"slung" poems
Lovely dainty Spanish needle
With your yellow flower and white,
Dew bedecked and softly sleeping,
Do you think of me to-night?
Shadowed by the spreading mango,
Nodding o'er the rippling stream,
Tell me, dear plant of my childhood,
Do you of the exile dream?
Do you see me by the brook's side
Catching crayfish 'neath the stone,
As you did the day you whispered:
Leave the harmless dears alone?
Do you see me in the meadow
Coming from the woodland spring
With a bamboo on my shoulder
And a pail slung from a string?
Do you see me all expectant
Lying in an orange grove,
While the swee-swees sing above me,
Waiting for my elf-eyed love?
Lovely dainty Spanish needle,
Source to me of sweet delight,
In your far-off sunny southland
Do you dream of me to-night?
18.7k
i see the words floating on
message boards or perched
upon the lips of jocular hypocrites
double-standards that demand
sensual chastity and virginal sexuality
in endless iterations of irony
the concussive
monosyllabic words
slung like stones
cast like arrows
****
*****
*****
all labels for
women possessed of
the courage to pursue
their own passion
once upon a time a
Nazarene insisted a ********** had
more integrity than a rich
statesman throwing self-serving parties
so tell me why so
many Christian politicians
propagate patriarchal notions of depravity
in blanket attempts to regulate
the bodies of women
if being anti-choice was really
about preventing abortions
why do rich right-wing conservative
Republicans spend all their time
and money picketing free clinics
when the solution lies in comprehensive
****** education universal healthcare
complimentary birth control
and comprehensive child support
don't dare use the reprehensible
rhetoric of pro-life unless you're
at once anti-war
and anti-death penalty
riddle me this
what pray tell is the
difference between a jealous
religious misogynist
and a secular sexist
it's rather simple actually
while the former bases his
slut-shaming on the edicts of
a two thousand year old letter to
the Corinthians inconspicuously
sandwiched between a celebration of
love and a section on speaking in tongues
the latter’s learned behavior is
birthed by a hyper-masculine culture
grounded in dominance
either way we await the day
when wild women raze
these ideologies
with torches before
rising like phoenixes
from the ashes of
decimated passages
dismissed by intellectuals
as archaic and outmoded
deaf blind and dumb to
the vestiges of modernity
that sap unscientific
philosophies of their potency
and render them utterly obsolete
in their wake
these proud women
erase the hate
from words like
****
*****
*****
and reclaim equality
with a far more
comprehensive term
feminist
Sep 27, 2015
Sep 27, 2015 at 11:50 PM UTC
#STICK’EM UP with LIQUID NAILS
DANGER ! EXTREMELY FLAMMABLE
See Other Caution on Back Panel:
I’m hot for you Cowgirl – you’re so flammable my glue-gun starts to melt; my screwdriver starts twisting when you loosen that low-slung belt. You make me feel like laying re-bar in a freshly-poured foundation. Shoot me up with that caulk gun baby – I need you like salvation. Ten and one-half fluid ounces – pull off your top, pop a love-cap in me. Fingerin’ your trigger while the job is gettin’ bigger so take me for a ride to the hardware store, honey, cause I’m seeing red and feeling white on your golden background’s sheer delight. Hammer me a heart-full, spike me on a cross of blonde, I’m hanging ten, surfing the tube of your magic wand. I’ve been in love ever since I first waterproofed my seamy undersides with you… stand over me in those red, red boots, you Liquid Nails Girl – and from your pure white Stetson let righteousness unfurl. You won the shoot-out long before you even drew, my dear. Lost hope of the Wild West, Final Frontal Feminine Frontier – there’s only one side of you… your GOOD side. Just one look and your fearless gaze silences the foes, my blooming prairie rose.
YEE – HAW ! Be my angel, be my dream, my valentine rodeo queen, be my bodyguard, my therapist, long & tall & hard & wet – be my Liquid Nails Girl forever and I’ll ride right into your sunset…
Sep 10, 2015
Sep 10, 2015 at 9:28 PM UTC
THEY all want to play Hamlet.
They have not exactly seen their fathers killed
Nor their mothers in a frame-up to ****
Nor an Ophelia dying with a dust gagging the heart,
Not exactly the spinning circles of singing golden spiders,
Not exactly this have they got at nor the meaning of flowers-O flowers, flowers slung by a dancing girl-in the saddest play the inkfish, Shakespeare, ever wrote;
Yet they all want to play Hamlet because it is sad like all actors are sad and to stand by an open grave with a joker's skull in the hand and then to say over slow and say over slow wise, keen, beautiful words masking a heart that's breaking, breaking,
This is something that calls and calls to their blood.
They are acting when they talk about it and they know it is acting to be particular about it and yet: They all want to play Hamlet.
7.4k
I watched the fox, rat held firmly in its jaw,
Trot across the street, lithely avoiding the cars,
Ears pricked up.
It slithered under a fence and weaved through the undergrowth,
Not once acknowledging my presence.
Disappearing in the night, it yelped out its echoes in the wood
Licking out worms.
The shadowed moon slung down its light
Like weak silver bristles from the back of a carved out hedgehog
Covered with newly deposited fox saliva.
It had screamed as it was consumed-unable to die!
The crow stabbed at a newly dead rock pigeon
As the stalking cat pounced......
Death mingled!
Joe, who lived near me, waved:
I waved back, wondering why he saw nothing.
Sep 26, 2016
Sep 26, 2016 at 7:32 PM UTC
I am a copper wire slung in the air,
Slim against the sun I make not even a clear line of shadow.
Night and day I keep singing--humming and thrumming:
It is love and war and money; it is the fighting and the
tears, the work and want,
Death and laughter of men and women passing through
me, carrier of your speech,
In the rain and the wet dripping, in the dawn and the
shine drying,
A copper wire.
6.4k
The new day still saw the man
Whose livelihood was rubber.
He had worked really hard; earning his darkened tan,
He was the plantation's tapper.
The evening sun had long set
Leaving the plantation in a shroud of darkness.
Relying on what little light the moon would let.
He treaded carefully; sidestepping potholes and jutting buttress.
His sack slung over one shoulder,
He found his way to his trusty ride.
Nightly routine he would execute over and over
Mounted his bicycle and rode off with the moon as guide.
All day long, he had been thinking of the night before.
He had then learnt that he was the target of a ghostly trick.
As he cycled, he got worked up, more and more...
He cursed the spirit who had made him the fool so quick!
As he looked ahead, straining his eyes to discern the sandy track.
His eyes caught something that came within sight.
Standing by the side against a background of black.
There she was again...all garbed in white...
Feb 4, 2015
Feb 4, 2015 at 10:35 PM UTC
Lily Kesha Gump
Sittin' on the curb of Bronx and Main Street
How I wish I could wrap my arms around you
Sweet little lady, lookin’ grown with a picture of her mama’s stare frozen on her face
Wrists slung through the spaces of her thighs, waiting for a daydream
And she sees me as I’m twirling by in my ruby reds and thigh high leather grace
There you go darlin,
She says to me
Scoring on my indigo smile
She bites men to sleep
With the crevices of her curves
As her voice weakens wicked
she pulls me out of my gloom
There you go darlin,
She says to me
With a time bomb ticking
On my pain pain pain
And the pen is in my hand
Before she even leaves my sight
I love this city
I love these women
I love their shoes
I love their smiles
Cheeky little laughs
Someone once recommended
When I was dancing under the shades of a neon lamp
From Homeless to Harvard
by a woman named Liz or Marie
Or maybe I read the title off of a screen
when I walking with Maryanne on north Peachtree street
And I remember
Lily Kesha Gump
How I wish I could wrap my arms around you
And give you the life some white woman
who doesn’t even know you
Thinks you desire.
Dec 17, 2020
Dec 17, 2020 at 12:15 PM UTC
Venezia, its musical key of brick and shade
And the canals in rejoining polyphony
Sweeten the dour Church-ear.
From the impasto knife and loose brushwork,
A thumb-smear of waves and gently-bristled strife
Rise to assumption of the cloud-submerged bay,
Mural of cristallo, only-light without landscape,
Made too from the winds of Murano,
Its clayed blowpipe of waterways molding
The lagoon of blown glass and bouquet of colored sea-shadows.
The Tiber lies on its side, like the lion and fox,
Licking its paws at empire’s dust,
A drifting gaze of water that already foresees
The swift-run northward to Romagna,
Where the veined fur of the roe will succumb…
A ripple twitches like one dark claw of the Borgia…
The watercolors of the Arno are a fresco
On the wet plaster of the lips of Firenze, Tuscan fire-dream.
Or like the warring leg in curve of counterpoise,
Sprung foot-forward to the daring world
And arm slung down in stone-victory
From this valley, too much like Elah,
With taunting eyes turned from the Medici toward Rome.
May 13, 2019
May 13, 2019 at 10:06 AM UTC
man who wears a hat sits still near the back unmoved by the world or the exposed breast of a statue (brain waves do not discharge through a fedora)
tag attached: bald is sanitary
oranges have more delicacy raw smelly and afterward singing allons enfants de patrie ding dang **** like that, all frog-ese so we don’t understand chanteused stiff basso profundo to excite to let us see with the clarity of a dream curled with hate set firm, firmer in the arms of a sleeveless girl then slung to sea level white as a leopard’s eye
remember its peroxide bathed, bleached inclined on the pillow just at the angle of expectancy without a hat sideward glance and the crippled heels of angels sparking down the hall
bulletin: young man willing to wear false beard to ease the pain for all
or trumpet blues broken played horizontal touched by seaweed hands in the light of boats (unfurled)
slowly
and the memory dies slowly half-forgotten, half-remembered
halved again
slowly
only
to begin
again
grim molecules of love
4.9k
1. Sunlight
There was a sunlit absence.
The helmeted pump in the yard
heated its iron,
water honeyed
in the slung bucket
and the sun stood
like a griddle cooling
against the wall
of each long afternoon.
So, her hands scuffled
over the bakeboard,
the reddening stove
sent its plaque of heat
against her where she stood
in a floury apron
by the window.
Now she dusts the board
with a goose's wing,
now sits, broad-lapped,
with whitened nails
and measling shins:
here is a space
again, the scone rising
to the tick of two clocks.
And here is love
like a tinsmith's scoop
sunk past its gleam
in the meal-bin.
2. The Seed Cutters
They seem hundreds of years away. Brueghel,
You'll know them if I can get them true.
They kneel under the hedge in a half-circle
Behind a windbreak wind is breaking through.
They are the seed cutters. The tuck and frill
Of leaf-sprout is on the seed potates
Buried under that straw. With time to ****
They are taking their time. Each sharp knife goes
Lazily halving each root that falls apart
In the palm of the hand: a milky gleam,
And, at the centre, a dark watermark.
Oh, calendar customs! Under the broom
Yellowing over them, compose the frieze
With all of us there, our anonymities.
4.9k
The ivory poacher stalks his prey
each day he walks the silent plains
a gun slung high upon his arm
no warmth within his gaze
Elephants nor rhinos sought
but two or one extensions of
an ivory tower painted red a
bullseye meaning meant for dead
The ivory poacher sights his barrel
warily delivers narrow
slivers of a weathered corpse
thundering down to the earth
an ivory tower in his hand
or two if it's an elephant
a clean pristine white he holds high
and on his soul a red bullseye
Mar 18, 2015
Mar 18, 2015 at 9:59 PM UTC
Donald Trump's presidency
Is one of the greatest achievements in art I have ever experienced
And Trump is a true artist
He takes words from the page
Like corruption, disenfranchisement, xenophobia
And brings them to life
Highlighting fear and paranoia so clearly
Contrasting the blacks and whites
Emphasizing anger
While reminding us we're mere infants
In the digital age
And warning us of our seniority
And capitalism's
We all like to think life has meaning
Until we hit an animal with our car
Then that's just the way things are
And I'm staring at an absurdist painting
Of a child driving a car
Through a herd of sheep
As I watch a heist film
Where the robbers turn their guns over
To the mentally unstable guy in the group
Trump is a national artist
Placing riots on the map
And drawing infernos on the Internet
His art forces an opinion
Everybody has something to say about him
And it's all true
Even the pages he ripped from his own cabinet
Tried to villainize him in their script
But he was already an anti-hero
The humor is that the mud slung onto him
Is dirt kicked up from his own tires
I guess if you surround yourself with hateful people
You're surrounding yourself with people who probably hate you
Trump's art is deeply conflicting
He reminds me of the people who want me to live in shame
Yet he embodies the individuality that separates me from that shame
His insecurities remind me of myself
High school is the White House in the eyes of a kid
And I had secrets I wanted to share
But felt I couldn't
I learned things
That changed my entire perspective
And didn't think people would understand
Afraid of being assaulted for my indiscretions
I hid behind a boisterous personality
And a nonchalant attitude
Trump's art evokes sympathy and hatred that feels so strong
When he holds a mirror defining our worst qualities
To a man viscerally opposed to his own reflection
The confliction of emotions
Is the hallmark of great art
We are all artists
The lines we write or the strokes we brush
Are in our actions
And Trump's canvas displays
A life filled with accomplishment
Inspiring me to live my own life
But I still wake up in cold sweats
From the American dream
That anybody can be president
Sep 29, 2017
Sep 29, 2017 at 6:39 AM UTC
*Dust on the ledge, before me, magnified
Smell of gun oil in my nostrils and cramp in the calves
The boredom of the wait intensifies,
Stale air in my loft is full of must
With the failing light I’m grateful it is almost time to stand down.
Through the cross hair sprints a target
An ordinary, everyday, running target,
I know not who this target is,
I know not why it runs across my sights,
But because it is, where it is,
It becomes my enemy.
In a microcosm of time
the loud bang alters things forever.
The buck of the rifle’s recoil,
The immediate sour stench of the shot washes back across my face.
The intoxication felt, in being the one who caresses the trigger.
The satisfaction earned in deservedly making the ****
My target spirals in mid stride,
Contorts in agony
And collapses to the rough tarmac
To lie dishevelled, an insignificant, dishevelled item.
Checking the **** through the telescopic sight
I see the rough stubble of the chin,
The nicotine stain on the fingers,
I see the colour of the eyes are pale blue.
…I know well, it will breathe no more.
With descending twilight
I trudge from my tower perch
With the long ****** rifle slung across my weary shoulders
The crones in the street glare as I walk by
There is a loathing in their aged eyes, It is a tangible thing.
I know they have no knowledge of the target,
But they know, however, that there has been a killing made for the cause.
A cold beer would be nice.
God! how I hate these young punks with purple hair.*
Marshalg
Gaza, Palestine/Mogadishu, Somalia/Kabul, Afghanistan/Tehran, Iran/Cairo, Egypt/Islamabad, Pakistan/Soweto, South Africa/Dier El Zour Province, Syria/Beirut, Lebanon/Baghdad, Iraq/Tripoli, Libya/Pristina, Kosovo/Grozny,Chechen Republic/Veracruz, Mexico/Guatemala City, Guatemala/Sao Paulo, Brazil/Moscow, Russia.
27 November 2012
Nov 28, 2012
Nov 28, 2012 at 8:17 PM UTC
All the flowers slung low to the frosted ground,
But one that shone above the others,
That vibrant flower trying so hard to impress,
But the cold frosted flowers paid no mind to it,
The vibrant flower soon discouraged,
Covered it'd petals with dirt,
And soon began to blend in,
Why must we all be the same?
When we are all born unique,
They don't appreciate their own uniqueness,
So they shoot down yours,
This vicious cycle repeating,
When will it end?
Sep 6, 2012
Sep 6, 2012 at 10:11 PM UTC
Fibonacci Series
their bodies,
more suggestion than shape,
stretch then swell,
trailing slime
on sidewalks,
an eternity
of space to cross
from grass to grass.
one,
then another
and another
undefine themselves,
wet antennae testing
air and sun,
shells slung on backs.
calcium calculations curling
ever inward.
Nov 28, 2011
Nov 28, 2011 at 6:03 PM UTC
I was six when I first saw kittens drown.
Dan Taggart pitched them, 'the scraggy wee shits',
Into a bucket; a frail metal sound,
Soft paws scraping like mad. But their tiny din
Was soon ****** They were slung on the snout
Of the pump and the water pumped in.
'Sure, isn't it better for them now?' Dan said.
Like wet gloves they bobbed and shone till he sluiced
Them out on the dunghill, glossy and dead.
Suddenly frightened, for days I sadly hung
Round the yard, watching the three sogged remains
Turn mealy and crisp as old summer dung
Until I forgot them. But the fear came back
When Dan trapped big rats, snared rabbits, shot crows
Or, with a sickening tug, pulled old hens' necks.
Still, living displaces false sentiments
And now, when shrill pups are prodded to drown
I just shrug, 'Bloody pups'. It makes sense:
'Prevention of cruelty' talk cuts ice in town
Where they consider death unnatural
But on well-run farms pests have to be kept down.
3.6k
In Worcester, Massachusetts,
I went with Aunt Consuelo
to keep her dentist's appointment
and sat and waited for her
in the dentist's waiting room.
It was winter. It got dark
early. The waiting room
was full of grown-up people,
arctics and overcoats,
lamps and magazines.
My aunt was inside
what seemed like a long time
and while I waited and read
the National Geographic
(I could read) and carefully
studied the photographs:
the inside of a volcano,
black, and full of ashes;
then it was spilling over
in rivulets of fire.
Osa and Martin Johnson
dressed in riding breeches,
laced boots, and pith helmets.
A dead man slung on a pole
"Long Pig," the caption said.
Babies with pointed heads
wound round and round with string;
black, naked women with necks
wound round and round with wire
like the necks of light bulbs.
Their ******* were horrifying.
I read it right straight through.
I was too shy to stop.
And then I looked at the cover:
the yellow margins, the date.
Suddenly, from inside,
came an oh! of pain
--Aunt Consuelo's voice--
not very loud or long.
I wasn't at all surprised;
even then I knew she was
a foolish, timid woman.
I might have been embarrassed,
but wasn't. What took me
completely by surprise
was that it was me:
my voice, in my mouth.
Without thinking at all
I was my foolish aunt,
I--we--were falling, falling,
our eyes glued to the cover
of the National Geographic,
February, 1918.
I said to myself: three days
and you'll be seven years old.
I was saying it to stop
the sensation of falling off
the round, turning world.
into cold, blue-black space.
But I felt: you are an I,
you are an Elizabeth,
you are one of them.
Why should you be one, too?
I scarcely dared to look
to see what it was I was.
I gave a sidelong glance
--I couldn't look any higher--
at shadowy gray knees,
trousers and skirts and boots
and different pairs of hands
lying under the lamps.
I knew that nothing stranger
had ever happened, that nothing
stranger could ever happen.
Why should I be my aunt,
or me, or anyone?
What similarities
boots, hands, the family voice
I felt in my throat, or even
the National Geographic
and those awful hanging *******
held us all together
or made us all just one?
How I didn't know any
word for it how "unlikely". . .
How had I come to be here,
like them, and overhear
a cry of pain that could have
got loud and worse but hadn't?
The waiting room was bright
and too hot. It was sliding
beneath a big black wave,
another, and another.
Then I was back in it.
The War was on. Outside,
in Worcester, Massachusetts,
were night and slush and cold,
and it was still the fifth
of February, 1918.
3.5k
The first pair of shoes you wore were black,
velcro straps sat atop your pair of dollies
to make it easier to put them on for the park.
They were meant to be smart, but you laughed
as you wore them against the ground so free
as dad slung the swings, smiling at his child.
Our mum told me I was a creative child:
I didn't like to wear anything black. Red
suited me in how I stood in puddles, free
in indifference to how brown my wellies
became. If I was asked why, I'd shout,
“I'm pretending we're all at the seaside.”
From there we made our way to beaches,
where the wind was crisp and the children
we could see around us acclaimed screams
of emphatic joy at how the sea was so blue
and big. We had to wear pairs of sandals
when we went, but being barefoot felt free.
All that time we had at being young and free
soon went with the summer ending in school,
the arrival of my freshly polished black boots
was identical to almost every other child's-
a lather of paint dripping over in mud yellows
proved who I was with a mother's groan,
and this wasn't the only time she wailed.
As we grew older and wanted to be free,
my sister started to experiment with pink
highlights in her hair as I visited clubs
with fake ID. We were adults with childish
personalities in how I wore my Docs
like a religion for feet, my sibling in high heels
that you could hear in Sunday morning claps.
The arguments broke out: she wanted a child,
mother saying was too young, needed to free
herself from lazy culture and find a workplace.
I'd never seen both their faces so gushed red,
just like the red richness of those wellies
I had worn in the park. I pipe up and say,
“The best freedom is our time as children.”
Apr 18, 2014
Apr 18, 2014 at 3:09 PM UTC
A baggage of cabbage slung over my back
It's starting to smell, but don't open the sack.
Cause for all I know it could be much more,
perhaps it will **** me, dead, onto the floor.
But as I grow weary, and my eyes get teary,
the sack seems to reek with despair.
Oh what the hell, I'll take a look.
To see what is really there.
As I come to find out, it was indeed what I thought
This "baggage of cabbage" has finally been caught.
Dec 8, 2012
Dec 8, 2012 at 12:23 PM UTC
Trivial they may seem
one worded acknowledgments
provide the greatest of hopes
sing into my seashell
slung around my neck
it tremors with my heartbeat
lay vertically on my pillow
and let the coolness
influence your words
Oct 24, 2012
Oct 24, 2012 at 7:50 AM UTC
Let's dance in style, let's dance for a while
Heaven can wait, we're only watching the skies
Hoping for the best, but expecting the worst
Are you gonna drop the bomb or not?
Let us die young or let us live forever
We don't have the power, but we never say never
Sitting in a sandpit, life is a short trip
The music's for the sad man
Forever young, I wanna be forever young
Do you really want to live forever, forever and ever?
Forever young, I wanna be forever young
Do you really want to live forever, forever, forever?
So we livin' life like a video where the sun is always out
And you never get old and the champagne's always cold
And the music's always good
And the pretty girls just happen to stop by in the hood
And they hop their pretty *** up on the hood of that pretty *** car
Without a wrinkle in today 'cause there's no tomorr'
Just a picture perfect day that lasts a whole lifetime
And it never ends 'cause all we have to do is hit rewind
So let's just stay in the moment, smoke some **** drink some wine
Reminisce, talk some **** forever young is in your mind
Leave a mark that can't erase neither space nor time
So when the director yells "cut," I'll be fine, I'm forever young
Forever young, I wanna be forever young
Do you really want to live forever, forever and ever?
Forever young, I wanna be forever young
Do you really want to live forever, forever, forever?
Fear not when, fear not why, fear not much while we're alive
Life is for living, not living uptight, see ya somewhere up in the sky
Fear not die, I'll be alive for a million years
Bye-byes are not for legends, I'm forever young, my name shall survive
Through the darkest blocks, over kitchen stoves, over Pyrex pots
My name shall be passed down to generations
While debating up in barber shops
Young Slung hung here, Shorty, the ***** from here
With a little ambition, just what we can become here
And as the father passed his story down to his son's ears
Younger kid, younger every year, yeah
So if you love me, baby, this is how you let me know
Don't ever let me go, that's how you let me know, baby
Forever young, I wanna be forever young
Do you really want to live forever, forever and ever?
Forever young, I wanna be forever young
Do you really want to live forever, forever, forever?
Slamming Bentley doors, hopping out of Porsches
Popping up on Forbes lists, gorgeous
Hold up, ****** thought I lost it, they be talking ********
I be talking more **** they nauseous
Hold up, I'll be here forever you know I'm on my fall ****
And I ain't waiting for closure, I will never forfeit less than four bars
Guru bring the chorus in, did you get the picture yet?
I'm painting you a portrait of young
Forever young, I wanna be forever young
Do you really want to live forever, forever and ever?
Forever young, I wanna be forever young
Do you really want to live forever, forever, forever young?
Jan 20, 2013
Jan 20, 2013 at 11:43 PM UTC
When ranchers decide to do a thing,
Sometimes they just go through it.
What follows is a little fling
A neighbor did...don't do it.
The clearing of the land requires a little fortitude
Some ingenuity, and luck, and not a little courage.
So A.D. Volbrecht's story, though a little crude,
Is only strange to those who eat milk toast and porridge.
Rather than tear an old house down to clear a farming space,
A.D. enlisted help from his oldest son to haul the thing away.
Together then, the two grown men took on a moving race
To see if they could jack the house and move it in one day.
The morning saw a Donahue, low slung and meant to haul,
Waiting as the house was raised, (unsteady on new legs)
Then slowly lowered down again. T'would make a feller bawl
To see the old home place prepare to pack its bags.
Son Zane began a steady pull to move the old house home,
And A.D. took his place in front, flashers and flags to warn.
Slow going was their pace, and traffic stopped up some;
The actual move was tougher than the plan they'd formed.
So seven miles became a half a day, and challenges arose
How ever would they move the thing through town?
The power lines and traffic cops were obstacles; who knows
What kinds of tickets they'd be writing down?
Up ahead the airport gleamed, the tarmac shimmered black.
"Aha!" old A.D. cried, "I've found the way around!"
Hard left he turned on a county road, and cut the fence in back
And guided Zane and the old home shack to airport ground.
Western Airways flight was due sometime that afternoon;
Old AD rattled on up Runway One, old pickup running fast,
To find a gate to let the old house through, (and none too soon);
The tractor and its load sputtered through the parking lot at last.
In June a few years back, a farmer and his son pulled off a heist.
Stole some runway time and cut their journey short...
No harm done, though they'd never do it twice
Without winding up defenseless in the county court.
Apr 10, 2013
Apr 10, 2013 at 7:56 AM UTC
Fibonacci Sequence
(after a photograph of snails)
their bodies,
more suggestion than shape,
stretch then swell,
trailing slime
on sidewalks,
an eternity
of space to cross
from grass to grass.
one,
then another
and another
undefine themselves,
wet antennae testing
air and sun,
shells slung on backs.
calcium calculations curling
ever inward.
Apr 28, 2010
Apr 28, 2010 at 5:17 PM UTC
#
shackled to a notion
rubbing through wrists
in rusted remains
of beautifully easy
it's a slow bleed
through insults slung
in fear the unmaliciois
only noticed in hindsight
calling the innocent a *****
doesn't breed hate from love
the duke-yeilding cowardly lion
flings back like a monkey
##
breaststroking a marathon in tears
wading through pain I never caused
pelted with double-barrelled denial
THIS IS NOT WEAKNESS
there is no waver on my solid ground
torn flesh and compound fractures
cannot break harder than history
still, gavel strikes
in sucker punched cracked ribs
that look like a past that ain't mine
###
keep hacking off pieces
maybe I'll fit into those pretty boxes
your liars left as gifts
nasty reminders that trust has sharp teeth
maybe that's just you
biting back any hand that gets too close
pandering in placating platitudes
ain't my bag
flattery fails to flounce from unfettered friends
####
can't be beat into submission
with unspoken broken rules
can't run from a truth in plain view
this is what it looks like
to believe what you know over
what you've lived
I'm not running
I'm not biting back
I'm not going anywhere
then again, why would I
I'm not the one afraid to love you
https://soundcloud.com/user-166761247/a-fourth-in-time-to-cracked-selections-of-music
Dec 25, 2018
Dec 25, 2018 at 8:04 AM UTC