
sterilise what's otherwise turkey-feeding
of image... i think the discus throwers
are hot, the archery from South Korean with
their porcelain pelicans shattering on the one touch...
the Croat beauty is atypical of
Slaven Bilić - itch - that's a diacritical mark
that's itchy - breve or acute... c̆ that alternative,
along with the c̆ech - Český Krumlov - chequers-ski -
Gucci and other associates of Milan did
a runner... we don't accept anorexic in the
Paraolympics... maybe we should enter old twiggy
daddy longshanks in the races... invent
Metaolympics...  so i found out where i'm designated,
130kg Greco-Roman wrestling and 105kg weightlifting...
that's my body... if i were to be tyrannised by
the dictatorial rule of volleyball and football
i'd be nowhere... no spectrum, no difference...
some like Twiggy Ramirez at the ping pong shoo
(**** **** ****... believe me,
non-purpose onomatopoeia usage is a replacement
of sensibility knocking, i use it when i just
want a sound, not necessarily an accessible
direction of finalising a meaning) -
but watching the Olympics is like watching
the Greeks under Roman rule... the marble genius
of the spectrum of sizes... and coerced differences
ploughed into one...
which had me bewildered about the other duality,
i always thought that the Spartan way of life
was about raw physicality... that all Spartans
had to be physically fit, ten potato sacks on their
shoulders running up Etna...
and that the Athenians concerned themselves
with aesthetics of the arts and clues...
it's not about athletics at all...
i'm a Spartan in that respect, sure, i donned
the long hair like any Spartan might,
men with long hair, women with a Niqab, whatever,
Satan's postbox as the crude English myth said it was...
i might go and see a ballet, but let me tell you,
any first act of ballet is tedious... you can't warm up
to liking any ballet in the first act...
it's all downhill during the second and third acts,
but the first act is horrid...
i realised that there was another dimension of
the Spartan life, it's not the physicality at all...
Spartans' physicality is about efficiency,
we have weightlifters in Sparta, but we have
bodybuilders in Athens, the former concerns itself
in pragmatic matters, the latter in aesthetic matters...
same in art... the Spartan way concerning mental
aptitude is to do with the basics, with very little,
a minimalism, a park bench, a few beers,
a conversation... otherwise? the Athenian reign on
ballrooms, cocktails, royal dinners, flamboyance,
degeneracy, and outright excess...
forget the Olympic plus, the variations of bodies...
footballers and anorexic catwalk models...
we're talking blubber fetishes of Rembrandt -
then into the psychic life of Sparta - simplicity,
twinning with the Japanese way of life...
over and over again... simple fulfils perfection
by not competing, so self-absorbed it is,
so solipsistic it will remain... and it is an art-form
the Spartan life, if i get my sleep,
have my tobacco, a bottle of whiskey and a few beers,
a white page... the end.
the Athenian model discounts what that famous
Spartan argued for: carpenters, plumbers,
better than the claims of being a "son of god",
he broke out, on the prescription that ****** him
by the authorities: deus ex machina -
try imitating him, it's harder than you think.
the Athenian model of the arts and impracticality -
the Spartan model of geometry and practicality -
the Olympics taught me that the Spartan way of life
is not solely concerned with physical exercises,
that the physicality of body be the sole concern,
that one is to perfect the body...
the Spartan way of perfecting the mind is just as rigid
as the body demands... the pentagon of an event,
how strained is your hearing, your eyes or your tongue?
it concern the simplicity of all things being perfected,
rather than the Athenian counter of the complication
of all things being unlearned and in pyramidal schematics
expected: courtesy of approaching a king...
the dinner arrangements, the starter fork, the main meal
fork, the dessert fork... a Spartan would just look at it
and say: they can use chop-sticks because the chef
knew how to cut into bite size... i'll forget the knife
and use the one fork throughout the meal...
she better be wearing that crown of hers throughout
the meal... otherwise she's no queen, i'll just watch
her slurp the soup with that Mt. Fuji balancing on her head...
**** the airs, and all of Jane Austen.

There once was a boy, slightly altered, possessed by greed, and terrified of failure. His mother and father seemed to only care about one thing. After he was born, his parents became possessed by wealth. His eyes were the colors of the sky when darkness would fall, the color only the devil would welcome. The vermillion circle stretched to the outskirts of the violet black horizon. The violet black seemed to hesitantly corrupt the vermillion as they intertwine through the abyss of the newborn darkness within his soul. Where his mother and father saw a demon. And from then on they were taken by his nonexistence, and slowly their love began to fade. This boy had a name, a name his parents soon forgotten, Dracoleon.
Dracoleon's mind always averted to wealth. The only time his parents communicated was when taxes were to come. They spoke solely about coins, gold, and work. Draco was soon consumed by it. He was then always busy, always working, counting money, he had nothing get in his way, He never seemed to see the scared, suspicious, and disgusted faces that walked by him, the dream of wealth consumed his entire universe.
It was one day, the king was said to be roaming about town. His parents would talk about the king often, father would say that he wished to be as rich as the king, or be the king himself.  But he would shake his head and continue. The boy wandered about the town indifferently as he searched for his father’s idol. It was once he turned a corner, he saw him. He ran toward the crowd and progressively landed in front. The king road in a chariot, the glistening white horses carried ropes dragging the golden chariot behind, As the silver knights followed. Across the street he saw his parents seek in awe of the glorious presence the king beheld. Then saw them grasp hands as if they were grasping a chance of hope as the king road by. In Dracoleon's eyes the king seemed narcissistic, he looked to be bathing in the jealously, the awe, and crushed hopes around him.
Then, suddenly, the king stopped in front of him. Then strode out of the chariot and stood, twenty feet away, then pointed directly at him; “Come my child!” he said. Impulsively,  he walked then stopped in confusion. “Come; kneel before me!” he yelled. Quickly he snapped and continued towards the king. He knelt three feet away. The king knelt down and looked into his violet eyes and whispered in his ear: “You’re different from the rest.” Suddenly he gasped, quickly stood and started humming a melody as if he was hypnotized; Dracoleon saw a slight gleam in his eye. A few moments later, he stopped and stood awkward and confused, then said “you’re going to be excellent.” At that he spun around, entered the chariot and continued on his way.
The boy stood dazed by the king’s presence. The villagers were glaring at him for minutes till he finally came out of  his hypnopompic trance. It was then he saw a man, just about thirty, wearing a cloak, carrying an odd looking box. No one seemed to notice him. As the people continued on their lives, he decided to wander to the mysterious man that caught his interest. It didn’t take long for the old man to notice the boy stalking him. He confronted the boy. “Hello” He said. “I must ask, why are you following me?” The boy froze in his steps, “w-what’s in the box?” he whispered. The man chuckled, “would you like to find out?” The boy managed to nod…. The man took the boy, not by force, not by manipulation, but by the man simply walking away, as the boy follows.

The wizard and the boy traveled in his single horse wagon in Europe for many years. The wizard showed him a whole new world, and left Draco's behind. The wizard filled his mind with adventure, and fed him excitement the boy had a purpose, but the wizard had rules, ones that cannot be broken. The wizard taught him his ways. And slowly, the boy became a wizard.

Six years later, the wizard was fading, he told him a story, a story about the great wizards long ago, The world was approaching something non existent, the wizards couldn’t escape, he was the only one who wasn’t taken by the darkness, and he watched as the rest of the great wizards, imploded and were trapped by the void. Silence, infinity, timelessness, nothing, it was hell. The great wizard gave him a puppet, it looked like the wizard. “Its the story of our past, a past not to be forgotten” He had whispered and he slowly faded away, joining the great wizards in the void.

It was then Dracoleon became the last wizard in the world. All of the wizards power, all the rules, and all the memories, his, And his alone. Dracoleon only had one thing to do, the only thing that will carry the wizards memories, becoming a puppet master.

The wizards shows became well known, He would come into town and there would be a few people going in and out of the wagon, watching the puppet shows. It was then a strange man came into the wagon, tall, pale, a dark presence around him. He asked to stay after the show.  He walked Beside and ran his thin pale fingers along the small stage the puppets played on. “You're different from the rest.” He said in a death toned voice. Draco froze, and suddenly his past flashed before his eyes, his parents, the money, the king. The king said he was different too. “ You're going to be excellent.” He whispered. “what if I told you, I could make you excellent, forever? Nothing absolutely nothing would get in the way.” Draco was mesmerized by the corruption of his past seeking out through his mind, and setting around him. The money, the greed, he forgot how great it was, to be in power, now that he's a wizard, the only wizard, he can do anything, change the rules, take over the world. Then suddenly, he was frightened, He wouldn’t have time, Time to do all theses things, Suddenly the man's words caught up in his mind, “What if I told you, I could make you excellent forever?” Draco then looked up at the odd man, he was smiling. “what do you say?” Draco manged a nod.

Draco was near death. The man turned out to be a vampire, he altered him. But it was all a blur, “ A three day slumber, and a new universe comes at your feet with a path set to follow” The vampire had said. Then he disappeared, and the pain began.  Draco felt his soul leap out of his chest, the intense burning sensation followed throughout his body, And then, nothing. He felt his soul go on a  journey to comeback with a plan, A plan that would make the universe his, forever. Draco opened his eyes....

The puppet maker became very popular, But to Vincent, he was a question, a mystery, Draco The wizard caught his interest when he saw the villagers walk out, excited, happy, and longing for more.  But that’s not what intrigued him, The villagers stepped out of the wagon, with a look of confusion, but only for a slight second, then there eyes, they fogged over and then reverted to normalcy. As they walked, most hummed a melody, A repeating melody that seemed to be engraved in their throats.
Vincent was a magician. One of the greatest, He owned a magic shop in the middle of the town he was curious on what the puppet maker was to do when he brought villagers into the wagon. When the last of the villagers walked out, Vincent quickly got in line.

Dracoleon brought five villagers into the wagon each time, In Vincent's group there was a little girl, her father, a woman, and an old man.  into the wagon they went and  they sat down and he began the show.  Vincent and the others watched the puppet maker bring his puppets into play. They were familiar puppets, ones you would see of people walking in the streets. His voice matched that of the puppet, the personality’s seemed to fit perfectly. It was nothing like they'd ever seen before. Then suddenly the candles went out, and it was dark in the wagon. “ Time to play” Draco whispered. Suddenly, They felt something behind them, Then, the candles flickered on, the puppets were restraining them,  Smiles on their wooden faces. Slowly, Dracoleon pulled out a watch, a small watch, he whispered something into it, and it glowed blue. He walked over to where the little girl was restrained, he took her wrist and with a small blade, he slit it, she tried to scream, you could see the horror in her blue eyes, his lips pressed against her wrist and he began to drink, you could see her rosy cheeks go pale, He left her gasping for life. “the youngest always taste the best.” He laughed. “ The taste of blood so pure.” He whispered. “But shes not a ******.” He looked at the father. “you see, its sick men like you that deserve to die.” The father looked at him in terror. Dracoleon whispered in his ear but he was still to be heard. “but I've something better than that.” A tear ran down the father's face. “Humans are so faulty. So filled with sin, sickness, you should be thanking me. But you may never understand” He looked at Vincent. “And you, you think you can defeat me.” He chuckled. The puppets grip grew tighter. Blood started dripping down each one of their faces, the puppets were slowly attaching themselves to the humans their strings tightening around their neck and the mouths grasping their skulls. The puppet maker continued laughing “ Let the games begin!”  He opened the watch, the humans fell limp and the puppets disappeared into their bodies. The puppet maker began to hum the melody.

A Few lines etched where no words give weight.

Good riddance say the veterans
Of a nation gone sour with grief
Like a lemon slice evaporating onto the tongue of the sick.
But when the young yearn for White Nights,
The old claim they are blinding lights to the cold sugary substance
That supplants an easy path.
The bullithole rush of renewal and loneliness and progress thwarted and abandoned,
Inertia seeping through
Into a cold summer's day.

Between the cursing slant of sleek paved roadstrips,
And the burning briars that thresh the border's haunt,
What is picture postcard emerald
Is in that same instance soviet architect gray.

These are the sleepers bereft of the dream
whose twenty-five stories high
or ghost estates
are domes to cast out the howling banshees, those suffrage of the real
to be re-thought as mere props which surround the haloed glowing screen.

So sheen the Motherland glows in untarnished eyes
Familiar solely with glass behemoths parading with their reflections
In grey water-drizzled streets,
Only to be replaced by iridescent rainbows that foster a hope.
A hope that was packaged and sold two decades back
Since it was not worth carrying into the New World.

The water-trough falls to where the electric line banishes, connects a spike,
"rejuvenate the breakfast table"-some far-off God reports, Hades still waiting,
Intel-chip Blue, epiphany at the gates.

You kiss me, I kiss you
You grab me, I stroke you
On we go, *** for tat
Push inside
Fill me up
Stretch me out
I cling to you, surround you, arouse you
Still and slow at first
and the pressure builds
Harder and faster, till we're all skin, and teeth, and nails
And the smack of my skin on yours
It's a race
You pull me, I push you
You scratch me, I bite you
On and on it goes
Breath mingling, sweat mixing
Till we both come
panting, leaning on each other
This is physical, the most carnal desire.
This I understand. In this we are mere objects; animals moving solely on instinct.
It's the occasional tender touches that confuse me.
A soft kiss on my forehead, your hand seeking out mine; these baffle me.
Sometimes I wish I knew your intentions, sometimes I wish I knew mine.
Do I want more from you then the physical? Do you desire more from me?
In my wondering sometimes I think it might be nice to have a part of you,
and to give you something more of me.
But you never ask and I'm reluctant to offer.
Where are your layers?
Are we deeper than this kiddie pool we've been wading in?
What are we?
You never ask and I'm too cowardly to offer.
So we remain laying together, so close yet so distant.

To tell you exactly, specifically, precisely why I love you
I'd have to reinvent an alphabet, create a language, learn to sign
The feeling that bubbles within when I look into your eyes cannot be captured or explained

I feel like the world stops moving
My breath struggles leaving my lungs
All my fears, worries, washed away

What is so powerful about loving you
is the way you love me in return
I feel confident, unstoppable, beautiful
You tell all the dark parts inside to quiet
whispering, no shouting to them:
I am worthy of love

To be worthy is all that I have ever wanted,
needed,
cried for in the middle of the night

Although there is still so much to learn about each other
Adventures to be had, moments to share
I am giddy with anticipation
your love gives me strength
Replenishes me
Fulfills me

I have yet to really write down how I feel about you until now
I've been afraid words would take our magic away
I'd wake up one morning and realize is was a mere dream

You steal my chapstick with your kisses
Put up with my sassy abrasive nature
You encourage me to work
The way you look at me sometimes gives me the courage to begin to look at myself the same way

With your arms tightly around me, our legs intertwined, I begin to imagine what heaven could actually be like

When I'm with you, I say I love you honestly
Eeach time is unique.
I realize how incredibly lucky I am to have you
to be loved by you
every syllable is as sincere as the last

You make it okay
All the bad, dark, sorrow filled places within me that sometimes consume my light.
You accept those places,
You make me forget they even exist
You make my light shine brighter

We joke about my ego
but since you have been in my life, I feel okay
Even when I'm not, I know I will be.
Granted, it's not solely what you do for me but what you let me do for you
You allow me to love you
Accepting my love
welcoming it like you would a long lost friend
you do not turn and hide
you embrace me with arms open wide

It's magical
It's what I've waited for my whole life

What I spent so much energy convincing myself I could never have

It's everything that I'd ever want and more
It's love
It's life
It's you

I prayed with light voices, but a burdened heart;
You are not here--that I am supposed to know of.
But still, my mind cannot accept that we are now apart.
I am despaired by my own hands, by my own love;
Your images keep shrouding me--you keep haunting me.
Your portraits shout your name, but none of ‘em is truthful;
They reject my bliss, though they told me I was beautiful.
I keep looking for you in the shades: but all I find is blueness,
And as daylight grows mature, I feel but scarce and clueless;
I am entrapped by my own wishes, and I can no longer write.
Ah, ‘tis over now--I should declare;
I walk home and sleep, and decide I should no more be in love--
Some sheer charms I might better not be.

I was running across the moors, and secretly hoped I would find thee there;
Thee with thy own giggles and mockery and childish wishes;
Thee with a resemblance of moonlit skies on thy face.
Thee with a thousand arches in thy brown eyes;
Eyes that were genuine, hopeful; with spirits that would not die.
And those lithe hands; and thy handful of full lips;
Thou always startled me within thy black jacket,
Yes, that black jacket with gruesome naughty little pockets,
Thou always asked me to chase around the bogs;
While peering naively into the hidden summer spider webs.
Thou woke me up with thy morn noises;
Thou wanted to tell me a tale of castles, friendship, and promises.
Thee with a thousand smiles, hopes, and legitimate fears;
Thee with the sweetness of a moonbeam, thee with one hundred kisses.
Thou wert like a lonesome butterfly at first;
And on a shiny day I but caught thee;
and weaved my colourful love onto thy plain nest.
Thou shined again, and I felt but merited;
As time passed, I grew hungrier for thee--and always delighted;
Thou wert a summer to a pleasant summer itself;
Thou made my heart warm, and my seasons magnified.
Even my lavenders were stupefied by thy cleverness;
They were warm always, to welcome and greet thee at night.
Ah, my darling, my half spirit, my sweet;
Thou owned the second spare of my green light;
Thou wert my frost at conned summers, and mild winters;
Thou wert the white snow I played with--and its evening rainbow!
Ah, and at times--thou wert like a nature among yon shrieking green grass;
I smiled always, as I entrapped thee within my clear glass.

I should twist this story away, and welcome him;
Welcome whoever shines through my love--in reality, and in dreams.
I know I hath to celebrate him behind the furnace;
I shall smile sweetly and charm him by my maiden’s face.
He hath a lovely aura as the unheeded stars;
And his steps are awkward, but stately as the moon’s.
He hath smooth and virile advantages about him;
He hath a weather, but still he hath not thy playful air.
He is serious, thou art more festive and thoughtful;
He is cordial, but I findeth him at times uninnate and insoluble.
Ah, Immortal, he liveth but in a cold bubble away from me;
And so you know, the love of him is but a love of pain;
Sometimes I want to find thy face in his poetry;
Sometimes I want to see again, but your fairness.
Thy heart is, as thou hath figured, widespread within me;
It ambushes me and glides me around like a cheeky star;
But as thou gazed into me,
I found that thy charms were absolute;
I pampered this notion of thee--as I still do;
Thou wert my nymphic and immortal dream;
Thou art my sane and insane ambition;
Thou art my sand, my boats, my sails!
Thou art the sea worth a thousand miles;
And I care not what foul and fuzziness thy soul might carry;
I shall purify thee, I shall endorse thee, I shall welcome thee into my lonely heart!
Ah, Immortal, I am but a spoiled of ruins and wreckage now;
As I woke up t'is very morn, I knew I wouldst not see you tomorrow.
And guess now--how shall I define our once glossy, faint Sofia?
I do not want to pronounce to Sofia, ah, our very dwellings, a goodbye;
I shall never pronounce such; and on t’is I shall care for thy sayings not--
As telling such wouldst indeed be a remarkable lie.
Instead, I should dream again, of being by your side;
I shall be the terrified mermaid--but thee--my gentle merman;
We shall swim across the sea and startle the aquatics by our depth;
And thereon I shall dream of myself cherishing you--and holding you in my arms;
As I pray and bow and submit the rhapsodies of my heart, all day and night.

Ah, but where is Immortal, Immortal, Immortal;
Without whom my heart is bleak; and winters are hard.
Ah, Immortal; by whom rains are pretty, and colours are magnificently saturated;
By whom storms are no more storms, and no more downpours are petty;
By whom lakeside houses are not cold, and slippery rocks are not frightful;
By whom birch trees shall sing, and honey bees shall farm away for hours.
Ah, Immortal, by whom my poetry stays alive, and fed tranquilly by yon earth;
Immortal, by whose lullabies I fall asleep among the midnight’s icy hearth.
Immortal, whom my heart values, and urges me to love;
Immortal, by whose side debris are whole, and ruins picture unity;
Ah, Immortal, by whose singing melodies are songs, and rhythms are but poetry.
Immortal, Immortal, Immortal, by whose words--the entire worlds are but Sofia;
And all merit and grace but belong to the romantic Bulgaria.
Immortal my entire darling; who taught me to see how the moon teases the sun;
And how the latter becomes fainted but mirthful, at t’is very realisation.
Ah, Immortal, Immortal, Immortal, by whose absence I feel but frightened.
Ah, Immortal, do you think I should hurry--shall I fleet and run?
I shall meet thee again tonight, around the corner by the lake;
Before such an eve grows genuine--causing the day to turn fake.
I should meet thee before everything is but feasted and pierced;
And I shall bringeth thee my midnight poems and soliloquy;
I shall embrace thee by my myths, and relish thee within my solitude.
I shall make thee remain by my side, and keep shady thy burly night;
I shall, perhaps, make thee my mirth itself--I shall keep thee warm, and safe, and bright.
Ah, Immortal, one who was always aired by my fresh recitations;
One who was entrenched in my tales of craze, atrocity, and vanity;
One who cried by me like a selfish child--but at times, became the radiance itself.
Ah, Immortal, one within whose palms the moon is transparent;
And the harmony of night becomes more possible;
Ah, my darling Immortal, who was once infatuated with my nights--and 'twas apparent;
Oh, my darling, my own darling, my very darling--how I hath only words to play with!

Where is but Immortal, Immortal, Immortal,
My jokes cannot sleep, and even my eyes choose to stay awake.
My heart feels absurd, as it is not calmed and soothed by him;
Even as I can sleep no more, I am but unable to edify him in my dreams.
Ah, where is my Immortal--for as I scurry outside, I cannot locate him;
While he is but the golden lock I need to deliberate my heart.
Ah, my husband, who owns but the charms heartbeat cannot describe;
Ah, Immortal, by thy words--thou knoweth, vanished worlds are real to me today.
The rush of your blood still, knowingly, flows within my breath;
You look like that little lad proudly standing by yon bridge faraway.
Immortal, my little sound, my eager song, my profound lilac;
How shall you ever know what you mean to my heart?
To me, you are more than any gold, brown silver, nor white bronze;
You are my tears, my growth, and the height of my winter;
You own the youth and throne my heart hath always longed for.
Ah, Immortal, no matter how hard thou hath defeated--and perhaps, betrayed me;
Thou art still more immortal than a thousand suns outside;
And more mature than t’is benighted winter as it already is.
Ah, Immortal, 'tis hath grown silent again, and I need to greet my lavish worlds;
But for you know--your scent shall remain better than the sun's on its own, and more lively.
Ah, Immortal, and while those winds shriek, and hop, and wail;
‘Tis your voice still, that I but imagine in my *****;
And while their spread and take rule of their wings;
Thou shalt remain by prince, my ruler--the one I choose to be my king.

My heart hath borne thee since I was in her womb;
My mother's chaste womb--and there, just there--
I had but been formed by her sheepish threads.
Ah, and thus I heart her like t’is-but not as much as I heart thee, perhaps;
If I doth dream of her; it meaneth I'd but dream of thee;
And thou knoweth--my dreams of winter shall be but one about thee;
About thee--my vigour, my shadow in my traces, my vengeful spirit.
Ah, Immortal, Immortal, Immortal; my century of blessings, my time
and poetry of such an endless eternity.
Ah, Immortal, in whose heart there was purity;
And in whose love I felt reified, and no such tyranny,
Ah, and t’is loss of thee perhaps means a life of illness;
A time of neglect, but a loss of my valid youth.
I want not to age, for thou art, thyself, young and ageless and immortal;
I want to dwell but only in yon Paradise of thee;
And be fueled solely but thy desire, and not anyone else's.
Ah, Immortal, I want to feel but the flavour of thy skin;
And be engrossed but against thy stomach.
I want to be thy lily, and thy novel rose that shall never wither;
Ah, Immortal, I want to be little again; and thy most awesome lavender.

And thy blame--such as t'is one, shall mean a brawl to my destiny;
And its glam is but my fiery--while insuperable--destruction.
As I promised thee--I shall not be weary, I shall not be sad;
But never shall I love, never shall I be satisfied.
Ah, Immortal, I shall never agree to love again;
I want to keep my love for thee; for whom I shall advocate my youth,
I want never to share my trembling love with anyone else.
As I hath loved thee just now, perhaps I shall love thee forever;
Ah, Immortal, as how it usually is, thou shall be the sailor-
And ever the painter, in our very own colloquial poetry!

Immortal, my grace, my perambulations, my ecstasy;
Immortal, my good, my one, my irrepressible;
I hath fulfilled thy wishes, at least at present, to bear t'is alone;
But for you know, that life without thee is no Paradise;
And even when I am dead, perhaps my soul shall never lie;
I shall wander the earth still--to look for thee, my tears and my lost love;
And insofar as thou remaineth away, I shall too stay on earth; and never ascend above.

a. aristotle's nonchalance in comparison to his other ideas when investigating the lagoon (although wrong on the no. of teeth in a woman's mouth and the origin of flies from rotting fish - two jars, one open, the other covered - he treated his theory of adaptation of an animal / in humans on an individual basis - with less concentration of necessity for the theory to be expanded than his logic or poetics) - i.e. it was not good enough to be made dogmatic, like darwinism, therefore aristotelian darwinism does not exact a necessity to put the theory akin to a theological standpoint.

b. 'the darkened mind, whether that be by illness or some other cause illuminates in reverse to the mind of the plateaus: the stark difference is that the darkened mind attracts light like a moth into it, although it does this attraction without ever revealing the pin-point, the last revealing point of what the light has to illuminate, it's no good providing this point in a reference to psychology searching for the "ego" of that known existential notative abstraction working on the basis of the pro-verb: know your self. the darkened mind is in fact providing the basis for the search of nothing, and a subsequent of offshoot of what knowledge nothing provides: whether that's geology, pharmacology, chemistry, physics, or any of the humanities - although the humanities actually provided the basis for scientific study, since it was poetry that was criticised, and provided the basis for the two socratic pillars: knowledge of your self | knowledge of nothing - without a critique of poetry none of the subsequent investigations beginning with a non-empirical study that's philosophy would still be among the crumbs of history and stone of the parthenon. subsequently the mind of the plateaus simply regurgitates via regression to a known origin, it illuminates with knowledge that was hidden for a while, esp. during the times of illiteracy, which made it easier, although these days almost every man is literate, he is still illiterate in the sense that he prefers images to words / symbols... he's being fed a second illiteracy even though he is literate, therefore whatever knowledge is provided, it's immediately hidden, hidden via the use of images to distract, because words and the symbols that create them are not of an ontology of distraction, but harsh / labouring engagement - esp. if they are not used for the utility of speech, but made solely cognitively optical, they resonate with a double decker bus filled with about 90 people and only one person reading a book.

c. ah the introduction is over, and then the actual poem,
if i could remember it exactly,
it dealt with a cartesian contemplation
dealing with an extension from the trinity model,
what was the extension model? what was the basis
of it? i remember noting that the mind of the plateaus
originality came only with coinage of phrases,
i.e. coining a phrase, or simply crafting a
new compound from words rather than chemical
derivatives... the philological monstrum
of a fixed prefix like sub- or un-
and then the all encompassing suffix
like -conscious - and then some grand complication,
like the word oedipus becoming a complex,
and this complexity reaching a point
where no original idea can be encompassed,
because what's required is the practice
of creating and using an analogue,
so that those in the range of the intended
gesture do not have to go further in their reading
but further their practice: a draw of stars...
none longer or shorter than the other,
all uniform... one shoe fits all story...
i mean how can words conjure ideas
(esp. original ideas) if words are intended
for meaning, and solely that?
ideas come when the intended usage of
such symbols as a - z are not expressed in
how they were intended to be expressed:
pre vox. if you spend a long time with these
symbols in the optic area rather than the
larynx area... you'll find the holy grail of
crafting and fathoming ideas...
philosophy begins here... seeing rather than
the utility of these symbols... to see with them
rather than to speak with them... after all...
think twice before saying something stupid.
i'm still bothered by that cartesian connection,
how did i manage to tangle in the one third
of the equation: substance, thought, extension?
what the hell was i comparing to make that
analogy? surely it wasn't a way of working
from the way existentialists abstracted
something concrete as an identity and decided
to do the pontius pilate of washing their
hands clean of any responsibility using the ditto
marks? sure this abstract enclosure for an identity
(in phonetic units expressed as ego)
cannot have stable if not merely sane grounding
in all serious theoretic engagement by the logic
of being a possessor of a soul;
first they dispossess the people's confines
of the soul's existence, later they come after thought,
and it's there, the proof, like today in the supermarket,
me waltzing for my intended purchase,
and a horde of zombies bewildered by
the abundance of products... standing about the aisles
mouths open, ready for the wind to change
direction and their mouths perpetually opened
with the medussa wind... or simply waiting for
the next pigeon to do his duty on a copper statue
of churchill outside parliament sq., bleached crop
of hair with **** in it.
honestly... the zombies are coming...
first they fool the people that they have no soul,
backed up by the logic of a soul that, when
compounded (i.e. psychology) makes it sounds
important, like an edict by the house of windsor
about to make rise to the 2nd lord protector
via a re-emergence of oliver cromwell...
then they decide to invade the parameters of thought,
they used psychology (the existent non-existence
of the soul) to banish all original thinking...
thought has become banished into hades...
if the soul is not allowed in the body, then
thinking surely isn't either, and how did they do it?
they said: the existent non-existence of the soul
will convince thought to disappear, making
the body virtually mirror like invisible -
like a black kid before the social revolutions
at the back of the bus, before the old lady stepped up,
and yet in the 21st century, the old minotaur is there
at the gate of the new labyrinth; in my school days
all the black boys sat... well... you guest it...
at the back of the bus... so much for the old lady
making a stand.

d. as the title suggests i was working up to a crescendo,
i was about to mention the sort of confusion cuneiform
might have provided had it existed in writing
but not in thought, although we write with latin symbols,
i'm sure that our thinking is still ingrained in
the coming of the three magi and the loss of cuneiform,
all the many offshoots of christianity you'd think
we were living in babylon, where the king went
mad, and the hebrew architects scratched their heads
so hard and so long that it caused the babylonian
king to become sensitive to scratching sounds,
he ran out of the palace screaming:
'cockroaches! cockroaches everywhere!'
then the enslaved hebrew architects just said:
but sire... gardens upside down? earth above sky?
how will that work... we did the pyramids,
perfect geometry, perfectly understandable geometry,
but garden that grow trees upside down?
didn't you hear the greek theory of how trees grow
by eating the earth from below, rather than above?
'cockroaches! cockroaches are nibbling!'
so i did end the poem i lost via a message on the screen...
jimi is dead, forget jim.
i ended it by noting the admiration of the romans
when it came to the mausoleum at halicarnassus,
persian design, intended for mausolus,
so admired that the word mausoleum gained
popular public everyday usage status,
a bit like a war-pig / war-dog in the legionnaire army,
above the general's servant: does battle...
doesn't do pampering with perfumes.
seems fair enough, got the warring grunts / barks,
runs miles with the horses, has a piquant snout and tongue
for human flesh... plays dead, finds mushrooms
beneath the slain... speaks broken german war-cry...
perfect for combat... not really perfect for my quarters of rest.

e. what does it really matter, this 200,000 million
or thousand year old historical co-ordinate?
the chinese were drawing dragons with the welsh
concerned with st. george long before dinosaur
bones were unearthed; if this isn't an example
of the jungian collective unconscious of being
"clued-in" then i don't know what is...
esp. given that not even 2000 thousand years of
history fits into my brain when i boil
a kettle filled with water in 5 minutes...
smoke a cigarette in the same amount of time,
it makes no sense to "pump iron" so much
when practising history to go as far back as that,
it makes in-the-moment living so far detached
from life per se, that you begin to wonder
why we went further than the epic of galgamesh
(where all western take on history begins)
or the upanishads... when the caste system
became operational: from dark skinned sri lankans
to the masters on the boarder of the himalayas:
un-believable... racism within a society
that did not expand into colonialism...
strange to have kept the blue indians in mint condition
due to the cuisine... and have slaughtered the red
indians keeping them a minority to such an
extent as to keep them in nature reserve parks...
black president is a phenomenon? a slave, former,
is a phenomenon? i puppet i suspect...
get a native on the top seat and their will be
less jubilation i gather.
but that blue indian word for demon: rakshasa...
from the serialisation on the t.v. entitled indian summer...
the h as silent as in dhaal?

f. if something profound has happened to you,
and you want to speak about it,
remember to take hold of the psychiatric buffer,
this buffer zone will enable you to see
an atypical sociological reactive compound
of the ****** expression, it will reveal
who you can reveal a secret to,
after all, psychiatry is all about listening,
therefore not thinking, therefore not doubting,
therefore actively engaging with the precursor
negation... sartre to descartes:
i use too many punctuation and "punctuation"
marks, therefore i can't couple thinking with
doubting, i must therefore couple thinking
with negation... descartes to sartre:
i always knew that even though we salvaged
the latin alphabet by adding the diacritical marks,
our punctuation and style would get the better of us...
what's the point of ć ń ś ó if we have
the capsule of " " to mind in terms of what words
are allowed a blessed disunion from meaning
when over-used esp. when you to deceive rather
than covey orthodox meaning?

your happiness should NEVER be based solely on one person.
your home shouldn't ever be nestled inside of someone's chest
or tucked into the creases of their arms.
your happiness shouldn't be measured by the amount of times they say i love you
or by how many times their fingers intertwine with yours
because if you want to get brutally honest here,
happiness that's based on a person will forever and always lead to disappointment.
because the second that they even as much as threaten to step out of the door,
you're back to the way you were
or even worse.
you're left with a shadow of your former self.
you can't make a person your home no matter how sturdy you think the foundation is because their arms will always crumble around you and leave you cold.
not because they meant to,
but because they weren't built to.
they could have had every intention of holdin' you up steady,
but no matter how hard they try,
their arms will never compare because
they weren't made to be your brick walls.
you have got to understand that.
you can't put that much weight on one person.
one human being.
one soul.
they can love you.
they surely can love you.
they can love you with all of their heart.
and as you to them,
but your home should not be composed of
veins that do not belong to you,
and arms that aren't attached to your own body.
your happiness shouldn't be solely based on the way
that your body seems to perfectly coincide with theirs.
they can surely be a factor,
a part of your happiness.
but babe,
you're in some trouble if they're your whole.

Living in a world where
reassurance of worth,
is solely found in thoughts
and hearts,
of another on earth.

Reassurance exists.
Everywhere.

In;
rain that falls,
moonlight that stalls.
Love when shared,
animals when scared.
Sun that shines,
the ocean's tide.

Cease,

putting precious worth
in the hands of another,
whose capability of
concealing the radiant
and destroying the fragile,
are second in nature.
One who is ignorant
of true worth,
and happiness.

Everywhere.

Just imagine

If instead of gasoline
We had cars that ran on batteries
Or steam
From water that is free

And those skyscrapers
In your local city center

Instead of banks focused solely
On making money
Were eighty story greenhouses
We'd never go hungry

                          I have a friend
                          Afraid of overpopulation
                          How can I explain?
                          Man can do anything

And instead of coal
And dinosaur bones
We discover potential
Of unlimited energy        

I know we can
If we don't worry about the profit involved

That statue of a god, with godly state,
whose clenching fist and arching back expand
to free the thund'rous trident from command,
will hold his step and ever warn and wait.

That statue of a god dares uncreate
that Sculptor of a god, Whose waxen hand,
in image of Himself, prepared to stand
those ankles, feet, and knees that spell his gait.

Gouge out his eyes and skyey senate seat;
his absence reassures Us, Men, the stellar
blanket warms but nameless moons and stars;
that fire that rises from an earthy cellar
lends itself and names it solely Ours,
so that Our liver is Our own to eat.

games played solely without mouse or joystick... X-hands on the keyboard: left right; right left; kita? ponies in the field; ponces in the marketplace.

but if it didn't happen in video games,
and you said the word: girlfriend...
who are you? ****... i'll test you,
i test your genitals to ensure
it belongs in your head for an ego...
you never been?
                hard to think anything of you
other than a child of divorce...
                   because you probably are...
next time you verbal a *****
i'll verbal the status of your mother...
and next time: you'll be in the practice
of boxing while i'll be worrying about
eating too much lactose...
                               ******, wanna fight?
i'll take a few punches... and
then take to you like a butcher...
   darwinism breeds masculine boast games,
get with it!
             you either boast about the fact:
or you shut, the **** up!
                           just give me a kalashnikov
and i'll show you *bonaparte!
            harasho?
  good, we're good, we're compatriots...
             i used to play wholly keyboard games
and i had to sit in the chair, with X on my head...
the mouse was gone...
  so was the ||...                  of hands and what not...
  w
a s d
              moving...
                                 why should i take on
the sins of your father to enjoy a beer with you?
why do you blame me?
      two ***** spoke to you? that's what
i'm guessing is the proper guess... ******* with
your two *****!
                   i'd really be jealous if you kept them,
and inacted a dualgamy...
           what you just described is yesterday...
yesterday... yesterday... like your papa you can't
keep even one for a period of a swan's lifetime
     for 70... years...
                 you parade that **** in east london!
****! me! friendeships from school are
  so parasitic... but at least good for writing...
       come ******! come! i'm part of the death cult!
i'm begging! i'm not begging for pennies
or for pounds thrown into a hat... mr. socialist...
ha ha!
         ha ha!                          ha ha!
            no, really, i'm still waiting!
                                 what are you waiting for?
the next train out of liverpool st. to shenfield?
                     sure... i'll wait with you...
          just about the same time you turn my
knuckles into a cornish pasty to eat...
                                  don't **** with me you aenemic
******... it's called regular physical laws:
              i'm over 100 kilograms... i punch you
in the face it won't be the newtonian paradox
that states: gravity universal, a fat boy falls at the same
time and at the same speed at a thin boy...
  i punch you in the face you'll probably be in the
queue for plastic surgery...
          mein sen? my dream?
                  my male cat ******* into the toilet,
my female cat trying to usurp the power of the bladder
and thus jumping straight on the toilet
                   with the male cat ******* into it...
then me picking up the male cat
    and him ******* about the bathroom
                  without a bladder "censor" to stop him
doing so in the act... mmm... condoms...
                     these days due to prostate cancer
  i had to envision buddha to relax my bladder...
                           oh i'm not playing 'ard...
                                  i'd love to get a smacker
before i managed to use my body mass...
                                that scenario with paul kohler
(silent h)         and those who spoke with
a central european accent...
                                                       ­     i once had
"western" european "friends", just after i thought
they became arrogant ****** that i'd love
     to do skull-to-skull with and wipe their whittle
smiles off their faces: according to their surprise
as to why they bred terrorist at home; which they
did, and forgot to admit as toward the methodology
they gave out and then negated as being
the source of responsibility: i.e. the practice of denial.
by now,
     i have the least concern, and the most
contraceptive additives to care about western european
lives; guess what happened! the irish thought
they could treat the poles like the english treated
them! oi! paddy! my people fought in the battle
for britain in the r.a.f.: you were as neutral as swedes!
paddy! oi!                      oh i'll give you war
you ******* fairy... but you won't take it...
   you'll be all flimsy spaghetti armed in the distance!
maybe i should move to liverpool?