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Jack Piatt Nov 2011
We are surrounded by silliness.
Don't make it obvious, but look over your left shoulder.
Slowly.
There, not feet from your face sits silliness.
Something silly breeding and FedExing its brood
to the best and brightest corners of the earth,
ensuring equal part shadow for every ray of shine.
If you find yourself disbelieving, please turn on your Television set
and flip (at your own risk) through the charmless channels
hovering enigmatically inside Mr. Pixel the “Babysitter.”
“Reality” shows, as if we weren't neck deep in enough reality
for a thousand years worth of open bars,
lamenting on how seriously, serious this soiree of sorts seems to be,
neighbored by celebrity rehab shows,
housewives from all over the country
desperately seeking attention
and augmentation
or attention to their various augmentations,
  divorce courts with quirky judges,
pawn shops in the ghetto with true grit, or is it true **** …
hard to say but they have attitude!
The endless scripts pour into HollyWeird from somewhere far, far away
from anything vaguely resembling reality …
a little place called – the Jersey Shore.
(Wait did he say scripts?) But ...

Ah, hell, it needs no description or justification,
in the land of the Super Silly,
it is the trophy wife of King Silly Bo Billy himself.
And no more time to waste on silliness wrapped neatly in a magic tube.
No, no, silliness is loose, running amok through the streets,
jumping with it's eyes closed on your neighbor Ricky's industrial size trampoline.
(Ricky only lost one of his nine children  last year to “roof to trampoline” diving)
tragic, yet the other eight get a little more tuna casserole on Wednesdays.
Silliness is fearless. It charges helmet-less into oncoming traffic
singing Christmas jingles in Latin,  
mid-February with no regard to Lincoln
or the people he is said to have helped liberate.
It defies logic, gravity, good intention or worst (best) of all – common sense.
You will find it in every church no matter the dogma.
Every court room, police station, financial institution, school, university,
tall building with more glass than steel …
yes, silliness grows there like mold in a dingy basement
overpopulated with sprickets.

Silliness is a disease.

Not to be confused with silly smiles and clowns at the circus.
This is not the silliness of your youth, but the silliness of adults
who have sold their love of the moment
and lust for life for the deadly elixir of conformity.
Conditioned by an unrelenting tidal wave of negative energy
and condemnation, they sign their death certificates long before they die.
Dreams and happiness are replaced with life insurance policies,
401k's and 403b's. In this lies the silliness.
As the masses line up one by one at the top of the cliff
and follow in suit as the jumping begins.
Into the abyss they leap, medical and dental plan in one hand
and neatly mowed lawn in the other.
As the happy children play to their parents dismay,
the merry-go-round spins blissfully around
as daddy slowly drowns.
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
Tay Jun 2016
Don't fall in love with a girl who reads.
The girl who feels everything, who dreams, who writes..

Fall in love with the girl you find in a bar. Find her in the squall of smoke and sweat of an upscale nightclub. Make sure she doesn't mix her coffee with bourbon. Love the one shooting tequila straight from a cheap, half-empty bottle. Wherever you find her, find her smiling. Make sure it lingers a little too long. Use pickup lines and entertain her with meaningless slurs from a long day and mistakes you know are about to be made. Take her outside and kiss her in the rain because you saw it in a film. Comment on its silliness.

Pull her into a tolerable relationship. Let the months pass by without remark. Then let years pass by unnoticed. Talk about nothing of significance and retreat into it when the air grows stale and the evenings become long. Fight about how the shower curtain needs to be kept closed. Propose a little later because you realize you'd have wasted so much time otherwise. Take her to a restaurant that wreaks of marinara sauce and sheepishly ask the waiter to bring a bottle of expensive champagne. Offer up a modest ring and don't become too concerned if you feel nothing of sincerity or commitment. But fake it, ******* it.

Do these things. Because a life lived in purgatory is better than one lived in hell. She will make it hell. I'm begging you, stay away from the one who reads. Who laughs or cries when she makes love. Who can neatly fold her spirit and spin it into prose and poetry. If she loves poetry, run away. Don't dare to look back. She is to be left alone. Dangerous little smiles should make you shake. Do not smile back.

Do not fall in love with a girl who thinks. Who is made up of magic and knows herself. Do not love the one who knows how to disappear inside of a book or a poem or a painting. If she spends any more than a few seconds looking into the eyes of a sinner, get out of there.

Don't fall in love with the girl who is interested in politics, who feels disease in injustices. Don't love the one who is intense, who is lucid and charismatic. Stay away from the one who has any sense of ambition, of rebellion, or even the smallest hint of wonder in her eyes. Be cautious of the ones who can't live without music. If she can draw, quit, and quit fast.

A girl who reads is one who knows herself; who is sure. She is educated and she is fire inside a bottle of rye. The girl who reads is one who is comfortable with goodbyes. Think about it: she's read millions of novels and each one ends. Most end with the death of her favorite character. They make her think. And she flies through the pages like they are wet wine on collarbones. And she is okay with each and every ending. Sure, she might cry, but she'll wipe her face and pick up another book. Just to do it all over again. Remember this if she ever says her favorite book is you.

She is a romantic and how can you match up to the princes and heroes in her books? She knows nothing else. You can't love her the way those characters could if they were to take shape. She holds a vocabulary that lays claim to her ability to distinguish between the specious and the soulless. She holds rhetoric hands that turn black streaks into the books she loves so deeply. She deserves a man who can hold her hand the way she holds her books. Someone who can write her notes and hide them in her lunch box. Can you write in cursive the way she can?

Please, don't fall in love with a girl who reads. Because a girl like that, you never come back from.
Left Foot Poet Mar 2018
cellphone to heart, mobile to immobile, electric dead to living

you know that sleep and I are but passing acquaintances,
when it drops in, to heavy my lids, it is through a cracked window slivered, just enough for a Pan boy to grab me and away me to Almost Neverland

when the alarms sound that it’s sleepy time,
(quite like that quiet verse)
no time to delist the “those pre-shluffy to do things,”
cell drop upon my chest, like an open mic,
then the raging observatory tapestry begins!

the cell lies directly above my ventricular chamber,
and communication is live, the brain cutoff switch, well, cutoff

all manner of imps, devils, rejected poems, angels and
Greek gods and some Indian as well, stand in line for to make
free calls via a beating human message call center, utilizing my friends and family verizon plan to register complaints,
close out unfinished biz, or just contact, friends, family or other
mischievous imps or even you, in other time zone worlds

though my brain may not interfere, like the CIA, it records all
conversations and give me a list of new poem titles, notions, stories glories and wrenching heartbreaking heartbreak,
requiring “fleshing out” when I awake from my three fingers
of scotch, glass eye tears drops made me drunk,

damning this transmigration chorus of voices that offer up a treasure of divine humankind’s hopes and travails,
and the occasional call on the divine’s 1-800 confession line,
hear it all, my chewing out by one particular god of mine who does not suffer my criticisms well of his ungodly actions, nope not sweetly and

when else would he dare contact me, except when no edgewise
words of mine can appear to contradict his mealy mouth excuses

did you musty misty mistake  my poems  as the product of
the miracle water wages of my imaginary inspiration,
no, not, from the replaying of your desperate exclamations,
the cancerous shrieks of loss and prickly investiture of the aesthetics of soft whispers and solitary foot treads,
that is where my insanity is bred, and tumbling s-words, sworn

don’t consider it eavesdropping as there is no signed rental agreement, consider this unfair warning, if you should secret use my cellular line, your everything is now ******,
your genetic material is materialistic mine and my poems yours,
this bittersweet sentiment is a measure of our bloods commingling,
your tears and impish silliness, are shiny hidden within mine

somehow I feel compelled to state this unique statistic:

I love you

4:47pm on 3/11

who writes poems like this?
silly old boys with gray hair, standing on one left leg.  but you knew that, right?
Graff1980 Apr 2018
Silliness 2.

Mr. Marvel
went to the
carnival
to see something
wonderful,
but left
depressed
because
even their best
performance
was lackluster.


Silliness 3.

Mr. Morris
bored us
with his
postage
lecture.

Mr. Neely
had a voice
that was squealy.

Ms. O’Neal
did not know how to feel
about the unreal
reality shows.

Ms. Pearl
never ever
considered
conquering the world,
but she would have
ruled it well.

Mr. Range
was the least strange
person in this poem.


Silliness 4.

Mr. *******br>refused to quit
even when
he was
already done.

Ms. Taylor
always smiled
and replied
I’ll see you later,
even when
she knew
she wouldn’t.

Mr. Vance
just learned
how to dance.

Ms. Webb
can’t wait
to go to bed.

Mr. Young
always
gets done
early.
Akela Santana Oct 2014
Take me back to June 12th, the day we first hung out together, drinking beers and ***** shots, singing karaoke to Green Day, Michael Jackson and the out of place Lady Gaga at our favorite bar called Villains.

Take me back to all those days we'd hang out at Milk Coffee Bar and laugh at horrible things like the Columbine Shootings or the 9/11 attacks and *** smokes off our mutual friend Jean; drinking beers and listening to horrible local indie bands play their horrible, airplane sound/ white noise, indie music.

Take me back to "the perfect 90's couple".

Take me back to the first time I kissed you by accident, causing the caterpillars in my stomach to induce metamorphosis, letting the butterflies to spread their wings for the first time.

Take me back to the first time we slept together, with no ***. You caressing my back, me slipping into a peaceful slumber to the sound of your heart beating, a sound I've never heard before.

Take me back to July 10th, the day we told each other we liked the other and I talked you into asking me out.

Take me back to the time you said I was worth it.

Take me back to the nights we'd stay up till 4 in the morning talking about nothing in particular or talking about everything and anything that came into our heads.

Take me back to the day we were on my front porch and I said "I love you, you're funny" and you replied "I love you too".

Take me back to the first time we had ***, making love, and you made fun of my blushing and called it cute.

Take me back to your birthday party I can barely remember because I drank so much and you ended up taking care of me and checking my pulse to make sure I was okay.

Take me back to our first official date at Bubi's where I dressed up for you for the first time and was so nervous I could've ****** myself.

Take me back to the talks we would have about moving in together, or when I was sad that you didn't want kids and I did so you said "I might hate children but I would consider having children with you".

Take me back to the Loop where I showed you I could be stupid and dance like a fool.

Take me back to the Cards Against Humanity game where I showed you I can be a bad *** girl and make you laugh at my dumbassery.

Take me back to Korey's end off summer party where I got to watch you fail at the NHL game and record your cute silliness  when you actually scored.

Take me back to when we started to drift apart because you had to go back to University to start the semester, where I should've suggested staying over for weekends even if you had to study.

Take me back to when I got depressed and said "I have no reason to live" and made you think you weren't good enough for me to stay, even though that was far from the truth. You were my only reason.

Take me back to when you needed some space and time to think.

Don't take me back to when you broke up with me.

Take me back to when you wanted to give it another shot.

But don't take me back to when you decided to break up with me again.

**It's been years since then, and all I can say is that, I loved you. I'm glad we could've dated, cause you showed me what love was, even though we didn't last, and for that I am grateful. Thank you, Nektarios.
Something I had to write. This Is about my ex boyfriend Nick.

I just want him to be happy......
One4u2nv Feb 2012

I'm thoughtfully watching joyous pupils viciously coming across girlish phantoms.

Meanwhile you are watching me satanically bounding through fields of flaming stimulations, while riding on hope that depends on productivity. I won't ever find it. Productivity that is. 

Satisfaction might never be prioritized above facts. This is FACT-

The unknown needlessly attracts poetry.

Our reality abraded and unjust can be uncomfortable if it’s entangled with education. 

Moving at your own pace is a fountain of materialism and greedy lusts. 

Psychic ability favors pressure, and a random act of silliness can somehow mold in to self reform. 

Magic has been brought to you by Nikola Tesla and of course Prince...He is the true King, save Bowie of course. 

Sexology turns boring things into The American Dream.

Suggestively inter-dimensional paintings as a punch line to a tasteless joke for tasteless people. ----> See blog for details. Http://www.tasteforthetasteless.tumblr.com

Swiftly opulent inspectors for future generations leave no getaways for past generations. Thank your god for this..I certainly do. 

Feminist eruptions and Malibu Barbie are inexpensive expectations with crazed, maniacal plans for world *******. We fed the Illuminate to the space pirates and now we are the people. 

Enclosed in this excessively long mixture of nonesenical words are meanings of life like surgically altered violins fueled by bitterness and rage are the way to the Sneaker Pimps six-Underground. 

Our politicians are galavanting with over paid under appreciated butchers. 

Comfort is the leading cause of heroism and cancer. 

Electricity is a side-effect of greed. Greed fuels each and every home. 

Activism is another form of stigmata and self-confidence rests upon your soul's desire to be better. 

A perfect moment is ruined by mythology. Throw it away along with your **** of an ego. Learn what bogs you down and what helps to keep you afloat. 

****** tension can trigger an avalanche of vengeance and self loathing destruction 

Your energy can transcend in to a rouge wave larger than life and larger than Jesus Christ fanatics followed by Anti-Christ hopefuls.

Laughter gravitates towards ravenously healthy men and women. Follow that pack and you will find health awaiting your arrival with open arms. 


Sitting at my little desk
cluttered up with nothing real
so it looks like I have work
a little heater on my feet
epitome of luxury - warm feet
how time drags away today
so much behind to do at home
alone inside this little room
where photos line the wall
with other people’s happy day
would it be sacrilege
to ever put a sad pose
in the frame that
held such shining joy
≈≈≈
another wall is cabinets
with everything that
I might need for anything
but where is the band-aid
for today and the
cure-all for tomorrow
as I sit and wish that I was gone
to any place but here
≈≈≈
narcolepsy goose-steps in
battalions of its troops-
a war I must not lose
I cannot leave and
beat retreat
I must stand firm and fight
until the razor
hands of time
cut through the bars
that keep me here
unwilling but required
≈≈≈
for I support the camping trip
that we call daily life and there
are hungry mouths to feed
with names like heat and light and
shelter from the winter
they bring their cousins
food and clothes and
go juice for the car
to stand in line
on my front porch
with hands outstretched
demanding
≈≈≈
sometimes I muse
on what would happen
if i just turned out the lights
and locked the door
against intruders
and tap danced away
would there be a net
to catch me
if i jump too high
or dance along
the precipice
without my contact lenses
≈≈≈
now I recall
the words my mother said
when I would dream out loud
“wish in one hand
spit in the other
and see which one
gets full first”
good ole hillbilly philosophy
≈≈≈
so here I stay with a frozen clock
an antique desk
with a vase of crimson
bougainvillea I snipped
off the hedge
across the parking lot
I must have flowers
on my desk and
in my home
my very soul demands it
but never if I buy them
it requires the vaunted
ingenuity my mother
preached to me  
to keep the vases full
≈≈≈
what ceramic vase
 would I fit in
I’m neither rose
nor orchid
would I be
a whole bouquet
or just a single daisy
silliness to ponder
fourteen kinds of nonsense
≈≈≈
still the pen
stays wedded
to my finger
not yet done
with nonsense rambling
though I’ve said
most everything
I need to say
≈≈≈
I’m over half the
way to freedom
looking for a coin
to buy away
the final hundred minutes
will it be the radio
a game of solitaire
or just more
claptrap from this pen
≈≈≈
the usual fall back
crossword puzzle
points up my aphasia
and I’m in no mood
to face humiliation
once again
≈≈≈
how slowly can I nibble on
the sandwich
left from lunch and still the time
procrastinates
my mind at last is blank
And now is the acceptance
I can’t scribble on forever
it’s time to
put away the pen
and hide this diatribe
out of the public eye
And head at last for home.
                ljm
I have to put in 20 hrs. a week at my church office whether there's anything for me to do or not.  All the real work gets done from my home office phone and computer, but I have to leave that behind to satisfy the 20/20 requirement.  Stupidity unequaled.Christian
Kathleen Sep 2016
Happiness bled all over my bathtub.
Silliness dried at my feet.
But maybe it's just the parts that we're made of.
Maybe that's all that we mean.

And dreaming suddenly preferred me.
And themes suddenly addressed me

Mirrors and make-up, tripped over playing cards.
Drowned in the chivalry,
Heroes and worshiped gods that were made up,
furrowed their brows at me.

And dreaming suddenly preferred me.
And themes suddenly addressed me.
Emily Miller Mar 2018
Four years old.
Four years old is the perfect age
To know enough about yourself
And not enough about the world.
To know everything you absolutely need to know
Before the world strips it away
And replaces it with a fake sort of knowing.
Four years old,
Old enough to recognize something that will drive you
For the rest of your life.
Four years old was I,
And four years old was he,
Mattie,
My Mattie,
When we met in the sticker-burr ridden play yard
Of a daycare,
And at four years old,
We became peaceful companions,
Slower,
Quieter,
And just a bit more odd,
Than the rest.
At four years old,
Mattie had a silliness about him,
And a funny way of talking through his missing teeth.
At four years old,
We avoided the violent, flying swings and sprinting, shrieking children,
And we scoured the outskirts of the yard
For four leaf clovers.
Mattie was a four leaf clover.
Incredible,
Unique,
And found by chance.
Because Mattie’s silliness and funny voice and missing teeth
Were not simply because we were four years old,
But because
Mattie came from a mom
Who couldn’t stop.
Mattie’s mom couldn’t stop doing drugs,
Not for a single day.
Not when her belly swelled with Mattie inside,
Not when he came into the world,
Breathing the air she did,
Drinking the milk she made,
Mattie’s mom couldn’t stop.
He was buried beneath clusters of clovers,
And his four, perfect leaves were nearly withered away,
When his parents found him.
His parents,
Two incredible women,
Who had so much love in their hearts,
They couldn’t help but let it overflow
Into the cup of a small child with bright eyes and dwindling breath.
Mattie,
My four leaf clover,
Is happy today.
Today,
Mattie,
No longer four years old,
But a man,
Is about to be a doctor.
My four leaf clover,
Who looked to his mothers like the most beautiful child that was ever born,
With the sharpest wit
And the most brilliant smile,
At the end of the day,
Is simply another clover.
His beauty and his value,
Are what we give him.
His rarity, his singularity,
Is something we create,
Something we fashion for him
Out of love and acceptance.
To this day,
I lean down and examine patches of clover,
The image of Mattie,
Gently counting leaves with chubby, toddler fingers,
Burnt into my memory.
And to this day,
I hold in my heart the hope,
That I will meet a child,
My own Mattie,
My own rarity,
My own treasure,
My own little four leaf clover.
Dhaye Margaux Apr 2015
We had another date, for me a quality time
A situation I always want to have
We shared our laughter with our silliness
Sweetheart, you're my greatest gift from above!
Thank you for making me smile. :)
Sienna Luna Nov 2015
Dear, let me tenderize you like meat slap the silliness from heat bubbling bubbling bubbling to a boil.

Dear, let me technically arouse you by letting each word escape like exasperation, a depletion of the senses as every finger or pressure point examines your body from head-to-toe.

Dear, let me be no longer ashamed to touch or hold you close, let our breathing and beating submerge into higher thinking.

Incinerating flames that lick the grate.

Dear, let me dive deep into the crevice of your brain, all mushy grey matter, all the same.

Dear, let me slice it open and **** out all the juices, licking licking licking each curve and crevice,

My supple pink snake-like tongue reaching deeper deeper deeper into your mind.

Dear, let me sink into your reality, bit by bit, and piece by piece until cohesiveness lays its eggs inside the deep hole within you.

Dear, let me scratch the surface, trading dimes for dust and pecs for fluff.

Let me swim in the depths of your hectic personality.

Let me get to know you and all your originality.

Let me breathe in your values and slurp up your mature decisions.

Let me caress your life like two bulbous lights that hang from the existence of time.

Let me illuminate you, serenade you, quiz you while ******* your sense of self-esteem.

Dear, let me dream your dreams.

Dear, let me sink my ***** mind games into your wet social brain.
Don’t let the pressure get to you.

Passion may play a key part in the sway!

Let me suckle your sweet thoughts, play with your deriving initiatives.

Let me hold your ideas in the sweat of my thighs, burning with desire to see myself through cobalt eyes.

Let me feel the hot ***** of your ethical intentions and clear apparitions.

Let me analyze your prerogatives and **** with your distribution methods.

Dear, let me fiddle with your political views, (in the “other room”) and tickle your soft solutions on creating a world of doom.

Let me ****** your sustainability, flirt with your progressive mindset, and squeeze your plump ambitions until they burst!

Dear, let me push gently on your sensitive issues with your parents until they become less apparent.

Let me stroke your disagreements with foreign policy until they shriek with mercy!

Let me take you further and touch your blind senses to a pink paranoia of retentive defensive pretenses.

Let me cuddle and snuggle your sense of self-worth and pleasure your brain with mind-bending words.

Dear, let me dance with your intelligence
until we sink into oblivious mind-*** bliss…….
Sa Sa Ra May 2013
I do love
But it ain't quite
like the Discovery Channel!!!

I want so much more than
the collective desire of Park Avenues

I believe like,

With exactly no doubt
like zero are the hours
which can never count
upon the seamlessness
of my perceptions

I do but I don't
I am and therefor not

I talk in mirrored tongues
I observe in uncanny detail

Micro and macro all a flow
overly ever rushing torrents
moving galaxies about

Pouring in
more rushes out

You can picture it
over the mighty edges of
and rushing to, fro and about
every swirling an obstacle stout

Though such knows not
one another in such ways
inseparable upon one journey

As She manifests from her he, Self
He's giving for he gets the She of,

An ever persuasive passionate,

Play... .. .

Greater than the dreams

We know of love yet
Shy to conceive

They, their passion
.........
  .....
   ...
    "
    '
We inwardly receive

Those torrential lovers
pourings do spillover
and on and over
and rush upwards
ah ever more easily!!!

Vast sensualities
******* rhythms
of this a, Our universe
in micro exotic intoxicating
allure, irresistibly entwining
the smallest tastes and teases
of songbirds loving symphonies

As butterfly and a bee in the ever
sweet scents of psychedelic sighting
wavings in ever inviting ever ripening
ever flows of heavens manna sweets, but
sours the way short where some say sinners
ought never see or be, though such is silliness see,

For such shy glimpses of what is less than momentary
which is not countable, when our greatnesses will carry on
beyond our redemptions of what only we shall see clearly so
simply, one day twas the dark night of a soul, here blasphemed
about the sacredness of all ever evident being so close found fondly,

Sweetly, though lost in those ever aching wishes of our journeying together

Would death be ****** abandonment at all a freaky thing unconceived
dark night of the great light conceived viewed in our ever grace and beauty
but she lets you feel her he's and all the glory, all the glory an unrealized being
in all our collectiveness has not yet seen but in the depths of where it's consider dark
for simple decisions we all have and must have made to function here, there

and at all,
at once...

No time, no space, no EMC squared's
yet in Newtonian fashion the soul spirit remains
carries on in infinite motion and motions of our choosings
and for better and worse we do all about the same for we
were never thrilled about all the separation we discovered
in reluctance and or in blessed joys of great companies
of loving hearts, eyes, ears, arms with tender loving
caring hands of nurture enough twas enough for
you are still here now and those who have not
have forgiven all other misguidance eagerly
when it is easily found tis only our own
choice to be and set free freely

And I can want any petty desire too
and put myself up for adoption to,

The petting zoo
and you...

For hell yeah I want to be here
all the way and with you
my wayfarers

I Do...

do do dee da da
oo la la and ma mama

childs all of such grace
we oft just call gods

And greater love seen
dispensed philosophically
by self proclaimed atheism's

Denialism can rather be the truth
of atheism, self pitying so deeply
resenting the here now for some
overly wishful thinkings and
of mournful emotionalism's
about the 'it just ain't fairs'

Beware they will take you
to their wheres, wearing
their wares of self hate
while glossfully
painting in
glitterings
of fools
gold

Feign not thou
we are co conspirators
already decidedly agreed
agreeably dancing on the sharp
end of one pointed pin, hand holding

But remember if we were ever shaken
off of binding bonds ever closefully as
the chasms of divergences really are

We still ever dance ever lightly on
the everly fine poignancy of pin

And the illusion of being
garden casted for some
shamefully blameful
denials of the snakes
sly fashion to even
ones need of feed

And or wither from
the long and short
of journey with
the ever's of

here now...

Paradise
Perfectly

Paradoxically

In our
every
way

So I am
in great hunger
greater thirst firstly

For the one great illusion
desert stricken for not seeing
the forest of paradise for every
tree and every grace of all possibility

Without such would come from impossibility*

Once Again...
"Get In My Belly!!! I'm Having a Fat ******* Moment!

Is it normal to be this hungry all of the time? ***! I swear I could have just eaten and not even two hours later I'm famished. I don't remember it being like this before. Like right now all I want is some bread, spaghetti meat sauce and and some orange sherbet then top it all off with a nice big bottle of Iceland Pure alkaline water. Ooh, ooh or some curry lentil soup with some grilled chicken and sauteed mushrooms. Or, or some watermelon, grapes and strawberries with cream cheese and cane sugar dip and sauteed lamb. My goodness "I am hungry"!!! Feed me Seymore!!!"

http://en.wikipedia.org/wiki/Fat_Bastard_(character)
Immortal.
Oh, yes, he is immortal.
Immortal in his youthfulness indeed!
He shall age and grow but never change;
he shall wane and wither just in pain!
Just like a stubborn day rainfall-
ah! which remains a thick stifling veil
to our young sky, and its starlights-
like a loyal fence and its old window;
sitting and hoping that endings shall never show
Yes, he shall but still look the same tomorrow.

Ah! In his silliness and bold playfulness,
he sometimes makes fun of his own madness,
with a conscience that somehow be rapid
and cheerful smiles so genuine and sweet.
Like a miracle in one dull puppet show
He canst list five jokes in a row!
But a certain poison is in his blood;
and unreachable thoughts forever colour his heart.
His youthful lips are full of secret tales;
and his white skin can at times be pale.
His stories are songs we've never sung
and his breaths are simply words to my poetic lungs.
With daring steps that this earth never fails
into the moors every morning he sails.
Once I found him behind the walls
among the long corridor of my halls.
With lightness he sounded plain but sure
Yet the cold outside made him obscure;
his purity was like a shadow of lightning
so calm but innocent and bewitching.
But as soon as gales wafted through the grass
He would once again; flock away into its mass.
Glee, glee, was what then astonished my poetry;
with tears and feelings that might have lit-
o, immortal man, I have only words to play with!

And ah! How once I startled him by my lover's name;
which he enquired more without any shame.
But envious was my heart's flame-
and delight was sadly never there to tame.
I ran, and ran away-without staring back at him,
no matter how absurd it'ght hath seemed!
With turmoils that were inside of me-
I clouded his picture once more,
stiffened by cries, but hated by my own delight-
scarred by lies, and loathed by very fright-
but now and then he would spring back into my steps,
demanding me to give what had been said away,
but I sped and hurried 'till he no more tapped,
and was turned aback and into his own day.
O, immortal man, please just forgive-o forgive me,
for I shalt have no more courage to face thee.

And lust, and love are but my forbidden triumph
Which he can only be see within my poems.
With his hands that shall stay awake forever-
and never age behind eternal rains and thunder;
to every single day he shall wake gladly in wonder.
Gazing through his very own unnatural universe
with holy regrets but intense admiration
But sadly his life might never be my verse;
neither his charms ever be my wifely laudation.
The fate of his might just not be my course;
and as how my being; is not his envied incarnation.

But blessings be with him, whoever's precious treasure
and be pains his heart shalt never endure.
O, immortal man, our paths are one, but never meet;
and forever are just enemies like coldness is to heat.
Again whenst I am to die I shalt remember thee;
for being more awesome than even the lake
and more delightful than any words canst take.
Ah! And thy silliness is one that makes thee so special
and even lighter than letters that hide behind the wall.
How thou would be one of my firsts to call!
Just like how thou art always immortal;
as thy portrait is eternally young and genial;
from which my pondering eyes shall never stir;
as whispers my human heart forever longs to hear.
Susan O'Reilly Oct 2013
Samhain time

spirits are free

***** and lime

share our company

Smirking at our silliness

smugly knowing we'd scream

if they showed a willingness

to swim in our stream

If there feeling naughty

we'll experience a feeling

something wierd and creepy

our senses left reeling

We'll put it down to atmosphere

or wishful thinking

truth if we knew would cause fear

our hearts sinking

So leave them alone

it's their moment

cause them to groan

and you they'll torment
Mumpity, flumpity, flickety flo,
Skippedy, whippedy, whatate is so.
Nannity, sanity, banality more,
Appity, slappity, slippery ore.

This it the language of garrilous gores,
Plumpity, uppity, nackity nor,
Willowby, silloby, mackity, lore,
Sit by the window you hippety ***.

Africaty, molassesity, whoppity wo,
Laughity, screetchity, eachity sore,
Walk in a willow and trees are abore,
Sit by the window you willowby store.
Shannon McGovern Aug 2011
Your hair is thick and dark

evergreen branches that glide

against lilac petals 
made of powdered sugar.

I wish your hands were not so rough,

when you mold my body out of clay

you leave divots, not as deep

as tire tracks in snow
but tiny deer prints

left behind in secret

the kind where the mystery

makes you follow them into the thicket.

Strum that song again, 
the one you played, laughing

at the silliness of knowing

every chord, even though we both

silently love it. Don't talk to me

about intimacy problems

because you know I would have

loved you, more

then children with fried dough

the kind that comes from county
fairs
and you can't look at me

like that, with painful eyes

'cause we're both guilty.

What happens to women without
 men?
Running fingers over bare
hills, hoping to once again

be covered with fur trees

thick and dark. So catch me

with those that match

your pea coat that smells

sweetly of cigarettes

and stories only known

by haylofts and cotton pillows.
WCA Jun 2014
There are so many nights that are so vehemency important.

And so many nights that are not.

Yet the most important are the nights that never happened.

The nights silenced by fear or tiredness or silliness.

The nights that are pounding on doors of regret.

The nights that haunt in their wake.

Because they could have meant something. 


And because things rarely do these days.

-

*"It would have destroyed me if you said hello, it would have ******* killed me."
Isaac Golle Sep 2014
I remember
You were walking to the fire pit with that stupid, wonderful, lost little boy look in your eyes
I remember
We talked about dirt bikes
I remember
You laughed at pretty much everything every single one of us said
I remember thinking
"Man, shut the hell up, already!"
I remember the next several weeks
You annoyed the hell outta me

I DON'T remember the day you first felt like a friend
I DO remember all the things you taught me
Laughter
Like all the joy in the world is bubbling directly through your soul
Silliness
Letting the world think you're crazy when all you're doing is having fun
Gentleness
Letting go of yourself and doing the right thing for the sake of others, so that they may feel..
Love
A friendship so full, deep, and rich; the first time we saw each other after several months all we could do was laugh
Literally
For like fifteen minutes straight
You made my soul feel whole

I don't remember when we started to drift
I don't recall the day it began
But suddenly, I realized I was losing my best man
I tried so hard to clutch you in my hands!
But you continue to slip through my fingers like sand
Slowly, slowly you disappear
And sometimes I catch a glimpse
A frail, fleeting glimpse
So intact and incredible
It is but a glimpse

Then away you go
Where you glow and you glow and you glow and you glow
For someone else to know
And I'm having a hard time letting go
Is it worse to lose a good friend instantaneously to a tragic accident, or slowly over time?  I love you, Holt.  And I miss you a lot.  Don't worry though, you're doing incredible, honorable, wonderful things :)

I don't really know if this is a poem or not.  It's raw, heart feelings though so I decided to classify it as poetry.
TJ Jan 2013
The compass turns
spinning around to find its correct course
and where the arrow points
we follow

I close my eyes
stretch out my arm, finger pointing straight
I turn
Spin
Laugh
and eventually
fall from dizziness
Still my finger points
directly at the path I did not want to take
but even my silliness knew it was the correct course

Sometimes it pays to be childish
Brent Kincaid Dec 2016
What does Santa have to do with Jesus
Or an egg-laying rabbit for that matter.
People who think this crap up must be
As mad as Lewis Caroll’s Mad Hatter.
I mean, these same store owners
Got those stories from somewhere.
Then put them out generously for
Gullible parents so freely to share
With kids grown greedy by the lack
Of parental care and nurturing
Not to mention pablum, for real
As the family thing was rupturing.

Where did that rabbit come from?
It never made sense at all to me.
How did those ******* up genetics
Get dragged into the nursery?
It defies belief that anyone over eight
Ever bought in to the silly tale.
It was always so obvious to me
That it was all to make a sale.
So, first there was fat man and sleigh
Flying at blinding electronic speed.
With ungainly flying reindeer as
What passes for valiant steeds.

Next we have a bunny who hides
Millions of gaudy hard boiled eggs
Then apparently hops right off
On some very confused short legs.
Did I leave out the Tooth Fairy?
Now, that is a real piece of work.
I really believed that pillow thing.
My god was I ever a young ****!
There might be someone else besides
Fecund rabbit, fat men and a fairy.
If they hadn’t brainwashed us so early
This whole mishagas would be scary.
Kasandra Curtis Sep 2012
Floating like an astronaut
I bound across the rug, a smiling spirit
I sing unconsciously.
Tomorrow is Saturday,
And we will be together.
Hot coffee and cold ice cream sensations
Overtake me,
I squeal, like a giddy child,
Thoughts of you do this to me.
You satisfy like the lunch special at an old school Greek diner.
But you make better coffee than them.
I always make it too weak or too strong,
Even when we are too old to do anything other than sit and wait to die,
I will still need you,
To hold my hand, look into my eyes,
And of course
To make the coffee.
But, I'd love you still, even if you made horrible coffee.
I'd still want to hold
Your hand,
And look into your eyes,
And when we're that old
We can always go to the diner,
And eat ice cream.
The coffee's pretty good there too,
And when your with me, I don't even need to put sugar in it.
Just some silliness, floating around in my head.
Cody Edwards Apr 2010
"And Abraham drew near, and said,
Wilt thou also destroy the righteous with the wicked?"
- Genesis 18:23

I

There are about four thousand people
Here.
They throng in blasted heat like
Little arid wasps.
Gasping summer rain,
Like the opposite of fish.
Of their individual character
I can give no generality.

They are men and women,
They stand on roofs and
Sleep on their words.
They are hot and cold
And they hate and scold.
They are devils and stars
And ***** and priests
And children of priests.
Orators, they are also:
The speakers of the state (which
Is hotter than they could
Ever know); they steal
And reel and impose their
Splitting fingernails deep into
The varnish of the
Wishing well.

They are men and women,
They stand on roofs and
Smother dreams by spitting on the sky.

II

Fox. Come and light my little room
With your brilliant breath. Have you
Come very far? From the eye of the trees?

I should leave this little town if I were you.
It has its ways and leeches from our
Dangling hands. A tongue named Lethe.

Wake early and flee back to your dark,
Summon that green corpus shell that
You came from and follow its outlying root.

You should know the power of the vine.
It crawls in the blinding night and
Strangles what it cannot feed upon.

Oh my little fox, I beg you turn back,
For in familiarity lies strength and nothing
In this wilderness will give you nourishment.

III

He walks in waterways and crunches bone.
He watches moonlight play on open wounds.
He wishes dearly for the ends of weeks.
I heard him live his life without a sound.

The high school band with a treble clef. The year
Of empty penmanship in which he wrote
A thousand notes and mailed them underground
About which neither parent knew a thing.

Encounters best discovered some years later
Work to redden ears in coffee shops,
Or rather as I’m talking to him now,
With darting speech and halting eyes and all.

Perhaps the atmosphere could lend itself to blame,
The hormones and the collusive ennui.
But little charms the tear ducts quite like saying,
“Why am I this way, do you suppose?”

I haven’t got the heart to make reply
And often pose myself the same question
Before the mirror thinking of my whims,
The muddied roads that led me where they did.

My time has run itself to pieces in
The hope of spreading my horizons, but
Some sand runs faster in the way, some gains
More ground. And mine? This distance is unknown.

I licked the shelves of Hardy, Plath, and Keats.
I lorded over idiots with glee.
I lured the fathoms of my mind to float.
And oh, the things that he must think of me.

IV

The doors know I am coming,
They dart out of my way.
My telekinesis stops there
But I troll forward
And brandish my little iron steed.

****. Adjust my strap
And push the cart onward.
My purse like a little leather
Bundle of swaddling.
I nuzzle it close to my breast.

Frozen foods. Diet says
No carbohydrates, so I adjust
My tastes. In a little town
Like this, they’ll notice if
I don’t.

Magazine aisle. Nothing
But ***-endorsing rags
And godless photo sessions fit
For lining shelves and
little else.

Lord, this vast store!
Give me strength to bet back
To my car. God, look at
That **** at the pharmacy
Asking for birth control.

And I can’t help but
Cluck my tongue at her:
I just tell Ray I have a headache
And turn on my back.
Ha, as if she’s married.

No decency any more.
Men getting married, women too!
God supposedly “Banging” us out of
Star dust. Who are those atheists
To judge my truth?

Checkout. No, self-checkout.
I don’t like that clerk
Staring at me. Receipt.
Probably a ******* anyway.
And for a moment my mind controls the doors and all things.

V

She’s gone a bit insane.
Yesterday in class, she asked
To go to the lavatory
And just went straight home.
(Poor thing, I can’t blame
Her after all that has happened.)

She’s told me about her
Father before. Whether she’ll
End up as warped remains
To be seen. She’s got my sympathy.
(Mother dead at four, brother at
Seven and something else at twelve.)

Senior year is more than
Freedom from Dad, she says.
It’s freedom from myself,
Whatever that means.
(It is her father’s profound wish
That she memorize all of Revelations.)

From the grass, she tells me
That her father explained to her
That non-dairy creamer kills
Ants. She does it with a smile.
(We don’t have to say much more,
Suffice it to say he’s a very loud man.)

She still has an averse reaction
To stories about car crashes.
And I never read her her
Early July horoscope.
(Nightmares are too kind.
Panic sifts through windowpanes.)

Her uncle doesn’t call from
The old hometown, he was
Grabbed from her life and her
Father never says why they moved here.
(Two years her junior, she jokingly
Calls me Grandma because)

She hates her real one. Prom
And graduation. A candle
Ceremony and she’s gone.
Her father left before it was over.
(I’ll miss her, but I made
Her promise not to visit.)

VI

Hot like a miracle breath.
The two seasons: Summer
And February.
We taste the heat
And drive away for the weekend.
Of course the world ends
And the “Welcome to” sign.

Unsurprisingly,
The radio dies as we
Head back to town.
Why should the death of
An intangible surprise me?
Everything else
Dies here.

Pessimism like a mockingbird.
The smoking trees
Ripple like an Ella
Fitzgerald vowel.
Hold your
Miraculous breath
And it still won’t rain.

Our abortion
Welcomes the needle heat
with a  horrifying
Little finger.
That smile,
That smile.
Jesus.

How can it stay so
Hot? No reply,
But I forgot who
Was asking.
The irony of this ****
Town sparks my
Smile.

VII

So where are you from?

        I lived up north
Before I moved down here.
They needed teachers and
I thought “Why not?” Turns
Out this place is a lot
Slower than up where I
Came from. No offense.

(Laughs) None taken.
So what are you teaching?

Senior English. Pretty cool
Subject but I was shocked
How little the kids had been
Exposed to. I hope to remedy
That soon. (Mumbles something)
Any more problems, you know?

The parents have complained?

Oh, just the usual nitpicky
Silliness: “I don’t want my
Christa or Johnny reading
Such-and-such a book.”
After a few years, I’m
Sure the parents will lighten up.
Or, (Laughs) at least I hope.

How are the kids?

Can I actually answer that one?
One or two brights but most
Just seem ready to get out.
They’d better be willing to put
In some actual thought if
They really hope to. (Pause)
It’s not all about sports.

(Laughs) I hope you’re not too
******* the athletes. They do their best.

Well, I certainly hope
They do. I won’t play
Favorites or anything like
That. Hardly fair to the
Others, right? (Laughs,
A pause, tape ends.)

VIII

He can’t breathe.

He’s been running for
Hours.
The trees. The brush.

Wonderful veins blast
Away at their work
To preserve him;
Great fibrous tendons
Work to carry him
Away from the noise.

The murderous streets with
Scoured buildings
And trees inviting the
Convening crowds to lay
Out their burdens, to
String them up and
Ease their hard frustrations.

They have not seen him as yet.
He follows Polaris,
god of the irreverent,
Meager candle for a
Drowning man.

Exposed road; he flags
A car like a madman.
Well, we shan’t go
So far as to call him that.
And has he any bags?
No.
And which way is he going?
North.

Procession. Silence.

The coolish progress
Of a blackish
Summerish
Night.
How many minutes
out of town? and how
many moments in the
rounding cruelty of acting?
The driver smiles in his driver’s
Seat, eyes lit by the green
Display, ears filled suddenly with
Static.

The bruised night
Raises its single, white eye
Like the ponderous pitch
Of a bird.

I suppose he knew from
The second he saw the car:
There was never any sanctuary
In this little cloister.

The towns spreads like
Botulism over both windows.
He stops before the courthouse.
Stops before his jury,
Hanging judges.
And you needn‘t ask yourself
“Who are they?”

I’ll tell you.

They are men and women,
They stand on roofs.

They are boys from California
Who ran like foxes but refused
To run away.

They are musicians who lived
Their lives without a sound.

They are hopeless hags who
Speak in blinding grocery stores
And **** the gossip air.

They are girls with opportunities
Burst like an innocent cell
And violated by the heavy hand
That tucks them deep to sleep.

They are cruel little ******* who
Only wanted something to listen to
While the seasons spun around them.

They are teachers who never learned.
They are hearts that never burned.
They are heads that never cooled.
Not when it’s so hot outside.

They grew uneven like a story
Written in celebration of a meaningless title.
They have every right to be angry,
And yet they level their stones
At one another instead of the
Hell a glass house can become.

They walk so slow the sun
Can stoop and eat them up
Without the briefest guilt.
© Cody Edwards 2010 (Note: The stanzas in section seven should be eight lines with the question hanging and the answer indented in. I couldn't edit it that way on this page but ******, I try.)
md-writer Apr 2019
We're dancing on a
knife's edge,
you and I.
You know it - I can see
the sparkle in your eye.

But do we care? I suppose
there's somewhere deep
down in
where mind sits at its desk
and all the glaring danger signs
flash red.
But on the surface, there's a
bit of gold in knowing
where we stand
for now,
and being free to dance the line
with comfort in your friendship yet
excited
all the same.

We know where we stand:
it's not together,
so we're free to tap the
dance floor lightly
and
smile into the night,
because our words are sparring
in -
well, let's say they
might have crossed the line.

But just our words.
We two?
We're standing side by side
(this side of the line)
and laughing at them,
pointing out the silliness
yet somehow still content
to stay and watch them
anyway
for lingered moments that speak
more deeply
than the words themselves could ever do.
Robert Ronnow Dec 2015
Neftlix, Hulu, autumn elaeagnus
thorns, small hairy buds, twigs hyper-lenticelled
fruits supposedly edible, leaves elongated, oblong
xerophytic but found in wetland
introduced species, some say invasive

Xbox is invasive
Hulu is the best source of foreign films
and foreign films represent reality better than American
although reality is not always what we're after
silliness, silly sadness, and relentless laughter

letting my web site go to seed
writing badly is the best revenge
eventually your doctors find something in you they can't cure
causes some fear, gives some certainty
you're required to tell your sons and brothers about it so they can make
      informed medical decisions going forward

let's posit the dead, like the dream-lover or -killer
is you in disguise, a facsimile or factotum
stand-in, an actor or actress remembering lines
which are your memories, or if you're not in movies
divinations of things to come, earthquakes and volcanoes

life goes on without a hiccup
you saddle up with the three gentlemen to the River Friday
where a new life begins without sleep as a soul, at least that's the story
      they tell
in these scientific times we apply Ockham's razor, i.e. the afterlife
will most likely be most like the life before life

when it gets too late to exercise
ignore time, learn slowly to go slowly
through life, rise
early, there is no time only change
an empty belly's holy

and a ***** willow's so alive its buds want to burst
in mid-February when the sun stays up in the sky more than January
this is what I write about, not Tolstoi, nor war
not one conversation or love scene between a man and woman
or illustration of what man has done to man

cars pass I never wave
so many guys are belly fat, women **** fat and they want to sit right
      behind you in the bleachers eating fried foods and wearing
      allergenic perfumes
I like the motionless perfection of autumn elaeagnus
wind in white pines
crows do not annoy but dogs do

a porcupine or coyote is a lucky sight
barred owl or pileated woodpecker
and a black bear is quiet reality itself
I said to the doctors 54 or 84 you always seem to want more when they
      said I'm too young to die
I said dying chooses you you don't choose dying, so it's not my fault

yesterday's walk, today's work
there's no percentage in searching for significance, wanting meaning
and no percentage in respecting death unless it's imminent
I admire the writer who writes 10,000 words per day no matter what
who's got plot

a plague or fire, a spider or a tiger in a boat
stolen Louisiana votes or endangered alligators
in my case common pipewort or pickerelweed floating in a northern
      lake
egrets, loons and hawks
on your winter walk cedar waxwings foraging for soft rose hips

and talking like people talk
about this and that, work and child rearing, not religion or politics
keeping it light and friendly
eating chili and chocolate chip cookies
passing time watching a football game, the superbowl or a movie
      usually a romantic comedy
www.ronnowpoetry.com
Nat Lipstadt Aug 2019
a love poem, of new & old,
why I am the summer-man!^

summer is winding down,
sky’s multi blues freezer safe stored in ziplock see thru bags,
marked and named by hue, the where and the when,
so when the eyes finally fail, when the squinting don’t help,
when the good things those good blues aroused,
poems, lush and morning thanks for being alive come-not-at-all,
quite the opposite, these cold blues
may help, to recall why it was worth breathing

summer is winding down,
so am I, the synchrony no accident, time,
the Pharmacy kitchen calendar
claiming another victim, willing or not,
those cars and the blue eyed models,
are now but blurred wishes and hopes, even these words, spoken,
not finger scribed, for the keyboard a
jumbled jungle of alpha-numerical
of confusion hellish and
my sons don’t come to clean up my pathetic messes, sending
their little children, beloved concubines of my heart

the daytime watcher, spanglish her native lingo,
tho single words she’s pretty good at too, but that don’t help much;
the grands, toddlers to pre-teens, the eldest a womanly eight,
tries but soon frustration bored, slips away quiet like
replacing her with her two year old sister, who knows her alphabet
which ain’t an exactly a help, but her five pencils stored^ nearby,
tagged with her name, awaiting her poems, her one true legacy

try to imagine her as a grandmother, farseeing the day when she
occupied this too too hard to-get-out-of-by-myself “easy” chair,
making rhymes with her next-next generational  descendants,
faint remembering the silliness sorcery that I secreted in her brain;

zingo, bingo, lingo
tango, ginkgo, jingo,
** ** oh no, oh no!

ashes, gray hairy poppy is a silly,
when he is not a grumpy,
old man all fall down!

which she acts out with giggles galore,
adding a teacup embellishment,
a creme fraiche pearly teeth smile topping,
the day watcher agrees, verrry verrry funny,
but time to me *** and take a needed morning *****

no poppy! no poppy! no poppy!
no nap, no ***, no *****!
thinking the call out is for her,
stomping her feet in an alternating rhythm and rhymes

I, happy poppy, ecstatics drooling out,
foreseeing the rhyme is strong in her,
get wheeled away crinkled and crackling,

zingo, bingo, lingo
tango, ginkgo, jingo
** ** oh no, oh no!

ashes gray hairy poppy is a silly,
when he is not a grumpy,
old man all fall down!



a new genre me of gibberish summertime love poems
infidelnc Jan 2014
A gaggle of glamour girls,
Debutantes of Times gone by.

With talk of Aruba,
White Sands and clear blue waters,
Spoken to inspire jealousy to all those around.

And of organization,
Motherhood and label makers,
Construction of pigeon holes for every part of life.

And the Latino Girl at work,
Whispers of the lasciviousness of a life unknown,
In the silliness of two glasses of white wine each.


I smoke a barrier between them and me.

In an effusive hurried rush they leave,
In search of sustenance of the soul,
In search of Sisterhood.

I sit in a Dewar’s drought.

She walks by and grazes her fingertips across my back,
A touch of familiarity,
A touch that I long for.

Gently, I speak,
Within this microcosm,
You stand as Aphrodite.

Smiling, she goes about her work.

I return the appreciation,
The warmth of bad bourbon,
Exuding from my pores.

Cause I sit in a Dewar’s drought.

They sit down in the virility of youth,
Testosterone tilted hats,
Speaking the language of Poser Street,
In the melody of white noise.


Showcasing the uniforms of a self-created culture.

I turn and tune them out.
Nat Lipstadt Jun 2013
Time to Get Serious: In the Poet's Nook

Yes it is verifiable, just as prior alluded to,
a few frayed and weathered Adirondack chairs,
wizened gray, like occupant, all seen better days,
overlooking the Peconic Bay,
where inspiration glazes over the calmest waters,
your ancestors eyes ere forebear.

Despite prodigious production o'er past weeks,
ditties, love laughing tributes, silliness aplenty,
these works of dishes washed, odes to Paul Simon,
what to wear to your funeral, knuckle kissing, etcetera...
Though some contained soft shelled, mints of juleps hints,
little sundries, items for sale re suicidal thoughts,

no one takes-tales you serious

Be it tormented rain, intemperate gusts
whipping lashes of sand
excuses real, manufactured and yet,
despite opportunities always existed,
but you answered the question unasked,
you're unready, more likely, fearful.
to pen more in the Inner Temple, in the nook.

In the nook, the poems float by,
you need only extend arm and
grab them whole,
ripened by the delivering breezes,
If you unmask pretense, and wear a seat belt

But here I am, and the welcome I receive is the one
deserved, for one who has joined the ranks of deniers

Favorable prevailing breezes service the sailboats pleasantly,
turn surly and unmanageable from neglect and disuse poetically,
this wind mocks this coward, taunting:

We have waited, fall and spring, for you, our sacrificial lamb.
Your return we smelled, the odor of barbecue and suntan oil,
We observed your beach touring, your eyes upon the moonlight
Highflying, highlighting the path you follow
when walking upon the Water,
when nobody knows, nobody sees


You scarce provided the deep reveal
that is our woeful provenance,
So, having returned, unleash or leave,  
expose your La Mancha countenance,
Fulfill your daddy's curse,#
Portray the siren shriek of our gulls insistent,
the blood cold words, as of now,
yet unfastened, un-cast,
the forge lit and fired,

Are you ready, self-appointed, poetry smithy, wright-man?%


On knees bent you should have approached,
For the inspiration, years rendered, unpaid, and unacknowledged,
But most of all because of these interlopers attached to you,
So many children, green shoots, babes visiting the bay,
New friends hoisted upon us without permission!


Do they understand despite the solemn serenity
of the place you attend,
This is the observatory
where the stars and scars,
undiscovered and unexposed,
become our property to carry-cross the ocean?


Do they comprehend that black is the only color permitted
and the sunshine coverlet is meant to keep
the unmotivated, the uninitiated,
who think that writing poetry is easy,
unaware, and far away from us, the truth purveyors


Nothing produced from this place
where routine means the gorge tastes bile,
When surcease is welcome relief,
Where dancing on ice in bare feet
Is step one to ripping your chest open by your own hands,
The toxins thus released rejuvenated by salted air,
Can be finally be transcribed
Onto paper
And by human, realized.


Warn them once and then begin, you,
Get serious, delve, with hurricane unambiguity,
to torrential words upon the unsuspecting,
let them taste the rawness, only the truth provides,
let them know salt tears so briney,
They will flee this place, n'er to return.



June 9th
2013
Late afternoon.
#What ya do for a living he asks,
A little of this and a little of that,
All of which, ain't no **** good at!
So I spend my cold, hard time
laying down cold hard verse,
Can't stop, cause it's my daddy's dying curse

My Night with Paul Simon
~~~~~~~~~~~~~~~~~~~~
This poem is part 1; part 2 is "In the Poet's Nook: Perhaps I should write less"
K
K.
You are my love. My sin, my soul. The only light of my life. Fire of my *****. Source of happiness, laughter, cries, tears, and oddity. You are that bad, believe me, but never better than you are now. Your name will forever be on the tip of my tongue. But sadly I could never utter it properly. Because probably I would feel shy. I would perhaps feel ashamed, if I dared to do so, or if I accidentally happened to say it out loud. I have never confessed this to anyone else. But I need you. I know it inside and out. I crave for you so much. So much indeed. And I know that deep inside, you need me too, although you are simply too proud to admit it. To you my laughter will always remain a ring of annoyance. It will never be enough. You will always long for more - from her. I will never be enough, because I will never grow up. I will never be an adult. And she is grown up. She is more of an adult than me. She is indeed an angel to your eyes. Her steadiness startles you; and delights your senses. You thoroughly enjoy it when it is so. She is but an image of perfection; her sound of laughter is of tranquility and calmness; she is indeed a pious image, a resemblance of faultlessness. Something that I could never truly achieve. Terrific but true - she is, I mean. Not I am. I will always be a kid. Sad but true. I will always be me. I will always be your outspoken, attentive young tutee to you. No more than that. I will always stay just the way I am. I will never acquire my womanhood, nor that am I inclined to, in your eyes. I will always be a girl. A student. Or whatever it is without surely any womanly attribute. I don't deserve to break my singleness. I can never cure it. To you I will always be myself; with all the misfortune and inability to be a true woman. But I understand that I will never be a woman; I don't deserve to be a woman in your heart. I will never be blessed with such courage, as I am not worthy of that. I am not allowed to enter your realm; a whole lot that is entirely different from mine. I have always been fated to be alone, and will always be left behind, even when you are ten or eleven years older than now. I will always be twenty-three. I can't age, strangely, despite my being a human. I am stagnant and odious, I am static and immovable. I am but a symbol of a fruitless tree to you; who dreams and hopes too high without having the ability to attain its true realisation. K, I am full of flaws, I smell of defects. I am adorned with fateful imperfection. And she has none of this. She is unimaginably perfect; she is all lovely and her beauty invincible. I can never be like her. Never indeed. But I am willing to change; if that is what you desire. I'll let you think that I'm obsessed with you. I will just smirk at your silliness. Over and over again. Hmm. Sounds like you've got no other option. Sounds like you are an idiot trying to comprehend my meaningless words too seriously. But I am just what I am. These are just my thoughts. Let me be obsessed with my thoughts of you. Let me make you appear in my dreams throughout the night. Day and night. All the time. Dreams that are unwanted but inevitable. As long as I breathe; as long as I could still trod the earth, let me think and dream of you that way. Stupid thoughts of obscure infatuation, I know. Guilty pleasure. The killing of my independence, my fragility, and uselessness, yet altogether the expression of my deepest feelings that I have often tried to bury in my chest, a thousand times.

Like I said, I'm willing to change; for you. If that is what you need; your utmost desire to be fulfilled. It is as simple as that; because what pleases your senses delights me, and therefore what delights me is what pleases your senses. I indulge myself only in my everyday thoughts of you, where I could jolly embrace and trace your epic proportions in my arms. I want to touch you, to cherish you fully. I want to be inside of you, just like you're already inside of me. I want to see you by my side, breathe in your air and feel your steady but unrelenting heartbeat in your *****. Your manly *****. The one I have always yearned for. I want to feel your skin against mine. I want you wholly. I want you so greedily. I want you so selfishly. I want you to be just mine. Just mine. I don't want you to fall into anyone else, because I perfectly know they are unworthy of that. Of you. One that should be my sole treasure. My precious treasure. Only mine. Because you are everything. You are the exact embodiment of who I am. You are the gold to my silver. You are the silver to my bronze. You make all of them complete; you rid them of their mutual envy. Just like you do to my soul. You repaint my soul, you release it from its gruesome weariness. You make me feel complete, unspoilt, and undivided. You make me feel as a whole. Unperturbed and unabashed by the torment of love. You purify and keep me warm and secure. You are the one I was predestined to love. The one for whom my love was created. The one I was fated to be born for. The one my very soul was meant to be with. The one that I should cling to, and should clutch tight as mine, forever.

K, you are the only love of my life. I will always want you, although this very simple need might sound absurd to you, and on its own way even seem to be impossible. You are the answer to my prayer, from up above, and since I was but a young, sinless infant in my mother's arms. In you only do I lose my presence, my heart, senses, and the whole streams of my decent consciousness. I long for you, and even in the midst of all anger, hatred, and the world's greatest disdain, I will but always long for you. I miss you, K. You are the only source of light to my heart. My darkened heart. My terrified soul. My raging despair. And unfortunately you seem to be the only one who could heal it.
Weathervanes with harmonically
tuned brains, took up the call to Step Lively.  

Each one ecking, drop by drop,
To feed you silliness, to lighten your soul.

Wakey, wakey
Eat well
It's your Daddy, I mean attorney
You're really been being very bad.

If you insist, I will.
Learn obedience
or patience or something
in between,

a kernal of obedience?
I'll never promise that,
in order to give it to freely.
I was afraid to let you in.

They were menacing,
stamping us into tiny little molds.
Insistent that we are,
what they think we are.

Did they convince you
that I'd gone off and left you?

No, changing that would require
quantum amounts of convincing.
Was not mistaken that it was you,
just attacked by encroaching apiculture

That is how it felt,
How it feels, but subtler now.*
First course correction will be
the sliver of a melody,

Spreading like a depth charge.
©Atalanta Undigested 2013. All Rights Reserved.
Tommy Johnson Dec 2013
Lectures by the river side
My my, my poor unfocused mind
Lost in the summer sun
Why, why do you run

Falling falling
Dynamic falling but into what and where

Too big to small
It’s locked
Flood the door

Weather the storm
3 seagulls
And ones extinct
Yelping from the ocean floor

Nautical and aviated creatures
Spinning, singing
Joining the jig
Go by the prophecy

Getting drowned
Getting dry
The rodent
Is out of time
The twins

honking paradox
stories missing their plots
lungs give out
as you give in

how do you do
that’s manners
pudding, pudding
who’s got the pudding?

tales of greed and trade
tales of gluttony and shame
fabrications of a hard days work
cabbages and kings

take a walk
we’ll share a talk
follow follow
into the dark

a loaf of bread
to bide his time
while I devour
you are mine
weep for you
oh I could sing
broken promises
of cabbages and kings

oh Mary Ann
she isn’t home
but she would be
but she can't

the gloves are lost
as she grows large
cant believe shes back again

the lizard
slithers down the chimney
shrieks in fear of her size

smoke the monster out
toast the *******
spark the fuse
so misunderstood

back to small
it still comes
the flower bed
over run

roses daises daffodils
an astonishing scheme of bright colors

tulips joining the 4 part harmony
in the golden afternoon
music to my ears
growing dying seconds and years

morning glories and butterflies
taking up my time
but I don’t mind
ill sit and smile

no pedals
no stem
no seeds
I’m a common ****

sit and relax
vowels and syntax
Smokey interrogation
caterpillars transformation

I see what grace meant
Looking back on it again

I’m three inches high
Now goodbye

One bight can only take you so far
The consumption
Of a mushroom
And its spores

Now that’s right
But what is left
No where to go
But some where to get…to

Striped and smiling feline
Seems like he’s hiding something
Knows something
I don’t

Points me in all directions
For no way is bad
But every which way
Is surely mad

364 days that aren’t mine
But I"ll cherish them like they are
But why
Because I can

A loon, a hare and a rat
Teapots and party hats

Blowing the candles out
Making your wish come true
Feed your head it’s the thing to do

I never got to sip my tea
What a pity
Speak in riddles
Tease in rhymes

A few tears here
A realization there
Do I ignore
Or continue to care
The roses are faux
So that she wont know
Oh the color red
Spilled blood of the dead

A place where they hail a crown
A place where heads roll around
A nonsensical monarchy
In a vast world of anarchy

Of with my head
Put me on trial
So ill be dead
In awhile, good

Wake up
Wake up
Nothing but a dream
Yes yes but what could it mean

Day dream of silliness
A place where somethings amiss
I dare not go back again
Gaze through the looking glass
To see the wonderland
Audrey Howitt Oct 2011
I like words with “B”s and “th”s
Like blither and blather
And hither and thither
Can I take “st”s and make them into “th”s?
Monster into mother
And
Twister into twisther?
How much softer and more polite
With much reduced spittle.



copyright/all rights reserved Audrey Howitt 2011
Matalie Niller Aug 2012
Magic mirror on the wall
tell a story, lies are fine
and so am I
just the other day a feller said
my, what great curves youu have
cars and such were never an interest
just a stupid investment
waste of time and money
late late for a very important slate
a new one
out with the old, in with the innovative
get creative
it's impossible
too broad, minds can be narrow as rails
trains pass through
rumbling, rumbling like rockslides in canyons
you in?
Fun can be naughty
not like when you're a child
no
that fun was preconceived frivolty
but this **** hear
yessir, this is real fun
you got it ***
maybe spark some interest in the papers
words with more words
darling tell me a story
make it **** good
about a princess who isn't beautiful
but still pretty, in a rather unnoticeable way
and make her a ****** who loves fire
take it up
makes me all sleepy
when your mirror talks in such silliness.
tom krutilla Apr 2014
you laughed with me at these silly jokes
but I work hard telling them
my reward, how easy they make you smile
I love how the corners of your mouth
tickle your cheeks, your eyes an ecstasy squint
and if you will let me continue this silliness
I hope I can make you smile for awhile
Catarina Pech May 2017
Oh my cheerful little *******, They hadn’t any notion
Of all the silliness, of all the commotion
One day their purpose would change
Temporarily my body would rearrange
Their use not merely ******,
Suddenly they were meant to be practical
Away with my decorative commodity
Hello to something of an oddity
So I traded in those dainty little things
For two mountains bursting with springs
Slowly the transformation took place
Albeit lacking in grace
Oh, my lovely unpresumptuous *******
Had become so useful, for that I am blessed
My zippy little ****** had grown to such size
And areola darkened and saucerish in guise
So to you I must ask a serious question,
After this, my descriptive dissection
I borrowed my *******, why be afraid?
It is the babes whose homage will be paid
The ******* that had been lent, weren’t ****** or vile
You might even go so far as to beguile
Because their most typical use was on hold
Their new purpose should’ve been a sight to behold
Instead people like to glorify or shame
As if those ******* are actually the same
Forget your twisted ****** mind
And to breastfeeding mothers try to be kind
A breast feeding **** looks nothing like its former counterpart, so lets not be awkward about seeing one.
Ken Pepiton Dec 2018
"…ours is not to reason why." that is the only fragment
of the light
brigade?

call the philosopher for a meme:
Ah, we need an axiom,
some hope for humanity,
Christmas isn't working as well as it did,
Chanuka and Kwansa are distant also rans,

Where is hope if the wise have all been infected with…

"The fact that an opinion has been widely
held is no evidence whatsoever that it is not utterly absurd."

that's the meme sir,
but nothing clicked.
Bertrand Russell
wait
Ah, more, eh,
a semi colon not a point of completion.

That's the secret in all symbols to sibyls, my boy,
know what you meant
when you imagined them meaning
anything

"The fact that an opinion has been widely
held is no evidence whatsoever
that it is not utterly absurd
; indeed in view of the silliness of the majority of mankind, a widely spread belief is more likely to be foolish than sensible.”
― Bertrand Russell, Marriage and Morals

From <https://www.goodreads.com/quotes/172166-the-fact-that-an-opinion-has-been-widely-held-is>


In the world you shall have tribulation
but be of good cheer,
it makes everything better.

Merry Christmas, may the messages you trust be true.
An idea for a Hallmark card.

— The End —