Thy fingers make early flowers
of all things.
thy hair mostly the hours love:
a smoothness which
sings,saying
(though love be a day)
do not fear,we will go amaying.

thy whitest feet crisply are straying.
Always
thy moist eyes are at kisses playing,
whose strangeness much
says;singing
(though love be a day)
for which girl art thou flowers bringing?

To be thy lips is a sweet thing
and small.
Death,thee i call rich beyond wishing
if this thou catch,
else missing.
(though love be a day
and life be nothing,it shall not stop kissing).

Poor stone. You’ve wrapped it, hidden its serene and uncomplicated self. I can no longer feel its smoothness, its emptiness embodied in touch. You have brought it in from the beautiful silence of its solitary state and covered it around: a net, a bag, a coverlet, a coating of thread through which we can only see something of itself.

There is a consistency here: in this doing, a reflective doing as much as conscious making. You’ve moved from the mending of damaged acorns, splintered leaves, forlorn detritus gathered off the sea strand to making tiny homes, shelters, enclosures, that sometimes have no perceivable openings; so some stones are wholly netted, completely wound and threaded around so there is no escape. But some, it needs to be said, are like the lasts of the cobbler, there to provide a form to hold the stone shoe firm, in place, and around which the woven thread in your hand can ply and knit . . . and then it is sometimes cast away, this last of stone, having only provided a stone shape; so only its shape-memory persists for the viewer. And when touched - this garment, this cloak of thread is pliable, and moves with the fingers’ touch and press.

I should like to capture this stone in the process of its enclosing; what seems to be from a viewer’s stance a not wholly planned journey with the needle - around and about, in and out and under. So I imagine a stop-motion sequence of photographs, beginning with the lonely undressed stone in your hand. As time lapses we watch the intricate play of your hand, your deft fingers, that particular pinching and holding to place the thread here and here and here, the pulling through, the special holding in place while one thread knits together with another thread by going underneath and up and along, and all the time the hand turning, the fingers dancing in the hand.

Then will come moments of rest where the stone moves from the hand to a still surface. It regains its shadow - and rests. The hand moves away and we are left with the silent stone, the journey of its dressing interrupted by life’s necessities. The maker’s hand moves to other tasks; the preparation of food, the writing of notes, the tapping of virtual symbols on the mobile phone (now there’s a surface that shares with the stone a hardness and smoothness – once we held stones for comfort in the pocket – now we stroke the mobile to remind us that we’re safe in the dark street, not ever alone, connected to our thousands of followers, admirers, friends, our loved ones, and that repository of what is and where to go, and the whole world of music and photographs - of woven stones).

Let’s go back to this stop-motion. To lift the stone from its precious private place, usually alone (no other stones around), index finger and thumb come together to lift our stone from its shadow – a shadow that disappears, magically, into the surrounding light. Oh surely no more, the stone cries in its shadowless voice. No more of this twisting turning, upside downing, the sense of the stone recalling a time beyond time when in a storm-laden sea one dark winter’s night it, and countless companions, were lifted from the sea bed and rolled round, around, round, and swept, afloat in a turmoil of waves that break and break and break until finally onto the sloping beach - where the stone is left – alone, motionless – at rest - to dry in the morning sun.

Gradually the movement in her fingers becomes slower, even sporadic. She is looking at this stone with her grey-blue eyes, intently. There are pauses; moments of reflection where our stone is set down and viewed, picked up again and moved into a different light (its shadow returns momentarily, fitfully, knowing perhaps any stasis is only temporary). The camera keeps clicking; stop, a 300th of second motion, stop for a second. Already there are thousands of images collected in the camera’s silicon memory chip.

And so movement gradually becomes stillness. The light changes. The camera’s incessant stop-motion ceases. The stone is placed on a white surface for a final photo-call – a single click. Once naked; now clothed. There is no longer the possibility of return to its original stoniness. It becomes an ‘object’ to place on a surface for wonder and admiration – not the stone of course but its clothing, its covering, its embodied shape in thread, perhaps that thread soaked in mud that in itself holds a distance memory of water, even water that has moved from sea to the coastal strip, the estuary, the river’s bank.

Later, after being wrapped in tissue paper, perhaps boxed, and moved into a total darkness, the stone is brought again into the light. It finds itself placed among other stones, stones and shells, rusty objects even, and laid out variously on a pristine white surface. Its stoniness is now shadowed with words: a description, a title, its ‘found’ location, a date of finding – a date of making. That this stone, once beached, and picked from the sand, from amongst so many other stones, and thought unique and carrying potential as a last, a shoe-maker’s frame, a steady 3-dimensional surface for wrapping, now becomes something more that a solitary stone. It has been given a new life, a life of an object imbued with the thread of a maker’s curious mind; that in so threading has come to know this stone so intimately, and with so much love and care that its clothing, whilst having no pre-formed pattern, becomes something in its maker’s eyes that seems  - meaningful, poetic, ‘right’?

Through this stone-weaving with thread, this stone-covering and describing in thread, you have made a poem of the nature of stoniness. Your fingers now know this stone, and perhaps, if we can in our imagination follow that partly accidental / partly planned journey, we can read your poem – of touch, of turning, of minute viewing, of so careful observation of every millimetre of its surface. Yes, perhaps that’s it, what this is all about . . . only our stone has had its wonderful serenity and solitariness, its smoothness and surface taken from us. It will no longer lie in the pocket to comfort the hand. It will no longer lie on the desk to be a tangible remembrance of a place and time, treasured.

                                                       ------

‘And now I remember a poem, portraying a stone, a pebble placed in a child’s hand, picked up on a pebble ridge. A pebble to place in the pocket where we finger it until it becomes warm. Its shape and certain¬ty is firm and sure. It consoles us. And, as we change and decay, it remains lodged with us: *a thing that contains nothing save the mystery of life.’

I am hungry
and it is reflected
in the contours
of every inch
                  of skin
every cell a-flutter
tiny wings and heartbeats
activated within
right down to
the ribosomes and
kidney-shaped
mitochondria
right up through epidermis
woven as threads
of softness penetrating
your inner hard, dark parts
causing them
to melt into
                my light
I am craving
to feel your
absolute heart's
raging core
my aching flesh burning,
my heart, wrapped in
a love
              so pure
My need to be
devoured surfaces
in smoothness,
at a glance
You feel it acutely,
no room for doubt
or subtle chance
               I am ravenous
for muscle-worked arms
(arms that could easily
try to break)
to be supremely
gentle as you part
my thighs like the ocean
and sacredly partake
the slickness of your tongue
in my feminine grace
the stains of my love
drenching
                your noble face
your eyes on mine
as I sharply breathe
         need to hold your
head stroke your
           hair know that for me              
the king takes off that
garland of gold
breaking free of
all symbols of status
the only real treasure
the queen who
gives to him,
and who he now pleasures
     and I let myself be consumed
with the reverence
of a psalm
my love pouring into you
healing your hurts,
               like a balm
in this private landscape
we are the most
ferocious of tender
estuaries
in an eternal vista
in this hour of somewhere,
the sea hauls us in
like ancient creatures,
     bringing the fossils
back to life
in lustrous foam
as they
         inch their way
into the spirals
    that we
feel we could
call
     home‎

I've loved many boys
With different colored eyes
But the way I remember them is
By the shape of their hands

The way their thumbs curved
Or how their palms felt against my own
The weight of them on my thighs
Or how they ran through my hair

The times they zipped up my dress
And settled on my shoulders
The moments when they grazed my own
As they handed me my keys

The motion of them as they spoke
And the motionless of them when they were silent
The smoothness of them in the beginning
And the calluses after time had passed

Sometimes, I forget the faces of these boys
Or the way their voice sounded over the phone
But I'll never forget the way it felt
With their hands intertwined in my own

who’s most afraid of death?thou
                                  art of him
utterly afraid,i love of thee
(beloved)this

                 and truly i would be
near when his scythe takes crisply the whim
of thy smoothness.  and mark the fainting
murdered petals.  with caving stem.

But of all most would i be one of them

round the hurt heart which do so frailly cling….)
i who am but imperfect in my fear

Or with thy mind against my mind,to hear
nearing our hearts’ irrevocable play—
through the mysterious high futile day

an enormous stride
                      (and drawing thy mouth toward

my mouth,steer our lost bodies carefully downward.

"Patience," flapped the Butterfly's wings
"Patience," said Thomas Edison
"Patience," said Abraham Lincoln
"Patience," said the Diamond's sparkle
"Patience," said the Pearl's smoothness
"Patience," said Columbus' sailors
"Patience," the monks prayed
"Patience," the Mountains yawned
"Patience," Maturity recollected
"Patience," Healing nodded
"Patience," Insight demanded!
"Patience," winked the stars of the Milky Way

My eyes were trapped in the dark
blindfolded, hold the cigar
the Viet-Com may have won the war
but my surroundings smelled like a grass heaven
in the background 50 Cent’s “In Da Club” playing
and then she sat on my lap
feeling anxious while my hands were tied
let’s just pause and go back in time...

(10 Minutes Ago)

She pulls on my heart strings
like a puppeteer from above
the pendulum of my feeling swings
with every step she takes towards my door
the anticipation knows no precipitation,
the monsoon of her kiss
the outback of her reach
the caribbean sea of my ship,
lost in her isles, her eyes, her love,
then I hear a knock on the door.

She knocks ...1...2...3...4
opened up, I said hi, she launched her lips against mine
in an euphoric stupor, I tasted her breath
while she ropes her arms around my neck
let’s call it “The Aussie Missile Crisis”
she pushed me down on a folding chair
as the right index on her lips shushed me
went into the bedroom with her “bag of goodies”.

Came back out wearing a school-girl outfit
looking more “**** Bill” than “Hit Me Baby One More Time”
giddy as I watched her taking off the tie
impatient buttons divorcing their holes one by one
while she twirled, she danced, she teased
sealing with a kiss, tying to the chair my wrists
her breast against my mouth, I was a cub nearly starved
looks like Mrs. McDonald brought the farm.


...and that’s when her bra came off
to find their way around my pupils
my trouser friend could no longer be contained
with impatient hands, there was no time to sulk
I was more anxious to smash than the Incredible Hulk
suppressing my angst, my zipper, her leather
finding myself inside her beautiful lips
touching the roof her moist heaven.

My hands still tied, while she help my thights
real hard, real soft, real smooth
like her silky tongue, wet like May flowers
climbing up and down the stairs of the Eiffel Tower
she was a cosmic reaction, I was Yellowstone
let me come so you can climb on top
of Mount Everest, from there we could see the Earth
the land, the ocean, the skies, let’s fly together.

...and we did, lifted off from the chair
to soak the water from the clouds
to come back crashing on the couch
and my hands finally free to explore
her breast
her cheeks
the smoothness of her waist
her ****
the erosion I couldn’t contain
her legs over her face
touching
caressing
kissing
biting
trusting
in short
*******
until we both came
back from wherever we went
to just lay there, gasping for air
touching our faces, both smiling
like satisfied school children that schemed
red cheeks, blue *****, smoked the green
I was Joe D, she was my Marilyn
thus ending
“The Aussie Missile Crisis”.

Deep brown color, messy as it’s eaten.
Like something that failed to crunch.
Brittle yet soft, rough and delicate.
It can be fudgy, chewy or cake-like, topped with walnuts or apricot glaze.
A heavy horse failing to hike the high mountain of crisp.
******* the outside, but not as taut as chocolate-chip cookies, or M&M;’s,
A fragile strength that breaks with subtle touch.
Smooth and moist inside, melted chocolate held together.

Created solely for a royal’s mouth to taste,
Slowly dissolving, sea foam ****** by the damp sand,
A guilty pleasure I cannot live without.
The brownie becoming a beautiful bouquet blossoming
In my chocolate tinted mouth.
It cures whatever ails you,
The flavor empowering any mist of dullness or bitterness.
Forgetting about everything, as he mixed the batter
Creating the perfect combination of smoothness, sweetness,
And the creamy after-taste.
Our favorite thing to bake together.

Friday evening we scurried to the kitchen, creating our own baking contest.
His hazel eyes, swirling with the batter poured in circles,
His lips, whistling to the beautiful sight of brownies, plumping as they bake.

Days later, we would come back to that kitchen,
With the scent of freshly baked brownies still lingering in the air.
We would look at each other’s deep brown eyes
Like the brownies we baked and enjoyed together.
His lips, a wallop of sweetness.

My Vellum

Alluring and demure
In your virginity
Never yet
Creased nor crumpled
Your tight young corners
Remain stiff and pert
In their newness
Your long lithe sides
Tense for my careful touch
Lest blood be spilt

My gold nib
I dip
In midnight ink
Piercing its surface skin
And lift

It drips
One

Two

Black
Secrets
Back to their bottle

My hand is poised
Over your pristine smoothness
And with calm precision
I carve broad majuscules
That twist and cut
To hairlines of breathtaking
Intimate intricacy

Quick teasing serifs
Long lingering descenders
Strokes of tactile
Joy

Then stand back

Empty
In wonder at
Your calligraphic beauty

Art speaks words unheard,
   The feelings paints pictures unseen.
       It is beauty and drastic ideas combined
      A mix of pleasure and pain
      All experiences add a different taste
        Rough edges and smoothness entwined.
Touch it and fall into a dream
The artist lived and lives within.

Your seduction has been unfair,
Though you could not help it, my dear.
My heart melts with the thoughts you share
And aloe smoothness of your hair.

Executed so ruthlessly,
You constantly seducing me,
With love given innocently,
You did it all so carelessly.

I’m smitten and I can’t let go,
Seduced by all the things you know,
You made my desire overflow,
Just by affection that you show.

I’m a slave to your seduction,
Mastermind of will’s abduction,
From our very introduction,
I was lost to your seduction.

As we glide
An incessant Kush
Softens the grind

Can I Sense your Soft Surface? Or
Is it merely a reflection through this
Blue,
Quasi-chequered construction?

I long to see as you see me:
A dangling *******
Encompassed by a wide,
Gasping mouth

Gargling sac

I will see you
On the next train

A buttercup was beautifying
for the afternoon dance
her cheeks were flushed with water
the garden sprinkler had thrown on.
Her petals were fully stretched to a softness
that even the  butterflies slipped when they trod upon.
the sun beams bounced off on the mirrored smoothness
and a bumblebee looked on hovering above with second thoughts
envying her golden locks.
She bathed in the sunlight turning every cheek for the warm rays
batting her long anthers dipped with thick orange powder.
I watched her shake her hips to the folk wind tunes
tip toeing into my heart
slowly
her yellow liquid lined eyes delving mine
making me smile
when I have almost forgotten how.

Kaitelka; Whale Mongolic down, first whale which said syndrome, evidenced by their presence, as didgeridoo, as spitting but more hypersonic, hyper cetacean moving his tail, Burguete funds, learned to swim faster than anything, but the Nautilus, not He paid attention to his mother in his care skills, but bad luck that can befall if not moderate their exalting and allergic omitted cases to obey.

So all blue, but little Kaitelka, seeking friendship among their peers, but he put  a tambourine limit gave him leftovers and liked more than a day a thousand years of perfect instincts. So step aside by the fire, and dodged the deafening roar of nymph Satinga; the most ancient senator of the headpiece, always full on its plateau of ******* hydrochloride that resistance, if they pass a thousand years and I do not understand these pairs, I adjusted my engine, but to no avail me, my instincts are diluted and slim as downpour edges left by the wayside in infants and solfa. That Jesus Light was said behind the screen rainbow arch, he takes her hand to Kaitelka, and back by the outer estuary, they attack by instinct ministry of evil.

Mildew petrified oaks, disorients the abject warty troughs the disordering of the genetic instinct, if I have to pause my essence, I leave in the hands of Joshua stone from beyond. Where the ticket is worth more to me, but I get the same. Where evil knows well, but tasteless well. Underground, underwater., Kaitelka take any more, wheels come and go, instinct taking shredding herbs near the sea, no longer separates me more. Bright the famous day that rebukes my dreams rather than a whole, plastering, or monument flash highborn of Mongolic loves whales, classless or inheritances acquired record. Kaitelka and in gratitude to accompany my walk, to the junction of Lisbon, walking from room to room, to begin the pilgrimage, his steps were Glup, Glup like a pretty varmint, over the hills she is beginning to the descritery of Satinga, or rather the descritery of Sapiens Hommo, rummaging instinct of love today, then unloved. Native forests make pairings, but separate links non-energy cataclysms, similar to the new alliance valley radial wave, tuned cetacean sonar power can be glimpsed.

The Ministry of Evil is no end to the retrospective marvel at Noe, Isaac or Abraham, or Luther King, is the delayed form of unsettled muscle primo Evo madding to neo Evo updated, and neither bells sound the same, as reboot gray phthisis diseases degenerate and synthetic. The instinct to put your hands into the fire will be lost ..., so more pace to the back of them cutting the seas in arithmetical divisions, if commend my antidepressants depressive relatives, caress the sea in each constipated solstice, I go every night with daisies in my hands defying every cliff, every cave turned into a tavern, killing instinct, when the brain is nothing, sprayed kerosene on stage, to see my beloved before he dies of a blowgun.  

Joshua Stone and Bernardolipus in a crossroad, spin the grazing, the black sheep, is barren, its classic label of Segregated debased soul, but defecated humanoid comment sing out of tune the territory themselves.  Three-step, three-way, Joshua embraces Bernardolipo. Welcome starts. Satinga you slice ferns and wild beast, vomits both diazepams swallowed, do not sleep, dreams transpose half orb. Halos, half halos, iridescent arcades, and warm breezes, must preamble Donated high liking. Soft and warm look, I do not lose my plate potato near my belly, warm adobe cellar. Nymph Satinga of reaction in reaction out of tune and the highlights midwife psoriasis for its reddish dermis by a fungus worming. The re instinct starts to chew his skull, dread end of the border. The cookies Lord is sending us on napkins.

Pre urbane figure born, they appear a hundred suns, so the crowd out who has the audacity to reveal the discrete enigma, the puzzle while the floor moves the seizure ... all stunned waiting for the flash Ritual to start the preliminary stage, the paradigm of unshelled trees, tough tables roll by the church at the foot of flowers crocuses scrolls flat estate. For the baptistery inscrutability warmth your network back double halo on the moon, scrub that level. Abyss where I fall near aspire to the coachman, I go away over time from heaven minute no second in hours where the avalanche of time lose my look to hold any deity that does not prevent the tendency to lose those not facing front, a day like this you do not walk any shadow, nor the Horcondising I would like to Santorini. The Borker wrongheaded, burning a cigar in rib Kaitelka, it provides a stunning scream as the end of the world, giving birth to the sky his beautiful breeding, as a good omen to present to the crowd in the Octagon and pleased transit day often fruity crestfallen fig.  

Adelimpia,  Strongly taken the and Thunder Aunt, washed in the backroom their aprons with Christmas, whose magical and enlightening sense, they were the Three Wise Princes, sons of the same kings of Israel. Sitting on some cobs, heritages from last wheel spikes. On warm evenings mantra Baba Nam Kevalam, I do not stay alone without others to see this magical high flood flow mention aversion in pontificates, necessary, pal meal with wine apocalyptic pale rider, Napoleonic soldier dethroned.

Thousands of hectares grassland in loving with heavenly muddy, as adhering to the force of Sorcery Camphor to move everything to the midnight launch eclipse. Thousands of hectares squirts do not possess any extension ratio, giddiness master eye, losing possession. What is Slice is Caren Lagoon, which is Alhué Village is Polulo mountain near the place, what Pichi of Barrancas... Out of my roles temple or regulators, as night plans still dating Jack, with overall equidistant to all orphan girl lost in the jungle inbenign . Cutting room of breath begins threshing., afar put the trays, and poor saint not to attend, this clever move, all atheists bruised, stiff and deprived of the worst failure smoothness, it´s the earth not plowed,                    
              
Dreams whistles hills ... Ghosts and spurs  ... Elegy opaque optical floors, all at Aunty Thunder dream the same...

If you can call night, inland sea waves have to educate infant’s tsunamis, they live among geological forces off the coast of scudding clouds of ... where she cuts through. Where our conscience, should play down a Machiavellian zero to roll it to the belly of the whale down. Their heavy udders milk, as long as a wild bird dueled, mounted in their beards, but the bird slips for his little body often and disadvantaged, to fall into the enzyme flash neuron meditatively; aspiring meditatively. While tsunamis grow, the mountains grow, decreases Hommo sapiens, conscience, he has left, minus zero exiled to the **** pony pens, to create their neighborhood over the eyes of a pupil of warty lameness. Reborn storm, stately power, Nymph Hetaira, who seduces the ringer smith, golden horseshoe, pal new millennium. His no longer harp, sewing lips ant, threading needles Grandma milking herbs get a grotto, families abandoned, shrill understatement by the echoes of the West, for you my Transients soliloquy turbid straightening of holistic aqueous molecules who want to sleep in my hands.

Good beverage, good consciousness nursery. Sleepily he walks by the barbed wire of stupid sort of busybody in thickness bolognese, or bandoneon, pilaster grandson male, to Vizcaya sailing or North Toscana, where after a barricade, Piedmont jumps to the south under Pichi.

They are falling water molecules on Maitén tree, or Tomato Adelimpia bow, and on the fibrous and head hair grass grandmamma Anna. Junks greet Bernardolipo, which was fishing with his wounded eyes, but the rub his mouth on the back of Kaitelka, calcium verve in carrousel turned. Line up the right hand, bottled lady Juana, he stretched to crush cilantro, but no ... or both...

Reigns for ?, to allocate a stop along the way, West Side Story Pichi. We are a few steps from misting dawn of propionate Stoics lash the oppressed people, clear water, singing  ... neuron in neuron, the cell last neuron, with the bow remained foul-mouthed, to shuffle, or Kawashkar Chilean Indian the slice of the leg, looking shoe children who roam the street without a blanket. They close their eyes, tears of shame. Here you are ecstatic stiffs arrows bows, feathers swaying in edgings shields tangled, hordes of haggard eyes flamed flames that no impudence and, which limp to a scoundrel that stuns resistant to fall on the sand. Show your dream, that dream bathe.

Continues the fierce Primor, falls brochures from red heaven fall prayers stammering to advance on this land saga, fall rustic donatives of grandmamma Mayor of coelum, Joshua insomniac in his tabernacle, defoliating his tome skip and jump down the estuary, before every misstep, holy water to step, a smile the Loica rural place Or a caress to the cheek moon in the arms of a blackbird, manacled to a rasp, stove teapot levitating top where grandmamma Adelimpia wheezes. Hail Mary ever ******, the other day, I heard that in September, flapping fall on Fiddler praise, perhaps mediate, for bad talking, founder of my undying love of life joined empty verbs on clovers where I to live forever, pre, pre paella prize moaning on my shoulder osteoarthritis crucifying collapsed tree. Nightmare builds a ship to reach Legion Mary. Centerfold, guns, howitzers, dissident’s ovaries ... final pages, declamatory winds ... perhaps agonizing leg expectantly... Or delusional feet of premature mortality, which brought pray to heaven, earth ... at soon I have to forget. The earth gives me the cheese, and bread sandwiching it goes...

Between him and earth coelum I doze my motive piece body, my shepherd Beetle Maximilian of Auschwitz sprayed me holy water the Vistula, I kneel down my hinges, and my hands for pray by pure attained effort, ***** great feat, who believes fall the abyss, and just below the earth tremulous, bell, first-throat yawning, loose cassock sounds a rainy morning, falling in the forest priority to see all morning, brimming with couplets of snow.

Continue to fall aqueous molecules, Kaitelka divides the estuary waters. Sheets of – Talami rural high lawns and wise water, South of  Pichi. Follow the dream, and just needed to uprighted the cabin, roaring gallop, wake up tomorrow morning sweaty dancing aqua, font of Lourdes, the four simultaneously open their headlights eyes, unblinking as echoes swimming duck feeding their young in the obsidian lagoon. Rock palafitte a piece of coal painted black each carriage serene, going from the Cantillana Mountain. Blasphemes morning fall roe bellowing wind annoyed tongue, windless striding through the window, thunderbirds mistress thousand flanks, now mount the besieged strands of colloidal solid. Elegy, opaque optical dreams, and drovers days nearsighted, soon saved our lives...

The never End.

I toed the ocean’s green.

It took me to his face,

a match in colors,

his eyes and this water

both hypnotizing,

like a moth to a flame.

But the sand was coarse

unlike his smoothness,

coat after creamy coat of membrane thin

porous loveliness, to let him live and breathe.

It looked unreal -

him a doll,  and this sea

a painting -

‘twas all too much beauty

to encompass in one place,

one body.

That’s where balance storms in,

for the water she roars

she shouts and she tugs.

His eyes tug too, at my heart.

With matching habits

they pull and smash me

then carry me out till someone

cares to find me.

Fragments 91, 92, 99, 106, 104, 103, 100, 105, 101, 102, 96, 109, 93, 94, 97, 95, and 133 combined.

Raise high the beams of the raftered hall,
(Sing the *****-refrain!)
Ye builders, of the bridal-dwelling!
(Sing the *****-refrain!)
Lo, the bridegroom comes, as the War-god tall —
(Sing the *****-refrain!)
Now nay — yet our tallest in stature excelling;
(Sing the *****-refrain!)
For stately he towers above all the throng
As the Lesbian singer towers among
All alien poets, a prince of song.

O happy bridegroom! it cometh to-day,
The bridal thine heart hith longed for aye!
At last shall she be thine own, the maid
For whom thou hast sighed, for whom thou hast prayed.
For none other maiden beneath the skies,
O bridegroom, was like unto her in thine eyes.
Whereunto may I liken thee, bridegroom dear?
To a green vine-shoot in the spring of the year.
Now, now let the bridegroom rejoice, for the bride
Into the hall cometh joyful-eyed.
Ethereal-pale is her lovely face.
Hail, bridegroom! Hail, bride, queenly in grace!
How goodly to see thy lord stands there!
And his goodness will keep him for thee ever fair.
Ah, doth she, ah doth she regretfully brood? —
Does her heart still yearn after maidenhood?
Nay, not in this hour she cries:
'Maidenhood, maidenhood, whither away
Forsaking me?'
While maidenhood replies:
'Not again unto thee shall I come for aye,
Not again unto thee!'
No more, no more doth she chant
Proud young virginity's vaunt:
'As the sweet-apple flames on the tip of a spray against the sky,
At its uttermost point, which the gleaners forgat, and passed it by —
O nay, they forgat it not, but they could not attain so high.'
But she thinks of the fate, an evil thing,
That the years fast-fleeting to fair maids bring.
When the roses are faded, the gold turns grey.
And the smoothness is furrowed, as singeth the lay —
'As the hyacinth-flower on the mountain-side that the shepherds tread
Underfoot, and low on the earth its bloom dark-splendid is shed.'
Lo, her hand into thine hath her father given.
And thou leadest her home 'neath the Star of Even;
To thy portal the bridal-train draws near.
And the Chant Processional rings out clear:
'Hail, Hesper, who bringest home all
That radiant Dawn scattered wide,
Bringest back unto fold and stall
The sheep and the goat, and thy call
Brings the child to the mother's side.
Let the rose-ringed Star of the Evenfall
Usher thee on, love's willing thrall,
Bride, garden of loves like roses blowing.
Bride, loveliest image of Paphos' Queen!
So pass to the bride-bower, pass within
To the nuptial couch, for the sweet bestowing
On the bridegroom, whose measure is overflowing.
Of the bliss, wherein honoured is Hera: 'tis owned
Of the Marriage-goddess, the silver-throned.'

I'm having an affair with words
They take away my breath
Words tell me what I need to hear
Without missing a step

Words work on my emotions
I'm transcended by their displays
There's legitimate anticipation
Within each and every page

When I look away for too long
There is a longing that takes place
The wonder of conclusion
Vanished, without a trace

Words help me to liberate my own ideas
In the subtlest of ways
Or when my faith seems in doubt
I am enlightened by a phrase

Their sense of humor is unequaled
Words teach us and inform
They can be as cold as ice
Or soothing, kind, and warm.

Words hold many of life's answers
To questions that we seek
When written, we can convey
Much more than when we speak

Words empower, words are strong
They help decipher right from wrong
Words can guide you,
Lead you home
Words are your friends
When you're alone

Words can help, or they can harm you
Depending on their use
Words can fool you, or misguide you,
Lie, or tell the truth

What I love, are words' transparency
Written right there in black and white
If misconstrued, words can lead to tragedy
Although the stories' plot is trite

We must take part in the mastery
Of each and every words avail
So that the notions we wish to ration out
Are nothing but...
The finest of detail.

Precision personified
Never at a loss for words
Or ****** with a mouth for war
That's when devastation's heard

Instead, a calming smoothness
Inspiration from inside
This, in my opinion, is the greatest use of words
And the peak of humanities pride.

lines,
the curves of your neck, your eyelashes that flutter.
color,
the brown in your eyes, the barely there pink of your chapped lips.
texture,
the bumps on your cheeks, the smoothness of your hands.
space,
the width of your shoulders, the space between your eyebrows.
shape,
the way your shadow looks as the spotlight's on you.


van gogh, da vinci, munch, and michelangelo,
they'd all be ashamed,
for they could never make art in the form of you.

I turn my head to the most beautiful sight of all - the sapphire, green-brown, grey ocean.
(Breath In)

The thick blue ocean that rolls, churns, and glistens.
And the glisten slices, the glistening currents. The ripples that move the ripples that have no ending or beginning.
(Breathe Out)
_

Every shape, form, and structure captured in the liquid.
It smooths out.
It rounds out.
It rolls out, it crashes down.
It’s smooth clarity. It’s smoothness it beyond me.

Its beauty is truly found within its movement. It’s constant change, exchange between all forms;
Connections throughout,
Different experiences of the same object throughout,
And out and out.

I see this giant blue gulp, of sea of truly magnificent bodies of water held in a single space.

As I see the land overturn over:
In new shapes, colors, lengths, and everything that contrasts one thing to another

I just see so much brightness, dimness, and something that overturns into another.
,,,,
I can not believe this sea
How it makes that sound

And when nothing is around
It just profound,

How every jewel of the dancing ocean
is a collection of drops
connecting forms throughout
__
When I feel the truth of this beauty
I see,

the ocean, something I never created
It was there to touch us
To hold us
This ocean was made to believe in us.

Without realizing it I just fell into a deep sleep.
I fell into something so deep.
I felt the ocean's arms
embracing me

Lymphoma
There was a  fundraising run for lymphoma and other cancers
A little notice for it on top of the garbage can
at a home grown Jamba Juice right off the BART in Berkeley

It hit home: what I was up against
People don't run through the streets casually
and my cat had lymphoma

I couldn't find him last night for the first time
He had his weekly appointment and I brought in
something that didn't look at all like he was the week before

They paged the vet and she came in
saying thing like he needed an IV and tests and
wasn't there nothing else to do
didn't she say that
he needs hospitalization--his liver
we can't tell you what to do
but it would all go in a circle and come back
to a suffering being who had
come to the end of what science could do for him
what she was trying to tell me in her barrage of words
came through loud and clear

They brought him in
with a blanket and a catheter
and he struggled until he got warm and then rested
I wanted him to see me, as the last thing he saw in this world

She took the three syringes out of her white coat
Don't hurt him, just don't hurt him
my only request
There was no pain
Only relaxation, sleep and then at last no heartbeat
Her ability, her smoothness of execution was perfect
and he went limp in my arms
not suffering

The nurse took his body away
"It's the last gift we can give them" she said
and I imagined a man, a stereotypical
image of a man pacing back and forth in a white coat in front
of a lecture hall full of vet students saying that
exact thing and there was a serious air in the classroom and some wrote this down,
it was so true, sound, capable and final
but this woman said it
this veterinarian from Michigan
and through my tears and grief
there was some kind of undercurrent
of relief, that there is no more pain for him
He no longer suffers
and I did all I could do

When words are not enough,
and the world won’t get off her back,
she dances the Devils way,
She’s a princess,
wait she’s a queen,
wait she’s an angel,
wait she’s everything,
a Goddess,
the hottest performing artist I’ve ever seen,

and she’s dancing,
dancing is her therapy,

I mean,
I’m not James Brown,
but it’s a man’s world,
even if Rihanna runs this town,

See,
she’s been suppressed all her life,
and I’m not just talking about Rihanna,
I’m talking about every girl that was ever forced to be a wife,
just to survive in this life,

she was touched by her father,
or brother or cousin,
when she was just a little girl,
I know we all wish it wasn’t,
but it is true,
so what’s a girl to do,
when she’s a clean 13 messing with The ***** Dozen,

this isn’t battle of the sexes,
this is war of the worlds,
wants to be a woman but she’s just a girl,
no No Doubt just burnt out nerves taken turns,

she never asked to be born,
with the burden of being beautiful,
but she refuses to conform,
she is attractable irrational and radical,
so when it’s all too much,
the stares and the catcalls,
the aggressive forceful touch,
the nails across her back like a blackboard,
and the moans become just white noise,
she takes it all in,
she forgives the man because he’s just a boy,
he is an angel even if he has fallen,
she takes it all in,
and she uses all of those abuses,
as the fuel with the tools which induces,
an allusive state of truth which,
allows her to move with intuitive smoothness,
and lose herself in the music morphing into what a centrifuge is,
separating fluids transforming what was otherwise useless abuses,
into a truth that cruises and confuses the stupid stooges,

she dances,
in a statement of glorious refusal to submit to their ideals,
she is more than a princess queen angel goddess,
she is fire burning up all preconceived notions of *** appeal,
the real deal,
dancing sweating cleansing her soul and her pores,
moving faster in progression refuting repression,
overcoming an obsession of oppression and knocking down all doors,
she is not a possession,
though she is possessed when,
she’s a dancing expression of how we all feel and more,

no words are enough,
she shows what we all feel,
she reveals what,
was before thinly concealed,

she is the perfect expression,
of imperfect circumstances,
she is poetic stanzas,
she is the paint on the canvas,
there is no question that she is the answer,
and all of this is made clear when she takes it all in,
let’s go of everything and dances…

∆aron L∆ Lux ∆

#strength #metoo #dancer #ballet #blackswan

I look to the left, I look to the right
A smell pulls me to a cafe inside
Aware that I'm tired 'cause day's been long
There's nothing more for today to go wrong
I pull a chair to sit with pride

I look to the left, I look to the right
I want, I want, I want something sweet this night
People sitting, chit chatting amidst a loud song
Where else would I rather tonight belong
Waiter brings the menu, I start to read and recite

I look to the left, I look to the right
Brain wants the taste of appealing yellow bright
Yummy for my tummy, baked with crumbles
Run through the gourmet wondering where I'd stumble
Has to be creamy, textured, a heavy slice of delight

I look to the left, I look to the right
He sat by me, "Cheesecake!", he cried
It's shiny, it's delicious, it's lemon, it's moist
Cheesecake it is! There's no question of diet
Why did I not choose this first, right?

He looks to the left, I look to the right
Slides his friendly arm around, I stared back all surprised
Waiter "Here's Lemon cheesecake with crumbles white"
Put a seal of approval? Yes, we might!

We could stare at each other forever alright,
But we'd rather prefer cheesecake; to infinite
For bigger and bigger bite we fight,
As we realise this is our bestest night,
Indulged in smoothness, to heaven we confide

Stochastic perfection
Staccato smoothness
Screaming comfort
Mental duress
Gutter rat beauty
Sensory control
Primal sophistication
Mutating soul
Indecipherable pitch
Blinding vision
Deafening clarity
Reckless precision
Simplistic genius
Street-wise intellect
Monosyllabic truth
Politically incorrect
Emotional apocalypse
Raging articulation
Distorted calm
Dominating freedom
Numbingly sensitive
Inappropriate dignity
Contemplative explosion
Tempestuous tranquility

she waited for him to erase her
as he put his pencil to paper
and created her
he traced the upturn of her smile
precisely picturing the laugh that proceeded
he sketched out the smoothness of her legs
intentionally illustrating the eagerness inside
he outlined the curve of her shoulders
carefully capturing the sadness contained
he shaded in the color of her hair
deliberately detailing her fallen darkness

in his eyes
she was more beautiful
than she could ever see herself
but with every stroke
she flinched
fearing that only inches away
from his creation
was her demise

That unforgiving metal.
Within that unforgiving metal lies all the things you cannot forgive about yourself.
Those freckles on your chin that you wish would expand into a constellation so that you may give them names and so that you may give them meaning,
within that unforgiving metal.

The Greeks threw their hands towards the heavens
and deemed cosmic accidents worthy of the names of gods,
although within them lie no gifts.
Like a bedazzled and jaded Tiresias impostor one stumbles upon
on their way home,
who sees nothing but the tangible
and tells all but the truth.
Still, he is clad in diamonds and gold
and thus has value in trade.
Beauty triumphs over mendacity
and mendacity over reality.

But the freckles that mar your skin,
that you cannot transfigure into the most meaningless of stars or the crudest of answers,
sit there defiantly,
waiting to be acknowledged and waiting to be named.

You lean your forehead forward to rest against the cool smoothness of its idle twin.
You could swear you saw her sneer at you.
The freckles do not budge—they will consume you whole.

you kidding me, right?
  nachos? tacos? tortilla wraps?
          guacamole molé molé?
sombrero(s)...
  the revised eastern european
moustache?
                    tequila!
that's it?
               well... not if you consider
the second tier of soy boys -
the ones that drink that...
budscheiss that's
         "der könig aus bier"...

one word... no... actually two:
CER-VE(H)-ZA(H) -
probably the spanish word,
that sounds better than all
the other spanish words...

     what did mexíxíxíxíco give
us?
   the orthodox script
of a german beer:
    yeast, hops, barley, malt,
water... fizz: boom!
   a fine summer's day...
   mexíxíxíxíco beer?

MALTED, BARLEY...
     don't ask me how the genius
figured out a smoothness
so subtle,
   that you actually had to shove
a lime wedge into the neck
of the bottle...

  or, as i did - buying an almost litre
sized bottle,
   and a lime -
  looking at this ***** goliath
at the checkout thinking:
   david?
       am i david?
    did we really enslave such people?
david, meet goliath...
goliath wanders off like some
happy ******, giggling and brings
another strawberry milkshake
to the checkout...
         so the west, enslaved these
                           nearing 7ft Baobabs?
king david's audacity,
           nothing more...

so i buy the CO(H)-RHO-NA(H),
and a lime (30 pence a piece)...
****... no knife...
guess teeth will have to do...
shove a whole lime in bits and bites
and walk on...

                   seriously?
guacamole molé molé?
         that's the best you can do?
drinking a beer with lime...
compared to the h'american
budscheiss?
           who... apart from the japanese...
extracts alcohol...
from: ******* rice!
  
    malted, barley...
                   whoever that sergio
sanchez was...
               hats off to him...
     sometimes it's just nice...
to take a break from the heavy cavalry,
orthodoxy brew of german
beers...
   americans?
     know jackshit about brewing
a decent beer...
   mexicans?
              they put a lime in it!
****! you have to drink it!

Rock candy
that’s what you are,
Hard in my mouth,
I let your sugar melt
and coat my tongue.
*******
Liquid syrup
Slurp and swallow,
Twirling the stick
twist and lick
Let your tip
pass through my lips
I’ll taste the kiss,
and your juices sit
In the smoothness
of my cheek.
Slowly
you grow soggy-soft in my smile;

Mmm, satisfied.

Banked up against a terraced mountainside
photogenic pristine rows
of blasting green
rows of manicured waterways
with two buffaloes treading ballet-like
between squelching mud and green shoots
the paddy fields stayed buoyant
all season through.

Come harvesting time
and thrashing the sunburied ripe
tendrils of husk and seed
along threshing traffic wheels
the husk sought divorce from
the long tongued long grained
wives -and parted ways.

Soon the pudding spent its silky smooth sexiness
on a plate of punchy aromatic costumes
that invaded the senses and palate
in sensual smoothness. Oh my!

Ricebowl pudding
of the worlds staple.

Author Notes
Gluttony beckons just now!
© Marshall Gass. All rights reserved.

Best poems are lost in the morn's toothbrush
wash away with rinse fade like first crush
run away with the trail of the bus you miss
fly with summer clouds melt like first kiss!

Best poems are lost with the winds' dusty blow
half seen half known through half shut window
burn away like fire on a long winter night
lure with contour eluding full sight!

Best poems are lost in the crescent moon's glow
when your mind is too weary head hits pillow
evanesce like youthful time smoothness of face
undecoded hieroglyph untraced address!

Best poems are lost like petals in the rain
in the race for vain pride rush for self gain
seen through smoked glass pages unread
crumbling with time wasted like ****!

No matter how
You may attempt
To grow out
The container
Of your life
Which was provided for you.

There are others
Who weigh you down?
With the weight
Of their ideas.

Empty the bowl
Continue to reach
Through your roots depthless
In the soil of your speaking
And then from your hand.
May sprout the words
With green leaf script
Growing up the scansion
Of the stars.

For in the gleaning
Of bonsai
The tiny and insignificant
Are magnified
For burden’s elegance

Is Refinement
The smoothness of the soul.
For what is compact
Is always whole.

Whom does this stately Navy bring?
O! ‘tis Great Britain's Glorious King,
Convey him then, ye Winds and Seas,
Swift as Desire and calm as Peace.
In your Respect let him survey
What all his other Subjects pay;
And prophesie to them again
The splendid smoothness of his Reign.
Charles and his mighty hopes you bear:
A greater now then Cæsar's here;
Whose Veins a richer Purple boast
Then ever Hero's yet engrost;
Sprung from a Father so august,
He triumphs in his very dust.
In him two Miracles we view,
His Vertue and his Safety too:
For when compell'd by Traitors crimes
To breathe and bow in forein Climes,
Expos'd to all the rigid fate
That does on wither'd Greatness wait,
Had plots for Life and Conscience laid,
By Foes pursu'd, by Friends betray'd;
Then Heaven, his secret potent friend,
Did him from Drugs and Stabs defend;
And, what's more yet, kept him upright
‘Midst flattering Hope and bloudy Fight.
Cromwell his whole Right never gain'd,
Defender of the Faith remain'd,
For which his Predecessors fought
And writ, but none so dearly bought.
Never was Prince so much beseiged,
At home provok'd, abroad obliged;
Nor ever Man resisted thus,
No not great Athanasius.
No help of Friends could, or Foes spight,
To fierce Invasion him invite.
Revenge to him no pleasure is,
He spar'd their bloud who gap'd for his;
Blush'd any hands the English Crown
Should fasten on him but their own.
As Peace and Freedom with him went,
With him they came from Banishment.
That he might his Dominions win,
He with himself did first begin:
And that best victory obtain'd,
His Kingdom quickly he regain'd.
Th' illustrious suff'rings of this Prince
Did all reduce and all convince.
He onely liv'd with such success,
That the whole world would fight with less.
Assistant Kings could but subdue
Those Foes which he can pardon too.
He thinks no Slaughter-trophees good,
Nor Laurels dipt in Subjects blood;
But with a sweet resistless art
Disarms the hand, and wins the heart;
And like a God doth rescue those
Who did themselves and him oppose.
Go, wondrous Prince, adorn that Throne
Which Birth and Merit make your own;
And in your Mercy brighter shine
Then in the Glories of your Line:
Find Love at home, and abroad Fear,
And Veneration every where.
Th' united world will you allow
Their Chief, to whom the English bow:
And Monarchs shall to yours resort,
As Sheba's Queen to Judah's Court;
Returning thence constrained more
To wonder, envy, and adore.
Disgusted Rome will hate your Crown,
But she shall tremble at your Frown.
For England shall (rul'd and restor'd by You)
The suppliant world protect, or else subdue.

‘Whenever I plunge my arm, like this,
In a basin of water, I never miss
The sweet sharp sense of a fugitive day
Fetched back from its thickening shroud of gray.
Hence the only prime
And real love-rhyme
That I know by heart,
And that leaves no smart,
Is the purl of a little valley fall
About three spans wide and two spans tall
Over a table of solid rock,
And into a scoop of the self-same block;
The purl of a runlet that never ceases
In stir of kingdoms, in wars, in peaces;
With a hollow boiling voice it speaks
And has spoken since hills were turfless peaks.’

‘And why gives this the only prime
Idea to you of a real love-rhyme?
And why does plunging your arm in a bowl
Full of spring water, bring throbs to your soul?’

‘Well, under the fall, in a crease of the stone,
Though precisely where none ever has known,
Jammed darkly, nothing to show how prized,
And by now with its smoothness opalized,
Is a grinking glass:
For, down that pass
My lover and I
Walked under a sky
Of blue with a leaf-wove awning of green,
In the burn of August, to paint the scene,
And we placed our basket of fruit and wine
By the runlet’s rim, where we sat to dine;
And when we had drunk from the glass together,
Arched by the oak-copse from the weather,
I held the vessel to rinse in the fall,
Where it slipped, and it sank, and was past recall,
Though we stooped and plumbed the little abyss
With long bared arms. There the glass still is.
And, as said, if I ****** my arm below
Cold water in a basin or bowl, a throe
From the past awakens a sense of that time,
And the glass we used, and the cascade’s rhyme.
The basin seems the pool, and its edge
The hard smooth face of the brook-side ledge,
And the leafy pattern of china-ware
The hanging plants that were bathing there.

‘By night, by day, when it shines or lours,
There lies intact that chalice of ours,
And its presence adds to the rhyme of love
Persistently sung by the fall above.
No lip has touched it since his and mine
In turns therefrom sipped lovers’ wine.’

Go broken:
Succumb, surrender.
Who knows why you’re broken?
Maybe an accident
Slipped from clumsy, drunken hands
Maybe you were broken intentionally
only so one day you’d be fixed.
But none-the-less,
Go broken.

Your color is dull
and your shape asymmetrical.
You’re untouchable.
The clutch that dropped you into the tortuous waves of the night
trails blood down its fragile fingers
As they curse you for what you have done.

Go shattered:
Forget why; as she will when she finds you.
No one will see your story,
only your beauty
Once left shattered.

The light will reflect off your surface:
beautiful, translucent, and pastel.
Your color now sun kissed and weathered.
But the most beautiful of all is your touch.

When she finds you,
resting where the white crashing foam meets the dark hardened sand,
her finger can trace your once lethal edges
over and over.
She can seal her hand around you,
as she closes her eyes and breathes in the ocean air,
the sun kissing her pale face as it once kissed yours,
feeling only smoothness in that hand.

Can you feel the warmth,
where you were once cursed at and discarded?

Go:
Go to a new life
Where she can see your beauty
and feel your beauty.

Go:
And thank the sea as you go

Thoughts are drenched in raw feeling
I’m daydreaming
My mind ponders, wanders
...I want to fly a kite with you
I want my head on your lap as you sit crossed legged against a tree, reading me poetry
I want you to hold the book with one hand while the other rests on my chest, occasionally stroking my head
Or I take it in mine, fluidly palm to palm till fingers entwine
Thumb stroking thumb, feeling textures on fingertips
The smoothness of your nail against my skin
I want to see reflection in your lambent eyes at sunset and sunrise
Against powerful rays and calm of night  
I want to know what those eyes see  
I want familiarity, of your kiss
How gentleness craves the plumpness of your lips
Where confidence grows, connection is slowed...
I want to fly a kite with you.