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b e mccomb Aug 2016
we had been mopping
the kitchen floor all day
and the dirt never
stopped coming back

and earlier we had sprayed
the entire front porch
down with the garden hose
and now it was still wet
which made it feel as if
it had recently rained when in fact
the grass was a crunchy
brown carpet of regrets.

the night before we had
drunk orange smoothies
laced with lime and something
aged sleek and dark

(i think it must have been
the reason we couldn't
sleep that night
lay awake in my parents bed
and i told you why i
wouldn't go swimming
until the sun rose
the dog barked
the birds screamed
their morning songs
and my body stopped its
nightly spasms of fear.)

and the next evening
we put on a miranda lambert song
(the one we drank to
in your mother's van last winter)
sat on the wet
porch swing
and cracked open
our first beers

they were
really bad
i gagged
because it tasted
like carbonated
banana bread with
too much stale
baking soda
and we poured half of them
into the flower beds

the next morning
was sunday
and we had milk and muffins
in the kitchen with
simon and garfunkel
then went back out to the porch
drank iced coffee in the
eleven o'clock sunlight
and you said
"if this were a normal sunday
i would have been up at six
at church by eight
and done teaching my first
sunday school class by ten."

(is beer as much
of an acquired taste
as coffee is?
because i can't ever
remember not liking it
i used to think it was
bitter but i always
liked it anyway.)

i didn't say anything
because i didn't want to
say what was on the tip
of my tongue
that this kind of sunday
had become my normalcy
and our variety of saturday night
no longer felt like underage
drinking and more like
the way i was meant to be.
Copyright 7/18/16 by B. E. McComb
Stephen E Yocum Oct 2013
By Stephen E. Yocum

In 1974, from out of Kabul,
The bouncing open back of
An old flat bed truck,
Eating dust and Diesel fumes,
Two alone we journeyed.

A round the world exploration
Of adventure and discovery.
Of lands and cultures,
people never before encountered.
Naive Ecotourists, before there
Was such a thing, called by a silly name.

The land there about, dry and dusty,
Sparse vegetations, Inhospitable to all,
Featureless and drab beyond comprehension.
Harsh lands breed harsh unforgiving people,
Matching their dire extreme surroundings.
This being one of those places.

I was on an adventure,
More so than she with me,
A rocky marriage at best,
Stressed further by months of travel.
I seeking the raw, the real,
She wanting first class comforts,
Like the “Good Life as seen on TV”.
A rough open flatbed truck, eating dust,
Not even close to fitting that description.

We were going to a small distant town,
Where I might see a game as old,
As that culture, of those Afghan plains,
A game, no truly more of a passion,
A long held national obsession,
Not so much played,
As combated, a war on horseback,
Brutal, ****** and thrilling.

Under noonday sun, yet chill of weather,
An hour out, four mounted horsemen
Appeared over a low hillock horizon,
Their horses in gallop, snorting, prancing,
High stepping, bounding, on a mission,
Kicking up a cloud of yellow/red dust,
The riders making straight for us.

These were the days before the AK-47,
Before the Russian invasion of ‘97.
The tribal Afghan men back then toted old,
Long Barreled, flint lock looking weapons
Often adorned with ribbon or paint,
Looking at first glance merely ornamental,
Not quite dismissing their lethal intent.

I had seen a sheep shot by one of
These old rifles, the entry spot was
The size of an American Half Dollar,
The exit hole the size of a tennis ball exploded.

As they approached, at my direction,
She withdrew further back towards the
Cab of the truck, beside a wooden crate.
I still sat, legs dangling over the tailgate,
One hand holding onto the wood slatted
Vertical, side rail of the bed.
The other hand on the hilt of my 8 inch Buck Knife.
That given the impending situation, would have
Done me as much good as my ******* into the face,
Of a very strong hurricane wind,
Doing me and us more harm than good.
All the while, still watching the horsemen,
As they rapidly approached ever closer.

Ignoring our dust, they reined in less than
Fifteen feet from our rear bumper,
(If there had indeed been a bumper.)
Horses wild eyes rolling, saliva snorting
From their mouths and nostrils,
Lather of sweat coating sleek bodies.
Looking more akin to fierce Dragons than Equines.

Their dusty riders looked like mounted warriors,
Escaped from out of a Hollywood movie,
Full bearded, hard men, with Scars on their faces,
Their serious dust laden red eyes burning like fire.
Jaws firm set, faces otherwise devoid of expression.
Dressed in traditional head to toe garb,
A style unchanged in hundreds of years,
Large curved Knives in wide leather belts,
Two, sporting hefty British holstered revolvers.
All four with long rifles in one hand,
Horse reins in the other.

Just like that, there we all were face to face,
I could not avoid their eyes, locking mine on
The bigger man near the center,
Hiding as best I could, my concern, no my fear,
With a neutral expression, neither smile nor sneer,
That might give me away. Yet the hair on the back
Of my neck did tingle, throat too dry and constricted
To speak should it even be required.  

The bigger man into whose eyes I stared,
As if I had issued some challenged invitation,
With but a single practiced move of his,
Right arm and hand,
(Horse reins held in the other),
Quickly shouldered his menacing weapon,
And sighted down its long barrel, right at my head.

Perhaps it was only a few seconds,
Yet it seemed an eternity,
That gun’s bore looked immense,
Like the gapping open mouth,
Of some great ballistic cannon.
For a moment I ceased breathing.
It felt as if my heart stopped beating.
I could not but sit there waiting,
There was no escaping.

That throw back to a fiftieth century man,
Held the power, of Life or sudden death,
In his hand, my life on the tip of his trigger finger,
He and I both instantly understood this.

It was clear in that one moment,
That to him, this was nothing new,
Or even of the slightest importance.
A thing to which he was plainly indifferent.

Down that bore, was a place in which lurked,
A lethal bullet with my name written upon it,
I felt trapped, like screaming, but remained silent,
Eyes open, and then why I will never know,
Still looking at him I narrowed my eyes and smiled.

As perhaps a reply on the man’s harsh face,
There appeared an ever so slightest grin.
Then he hefted his weapon back down under,
His arm and silently smiled and laughed,
In my direction.

I could not help but notice that one of his
Upper front teeth was of bright gold, while the
One next to the gold, was completely missing.

He nodded just once his head, to me a message,
All said with no words actually spoken,
“Today traveler,
I could have killed you,
Taken your woman.
Out here no one would know,
No one would have cared,
Not even the truck driver.
You are in my homeland,
I control it and you,
Today I choose not to **** you,
Tomorrow I might feel different.”

Then he and his unsmiling companions,
****** their straining unyielding horses,
to their left, galloping away in an obscuring
cloud, of yellow and reddish dust billowing.

While adrenaline turned my arms and
Legs to jelly, and shortly thereafter,
My stomach to sudden fits of
Wrenching regurgitation.

When in a few years I first heard,
That the Russians had invaded
That harsh unforgiving land,
I told a friend,
“Those fool Russians,
Have grabbed a fearsome,
Tiger by the tail, and that beast
Might just devourer them,
And not the other way around.”
It came to pass, I was not far off,
In my knowledgeable easy prediction.

The lesson I learned that day?
No matter who you think you are,
Or where you might come from,
What Nations impressive seal,
That your Passport reveals,
When you travel far and wide,
Trespass in another man’s back yard,
You best beware, of all the possibilities.

Upon our return trip the next day,
We took a bus of public conveyance,
Imagining perhaps there would be,
More safety in a convergence of numbers.

Footnote:

Over the centuries many invaders
Have attempted to subdue the wild
Land of the Afghans’ and nearly all failed.
A land and a people offering absolutely,
No forgiveness, not even to themselves.

Rudyard Kipling wrote of the British Empires brief
Excursions into that land, offering some sage advice;
“When you’re wounded and left on the Afghanistan’s
Plains, and the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains and go to
Your God like a soldier.”

All present and would be conquers take note,
This remains Wise advice.  No one truly conquers there,
They just visit and bleed and then eventually go away,
Tails tucked between their knees. If indeed they still
Have one.
I have not collected many regrets, however as too that
Day in 1974, on the back of that battered old truck on
The plains of Afghanistan, I have one.
Minutes before those four threatening Horsemen
Appeared, I had capped and return my Nikon F camera
to its dust and water proof cover, when the incident
occurred, that bag and my camera were at the time,
snugly strapped to my back.
mannley collins Aug 2014
Bodies have limited shelf life.
they are not entities in their own right.
They are like a suit of clothes,
put them on--wear them for a while,
take them off--throw them away.
They are used as a vehicle for the Isness
but they are not the Isness.
The Individual Isness is a small but equal,independent,individual,nameless,
formless,genderless and non physical being formed from the Isness of the Universe.
You are the Isness.
Bodies are conscious but do not have consciousness.
Only the Isness has consciousness.
You are the Isness--and are unable to be your true nature,
because you have given control over your brain centres to the Mind
and you are defining yourself by identifying with the Mind created Conditioned Identity as yourself.
the body is a fusion of two seeds at conception- brought into seedling state in the womb.
The seedling is brought to become the mighty tree of ****** existence in the mulch of a life lived,
watered and fed according to taste or custom or commonsense
or so-called expert advice.
Like the flower and the fruit on the tree-- all bodies grow from seed--live a period of time-- wither and die.
Bodies exist as the human vehicle for all Isnesses,female or male equally,of any of the five skin colours,to travel through each lifetime
until the individual Isness they carry fulfills Isness realisation,
until the Mind dies,until the Conditioned Identity dies.
If you miss realising your true nature as the individual Isness  in this life
then  you MUST come back and try again--whoever you are.
There are NO exceptions to this rule--.
birth  life death rebirth--the system is paramount.
The Wheel is ever turning.
Until the next time around.
Bodies come and go--bodies come and go
karma chamelions as George says.
Until Isness realisation is achieved the process of
birth-life-death-rebirth goes on its merry way--lifetime after lifetime after lifetime ad infinitum.
The wheel turns and the empty bodies burn on
the funeral pyres  of a thousand Varanasis worldwide.
Sleek shining dogs seizing scraps of cooked meat,
crunching on a tasty thigh bone,
Doms laugh at their insouciance and daring.
Existence provides every possible bit of information you could need for reaching the state of existential realisation of your nature as an Isness.
Existence also provides every possible distraction you need
for avoiding reaching the state of existential realisation of your true nature as Isness.
You the Isness have to choose.
Between either self realisation or eternal mind games.
The Isness is a small but equal individual,independent,nameless,
formless,genderless and non physical Isness made from a small portion of the Isness of the Universe--incarnated lifetime after lifetime in order to realise,existentially,your nature as the  Isness--or NOT, as your choice may be.
And it is your choice.
Isness are the small portions of the Isness of the Universe-- integrating, atom for atom, into the shape of physical bodies,
like fingers in a glove or a favourite winter topcoat.
We become the Isness of the Universe,written small,  incarnated in a human body if only we can let go of the falseness of
Minds and Conditioned Identities.
If not we stay as confused humans--la luta continuata.
You,the confused Isness, are the one who exercises the choice.
Isness or Conditioned Identity?.
You cant be both--no way.
To be or not to be?.
These are the eternal questions.
What  am I?.
Why am I here?.
The answer lies inside--in existential beingness.
It is the easiest "hard" work youll ever encounter.
No one can do the work involved for you.
No one can give you a free pass.
No one can "grace" you,the Isness,into realisation of your nature..
No one can forgive you anything--except you.
No one can wipe out your accumulated Karma--good or bad--except you by living a life generatin neutral Karma.
No becoming a "budda".
No becoming an "enlightened one".
No becoming a"christ"
No becoming a priest.
No becoming a prophet.
No becoming a pope.
No becoming a lama.
No becoming a rabbi.
No becoming a"sheik"
No becoming a prosletyser of any "religion" or "god" or "goddess".
No expert.
No becoming a child of god.
No monarch.
No dictator--elected or otherwise.
No military leader.
No "mystic".
No "son or daughter of god".
No "wise one"
Nobody!!!
No one  but you,the Individual Isness can dissolve Mind and Conditioned Identity.
Only you--and you alone-the confused Isness incarnated in  the Mind and Conditioned Identity  controlled body you pass through life in--can create neutral Karma.
The internal struggle goes on until it ends.
Only you,the confused Isness,can let go of identifying with the
Conditioned Identity as the "real"self.
Grasping at the conditioned belief you are the Mind and Conditioned Identity guarantees you will not reach Isness realisation.
Letting go of the conditioned belief that you are Mind and Conditioned Identity guarantees you will realise your true nature as an Isness.
Deconditioning through reconditioning
Does the rain fall upwards?.
Does violence bring peace?.
Does the sky exist?
Does anyone "save" anyone else?.
Does it all matter you may ask?.
After all existence is totally indifferent whether
you or anyone realises their true nature as Isness or not.
Until you do realise your nature as an individual Isness--
that's when the real fun begins!!.
There are NO "gods" or "goddesses" to gift you with this state.
Never have been any "gods" or "goddesses".
Never will be any "gods" or "goddesses.
There is only the Isness of the Universe"behind it all".
Not the intellectual "creation" of "poets"--with all their middle class narcissism--and piteous weak  Conditional Love.
Trying to appear as a "deep sensitive poet"
when all that they can do is scribble strings of
meaningless associated fine sounding words.
No life .
No passion.
No truthfulness.
Just deadness and truth.
Spoken from inexperience.
Meanwhile the Isness of the Universe sleeps and snores
while the world bursts into flames around us.
And we are culpable in choosing to stay ignorant.

www.thefournobletruthsrevised.co.uk
"Beep-beep.
BANKERS TRUST AUTOMOBILE LOAN
You'll find a banker at Bankers Trust"
Advertisement in N.Y. Times

When comes my second childhood,
As to all men it must,
I want to be a banker
Like the banker at Bankers Trust.
I wouldn't ask to be president
Or even assistant veep,
I'd only ask for a kiddie car
And permission to go beep-beep.

The banker at Chase Manhattan,
He bids a polite Good-day;
The banker at Immigrant Savings
Cries Scusi! and Olé!
But I'd be a sleek Ferrari
Or perhaps a joggly jeep,
And scooting around at Bankers Trust,
Beep-beep, I'd go, beep-beep.

The trolley car used to say clang-clang
And the choo-choo said toot-toot,
But the beep of the banker at Bankers Trust
Is every bit as cute.
Miaow, says the cuddly kitten,
Baa, says the woolly sheep,
Oink, says the piggy-wiggy,
And the banker says beep-beep.

So I want to play at Bankers Trust
Like a hippety-hoppety bunny,
And best of all, oh best of all,
With really truly money.
Now grown-ups dear, it's nightie-night
Until my dream comes true,
And I bid you a happy boop-a-doop
And a big beep-beep adieu.
stopdoopy Aug 2018
I wish to gaze upon thee, look at the expanse of virtue.

You truly are a rival for Aphrodite.

An ethereal being.

I am but a priestess, at your alter, worshipping.

If I could meet those eyes, ghost fingers over satin skin, card through sleek locks, then surely I'd be blessed.

For you I'd do as Orpheus for Eurydice, without looking back.

To love a goddess such as yourself is eternal.
I really wanted to write about Hatshepsut and her lover instead but either I found the wrong woman pharaoh or I dreamt the whole thing I've read about her lover before so... couldn't do that. What I remember reading was that her successor started destroying things she's built and having her name erased off of things which is essential for the afterlife, so her lover broke into her tomb to write her name, thus ruining his own chance at an afterlife because desecrating a resting place was a huge no-no. So yeah Idk where I read that or if I did but that's the idea.

So I had to settle on a couple who's names I could remember/actually look up their story and here it is.


Just a heads up because it pertains to a poem coming up, I wrote this months ago.
a m a n d a May 2013
[ode to my vehicle]*

always mindful
  
not to love things or stuff


living so that it 
  
could all burn

and it would be nothing
  
but an inconvenience

always mindful
   to love the people
because for these
there are no replacements



three objects 
  
have escaped my plan

maneuvered 
  
through my designs
and i fell in love with 3 things:



1. *old white macbook
*  
my beautiful
      
smart
        
well-designed
  
whirring piece of brilliant technology

you are already gone.



2. *wedding rings

  (irrelevant)

 i used to believe the
   joke of the symbolism
i fell prey to the beauty of
    well designed twisted metal
and stone.
no more.



3. asian machine love
*
    (a.k.a. mitsubishi outlander sport)  

i am having a hard time

having to let you go
  
my beautiful, black mitsubishi.



i chose you.


i researched for weeks
  
analyzing data

comparing machines
  
prices

trying to be reasonable


and out of all the machines,

i. chose. you.



you are the perfect shape
  
of all vehicle shapes, mitsubishi

you fulfill my obsession with
  
design

     lines
  
c o l o r 
      
efficiency

speed

    and b  o  o  m  i  n  g SOUND



you are the perfect balance of safety
  
including 4WD

and fuel efficiency

your headlights are so bright
  
and your high beams

so magnificent
  it's almost embarrassing


mitsubishi, you little snake...
  you have a manual mode

so i can choose to be a race car driver
  whenever i want


mitsubishi outlander sport, i love you so

*

let's talk about your face
  
(you have a pig-face like me
)
your nose is abrupt
  
it's blunt and it's different

and i love it


you know i hate the cold and the snow
   so you heat my seats
you warn me about ice
  you wipe away the rain

  without me having to ask

you cast light into the dark

  all on your own

gps

  usb

subwoofer

  rockford fosgate

bluetooth


mitsubishi,
you shake the earth

 blasting music 
through my dna

  so that i am made
of vibrations
and air

  invisible to the naked eye

or playing my science fiction audiobooks

  at a reasonable

and responsible volume



mitsubishi, 
you respond to me
with such grace

showing me impossibilities

with a rearview camera

saying, "hello!" in the morning

and, "see ya!" when i leave

(and i believe you mean it)



the deer was not your fault.

or mine, or the deer's.
  
we were all doing what we do,

and to be quite honest,

  the deer got the **** end of the stick, mitsubishi.

the kids like
  to go in
"mandy's car"
    they like to
look through the moonroof
  and i know they are safe
 .  
you are my one machine love
  
with power

combustion
  
     and pistons

you are electric
  
  intelligent

and you boom
 
  sleek

comfortable
  
          well designed



i don't want to see you burn.

it would be more than an inconvenience.
but you will burn. he will burn you.
it won't be me, mitsubishi.

he will take you.
he will smile when he takes you.
he likes to take what i love.
he likes to hurt people
who have never hurt him -
not once in their lives.

he is coming for you,
and i will never forgive him.
Arfah Afaqi Zia Aug 2015
A few years back,
I used to look like a hag,

Dark circles,
Plain cheeks,

Messy long hair,
No sleek,

Shaggy clothes,
All creased,

Now, penciled eyes,
Powdered face ( not literally ),

Short hair,
Neat ponytail ( I'm almost there ),

Branded clothes,
Gucci, Dior, Chanel and many more,

Red lips,
Ready to glaze,

Trendy clothes in my closet,
Still yearning for more,

Shoes of all kinds,
Heels, sneakers and boots,

How time passes,
Transforming into puberty.
Irate Watcher Oct 2014
Words tattooed her thighs.
Chocolate hair fell in her eyes.
Muscle queen stomped
gymnastick,
round silver poles.
She was no stripper,
but an athlete
for tips
and hand shakes
and bills in her
cracking her face,
her face must be
cracking
to
***-grabbing lions,
prowling LA's
city sierra bored.
I couldn't imagine
Queen Courtney crying.
But upside down,
floating disco lights
exposed pursed face shows.
She girated
***-lined hips
for tips, not ego.
Splits and tricks
choking chuckling girls
saluting her routine,
tossing one's,
wishing they were ten 0's.

She looked magnificant.
I asked her if she was a gymnast.
She said something like that,
eyes fixed on the sleek floor,
strong arms chilled by the cold —
men with thick wallets and no home.
So I gave her my coat.
Inspired by an exotic dancer I met last night who shared my name.  All one needs to do to humanize someone is to identity with a sliver of what they might be going through.
D Conors May 2010
“The rest is silence.”"-A. Crowley

I

I will know you only because
you are known to me deep down
beneath the subtle shadows carved
permanently upon your deceivingly
angelic face
sculpted by an artist
nameless to none but the heavy slab of stone
he used to create an ache
I’ve come to want to know as you
whose soft and silent rolling voice
where from there springs the torrents
of a turmoil melting like wax
in the mixed up chasm
of your mind
the destroyer of your smile
the reminder of bad times
that causes me to know you and from where you come
riding in bare-back
jet-black hair flying on
the hated molten roaring
riveted steel furnace
of inner anguish
again
and again
you beautiful deadly diamond black jewelry rose
of unworldly charm and perfected pain.

II

This is how I know you
in the steamy swelter of the nightfall’s
stifling bluish pall
you and I alone somewhere
anywhere
but probably nowhere
between the silken smooth heavenly legs of
here and there inside
the broken smoked crystal chandelier
of an ancient chamber room illuminated by
the flicker of more than fifty slowly disappearing
jutting candle-flames
I know you
because you make yourself known
to me
on the black-satin wrinkled bed-sheets that
we lie
writhing around upon like two
dying dancing angels
being swallowed by the suffocating oil
of a shame we bother created
just like gods
or dancing dancers dancing slowly
dying
in the pallid ***** fuming fog
…dancing with the gods.


you are as I know you
silhouetted in the silence of our
ecstatic shattered sighs
as we fly through lust’s futile passions where
we lie, we lie
we lie…


III

You are crawling across
the one-thousand mile mattress
stalking towards me
starvation’s fire fuels
your steely-sharp brown eyes
leopard-like your lithe,
tiny olive-brown body poised
ready to pounce
ready to strike
arrayed in skin-tight crimson lace
deadliness flashing on your face
your ******* dark and pointy ******* feel
fit for me to fed the song—
I smile—
then with healthy, stealthy fury
you leap
and pin me down
trapping
me between these shiny sheets of coal
and your sweeping feline glowing
perfumed-prison hair
polished glossy ruby fingernails
dig deep
into my massive arms
ivory razor-baring teeth
bite my hips
my neck
my chest
my thighs
you stop just in time
to devour me
delightfully
rocking, reeling in the sounds of us around
the intoxicating scent of your
flaming fountain-***
colognes my livid throbbing burning *****
I yell
I try to scream
I want to cry
…but instead, drift off to dream.

IV

You lie awake
aiting watching and waiting allowing
your imagination and your hands
on a journey to your ever-lingering
flaming fury far beyond the heights of hunger’s call
just as we have done no doubt
without each other
for a long time
in the cold
in and out
up and down
back and forth
body arches
thighs uptight
muscular calves quivering
toenails clenching like an eagle’s talons
on the bed
--lift high your sweet holy offering to the air!

Hands wet and warm fly from the glistening
magic perfect patch of forever music
that makes me want to weep
you scream
I awake
we breathe deep
we go back.
Repeat the scene.

V

Pre-dawn purple painted brush-strokes streak the sky
framed by the window where I know I will find you
in nothing more than a gown of sleek vermillion
light-chamois
that displays the room glow striking at your body’s faint
outline
your slender legs
your precious girlish hips
that golden chain around your waist
Divine
your blushing tearless chiseled cheeks
I arise
and walk behind you
run my trembling fingers up your spine
I still don’t really know you as your sighs compete with
mine
you reach around and lead me away
behind a peeling splintered door
warped and withered with
dismay
where you will teach me how to paint
by spilling your blood in
splatters
upon the floor
in said consequence I
calmly take the blade from
your tiny talking hands
pull your slashed and sliced torn wrists
to my tongue
and slowly lick
with a lingering criminal kiss
the dripping cuts that begin to fade
and go away forever in the day
now that the wounds have disappeared
becoming scarless
bloodless
sere
I can but heal your beaten lost youthful body
although I cannot convince you that
I care.
Daylight here.

VI

I know now that I know now
that I know you
and in the ****
with suntanned bodies wind kiss-hissing
through our hair
we walk side by side
on the blistering shoreline sand
avoiding bits of broken glass bottles
one by one
if we can
slowly strolling to the edge of the
abysmal eternal
emerald omniscient ocean-waves
breaking
ttundering
blanketing our feet
spraying its mist upon
our hands
I stop
you sprint
on diving headlong at the deep
the foamy water roars
and roars
you emerge and approach the shore
standing straight along
beside me
to stare
at a pair of grayish seagulls circling
in the air
squawking songs about themselves
when before the breathing of a minute
one
bird drops dying dead to feed
the never-ending belly
of the sea
the other screeches viciously
mourning
you look
at me
and then I come to know now how to know you
now that you have at last known me
as your part your pink and precious lips
for the first time
we will ever kiss
as you finally cry for
our
reality.

That is not sand left clinging to your cheeks
Just the salty tears we need
To set us free.


Now you can bury you and me.


(Threnody means “funeral chant.”)
D. Conors
c. November 1994
All original documentation has been preserved.
In her radiance
I
Lost my vibrant
And
Breathtaking the harbor nights
With
Sleek silky red dress
And
Quibble over the sacrilege
Of
Pin sized consciousness
Then
Sealed with a kiss
To
Perpetuate the captivation
Without
Feeling poignant
So
Once fold the old fiasco
Now
All the harbor air
Smells
So right.
#nowplaying Spyro Gyra, Harbor Nights.
Tom McCubbin Apr 2015
Tall round beams standing
in salty water, connecting
fishermen and star-fish gazers
with a moon-shaped bay
on the eastern Pacific.

They stand on land and step into sea,
as rolling barrels from Arctic grounds
tickle their lower legs.
A centipede of wood, this
outward- jutting wharf.

The fishermen sink expectant hooks;
the surfers haul shiny glass
banana-shaped boards of foam;
the weekenders come posing
baby strollers for picture shooting.

Each passing wall of blue
energy slows at reach of
shallow sand, deciding
whether to keep rolling or
transform into a steep stack

of snapping water. On big days
the sea legs shake all the
fishermen. They lock away
their sacrificial bait in rusty boxes
and collapse their fibered rods.

On calm days I step out to a
wooden bench and hang my
face between the rails. Running
people pass below, between the
knotted hips and creosoted thighs.

August buries this preserve
in such drizzle. Gulls go bundling
inside their sleek robes
of white feather, leaning
windward on worn bent knees.
(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!
Nature, nature, dear sleek, bland nature;
Thou art the very love I seek,
The very art when my soil's weak,
The lifeless grass that clearly speaks,

Nature, nature, my feverish, sweet bland pasture;
Look at but the greasy grass around thee,
And take a glimpse of the soul in me,
Console my tears through my poetry,

Nature, nature, the witness of joys and sorrows;
With thou gone, life matters no more,
All shalt be dead like ever before,
Dead before the sight of lonely hours,

Nature, nature, my sweet grand nature;
This idyll, like my undying past love,
More promising than the Unseen above,
A love and a hate, a tear and a smile,
Whose charms made me giggle for a while,

Nature, nature, canst but thou see the poet in me;
Buried deep down in my febrile sanctuary;
A silent place my love shan't ever know;
A delight only to me, and my wordless tomorrow.

Nature, nature, I am dying in my delirium;
Looks like I'm daydreaming again,
That the whole world is but a small poem,
That looms and grows over today's rain.

Nature, nature, but that's the daydreams of a poet;
That the world's skin is covered in soot,
And so is its arrogant roots,
That once severed and soaked my foot.

And so I hate it with all might;
Long for it to fly off my sight;
During the tremblings of the nights;
And the fury of our tight winds.

Oh nature, once my sweet old friend;
I hath lost my conscience again,
And thou, once handed to me a blanket,
Ah, that doth thou remembereth?

Nature, nature, my darling old candle;
Who awoke me with handfuls of sweet kisses;
But hath now died and is not smiling again;
A rival that was ostentatiously a friend.

Nature, nature, my ceremonious old light;
Thou shalt steal me at the end of the night;
There is a shade behind the fruits of yon twilight;
Thou shalt hide there, and astound me with fright.

Nature, nature, words and blandishments down the line;
This diabolical and conscious soul of mine,
I hath been lifted into a turbulent state,
Where all is unfair and against such fate.

Nature, nature, beyond thee I cannot see;
Beyond whose all seems brown and futile;
Despite their tremendous originality;
All is bland to such physical rigidity;

Nature, nature, ah, why all tranquil hath gone;
I travel in agony by myself alone,
I, a poet, in whose heart are scars,
From parting with my love's nuptial stars,

And on whose departure, nothing was to stay genial;
At whose goodbyes I couldst not stand cordial;
Him, whose laughter had been kind pleasantry,
And poetry, whom I'd wanted to wander here with me.

Nature, nature, in t'is whose bloodied sight I set off alone;
By my ears playing a deformed old song;
Into the world my poet's soul shan't ever be married;
To whose souls I'm just a myth, a wicked soul intoxicated;

Nature, nature, to whom I am just a pile of debris;
That be torn by one easy leap,
A breathless snap and clouded mutiny,
And none be left, of me and my poor poems.

Nature, nature, beyond these waning northern gales;
Still there is no more than the pale,
Perhaps our past is like those of untold tales,
Like that of Wayne, a dear from cold Wales.

Nature, nature, but I shall be back;
A ship journey's awaiting me by the red sack,
And I shan't be prone to their hatred,
I shan't be deterred, nor get hurt,

Nature, nature, these storms grow insolent outside;
Mocking my indolent soul and black hair;
Streaming down my warm yellow skin;
Surging up my generous pink spleen;

Nature, nature, and the suns shield me no more;
'Tis the cold and white that matter,
Not even an umbrella for my frost,
All of us here are shattered and lost,

Nature, nature, I am roaming like a foul ghost;
With all the dirt of humanity on my face,
And all their sins I hath vastly borne,
But they are gone, and I screech in cold, alone,

Ah, nature, and now that thou hath deleted me too;
Like a pianist rejected by his own songs,
Which he hath, and hath been doing for long,
With a violin that knows not what true fame looks like;

Nature, nature, it loves only those insincere;
Who are too hard and dark on their own hearts;
With congested hate loathed by calm scripture;
A music that they shan't notably dance.

Nature, nature, and listen to once more;
All is dark and I hath only thee have left,
I am suffered by t'is sleepless haze,
Entranced only by whose sightless grace,

But ah, if thou hath disgraced me too;
If to thee that no inspiration a poet canst give,
I may divorce thee and soon shall leave;
I shalt again embrace my long-lost oppositions;

For I shalt be hurt should thou disgrace me too;
Like a long corpse plainly dismembered,
Like a painting whose colours hath waned,
Like a spirit that hath fainted;

Like a touch of grey, bitter oblivion;
Like an angry pompous heart and vision;
Like a severely wounded wisdom;
Like a battered rainbow in its gloom;

And after dusk I shalt emerge again;
With a vain anger, as cruel as crystals;
Being reborn as an immortal star;
I shalt tear thee and thy hearts apart;

Ah, nature, and with the whole world too fishy and foul;
Where but I seek to find the poet of my soul,
And as all embrace turns to grow cold,
Whilst dawn is the hate of my enemy,

Nature, nature, and with a plain laughter so clear,
Still they speak of me with hate;
Like thou wert once unjust to me,
Unlike the very God I could see,

Nature, nature, once my friend nature;
Thou too loathe me for evermore,
For I must go, and calm my self alone,
Treat my ill by the summer's murdered song.
John Reilly Aug 2016
I watch the surfers
Sleek black forms
Bobbing up and down
Odd cormorants
Flocking here
Waiting
A New England rarity
Good surf
On a bright summer day
How long
have they waited
A life of
Vigilance
And anticipation
I wonder
Why they pass
On wave after wave
Opportunities lost
Having waited so long
From my view
Up on high
Their mistakes are
Laid bare
Future and past
A Rolling set
They wait
Adrift
ocean of time
Until the right wave
Comes
And carries them
Into the present
D Conors Jul 2010
i can no longer understand how now,
this sleeplessness at night,
when the world is waking in other places
so far away from me,
to the ethereal powders of the breeze,
that paints the morning with its poetry,
as the phantom of the love i love,
causes me to awaken with a cry.

It's going to rain, rain, it's going to rain,
those sleek-silver drops will take me back again,
to those cobbled, winding streets,
the raucous, song-filled pubs,
and the green, the green, the red-brick,
granite and oh! the green,
the steaming Earl Grey tea,
of which i love with a yearning need,
waiting, waiting for me,
on that precious island on the sea.
D. Conors
c. June 1992
In this Monody the author bewails a learned Friend, unfortunately
drowned  in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.


Yet once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
         Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
         For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven’s descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
         But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o’ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd’s ear.
         Where were ye, Nymphs, when the remorseless deep
Closed o’er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
         Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd’s trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera’s hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,”
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed.”
         O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune’s plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
         Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft,” quoth he, Rmy dearest pledge?”
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:—
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies’ sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers’ feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman’s art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more.”
         Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf **** the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the ***** freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where’er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit’st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep’st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona’s hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
         Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
         Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
Mara W Kayh Nov 2015
You were Blue-eyed,
wild
A fierce and cautious beauty.
gentle spirit

Did you know how I loved you,
And how, while the rest of the world mourned for Paris,
I cried the saltiest tears
For you
that rainy fall night
when I heard you  
Didn't come home,
One of your pups at your side.

You were not mine
But you haunt me
The same

Were you protecting your pup from
The cougar's watchful prey?
Was it your fate to be struck twice
By the feared and sleek predator

You survived the first time
and made the  news ..
Your owner saving you
With all his heart.

Your wide eyed glance
CapturEd my heart
Like a love laced arrow
The first time we saw each other

I will not lose sight of you yet,
Nor give up hope  
that You will return to your home,
to your pups.
and to the big, gallant
Baretoes
Who fathered them..

I pray for that news,
Bella the beautiful husky.
I will not forget you.
Your blue eyes will mesmerize me
in dreams
till we meet again
I can't stop,crying for a dog that wasn't mine... But she influenced a very big decision in my life. To help save the house of her owner...which was being foreclosed on, my partner and I went all out and paid the mortgage company what was owed. Truly, the decision was  based on sympathy for our neighbor and for  Bella who was pregnant at the time. I wondered what would become of her if she lost her home.
She survived one cougar attack a few years ago... And made the news. But she may not have escaped this time..she left the property with one of her 5 pups and hasn't made it back.. I'm heartbroken.
Ileana Amara May 2020
my nails dug through my skin,
clutching humanity,
saving myself from scarcity,
the deeper, the better and I started bleeding.

put on a sleek black dress,
in romanticized grief, I don't long to impress,
black is death, black is elegance,
I long to feel solace and trance.

might I be visiting a dead loved one,
yet my own name was etched on the tombstone,
my soul weeps for what a river nor ocean
of human tears could have poured out and done.

IA
How beastly the bourgeois is
especially the male of the species--

Presentable, eminently presentable--
shall I make you a present of him?

Isn't he handsome?  Isn't he healthy?  Isn't he a fine specimen?
Doesn't he look the fresh clean Englishman, outside?
Isn't it God's own image? tramping his thirty miles a day
after partridges, or a little rubber ball?
wouldn't you like to be like that, well off, and quite the
   thing

Oh, but wait!
Let him meet a new emotion, let him be faced with another
   man's need,
let him come home to a bit of moral difficulty, let life
  face him with a new demand on his understanding
and then watch him go soggy, like a wet meringue.
Watch him turn into a mess, either a fool or a bully.
Just watch the display of him, confronted with a new
   demand on his intelligence,
a new life-demand.

How beastly the bourgeois is
especially the male of the species--

Nicely groomed, like a mushroom
standing there so sleek and ***** and eyeable--
and like a fungus, living on the remains of a bygone life
******* his life out of the dead leaves of greater life
   than his own.

And even so, he's stale, he's been there too long.
Touch him, and you'll find he's all gone inside
just like an old mushroom, all wormy inside, and hollow
under a smooth skin and an upright appearance.

Full of seething, wormy, hollow feelings
rather nasty--
How beastly the bourgeois is!

Standing in their thousands, these appearances, in damp
   England
what a pity they can't all be kicked over
like sickening toadstools, and left to melt back, swiftly
into the soil of England.
SøułSurvivør Jun 2015
~~~^¡^~~~


she comes for water
from the wild
dove of desert
nature's child

she of sweetness
plumage neat
buff and ecru
to my feet

she is pure
sleek of line
her's perfection
in design

she's so close
I see her eyes
she's not afraid
of my great size

curious
she looks at me
a wild thing
completely free

what have her
ancients
done and seen?
Manchu Pichu
Inca kings?

missionaries
born in Spain
conquistadors
who've
come for gain

****** men
so brutal, bold
slaughter natives
for their gold

****** in "marriage"
Aztec queens
so now their
bloodlines
are rarely seen

i think on this
Oh! Poorest love!
so much like them
my

Inca dove


soulsurvivor
(C) 6/14/2015
I was so touched by
this beautiful creature

she was shy at first
then came right to my feet

We leave water out for the
desert animals
and she is familiar with me now
so she gets really close

Much as the trusting natives
of these continents
came to the Spanish
They were slaughtered.
And could not even keep their own
bloodlines.

Fortunately for the little dove
I am gentle
But this is a lesson
BE CAREFUL WHO YOU TRUST

~~~^¡^~~~
Mayon Volcano of our Nation's Pride
Sleek be your Shape on our Motherland's Back
Surrounding Spices, your Flaming Rage hide
Which Form to take our Economy lack
So you decide to Chill; And leave a Bruise
That from Bathala's Favour reaped your Skin
And Kiss the Nimbus pour her Tears a-new
Whose Lost Love's Folly besought from Within
Then why Cagsawa, her Arm does extend
Ringing her Bell despite the Missing Pall
Meant her Heart Forever; Love without End
Her Chorus buried as if there at all.
She bids her Wave, as Albayenos notice
That Spark from your Mouth; Kindle her Precipice.
Daniel Magner Nov 2012
She is sleek , a little battered
scar across her back
but in her silver dress
whoa, never had a girl like that
long legs propel her fast
in any direction I turn her head
She lets me press her buttons
she lets me turn her on
just one flick and she'll be roaring
or one twist and she sits
motionless

When she breaks down
I pick her up, fix her up
god bless
She's hot in summer
frigid in winter and
always in that dress
She soothes me when I'm stressed
blares out my worries when
I've got them on my chest

She yells out songs at
the top of her gravelly voice
or she whispers lullabies
it's my choice
loud, quite, she doesn't care
I could be rich, or broke
she'd still take me anywhere

I've cried in her arms
I've loved in her lap
I even let her wear
my favorite baseball cap
and see my feet
Once she kept me warm
during my sleep
watched my eyes shifting
underneath my lids
If she lasts long enough
someday she could hold my,
my kids
© Daniel Magner 2012
Audrey Lucille Aug 2014
Your
charming
looks
and sleek
personality
cursed my
conscious.
I was so overwhelmed you saw right through me where as I could merely only see the thin outline that contained what was inside of you.
But my outline
was
clear
which made it easier for you.
I could not see into your thoughts like you could mine, nor was your body language easy to read.
Weeks ahead of time I should have noticed what was wrong.
Meka Boyle Aug 2013
Is this what it means to be alive?
The heavy thud of strong ***** and cheap beer
Sounds slowly throughout my empty body.
5am sinks into 6 am
And I remember that I never made a wish
When I was blowing out my candles.
Warm suds mix with the remnants of my birthday cake,
As my trembling hands focus on the glass container
Beyond the slightly dull kitchen knife
That rests alone on the marble countertops,
Facing it's long sleek body towards my upright torso:
A modern take on spin the bottle.
No one cares, here.
Houses flood in and out with lonely crowds of
"Nice to meet you" and "I've missed you so much",
Until all you can hear is a constant drone of yesterday and tomorrow muddled together in a ***** sink.
Is this how it feels to grow older?
Each year seeps into the next, and sometimes I forget my name,
Lost in the American dream of party hats and pinatas.
There's nothing real here, anymore.
It was all left behind: all the cherry stained finger tips, macaroni noodle jewelry, piles of presents by the living room door:
There's no room for any of it, now.
The train rolls by like tiny knights clinking around in their brass armor,
Off to slay emerald dragons that only appear
Right before sunrise,
And evaporate before their presence can be uttered from the lips
Of anyone ****** up enough to see them.
Another year has snuck it's way into the room,
Gradually slinking over to the small leather couch,
Where I dutifully await its arrival.
Outside, the world grows restless;
Sleep walking, the city streets begin to dance and pulsate with empty ambition,
Jerking back and forth to the rhythm of the rusted train tracks
And nameless sounds of empty avenues and sidewalks.
Knees curled to my chest, I'm five years old again,
Listening to the tired clamor of white and grey birds and the smell of salt water.
Everything's easier when you only know enough to paint your world with the same colors
You found in library books and pamphlets from the aquarium.
Now, the acid in my stomach churns with yesterday's Taco Bell
And the distant squalor of seagulls falls flat against the ***** windows
Of my second story apartment:
Nothing grows here.
What's left of yesterday's light
That hung around until the morning,
Slowly spreads across the kitchen floor
Until it reaches the thick, shiny skin
Of our resident house plant,
Basking in its sorry habitat,
It's spindly arms reach out towards the window,
Only to be smushed back towards its fleshy body
By the paper thin mesh netting:
A testimony to the world around it.
I'm fourteen, again,
Fighting back tears in algebra class and planning my Friday night,
Because life turns the color of Nebraska mud
As soon as you dilute your reality with that of everyone else's.
Bang bang,
Sounds are only as poignant as our imagination;
Afraid of what we would hear,
We force the fairy tales that once flew freely throughout our worlds,
Into a tiny ten minute daydream,
Too brief to ever be accepted as anything more
Than a distant memory of a half there story
That served no purpose
Outside of entertainment.
We've replaced never land with shopping malls
And Main Street.
Throwing our arms up as we pivot down onto the paved floor-
Fairy dust can only hold so much before failing,
Leaving us to our own devices
And a slew of infomercials and prime time television series.
Being nineteen isn't that different from any other age.
The past continues to build up like caked mud
And dog **** on the bottom of peeling, white tennis shoes.
One, two, three,
Maybe growing up isn't so painful after all,
Until you look back and realize you accidentally
Left your entire life behind in the process,
Tucked away in a musty banana box
Between a broken pink dresser and old magazines
Somewhere in your mom's garage,
And the more you think about it,
Try to remember it in every subtle detail,
The more you gently try to force it out of the crevices of the past,
The more faded and distant it all becomes.
Age makes us clumsy, time makes indifferent,
And nostalgia will drive you mad.
The light in our eyes that was once illuminated by childhood ambition
Now shines from the reflection of a glossy
Photo album that lies face down
Amidst the remains of an instant milk childhood
And birthday wishes that gave us something to believe in.
Now our gods rest indifferent on the chapel floor,
Reaching out from under cedar pews
To grab the ankles of desperate sinners,
As they drift up the isle
To drown out their passion in holy water.
Nothing changes, here.
All around us, the same old song falls effortlessly from the end of every syllable we
Mindlessly spit out like watermelon seeds.
Generation to generation,
We preserve our day old revelations about what it means to feel,
In the hopes that we may fight off death
By forgetting that we were ever alive.
Sleek is a sparrow
Lithe and narrow
Beautiful in its own tiny way
Your legs are open vividly.
Your thighs still lie spread needing it.
You’re waiting for *******
With desperate anticipation
To anxiously end temptation
In warm blood, cold sweat, more sleek ***;
And bruises, scratches, rashes, lust.

My legs are standing parallel.
My feet flat grounded wanting it.
I’m waiting for that enchantment
With nothing but hopeful patience
To finally end loneliness
In warm sweat, cold tears, more sleek blood;
And bruises, slashes, deep wounds, love.
Kim Essary Aug 2018
The image of beauty is what our eyes see, however the arrainment of truth comes from within.
We can makeup our face and wear perfect attire,
At the end of the day it's a pure heart you desire.
The rose of so many colors  so beautiful to the eyes
As you reach down to touch  it,  beauty is it's disguise .
Covered down it's long sleek stem, sharp thorns await your touch.
Things and people of this world aren't always as they appear as you see the rose is to your touch.
As we read our children a fairytale , painting a picture as this,
Once upon a time, not long ago, was once or never to be.
Though we painted their eyes a picture of what we wanted them to see.
Our choice of reading how is it we make our choice, seemingly from the title , the cover of the book is most.
It's not until we go beyond what our eyes can see that we decide our interest in what we read. So you see , the rose of beautiful colors , the fairy tales of whats not will ever be , the book you judge by it's cover, until you look inside , beyond what your eyes can see, you never know the truth of the beauty from within .
©kimmied1105
Simple truth of the saying never judge a book by it's cover, the same message applies to everything
Jordan Hudson Mar 2019
As your buried in my head
All you've said, nothing is left
Distant and far, reserved as you are
I am shook to see your reaction to me
But please just leave me be
But please do it peacefully
I don't want a war with no treaty
Especially one with you and
We just can't
Got what it takes, but the stakes are high
And a lake is ignored by me
Your reaction is like a storm
As I get hit by more
A door leads out as I fall to the floor
In a store of wild boars as I am tore
And your roar is silent but my core is tore
As I soar through this open door
I will never forget this time
As I say I'm fine but my mind
Is pulsing in pain, my brain
Has a stain as you are the stain
My pain came from your fame
And your the same as the rest now
As I just wait for another guest now
Never good enough, rough stuff
I bluff as they love, I just
Go and seek another
Sleek and slow lover
Critique and no other
I just love her
This one of my new favorites
natalie Sep 2012
the thick september dusk is wrapped
in clouds of barbie pink, topped with a
royal crest of rich purple and swirls
of orange creamsicle, slowly fading
into a smoky gray slate.
the air is cooled, complemented by a
crisp breeze that loosens the dying leaves
from their precarious perches atop the
firm pennsylvania maples.
together, we walk through the thick of
the forest, guided only by the skeleton of
an old railroad track, bending and twisting.
our sense of adventure has led us away from
the tiny park, past the dilapidated basketball
courts, and onto the former highway of a
belching beast, forgotten and replaced by
its sleek and faster baby brother, SEPTA.
our rusty path is lined with dying weeds,
turned from ***** green to dull brown by
the creeping chill and the burning sun.

conversation passes between us, topics
that have since slipped my mind because
they are as unimportant as the napkins
we threw in the trash an hour beforehand.
at first, i am on autopilot; we discourse, but
my answers are not considered.
my eyes are glued upon the rise and fall
of my black sneakers, white laces turned
boring brown, and the dust they kick up
with each and every footstep.
moments pass as hours, when suddenly i am
compelled to stop.
when i first lift my eyeballs, the world
spins and bends and loses focus--
maybe those were not just mushrooms
on my pizza? but no, just an illusion.
when i regain my eyesight, i can view
a family of deer--the proud father on
guard and adorned with a crown of antlers,
a skittish mother watching with careful
observation, and three children, halfway
grown; when i realize how long i have
been staring and that you must be long
gone, i look up, but there you stand,
closely regarding the family as i was.
and when i follow your gaze, they
are gone, vanished.

without speaking, we both silently agree
that we must research the disappearing
deer, so we begin to climb downward.
the bank is steep, but lined with thick
branches, dying grips and stepping stones.
we make our way down and find
the river sprawling in front of us like
a lazy snake making its way home, to the
bright point slowly sinking into the horizon.
an impossibly big maple sits on the levee,
and giant roots make wonderful benches,
so we sit ourselves among the beautifully
colored ground of late fronds, and i light
a cigarette, my own slow death.
the delaware tributary gurgles around us,
and for those few minutes, we are totally
silent; i can taste the death in my mouth,
but i do not wash it away--i must remember.

after the moment has passed, we ascend the
***** and resume our trek along the pathway.
"what is that!?" you ask suddenly.
i follow your pointing finger and at first,
i only see the never-ending tail of power lines.
but i look further, and i see something odd--
a non-sequitor, a cluster of red in the trees.
"i can't tell," i reply. "it's too far."
"it's unnatural. we must investigate."
again, we let our feet carry us along, but
now we have a destination.
"i wonder what i could be," i say aloud.
"it must be a tic-tac," you answer.
my brow furrows and i question you with
amusement. "a tic-tac?"
"yes! doesn't it look like a tic-tac?"
i examine the clump, and see it is oblong.
"the shape is right," i say slowly. "maybe
it is a cinnamon tic-tac."
"exactly," you reply. "it is a giant red tic-
tac, just sitting here in the trees!"
"i wonder what it is waiting for?"
"another giant, a giant person," you
speculate. "yes," i continue, "it must
be waiting for somebody with a big enough
mouth to come along and slurp it up."
as our feet draw us closer, the clump gets larger
and larger, and its definition begins to wane.
"a giant tic-tac, right here under our noses,"
you say. "what are the odds?"

after what seems like an eternity, we are finally
close enough to examine it fully--surprise!
it is only a thicket turned red by its annual death.
1738

Softened by Time’s consummate plush,
How sleek the woe appears
That threatened childhood’s citadel
And undermined the years.

Bisected now, by bleaker griefs,
We envy the despair
That devastated childhood’s realm,
So easy to repair.
Kevin Rose May 2013
His feathers untouched like sleek skin
His wings just found the color blue
Any **** worth a while is forgiven
When Jay bird sings I hear the truth
On a branch outside my window
Perched on stem as if by glue
He doesn't waiver in the silence
While he sings to me the blues

Jay birds silhouette on the grey clouds
Is a hole through to the bright sky
The rhythm I hear is perfect
Almost as if he doesn't even try
Jay bird please stay
Though i know you must fly
Stay and sing me the blues
As only a blue Jay could
Shofi Ahmed Aug 2022
The wee hours late night
in a blink of an eye
blows her Niqab (veil) away.
Oh, that folds springs in style
in the chalice of rose flower
never gone with the rainbow
splash of the first light!

Stunned broad daylight
rather looses for words
punting in sleek brook of twilight
scurries back into the night.
Martyn Thompson Aug 2011
There is a wondrous feeling of completeness
When immersed in the act of …
Cleaning a flute
The soft light radiantly refracting from
The slightly concave…
Keys

The shimmering of the shiny sleek skin
A perfect nickel finish…
It’s sexiness salute
A strangely seductive serpent stealing
My willpower; I submit to you…
With ease

The perfection of this harmonious union
As my trembling hands caress…
Your heavenly body
Gently working away until my eyes are
Illuminated by your brilliance…
Your gleaming sheen

Intoxicated, mesmerised by your lustre
The warm ambience brings out…
Your luminous beauty
Ready now for my lips to blow a refrain
A sweet tune is primed…
The flute is now clean

Let the melody begin…
HB Feb 2011
Sliding fingers over alabaster shafts,
crevices and nooks catching at delving digits
as they seek between the ****** ***** of
remov-ed meat.

For before the bones the meat.
And before the meat the scalpel,
Running liquid through the tendrils
with its clever carv-ed lines in the
succulent,
decadent
dead.

The gore on the board.
Seen in rivulets of scarlet,
A tracery of cuts,
Multi-layered and exquisite.

I taste the smell of this corpulent finery.
Hands reaching into the layers,
slick with blood
pulling at the fat.
Sleek and deadly
I ply them, my tools.

For I am the butcher
And you will eat my meat.
Feast upon my carnage,
And leave me with the bones.

And leave me with the bones.
Kiernan Norman Apr 2015
I

Feel close or run
(our echoing is escape
not candlelight magic)

a renegade lulled them so deep
(touching sleek song,
foever in fear)

a blooming kiss, an endless beach
(imagine, suddenly)
the imperfect:
the feathering hope that sways and beats
in nervous possibility
(that illuminates everything that might)

II

You may resonate summer
strumming, wondering, yearning,
with gentle guilt beating open toward
uncertain, where strayed smoke appears engulfing
only them.

Her sleek, royal mine,
her sleek, raven mile

deny them your secret-
stay a hot, shut vine,
be a rolling wind;
uncharted,
without a dagger to breath through.

III

Rocking blue light
bared our language
raw
if screaming is showing
then these sweating seas
are rocking and pulsing
with nerves.

Your body is a flooding summer,
cold creek, navy blue kind of Royal.
Your journals are meaningless,
the alphabet has spoiled.
Confessions melt to wax in the heat
and you’re starting to confuse hope with home.

IV

Unwind,
entwined,
gladly waiting.

A dry, gilded sorrow sings to pierce again.
They hesitate; warm,
unfilled,
as silent-radiant boy lips
(who give us whiplash,
who deny our gaze)
empty, quickly collapse
into a slight withering, glow
and contemplate the fragments of us left.

V

Imagine a small, gold
moon lost within
the raging, rising winter

calling through the dark
for our touch

together our form trembles
in beat with the too-spun silver chain
swinging between your kiss
or me.


My catching heart
your rolling eyes
a false enemy with a veil
to rouse the rising world.

I wonder how desperate and passionate
spread through my newfound blaze
so hidden by certain eternity.

What I feel-
it’s
entirely breathtaking.
Meggn Alyssa Mar 2014
Sleek winding metal under my fingers
Squeaks at the tip of the frail hair
Subtle rattles of the pegs
Such a marvelous weapon I hold in my hands

Sweet cherry woods
Sings to me as I draw the bow like a
Sword
Swing, Pop, Rock, Classic
Such a marvelous weapon I hold in my hands

Stage lights make the details glitter
Sound resonates full and clear
Sharp and flat
Strong and proud
Such a marvelous weapon I hold in my hands

So I make this magic
Sad or joyous
Such a marvelous weapon I hold in my hands
Willard Wells Nov 2015
Beauty of Orchid
Beyond Compare

Petals Soft
And Color pure

Stems Sleek
And Leaves Soft

Beauty of Orchid
Beyond Compare
" My muse name meaning Chinese, Vietnamese From Chinese Viet "orchid” "
Mark Goodwin Feb 2012
I am The Shoes of Shoes,
which are Solomon’s. Let him polish
me with the oil from his brow, for his gloss
is better than sunshine.

Because of the fragrance of thy ointment buffed
upon me, thy name
is Scent Shine, therefore do the ****** shoes
love thy feet. Stretch me,
with your Shoe-Tree, and I will run
& rejoice with thy feet through
gardens & woods, and across mountains alike.

I am leather, but comely, O ye Daughters
of Shoeshopingham, as The Pile Beneath
the Prophesised Viaduct, and as in the abundant
bottom of The Wardrobe of Solomon.

Look not upon me, because I am leather,
but put me upon thy feet for I
am thy soles.

I am the Rose of Shoe, and the Lilly of The Laces.

As the strong shoes among thorns, so
is my love among The Shod.
As the tongue that tightens to the fruit of the foot, so is
my beloved among The Shod.
His left foot is in my left purse, and his right
foot is my right, tight.
The Polish of My Beloved, behold, cometh
glinting off llyns, he cometh leaping upon
the mountains, with both of me tight on his feet.

Looketh fourth through The Round Window
of Wisdom, through The Lattice see
him shoeing himself with my flesh.

Take us the socked foxes, the little foxes that chew & spoil,
for our shodding is tender.
My Loved Shod’s feet are mine and my leather is his.
Until the day break, and the unshod shadows flee, turn
my Loved Shod, and be thou like the shoe young on the mountains.

Behold, thou art fair, my shoes, behold thou art shoes as fast
as a flock of goats over the Mountain of Shoedon.
Thy laces are like soft strands of moss, which have been spun
& woven in the Workshops of Acorns by The Grubs of Oak.
Thy eyelets are like the sweet slots in which nestle
the seeds of the pomegranate.
Thy tongues are like scarlet leaves fallen from speaking
trees, and thy squeak as I walk in thee is comely.
Thy heal is like the shield that should’ve been
fashioned for Achilles.
Thy two toe caps are as sleek & pert as the twin otters
that fish among the lilies.
How beautiful are thee, shoes for feet, O Goddess’s daughters,
the joints of thy soft foot-slot smooth as the gleam
of jewels, the work of the hands of a cunning cobbler.

O Solomon set me twin shoes as seals
upon thy feet, for Love is as strong
as The Road to Dead we must follow. O
my Loved Shod! for every one
of thy steps you make

in me is my bliss.
from 'Shod', by Mark Goodwin, published by Nine Arches Press

digitally produced audio poem version: http://soundcloud.com/kramawoodgin/song-of-shoes

— The End —