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perfectly poised, i paint poignant statures
alive yet devoid, an entrancing actor
diamonds and daggers i dazzled through
a circus girl's cunning, but a heart beats true

pirouette, ball change, waltz and twirl
singsong silly circus girl
my heart is heavy but i cannot weep
my eyes are closed but i never sleep.
.
bc moon raven Oct 2018
Growling and hissing, a storm formed along the road, portending the merging of the chaos that had been gripping our minds for months.  This day, this type of day, we could have dreamed up in the novel of our love affair.  The conversation along our drive into the country was as full and ***** as all other tête-à-têtes shared in our two months together.  We were never at a loss for words and his conversation had been more educated than the older men I had dated since the divorce.  I was forever astonished at him and with him.  

The first time I met him, I was sitting behind my desk and planning for another monotonous day of office politics and all the drama connected.  Lost in thought, I sipped coffee and read emails until, there was - him.  He opened my office door with such fervor and drama, I knew someone had just entered into my life that would leave me forever changed, and I welcomed it.  A mess of auburn hair, neither combed nor styled and yet quite fitting, haloed around his head and gave the visage of an angel.  He had a freckled nose and cheeks with blue eyes staring from behind all that wildness and they were the only calming feature about him.  I turned my head and grimaced a bit, “how dare someone charge into my office as if to own it”.  “How can I help you?” made its way from my lips with a bit of a sigh.  And he smiled, that smile which would make his face even younger and more deceptively angelic.  

“Hello” danced off his lips and in two syllables was able to sound singsong and my anger soon turned to anticipation.  He introduced himself as Parker and explained his new position as Junior Editor.  He went on to say someone instructed him to introduce himself to me since I was Senior Project Manager for the organization.  His fervent entrance into my office had sent a gush of wind that disheveled my tidy desk and his wide blue eyes looked around at the chaos he had rendered.  He seemed unable to offer apologies, and I soon learned this was his way.  His confident facade prevented admission of mistakes and the word “sorry” could not escape the tightness of his will to be correct.  This was my lover’s way and it was the structure built that only wrecking ***** could destroy.

As is expected of me, I extended my hand to welcome him, overmuch aware of my grip and strength in presenting my hand, I felt the need to dominate the grip.  I was a woman in a senior position inside the male dominated echelon of upper management.  I took his hand and with rehearsed quickness attempted to demonstrate my dominance, my superiority.   It was then, the first time I saw a devil behind his angelic face and I remember my expression churned up my secret thoughts.  He saw my eyes searching those thoughts and delight shone from his blue eyes like cold fire and I was burned.   Our hands soon contorted into a dance of dominance with fingers twisting as if in a finger shadow play.  No time for games or plays for control, I simply took the shake he offered and turned towards my coffee, my drama, my emails and without looking at him welcomed him again and gave a wave of dismissal.  He greeted my brush-off with a laugh and made his way to the chair in front of my desk.  He was tall and the light from behind silhouetted his broad shoulders and upright posture.  He was confident and sure.  His clothes were expensive, well-tailored and not at all the measure for his age.  He had a style about him and I believe it came as naturally to him as did the confidence in which he clothed himself.

I wanted to be angry at his overconfidence, his interruption, his disregard.  I was, instead, amused but annoyed.  He sensed he was beginning to irritate me and it seemed to delight him.  He would speak without taking a breath, eager to finish his thoughts, aware perhaps that time could steal the moment away and he would forever wonder.  He spoke with an accent I did not fully recognize and attempted to invite me to lunch or even coffee.  My lover was bold.  

I was succeeding in this corporate world, my world.  I was not ready to lose my focus for a moment alone with the delightful creature staring back at me, awaiting the “yes” he expected would be my answer.  He was a man who did not accept the “no’s”.    He would get what he wanted and would wait in predator mode until his prey was wounded, weak, ready.  He was not a predator in the malevolent sense, more in the need for survival mentality.  He would lift the wounded and weak above the limits of their afflictions and a “yes” would flow from their lips in fond gratitude.  Today I was not a “yes” and it did not feel like a final answer.  Somehow, I knew one day I would be naked with this man, my lover.  I knew I would take him inside me, and he would show me how to love in ways I had never known.  The “no’ and the explanations of the “no” exuded from my lips, and I could see him grow even more eager to know me.  He would learn the stories of my life from rumors and talk.  He would learn of my divorce, of the men I dated with expensive homes and cars.  He would hear about the occasional woman who would occupy my bed.   I had wished all of it to be true but only the divorce was correct.  I was not exceptional or exciting.  I was driven and focused.  

He stood there hearing my “no” with the sun behind him igniting the fire in his hair with his shoulders pinned back exposing his sculpted chest.  He stood there and allowed the silence after my rejection to hover the room, and there it was.  We locked eyes, and neither could emancipate from the other.  I wondered who he was and what he looked like naked in the morning with his disheveled hair, and we stared, locked in our gaze until my phone rang signaling the end of round one.  

Wrapped in my shawl, I moved between sipping coffee, as was my usual, and typing on my laptop.  He was behind me in the cabin.  I felt him approaching and knew he would quickly whisk me away from the overwhelming din of office emails and calls.  His presence behind me now was no longer disquieting but natural.  

The cabin had been his grandfathers and he had a noticeable pride about it when showing me through the door and gateway to his childhood memories.  He had a smile on his face I had never seen.  I delighted in how young it made his face appear, almost as if the childhood memories possessed him and he became the blithe youth here with his grandfather.  


It was fall at the cabin and the smell of musk and rotting leaves and ozone from the storm, filled the cabin and each deep breath was taking in a memory from my youth.   I was happy to be here with him and yet afraid.  Two months we flirted and touched over our shared lunches, eager to get inside each other physically, mentally.  The office was replete with stories of the happenings between the older woman executive and the younger up and coming man, how he must be using her to advance his career and how she was using him to heal the wounds of her recent divorce.  We heard these stories and watched them grow to the point we ended our touching, our flirting.  Soon the denial of our feelings and time apart turned to foreplay.  Soon there were stares across conference rooms, perceptive smiles as we crossed paths.  The total of it led us to this moment, to time alone together for the first time, this time.  

Fall in the country was the vangaurd to a glorious death.  The earth would explode with color announcing its final breath and moment upon the stage and we had arrived during the final bow and curtain call.  Trees draped in gold - and red - and orange heralded the fire to come and we too were ready to pour forth in glorious blaze and inferno.  During the entire ride into the country an ironical mist of dew and rain dotted the windshield as if nature attempted to douse the desires clawing to escape in each other’s arms.  There was a devil sitting next to me and I had to smile as his auburn hair blended so naturally with the landscape.  I was obviously lost in thought and he looked at me and asked if I was okay.  Him next to me, him crookedly smiling at me.  

“It’s nothing.  It’s just nice to see you in your element.”  My replay was short but my heart was beating so hard I was almost afraid he could see it bouncing behind my blouse, so I began to cover up but was met with his hand before I even reached the edge of my coat.  

“No.  I want to see you.”  His voice was soft but demanding and strong.  Often there were hints of a struggle for power between us.  His youth and position within the company prevented me from accepting his seriousness and his face would ***** into a grimace.  I never gave it much thought other than a bit of a nuisance.  His hand led mine to my lap, and I expected him to hold it, but he let go with a smile.  I enjoyed his show of power but refused to reveal a glint of it for fear I would lose the respect and control necessary over a subordinate.

Soon the cabin filled with the sounds of rain and thunder and as I stared out the window jealous of the drops of rain and their randomness, he touched my shoulder and looked down at me with his eyes bluer than wild lupine.  I smiled a painful smile and he knew I was overthinking the moment.  Taking my hand, he brought me to his chest and into his arms, arms that would embrace all of me and at times felt as if they could wrap around me twice.  I placed my head on his chest and began to reach for his belt.  The *** I had known was always routine.  This was expected, that was not allowed.  I fell into that routine naturally and was happy to oblige his needs in order to meet mine.  He kissed my forehead and still holding one hand, led me to the door of the cabin.  “What are we do…”  He stopped me with a single “shhh” from his lips.  I followed him and felt myself shiver.  I was not sure if I was shivering in fear or from the nip of fall air.  

“Don’t be afraid.  You have nothing to fear from me.  There’s no need to shiver my little poppet.”  He stepped back from me and stared as if I were a tiny bird in need of nestling back into its home.  “I’ve never seen you afraid.”  He touched my cheek and I felt so small and helpless, lost from home, and he was the only way back.  With a smile he took my hand and led me outside to the rain, lifting his face and savoring the drops bouncing off his cheeks.  

“W..w..what are you doing?”  I was trembling now and wondered if I had misjudged this man and he was in fact a lunatic ready to strangle me to my death.  My silk blouse, now drenched, clung to my ******* exposing an imprint of lace from my bra.  He reached for my shawl and pulled it off my shoulders.  He was looking at me so lovingly my body and mind calmed and I was once again in the moment.  Our moment.  This moment.  

His face, stern now, official, his mouth opening with such deliberateness that I was sure he had been in this situation before.  Once again my mind wanted to race to thoughts of not being good enough or that I was too old or too plain.  His voice pierced my thoughts and brought me to attention.  “There will be no talking unless I tell you to.  Nod if you understand”

My mind wanted to slap him with reminders of my superiority to him at work, how he was MY subordinate and how dare he.  My mouth would not open and my head began to nod in understanding.  My body and mind were bending to his will and acting upon his orders.  Shivering gave way to shaking now and I wanted to run to the warmth of the cabin and watch the fire burn the logs to a black crisp and wake up in his arms naked and giggling.  

Having seen my compliant nod, he began to speak.  “Undress.”  One word.  One word in response to the shaking mess of a woman standing in the rain, cold and afraid.  My hands were barely able to form the necessary movements to reach for the top button of my blouse.  I did not want to fail him or appear as if I were unfamiliar with tales of ***** men overpowering and having their way with a willing lover.  My fingers moved quickly now, wanting to end the scene and move on to the *******.  He stared.  He did not blink.  He did not nod or move.  He was enjoying every subtlety of me.  He was pleased.   I was a willing participant in his fantasy.  Nothing made me happier than to please him.  I began to feel hot and something inside me broke.  Was it my will, my pride, my fears?  I was not sure, but I felt alive.  Every thirsty pore of my skin opened up and lapped at the rain so very eager to feel it on my skin and the randomness of the drops was no longer something I envied but something in which I participated.  

My hands began to tug my blouse free from my skirt and the wet silk now draped over my hips like curtains, revealing the curves I was so painfully aware of hiding to keep anyone from noticing my *** and concentrate upon my words and actions.  I knew now I had one button remaining before I would, for the first time, display myself to him.  He did not flinch, rather, he maintained his stare and for a second I pleaded to him with my eyes not to expect me to do this.  He was resolute.  I spread open the soft, wet cloth and began to drape it off my shoulders.  I let it slide from my wrists, then fingertips, then to the ground blissfully unconcerned that my Hermes blouse was now draped over wet grass and mud.  

I looked down at my skin dripping and alive with goosebumps.  I had bought this bra in anticipation of this moment, in fear of this moment.  White lace bra and perfectly matched ******* were demonstrative of my control over even the small details.  My skirt was loose and heavy with the rain.  It was low on my waist and lay just below the navel leaving me the most exposed I had ever been with him.  I reached to touch the button on the back of my skirt.  Undone, I slipped my fingers along with the zipper feeling each click of the tiny teeth holding together the disguise of a powerful woman.  My hands traced the banded edge of the skirt pushing it over my hips allowing it to fall to the ground.  

His face looked stern but pleased, stoic and fixed.  I was in my bra, ******* and stilettos now.  I began to reach for the hinged part of my bra when he stopped me.  “No.  Stop.” He walked over to me.  He was close now and I was so cold I could feel heat from his body.  I wanted to kiss his lips, his full lips, but I did not move.  I knew now the rules and I would do only what was asked of me.  I stood rigid with no flinching.  I waited for any words that would pass from lips to ear.  He did not speak but leaned into me and reached over my right shoulder undoing the chignon in my hair.  He draped my shoulders with strands of liquid filament.  He took his time there, placing each strand in the exact order in which he was pleased.  With two steps back, he looked at my wet hair with the deliberate strands, as if he had created a masterpiece and for a moment I was unsure if the artwork he saw was me or his work.  

“Now be still.  Allow me to touch you, to admire you, my beautiful Moira.”  When he said my name even after these two months, he had the ability of saying it as if he were speaking it in serenade and for the first time.  He moved his hands to my back and unlinked my bra, one hook at a time with such dexterity I knew he must be a professional at *******.  He, who was to be my first professional lover.  He slid both straps off my shoulders, then taking my hands towards my abdomen, he slid the straps forward on my arms.  Lifting my hands, he demanded I keep them out and straight.  Me, the student to the professional, complied without question.  He bound my wrists with the lace bra, the bra I had bought just to please him, then lifted my arms above my head.  “You will keep your hands up until I tell you to move.”

I had become his toy.  I knew in this moment, I no longer existed for me, I was his, completely and entirely, and I abandoned myself to the rain, to the cold, to his gaze, realizing that surrendering to his urges strengthened me.  He turned and walked away.  He took a seat in an Adirondack chair and even it looked small in his presence.  “On your elbows and knees,” he spoke matter-of-factly.  Just five minutes ago, the struggle inside me to have the appearance of strength, would have denied me this happiness, this happiness to be free in his command.  “Now crawl to me, please.  Slowly.”

I did not care to be in the mud.  I wanted it.  I wanted to please him.  First to my knees, leaving an indention in the clay, then awkwardly at first, onto my elbows with my hands still tied at the wrist.  Crawling on my elbows, my back was arched with my waist higher than my head, giving him a view of the thong I had chosen only for this moment, my succeeding moment.  My position felt ungainly.  I looked to his face for approval.  “No.  You cannot look at me”, he commanded.  For a moment I felt I had lost his approval and self-doubt harried my brain.  My will to please was resolute.  I faced the ground, once again aware of the randomness of nature, the power of nature, how things in nature will do as they are told.  The reed is told to bend.  It does.  It does not question why but responds in its way.  Rivers do not question why they are shaped.  They just continue with powerful current.  I was the reed.  I was the river.  I did not question.

Face towards the ground, I could see the mud forming on my body, molding to my shape then rinsing with the rain.  It repeated.  Mud.  Rain.  Mud.  Rain.  This was the cadence to my crawl.  I arrived at his knees and waited there, a dog eager for a command from its master.  I was content to watch the rain beat ripples around his feet, splashing and shining his shoes with glossy drops.  “I cannot love you”, I thought to myself, “this is forbidden”.  “Being here in this moment, is forbidden.” We would have this moment.  Yes.  We could create this memory and think back on it in fondness and with both heaviness and happiness.  I would remember my young lover, my professional lover.  He would remember the obedient executive on her knees.  I would not regret our moment.  I would some day write it all down in my journal and press the pen deep into the paper.  It had to be etched, those words, my words, this memory.

His hand below my chin, lifted my gaze to his and he smiled, that smile, his smile, the smile that was like nature to my body, and I did not ask why.  I was a river being formed.  “You are so beautiful.  All of you.  Your skin so soft and pale.  Your eyes moving from fear to acceptance.  I see now you want to please me and I want you to know that I want to make you happy.  I want to be your lover.  I want to taste your lips kissed with rain and feel your shivering body pulled against me.  You are safe.  I will not hurt you.  Poppet.  I love you.  I have for awhile now, and I think you know it.  You, my wise, wise Moira.”  He lifted me up and for a moment pulled my body towards him burying his face in my abdomen.  He lingered there.  I felt how soft his red tufts of hair were and how soft his words were against my ears.  I loved him too.  Genuinely.  Profoundly.  I was afraid.

He inhaled deeply, there against my stomach, as if he were breathing in my essence.  I felt his breath turn from warm to cold against me as it mixed with rain.  He stretched his arms and moved my body backwards as he extended until I was a foot away from him.  “I would very much like to undress you, poppet.  I’ve been imagining it, aching for it.  I want to see all of you, naked and on display.”  He touched my abdomen with the tips of his fingers, as if afraid the pale china of my skin would disintegrate into a misty dream.  I relished it, the touch of him against parts of me he had not known.  I was always able to keep him at a distance, physically.  His hands traced the edge of my *******.  He moved slowly, and I knew he was wanting to etch this memory into his journal.  Nothing less than ink pressed hard to paper would release this memory to time.  His placed his hands on my hips and spun me around, my thong lining up with his gaze.  “Bend over.”  His voice from sweet to demanding again.

My hands were still bound, and I stumbled at first.  He seemed not to notice or to care, so I arched my back and pushed myself outward and into his view.  I felt his hands move from my thighs to my hips as gentle as summer winds that in their seductiveness turn our faces towards the impact.  I was in my forties and unsure how I would compare to the twenty-year-old’s he was known to date.  The gossip left nothing to imagination and everything to speculation.  My mind had conjured images of him, this professional lover, inside the firm thighs of a youthful companion.  Thoughts transformed to pleasure as the nature that was his hands took dominance over the thin lace that hid the only piece of me left unseen.  I became art in his hands, marble statue, exquisite with textures and curves wanting to be touched.  

The lace scraped my skin as he slid the *******, wet and splashed with earth, over the expanse of my hips and down to the ground at my ankles.  “Step out of them.”  He helped free my ankles, and I saw the delicate lace become one with the earth as the rain beat it into the mud.  This was freedom.  This was me with nature, me with my lover.  I was the reed and he was the wind.  

I was keenly aware of his eyes fixated on the valley of my mound, how my cheeks spread just enough to give hints of the pinkest of my flesh, now swollen and ripe.  “Turn around.”  I heard his voice and could tell the bombardment of rain was making it difficult to speak.  

I turned and began to ***** my body when I felt his hand on my back.  “No, poppet.  You must stay this way until I say stand.”  My body ached to be touched by him, by more than fingers and hands, but this, the anticipation, the wanting of it all, this was the skill of a professional lover.  I saw the earth drowned with a thick layer of rain now, and my shoes made splatters and ripples as I turned towards him.  I was cold now, too cold, unaware cold, numb in my cold.  I was happy to feel it.  I had for too long hid from rain, this glorious rain.  Now, I was one with the rain.  I was the river coursing its path as commanded by nature.  

He took my hands and untied them.  I watched the entire progression of it and I felt his presence now even more.  My hands were free, and I stared at my shoes and his shoes.  I was so small in his presence.  “Stand for me, poppet.”  His voice diffused through the rain and seemed softer now.  I stood there in my nakedness and he delighted in it.  My lover was not afraid and moved his head along with his eyes.  It was easy to know where upon my body his gaze had landed.  He seemed to linger the most on my face, and I thought how odd it was as most men concentrated on my ******* or mound.  My lover was different.  My lover was professional.

“Poppet, I want you to remove my shirt, but you will not toss it to the ground.  You will place it on the chair.  Nod if you understand me.”  He knew I understood but was confirming I was still in the moment and willing.  I obliged him with a nod and without looking at his face, began to unbutton each dot from its hole until he was shirtless before me.  His chest was firm and hairless and dotted with unobtrusive freckles as random as the rain.  I was delighted.  He was beautiful.  My lover was beautiful.

He placed one hand on my head, the other on my shoulder.  “On your knees for me, poppet.”  My knees once again bent for him, and I knelt in the rain, the thick rain and saw my knees again molded in the mud and earth.  I was unsure now.  Years had passed since I had taken a man inside my mouth.  I felt panic, like the river, run a course through me and I started to turn away.  But I was resolute.  “I will make him happy in all things this day” rang in my ears like a mantra.  I watched as he undid his belt and felt it as he wrapped it around my neck two times and pulled the loose end until it was taut but not constricted against my skin.  I was his.  I was the pet and he was the master.  It was official to me now in this symbol.  I was leashed and about to be tamed.  My lover was going to teach me his skill.  I was delighted.

I watched him free the one button on his pants and move to the patterned teeth of the zipper.  He rested his pants on his hips and pulled free the thing, that thing, the thing I was craving.  The thing I would take inside me, deep inside wherever my master wanted it.  I was the river.  

He was not large, not small, but thick, surprisingly thick, he was swollen and vascular.  I studied the curve of it.  The tip, the head.  I watched his hand grip it and move it towards my lips.  I opened my mouth and took him inside me.  He moved his hands to the sides of my head and began to direct me in the movement he needed from me.  I studied the thrusts and followed.  I moved my tongue, my eager tongue, in unison with the rain and percussion of the drops.  I slid him deep inside me devouring and savoring the taste of him.  The taste of my lover was satisfying, and I wanted to bring him to completion there in that moment.

We stayed in the rhythm, with the rain, both lost to the moment.  He stopped his ****** and lifted my chin.  “Moira.  My poppet.”  He led me to my feet and gave his crooked smile to me.  He gave me his smile in that moment, in that second, his smile was mine.  

“I love you”, I whispered, unsure he heard me.  He lifted me like a child and carried my nakedness to the bed.  He placed me there, like a doll.  He contemplated my skin in the light of the fire.  My lover the wind.  My lover the water.  

He was soon naked and drops of rain lit up on his body like little mirrors and I could see images of the room and myself reflected in them.  He removed the belt from my neck.  “We won’t need this.  In this moment, you know you are mine.  You know I am yours.”  We both wrapped our arms around the other, and I felt his skin on mine.  His body was hard and moved in perfect form with each muscle flinching the way it should, each squeeze and release in harmony with the other.  My pale, soft skin was beautiful contrast to his and was yin and yang.  He felt hard and long inside me, so engorged each vein touched the inside of me in a different fashion.  We each sealed our mouth on the other unable to drink as deeply as we wanted.  We were in our moment, this moment.  Alive in the seconds that passed to hours.  We were ready to etch ink on the pages telling of how I was the reed and he was the wind and on this day, I did not ask why, I only did as was I was told.
mark john junor Sep 2014
the quick natural boys run fast in the the shadows
powerful to the truths of their age
young with wet cowlick face i ran too
holding a dogeared book
of her gentle phrase
felt like the world could have been mine
gentle breeze stirring the faded leaves
and all thouse bright summer faces
who's names have now gone

so strong she took to wing
flew so high saw the sun unadorned
so beautiful this elegant one
her quick smile had no cracks
her clean eyes were full of loving joys
so like the majesty of night
softly entrance
with such gentle caress
so strong took to wing
soared above the green world
swimming in the summer skies and clouds
bathing sweetly in the heavens
with stars for jewels
with moons for toys
so beautiful elegant one

tight the young hand
on the broken book
where her singsong voice was captured so beautifully
could see the worlds mystery's
with such young clarity
she had a way about her
that explained to my young head
all the fresh young boy things i would need
to be with such a strong beauty
with such an elegant promise fulfilled
so i ran like wind
ran like compassion and lightening
fast as the summer sun
strong as winter whispers
for her
my sweet her
in my heart
while her singsong voice captured me in every way
(tribute to sylvia plath..my sweet her)(edited)
Judy Ponceby Feb 2011
Hopscotch

Girlfriends running, twirling, too.
Taking turns out in the sun.
Skip and hop across the board.
Leap over the marked one.


Twister.

Red right foot,
Bodies blend.
Green left hand
Twist and bend
Blue left foot,
Over extend.
Yellow right hand
In a body pile, again.


Chess

Pawns in play,
Knights abound.
King in check,
Queens around.
Pieces falling one by one
Check and Mate is the sound.


Tag

Tag! You're It.
Running wild.
Laughing, screaming,
Swift little child.


Jumprope

Rope atwirling overhead.
Jump when its under.
Singsong chanting
Sounds like thunder.


Checkers

Red men, Black men.
Jump on a diagonal.
King me, king me
Gonna jump a handful


Kick the Can

Running down the street.
Kicking that can.
Swarm of kiddies
Chasing past the man.
Hopscotch. Twister. Chess. Tag.
Checkers. Kick the Can. Jumprope.
Everlasting Dec 2014
Sally-Sam 'silently' sings in her mind 'aloud'
her mama screams: "Sally-Sam!"
But Sally-Sam startled, wide-opens her eyes.

She asks: "Mama, can you read my mind?"

Sally-Sam is six, skinny, and sweet.
She swirls with her flowery skirt, legs crossing in twirls,
with shoulders sassily scintillating a shrug.

her mama says, "come here, silly girl!"

But Sally-Sam still in shock stays in her spot.
Unsound, still silently singing her song,
she asks again, "mama, can you read my mind?"

Her mama says, "Sally-Sam!"

And Sally-Sam giggling and with a big smile says,

"Mama! How do you know my song?"
Miguel Soliman Nov 2015
Do not fall in love with a writer.

They make a work of art out of words so elegantly you get lost to the point of no return. They create spells and lay them on white-painted sheets of paper, chanting letters attached carefully your eyes become so dizzy with amusement. They weave strings upon strings of enticing poetry you poison yourself the moment you find yourself drinking to the last drop.

Do not fall in love with a writer.

They appear almost like angels, serene and calm, yet at the same time a guise of what you would deem as a form of destruction planned out in detail you do not notice a thing about the pain they will cause you. They will carve in your veins the essence of a prose about loving you (oh, the irony of it), and make sure you bleed the same words they first bit you with.

Do not fall in love with me.*

I will not think twice about writing the life I had when I'm with you. The crisp touch of your fingers with mine—the chapped nails and all that. The sweet singsong of your laugh echoing throughout the streets as we walked at half past five, anticipating the ray of the sun shining through to welcome another day. The scent of your breath as your lips danced slowly with mine. I will write all of these down, and you can never stop me. I will write and write and write about you, even if I run out of words to use, even if I grow tired of the sound of pen brushing paper or of fingers clacking keys; I will still continue to write about you.

I still have and perhaps I always will, even if now, you decided to leave me.
Nat Lipstadt Jul 2013
Preface:
Even old poets can forget new tricks,
So when toe stubbed and ah ha benedicted,
Causes you to remember what you once knew,
It feels even better, like being crazy
Once in awhile,
Or wearing an untrimmed chest Jason smile.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Eons ago converted to a new religion,
The Church of Free Verse.

If life be variable,
Usually unrhymed
A pencil sketch of crisscrossed lines,
No fixed metrical pattern assigned,
Than even more so, my poetry.

Once I regretted that the children,
Crack addicted to rhyming,^
Used nickel bags and ******* lines
At the starting gate where all
Our associative poetry journey begins.

Perhaps, a tad arrogant, that diktat,
Nonetheless, unashamedly, nothing to recant.
Words have utility creative, souls innovative,
Free them guised as global explorers,
Make them up, then unleash them
Upon us, yourself, as detectives investigative.

Unchained myself like Houdini,
From water chambers and locks constraini.
What care I for poetic rules and regulations,^^
Got so many points, they tried to suspend
My government-issued poetic license.

Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.

Yes my darling young ones,
Your writ of screams, like Bob Dylan's occasional schemes,
Celebrations of agonized lives of the criminally-pained,
Songs and cants of victims, love-cancer stained,
Require a whining, singsong beat.

{Poems so rad-sad that it makes this Jew
Genuflect and crisscross himself,
That he was blessed with a few good happy years,
In his reincarnated life of
A few centuries long.}


Learn 'em to sing their cries,
Harmonize the internality of love,
Or, even the infernal loss and lack thereof,
For it is the lilt
That makes, transforms a cry into a
Poem.

Even I on death's last stairway step,
When was called by the name of
Nate Hale,
My dying poem lilted, lifted and metered
"I only regret,
that I have
but one life,
to lose,
for my country."

Now you're thinking he is lost it all,
But you would be incorrect for sure.

He found it.

The lilt of life that makes him rise
And greet each morn,
Even some sorry starless nights
With a First Poem of the Day.

I lilt you, one and all.
If you think this mis-wrote,
My auto correct mentally broke,
Meant to type I love you,
You'd be
Right but wrong,
I just lilt you.
^ "People, Stop Rhyming..."


^^The Rubiyat is not where I'm at,
The Acrostic, amusing, but let it be
Someone else's cross to bear.
That the Cinquain rhymes with pain,
No accident, and Tritina is but half of a Sestina,
But twice as hard, you could look it up.
The Quatorzain another French device inane.
Shakespeare's sonnets, nonpareil,
But, refrained, quatrained, by Iambic pentameter.
Ok! Maybe the meter makes the poem lilt sweeter!

This poem Lilt of Life, I commenced, on June 10th,  when  K Balachandran, Poet Extraordinaire
Wrote me about another poem: Three poems were walking down the street."

"I dig the title, not only the lilt, it sounds esoteric..something more hidden in it,unintentionally!"

I put the word Lilt in a Poem title file, wrote a line or two, then it aged till July 11th, when it just wrote itself. So today Bala corresponded as follows:
"creative instinct, particularly poetic surge has roots in imbalance (though i really don't believe) of the mind. Yes, during the moments poetic urge becomes a sort of agitation,
this may seem true, how can one deny it.."
This agitatation of which he writes, we are all familiar with, I am sure. We emote, we wrote.  Guilty as anyone.  But it took a month of silent, back room, hidden from me,
cogitation,
to complete the poem, when it emerged from gestation period in a few minutes.  I share this with you as a public reminder/chastisement to myself that writing is both push and pull, agitation and reflection, a process,. By way of humor, I wrote Po-hymn, in 20 minutes, threw it out here instantaneously, and then did minor tinkering.  Why? I wrote it with tears in my eyes, agitated, and the only way to stop the emotive upheaval, was share it with the people here ASAP!  So it goes both ways, but net net, write it, then let it age a day or mores, then let it go, give it up, after some:
cogitation
— noun
concerted thought or reflection; meditation; contemplation: After hours of cogitation he came up with a new proposal.

Rambling the point of which is to properly thank him in view of all for reminding me
all poems, must possess some kind of lilt and being the inspiration for this baby.




7/11/2013
CeriseRed Sep 2018
The dying hero said
To his wife and his beloved children
"I obliged you not to follow the same path I took."

With those words,
His daughter inquired,
"Father, how come not if it was a beautiful path
with those roses and dandelions,
showered by a blazing yellow hot sun
glittered with cotton candy sky
and a bouquet of trees and a choir of angelical wind?"


The hero stared blanky at his daughter
His heart gasped a beat and mouthed the words,
"Singsong the truth without coated sugar,
the world needs the intellectuals
with skills and talents,
neccessary for humanity to survive,
be a doctor who cures the sick,
be an engineer who builds
be a lawyer, be a farmer or a fisher,
anything will do but not the one I am."


Silence.

"They are nothing without words,
They are nothing but robots,
without the tune of the tongue,
without the ink of the heart,
the world for them is all but rigid,
round but pointed,
with air but not breathing.
Words can **** but words can also heal."

The girl paused, then stand.
"Father can crack the caramel paint
and reveals of what's the truth,
I am who I am
and I am what father can do."


It was midnight.
The hero died.
A dead man and a dead will.
His deed still lives in pages,
and in the veins of his female kid.
A rebel daughter was born.
Her words were nothing for an empty soil.
A dead will and a dead man.
He wrote poems.
Nat Lipstadt Jun 2014
The Real Poets Here

are small craft
sailing between the narrows of crack'd lines,
employ the spyglass and luck to you,
for them to find

their voyages do not widen the chasm of waste,
yawning greater now by propped up boasts of
ugly shipowners who sin by commission,
national ***** crowing of the greatest length of their prow,
thinking that is a measure of prowess,
their tubs,
all but empty wordy new container ships,
that are forever lost at sea,
even before leaving port

they,
the real poets,
are the quiet lost lot,
a troop of forgettable ordinary  Marines,
the sailors in the engine room toiling,
exploring cartographers ***** from the ****** crafting struggle,
looking to discover unmapped,
invisible poles,
East and West

opening up new passages,
within us,
with new passages

when called to arms,
the real poets
spill fresh ***** fluids from within the heart and mind borne,
upon the blank spaces,
they stain us with the grasping gasps of their sight insided

fertile are the pastures
where they lay low modest lay thinking,
amidst the splendor in the grass

of them
I*
proudly will ever boast,
hold them close and ever nameless,
but deep inscribed inside of me

Ah,
the real poets keep me
whole within the
ever smaller white purity of this narrow space
that has lost the struggle
to contains the
unceasing ever spawning black letter'd oceans and navies of
repetitive sad, sadly repetitive,
puerile singsong cant
that never sings,
can't never please,
but trends to the masses madly

dewdrops of tears,
are my own trees felled,
an acknowledgement that
when I read their unintended homages to humankind,
that when realized,
they speak with great respect,
all quietly scream this whisper...

all this,
that I have written,
and will yet to write,
this is all,
to give
greater glory to all human ability
whose
sole purposed to fill us,

wrench us from our lackadaisical comfort,
or  urgently comfort us when none else can,

these are my friends,
the real poets here*

god keep you well

my trite words insufficient
so I gift you
some words worthy from
Wordsworth
"Of splendour in the grass, of glory in the flower;
      We will grieve not, rather find
      Strength in what remains behind;
      In the primal sympathy
      Which having been must ever be;
      In the soothing thoughts that spring
      Out of human suffering;
      In the faith that looks through death,
In years that bring the philosophic mind."

William Wordsworth. 1770–1850

Compose and Posted 3:30am June 12, 2014
Caro Mar 2019
It's March in California and,
It feels like an early September evening in Virginia,
An owl is cooing,
A nostalgic singsong that reminds me of the woods behind my parents house,
Comfort seekers in my senses inflate,
Disappearing into a heady haze,
Anything to distract myself from the mini self-betrayal I just executed.

I can watch myself as I do it,
Basking in this nostalgia,
The detachment from my pain easing my shoulders,
Making me feel high,
Or maybe it's the serotonin and dopamine,
Coursing around in my body,
Freely,
As it pleases,
Results of.

The owl is howling and my roommate is home,
My phone is silent and I'm blissfully alone,
Detachment, detachment, detachment,
My favorite drug, how I've missed you.

So sickly happy,
So near to trauma,
(my familiar place)
But my perspective saving me from feeling it..

I could be in Virginia in 2008,
My legs a little hairy,
A breeze blowing through my long, long hair,
Innocence teasing me.

Or I could be here, now,
Listening for an owl that has stopped calling.

How delicious. Sweet detachment.

My favorite drug.
sinews held in by rivets rh-rhy-rhythymed apart
frayed like cello bowstrings - the silly string hallways of hearts
a war where the marching drums sound like violins
the weapons wielded merge heartbeats and equestrian -
hook-hairs that snare the steely strings
ones not quite so metallic as we think -
they've frayed like flesh and refrained-
from sn-snaa-snapping -but just barely-
they still trip - trying to make music merrily -
still beat themselves up -with the singsong self-hate they're carring
they prefer to hide in the woods at the moment -
their cries as slight as the winds - perhaps they're out of breath
from trumpeting explanations - or perhaps they wish to rest -
tired of touching lips-
to instruments----------------
- they don't want this symphony to crescendo into treble this time
-  they're starting from the base up -
Happy for now and trying to hold their face up-
they are aware that they could be used
to make garottes  -or grand music -
to suffocate mute musician's who refuse to hear their sound -
or strangle guitar necks as deceptive cadence mimics resonance and resolve-
. . .
.........
there's a duet full of dissonance and you won't-
believe it but by the tear-tearing disbelief
you will timber like a tree -tone in two-
voices arguing inside of you- staccato soliloquies -
punctuated with melodic defeat -
intercede with a sharp or two - cut down to the root, the truth -
result in music i can dance to - symphonies , harmonies, rounds -
we are notes - in twoes and fours - together we are sounds-
adagio acrobatics emanat from where our feet touch the ground
in time, intonation the same as our romantic inclinations -
dances we just both seem to know - impromptu instrumentations-
the interval betwen  these two half notes made whole is zero-
you're a maestro whose got my heart crying in half time
-its the sound of requiem turned serenade - I was Alive on our wedding day -
and so were you - proceeded by a promenade -
of promises -
a recital of something more than just lyrics -
you said I Do to me-
a staff of out of sync harmonics
It's ironic  - I worship with shhhh- under my fingernals
and you - you love the sound - and the smell

Dancing so long that nocturne
turned to noonday sun -
until I , nightingale, and you the gales in night-
are one
“the pleasuring words”


~
are not of necessity singularly complected or of one nature

know them by many other names, colorations, languages,
throat growling purring, pretty soft and stern, singsong,
begged borrowed stolen, barked and pleaded

but when the eyes quietly say,

come to me
darling

in manner unspoken,
the pleasuring of the silence
greater than if sullied by a vocalization,
the wild sounds my heart commit
pounding mounting ever louder,
requiring no translation, though with repetition,
they grow louder
with every heart throbbing,
a new language relearning

the pleasuring words are spoken
by silent eyes when you
call me by my other name

my  

darling
This day winding down now
At God speeded summer's end
In the torrent salmon sun,
In my seashaken house
On a breakneck of rocks
Tangled with chirrup and fruit,
Froth, flute, fin, and quill
At a wood's dancing hoof,
By scummed, starfish sands
With their fishwife cross
Gulls, pipers, cockles, and snails,
Out there, crow black, men
Tackled with clouds, who kneel
To the sunset nets,
Geese nearly in heaven, boys
Stabbing, and herons, and shells
That speak seven seas,
Eternal waters away
From the cities of nine
Days' night whose towers will catch
In the religious wind
Like stalks of tall, dry straw,
At poor peace I sing
To you strangers (though song
Is a burning and crested act,
The fire of birds in
The world's turning wood,
For my swan, splay sounds),
Out of these seathumbed leaves
That will fly and fall
Like leaves of trees and as soon
Crumble and undie
Into the dogdayed night.
Seaward the salmon, ****** sun slips,
And the dumb swans drub blue
My dabbed bay's dusk, as I hack
This rumpus of shapes
For you to know
How I, a spining man,
Glory also this star, bird
Roared, sea born, man torn, blood blest.
Hark: I trumpet the place,
From fish to jumping hill! Look:
I build my bellowing ark
To the best of my love
As the flood begins,
Out of the fountainhead
Of fear, rage read, manalive,
Molten and mountainous to stream
Over the wound asleep
Sheep white hollow farms
To Wales in my arms.
Hoo, there, in castle keep,
You king singsong owls, who moonbeam
The flickering runs and dive
The ****** furred deer dead!
Huloo, on plumbed bryns,
O my ruffled ring dove
in the hooting, nearly dark
With Welsh and reverent rook,
Coo rooning the woods' praise,
who moons her blue notes from her nest
Down to the curlew herd!
**, hullaballoing clan
Agape, with woe
In your beaks, on the gabbing capes!
Heigh, on horseback hill, jack
Whisking hare! who
Hears, there, this fox light, my flood ship's
Clangour as I hew and smite
(A clash of anvils for my
Hubbub and fiddle, this tune
On atounged puffball)
But animals thick as theives
On God's rough tumbling grounds
(Hail to His beasthood!).
Beasts who sleep good and thin,
Hist, in hogback woods! The haystacked
Hollow farms ina throng
Of waters cluck and cling,
And barnroofs cockcrow war!
O kingdom of neighbors finned
Felled and quilled, flash to my patch
Work ark and the moonshine
Drinking Noah of the bay,
With pelt, and scale, and fleece:
Only the drowned deep bells
Of sheep and churches noise
Poor peace as the sun sets
And dark shoals every holy field.
We will ride out alone then,
Under the stars of Wales,
Cry, Multiudes of arks! Across
The water lidded lands,
Manned with their loves they'll move
Like wooden islands, hill to hill.
Huloo, my prowed dove with a flute!
Ahoy, old, sea-legged fox,
Tom *** and Dai mouse!
My ark sings in the sun
At God speeded summer's end
And the flood flowers now.
Kimberly Eyers Sep 2016
Her daughter's spare key,
slipped
in the lock, to open

A lifeless house

The granddaughter
follows

"Take the shoes, they're of little value."

Obediently,
timidly,
she goes to the bedroom closet.

She tries on a pair
of beige sandals;
understated,
good quality,
and so

comfortable.

These are followed
by two more pairs,
which disappoint
in comparison.

Then,
Oh,
She sees the slippers.
So familiar,
knit
together.

And the
granddaughter
unravels.

She slips them on.
Slips into oblivion.

Do you need a hug?
Singsong from the office.

They meet in the hallway.
And slip into each other's arms.

It is easy
to wear
her literal
shoes

But the slippers
feel empty
on her feet.
Ilva Mar 2015
If I could recreate reality
I'd soften the finality
Of your forced farewell.

I'd make it so
That I can peel
Your every kiss-shaped memory
From my skin
And keep them in a tin.
So that when I miss
Your goey lips
Against my cheek or chin
I'd simply take them out
And let them kiss themselves
Onto my skin again.

If I could recreate reality
I'd lessen the enormity
Of my endless emptiness.

I'd sew a song
Into the you-shaped hole
Of longing your life left
Imprinted on my soul.
A never-ending
Heart-mending singsong
To fill me and
Fulfill me.

But wait...

If I could recreate reality
I'd have no use for tinned kisses
Or pointless paltry poetry
Or stitches in my soul.

Because you'd be here.
And I'd be whole.
Written for my daughter who passed away recently - shortly after her first birthday.
Jordan Kit Jul 2010
Cigarette smoke and suntan lines
Big ******* conglomerate of it all
California short hours away
Small town America burns hot
Scorched with dreams
Drunk and sappy on cheap beer
And wonder
How does it all make sense?
Where does it all go?
What Divine notices all that happens?
Going unseen
Uninhibited
Unrestricted.
Scene continues forever.
Worried in hot sweaty short drive
To carry on Sherman
Fall on Caves
First fill up, gas up, cookies and gum.
Girls work icecream stands
Firewood ten dollars a stack
Sliding into drunk dresses
Drunk kisses in
Drunk bathrooms
Room to love
And to fight
To hate and leave and stay
And we do stay and
Don’t mean what we said
When jealous.
Best friend backstab
And open road fall back
Drink,Drink,Drink
And fall on same old singsong solitary stool
Or walk on till all
Makes sweet holy sense.
Think where they will go,
Where they’ve been,
Sleeping in beds of tomorrow
And eat the toxic cancer of now away
Till only in remission can the
Revolution of our unconquerable youth shake.
Natalie keeps kids and complains
But truly is the best mother and friend of all
I really do believe it,
Kate drinks and dreams
And I dream with her, too
Of highways and great plains,
Ratty dives and eclectic bars
Too hip for She,
The Messiah of cool, even.
Gone.
Too soon.
How can we consent,
Look away, turn away from such terror?
It freezes, chills to bone and I light up again.
Figurative fire scorches lungs
Grass burning from the inside out
What’s she care?
It’s over anyways,
It always comes to an end,
But I really just don’t see
The beginning of the magic.
I’m here for you.
Helicopter scares,
Sober stares,
Where did they all go?
California dreams
Dust and ****
Close your eyes
See the soul,
The sun sink past sand,
The sky turns gray
No beautiful aversion,
See the orange and red,
See the beauty that doesn’t fit here.

Go.

See it all.

Go.
Visions of small town adventures, going away party, going away, and being away. California, be good to her.
Io Dodgeburn Nov 2013
Exchanging
recommendations under flickering lights                                                           ­                                !                                        we transpose the nature
?                                                      ­                        of our insect-like movements

$                                                   ­                                               
with the slick of our collars,                                                
our dull-shine badges.                                      

Eye             ­   
                    makeup
arrayed in sheens                      
                to blow your eye's burn
away

back into
                                         the cold of space,
                                        where you belong

the skirt of the star's burn,                                                        
to sear you (un)clean
without alarm.

with a certain sweltering silent charm


Somewhere, saturations swell  
in non-                                    
casual ******* singsong.      
Klarity is substantiated.          

Forgive a whiff into cigarette dust.
Into reticulated (t)rust.



How many leaves
connect
    to form the               tree's glow?    
I'm sorry               for asking
now
I must go

...

Forbidding madness
with a
keen
brow-
bent
glare

ballroom harpies                          
                               ­     chase you backwards

down
a
flight
of
stairs

.              
.
            .

what is this caution
here cushioning me
porous like bed foam
harm eating me slowly


?
smirking consistent smart
a loneliness for hatred

.              
.
            .


Tear me up for what is holy in me
crumpled '****-poor' regard, it's a satin-shure smile
I am churning and I know (not the exit)
November 5th, 2013
Io dodgeburns
dj May 2012
drones
wrapped up in the expansive botnet
of this black facility
prone to
repeat all of last week's protocol
in sequence
and without passion
(the big guy enforces it all)

I'm bored

eye-scanner rejects me twice
fingerprint authentication
prove who I am
beat that proof into the day
a cup of Joe at lunch
half crop-circles under these eyes
yet
you'll still hear me say

I'm bored.

the beat goes on, the beat goes on
the singsong klak-ing of
whatever whatever
a beautiful voice comes over the speakers
ironic
she's the only one talking
and it's a pamphlet talk
about where we all already work.

I'm bored.
Pt: 3 The end. "It was a bright cold day in April, and the clocks were striking thirteen."
Zoe Sue Mar 2015
So visual
Men
We sit them in front of TVs
Where barbie doll lookalikes
Singsong stereotypes
In search of the perfect man and family to cater to
The little girls watching think this to be fulfillment

I change to the news
And fake **** read the newest disaster
With a splash of celeb gossip after
Girls look to mirrors with shame
And I pray to love a blind man

Turn to politics
Where we find women
Like four leaf clovers
To pick out and scrutinize
Dehumanize
Objectify
She must've shown too much leg again
Because there's nothing of her words on the tabloids
Now young girls will only know power in their bodies
Wearing stolen ******* and a stolen smile
Stripping off her self respect with her dress

I live in a patriarchal society
That plays down feminism like a government scandal
I am oppressed
I am repressed
But this is not a woman problem
This is not a feminist problem
This is a societal problem
Miguel Soliman Mar 2016
She
She was a form of art,
for him that would be true;
hung in places like his heart,
so all could see and view.

She was like no other,
for him she's all that mattered,
her beauty too precious to cover
and hide; to flaunt, she'd rather.

She was his favorite color,
for him, a vibrant yellow hue,
an orange, a blue, and more;
that's what he loved for sure.

She was his favorite song,
for him a sweet singsong tune,
where his world could be forever long;
enticing was her rune.

Sadly, that was what all she was
for him, she cannot be with,
a love that's never meant to last—
a poisonous bitter seed.

————————-————————

*"You loved me, right?" She asked him.

"That's all I ever did."
Happy World Poetry Day.
Shannon Mar 2015
Destroy me.
Take what you can from the middle.
Take that golden yellow moon-
that sherbert sunset in the center of how I exist,
**** it, take it!
And Stubbornly I'll be.
When all that is left is bones for the jackal to
satiate on
when all that is heard is bubbles popping
and the jaw creaking
from
the overuse of what was inside me-
When that dark and silken predator
lies lazy on it's back
with my contents fuming in its distention...
destroy me, do.
***** my remains
with huge heaving gusts of your gluttony.
Because you will.
Because I am too heavy to carry, I am too light to settle.
Oh, yes I'll be your posion,
and into every cell I will invade
marching with my army, marching with my anger
I will wiggle in your ear and chew through the pictures in your mind,
eating at the corners of everyone you covet most.
I'll call you in a singsong voice that does not end.
In every room you'll look to hear-
in every corner your try to hide from it.
I will flood your soul with my wrongdoings so you
carry mine as well as yours.
Yes, destroy me-
dust.
And you will perish from my digestion
and you will carry my heavy sins.
Oh, what is left? What is left?
Just the eternal weight of light
and you cannot eat that,
On light you can feast
but not thrive.
It will not still the noise
of the rotting wood
that sits solid and solitary
in the place
where someone stole
your exclusive rights
to feel
joy.


Sahn 3/26/2015
I suppose it's very healthy to explore all of what makes us humans. In any case, thank you for taking time to share in my work.
Jamie L Cantore Jul 2023
The caterpillar walks alongside groovy stems; so what do you mean?
    the banjo plays on to rusty hymns; what is that supposed to mean?  the plainsong of those birds of a feather upends: excuse me, come again please?
   but nobody, no one;  ever… told you you had
to comprehend. Oh fam, you’re soo mean!
So you can take your suit just in case,
and I can take in the
rain and coat  my little dream. What, why? You don’t mind.  and I don’t mind metaphors
to explain lyrics across…  the bard. You’re speaking in riddles, Man! So what is Poetry
to me, if I can’t take
it’s license and play with my words, words you would discard, I call  deuces wild, yeah my friend. Nah, it’s not like that at all child. Yes it is. No it’s not. Yes it is. No it’s not! And that’s the way I feel y’all. I just think a thought and jot.

Jot it all down. Jot it all down. Jot alllllll DoWn… when I think a thought.
Totally messing around here, I love to explain my writings!
Lora Lee Oct 2016
Last night
as I sat in
the ancient temple
atop the mountain,
my people surrounding
           me, generations
upon generations,
  voices ascending
       in the wispy and
            earthbound solidarity
                 of ancient prayers,
I felt the words
               rise up
around me, protecting, loving
their intonations
           tingling inside
the doorways
         of my brain
expanding the limits
through glass
and sacred ceilings,
       up unto the stars
celestial understandings
pushing through
my crumbling
walls to break
through barriers
         from the thickness
of night
reaching out
      into purity, a beckoning
             of light
and the words, the singsong tones
passed down from the ancients    
like candlelit incantations
         grew soft, invisible wings    
             that touched my cheek
                   the silky presence of
               the grounded power            
             of my ancestors
welling up in the
         dark caverns within
and as we sang
of new beginnings
         and listened with one heart
to the call of the shofar,
        that ram's horn of blessings,
                            my knotted
loops of longing
resonated in musical notes
strands of the primordial
               in the deep forest
echoes
             of my being
linking my soul's cry
to all the people
           of my book
in a long swirling line
              down to the river,
the desert, the oceans
a tight braided chord
of solidarity, of lineage, of blood
the flesh and bones of heritage
pumping crimson freedom
Yes,
somewhere,
          in even the most
                broken chords
                   of heartstrings
                tiny wings
beat                    
        hope
I am not religious at all. But I found a beautiful light energy in an unexpected place (ironically..for most people very expected but for me not), during a holiday that celebrates renewal. Perhaps the concept of renewal is prticularly significant for me at this time; I think it is significant for all of us, at the right time..:)

* shofar- ram's horn, blown into on certain Jewish holidays to "remind us of the primordial scream, the eternal voiceless call of the soul expressing its desire to return to its Creator."
Zach Gomes Mar 2010
Joseph only nine sat at the dinner table, conversation passing around, a muffled, undulating vibration of utters.  “Don’t stare like that, it makes me uneasy, Joseph,” chided Joseph’s mother.  The hum resumed.  An hour later the table was emptied of its contents, except for Joseph, alone with his uneaten plate of food.  The TV, flickering its wantonly swirling amalgam of colors onto his mother’s face.  “Joseph, please, eat your food.  I’m worried about your eating habits,” her distant voice languidly taking its time to reach him from the couch.  His sister, all of seventeen, sat down across from him.  “Hey, kiddo,” in her reassuring singsong.  They talked and he ate.
Joseph hadn’t liked school since the kids began to make fun of him.  They poked and prodded him with words sharpened by blissful ignorance.  “Crybaby” the boys would jab, their penetrating and mockingly wide smiles, like jaws.  Each clinging to their inclusion, girls, in their giggling gaggles pass by him, atypically hushed.  “Yeah, he’s the one, the one that cried alone in the bathroom like a big baby” amongst themselves, but barely audible from the outside.
Joseph in his room, crowded by the darkness, lost in his imaginings.   The doorbell cries out for attention.  “Hey, kiddo” his sister affectionately, leaving the lights off.  She takes her jacket and leaves. “I’ll see you later Joey.” Hers and her friends’ voices waft, beckoning, upwards through the floor into Joseph’s room.  “What took you?” “Had to get my jacket from my brother’s room.” “Oh, he’s strange.  Sometimes it scares me how weird your brother is.” And Joseph, listening intently, as if balancing his entire weight on one single twig in fearful anticipation.  And his sister, her words forming slowly, then with gathering willingness, “Yeah, he can be pretty weird sometimes.” “Yeah, let’s get going.”  Joseph’s heart dropped, like a stone falling into a lake—less like a lake than an indentation filled with jet-black ink for water, and the stone, falling to the bottom, curling up on itself in the darkness.
Joseph, turning to his mother, her silhouette eclipsing a chunk of hallway light.  “You broke the mirror in my room today Joseph, you ought to clean it up now,” voice straight as an edge, though she layered it with a loud blanket of sweetness.
“No!” screamed Joseph.  “I won’t!  I wish dad was here, he would never make me do what you make me do!”
Her rage bursting suddenly through her self-control, flooded the entire room.  “Don’t talk to me like that!” her sobs even louder than his screams. “Its not easy for me!   Its not easy to do this alone, can’t you please try to understand…”  Joseph was having trouble hearing her, her voice and all else fading, as if the world’s voice were being smothered by a pillowcase, and he became distracted in the silence that enveloped him.
Joseph looked up and to the right, saw the stars, friendly and welcoming, with bright, honest smiles.  He decided he would rather be with them.  Joseph left his room, floating upwards, upwards, still higher, and to the right.
Joseph stretching his eyesight, saw something approach as he drifted further and faster into space.  As if from a horizon that couldn’t be seen and didn’t exist, there approached a colorful object.  Jupiter flashed by, looking very much like his mother’s TV.  It’s random assortment of colors whirled violently around in that confined space.  He said out loud, Jupiter is the most beautiful planet, I’d like to go there.  The planet whisked by.
Joseph, not disappointed in the least, kept floating.  He left the solar system, the galaxy, and came to a black hole.  It called him in, like a Siren, and Joseph smiled an angular, disjointed smile, and fell inward into the black hole’s embrace.
Mark Toney Aug 2023
Above the public pool
a volleyball so cool
stuck for years
in the rafters
Someone’s
breath of life
trapped in
it’s bladder
Evidence of
their lingering
presence, me
wondering
if they ever
pondered the
relevance of
the essence they
left behind?
Singsong thoughts
turn inward …
What about me?
In all the places
I’ve been,
pieces of me,
residual traces
of myself
left behind,
cast away!
Small links, unforgotten,
faithfully preserved
by old friends—
threads of connection
reinforced by timeless bonds—
who keep my words,
moves (dancing!), and
shared memories as
precious cargo,
cherished keepsakes,
A clear reminder that
I exist!  I matter!
I’m something much more
than simply air I breathe
on an unremembered day …
Like that beautiful volleyball
in the rafters

W I L S O N ! ! !




Mark Toney © 2023
8/30/2023 - Poetry form: Free verse
Andrew Rueter Mar 2018
You're a satellite that relays pain
Synchronizing circles in my brain
While signaling shame
To come join the game

You present a mighty mystery
That makes my sanity history
From agony that is blistering
That's what your wit serves me

The ambiguity
Is slowly ruining
My innate ingenuity
Yet I must act intuitively

You're a satellite in the air
In desperate need of repairs
I ask to see your schematics
I'm told I'm being dramatic

I float through space and time
After losing this race of lies
Along with the grace of mine
While stuck in the pace of grind

Before too long I answer wrong
A one-sided game of ping-pong
And your attitude is singsong
Not caring if something's wrong

Outside of the Earth's atmosphere
The sun is to be feared
Because it doesn't care
I experience a solar flare
Then the gamma rays poke holes in my cells
Until I'm eventually in hell
With a satellite that can't communicate
Only ruminate
On information already gathered
So there is no room for me
But until an asteroid splatter
There will be signals I see
Raymond Johnson May 2013
i have forgotten how it feels
to have your fingers interlocked with mine
please remind me

i can't quite recall
the warmth of your head upon my chest
please remind me

i can't seem to describe
the singsong splendor with which words wander from your lips
please remind me

i have misplaced the memory
of the tantalizing texture of your lips
upon mine
please remind me

i have forgotten how it feels to be loved
please remind me
4/30/17

A cheetah speckled woman
With long curly red hair
Invited me to a bean shaped cushion
In her studio apartment.
her keys jingled in the closing door
Sealing us, a hot red room.

"Love is creepy"
She says, sinking into
Her candy apple bean shaped cushion

I am a watcher.
When We met, She was in her natual habitat.
A coat tail of men,
I admired how oblivious they were
to being faceless goons.
watched her direct them
like an ***** desperate orchestra.
My back against a wall,
Smoking a cigarette.

Now, I'm in this studio apartment
Again, I am a ******.
She tells me stories
Of bad tinder dates
as I survey the strung up Christmas lights
Posters of Marilyn monroe.
Teenage quotes of aspiration.
"Be unapologeticly you"

She smiles at my ignorance to her body.
I am not ignorant by any means
Only respectful
I notice her smirk at me swing around
Leaning into shelves of pottery and art supplies.
flying around with a clipped wing.

"Will I be a poem?" She asks.
"You're right. Love is creepy."

I pull wine out of my bag and place it on the counter, put Chicken and vegetables in the fridge.
She turns on Netflix and asks
"whaddaya wanna watch?"
"bird documentaries"
i say,
an effort to incite her own decision.
domestically,
A bird documentary starts to play.
I gloss over a smirk at my failure
We share wine meditating to the sounds of
Bad Voiceovers and chirping

We are the card dealers of moments
hourglass columns
sand falling where art should be carved.
fractures of timelessness stacked like
Jenga blocks
each sip of wine a ritualistic dymensia
blackjack tables with no dealer
just a bartender

We watch an owl puke up mouse bones
"Owls are Creepy."
We agree.
witness to me, is indulgence
silk strings pull my heart towards exhibitionists
When she changes to A pink robe
Textured to compliment my heart strings
the singsong of birds chirping.
provides an exotic baseline for her sway.

I stare at her body.
"My love is creepy" I say
pressing thumbs to divets in her hips
I am slave on her shadows
My hands trace contours
follow my worship eyes
"I like the attention" she says

In the morning
drafty eyes part

whisper From swirling pink elephant dazes
smiling at me.
the soft moans of her night
the reason I started dealing cards.
an addiction to that moment.
the reason I turn the hourglass.
the wide green foggy eyes
Watching me stare back.
stretching like a cat
who plays with the bird
brings it to it's master as a gift
limp and submissive,
Perhaps she is the bird.
Sunken to the curves of the bed.
a limp beautiful body
the most honest and intentionless fracture
love is creepy.
I am a watcher
ask only that you exist.
Existing is equally as creepy.
we have fingers
thoughts
consequences.
So why not stare at a part you want to keep?
Why not write it down for others to fly?
so many beautiful things are never seen
Oppurtunity wasted for fear of being creepy
Fear of love.
fear of cats
Fear of birds
when I stare I capture
When I write, you stare
love is creepy.
we are creepy.
birds are creepy
be my creepy love bird.
peace dove
fly with me, if for a moment.
and stare down at everything while we can see it
I want to see everything with you
For now I see you in everything.
Photoshop you into my dreams
Imaginary
Love is for the birds anyway.
Elysia Sep 2017
I remember gazing into the abyss of starlights and sequin sparkles of your dilated pupils;
I remember listening to your sweet singsong voice when you call for my presence.

I remember the feeling of your gentle strong hands at the sides of my waist;
I remember the smell of your lingering odour that inhabited my belongings.

I remember the taste of your sweetish lips locked against mine in that long awaited period;
I remember and know that you've kept me whole all this while, to lengths too perplexed to say--

that when you now only exist as a fair lone memory,
all my five senses have gone away.
I got inspired to write this by the five senses we have it's kinda dumb but eh.
Nat Lipstadt Jul 2014
Preface:
Even old poets can forget new tricks,
So when toe stubbed and ah ha benedicted,
Causes you to remember what you once knew,
It feels even better, like being crazy
Once in awhile,
Or wearing an untrimmed chest Jason smile.

for Bala, who inspired it many months ago., and first posted a tear ago today.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Eons ago converted to a new religion,
The Church of Free Verse.

If life be variable,
Usually unrhymed
A pencil sketch of crisscrossed lines,
No fixed metrical pattern assigned,
Than even more so, my poetry.

Once I regretted that the children,
Crack addicted to rhyming,
Used nickel bags and ******* lines
At the starting gate where all
Our associative poetry journey begins.

Perhaps, a tad arrogant, that diktat,
Nonetheless, unashamedly, nothing to recant.
Words have utility creative, souls innovative,
Free them guised as global explorers,
Make them up, then unleash them
Upon us, yourself, as detectives investigative.

Unchained myself like Houdini,
From water chambers and locks constraini.
What care I for poetic rules and regulations,
Got so many points, they tried to suspend
My government-issued poetic license.

Had myself forgot,
That a poem needs a
Frame of jungle gym sounds,
An aural aura resonance unbound.
Purposed to make the heart lift
Your ears say:

Say what!

It needs a tune,
An internal music,
It needs a lilt!
A cadence, that both
Marches and swings,
Even when'd urgent dirge
grief pours forth.

Yes my darling young ones,
Your writ of screams, like Bob Dylan's occasional schemes,
Celebrations of agonized lives of the criminally-pained,
Songs and cants of victims, love-cancer stained,
Require a whining, singsong beat.

{Poems so rad-sad that it makes this Jew
Genuflect and crisscross himself,
That he was blessed with a few good happy years,
In his reincarnated life of
A few centuries long.}

Learn 'em to sing their cries,
Harmonize the internality of love,
Or, even the infernal loss and lack thereof,
For it is the lilt
That makes, transforms a cry into a
Poem.

Even I on death's last stairway step,
When was called by the name of
Nate Hale,
My dying poem lilted, lifted and metered
"I only regret,
that I have
but one life,
to lose,
for my country."

Now you're thinking he, me, has lost it all,
But you would be incorrect, for sure.

He, me, found it.

The lilt of life that makes him rise
And greet each morn,
Even some sorry starless nights
With a First Poem of the Day.

I lilt you, one and all.
If you think this mis-wrote,
My auto correct mentally broke,
Meant to type I love you,
You'd be
Right but wrong,
I just lilt you.
Girl Anachronism Mar 2014
I want to rhyme about you
   Crush some words together
   Chain them up in singsong rhythms
      Catchy phrases
         that earworm in my head
            and echo.

You're the sort I could write songs about
   if I wrote songs.
claire Sep 2015
This is a poem for nobody’s eyes
About my students
my flowering black and brown baby girls
more bud than human, saying all singsong how
black is ugly ugly ugly
holding their arms up to
one another, comparing hues
About the instant I realized
I loved women too
and sagged hard against my bedroom door while
dread and hope danced a strange dance
in the pit of my gut
About the college kids I see in class everyday
popping Aspirin and Xanax and the pill
with their headphones and angry publicness and
******* ******* **** this
and notebooks and pens and
soft privateness and
I love you I need you I need you
About the boy I couldn’t speak to for years
without feeling sick or small or unrequited
About Audre, Toni, and Maya teaching me
how to start revolutions with a word
About how I dream again and again
of kissing the girl I am in love with
and sometimes
we are the in the dark and sometimes
we are laughing and sometimes
I am moving breathless
into the room saying
I have never loved you more than I do at this moment
and lips are on lips are on lips
About how I can’t look at this one
pink nightgown because I was wearing it
when my father said he was cheating and
too many tears fell on those
tiny satin cherries
About Holden Caufield and that
******* merry-go-round
About a crazy, unquiet and
utterly illuminated self
Me, spoken yet unspoken
Z Aug 2016
Reading bad poetry,
writing bad poetry,
existing as a subpar slice of
unemotional prose.
I'm a singsong
last-ditch singalong;
ding-****-ditch me,
***** me out.
Slice me up and
lay me out to dry.
I cut onions:
I don't cry.
You ignore me:
I don't mind.
Remember me
as a sad story and not a person.
It'll be gratifying,
albeit dehumanizing,
patronizing,
but at least you'll be sympathizing
as I'm unsurprisingly capsizing.
Right now I'm realizing
that I wanna be the hungry waves
and not the sinking ship;
the sharp harpoon and not
unfortunate Moby ****.
I wanna be the brick
instead of the window pane;
I wanna be the ****** sword
and not the bleeding slain.
So the inferiority complex that's been harrowingly ingrained
inside of my needlessly idle brain
can ******* once again,
because I'm gonna be the poet now,
not the reader, page, nor pen.
Io Dodgeburn Nov 2013
Log here for the day:

...Don't you love me?

I have your sin sweat in one hand
and soft crush held sweet the other.

I will play you like the violin
riding raucous your approval.

Your cynicism is the iron of the building.
Edged jagged in hegemony, light casts *** on your delicacy.

I will scribble wildfire across the edifice's crumble,
dip my feet in its ashes as they cool.

Sacrifice the suffer civil
to darkness my home in glow.

Darling,
Grasp me firm as the destructive singsong you fling at me.

I can make no promises.
Admission to my heart's conquer
will stream bitter through my teeth in sweet.
November 5th, 2013
Io dodgeburns
James Braukson Feb 2015
Is a poem a rhythmic rhyme?
A singsong tune with a catchy chime?
Is it a work of heart or head?
Is it always meant to be read?

Poems need not be rhythmic,
Don't you see?
Nor need they rhyme.
Point proven.

No work of heart could feel so dead,
But works of head, they aren't warm.
And as for if they are to be read,
We know it is not always the form.

If poems are for money,
Why write for lovers?
If they are for love,
Why write for fame?

No, poems can be none of these things.
None alone, but perhaps a mix,
Some of some, others of the rest,
And so we deduce what poems are:

Poems are clay.
This is entirely opinion. Feel free to disagree, but only after examining the metaphor at the end.
Timothy Brown Jul 2013
The world is writhing within me.
Every pump of my heart begs for
A new beginning.

Every thought scribbled across
Wall after wall. Jotted on scraps
Of paper, only to be tossed into the trash bin.

Regret immediately sets in.
I rip through the contents for a single sentence.

Once thought inadequate,
Now these words become
The dominating factors of my thoughts.

They shock my being like 1,000 watts
Swelling in my head like the venomous stings
From a colony of fire ants.

Yet with every word I mumble and chant
In a singsong way to the walls they're
Already portrayed upon,

There is no relief. Words become more furious;
Rhythm becomes more curious.
My fingers twitch and ache

For the pain of carpal tunnel.
They desire the shape of a funnel
Where only words an escape
Their grasp.
Scripturient: Possessing a violent desire to write.
© July 23rd, 2013 by Timothy Brown. All rights reserved.
Ian Oct 2012
As hammers pound away above my head and the worker bees shuffle to keep in pace with a singsong hymn, you know that I am lost. Lost in a world of dreams and magic. Distracted by my own enchanted daydream I lose sight of reality as it truly exists. My reality is bland and full of repetition but at night, when the moon comes out and the stars shine, anything becomes possible. I feel your warmth. Your arms tight around my mid section. Your heartbeat pounding like a drum as you rest your weary head in the nook between my shoulder. The gentle tickle of your fingers caressing my arm and I once again feel alive. Feel your love. Just a taste of your existence and I need more. Call me an addict because that’s not far from the truth. I feed my addiction with a box full of memories and a slumber that makes my day feel inferior. Why wake up? Why, ever, wake up?
Gigi Tiji Feb 2015
oh!
ohhh thank you,
thank you great body,
great god! s~h-e's got my soul
embodied in earthflesh earthflesh
grown from warm soil sacred soilflesh
and redriver lifeblood's lifemud is flowing!
flowing through treelike neural pathways
dendritically branching
branching out into my
starflesh vessel
and there's no sense
in wrestlin' with myself!
My vessel vessel is
embraced worldwide
from the inside
from the inside with mycelium!

Mycelium!!
and I am a mushroom!
I am a spore!
I'm a planet!
I'm a particle! and
I'm pumping away like
waves crashing on a shoreline! and
I'm breathing inward turnaround
outward turnaround chillin'!
maxin', waxin' and wanin'!
pushin' and
pullin' it through my sails
as I sing sweet songs of sunfalls
and moonrises floating and falling
over the horizon like a
crescendo-decrescendo and
I've got roots!

I've got roots that stretch
to the ocean floor and I've got
a thousand pound ethereal steel toe boots
and I am Drinking in the ocean and
I am drinking in heaven's Reflection.

I close my eyes to see and
I remember to breathe! to
breathe slow and I can see!
I can see the keys as
buzzing bees in the leaves
of the trees dancing with great breeze
oh great breeze!
sway swing sway sing
sing a song singsong, please!

breathe it with ease,
breathe it with eeease!

mmm
Raymond Johnson Apr 2013
A Crush*

There was something different about you
something I can’t really put my finger on.

Maybe it was the way you laughed and flashed your dynamite smile
and tucked your hair behind your ear
that made me think that god might actually be real after all.

Maybe it was the way your blue eyes
were deeper the ocean and held twice as many secrets.

Maybe it was the way you always managed to stay on my mind
like the ink stains on my fingers that stubbornly refuse to wash out.

Maybe it was the way you carefully
calculated every syllable and significant sound to ever escape your lips
in order to never waste a breath.

Maybe it was just the way you cared.

Maybe it was the way you bought your sweaters large
and owned fifty pairs of jeans
to cover up your battle scars
and appear like other teens.

Maybe it was the fact that you recognized
that art isn’t really found in a gallery or hung up on a wall
but found in the way the wind flows through the trees
and blows each one of the leaves a kiss
and the way the sun rises every day
and doesn’t ask for anything in return.

Maybe it was the way you manifest in this three dimensional space
the grace and poise with which you traversed it
the magnificent manner in which you allowed
the light to reflect off your skin
and the singsong splendor
you commanded of your voice.

Maybe it was just the concept of you
the hope that maybe
just maybe
you had these feelings too.
i don't really like the ending of this. if you have any ideas for a better one please leave them in the comments.

— The End —