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"smokestack" poems
Ears pressed cool against glass tables and vinyl flooring words score high drained slowly slow like wasps caught in guttered draining not like velvet names etched in casing, but weathered like bricked and beaten graffiti – Waning like wax always melting Tools: spelling and grammar – uncheck Don’t fret too many gerunds grounding air suffocating hearing between the lines that past lower truths out straight in dirt and stinky face: eyes drawn with pensive staring lines drawn global remains of words unused: boycott form because it isn’t daring. Adopt sonar because it traces the smokestack between eaves drop and scrap metal hearing like thorns prickled cut by cleaver. Clink, clink, clank. Unlatch cellar doors of images fixed in meaning: glances slanted heads poked out behind legs enchanting ink under eyelids. Clank, click, click. Wishing: Sunday morning came to rest and the cat perched rest without the windowsill and the space between my legs lost meaning. Forgetting: Painted houses haunting furniture misplaced, training lessons in memory fading.   Dreaming: Sounds dipped in vegetable oil, Van Morrison in teething states caring. Still lost without my last breathe wondering…
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Mar 2, 2011
Mar 2, 2011 at 1:31 PM UTC
THERAPY IN WRITING
MANY ways to spell good night. Fireworks at a pier on the Fourth of July spell it with red wheels and yellow spokes. They fizz in the air, touch the water and quit. Rockets make a trajectory of gold-and-blue and then go out. Railroad trains at night spell with a smokestack mushrooming a white pillar. Steamboats turn a curve in the Mississippi crying in a baritone that crosses lowland cottonfields to a razorback hill. It is easy to spell good night. Many ways to spell good night.
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3.5k
Good-night
5:00 am - Happy New Year! I look like I should be a musician not a poet. "It's so easy being a poet so hard being a man"       - Charles Bukowski ---- 5:14 am - Passing Rocklea, no sign of the dawn. Coopers Plains station. 3 people get on. Florescent lights cast a spell of sleep. I wish I could sleep right now. Eyelids droop like sad flowers  from a convenience store. I write metaphors like a drunken amateur. Trinder park - Sounds like a bad neighbourhood. **** ME ITS WOODRIDGE. Where even the McDonalds sign is ****** XxXxxxxxx, Xxxxxx Xxxxxx : She could be fun. So tight, she sometimes felt  illegal. Tight and bald. I would slide up to the ***** She loved it rough, golden hair wrapped around my fingers as she was pushed into the pillow. She was loud in the mornings. I could feel her tight *** grinding against my thighs as I ****** her harder  and harder. Until I came : either inside her. Or on her chest. Or in her prim pink suburban mouth. Tightening my grip on her hair as the hot ***** spurted against the back of  her throat. The head of my **** throbbing as she gulped it down with silent satisfaction. That only happened twice though. ---- 5:37 am - The Dawn begins to rise over the Suburban Nation. Final remnants of night twinkle like stars against the silhouette of society. House lights Street lights (and the omnipresent) fluorescent light. Beenleigh station - A pinch faced older woman gets on. Business suit, lunch box. Short hair, glasses. Her earrings are imitation mother of pearl (step-mother of pearl?) She  sits next to a window covered in graffiti. Prim, tight  mouth incarnadine lipstick. Over in the distance a smokestack cuts through the sky above the horizon. Trees do mask the sun and sky. "Hippies; they spend their whole life trying  to get to a microphone and when they do, they don't tell anyone  to **** off." - The Wolfman. ---- 5:52 am - One more stop. The clouds  are the colour of smoke against the pearl blue sky. ---- 6:00 am - Arrival. Clouds are tinged with fire and blood incandescently. You can watch it spread and grow with intensity. Taxi driver  was  a foul mouthed Indian.
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May 22, 2013
May 22, 2013 at 2:25 AM UTC
Brisbane Street Sketch 5
5:00 am - Happy New Year! I look like I should be a musician not a poet. "It's so easy being a poet so hard being a man"       - Charles Bukowski ---- 5:14 am - Passing Rocklea, no sign of the dawn. Coopers Plains station. 3 people get on. Florescent lights cast a spell of sleep. I wish I could sleep right now. Eyelids droop like sad flowers  from a convenience store. I write metaphors like a drunken amateur. Trinder park - Sounds like a bad neighbourhood. **** ME ITS WOODRIDGE. Where even the McDonalds sign is ****** XxXxxxxxx, Xxxxxx Xxxxxx : She could be fun. So tight, she sometimes felt  illegal. Tight and bald. I would slide up to the ***** She loved it rough, golden hair wrapped around my fingers as she was pushed into the pillow. She was loud in the mornings. I could feel her tight *** grinding against my thighs as I ****** her harder  and harder. Until I came : either inside her. Or on her chest. Or in her prim pink suburban mouth. Tightening my grip on her hair as the hot ***** spurted against the back of  her throat. The head of my **** throbbing as she gulped it down with silent satisfaction. That only happened twice though. ---- 5:37 am - The Dawn begins to rise over the Suburban Nation. Final remnants of night twinkle like stars against the silhouette of society. House lights Street lights (and the omnipresent) fluorescent light. Beenleigh station - A pinch faced older woman gets on. Business suit, lunch box. Short hair, glasses. Her earrings are imitation mother of pearl (step-mother of pearl?) She  sits next to a window covered in graffiti. Prim, tight  mouth incarnadine lipstick. Over in the distance a smokestack cuts through the sky above the horizon. Trees do mask the sun and sky. "Hippies; they spend their whole life trying  to get to a microphone and when they do, they don't tell anyone  to **** off." - The Wolfman. ---- 5:52 am - One more stop. The clouds  are the colour of smoke against the pearl blue sky. ---- 6:00 am - Arrival. Clouds are tinged with fire and blood incandescently. You can watch it spread and grow with intensity. Taxi driver  was  a foul mouthed Indian.
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67
You're a breath of fresh air in a world of smokestack trees.
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Jan 27, 2016
Jan 27, 2016 at 4:28 PM UTC
Pollution
Here, at the end of the world, the flowers bleed as if they were hearts, the hearts ooze a darkness like india ink, & poets dip their pens in & they write. "Here, at the end of the world," they write, not knowing what it means. "Here, where the sky nurses on black milk, where the smokestack feed the sky, where the trees tremble in terror & people come to resemble them. . . . " Here, at the end of the world, the poets are bleeding. Writing & bleeding are thought to be the same; singing & bleeding are thought to be the same. Write us a letter! Send us a parcel of food! Comfort us with proverbs or candied fruit, with talk of one God. Distract us with theories of art no one can prove. Here at the end of the world our heads are empty, & the wind walks through them like ghosts through a haunted house.
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The End of the World
Who's that leopard in ecstasy (and Ampersand Cornelius Gray) who learned to trot briskly under lamp poles and rescue a ***** worn mug from the clay                       that which bore them. She signaled with a passing glance that the entrenchment should pass, giggling eyes that sparkled from pearls and concrete teeth. I pivoted on the unmoving coordinates, the universe revolved. From within her a spirit rose up and clasped my face in its hands, and I, red with terror, dove head first towards the sands. He howls out, burdened. He is unaware of my condition, beneath the waters; here I lie in wait, too, in weight. Here I lie beneath the crushing force of the universe. On the bottom of the sea, the top of the Earth, a smokestack, of golden flames, fills my heart, rumbling, confident and unafraid. The Leopard sits, its paws splayed out on a bed of ferns. Upon its raised position, it lies, basked in ethereal warm light. The fierce awe of strength and knives of metal, racing above ground on knees of silent, yellowed corduroy. Who waits with the Leopard, alone and cold? Who knows the beast the captures my wonder? Here I lie, in servitude, enslaved in my claw cave. My paws are pale, in this oddly worn nave.
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Apr 29, 2013
Apr 29, 2013 at 4:17 PM UTC
The Leopard
Today, my train of thought Is a bit off track. It's a dark and confusing smokestack. You see, questions abound. So buckle in as I go to town. Which cider you on? Apple or hard? If a tree falls on a copier And no one is around to see it, Does it make a forest? I'm rooting for yes; but quite unsure. How many coins can a fountain hold? I wish I knew. Is Paul dead or the walrus? Is Paul dead AND the walrus? Coo coo ca choo. What's the beef about red meat? It fills but kills? It sells but fells? Who knows! The proof is in the pudding. All other desserts are unsubstantiated, I suppose. If peanut butter leaves Los Angeles Traveling east at 100 miles per hour, And jelly leaves New York Traveling west twice as fast, Will they become a sandwich when they meet? What a treat if they did. Maybe one day these Universal questions will be solved. But for now, I'm quite dizzy From all the lunacy involved. Catch you later...
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Apr 14, 2023
Apr 14, 2023 at 3:42 PM UTC
Please Fasten Your Seatbelts
my cheeks are blushed in the glow of your midnight kiss i stand blinking in the corner i am a smokestack, i rise above roofs and water towers the space above this city is never populated by heaven fear of ****** in the streets in a hotel room or a bus bombshell crawling over flesh flashes metal neon i am a coffee mug gripped by puncture-marked knuckles exuding white dreams and pursed lips I went into the dripping door I drank the yoke of an ostrich egg I am a hog in sunlight, a dead rabbit on asphalt at dawn I lift a palsied hand to beg a cigarette.
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Dec 8, 2011
Dec 8, 2011 at 12:44 AM UTC
your midnight kiss
Hot box a cigarette , sawmill gravy and country ham , Entrenched in the morning paper , dishes scrubbed , drumming of pots and pans ! Blue collar people with somewhere to be , buoy's chained to the bottom of the sea ! Sweet black ribbon covered in fire ants , May honeybees , wildebeest crossing the wild African plains.. White smokestack dens of endless toil , black tar factories , dead fish waterway , boiling star infrastructures ! Biscuit , tobacco , hot coffee welder , plumber and electrician Caviar , flounder , after dinner mint doctor and lawyer .. Goody powders ,  soda pop cures , work induced migraines for societies  'riff raff' , high atop steel skeletons , life hanging in balance . Xanax , blue cheese , marriage counselor soccer moms , yoga , wine party ..Young people lie in their own blood , candle light vigils are like all others . Repetitive anguish falling on deaf ears , billion dollar football stadiums , homeless freeze to death , Good Morning America focused on the Grammy Awards or someones *** , Miley's tongue , Scientology or Donny and Marie ! Bath salt possession , teenagers are shot full of bullets , Kelley and Michael promote Hollywood garbage , their so ******* cute !
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Nov 9, 2015
Nov 9, 2015 at 10:35 AM UTC
Monday morning spew .....
Each smokestack tranced across the side of the rust colored Hall As an ancient Chinese paper dragon Bobbing and Weaving With feather pentatonic tea leaves White and green Silk and screen Opaque paper culture
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Dec 10, 2013
Dec 10, 2013 at 2:55 PM UTC
Tea Leaves Thoughts Alone
Sometimes I write nights, in the séance of the city to the thrum of the sidewalk, the fume of the smokestack; I scribble the madcap of it all, I furrow my nails in vinyl and dance             in memoriam,             my face blackened by storms in the crematorium;       there are those that watch the world through a window,       and those that are watched; and if they have no voice in their manic stumblings; and if instead they                   mutter to the shadows for traction, to the swirl in the gutter, the outer rim of                   silence they will find a friction to descend upon cement with an electric lunacy;       and though they will be outliers, they put out the candles       and write nights too; within the funneled starlight, and the wheel of the sky, we string our bodies astral, in procession and out, similar in divergence, until similarity diverges       into steam and carbon and time surges backwards to rejuvenate nights and our visions are left clotted in their seams by                   the dark.
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Aug 19, 2010
Aug 19, 2010 at 9:01 AM UTC
I Write Nights
The porch light barely illuminates the overflowing ashtray Moon, abandoned home, smokestack, alleys: view Orderly circles of leaking lunar spectrum serve as steady sight Otherwise torn by my mouth like a hooked fish to the angler-night The streets are full of holes like the stories of conspirators Kitten of gender nondescript plays in the corner, jubilant Clouds pass and pay no mind, don’t associate with our kind I hope she doesn’t find me foolish when I interject Approached by vendor of the thieving sort with stolen radio offered cheap Promised to turn potential customers his way as I planned retreat A character amongst graffiti and gritty blacktop, the type I always meet Nobody waited for us as we signaled from the crosswalk Back to the quarters, friend needs a ****** Try to concentrate and write despite the bang on the walls Distraction from *** I’m not having; she’s a screamer Dark brewed beer is a bitter taste for bedtime
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Mar 18, 2011
Mar 18, 2011 at 10:04 PM UTC
83. Bitter 3/19/11
your mind is screeching over itself fast forward looping stuttering to sta-finish it's own sentences before they begin begin again again rephrase in a foreign tongue sputtering auditory train each song sounds the same same thought new place pacing backwards yesterdays yester-year's dream spawned oiled seas see the lochness creature seeping tar from smokestack wings cleanse the river boil the stream seems where the hydrogen and oxygen meet the breath drowns defeat retreat to your fiery cocoon lace your wounds with spit and delusion dilute your medicine til it tastes like lover's skin again begin begging the stars to swallow you howl til one becomes two rebrand suffering to resume your pleasurable consuming death
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Jul 21, 2015
Jul 21, 2015 at 2:14 PM UTC
this is your brain on consumerism
35,088 feet over Nebraska,   (Nebraska-imagining me climbing a ladder, me upwards, Jacob’s angels coming down, off to a high school All Saints wrestling match in a cornfield town) a place not on my bucket list, just a blue bias of an eastern stater’s unknowns, a sure sign of how much he doesn’t know reading Patti’s slender volume “Devotion” slender like her body, some would call it a wiry woman's sparse but directed, connective, word-worshipping, old familiar strangers she delivers to you that you have never met, her phraseology striking me and strikingly beautiful simultaneous scan it and understanding instantaneous she asking, why do we write? her answers are fine copper wire threaded into a coil and I close it quick cause the loving ****** desire to plagiarize such an oddly gorgeous offerings is overwhelming; I feel the wire words piercing my temple, intending to emerge out the other side, a decorative symmetry, I don’t own my need to script some cursive on my smooth body parts, on my god-given papyrus, always at the ready, is a methadone itch, a dulling urge needy for fulfillment, that needs satisfying but me, soundly second rate, write like the flip side of a hit vinyl record, no one is expected to play, fulfillment meets futility thus the title is a modification of a Patti light touch my alchemy never made any gold and my present presence now over Iowa a reminder that my prescriptions are 1200  evacuations; they are negative commandments, proscriptions, not prescriptions do not write, do not wrong words with a middling diffidence, hide your face and put her words on a shelf above your head hard to reach, so you do not be tempted why do we write? “All seeking an emptiness to imbue with words.   The words that will penetrate ****** territory, crack unclaimed combinations, articulate the infinite.” Patti Smith disambiguation she relieves us of uncertainty my combinations over Waterloo, Illinois are ordinary smokestack gray, a spewing wastage, the angels conforming that my words Cain-fail, my confession meets no one’s standards, not even mine 7:07pm Central Time
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Mar 25, 2018
Mar 25, 2018 at 8:47 PM UTC
The Patti Smith Poems: The Alchemy of His Prescriptions
35,088 feet over Nebraska,   (Nebraska-imagining me climbing a ladder, me upwards, Jacob’s angels coming down, off to a high school All Saints wrestling match in a cornfield town) a place not on my bucket list, just a blue bias of an eastern stater’s unknowns, a sure sign of how much he doesn’t know reading Patti’s slender volume “Devotion” slender like her body, some would call it a wiry woman's sparse but directed, connective, word-worshipping, old familiar strangers she delivers to you that you have never met, her phraseology striking me and strikingly beautiful simultaneous scan it and understanding instantaneous she asking, why do we write? her answers are fine copper wire threaded into a coil and I close it quick cause the loving ****** desire to plagiarize such an oddly gorgeous offerings is overwhelming; I feel the wire words piercing my temple, intending to emerge out the other side, a decorative symmetry, I don’t own my need to script some cursive on my smooth body parts, on my god-given papyrus, always at the ready, is a methadone itch, a dulling urge needy for fulfillment, that needs satisfying but me, soundly second rate, write like the flip side of a hit vinyl record, no one is expected to play, fulfillment meets futility thus the title is a modification of a Patti light touch my alchemy never made any gold and my present presence now over Iowa a reminder that my prescriptions are 1200  evacuations; they are negative commandments, proscriptions, not prescriptions do not write, do not wrong words with a middling diffidence, hide your face and put her words on a shelf above your head hard to reach, so you do not be tempted why do we write? “All seeking an emptiness to imbue with words.   The words that will penetrate ****** territory, crack unclaimed combinations, articulate the infinite.” Patti Smith disambiguation she relieves us of uncertainty my combinations over Waterloo, Illinois are ordinary smokestack gray, a spewing wastage, the angels conforming that my words Cain-fail, my confession meets no one’s standards, not even mine 7:07pm Central Time
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night falls w/liverspot clouds broken stars . . . deep blueness . . . fat-full moon. nights are that autumncool again (week of +20° unseasonality) basement stone wall coolness cigarette ***** a smokestack! peepings & oo-ings & cracklings                   in the woods. the ceiling creaks . . . creek runs bedroom lights a-burnin' & m'tired dart is down to the filter.
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Oct 19, 2011
Oct 19, 2011 at 9:08 PM UTC
nightsmoke
Like a hypnotic beacon in darkness guiding oily ships, like this same rhythm, I sing to myself so much the same beat, the song of apathetic thoughts of ignorant tranquility   While smokestack clouds loosen tears of acid rain that rust metal on boots will this prevail? Dried poisoned earth beneath my feet Yawning gaps and cracks frown their crooked gruesome frowns upon the dust crumbling ground Micro-macro things float in the air in which we inhale Farts from smokestack gases carbon emissions from cars forever excrete poisoned cougher's body-coffin-clouds of black and blue Trees as if on bending knees smothered by accidental fluoride little and feathered bodies plummet and land on polluted blackened ground below Smokestack refineries make fishy lakes into crummy toilet lakes    Oily ships clumsily spill oil contents upon the sea to oily sea Yet so crazy a world so crazy a song of easy tranquility I sing sheepishly, among TV commercial smokestack wolves of sitcom ***** darkness, who gleefully watch all the lambs go by in **** TUBE" harmony
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Sep 22, 2014
Sep 22, 2014 at 6:46 PM UTC
Blessed Be The Ignorant-New Dark Age
DYNAMO consciousness tossed around in the heavenly night, illuminations and poems in us all as an asphalt drum bounds oak to flat dispersing lamentations to the brain and barbwire ribcage clawing at our lungs PHANTASM pain, the behemoth cause for all inspiration the pressing crucifixion the shrill cry of harmonica overcast in this bizarre moonlight sinking an oceanic shadow for my memory is high off melancholy but i keep at it because the morning is beautiful A PRAYER FOR WARMTH (in my opinion) nothing feels stranger than an empty bedroom we are each others loneliness SOLIPSISM
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Oct 21, 2015
Oct 21, 2015 at 1:28 AM UTC
edith piaf and i shared remembrances while we slept when a sudden smokestack prison loudspeaker reminded us of the distance between people
the smoke fills his lungs like a smokestack. the butts litter ashtrays like little potholes of ash throughout his room. stacks upon stacks of the disgusting things, brownish yellow- just like the **** on his teeth. his breath smells and tastes as if you were lying facedown on the hot pavement, tongue to the ground gravel, dirt and gasoline on your tastebuds. he burns he yearns for the fix. when he works on his car in the hot sun, his fingers shake unless he's holding a smoke. And every day when she comes home she kisses him full on the mouth and breathes it in.
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Mar 15, 2012
Mar 15, 2012 at 3:57 PM UTC
the fix
smokestack mirrors the smokestick in my hands who is the cause of my trembling these days? who is the cause of the causality in my body? is he a "what", or is he a "who"? Lord, may I never know, he seeps into my skin like jasmine am i a "who", or am I a "when"? never have i breathed in a bed so dark, (hallelujah) or seen the sky lit just so; the smoke and the lies (one same separate changed twisting tangling entwined twisting twisting) spill lazily from my lips to meet the ground with pride; the object of my idolatry sleeps without a stir until he rests his eyes for slumber, the sickening truth to be sure My last intention is to be harsh or cruel, but there you have it and oh, he is cruel ...hallelujah what I wouldn't give (where to be begin, the question goes) to bury my tongue in this spot, to bind it to the shadow of a spectre or to one of the forgotten gods so that I may, too, forget hallelujah... who is this deity in the kitchen who ignores my kisses and leaves me to my breath? who is this shell that feels he has the right to touch my face? and in my shame, I cannot help but smile in ecstasy A joy from the deep, a desperate and aching Need, a chasm in chest and in heart, a chasm that hangs in the air with our pretense of conversation hallelujah i weep, I pray, I moan, i am empty I come to him with my naked body ready for the worshiping and he looks at me like he has never seen me hallelujah and he holds out his hand to Me, and for a moment I am rested but i am weak and weary and i am never satisfied but I scream my praises to the night while i roam the halls of my mind crying out and ripping my hair and i know not why. ...hallelujah. hallelujah. hallelujah.
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May 4, 2011
May 4, 2011 at 6:25 PM UTC
the things i keep alone
smokestack mirrors the smokestick in my hands who is the cause of my trembling these days? who is the cause of the causality in my body? is he a "what", or is he a "who"? Lord, may I never know, he seeps into my skin like jasmine am i a "who", or am I a "when"? never have i breathed in a bed so dark, (hallelujah) or seen the sky lit just so; the smoke and the lies (one same separate changed twisting tangling entwined twisting twisting) spill lazily from my lips to meet the ground with pride; the object of my idolatry sleeps without a stir until he rests his eyes for slumber, the sickening truth to be sure My last intention is to be harsh or cruel, but there you have it and oh, he is cruel ...hallelujah what I wouldn't give (where to be begin, the question goes) to bury my tongue in this spot, to bind it to the shadow of a spectre or to one of the forgotten gods so that I may, too, forget hallelujah... who is this deity in the kitchen who ignores my kisses and leaves me to my breath? who is this shell that feels he has the right to touch my face? and in my shame, I cannot help but smile in ecstasy A joy from the deep, a desperate and aching Need, a chasm in chest and in heart, a chasm that hangs in the air with our pretense of conversation hallelujah i weep, I pray, I moan, i am empty I come to him with my naked body ready for the worshiping and he looks at me like he has never seen me hallelujah and he holds out his hand to Me, and for a moment I am rested but i am weak and weary and i am never satisfied but I scream my praises to the night while i roam the halls of my mind crying out and ripping my hair and i know not why. ...hallelujah. hallelujah. hallelujah.
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41
******* life that makes me scream in pain and ecstasy Thoughts billowing from the smokestack of my mind polluting the air and in turn the universe
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Mar 25, 2015
Mar 25, 2015 at 10:20 PM UTC
******* life
Bodies jostle toward the heatsource, Foot stomp, elbowed in the rib, Muttering voices hoarse, exhale mists That swirl like deadmen's ashes in the wind. Pale lumina saturates the cinder skies, Under which the aged remember The suns of former lives, Their memories the glowing solitary embers Of a world we've left behind. Ahead, a mother veils her babe with rags From a passer-by's ravenous gaze. A man automatously drags A rattle-bag of assorted human remains, Leaving trails in the dirt, Leaving trails in the dirt. We have splintered apart the frame Of this landscape of hellpain, Against smokestack sequoias and asphalt seas, We stumble toward the crematoria. My God, the coldness hurts! As upon the canvas of this frozen Earth We enact the terminus of human innovation, The burning of every breath, The engineered suicide of civilization. Out, out, brief candle, said Macbeth. Into the cull chamber I step, Hoping there at least I will find warmth, In death.
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Sep 23, 2020
Sep 23, 2020 at 6:33 PM UTC
Phantasmagoria
It's bitterly cold, And my breath trails behind me Like an industrial smokestack. I take a greedy gulp, And warmth penetrates my chest Like new love's first kiss. Happy Ballantine's Day.
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Dec 1, 2014
Dec 1, 2014 at 8:46 PM UTC
Hopscotch
We need more Martians , they nattered at me all the time, More monsters—people like to be scared, As if those callow youngsters, Growing up with two cars in the garage And three sets at the country club, Their fraternity mixers at Whittier or Occidental, Knew the first **** thing about terror. Still, they wanted me to grind out the harum-scarum hokum They enjoyed watching two-reelers on Saturday afternoons While men were doing hard work in Leyte and Manila, As if the transitory fear of some ghoulish bogeyman Would last through the thirty-second epics Featuring some cartoon bear shilling for beer Or bunnies extolling the virtues of toilet paper. Let me tell you what fear is, I would say time and again, *It’s a padlocked fence and a smokestack Which isn’t churning out a **** thing. It’s the jobs you can’t get because you said something (And more likely, you didn’t) twenty years ago. It’s one more envelope from the bank or the phone company With bold red lettering on the front That you don’t open because you know what it says And how it doesn’t matter one bit, Because you can’t do a ******* thing about it*, And these promising young men would just look at me Like I was some poorly made-up extraterrestrial From one of their Buck ******* Rogers potboilers. Several of my neighbors here were among the men, Mostly boys in truth, who marched with the 126th New York, Taking fire at Petersburg and The Wilderness, At Spotsylvania and Cold Harbor. We have spoken about the horrors of war, The kaleidoscope of confusion and dread, No direction leading to shelter, no road guiding the way to home. They have said that, as frightening as the sound of the minie ***** Zipping overhead like malevolent flies, And the cannon were, what they found truly awful Was the manner in which those fields, So like the ones where they had flushed out quail as children, Became foreboding nightmare landscapes, Containing a dark madness That they never dreamed could have existed.
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Mar 6, 2017
Mar 6, 2017 at 10:28 AM UTC
Rod Serling Muses From His Plot, Lakeview Cemetery, Interlaken, New York
We need more Martians , they nattered at me all the time, More monsters—people like to be scared, As if those callow youngsters, Growing up with two cars in the garage And three sets at the country club, Their fraternity mixers at Whittier or Occidental, Knew the first **** thing about terror. Still, they wanted me to grind out the harum-scarum hokum They enjoyed watching two-reelers on Saturday afternoons While men were doing hard work in Leyte and Manila, As if the transitory fear of some ghoulish bogeyman Would last through the thirty-second epics Featuring some cartoon bear shilling for beer Or bunnies extolling the virtues of toilet paper. Let me tell you what fear is, I would say time and again, *It’s a padlocked fence and a smokestack Which isn’t churning out a **** thing. It’s the jobs you can’t get because you said something (And more likely, you didn’t) twenty years ago. It’s one more envelope from the bank or the phone company With bold red lettering on the front That you don’t open because you know what it says And how it doesn’t matter one bit, Because you can’t do a ******* thing about it*, And these promising young men would just look at me Like I was some poorly made-up extraterrestrial From one of their Buck ******* Rogers potboilers. Several of my neighbors here were among the men, Mostly boys in truth, who marched with the 126th New York, Taking fire at Petersburg and The Wilderness, At Spotsylvania and Cold Harbor. We have spoken about the horrors of war, The kaleidoscope of confusion and dread, No direction leading to shelter, no road guiding the way to home. They have said that, as frightening as the sound of the minie ***** Zipping overhead like malevolent flies, And the cannon were, what they found truly awful Was the manner in which those fields, So like the ones where they had flushed out quail as children, Became foreboding nightmare landscapes, Containing a dark madness That they never dreamed could have existed.
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42
who am I? it is a question i ask in vain amidst all the terror my life has brought i find time to inquire. who am I? the answer never comes through all the screams i look up at the sky and askk. who am I? my name never mattered instead i was given a number tatooed on my arm in burning ink. who am I? in order to stay sane i speak to myself or others and together we try to remember. who am I? i do not think i will ever know and i stare at the black doorway in front of me with the smokestack up above.
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Aug 2, 2012
Aug 2, 2012 at 10:40 AM UTC
who am i ?