Dedication

Inscribed to a dear Child:
in memory of golden summer hours
and whispers of a summer sea.

Girt with a boyish garb for boyish task,
   Eager she wields her *****; yet loves as well
Rest on a friendly knee, intent to ask
   The tale he loves to tell.

Rude spirits of the seething outer strife,
   Unmeet to read her pure and simple spright,
Deem, if you list, such hours a waste of life,
   Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
   Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
   The heart-love of a child!

Away, fond thoughts, and vex my soul no more!
   Work claims my wakeful nights, my busy days--
Albeit bright memories of that sunlit shore
   Yet haunt my dreaming gaze!

PREFACE

If--and the thing is wildly possible--the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.18)

"Then the bowsprit got mixed with the rudder sometimes."

In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History--I will take the more prosaic course of simply explaining how it happened.

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it--he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand--so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remon{-} strance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the"o" in "worry." Such is Human Perversity. This also seems a fitting occasion to notice the other hard works in that poem. Humpty-Dumpty's theory, of two meanings packed into one word like a port{-} manteau, seems to me the right explanation for all.

For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards "fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have that rarest of gifts, a perfectly balanced mind, you will say "frumious."

Supposing that, when Pistol uttered the well-known
words--

     "Under which king, Bezonian? Speak or die!"

Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out "Rilchiam!"

CONTENTS

Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The ******'s Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing

Fit the First.

THE LANDING

"Just the place for a Snark!" the Bellman cried,
    As he landed his crew with care;
Supporting each man on the top of the tide
    By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
    That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
    What I tell you three times is true."

  The crew was complete: it included a Boots--
  A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
  And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
  Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
  Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
  Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
  Though none of the sailors knew how.

There was one who was famed for the number of things
  He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
  And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
  With his name painted clearly on each:
But, since he omitted to mention the fact,
  They were all left behind on the beach.

The loss of his clothes hardly mattered, because
  He had seven coats on when he came,
With three pair of boots--but the worst of it was,
  He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
  Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
  But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
  He had different names from these:
His intimate friends called him "Candle-ends,"
  And his enemies "Toasted-cheese."

"His form in ungainly--his intellect small--"
  (So the Bellman would often remark)
"But his courage is perfect! And that, after all,
  Is the thing that one needs with a Snark."

He would joke with hy{ae}nas, returning their stare
  With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
  "Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
  And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
  No materials were to be had.

The last of the crew needs especial remark,
  Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
  The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
  When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
  And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
  There was only one ****** on board;
And that was a tame one he had of his own,
  Whose death would be deeply deplored.

The ******, who happened to hear the remark,
  Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
  Could atone for that dismal surprise!

It strongly advised that the Butcher should be
  Conveyed in a separate ship:
But the Bellman declared that would never agree
  With the plans he had made for the trip:

Navigation was always a difficult art,
  Though with only one ship and one bell:
And he feared he must really decline, for his part,
  Undertaking another as well.

The ******'s best course was, no doubt, to procure
  A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
  Its life in some Office of note:

This the Banker suggested, and offered for hire
  (On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
  And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
  Whenever the Butcher was by,
The ****** kept looking the opposite way,
  And appeared unaccountably shy.

II.--THE BELLMAN'S SPEECH.

Fit the Second.

THE BELLMAN'S SPEECH.

The Bellman himself they all praised to the skies--
  Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
  The moment one looked in his face!

He had bought a large map representing the sea,
  Without the least vestige of land:
And the crew were much pleased when they found it to be
  A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
  Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
  But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
  A perfect and absolute blank!"

This was charming, no doubt; but they shortly found out
  That the Captain they trusted so well
Had only one notion for crossing the ocean,
  And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
  Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
  What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
  A thing, as the Bellman remarked,
That frequently happens in tropical climes,
  When a vessel is, so to speak, "snarked."

But the principal failing occurred in the sailing,
   And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
  That the ship would not travel due West!

But the danger was past--they had landed at last,
  With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
  Which consisted to chasms and crags.

The Bellman perceived that their spirits were low,
  And repeated in musical tone
Some jokes he had kept for a season of woe--
  But the crew would do nothing but groan.

He served out some grog with a liberal hand,
  And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
  As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
  (They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
  While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
   (Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
  Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
  (Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
  We have never beheld till now!

"Come, listen, my men, while I tell you again
  The five unmistakable marks
By which you may know, wheresoever you go,
  The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
  Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
  With a flavour of Will-o-the-wisp.

"Its habit of getting up late you'll agree
  That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
  And dines on the following day.

"The third is its slowness in taking a jest.
  Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
  And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
  Which is constantly carries about,
And believes that they add to the beauty of scenes--
  A sentiment open to doubt.

"The fifth is ambition. It next will be right
  To describe each particular batch:
Distinguishing those that have feathers, and bite,
  From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
  Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
  For the Baker had fainted away.

FIT III.--THE BAKER'S TALE.

Fit the Third.

THE BAKER'S TALE.

They roused him with muffins--they roused him with ice--
  They roused him with mustard and cress--
They roused him with jam and judicious advice--
  They set him conundrums to guess.

When at length he sat up and was able to speak,
  His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
  And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
  Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
  In an antediluvian tone.

"My father and mother were honest, though poor--"
  "Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
  We have hardly a minute to waste!"

"I skip forty years," said the Baker, in tears,
  "And proceed without further remark
To the day when you took me aboard of your ship
  To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
  Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
  As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
  " 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
  And it's handy for striking a light.

" 'You may seek it with thimbles--and seek it with care;
  You may hunt it with forks and hope;
You may threaten its life with a railway-share;
  You may charm it with smiles and soap--' "

("That's exactly the method," the Bellman bold
  In a hasty parenthesis cried,
"That's exactly the way I have always been told
  That the capture of Snarks should be tried!")

" 'But oh, beamish nephew, beware of the day,
  If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
  And never be met with again!'

"It is this, it is this that oppresses my soul,
  When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
  Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
  The Bellman indignantly said.
And the Baker replied "Let me say it once more.
  It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
  In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
  And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
  In a moment (of this I am sure),
I shall softly and suddenly vanish away--
  And the notion I cannot endure!"

FIT IV.--THE HUNTING.

Fit the fourth.

THE HUNTING.

The Bellman looked uffish, and wrinkled his brow.
  "If only you'd spoken before!
It's excessively awkward to mention it now,
  With the Snark, so to speak, at the door!

"We should all of us grieve, as you well may believe,
  If you never were met with again--
But surely, my man, when the voyage began,
  You might have suggested it then?

"It's excessively awkward to mention it now--
  As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
  "I informed you the day we embar

The Barrister's Dream

They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
But the Barrister, weary of proving in vain
That the ******'s lace-making was wrong,
Fell asleep, and in dreams saw the creature quite plain
That his fancy had dwelt on so long.

He dreamed that he stood in a shadowy Court,
Where the Snark, with a glass in its eye,
Dressed in gown, bands, and wig, was defending a pig
On the charge of deserting its sty.

The Witnesses proved, without error or flaw,
That the sty was deserted when found:
And the Judge kept explaining the state of the law
In a soft under-current of sound.

The indictment had never been clearly expressed,
And it seemed that the Snark had begun,
And had spoken three hours, before any one guessed
What the pig was supposed to have done.

The Jury had each formed a different view
(Long before the indictment was read),
And they all spoke at once, so that none of them knew
One word that the others had said.

"You must know--" said the Judge: but the Snark exclaimed "Fudge!"
That statute is obsolete quite!
Let me tell you, my friends, the whole question depends
On an ancient manorial right.

"In the matter of Treason the pig would appear
To have aided, but scarcely abetted:
While the charge of Insolvency fails, it is clear,
If you grant the plea 'never indebted'.

"The fact of Desertion I will not dispute:
But its guilt, as I trust, is removed
(So far as relates to the costs of this suit)
By the Alibi which has been proved.

"My poor client's fate now depends on your votes."
Here the speaker sat down in his place,
And directed the Judge to refer to his notes
And briefly to sum up the case.

But the Judge said he never had summed up before;
So the Snark undertook it instead,
And summed it so well that it came to far more
Than the Witnesses ever had said!

When the verdict was called for, the Jury declined,
As the word was so puzzling to spell;
But they ventured to hope that the Snark wouldn't mind
Undertaking that duty as well.

So the Snark found the verdict, although, as it owned,
It was spent with the toils of the day:
When it said the word "GUILTY!" the Jury all groaned
And some of them fainted away.

Then the Snark pronounced sentence, the Judge being quite
Too nervous to utter a word:
When it rose to its feet, there was silence like night,
And the fall of a pin might be heard.

"Transportation for life" was the sentence it gave,
"And then to be fined forty pound."
The Jury all cheered, though the Judge said he feared
That the phrase was not legally sound.

But their wild exultation was suddenly checked
When the jailer informed them, with tears,
Such a sentence would not have the slightest effect,
As the pig had been dead for some years.

The Judge left the Court, looking deeply disgusted
But the Snark, though a little aghast,
As the lawyer to whom the defence was intrusted,
Went bellowing on to the last.

Thus the Barrister dreamed, while the bellowing seemed
To grow every moment more clear:
Till he woke to the knell of a furious bell,
Which the Bellman rang close at his ear.

To the snark

To dark it was

To spark

To misty

To behave

To easy

To set fire

To a Vatican conclave

To easy for others

To choke on scented smoke

To easy for the Snark who was not ashamed

To shout in eager chorus another fool have they named

To wit he laughed and strode away

To Snark…Snark…Snark…Snark…Snark

To be sure this is the noise a Snark makes when he walks away

To be honest if you meet one you will know provided he walks away

To be sure he may stay and try and eat you..........

The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.
"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
What I tell you three times is true."

The crew was complete: it included a Boots--
A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck
Though none of the sailors knew how.

There was one who was famed for the number of things
He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
With his name painted clearly on each:
But, since he omitted to mention the fact,
They were all left behind on the beach.

The loss of his clothes hardly mattered, because
He had seven coats on when he came,
With three pair of boots--but the worst of is was,
He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
He had different names from these:
His intimate friends called him "Candle-ends",
And his enemies "Toasted-cheese"

"His form is ungainly--his intellect small--"
(So the Bellman would often remark)--
"But his courage is perfect! And that, after all,
Is the thing that one needs with a Snark."

He would joke with hyaenas, returning their stare
With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
"Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
No materials were to be had.

The last of the crew needs especial remark,
Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark",
The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
There was only one ****** on board;
And that was a tame one he had of his own,
Whose death would be deeply deplored.

The ******, who happened to hear the remark,
Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
Could atone for that dismal surprise!

It strongly advised that the Butcher should be
Conveyed in a separate ship:
But the Bellman declared that would never agree
With the plans he had made for the trip:

Navigation was always a difficult art,
Though with only one ship and one bell:
And he feared he must really decline, for his part,
Undertaking another as well.

The ******'s best course was, no doubt, to procure
A second-hand dagger-proof coat--
So the baker advised it--and next, to insure
Its life in some Office of note:

This the Baker suggested, and offered for hire
(On moderate terms), or for sale,
Two excellent Policies, one Against Fire
And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
Whenever the Butcher was by,
The ****** kept looking the opposite way,
And appeared unaccountably shy.

The Baker's Tale

They roused him with muffins--they roused him with ice--
They roused him with mustard and cress--
They roused him with jam and judicious advice--
They set him conundrums to guess.
When at length he sat up and was able to speak,
His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
In an antediluvian tone.

"My father and mother were honest, though poor--"
"Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
We have hardly a minute to waste!"

"I skip forty years," said the Baker in tears,
"And proceed without further remark
To the day when you took me aboard of your ship
To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
"'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens
And it's handy for striking a light.

"'You may seek it with thimbles--and seek it with care--
You may hunt it with forks and hope;
You may threaten its life with a railway-share;
You may charm it with smiles and soap--'"

("That's exactly the method," the Bellman bold
In a hasty parenthesis cried,
"That's exactly the way I have always been told
That the capture of Snarks should be tried!")

"'But oh, beamish nephew, beware of the day,
If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
And never be met with again!"

"It is this, it is this that oppresses my soul,
When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
The Bellman indignantly said.
And the Baker replied "Let me say it once more.
It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
In a moment (of this I am sure),
I shall softly and suddenly vanish away--
And the notion I cannot endure!"

The Vanishing

They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
They shuddered to think that the chase might fail,
And the ******, excited at last,
Went bounding along on the tip of its tail,
For the daylight was nearly past.

"There is Thingumbob shouting!" the Bellman said.
"He is shouting like mad, only hark!
He is waving his hands, he is wagging his head,
He has certainly found a Snark!"

They gazed in delight, while the Butcher exclaimed
"He was always a desperate wag!"
They beheld him--their Baker--their hero unnamed--
On the top of a neighbouring crag,

***** and sublime, for one moment of time,
In the next, that wild figure they saw
(As if stung by a spasm) plunge into a chasm,
While they waited and listened in awe.

"It's a Snark!" was the sound that first came to their ears,
And seemed almost too good to be true.
Then followed a torrent of laughter and cheers:
Then the ominous words "It's a Boo--"

Then, silence. Some fancied they heard in the air
A weary and wandering sigh
That sounded like "--jum!" but the others declare
It was only a breeze that went by.

They hunted till darkness came on, but they found
Not a button, or feather, or mark,
By which they could tell that they stood on the ground
Where the Baker had met with the Snark.

In the midst of the word he was trying to say
In the midst of his laughter and glee,
He had softly and suddenly vanished away--
For the Snark was a Boojum, you see.

The Hunting

The Bellman looked uffish, and wrinkled his brow.
"If only you'd spoken before!
It's excessively awkward to mention it now,
With the Snark, so to speak, at the door!
"We should all of us grieve, as you well may believe,
If you never were met with again--
But surely, my man, when the voyage began,
You might have suggested it then?

"It's excessively awkward to mention it now--
As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
"I informed you the day we embarked.

"You may charge me with ******--or want of sense--
(We are all of us weak at times):
But the slightest approach to a false pretence
Was never among my crimes!

"I said it in Hebrew--I said it in Dutch--
I said it in German and Greek:
But I wholly forgot (and it vexes me much)
That English is what you speak!"

"'Tis a pitiful tale," said the Bellman, whose face
Had grown longer at every word:
"But, now that you've stated the whole of your case,
More debate would be simply absurd.

"The rest of my speech" (he exclaimed to his men)
"You shall hear when I've leisure to speak it.
But the Snark is at hand, let me tell you again!
'Tis your glorious duty to seek it!

"To seek it with thimbles, to seek it with care;
To pursue it with forks and hope;
To threaten its life with a railway-share;
To charm it with smiles and soap!

"For the Snark's a peculiar creature, that wo'n't
Be caught in a commonplace way.
Do all that you know, and try all that you don't:
Not a chance must be wasted to-day!

"For England expects--I forbear to proceed:
'Tis a maxim tremendous, but trite:
And you'd best be unpacking the things that you need
To rig yourselves out for the fight."

Then the Banker endorsed a blank cheque (which he crossed),
And changed his loose silver for notes:
The Baker with care combed his whiskers and hair.
And shook the dust out of his coats:

The Boots and the Broker were sharpening a *****--
Each working the grindstone in turn:
But the ****** went on making lace, and displayed
No interest in the concern:

Though the Barrister tried to appeal to its pride
And vainly proceeded to cite
A number of cases, in which making laces
Had proved an infringement of right.

The maker of Bonnets ferociously planned
A novel arrangement of bows:
While the Billiard-marker with quivering hand
Was chalking the tip of his nose.

But the Butcher turned nervous, and dressed himself fine,
With yellow kid gloves and a ruff--
Said he felt it exactly like going to dine,
Which the Bellman declared was all "stuff".

"Introduce me, now there's a good fellow," he said,
"If we happen to meet it together!"
And the Bellman, sagaciously nodding his head,
Said "That must depend on the weather."

The ****** went simply galumphing about,
At seeing the Butcher so shy:
And even the Baker, though stupid and stout,
Made an effort to wink with one eye.

"Be a man!" said the Bellman in wrath, as he heard
The Butcher beginning to sob.
"Should we meet with a Jubjub, that desperate bird,
We shall need all our strength for the job!"

The Bellman's Speech

The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face!
He had bought a large map representing the sea,
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
"They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
But we've got our brave Captain to thank"
(So the crew would protest) "that he's bought us the best--
A perfect and absolute blank!"

This was charming, no doubt: but they shortly found out
That the Captain they trusted so well
Had only one notion for crossing the ocean
And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
A thing, as the Bellman remarked,
That frequently happens in tropical climes,
When a vessel is, so to speak, "snarked".

But the principal failing occurred in the sailing,
And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
That the ship would not travel due West!

But the danger was past--they had landed at last,
With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view
Which consisted of chasms and crags.

The Bellman perceived that their spirits were low,
And repeated in musical tone
Some jokes he had kept for a season of woe--
But the crew would do nothing but groan.

He served out some grog with a liberal hand,
And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
(They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
(Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
(Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
We have never beheld till now!

"Come, listen, my men, while I tell you again
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavour of Will-o'-the-Wisp.

"Its habit of getting up late you'll agree
That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
And dines on the following day.

"The third is its slowness in taking a jest.
Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
Which it constantly carries about,
And believes that they add to the beauty of scenes--
A sentiment open to doubt.

"The fifth is ambition. It next will be right
To describe each particular batch:
Distinguishing those that have feathers, and bite,
From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
Yet I feel it my duty to say
Some are Boojums--" The Bellman broke off in alarm,
For the Baker had fainted away.

The Banker's Fate

They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
And the Banker, inspired with a courage so new
It was matter for general remark,
Rushed madly ahead and was lost to their view
In his zeal to discover the Snark.

But while he was seeking with thimbles and care,
A Bandersnatch swiftly drew nigh
And grabbed at the Banker, who shrieked in despair,
For he knew it was useless to fly.

He offered large discount--he offered a cheque
(Drawn "to bearer") for seven-pounds-ten:
But the Bandersnatch merely extended its neck
And grabbed at the Banker again.

Without rest or pause--while those frumious jaws
Went savagely snapping around--
He skipped and he hopped, and he floundered and flopped,
Till fainting he fell to the ground.

The Bandersnatch fled as the others appeared
Led on by that fear-stricken yell:
And the Bellman remarked "It is just as I feared!"
And solemnly tolled on his bell.

He was black in the face, and they scarcely could trace
The least likeness to what he had been:
While so great was the fright that his waistcoat turned white--
A wonderful thing to be seen!

To the horror of all who were present that day,
He uprose in full evening dress,
And with senseless grimaces endeavoured to say
What his tongue could no longer express.

Down he sank in a chair--ran his hands through his hair--
And chanted in mimsiest tones
Words whose utter inanity proved his insanity,
While he rattled a couple of bones.

"Leave him here to his fate--it is getting so late!"
The Bellman exclaimed in a fright.
"We have lost half a day. Any further delay,
And we sha'n't catch a Snark before night!"

The ******'s Lesson

They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.

Then the Butcher contrived an ingenious plan
For making a separate sally;
And fixed on a spot unfrequented by man,
A dismal and desolate valley.

But the very same plan to the ****** occurred:
It had chosen the very same place:
Yet neither betrayed, by a sign or a word,
The disgust that appeared in his face.

Each thought he was thinking of nothing but "Snark"
And the glorious work of the day;
And each tried to pretend that he did not remark
That the other was going that way.

But the valley grew narrow and narrower still,
And the evening got darker and colder,
Till (merely from nervousness, not from goodwill)
They marched along shoulder to shoulder.

Then a scream, shrill and high, rent the shuddering sky,
And they knew that some danger was near:
The ****** turned pale to the tip of its tail,
And even the Butcher felt queer.

He thought of his childhood, left far far behind--
That blissful and innocent state--
The sound so exactly recalled to his mind
A pencil that squeaks on a slate!

"'Tis the voice of the Jubjub!" he suddenly cried.
(This man, that they used to call "Dunce.")
"As the Bellman would tell you," he added with pride,
"I have uttered that sentiment once.

"'Tis the note of the Jubjub! Keep count, I entreat;
You will find I have told it you twice.
'Tis the song of the Jubjub! The proof is complete,
If only I've stated it thrice."

The ****** had counted with scrupulous care,
Attending to every word:
But it fairly lost heart, and outgrabe in despair,
When the third repetition occurred.

It felt that, in spite of all possible pains,
It had somehow contrived to lose count,
And the only thing now was to rack its poor brains
By reckoning up the amount.

"Two added to one--if that could but be done,"
It said, "with one's fingers and thumbs!"
Recollecting with tears how, in earlier years,
It had taken no pains with its sums.

"The thing can be done," said the Butcher, "I think.
The thing must be done, I am sure.
The thing shall be done! Bring me paper and ink,
The best there is time to procure."

The ****** brought paper,portfolio, pens,
And ink in unfailing supplies:
While strange creepy creatures came out of their dens,
And watched them with wondering eyes.

So engrossed was the Butcher, he heeded them not,
As he wrote with a pen in each hand,
And explained all the while in a popular style
Which the ****** could well understand.

"Taking Three as the subject to reason about--
A convenient number to state--
We add Seven, and Ten, and then multiply out
By One Thousand diminished by Eight.

"The result we proceed to divide, as you see,
By Nine Hundred and Ninety Two:
Then subtract Seventeen, and the answer must be
Exactly and perfectly true.

"The method employed I would gladly explain,
While I have it so clear in my head,
If I had but the time and you had but the brain--
But much yet remains to be said.

"In one moment I've seen what has hitherto been
Enveloped in absolute mystery,
And without extra charge I will give you at large
A Lesson in Natural History."

In his genial way he proceeded to say
(Forgetting all laws of propriety,
And that giving instruction, without introduction,
Would have caused quite a thrill in Society),

"As to temper the Jubjub's a desperate bird,
Since it lives in perpetual passion:
Its taste in costume is entirely absurd--
It is ages ahead of the fashion:

"But it knows any friend it has met once before:
It never will look at a bride:
And in charity-meetings it stands at the door,
And collects--though it does not subscribe.

" Its flavor when cooked is more exquisite far
Than mutton, or oysters, or eggs:
(Some think it keeps best in an ivory jar,
And some, in mahogany kegs)

"You boil it in sawdust: you salt it in glue:
You condense it with locusts and tape:
Still keeping one principal object in view--
To preserve its symmetrical shape."

The Butcher would gladly have talked till next day,
But he felt that the lesson must end,
And he wept with delight in attempting to say
He considered the ****** his friend.

While the ****** confessed, with affectionate looks
More eloquent even than tears,
It had learned in ten minutes far more than all books
Would have taught it in seventy years.

They returned hand-in-hand, and the Bellman, unmanned
(For a moment) with noble emotion,
Said "This amply repays all the wearisome days
We have spent on the billowy ocean!"

Such friends, as the ****** and Butcher became,
Have seldom if ever been known;
In winter or summer, 'twas always the same--
You could never meet either alone.

And when quarrels arose--as one frequently finds
Quarrels will, spite of every endeavor--
The song of the Jubjub recurred to their minds,
And cemented their friendship for ever!

Have you ever met the snark?
Teeth and claws of slease?
His breath smells of
Odious innuendo
Cutting comments
Mean bon mots

The snark is short
Only three foot two
On a good day. Always
With a grimace visage
As he tap-shnicks, taps-shnicks
Ambling his way toward you

Hit the button for the
Crosswalk cross light
Red seconds count down as
Weird whooping sounds
White man walking! Get
Safe on the other side!

When its emerald eye glimmers in the shadow of the dusty shelf above
I pause,
I sense a presense.

It is not unlike me to attribute human characteristics to inanimate objects.
Give them names and nicknames and quirky character traits based on how their forms bend.

In the flickering lights of a broke wicken sanctuary though, I do not do it out of habit.

I feel it and stare it back down and see my own reflection in the cracked gems that once were a soul.

A gaudy skull.

The kind you see in home video Indiana Jones tributes,
with hats stolen from someone’s parents,
and jackets stolen from someone else’s elder siblings,
and ketchup for blood.

The kind your quirky local manic pixie dream girl uses to hold incense.

The kind I’m about to waste my money on because I’m an adult now and I can use my millennial minimum wage however I want.

I do not become aware of the possessed nature of my new buddy until I take it back home and hear it snicker in the middle of the night.

I know it is the skull, for my roommate is not one to snicker.

(He chuckles when he’s hiding an opinion and has a villainous laugh when it’s coming from a place of sincerity, but that’s beside the point)

I know it’s laughing at me.
I know this for a fact.

It takes me three more nights to call it out on it because I’ve never been confronted with the issue of standing up to a haunted antique I took home from a secondhand shop, possibly owned by satan’s offspring.
But I’m twenty-one years old and still experiencing some firsts, I suppose.

The gaudy skull is exceptionally snarky.
In a way none of my named plants ever were.
Not even Gerard.

He comes for me for the garbage on the floor and the dust on the windowsill on which he’s propped up, and then later for my poor taste in chore-doing music.

I never ask for its name because I know for a fact he’ll make a game out of it
and I am not in the mood for entertaining ghosts.

I come to realise it all on my own a couple of weeks later.
Once the snark starts to wear off,
and domesticity settles in,
and shared quiet becomes comforting,
despite the circumstances.

It is Judas.

I know this for a fact.

You do not understand the extent to which I am certain that it is Judas.
I have never been so aware of someone’s origins in my entire life.
I bought this creepy item and it is now in my room and I’m developing a weird attachment to it and maybe occasionally use it as a paper-weight and it is Judas.

I feel it in my heart and know it inside of my skull that might be standing on someone else’s touchscreen windowsill
two thousand years in the future,
jade stones for eyes even though I specifically requested amber,
but you get ****** over by bureaucracy even after death.

How do I know it is Judas?

Because I feel him stare at me like he wants to kiss me late at night and sense him plotting my betrayal early morning.

I know it is that, for a fact, because I’ve felt this exact sensation before.

My **** edgy room decor is Judas.

I try to get him to admit it himself by talking of past lovers and reading aloud the surprising number of Jesus metaphor poems I have in my room.
I hate Jesus metaphors, but I do it for that sweet sensation of seeing someone trying to dodge the inevitable once it’s coming at them like a mule through Rome piloted by the son of god.

I know he’ll cave eventually and tell me
and I know it’ll be the same caliber of glorious news as Jesus coming out of his own cave of burial,
resurrected and preaching winning.
I know I’ll win.

And I think to myself that maybe I am in the mood to entertain and just haven’t found the right outlet yet.
Maybe history’s most infamous apostle is It.
The original sinner and the original rebel.

(I’m aware it’s technically Cain, the jealousy-ridden son of Adam and Eve, but I only ever count the gays)

Judas and I have bonded.

And I can tell he’s on the verge of telling me his dark and twisted backstory. Again, I have felt this sensation before.

And when it happens, we can talk
about what it’s like being demonised by the one you love
and being the odd one out in your devotee friend group, even though you eat bread and drink wine and worship metaphor just like them.
And how patriarchal institutions distort history to pedal the same tired spiel of everything having a place and everything being there for a reason.

But we both know that isn’t true
because neither of us feel like part of god’s plan or created in anyone’s image.

And we can listen to sad music about wanting to kiss the wrong people together.

And that’s all I ever wanted from a friendship.

PREFACE

If---and the thing is wildly possible---the charge of writing
nonsense were ever brought against the author of this brief but
instructive poem, it would be based, I feel convinced, on the line

''Then the bowsprit got mixed with the rudder sometimes''

In view of this painful possibility, I will not (as I might) appeal
indignantly to my other writings as a proof that I am incapable of
such a deed: I will not (as I might) point to the strong moral
purpose of this poem itself, to the arithmetical principles so
cautiously inculcated in it, or to its noble teachings in Natural
History---I will take the more prosaic course of simply explaining
how it happened.

The Bellman, who was almost morbidly sensitive about appearances,
used to have the bowsprit unshipped once or twice a week to be
revarnished, and it more than once happened, when the time came for
replacing it, that no one on board could remember which end of the
ship it belonged to. They knew it was not of the slightest use to
appeal to the Bellman about it---he would only refer to his Naval
Code, and read out in pathetic tones Admiralty Instructions which
none of them had ever been able to understand---so it generally ended
in its being fastened on, anyhow, across the rudder. The helmsman
used to stand by with tears in his eyes: he knew it was all wrong,
but alas! Rule 42 of the Code, ''No one shall speak to the Man at the
Helm'', had been completed by the Bellman himself with the words
''and the Man at the Helm shall speak to no one''. So remonstrance
was impossible, and no steering could be done till the next
varnishing day. During these bewildering intervals the ship usually
sailed backwards.

This office was usually undertaken by the Boots, who found in it
a refuge from the Baker's constant complaints about the insufficient
blacking of his three pairs of boots.

As this poem is to some extent connected with the lay of the
Jabberwock, let me take this opportunity of answering a question that
has often been asked me, how to pronounce ''slithy toves''. The
''i'' in ''slithy'' is long, as in ''writhe''; and ''toves'' is
pronounced so as to rhyme with ''groves''. Again, the first ''o'' in
''borogoves'' is pronounced like the ''o'' in ''borrow''. I have
heard people try to give it the sound of the ''o'' in ''worry''.
Such is Human Perversity.

This also seems a fitting occasion to notice the other hard words in
that poem. Humpty-Dumpty's theory, of two meanings packed into one
word like a portmanteau, seems to me the right explanation for all.

For instance, take the two words ''fuming'' and ''furious''. Make up
your mind that you will say both words, but leave it unsettled which
you will say first. Now open your mouth and speak. If your thoughts
incline ever so little towards ''fuming'', you will say
''fuming-furious''; if they turn, by even a hair's breadth, towards
''furious'', you will say ''furious-fuming''; but if you have that
rarest of gifts, a perfectly balanced mind, you will say
''frumious''.

Supposing that, when Pistol uttered the well-known words---

''Under which king, Bezonian? Speak or die!''

Justice Shallow had felt certain that it was either William or
Richard, but had not been able to settle which, so that he could not
possibly say either name before the other, can it be doubted that,
rather than die, he would have gasped out ''Rilchiam!''.

Sometimes diplomas are deleterious to a degree
it seems the cap, gown, and certificate holder
buys a telescope and starts using it to see
loses the ability to write freely and bolder
becomes particularly adept at speaking in snark -
so much easier than personally and intimately connecting -
preferring critique to finding and being a creative spark
becoming expert not so much from practice as from correcting.

I knew a man who used to be my friend
until he acquired his PhD
then he began to depart and ascend
too high for him to see little ole me
I knew a few too who were doctors and buddies
whose degrees didn’t pedestal them
who didn’t let their higher studies
erase their humor, make their hearts go dim.

I still recall the minutes spent;
Every kiss and moment — hands intwin’d,
Days with thee, thy interest fully lent.
Sitteth I and ponder sober mind’;
Of thy gaze and grace and lovely face,
Of thy voice tuned sweetly like the lark.
Tho’ time apart hath drawn a pace,
Riseth I, with heavens eye to hunt the snark.
Seeketh I in places dark and sullen grim
With naught but hope and love equip’d,
Plungeth I to caverns gull and dim
Void of joy and weary grip’d.
    I trace the beast and find it’s lair,
    To my surprise: a maiden fair!

~ Inori

TELL TALE TALK

Shark's tooth
draws blood

( even though long dead )

a startled red
against the sharp whiteness

lost in a bric-a-brac
box of shells & things.

"Gotcha!"
grins the dead

shark's set of
choppers.

Baby shark
but a shark nonetheless.

I drip a trail
of red

across the Charity
shop

snap up
a tattered HUNTING OF THE SNARK

a battered
AT SWIM TWO BIRDS.

Here
a broken ballerina

on a jewellery box
( minus her music )

there
( I stop dead )

a used
soul

bruised
badly used

Godless
without guile

my fingertip traces my initials
on its dust

tarnished
without hope

immortal and unnoticed
amongst shark's teeth & shells.

I get
a SNARK & TWO BIRDS

for a pound
a piece.

The shark's grin
for a pound again.

"What do you want
for this old thing?"

I nonchalantly
ask

setting the soul
with great care

within the cage
of teeth

perched atop
the books.

"Being dying
to get rid

of that
for ages."

"It just sits there
staring at me!"

"Scares the life
outta me

to tell you
the truth

even though I don't know
what the hell it is!"

"Give us 42p for it
& we'll call it quits!"

I buy back
the soul

( my soul )

I had given away
with some old shirts and shoes

things I thought
I wouldn't ever be needing

. . .again.

But seeing it
discarded amongst shark's teeth & shells

I thought
twice about it.

Maybe
( perhaps )

I can use
it

for a paperweight.

Or a doorstop.

Sedulous

PRONUNCIATION:
(SEJ-uh-luhs)

MEANING:
adjec­tive: Involving great care, effort, and persistence.
ETYMOLOGY:
From Latin se (without) + dolus (trickery, guile). Ultimately from the Indo-European root del- (to count or recount) that is also the source of tell, tale, talk, Aug 9, 2010
A THOUGHT FOR TODAY:

Poetry is the art of saying what you mean but disguising it. -Diane Wakoski, poet (b. 1937) and Dutch taal (speech, language).
USAGE:
"Elizabeth Bishop was sedulous, pernickety, quietly determined; she would work on poems for years."Elizabeth Bishop and Robert Lowell; The Economist (London, UK); Nov 20, 2008.
A THOUGHT FOR TODAY:
<strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><strong><p>A beautiful thing is never perfect. -Egyptian proverb</p></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong></strong>

my mother calls it being rude,
tends to yell at me for it
as if deluding herself into believing
that i won't yell back. i'm not a *****;
i won't take it
lying down.
i might be her son, but
being the teenager doesn't make me wrong,
and her being the adult doesn't make her right.
she doesn't get that,
doesn't see my side.

my friends call it sassy,
and encourage it,
and laugh, and it's nice
to just snark with them, back and forth
like a steady stream of sarcasm,
cutting quips from sharp tongues,
scathing remarks. it's all
playful, in the end,
like children who squabble over toys
then hug after mere minutes of cool down.

my mother used to call me "mouthpiece"
as a kid. it's funny how
she takes me so seriously when i'm only joking,
then laughs and degrades me
whenever i take something personally,
as if the verbal abuse slipping from her lips
is nothing more than teasing.
she's a hypocrite.
she calls me rude, an "ungrateful little ****",
wishes hell upon me, slaps me round the head
and gets in my face like a threat,
teeth bared like blades

but mother, i'm not scared of bleeding―
got that beaten out of me
so very long ago.
if you could just stop now, shut up,
quit being a mouthpiece, as you call it,
then this will all blow over,
and we can go back to pretending
that each of us doesn't exist to the other
for a couple nights.
we're sort of volatile, you and i
sometimes your words hurt more
than daddy's gripping hands or neglect ever could.

sometimes you make alcoholism tempting,
and wouldn't that be a fine symphony,
"like father, like son"
ringing hollowly in the empty space
between my ribs and my lungs
forgetting how to breathe
without breathing too much.
somebody once called my panic attacks
"attention seeking", but they were so wrong.
i've never wanted to be more invisible
than when i've found myself vulnerable
over a ******* memory, a ******* ghost of all the--

do you know how strange it is
to feel your heart hammering against your bones
with the too-fast flow of blood making your head spin,
when you've been so certain
that you've never had a heart at all?

this heart never got broken, depressingly enough.
it's kind of tragic to want something to hurt bad enough
to make you feel normal, human
but i've kind of been conditioned for disappointment
and solitude, and anger.
i've been so fine-tuned to drum beats
and cold voices,
it's no wonder i'm so closed off and detached.
but hey, at least it saved me some trauma,
no betrayals here, no questions,
no "i thought you loved me". hell,
i'm not even bitter that i never got a chance at a proper family

does that make me lucky?

ah, such a mouthpiece,
always spitting venom, dark humour at my own expense,
warding off any meaningful company
laughing about those times i tried to **** myself
like they're nothing

did you expect any less? how could you expect more?
your worthless son
is as cold and dead on the inside as his daddy.

that bitter symphony,
"like father, like son".

When you use words like cute and hot
To describe a species you're not
Is it with intent
That you compliment
The animal before you
Or is it in jest that that you call him “the ***”
And for a dog he's incredibly handsome
And “if I were that species I would”
At this beautiful mammal
But would you though, really?
Or is it a facetious use of language
Just a play on words, a pun
You say you're in lesbians
With that orang from the zoo
I laugh and agree, because we both know
That's not what we actually do
This charming pretty creature, I call the bae
The current in-word for other-half
But I don't want to marry this creature, noooo
Or even take them out on a date!
I know many people who imagine themselves
As something altogether exotic
On two legs, in shoes but with a coating of fur
And a fuzzy little muzzle too
And oh I remark without an ounce of snark
All the deviant things I would do
But lowered on all fours with no concept of words
I'll pass on that one, thankyou
Is our species so poor that we hanker for
The features of the rest of animalia?
Why is the stallion and swan the *** icons
Or vixens symbols of seduction?

And why do women turn broody at the sight of a kitten
Much sooner than a juvenile human?

Dark bat, would I were curious as thou art-
Like a tea-tray twinkling at night,
And lying with eternal wings apart
Til morning when you end your flight,
And spend the day at your raven-like desk
Chanting incantations old and obscure
With lyrics obscene and Kafkaesque
Quoting first Foucault, then Sassure -
No-yet still puzzling, still remarkable
A black beacon amid shades of grey -
Elusive, and in pursuit quite snark-able.
To you I am drawn as a ****** to ****
I’ll be your muse and you’ll be my death.

your breakfast will be shining stars on a silver platter.
in your lunchbox I will pack sunshine
each tear you cry, I will catch.
when you’re scared you know where I am
I’ll hold you like three months
sing you to sleep or smiles

days and days and days.

I know that you’ll be lost sometimes
I won’t always have a map
but on the table you’ll find food
and in the bed a safe place for you
to rest your eyes and count the sheep
quietly prancing behind closed eyes

months and months and months

you’ll love and lose and be alone,
but always even when your last friend folds
you know when you open the door
I’ll hear the creak and rush to hold you at arms length
and with one glance I’ll know your pains
pull you closer and tell you

tales of when long ago my last friend folded
tales of when the fire licked my toes
tales of when the sun danced on my skin
and then and there you’ll know
all along I loved you
so much more than time can tell
so much more than words can say
so much more than letters can spell
and so much more than sounds can make

I’ve loved you more than wind in my hair
I’ve loved you more than dirt between my toes
I’ve loved you more with each painful moment

with each jab she made, my love grew
every tear watering the flower
long before I knew it existed
Each snark comment that cut my skin
leaving me bleeding and aloney
fed the flower ever growing
and if you ever come along

you’ll know from the moment you feel my touch
that I will dance with you until the sun comes up
I’ll catch your tears all night long
I’ll give you ice cream
and listen to your angel voice soft against my ears

I’ll cradle you until you’re my size
then I’ll cradle you some more
I’ll hold your laugh in my heart
and when I’m crying I’ll let it out
like Pandora and her box
but your laugh will infect all things with good
make them shine like gold and silver

I will not keep you from mistakes
it’s not my place to live your life
I’ve already been living mine,
but if you need help, ask.
When you need support I’ll be there
Do the things that make you smile
that smile will make me happier
happier than any gold medal,
happier than and sum of money
could ever make me.

That smile will make me dance
and sing and and live longer than anything
because in your smile
there’ll a little part of me.
Nothing big or great,
because I’m neither,
but something small and subtle.

Everyone will know your smile
and you will always remember
every day when you wake up

that my love for you overflows every ocean
that my love for you stands taller than any crane
that my love for you outweighs any killer whale
that my love for you runs deeper than the grand canyon
deeper even than the Mariana Trench
higher than seven Mt. Everests and an Eiffel Tower

And when you wake up and feel my love
where ever you are
be it Paris, Rome, Milan, Idaho
be it Iceland or Greenland or Newfoundland,
you will smile.
You will know when your eyes open to start each day
that my love is wrapped around you tight always
where ever you go
you will smile and everyone will know
you. are. loved.

He said: "Of all the chat sites in all the internet, she walked into the one I happen to use."
He was drunk when they first spoke.
But she was too enthralled by the fact that he thought she had good taste in music to notice.
It had taken her years to train her ears to appreciate the sound of a bass solo
and learn to distinguish the no name bands worth knowing, from those that were not.

She had an appreciation for clavicles
and wrote too many poems about what love was, wasn't, and should be.
She liked to pretend that she hated cliches, yet her favorite movie was chalk full of them.

She said: "I dig you."
She dug so many things about him.
He had so much worth digging.
His love of the ocean and all things aquatic.
His green-gray eyes.
His general lack of amusement with things of the romantic sort.

He was too sincere to ever use lols
and fancied himself most competitive cooking shows.
And though he'd never driven a car, he had been para-sailing.

She said: "You're my person."
He said" "Make the world your person."
So they continued on in their mutual amusement,
exchanging selfies, sweaters and songs.
They spoke a unique language consisting of
puns
snark
lyrics
and innuendo.

late at night
bowl of white
fill it right
take a bite

tummy polled
bread to hold
jelly cold
spread and fold

hunger or habit
simply grab it
whole or halve it


bunny rabbit

My hour on the stage half dun
Gone are days of limerick fun
Gone green dragon flying as Lark
Remembering ex-marine snark

In Hollywood bar, his heart trice
Failed, still caring drove to hospice
There, where days laid he on just one leg
Amputated cries, pain dared beg.

Yet after death lurked a grin,
A lark phone call to next of kin.
Frank doctor blind to ****** pun
Irate, berate to unkind son,
Spoke he with clenched fist did shook,
Asking who laments father cook.

I'm sick of this day at sunrise.  
And there’s no cigarette to smoke
within a walkings distance
before i sit across another verbally abusive *******,
telling me why i write with the insolence of an *******.  

Insomnia that could wake ****** up
has been rallying for his third evening
and my fingers can't lay still.
these hands like tremors
on the faults of my keys,
this **** screen of tectonic hills,
and the snark and bile
that stands upon them,
with humored donations of authority,
of me tryingto describe the world I see.

But still this will not ease my mind to rest
nor will my eyes roll back into the void
where this calamity is formed.  
Because there's still some suited family
at the reigns of the nation
where society is in the eyes not of the beholder,
but of the person that tells the most lies.

So I lock my ears with insanity
to drown out the sound
of souls as they scream
at how they've been betrayed.
and they sing chorus' of those
who scores before
tried to sing the same song.
So again, like every day
I'll sit and curse the dawn
because it is unchanged,
it is still another day of sorrow.,,,,,,,,,

"Are you deaf, Father William!" the young man said,
"Did you hear what I told you just now?
"Excuse me for shouting! Don't waggle your head
"Like a blundering, sleepy old cow!
"A little maid dwelling in Wallington Town,
"Is my friend, so I beg to remark:
"Do you think she'd be pleased if a book were sent down
"Entitled 'The Hunt of the Snark?'"

"Pack it up in brown paper!" the old man cried,
"And seal it with olive-and-dove.
"I command you to do it!" he added with pride,
"Nor forget, my good fellow to send her beside
"Easter Greetings, and give her my love."

Ronnie couldn’t talk
And be rhymless at all.
He could barely walk,
I'm pretty sure he'd fall,
Unless he was rhyming.
He said to me, “You see
The thing is with me
It all has to do with timing.

The cadence when I walk
Become words I hear,
The beat when someone talks
Makes a poem in my ear,
Then the rhyming begins
And seems to make good sense.
The words like magic appear
Poetic possibilities immense.”

All of the time I knew him
It seemed to be the truth
He rhymed almost constantly
From his very verbal youth.
He was like a Hallmark card
Sometimes saying pithy things
That fit the moment exactly
And had that ***** ring.

But other times his utterances
Were acerbic and very witty.
When it came to sarcastic tilt
He was the Mayor of Snark City.
Or he could rhyme endearingly
And paint pictures with his words
Saying some of the nicest things
That were ever put into words.

Yes, he was Rhyming Ronnie,
A poem for any current thought.
You couldn’t stump him even once.
At least not that I ever caught.
Ryan was amazing for sure
And some found it rather vexing.
But oh boy in the internet age
It came in handy when texting!

Hold the phone, hold the freakin’ phone. Lisa’s got a boyfriend!
I’ve never seen Lisa with a boyfriend. Lisa draws men like fireworks on a dark night but I’ve never seen her keep one. I mean, it’s not unbelievable but it’s on the edge.

Then, one Friday evening, he came to visit. His name’s David - “call me Dave,” he said, meeting eyes and offering micro-expression smiles as he nodded around the room. Knowing he was coming, our suite’s common room was full, as if everyone came to see Lisa do a dangerous magic trick.

Dave’s got a young, Michael Keaton vibe going (the original movie batman), with a cocky, easygoing confidence and comedic snark that suggests he has everything under control. He’s 26 years old, about 5’11’ (a little shorter than 5’9” Lisa in heels - but he doesn’t seem to notice or mind), with brown eyes and unruly brown hair.

With some cagy sleuthing (I asked) it turns out he met her at her father’s (company's) Christmas party last year! I was there - and they’ve been secretly communicating for ten months!! How did I miss that? My situational awareness is obviously porous, and unreliable - was the room spinning?

You know, I hadn’t really focused on it before, but one of Lisa’s flaws is that her feelings and opinions don’t always show up in her expressions - it’s very annoying.

I’ve always been interested - umm, obsessed - with fashion. If I weren’t going into medicine, I’d have majored in fashion (called ‘Interdisciplinary Studies’ at Yale). Anyway, Dave’s been “dropping in” for the last few weeks - every Friday afternoon - arriving from Manhattan in his (my guess ~$6,500) business attire. What does Dave’s fashion sense tell us?

His business suits (charcoal-gray or olive-green) are Brioni, his dress white shirts are Thomas Pink, his ties Hermès and his shoes are Santoni. He’s slim and well tailored. I give him 5 stars.

If his work attire is lux, his casual attire speaks volumes as well. His weekend wear is a white dress shirt, open at the collar and jeans - both crisp and starched to hell and back. The long, stiff, white shirt sleeves are never rolled up. The jeans - deep blue and new - have a razor sharp crease down the front and his shoes are burgundy, Timberline, boat shoes with no socks. That outfit screams (Texas) oil money.

“What is it you DO?” I asked him, that first night, as Lisa was off getting ready to go out.
“I’m a “M & A weasel,” he said, shrugging nonchalantly. (that’s Mergers and Acquisitions, if you don’t know - with one of the Morgans - JPMorgan or Morgan Stanley - I can’t remember which).
He’s one of those reviled, monied, ‘Wall Street’ guys. Yep, he‘s in control of everything.

“Tell me about you.” he said, giving me a serious, intense look that held immediate charm. He seemed relaxed, his suit coat off, his white dress shirt glowing in the suite’s soft lighting.
“I’ve got the highest GPA in Yale’s pre-med program,” I informed him, adding, “..in my opinion.”
He chuckled (which, of course, made me like him more).

You know, life in an education bubble can get tedious. Sure, it fills our days from edge to edge and satisfies our basic needs but it can be stifling - a faraday cage filtering life into carefully measured doses. Come Friday nights, we’re ready to hit it.

One thing I like about Dave is that he wants to be one of us and he’s never tried to peel Lisa away for himself - I think that shows an ease and generosity of spirit. Did I mention that Dave’s a Yale alum? He KNOWS New Haven.

The first night we all went out, it was the whole clan - my roommates, the girls in our sister suite, Dave and Andy (a friend of Sunny). We went to an expensive harbor restaurant to get to know Dave and seafood-martini celebrate. We had an epic time. Dave fit in like family.

I’m kind of used to paying for off campus stuff because some of these girls are tight and I’ve got a bag, but when the waiter brought the check, Dave and I found ourselves both reaching for it.
“May I?” He asked, with his Keaton-like smirk. “This time,” I said, with my own shrugging smile.

Later, back at our suite, Dave’s heading back to his hotel (less than a mile away) and slowly, quietly, saying goodnight to Lisa by the front door. “You’ve got some awfully long legs,” he said, like a 1940s black & white movie gumshoe. Taking her gently by the back of the neck and waist and twisting her tall, thin frame in a dancer’s backbend dip where she hung, suspended in his arms.

“I’d like to shimmy up one of those legs like a native boy looking for coconuts.” She chuckled.
Leong and I, sitting on our red corduroy couch, exchanged eye-rolls and smiles - he’s a romantic goof, but somehow, he carries it all off - right down to the kiss.

Home on a Wednesday composing a ballad,
Lonely for snark and simile,
Caught in a funk, not up to this challenge,
Wish I was 18 watching MTV.

Videos would come in a plethora of color,
Medicating me in the dark,
Big hair travelogues, a jungle of ruffles,
Frivolous pyrotechnic sparks.

A zombie, a nurse, a dance hall girl,
A star if you are what you watch,
A fishnet and lace princess in training
With no time for verbal hopscotch.

Elbows propped on tabletops,
we roll out our worlds, like a red carpet,
across the surface between us.
Mapping out our weeks
we speak in riddles
only able to be understood by
present company and others with
an acute appreciation for the absurd.

Round 1
We begin by bouncing pleasantries
mingled with snark and
littered with nonsense stories
across the space where our scotch glasses
drain lazily between us.

Round 2
Brings with it a new tone-
we begin to slip into hypotheticals
and start the dangerous
and all too familiar process of
looking over our own shoulders.
The past seems to sneak
into the pauses and reminiscing starts
to seem too surreal to be appealing.

Round 3
And we are forced to keep reluctant company
with the regret that now speckles the tabletop in front of me.
Our eyes retreat from each other
as our  mouths start forming
around our greatest inadequacies.
Fear of the future,
we're petrified by the present.
We are forgetting how to be hesitant
as coping mechanics drift and split.

Round 4
**** starts to get real.
You try to be ambivalent.
And I just get angry.

Round 5
I am entertaining the possibility
of weeping publically.
(It's an unfortunate emotional default setting)

Round 6
We find our way back
to the familiar.
Accessing the damage
we joke to save face
while working to wind the loose ends
back together again
to stash them from where they came.
(But nothing ever fits back into its box as easily after its been unpacked)

Each week we try to be
each other's comfort zone
to crawl inside
to rest awhile.
But tonight we're too exhausted
and too self-absorbed
and too similar to get it right.
We'll try again next week,
on the next high-top next Wednesday night.

I’m the kind of person who will stand up to you if you get in my face.
it has taken me years to get to this point
on a platform where I can voice my opinions freely
I’m careful with my words
though so not
if you cross me,
I will let you know
I’m the kind of person who can run a mile with blood on her knees, ignoring the sting
I’ll get to where I’m going
I will fall a million times and get up every single time
blood has got nothing on me
it’s not a race to the finish line, you know
I’m the kind of person who has double edged sword of sass and snark hidden in a sheath you can’t see
I’m pleasant and kind, always smiling
don’t let this aura deceive you
I can fight a battle with my words, always make it sound like I’m winning
I know when to back down
gracefully
when I lose, I’ll say so
take my pride and leave
I’m the kind of person who will fight for you
I’m a kind person for me.

No good
Comes from deeds
Gone unpunished
I do my best
You snark my shark
Infested waters
Come cuddle with my menace
Marry our fortunes
Tipple with buds
Then orchids adapt
To environs made men
Advertisement fulfilled
I ask my friend why compete
He answers the mothers must win
Tight ******* fight the bill
Cheap advice: Stop hurting her
Give your daughter everything
My only worry concerns
What will be left for her?