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I have a flower, in a vase, sitting on my window sill
There are no other flowers on my window sill
        Just a rose.
This rose is special,
It hasn't died since I picked it.

The life of this rose depends on me.
No other flowers can exist on my window sill,
No other flowers can fit in the vase.
Just that flower, in that vase, on my window sill.

Walking through a garden, I see another flower.
Better than the rose in some ways,
but not in others.
      This flower is a lily.
My heart immediatly begins to tear in two.

So now I face a dilema.
Pick the lily, or let it die.
Keep the rose, or let it die.
Either way, one must die.
And I am stuck between two beauties.
I need a flower, in a vase, on my window sill.

So I delve deep.
I think broadly.
I remember something.
My favorite flower is an orchid.
I have a feeling my orchid is in a distant garden,
waiting to be picked --
       by me.
This orchid will be
My flower, in my vase, on my window sill.

And so I can live with the outcome of the lily
      or the rose
And I just hope they don't die
that someone else's favorite flower
     is a lily
     or a rose.
Because I know that something is going to happen
that will bring me closer to my favorite flower.
So I must be patient.
And just wait for
My perfect flower, in my perfect vase, on my window sill
Maggie Elwell Feb 2014
<3 The window beyond my window sill <3
i see you,
when the sky is clear,
when my mind is free.

The moon beyond my window sill
I talk to you,
about my hopes,
about my dreams.

The moon beyond my window sill
I adore you,
that your so pure,
that your so amazing.

The moon beyond my window sill,
you give me hope,
*<3 when there is no light. <3
I love the moon ans the stars like if you do too!!
It's been so long.
My vase has been empty
for fear of selfish gardening.
I had almost given up completely.

My favourite flower was always an orchid.
I thought I had found it long ago,
but it seems my orchid is a rarer breed;
it takes much more care to sow.

I happened across it on a lively night
in a garden full of flowers.
My lily had just turned to poison;
it's amazing what lust devours.

My orchid had seen many vases,
some much nicer than mine
and yet it chose to flower then
and look entrancingly divine.

For a couple years I watered it
from far away, safe from my touch of war
I was afraid that I would squander it,
like I had so many times before.

But the orchid was just like me,
adventurous and curious.
Though we couldn't be together
we let each other be flirtatious.

And silently we grew together,
and my orchid came to me,
and my whole world came together
even if only very briefly.

Now I sit here writing this,
looking at my orchid, in my vase, on my window sill,
and I look back at myself and realize;
I'm HIS flower, in HIS vase, on HIS window sill.
CK Baker Feb 2017
late night by the holland sill
white framed and frilled
alongside the meadow
down by the grand
where cat fish
and cow pies
and silly yellow bees
make their stay

there are swings now
and empty barns
(with quiet corners
and broken walls)
echoing chambers
that speak of the past
...and little dogs
not big ones

the plaster cracks
and wheat sways
from a warm west wind
it’s about time
for that late afternoon pour
you know how it cleans the soul
old percy would say

and flanders
(the holder of those pigs)
who fed us good
with sow and milk
as we plowed the
dusty fields
into the
hot summer sun

i can still hear the screams
of river shore dreams
the grand slams
and flints run dry
the barks
and breaks
and bends
a world past
with forbes
and dolls
and crab apple trees

think i’ll take a trip
up the back lane
they’ve cut the brush
and opened the line
The Wordsmith Sep 2015
She crept in through my window sill,
As fair as autumn moonlight, and as sleek as silver silk,
Her eyes they shone like summer rain,
And void they did, of all my pain,
The ruby of her lips, rivaled the roses of the morn,
And the beauty of her face, rivaled the coming of the dawn,
She crept in through my window sill, nothing she did take,
She crept in through my window sill, and my heart she did break.
SassyJ Jul 2018
I though he carried the light
where words would illuminate
driving me to a euphoric ******
a man without a face or a trace
unhindered in a double live and lies
a bubble of psychotic psychic surety
his passion was an addiction
my reservations moved a notch
addicted to a body of ideology
the stances of philosophical terms
uncovering ancient possibilities
the unfelt mysteries of history
veiled in icicles of pretence and lies
as if a Marxist, a closet bourgeoise
The stoicism of present bargains
questioning Socrates and morality reasons
a fatal dose ,examining the unexamined
as colourful as his mind blew my inner glow
he was lost in sad and low dialogues
afraid to face the earthly shallow shadows
yet his spirits moved deep within mine
and it paralysed and fed on my energy
and his delusion became my seduction
but he woke my inner poetic tongue
letting it caress all his inner wounds
A shadow hiding behind Frankenstein’s
a sly monster who lied to my eyes
ghosting in with the a pen that weakens
romancing with letters of a fiery doom
a penpal whom I met within my lowest
but whose words lay in a deep unending quarry
his warmth I could never ever tell
his kiss only a draft on the dewy grass
PERSONIFICATIONS.

Boys.            Girls.
  January.                February.
  March.                  April.
  July.                   May.
  August.                 June.
  October.                September.
  December.               November.

  Robin Redbreasts; Lambs and Sheep; Nightingale and
  Nestlings.

  Various Flowers, Fruits, etc.

  Scene: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire.]


          January.

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

                    [Stirs the fire.

Crackle, sparkle, *****; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


  Here's butter for my hunch of bread,
    And sugar for your crumb;
  Here's room upon the hearthrug,
    If you'll only come.

  In your scarlet waistcoat,
    With your keen bright eye,
  Where are you loitering?
    Wings were made to fly!

  Make haste to breakfast,
    Come and fetch your crumb,
  For I'm as glad to see you
    As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand.]

          January.

Good-morrow, sister.

          February.

            Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her.]

          February.

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the ***** ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight.]

  The lambkin tottering in its walk
    With just a fleece to wear;
  The snowdrop drooping on its stalk
      So slender,--
  Snowdrop and lamb, a pretty pair,
  Braving the cold for our delight,
      Both white,
      Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro.]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones.]

          February.

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

          March.

[Stopping short on the threshold.]

    I blow an arouse
    Through the world's wide house
  To quicken the torpid earth:
    Grappling I fling
    Each feeble thing,
  But bring strong life to the birth.
    I wrestle and frown,
    And topple down;
  I wrench, I rend, I uproot;
    Yet the violet
    Is born where I set
  The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background.]

    And in my wake
    Frail wind-flowers quake,
  And the catkins promise fruit.
    I drive ocean ashore
    With rush and roar,
  And he cannot say me nay:
    My harpstrings all
    Are the forests tall,
  Making music when I play.
    And as others perforce,
    So I on my course
  Run and needs must run,
    With sap on the mount
    And buds past count
  And rivers and clouds and sun,
    With seasons and breath
    And time and death
  And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song.]

          April.

[Outside.]

  Pretty little three
  Sparrows in a tree,
    Light upon the wing;
    Though you cannot sing
    You can chirp of Spring:
  Chirp of Spring to me,
  Sparrows, from your tree.

  Never mind the showers,
  Chirp about the flowers
    While you build a nest:
    Straws from east and west,
    Feathers from your breast,
  Make the snuggest bowers
  In a world of flowers.

  You must dart away
  From the chosen spray,
    You intrusive third
    Extra little bird;
    Join the unwedded herd!
  These have done with play,
  And must work to-day.

          April.

[Appearing at the open door.]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

          March.

You're hope and sweetness, April.

          April.

            Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them.]

          April.

  What beaks you have, you funny things,
    What voices shrill and weak;
  Who'd think that anything that sings
    Could sing through such a beak?
  Yet you'll be nightingales one day,
    And charm the country-side,
  When I'm away and far away
    And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round.]

          April.

Ah May, good-morrow May, and so good-bye.

          May.

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden.]

          May.

And gathering flowers I listened to the song
Of every bird in bower.
    The world and I are far too full of bliss
    To think or plan or toil or care;
      The sun is waxing strong,
      The days are waxing long,
        And all that is,
          Is fair.

    Here are my buds of lily and of rose,
    And here's my namesake-blossom, may;
      And from a watery spot
      See here forget-me-not,
        With all that blows
          To-day.

    Hark to my linnets from the hedges green,
    Blackbird and lark and thrush and dove,
      And every nightingale
      And cuckoo tells its tale,
        And all they mean
          Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

          May.

Surely you're come too early, sister June.

          June.

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds.]

          June.

The sun does all my long day's work for me,
  Raises and ripens everything;
I need but sit beneath a leafy tree
    And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
  Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
    And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling.]

          July.

     [Behind the scenes.]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes.]

          June.

What, here already?

          July.

                  Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

                        [Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor.]

          July.

  The roar of a storm sweeps up
    From the east to the lurid west,
  The darkening sky, like a cup,
    Is filled with rain to the brink;

  The sky is purple and fire,
    Blackness and noise and unrest;
  The earth, parched with desire,
      Opens her mouth to drink.

  Send forth thy thunder and fire,
    Turn over thy brimming cup,
  O sky, appease the desire
    Of earth in her parched unrest;
  Pour out drink to her thirst,
    Her famishing life lift up;
  Make thyself fair as at first,
      With a rainbow for thy crest.

  Have done with thunder and fire,
    O sky with the rainbow crest;
  O earth, have done with desire,
    Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain.]

          July.

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery.]

          August.

  Wheat sways heavy, oats are airy,
    Barley bows a graceful head,
  Short and small shoots up canary,
    Each of these is some one's bread;
  Bread for man or bread for beast,
      Or at very least
      A bird's savory feast.

  Men are brethren of each other,
    One in flesh and one in food;
  And a sort of foster brother
    Is the litter, or the brood,
  Of that folk in fur or feather,
      Who, with men together,
      Breast the wind and weather.

[August descries September toiling across the lawn.]

          August.

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


          September.

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes.]

      
Lux Capacitor Apr 2015
One open can of
half empty **** water
popped the night before
for a palm of pills,
codeine and HRT
chased with Kamchatka 8-0
she collapses in bed
with hope in her head,
belly full.

Morning comes, her will is gone, she stumbles blind
to root her elbows at the window sill, still groggy
from the high of nighttime.
Noon comes and the clock stops, it's a road block
setup at the overpass and by the time
transference makes sense she's
spent her energy just shifting.

In place, enervated. A mistake.
A husk built of guilt and bone.
In a closed room full of blood and *****,
alone. Atone.
In place, enervated,
elbows at the window sill.
Jack Apr 2014
Window Sill Weepings

Draped as a curtain of silk disbelief
Tied back emotions lie still on the wall
Blocking the sunlight to pause in relief
Collections of dust form in spite of it all

Streaks hold the fingerprints bound of the day
Smeared in designs of a weakened refrain
Window sill weepings with nothing to say
Magnified teardrops add depth to the pain

Transparent wishes once hidden from view
Wait in the darkness this side of the dawn
Boarded up portals now moistened of dew
Nothing to see ever since you are gone
Daniel Quigley Nov 2017
By the sill sit still;
Listen to the wash on the roof;
Specks and sheets form a symphony
so complete to hush you quiet,
Even still.

An inundation.
This libation to parched earth has
been a meditation since birth;
to ponder under the pitter-patter
hiss and swish of exponential scales
At the wrongness of raindrops in a sunbeam.

Sit still, brood like the clouds that came
to darken a June day, so silent they gathered
over a land hard with memory,
With fear for passing years and
worries that grew like weeds in summer showers.

Brief as thought these drops like jewels
are set ablaze then strike the dirt; done.
They flash for an instant in time,
with no way back to an azure sky.

There is no telling the distance,
How high these clouds climb.
Just the sound of falling rain,
Listen.
fasi Feb 2015
As dawn broke,
came a dragonfly
to sit on my window sill
Change is come,
or more rain to fall, still?
Morning, good morning!
What a pleasant feeling.
Look out of your window sill
Birds chirping down hill
Rising Sun’s   warmness  
with an aura of happiness
Dewdrops on rose petals
Moisture on flower beds
Lanes with damp mud roads
Children waiting with bookloads
Men with their tools to workshop
Women with their bags to shop
Each in thoughts of their chores
Or in groups musing at jokes.

As  the clock’s hands move forward
with the moving Sun overhead
Look out of  your window sill
watch the changes downhill
All energy withered in heat
Life slows down in many a feat
The splendour of dawn faded
As the brightness of light invaded
No musings or jokes on road
None could stand the heat to hold
The empty lanes appear  haunted  
Silence pervading   unhindered.

Look out of your window sill
Watch  the  Sun’s glare  going still
If  you enjoyed  the  day’s siesta
It’s a great  blessing after the Fiesta
The evening’s glow  at your doorstep
Spreading delight  at each footstep
Look around for the actions of mankind
Adept in their chosen courses behind
With all the lives on earth in the swings
Singing the glory of Almighty on the wings
Oh! What a colourful day to consider
With lovely thoughts of you to ponder!


SassyJ Jul 2018
He topped coffee with melanin
as if there wasn’t even blackness
set in rigid processes and routines
days in and out of smoking
numbed his brain to senseless cells
and he dreamt of dreams I never hold
poetry was just pretentious to him
a narration of my soul and heart
every word I wrote to him was a spell
the curse of his native Englishness
every adjective was a clocked tense
and he never understood my words
nor heard my melodies and rhythms
and as he rode, sure it was like a dog
lost in sense, an escapism of reality
the puffs turned to paranoid tales
those sudden withdrawal and panics
drove me away to the deepest forest  
and my very bones felt his distaste
collapsed in manipulation and new age
his push always became my push
and the pulls up became my polar
Such a little boy with no ultimate direction
Locked in the abyss of the faded memories
Jonny Rulon Nov 2012
hes skipping the blank parts.
fire spewed speaking out his eye and everything.

swear it lets the silence in.
to ***** midmorning naught but bile

and tar from your lung, sour taste on tongue 'and charred resinous lips and cankers in mouth.

skipping the blank parts.
this is too much to put in words it pains darling like mouth is faucet ears are ringing sight is grey and unwholesome nerves are sweaty like wrists and jaws too. heart thick heavy beating like a ******* palms and brow sweaty

a new nightmare never sleep gone delirious ever after think only of the thee and the thine and what can i do to make it stop naught but drink for ever after.

early sunday is the worst day. days are ever after cursed is sunday and the bad day, was always was it leads to monday and the no sleep and you go to school or work and they all know you are so tired

so id rather skip the blank parts and spend in blankets cold and clutching to this bottle ever afer like a baby cuz its nicer when its blank here.

------------

so now its the dawn gray, the child breathes in all the nerves of the surrounding block and breathes in.

what thoughts there darling stir that tattered man of child man of scattered breaths and
and of least action least least resistance

night smokes away in his lungs.

his sight unsteady and grey, **** the stars.

his head holds the stars as he passes away.

he thinks, "I dont wanna be astounding, I dont wanna be anything, the dreams, i smoke the night away...why wont they listen?"

the yammering outside his windows

he clutch the sill, needs for balance and hes sweating thinks the week back in his memory. did something dumb but he skips the blank parts like a movie but its not his cellophane life its becoming more like that he thinks

-------------

the cats outside his window yammering outside his window

"headache man and the sunup surprise" he thinks, garlictongued and glittering of sweat.
something strange here something dumb something wicked.
like melodica, im disturbed in step

hitched his pants hitched breathing summer sweet midsummer nightmare is the thirst and drink.

"and somehow it helps" he thinks, head droning like the bees they are buzzing out his window, but screech in speak like the crickets

the air might ripe and seethe.

he can barely breathe.

the scarlet cheeked is he and fairly farther from himself than usual, laid away in pace and time and people, all else arrested. the vines now they crawl along his sill on which he clutches ever after pick the roses from his cheek.



and so he often thinks of it, and his peers think its selfish, but he pronounces himself in such ways as to make it pronounced that he is thinking of this.
and they give him no consideration, no pause or gaze to entitle him to a moment's breath of doubt,
that he is most gnawingly alone.

they gather no cinema, no accord, no intervention. they simply do not comment upon his lost thoughts. and this no comment, for him it seems, gives him validation for his, heretofore mentioned, but heretofore implied, unmitigated and (some may say) uncalled for unarrival.

there are no senates in the state of human. only the mindnumbing pain that is his sour being, upon which he has coerced the subject upon the senate to be impressed:
that he is waiting for the right moment, to be impressed.

to be enough to take himself.

it is not pity, but such a bitter impulse.
that brings him to himself, to take.

------------

and as father of all pronouncements, the species of newspaper blaired...
"the king is dead, long live the king."
so of which he was reading, was par for the course.
he sat down with his wife, and his son, and he spoke to them gracefully in his normal fathers and mothersfamily whisper, he said:

"this is the time when we must eat our cereal, and be well-versed in our gods, and our gaols. and we must believe in the powers that be. for they have told us no lies and will tell us no lies. and if it not so, then this paper begs the difference.
this paper...pulp...and felt, and gold, and ink. will never speak of us naught.
and for what they proclaim to us, the masses, is written in ink,

and thus, so stone.

so believe."

so god ate his wheaties that day.

------

and so i rant and so i speak in illogicals and i so im biased i know.
this is what it takes to be a journal and to filter all the bad ***** things that are black out of the poets mind.

so blame it on cadence, blame it on speak, blame it on linguistics, blame it on my upraising, blame it on an apathetic attitude,

i dont care, just blame it.

just it is my mood and it will not be forgotten, it is me that is scribing this sentence, so it is not forgotten, on the fence and bethrothed to many ideals hence so i be,

i am not an idiot.
i am no coward.
i am not a leech, nor am i a parasite, nor i am a murderer, nor am i criminal.

i sit still still with moles burrowing their burrs into the underground, waiting for the tunnel, and so, the light.
Shiv Pratap Pal Oct 2019
Jack and Sill
Swallowed a Pill
Ran up to the Hill
To kil* a heavy Monster

Jack shot and Missed
Sill shot and Killed
The ugl* heavy Monster
Let's Cherish Childhood.
Oh I don't like Hello Poetry's system of automatic selection and marking of offensive words and displaying it as ***, because it often fails.
More often it marks those words or parts which are not at all offensive. It fails to understand the context in which the words has been used.
To avoid this I have myself tried to put *
Anya Jul 2018
After school hours, sleepily
Looking down from the window sill
A deep rest in spring wind chill
If I close my eyes
To this brilliant world
Reflected scenery dances still
If I blow a low whistle
Towards the blue sky
Walking becomes a little more spry
Turning my music a little bit down
To listen to the lively corner of town
When I look up with slight rejoice
I hear a distant singing voice
Ah~ Ah~ Ah~
Today begins like any other day
Bathed in the sun slowly drifting away
The most pleasing place to reside
Is here right by your side
Dull clouds early afternoon
A sudden shower in the middle of June
Blue sky peeked out when I arose
Colors arc out accross concrete meadows
The bell chimes when I reach
Out through the window and to the beach
Warm breeze blows through the empty hall
When I looked up I heard you call
Ah~ Ah~ Ah~
Let’s rest into the sunshine
Taking breaths in a comfortable rhyme
We may not speak for very long
Though with just that I feel so strong
My quiet heart echoing true
When I’m here with you
Katlyn Scragg Jan 2014
Early mornings
Not the mornings where noises and beeps
Stir you from your sleep
And
Not the mornings
Tossing and turning awakens you
From the nightmares replaying in your head
That just won’t let you rest any longer
But more of the mornings
When for no apparent reason at all
You wake up just in time to see the sun start to crawl
Up your walls
Leaving a golden glow
Gingerly you stir in your bed
Because every movement at this hour
Seems a thousand times louder
And you toss and wiggle out of your sheets
Out of the cocoon you made the night before
Your comfort
Your safety
Out of the sheets that now crumpled somewhere in your bed
Below your feet
That hold the warmth that you have left
When dreamy eyes filled with sleep
Barely open
Wanting to take a peek
Outside the window just above your bed
Knowing you woke up just in time to see the sky blushing as it wakes with the world
The rosiness of its’ cheeks
The golden glow in its’ eye
As it peers over the mountain top
Kind of like how you’re kneeling to peer just over your window now
Mornings are bittersweet
A story that only some get to see
A story that comes and goes so quickly
You can almost miss it in a blink of an eye
From amber to rose to yellow and back to blue
Only dreamy eyes can catch the moment
Weary bodies wrapped in tangled sheets
Peering over the window sill
Lyn-Purcell Jul 2018
By the window sill
The sun sets, seems lost in time
Struggles of wonder
Just letting my mind drift while watching
  the sky changing colour. It's beautiful!
Got more haiku's coming!
Thank you everyone for the kind comments on my Lynterns! ^-^
Love you!
Lyn ***
Terry O'Leary Jul 2015
As dawn unfolds today beyond my fractured windowpane,
a breeze beguiles the ashen drapes. Like snakes they slip aside,
revealing wanton worlds that race and run aground, insane,
immersed in scenes obscene that savants strive to mask and hide.

Outside, the twisted streets retreat. Last night they seemed so cruel.
While lamps illumed lithe demons dancing neath the gallows tree,
their lurking shadows shuddered as they breached the vestibule.
Within the gloom strange things abound, I sense and sometimes see.

Perdu in darkened doorways (those which soothe the ones who weep)
men hide their shame in crevices in search of cloaked relief.
The ladies of the evening leave, it’s soon their time to sleep!
The alleyways are silent now but taste of untold grief.

Distraught nomadic drifters (dregs who stray from street to street)
abandon bedtime benches, squat on curbs they call a home,
appeal to passing strangers for a coin or bite to eat.
Rebuffed, they gaze with icy eyes that chill the morning gloam.

Observe with me once more, beyond my fractured windowpane,
the broken boy with crooked smile, the one who's seen the beast.
With tears, he kneels and clasps the cross to exorcise the stain.
The abbey door along the lane enshrouds a pious priest.

At nearby mall, Mike needs a cig, and stealth'ly steals a pack.
The Man, observing, thinks ‘Hey Boy, this caper calls for blood’,
takes aim, then shoots the fated stripling six times in the back.
Come, mourn for Mike and brother Justice, facedown in the mud.

The shanty town has hunkered down engaged in mortal sports
while shattered bodies' broken bones at last repose supine,
and mama (now bereft of child) in anguished pain contorts,
her eyes drip drops of bitter wrath which wither on a vine.

Fatigued and bored, some kids harass the crowded alley now.
To pass the time, Joe smokes a joint and Lizzy snorts a line.
The NRA (which deals with doom) can sometimes help somehow,
though Eric died with Dylan in ‘The Curse of Columbine’.

Marauders scam the marketplace (with billions guaranteed)  
while babes with bloated bellies beg with barren sunken eyes,
and (cut to naught) the down-and-out (like trodden beet roots) bleed.
Life's carousel confronts us all, though few can ring the prize.

Yes, Mr Madoff, private bankster (cruising down the road,
with other Ponzi pushers, waving magic mushroom wands),
adores addiction to the bailout (coffers overflowed),
and jests with all the junkies, while they’re bilking us with bonds.

A timeworn washerwoman totters, stumbling from a tram -
she shuffles to her hovel on a dismal distant hill,
despondent, shuts the shutters, prays then downs her final dram -
a raven quickly picks at crumbs forsaken on her sill.

Jihadist and Crusader warders faithfully guard the gates,
behead impious infidels, else burn them at the stake
(yes, God adores the faithful side, the heathen sides He hates),
with saintly satisfaction reaped begetting pagan ache.

All day the watchers skulk around our fractured windowpanes
inspecting all our secret thoughts, our realms of privacy,
controlling every point of view opinion entertains,
forbidding thoughts one mustn't think, with which they don’t agree.

Our rulers (kings and other things) have often made demands
of populations breathing air on near or distant shores
and when they didn’t yield and kneel, we conquered all their lands
with sticks and stones, then bullets, bombs and battleships in wars.

Come, cast just once a furtive glance… there's something in the far…
from towns to dunes in deserts dry, the welkin belches death
by dint of soulless drones that stalk beneath a straying star
erasing life in random ways with freedom’s dying breath.

But closer lies an island, where the keepers grill their wards.
Impartial trials? A travesty, indeed quite Kafkaesque.
The guiltless gush confessions, born and bred on waterboards.
No sense, no charges nor defense. A verdict? Yes, grotesque!

Now dusk is drawing near outside my fractured windowpane
while mankind wanes like burnt-out suns in fading lurid light;
and scarlet clots of grim deceit and ebon beads of bane
flow, deified, within a corpse, the fruit of human blight.
ju Sep 2011
Keys. Shoved through the letterbox
before I got up-
in an envelope with a note:
Could I (please) feed the cat…
Gone away? Good for her!
Car on the drive. Took a taxi. I think.
To the airport? Didn’t say.
******* with rain-
still, had best leave my shoes on the step just the same.
Obsessed with cleanliness and hygiene-
that’s why he left.
Who, in their right mind, puts cream-coloured carpet in a…?
Door. Not locked. Nearly fell through it.
Strange. She forgot?
Kitchen. Freezer’s empty, switched off.
No cereal. No tins.
Utility room. Spotlessly clean-
twelve! two-kilogram bags of Go-Cat Complete.
Planning to be gone quite a while. I think.
Playroom. Packed up. Kids staying with Nan.
She wants to redecorate before they come home?
Great. A fresh start. I think.
Bedroom. Suitcase on the wardrobe.
Bought a new one? Smaller. Lighter perhaps.
Makes sense. After all- she is travelling alone. I think.
Bathroom. Pristine. Almost empty.
Almost. Macleans and a toothbrush,
in a glass on the sill.
I didn’t think about that.
Until now.
Mitchell Jun 2012
The night rested in a humid Spring night as the cable cars
And taxi cabs lazily made their way around the
Soft and silent streets of the city. Stray cats and dogs
Picked away at half-eaten lunch meat and
three day old bread as the moon slowly began to rise.
The restaurants that lined the alley ways and
Side streets were filled with the Saturday evening crowd. The
Clinking echoes of wine glasses and dinner plates spilled
Out onto the sidewalk and into the street. The passerby's would
Occasionally turn their heads to look inside, some envious that they
Were not smiling and drinking and eating that night. Across the
Street and throughout the town, lonely men drank from half empty
Beer mugs, wondering where their passion had gone.

On the corner of Barry and 3rd stood a man alone with
A suitcase in his hand. He wore tattered brown dress
Shoes - two years too old - a black neck tie with a half
Button-up T-shirt and a pair of dark brown slacks he had
Bought from Goodwill for $3. His free hand hung open,
Letting the night breeze snake around his fingers. There
Were the stars above him that shone down onto the street
And the sidewalk and a few spotted puddles that had
Built up from an earlier rain. On the corner of Barry and 3rd
There was only one thing to do with one's time, and that
Was to stand around and think of where to go to next.

Up on 17th, there was a bar the man had heard of
From a woman who had tried to pick him up at the bus
Station, some kind of ******* that was really only looking
For a couple of free drinks and a packet of cigarettes. The man
Thought of this place, and weighed back and forth if it would
Be advantageous to wander up there and see if he couldn't
Find someone to shack up with for the night.
He decided it would be.

As he passed the busy restaurants, listening to the insides
Of the building and its occupants churn like silverware
In a blender, he remembered he had placed a half-loaf
Of bread inside of his suitcase.
He stopped on a rough concrete stoop of a Catholic
Church, where above him, stood a large wooden cross.
Around the cross were plaster sculptures of baby angels and
Gargoyles and a snaking vine made of black stone that made
Its way around the cross, tying itself around the center
Where the horizontal met the vertical, and continued
To spin around and around until it reached the top.
At first, the man thought it was some
Kind of snake signifying Adam and Eve, which was all
He really knew about religion, the basic kid stories, but
When looking closer, realized that it was only an innocent
Plant seeking a spot of sun.

The man placed his suitcase on the 3rd step of 8, where he
Then sat on the 4th. He leaned his weathered, bent back against
The hard stone concrete and listened to the faint cracks
Of his spine inside his body. He realized that he hadn't sat d
Down and relaxed since he had gotten off the train. He threw
His head back in a exaggerated and child-like yawn, and felt the warm tears
Of bashful exhaustion fill the sockets of his heavy eyes. The night was
Warm and he unbuttoned the top two buttons of his shirt
To let the air blow over his sweat drenched chest.

"There are certain times to be alone in life," He mused
To himself, "And I do believe that I have
Found one of them."

In a room above him the window was wide open
And the curtains danced outside with the wind. A head
Poked out from the window sill and peered down to
Look at the man musing, but did not say anything. The man
knew nothing of the stranger's eyes above him and felt
No other presence around him, other than the passing taxi
Cabs and street walker's and - if you counted the one's inside
The church - the saints and the angel's and God that lived
In holy silence enshrined behind him.

"There are things in life that are never meant to be
Solved," he philosophized, "And maybe I am
One of those things. When I think of my life, my entire
Life here on Earth, I don't think I ever found
A straight line to follow that I was ever comfortable
With...not one straight line I could follow that would
Bring me true happiness or a sense of accomplishment.
Now, am I bad in feeling this way? Am I no good
For never feeling that the good ain't ever good enough?
I do my laundry like everybody else and I walk the
Street just the same, but, there is something else that
Smells and feels and can taste the eternity in all things
That makes me restless so I can't sleep sometimes, forces
Me to stare into black infinity with only a mind I feel
That I will never truly meet. There has got to be a word
For whatever feeling this is, but I can't seem to think of it now."

The head above that had poked out before ******
A dark object out the window. It wavered for a moment
In the still warm air of the night, then, whooshing and
Splashing down, a full bucket of water cascaded down
on the man's head and suitcase. The man sat frozen, unsure
Whether it was from the Heaven's itself and paused before
He began to swear and curse at the tenant above him.

"You rat **** eating vanilla ice cream eating convict!" he
Screamed up towards the apartment complex, "I'm going
To come back with a gallon of gasoline, 10,000 tooth-picks, and
Find out your favorite magazine subscription and bring 1,000
Those by, and burn this place down - gifts and all!"

His voice
Echoed in the street
And down the darkened alley-way,
Where the bums of the city
Slumbered, not hearing a sound
Of the rant the man in the now wet
Two year old dress shoes rambled
On with; for bums sleep with
Absolute peace with their lack of
Care or fear of time.

"At last," he muttered underneath his dripping hair,
"I am released unto the Earth for what I truly am: A hung
Sheet - fresh out of the washer - meant only to be
Basking in the moonlight so to be dried by
Morning for the house-guests in the evening."

The man snapped his fingers,
Clicked his tongue, and looked up,
Once more trying to spot the culprit, until
Another bucket of water came crashing
Down upon him.

"QUIET DOWN THERE,"
The voice from above hollered,
"THERE AIN'T A SINGLE WORD ANYONE
IN THIS BUILDING WANTS TO HEAR
RIGHT NOW! CHILDREN ARE SLEEPING AND
THE OLD ONE'S ARE WATCHING THIER PROGRAMS!"

The man ran his hands through his dripping wet hair
And flicked the droplets of water out onto the street. His
Suitcase, which sat to the right of him, was soaked as well and
The man worried about the single baguette he had stored
In there in case he had gotten hungry. He knew it was ruined
Now, but was happy that there was only an extra pair
Of 50 cent socks and an undershirt he had found underneath
A bridge on the way into the city. He cocked his head up to the open window.

"You speak for everyone here in this building?" He
Asked the black and blotchy figure above him.

"I speak for everyone that doesn't have the nerve or
The cajones or the energy to holler down at you at
This Un-Godly hour, if that's what your asking."

"They vote you into that position?" He asked, prodding them.

"No vote. I'm a volunteer," they defended.

"Ha. Always going to be some kind of
Volunteer when there's power involved."

"Isn't power, it's responsibility."

"Responsibility," the man repeated, chewing the
Word in his mouth, seeing it spelled out in his mind.
"Responsibility is quite a subjective thing: some people
Take a liking to it and never want to stop being responsible and
In charge, and some just don't want none of it and
Would rather lay back in the sun and act
Like their in charge, while whoever believes
Their power works under'em and for'em; which one are you?"

"Neither. I'm just here trying to ward off some
Rambling *** with what looks like nothing but a
Suitcase and some old clothes and shoes."

"Well," he said, "You must have some pretty good
Eye-sight in this setting dark, because that's
All I got at the moment."

"Where you hail from?" the voice asked.

"Originally I hail from here, but where I was
Before I hailed from as well. To tell you the truth, I don't
Truly know - that's a good question."

The man tilted his chin up slightly and
Rolled over his response. The question had
Dropped an icy fire into the pit of his stomach and filled it
With hundreds of gnawing, fluttering butterflies; he
Hadn't thought about home in a long time and
Had forgotten why he had even chose to show-up in the first place.

"I'm here for reasons I can't seem to remember at the moment,"
The man admitted to the voice above and to himself.

"Can't remember?" the voice laughed, "How
You gonna' forget why you came home?"

"Don't know," he said, shaking his head," Just
Can't seem to recollect it."

"Scary thing."

"Yes, indeed."

They both paused as a taxi cab passed slowly by. It stopped
And honked its horn trying to signal the man to see
If he needed a ride. The man waved his hand to send the
Cabby off and looked down at his wet clothes and suitcase. The
Chill of the night had gotten its way into his skin and
He noticed that his teeth were chattering and his feet were
Beginning to shake. He worried about getting sick because he
Wouldn't be able to buy any medicine if he did. He looked up
To see the figure still looking down at him in silence. Suddenly,
An object fell, back and forth in the air like a feather,
Down towards the man and onto the stoop where he stood.
It was a blanket and wrapped inside was a tattered pillow.

"Bring it back if you want," the voice called out to him, "Don't
Even care if you sleep on the stoop, but, it's a little wet, as you know."

"There a park around here?"

"Down two blocks and a left. You'll see it."

"Thanks for your kindness," he said looking up at the window.

"Thanks for your silence," the voice said stubbornly.

The man brushed off the remaining water on his clothes
And suitcase and tried to squeeze the water out his hair.
He picked up his suitcase and wrapped the blanket around
His body and fitted the pillow underneath his arm. He walked
Two blocks up from where the figure had told him and took a
Left, illuminated by the stark orange and white street lights. He looked
Around after he took the left and spotted a small children's park
With a few benches spotted along the sidewalk that snaked through it.
He picked a bench near a water fountain, unbuckled his belt and took
Off his wet pants and laid down, wrapping the thick wool blanket
Around his body. He placed his suitcase underneath the bench and
Positioned the pillow so it fitted gently under his head. After he
Closed his eyes and rested for five minutes, he reached down to
Touch his suitcase. He felt the cool, damp leather of it, and
Quickly wrapped himself back up into the blanket,
Eagerly awaiting for dawn to rise and bring warmth back to his body.

At dawn, the sun painted the man's body with dark yellow streaks
of sunlight, heating his body up so much that when he woke, his
Clothes were close to dry again. The small patch of grass and
Weeds underneath him rustled with the wind and the sounds
Of the street a few blocks away drifted into his ear. He stirred
Inside of his blanket but did not rise. The pillow had fallen
To the ground throughout the night, but the man was too tired
To reach for it and kept his head on the hard wooden surface of the bench.
While lying there, half awake, the man thought of the figure that
Had been speaking to him from their window the night before. He
Knew he must return the blanket and pillow, but he was unsure
Whether he should bring something else. He had no money -
No money to spare at least - so he chose to bring only the
The things that were leant to him back, hoping that would suffice.

He shifted his position on the bench and saw through a crack of
The bench, that there were children already playing on the playground
Behind him, their parents leaning over their porches watching them; they
Didn't even seem to notice or care about the man sleeping on the bench.
The man felt embarrassed about this and rolled over to avoid the
Gaze of the parents and any of the children that may have spotted him. He
Laid on his back, his head atop the worn but comfortable pillow, and
Gazed up into the blue sky that was clear save a few passing milky
White clouds, that hovered above him like colossal globs of marshmallows.
He hoped in his mind that he remembered where the house the was that
Had been kind enough to give him the blanket and pillow and he wished
That he had paid more attention to the street signs and physical objects
Surrounding the building. All the man could recall were the bright neon
Orange light posts, a long line of thinly pruned circular bushes, a few
Mailboxes that stood as if attention on the sidewalk of the street, and
Numerous houses that all looked the same when he passed them in the night.
He knew he needed to find the house but was too comfortable to rise and
Too scared of the failure of ever finding the house and the thought
Of carrying around the blanket and pillow made his face flush a deep red.

The man rose cooly, as if rising from a nap spent on a couch in his
Summer cottage that rested on the bank of some far off river somewhere.
He looked over to the children and the parents up on their porches, but
Still, none of them paid him any mind. This relieved him. He was allowed
To be a shadow and embraced the idea of being anonymous rather
Than feeling the helplessness one feels when no one sees you. He folded
The blanket neatly like his mother had taught him to do ever since
He was a little boy, and instinctively fluffed the ***** pillow, even though
It was far beyond repair already. The sun was just peaking over the tops of
The ramshackle apartment buildings and he noticed that he had been
Sleeping in what looked like a very poor part of town; in the night, it
Looked like every other park corner where the elderly would to
Think about their past and the children would play with their present.

"Night and day are two different worlds," the man muttered
To himself, "Some people belong in one and some
The other; I wonder...which one am I?"

He looked up towards the sun and squinted, feeling a
Small droplet of sweat make its way down his right cheek. He
Wiped it away with his fingertip and brought it to his mouth -
He was terribly thirsty and his stomach rumbled within him. He
Had noticed the night before on the way to the park, a sign
For a bakery, but was not sure whether it was open or not because
The night was too dark to reveal any signs of it. The man had 10 dollars to
His name and knew he could buy two loaves of bread for at least 50 cents
If he haggled with whoever was running the place. They would be sure
To see his condition and help him if he showed them a little of the money he had.
There was also a childish charm to the man that he would bring out whenever
He truly was in need - he never liked abusing this gift, if one could call it that -
But in times of desperation and starvation and dehydration, he was
Forced to use it and mustered as much courage up to do so.

He walked through the path that had brought him to the park and
Made a right down the street towards the bakery and possibly the
House where he had been given the blanket and pillow. There was
No one on the street save a few alley cats and dogs and all the window
Blinds were down to block out the intense shining sun rising in the sky. There
Was a light breeze passing through the trees that cooled the man off. He
Had begun to sweat from holding the pillow and blanket so close
To his body, and wished he could have the nerve just to throw it in a
Garbage can and make his way to the neighborhood where he had been told
About the bar, but his conscious weighed him down, so he carried on.

He walked a block down the street and found the bakery on the other side
Of the street. He crossed and saw there was an old woman inside.
He checked his pockets for any spare change and opened his wallet
To make sure the 10 dollars was still there. He needed water and something
To put in his belly and he whispered a prayer before he went inside of the bakery.
When he pushed the door to enter though, it wouldn't budge - it was locked. The
Woman behind the counter turned her head and looked at the man, who
shook her head and waved him off. The man knocked gently on the glass
Door, but the old woman just kept waving and shooing him off like an animal. The
Man checked the clock inside and saw that
epictails Aug 2015
Out of the bedroom window I looked
At the story seamed like paint splatters before me
Squandered in Monday grays and heavy lidded beams,
Skinny trees half pirouetting with the Northern master ,
Wet linens like rainbow dilettantes in their nylon pole slumber beds,
The wide sheet that overlooks all now turns in orange luster
That mundane truth from the pink sill (I see, I see)

An electric post stands above the swampy rice fields
A modern mammoth, the millennial miser
Perched in its lumpy wires birds mirrored each other like a pair of stilts
Whispering like Romans in spite of a forgone Caesar (political and free)
That mundane truth from the pink sill (I see, I see)

The night creeps like the batting crickets in the yard
Harmonizing in crooked ears a silly little hum
What I had heard when I was ten, as how everything had
Become known strangers scraping at the back of my pendulum
That mundane truth from the pink sill (I see, I see)

Out of the bedroom window I looked
At the story seamed like tell tale signs before me
The spit on a once young fool's clarity
Sealed in tight frames perennially set in a single motion
The old withering passenger squirms in his dinghy
Tides of chaos hooding that rage against the universal engine
That mundane truth from the pink sill (I'll see, I'll see)
This poem is easily one of my favorites despite the fact that this will probably have people confused.
Third Eye Candy Mar 2013
Barbarians At The Bill Gates

Kings in a Nutshell of Plots,
Machiavellian; made Lords Of Infinite Beige.
a Workspace now a  Dead-Space in The Heart of an Artist... Scaling, Mount Dew, at a snail's pace.
Behemoth Logarithms,
Jammed in a hot box. with cigarette soot blocking die-cut vents
The cousin with the soft-spot.
Hair, Nobly Re-Disheveled  by Hit and Miss ads, like
crow's feet dancing on insomniac spines, in and around, the Yawning Cathode D-Rez
Of all Villages, M. Night. Ramadan, forged, into Code Soldiers
With No Code to reverse Schrodinger's Black Cat, Back in The Bag...
The Genie, from a corner apartment in Manhattan, to a bedroom in a Bottle of Lightning.
Only Reactive Jazz
Cosmonauts, embedding feathers in " White Hats "
A Moral Avatar.

Hack Lads in The Boonies of Way Ahead of The Curve.
An Unsound lack of Judgment, echoing by Proxy, like Mr. Hyde;
Passing for a binary Schizophrenic. Swallowing Blackberries, Seeds of Anarchy and All.
Crowd-Sourcing the wisdom of Crowds of People
With cup-holders, the Elite call CD-Rom
Stand-by.
A Quest For Firewire. A billion portals,, huddled in chaos.
In the lens of  The Camera-Obscura, hidden in the USB Port
In the Fuzzy Logic of Our Narcissism.
SQL that Ends Well \ with a Backlash To Pi Charts
Of Privileged  Information,
Cooling, only in The Windows, Facing a Social Network
Resting, on a sill of Approval by Market Share and -
Ad *******

An eye of  a needle, peeling onions in a brave new world, weeping for the pure, post-ironic
Joy, Of Threading a Nano-Camel
Through The Eye of a Needles' Parable.  To Aesop the gravy of grave doubt
and reasonable suspicions off
Teutonic Plates

To an Atheist. The Heavyside Layer of Bricked Phones
and Dissonance,
May Find a Contract, 'Comes with Astroglide.
And a toaster.

Floppy Disc-Figurements of Our Right To Privacy.  
Resurfaced By The Naivete
Of a Target Audience, With a Heads-up Display,
A 4D Hologram  
Of Steve Jobs,  
Exported over dark fiber optics;  
Silicons of Prosaic non-Existence
Overclocking the Swatch
On  a wrist

Banning Calligraphy

Ward of the State
Of the Economy
With a Cult
Following


A Hologram of Steve Jobs
To sharpen the bleeding edge
with a moon rock from The OtherSide of Billions of Dollars.
The After-Accolades with the Spanish moss From Taiwan
Where Dragons Of  Technology
Shed limits, that metastasize rapid growth
Of Personal Stock by -
adding a Touch Screen Feature to an App For Clout.
To Out-Monopoly with a Walled-Garden
Designed by Stanley Kubrick's 2001 [ Available Space Odyssey  ]
A Terabyte
leaving Half a Worm
In your Apple.

A Difference Engine, differently Desired

Dumped
On a Corner in
Your Circle
Of Confirmed
Friends.


rocking XP like an OG on Food Stamps and The Fringe.
Centered Better And Re-Posted.
Nat Lipstadt Jun 2018
Songs of Oregon: No. 1 “Gonna Make You Crazy, That Place”

nuts, crazy peeps

whomever wherever,
regardless of race creed color or gender (did I get ‘em all?)
current state of residence (geo-identified)
a poem - the very same recited,
as a disclaimer, a yellow finger wagging warning:

“Don’t go! If you go, you won’t come back”

now kids, I’m a veteran of foreign travel,
many continents, cold and hot, rivers and seas,
some living, some dead,
some so big they named it Endless,
been to the great cities, Swiss villages,
pyramids, climbed Masada,
danced on grapes (why can’t I recall where)
skied the Alps, trekked the Sinai Desert,
clubbed in Rio, and danced till morn,
on a certain Greek Isle that rhymes with Mickey’s Nose
even been to L.A and San Fran, left poorer
but in sync,
always came home
with my mind decently reshaped

me/ a product of gritty unpretty grime,
streets of normal humans
acting like normal escaped mad persons,
this brutal city island instilled a
layer of fat and smog neath my skin,
a kind of migrating duck-like survival kit,
came with a homing beacon included

the those of you who know me,
perhaps too well, ken we citified islanders
love our beaches (fire hydrants)
cherish our sun dappled blessings
upon on farms (window sill herb gardens)
and sunning settlements (rooftops)

they say our tap water is secretly bottled,
sold in places where the springs purportedly
run crystalline

though we don’t got no pinot, just sweet concord grape,
so sweet, the wine of children and street nodders,
needy for instant sugar highs

so as we new Yorkers proudly
say on our license plates,
prove it or stfup!

so a first hand investigation for which
the taxpayers won’t be charged even a lousy mill,
deemed necessary to put to rest this crazy claiming warning

“Don’t go! If you go, you won’t come back”

guessing must be something in the water and the wine
Lianette Reyes Jul 2014
so this tiny beauty queen kissed me
she left a stain
the red was pure and ****** vain
she grew up and stretched out my whole way of thinking
she kissed me and all i see is enemy ships sinking
blood roses grow within beds of lovers
the shady curtains, the safety covers
the hovering clouds of darkness creep in
but my soul is bound to her luminating spirit
it freely roams unkown worlds
she, my north star. i, her mobile home
hold her when she's afraid she'll spill
her insides onto the window sill
Sam Hawkins Apr 2013
What we have named Fire Escape
(an ordered, angular tangle of ladders and rail)
had made picture geometries in my west window
well-framed and flat--set foreground and background
in two dimensions, as the sun hid,
and my round eye opened.

What we have named Fire Escape
was flaked-paint brown orange, as if
first it had been born of a flame
and then had taken up living as metal--
tempered itself into usefulness,
which I should trust now, in case of the yelling
and the engines.

What we have named Fire Escape
was happy Jungle Jim or Jungle for Jane
for the sparrows I saw this morning
which flitted and wildly played
within, rising up
arched and back again.

Made of the square pairs of ladder rungs--
a tunnel entrance or ducking posts,
or highway bridges to clear;
the birds like small plane, daredevil pilots
each following each, going under.
No sparrow would ever crash.

And what is this I remember now?
How one bird eased its engine and perched there to stay?
As if to offer me, with a little turn of head gesture--
a thank you, for the bread I'd left on the sill? Or to say  
I'd better shut the curtain and make my exit?

Either prideful guess gets me nowhere fast.
Failed even is speaking in any sparrow languages
from my recline stuffed chair; again, but now imagined,
to draw beady eyes to fix on me, telling me much less.

That morning, with the very last sparrow gone,
I remember that nothing in my sight moved,
save an American flag at a distance in the wind,
with its one red-white striped wing
waving toward the cold north,
as the white church spire,
framed in open quadrilaterals,
held its position.
written and posted a few hours before the Boston Marathon Bombing, Monday April 15th, 2013
DAVID Jul 2015
the darkest hour, the longing
is gone, no look back, nor remorse,
only scars and internal bleeding,
the time of sorrow is past, no remorse
nor songs of regrets, futile are the sorrow
songs,

despair is good, like love or an ******,
after the secrets behind the dress, loving
wanting the female scent, can smell you,
as lion to his prey, as bees on honey,
looking at the female eyes, loving silently,
longing lascivious touch, in the heat of lust,
falling as a sinner for her ****** doors,

the hour of lust never goes, is cursing
every moment and every piece of flesh,
like the merchant of Venice, taking your skin
as mi own, devouring the placer of
making her *** and letting her go.

us  poets souls, loving without remorse
feeling and making love threw words,
in a shallow world, full of badly lust, the lust of us,
is sour but never cold, only shallow souls
can't make love, us always trying to love,

the darkest hour, the longing is on,
mesmerizing the lascivious touch,
looking at you'r ******* face,
sweet as hell feeling mellow and fool
as a little boy, in the hour's of hates,
there is no remorse after those gay boys
in shallow hall, even them knows who is not

some loving threw phones,
us ******* threw words, like the
first lover threw words, mister George
lord of us all, the poets following the trails,
of love and lust, looking the fleur du mal,
reading the maldoror, and watching
at abysmal thoughts, of greats and crazy lost,
how many of you **** with words,
as Baudelaire says,
hypocrite reader mi brother, the truth
is on our souls, she watch for us all.

a season inferne, trying to love her
and making her keep the ******* soul,
soulless girl is already lost, crazy paths to her,
lost, but never stain my soul, in the darkest hour,
loving as i let go, feeling nothing, but the stain of
children blood in her hands, lost the soul, but trying
as never, to making her feel the love and lust in a
poets souls, beast are we all, of love and lust,

in this darkest hour, lost the heart but not my soul,
she is the love i make threw words, and lust is not
a game on her phone, or sexting foolishness,
where is thou lascivious touch, your heaven reach's,
gone. and never to return, too much connection
but no touch

lust is not a game, is an act of love,
pain and placer, lust and love,
flavors of the same drug, the drug of love,
every ****** is connected too us all, poetry
is ******* and loving threw words,
old pigs and lion and wolves,
making and matting and feeling it all.

the pain is part of lovers and lust, in
the empty streets of the days gone,
y can still see her with my eyes closed.
old lover of days far gone, still see you
with my eyes closed, the darkest hours
are gone and never to return, children's
blood stain the soul, of a soulless girl,

the our of darkness is not close to home,
i'm a poet in a crazy world, with out malice
or remorse, just a lover in the shallow halls,
full's of badly lust, and empty hearts with out the soul.
at the house of hell, immortality is far gone,
at this port of love and lust, are all vessels and boats
getting to the shore, or drawing in deep waters of
blood pain and lust, by not loving it all, pain and remorse
fear and love, lust and shame, all is there to feel it all,
there's  no escape for the truth in our souls, nor
ever going to be a safe port, the deep waters are
full of drawing boats, in the sea of life and love
let her go, and never look back as she lost her soul

the salt sculpture was looking back, now she is gone,
***** was full of badly lust, now she is a salty wall,
beneath hashem eyes she lost the ******* soul,
now and then never let the stain get's the soul,
is your only escape from hem, and his burning home
away the darkest hour, know that she is gone,
new dawns and new days, for this poet to love,
some day the cold will let her heart feel the eternal
fire of a poets soul. a burning heart full of love,
pain and lust, as the vessels sail on,
away far the boats are gone, beneath hashem's eyes

did he love, some will say, in deed he love,
and that is all, beneath the shallow halls
of love and lust i'm still alone in this ******* cold,
empty thoughts and lover soul's, is full by pain and lost
behind the eyes of a poets soul, is the abysmal truth
in the poets clothes, lust is nothing with out the love,
empty and vain, as a tick drinking flames of dragons yawns.


in the darkest of all hours i fell the pain of being alone,
no shame nor remorse, only the coldness, of being not,
a poets truth is on his soul, lucid thoughts in dark rooms,
and lost is not  a part of the all, the strings connect us all,
even the creepy lost, are part of us all, with o with out the soul,
but never he could stain my soul, beneath the shallow walls of
lust and love, some are lost, and alone, is a cold world, for the one with soul, evolved and ready for all, sill the soulless ones are looking for love and lust, even in shallow hall, their trying to be loved in return,

in the hour of lust and love, still the head need to be lost,
cause the pain was bigger then the love, even then i knew
one day i will going to love or try to, do,
i never be but alone, still can smell the sweetness,
of the lady's love, and make them feel adored,
and wanted, but still the head need to be lost,
the hours of pain are still near the bed,
looking as a drag remorse, or a foul lust taken by force,
or stolen in sleep, still the stains of ****** ****'s,
pollute what once  was full of love.

now is all full of lust and pain, never the soul
or the pain, take of nothing but shame,
of this poet's soul.
that even after the rapes, or  games
of creepy shames, lose the head or let the shame
direct my game, what once was stained, some will wash,
with love and lust, and honey tears, will take the stains
and love the flames in the poets heart.

nor shame nor remorse, just the truth and the flames,
never the blame will command my flames or foul my name,
connected are the strains of us all, as a mouse, as a lion
she will never pollute my name, or her shame will be minor,
the children s blood in her scent pollute the air,
and her bleeding hands are a ******* disgrace.

still the pain was washed away,
and the heart break was healed, after
all those years in pain, living in poets hell,
decadence as a way of life, despair and pain
***** my second and third name, now i'm clean
alive and well thoroughly clean is the soul of this,
project of man, sane and plain,

the darkest hours pass and where gone
alone and free, simple, smelling some
Madeleine in the sweet morning air,
the loner past, is gone with her lying eyes,
away i sail in this vessel, away the port, looking
for clean air, a woman with soul,
and this loving flame called poetry.
-Time-
Such an Underestimated element.
Setting People into place,
And placing no gaps in any life.

-The Fun-
It comes in waves, and as it pulls away,
You only wish you could ride with it.
Giving emotions that are expressed and held.

-The Mockingbird-
It landed on a window sill of mine,
Brought hope as I opened the glass to let it rest.
Leaving an open exit if it plans to fly away.

The time gets the better,
Bringing fun things to come.
But it seems only to dissipate,
When the mockingbird tries to rest again…

The fear comes in me,
The worry stays,
”What if I come home to an open window,
Empty sill?”

- Now I guess I know.
January 23rd, 2010
1.

From our
safe windows,
we crane our necks,
rubbernecking
past the slow
motion wreckage
unfolding in Homs.

We remain
perfectly
perched
to marvel at
the elegant arc of
a mortar shell
framing tomorrows
deep horizon,
whistling through
the twilight to
find its fruitful
mark.

In the now
we keep
complicit time,
to the arrest
of beating hearts,
snapping fingers
to the pop
of rifle cracks,
swooning to
the delicious
intoxication of
curling smoke
lofting ever
upward;
yet
thankfully
remain
distant
enough to
recuse any
possibility
of an
intimate
nexus
with the
besieged.

2.

From our
safe windows,
we behold the
urgent arrivals of
The Friends of Syria
demanding
clean sheets
and 4 Star
room service at a
Tunisian Palace
recently cleaned
and under new
management
promising a
much needed
refurbishment.

The gathered,
a clique of
this epochs
movers and shakers,
a veritable
rouges gallery of
ambassadorial
prelates, Emirs and
state department
bureaucrats
summoned
with portfolio
from the
darkest corners
of the globe.

They are
eager to
sanctify
the misery
of Homs,
deflect and
lay blame
with realpolitik
rationalizations,
commencing
official commissions
of inquiry,
deliberating
grave considerations,
issuing indictments
of formal charges for
Crimes Against
Humanity
while
remaining
urgently
engrossed
in the fascination
of interviewing
potential
process servers
to deliver the bad news
to Bashar al-Assad
and his soulless
Baathist
confederates,
if papers
are to be
served.

Yes, the diplomats
are busy meeting
in closed rooms.

In hushed circles
they whisper
into aroused ears,
railing against
Russia’s
gun running
intransigence
and China’s
geopolitical
chess moves.

Statesmen
boast of the
intrepid justice
of tipping points
and the moving poetry
of self serving tales,
weighing the impact
of stern sanctions
amidst the historical
confusion of the
asymmetrical
symmetries
of civil war.

Caravans
of Arab League
envoys roll up
in silver Bentleys,
crossing deserts
of contradictory
obfuscations,
navigating the
endless dunes
with hand held
sextants of
hidden agendas.

The heroic
Bedouins are
eager to offload
their baggage
and share
on the ground
intelligence from
their recent soirées
across Syria.

They beg
a quick fix,
the triage of a
critical catharsis
to bleed their
brains dry
of heinous
recollections,
pleading
release from a
troubled conscience
victimized by
the unnerving paradox
of reconciling
discoveries of
perverse voyeurism
with the sanctioned
explanations
of their respective
ruling elites.

The bellies
of these
scopophiliacs
are distended;
grown queasy
from a steady diet
of malfeasance
an ulcerated
world parades
in continuous loop;
spewing the raw feeds
of real time misery;
forcibly fed
the grim
visions of
frantic
fathers
rushing
the mangled
carcases
of mortally
wounded
children
to crumpled
piles of smashed
concrete that were
once hospitals.

We despondently
ask how
much longer
must we
look into
the eyes
of starving
children
emaciated from
the wanton
indifference
of the world?


3.

From our
safe windows
we wonder
how much
longer can
the urgent
burning
ambivalence
continue
before it
consumes
our common
humanity in
a final
conflagration?

My hair already
singed by the
endless firestorms
sweeping the prairies
of the world.

How can we survive
the trampling hoards,
the marauding
plagues of acrimony
fed by a voracious
blood lust aspiring to
victimize the people
of Homs and a
thousand cities
like it?


4.

From my safe
window I stand in witness
to the state execution of
refugees fleeing the
living nightmare
of Baba Amr.

The ****** of innocents,
today's newly minted martyrs,
women and children
cornered, trapped
on treacherous roads,
mercilessly
slaughtered and
defiled in death
to mark the lesson
of a ruthless master
enthralled with the
power of his
sadistic fascist
lordship.

I cannot avert my eyes
marking sights
of pleading women
begging for the
lives of their children
in exchange for
the gratification
of a sadists
lust.

My heart
is impaled
on the sharp
spear of
outrage
beholding
careening
children mowed
down with the
serrated blades
protruding
from marauding
jeeps of laughing
soldiers.

I drop
to my knees
in lakes of
tears
reflecting
a grotesque
horror stricken
image of myself.

My eyes have
murdered my soul.

The ghastly images
of Homs have chased
away my Holy Ghost
to the safety of a child's
sandbox hidden away
in a long forgotten
revered memory.


5.

From my safe window
I seethe with anger
demanding vengeance,
debating how to rise
to meet the obscenity of
the Butcher of Damascus.

The sword of Damocles
dangles so tantalizingly close
to this tyrants throat.  

The covered women
of Homs scream prayers
“may Allah bring Bashar to ruin”

Dare I pray
that Allah trip the
horsehair trigger
that holds the
sword at bay?

Do I pick up
the sword
a wield it
as an
avenging
angel?

Am I the
John Brown
of our time?

Do I organize
a Lincoln Brigade
and join the growing
leagues of jihadists
amassing at the
Gates of Damascus?

Will my righteous
indignation fit well
in a confederacy
with Hamas and
al-Qaeda as my
comrades in arms?

Do I succumb to
the passion of hate
and become just
another murderous
partisan, or do I
commend the power
of love and marshal
truth to speak with
the force of
satyagraha?

I lift a fervent prayer
to claim the justice
of Allah’s ear,
“may the knowing one
lift the veil of foolishness
that covers my heart in
cloaks of resent, cure
my blindness that ignores
my raging disease of
plausible deniability
ravaging the body politic
of humanity.”

6.

Indeed,
physician heal thyself.

I run to embrace my
illness.

I pine to understand it.

I undertake the
difficult regimen
of a cure to eradicate
the terrible affliction.

This
pernicious
plague,
subverting
the notion
of a shared
humanness
is a cunning
sedition that
undermines
the unity of
the holy spirit.  

The bell from
the toppled steeples
still tolls, echoing
across the space of
continents and eons
of temporal time.

The faithful chimes
gently chides us
to remove the wedge
of perception that
separates, divides
and undermines.

Time has come
to liberally
apply the balm
that salves the
open wounds
so common to
our common
human condition.

The power of prayer
is the joining of hands
with others racked
with the common
affliction of humanness.

Allah,  
My eyes are wide open,
my sacred heart revealed,
my sleeves are rolled up,
my memory is stocked,
my soul filled with resolve,
my hand is lifted
extended to all
brothers and sisters.
Lift us,
gather us
into one
loving embrace.

Selah


7.

From the safe
windows of
our palaces
we live within
earshot of
the trilling
zaghroutas
of exasperation
flowing from
the besieged
city smouldering
under Bashar’s
symphony of terror.

Our nostrils
fill with the
acrid plumes
of unrequited
lamentations
lifting from the
the burning
destruction
of shelled
buildings.

Our eyes spark
from the night
tracers
of sleeking
snipers
flitting along
the city’s
rooftops.

The deadly jinn
indiscriminately
inject the
paralysis of
random fear
into the veins
of the city
with each
skillful
head shot.

These
ghoulish
assassins
lavish in their
macabre work;
like vultures
they eagerly
feast on the
corpses of their ****,
the stench of bloated
bodies drying in the
sun is the perfume
that fills their nostrils.


8.

From our
safe window
we discern the
silhouettes of militants
still boldly standing
amidst the
mounting rubble of an
unbowed Homs
shouting;

Allah Akbar!!!
Allah Akbar!!!
Allah Akbar!!!

raising pumped fists,
singing songs
of resistance,
dancing to
the revelation of
freedom,
refusing to
be coward by
the slashing
whips of a
butchers
terrible
sword.


9.

From my
safe window
my tongue laps
the pap
of infants
suckling from
the depleted
teats of mothers
who cannot cry
for their dying
children;
tears fail
to well from
the exhaustion
of dehydrated
pools.

10.

From my
safe window
my heart stirs
to the muezzin
calling the
desperate faithful
from the toppled
rubble of dashed
minarets.

We can
no longer
shut our ears
to the adhan
of screams
the silent
voices that echo
the blatant injustice
of a people under siege.


11.

From my
safe window,
I pay
Homage to Homs
and call brothers
and sisters to rise
with vigilant
insistence
that hostilities
cease and
humanity be
upheld,
respected and
protected.


12.

From my safe
window
I perceive
the zagroutas
of sorrow
manifest as a
whiling hum,
a sweeping
blue mist,
levitating
the coffins
from the rubble
of ravaged streets.

The swirling
chorus of
mourning
joins my
desperate
prayers;
rising in
concert
with the
black billows
of smoke
dancing
away
from the
flaming
embers
of scorched
neighborhoods.


13.

From my
safe window
I heed
the fluttering
wings
of avenging
angels
furiously
batting
as they
climb
the black
plumes,
lifting from
the scattered bricks
of the desecrated
city.

It is the
Jacob’s
Ladder
for our
time;
marking
a new
consecrated
place
where
a New Adam
is destined
to be formed
from the
pulverized
stones of
desolation.

14.

From our
safe windows
we peer into
resplendent
mirrors
beholding
the perfect image of
ourselves
eying
falling tears
dripping blood,
coloring death
onto the
blanched sheets
of disheveled beds.


15.

From our
safe windows
our voices are silenced,
our words mock urgency
our thoughts betray comprehension
our senses fail to illicit empathy
our action is the only worthy prayer


16.

From my
safe window
I hear the
mortar shells
walking toward
my little palace,
the crack
of a ******
shot
precedes
the wiz of a
passing bullet
whispering
its presence
into my
waxen
ear.


17.

From my
safe window,
my palms scoop
the rich soil
of the flower boxes
perched on my sill.
I anoint the tender
green shoots of  the
Arab Spring
with an incessant flow
of bittersweet tears.

Music selection:
John Coltrane
A Love Supreme
Acknowledgment

Oakland
2/28/12
jbm
CH Gorrie Jun 2013
Beyond the ridge of my window sill
stands a young lemon tree, still
unbroken by the wind. Above fly
sparrows, gophers run below. By
the tree's trunk are ripe, fallen fruit.
The wind slows down, all is mute.

*The more I study the sunflower,
or the lily, or the rose,
the more fully I see their station:
subtle expressions of nature's power:
the unending repose
opposing human consternation.
O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt
hello again Feb 2015
You wander around the forest looking for your next meal..
You're silent, as you wander alone in the forest.
You smelled a lovely sensation, and walked toward it.
You came across a little cabin in the forest, where a small family lived.
You looked into the window and saw a little girl sitting in the window sill
You thought to yourself, "dinner?"
She looked back at you and said with a soft voice,
"You're a sly little fox aren't you? Now, go home to your family, before my father see's you."
He did, but not right away, he stared, and listened, and did as she said.
The sly little fox listened.
Nigel Morgan Dec 2012
He said I’m the wrong shape. I could do with putting on a few pounds and, almost as an after thought he said, you’ll have to cut your hair – yourself.  I know she was an artist, and a mother, and a gardener. I had to admit to him I didn’t know any painters. My cousin Julie’s a sculptor – same thing he said – but I had to tell him I hadn’t yet looked at her painting, only what he showed us in his presentation.  He then told me exactly where in the National Museum of Wales I could see one of her paintings – Gallery 14 – and its from this period, a Parisiene picture. He suggested I might go to Cambridge and spend a day at a place called Kettles Yard. There are more Winifreds there than anywhere else in the UK, and many pictures by her close friend Christopher Wood.
 
Oh dear. This is difficult. The only thing going for me seems I’m about the right age and I’ve have children, though mine are older than hers in the production. I was so surprised to get this part, but as Michael said over the phone, your profile fits. Except for the weight and the hair, and I know nothing about painting. Why should I? Jeff told me, the composer Morton Feldman once said if you haven’t got a friend whose a painter, you’re in trouble. I’m in trouble. But he has very kind eyes and when he touched me gently on the shoulder after Lizzie and I sung that shells duet I had to look away.
 
Reaching down arm-deep into bright water
I gathered on white sand under waves
Shells, drifted up on beaches where I alone
Inhabit a finite world of years and days.
I reached my arm down a myriad years
To gather treasure from the yester-millennial sea-floor,
Held in my fingers forms shaped on the day of creation….
 
They sleep on the ocean floor like humming-tops
Whose music is the mother-of-pearl octave of the rainbow,
Harmonious shells that whisper for ever in our ears,
‘The world that you inhabit has not yet been created’

 
Mind you, I don’t envy Lizzie being Kathleen Raine. Now that is a difficult part, even though she’s only in Act 2. Raine was definitely odd. He says I have to understand their friendship, because there was something about it that made them both more than they were. I don’t understand that.
 
Jane and the children are amazing already. Martin (my ‘other’ half Ben Nicholson) said they’d been rehearsing with Robert because his wife (Robert’s wife Debbie) is at WNO and they were scared about this one. I’ll say this for him he knows exactly how children interrupt, constantly. It’s clever the way he uses the interruptions to change direction of the dialogue. Conversations are often left unfinished. The bit when that ***** Barbara visits the apartment unexpectedly is brilliant. She’s completely demolished by these kids of her lover.
 
But those letters . . . he said, can you imagine your husband writing to you over a period of 40 years? Quite a thought that. David wrote to me a few times when I was in Madrid for Cosi just after we’d met, but it was all telephone calls after that. Why waste paper, time and a stamp. But I take his point – their letters are so beautiful – and they were separated for God’s sake. He’d gone off with another woman, and even brought her to Paris. And you could not have two totally different women – she ,slight, chain-smoking, work-a-holic, sharp-tongued with that Yorkshire edge, and me with ‘a quiet voice, trying always to be gentle and kind ‘– W would be called an earth-mother these days. She was a kind of hippie, only she had money – mind you most of those hippies of the 60s had money otherwise they couldn’t have done drugs (heard that on Radio 4 last week in a programme about Richard Brautigan). But they wrote to each other almost every day.
 
Dear Ben,.
            Do you know there are several kinds of happiness, and there is one sort which I have found. It is the sort that is within oneself, enjoying fresh promise, and taking all the experiences of life that one has been through, so-called sad ones and so-called happy ones, to make up understanding that is further on than joy or sorrow. I have been extremely lucky – I have had ten years of companionship with an ‘all-time’ painter, working in the medium of classic eternity and that has been better than a lifetime with any second-class person – isn’t it - I have found it so…
 
Best love Winifred

 
What’s clever about the letter sequences is the way the two-way correspondence is handled as a duet and right in the middle of it you’ll get a flashback – like Winifred suddenly remembering her first meeting with Ben.
 
I heard this voice
In the room next door
I couldn’t breath, I couldn’t move
I knew, I knew for certain
This was the man I would marry.
And when we were introduced
He seemed to know this too.

 
We gaily call this an opera, but it’s not. It’s something else. It simply doesn’t do what you think it’s going to do. Even when you do something for a second time the accompaniment doesn’t do what you expect and remembered. It’s this open-form business. Something else I know nothing about. He mentioned Umberto Eco – now I’ve read Name of the Rose. When Braque or Mondrian or Jan Eps visit unannounced I have no idea which one it’s going to be – these guys just used to turn up. Sometimes two at once. W didn’t invite them. They came for her English hospitality (home baking I think) and her beautiful apartment come studio – beautiful, because she made it so. Her French was appalling, and this is difficult because I speak quite well, and now I have to speak like an idiot. Bridget  (playing Cissy the Cumbrian nanny) having her French lesson is a hoot, and with the children correcting her all the time, it’s lovely.
 
He was very sweet when we broke for lunch. Sara, he said, as I collapsed into an auditorium seat to find my bag and mobile, Sara, we’ve got to find you a painter to spend a day with . . . so you’ll know how to stand in front of an easel.  I phoned Sarah Jane Brown who has a studio in Cardiff and she’d love to meet you. Here’s her number. She paints flowers and landscapes – as well as the abstract stuff - just like Winifred. Her tutor at the RCA actually knew Winifred. And with that he disappeared to a dark corner of the theatre and unwrapped his sandwiches. You can tell he’s not into break discussions with Julian or Michael. I think he’s terribly shy. He’s interested in the cast and so he picks them off one by one. Julian I know doesn’t like this. I think everything needs to go through me, he said at the end of yesterday’s rehearsal. Who does he think he is?! Lizzie reminded Julian he was the composer and what he doesn’t know about this whole period and its characters isn’t knowledge. Liz thinks he’s a sweetie – and she’s sung his Raine settings at Branwyn Hall last year – with Robert who was his MD with BBCNOW. Liz knows Julian hasn’t done his usual homework because he’s got this production in Birmingham on the boil. Unknown Colour is a distraction he can do without.
 
This afternoon it’s back to the mayhem of those ensemble scenes in Act 1. They’re quite crazy, but I’m already beginning to feel I can start to be someone other than me. Did you know I have this lovely song? It’s quite Sondheim . . .
 
*I like to have a picture in my room.
Without one, my room feels bare
however much furniture is there;
Pictures play so many roles.
My room has too much going on in it
for something extravagant.
In the morning it is a sanctuary,
in the daytime a factory,
in the evening a place of festivity,
and through the night a place of rest.
 
I want a window in it,  
And a focal point, something alive and silent.
A bunch of flowers on the window sill?
Yes, but they will wither.
A cat curled up on the hearth?
Yes, but it will go away and prowl upon the rooftops.
 
A picture will always be there.
It will make no sound. It will wait.
If it is true I shall never grow tired of it.
I shall see something fresh in it
when I glance at it tomorrow.
It will always be my friend.
Fritzi Melendez Nov 2017
I am tired with the feeling of being dismissed, criticized as to what I'm going to do next.
I am tired of forcing myself to choke back the tears, hide my barb-wired stained arms behind a long sleeve sweater.
I am tired of fidgeting to keep my sleeves past mid fingers, because my knuckles are swollen and bruised green and purple from yesterday's misdemeanor.
I am tired of insomnia always wanting to be held by me, being woken every 2 hours as if I was tending to a crying baby.
I am tired of running around and around my brain, always overthinking until I go past insane.
I am tired of how my energy stops out of the blue, leaving me nothing but to stare into the wall dazed and confused.
I am tired of making people run away from my presence, love and hurt and leave me until I'm left too sick to keep myself barely on balance.
I am tired of walking with wobbly and scraped knees, my palms are bleeding with skin peeling off, barely able to write more sad poetry.
I am tired of being hurt by everything and everyone, they say my heart is a blessing, but it has cursed my life since the day I was born.
I am tired of the cruel criticism towards me, years upon years of insecure comments that developed into PTSD.  
I am tired of having to rely on someone else's heart just to make myself feel worthy and complete, I can't help sharing my entire heart just to get it back again obsolete.
I am tired of the sickness that tells me good morning each day, opening my mouth to cleanse my body of the food from yesterday.
I am tired of looking at my skin in the mirror, as my rib cage becomes more visually clearer.
I am tired of breathing in the oxygen plagued with depression, opening my eyes to a vast blur in my vision.
I am tired of smelling the fear raid out of my body, their eyes watch as I shake and choke on my spit as I drown in the sweat caused by my anxiety.
I am tired of feeling incomplete, my hollow heart filled with thoughts of the night my soul fell to my feet.
I am tired of crying on the bathroom floor alone, shaking with ***** dripping from my mouth whilst trying to type for help on my phone.
I am tired of wanting to be loved and adored, knowing full well they'll leave me when they get bored.
I am tired of scrolling through my phone to fill the space of pleasure, because his name is screamed to me until not my legs, but my brain makes me shake as if I was having a seizure.
I am tired of being vocal about my mental illness, if it only brings me back into a bigger mess.
I am tired of ruining everything I touch, shattering like a fallen sculpture, not being able to fix it much.
I am tired of thinking until I get ******, screaming with every  punch on the wall because I'm alone and won't be missed.
I am tired of dreaming what could have been between him and I, instead I begin to think of different ways to die.
I am tired of seeing my window sill every morning, thinking about how I can just jump from it so I can avoid today's daily dooming.
I am tired of talking without words to speak, instead they're drowned out by wails until everything turns bleak.
I am tired of being told I'm going to be a failure, only because my suicidal thoughts have made me unsure.
I am tired of the pressure for me to do better in school, knowing they are just going to insult me for being an emotionally unstable fool.
I am tired of the tears kissing my cheeks goodnight, only to knock me out with the help of the looming monster that is impossible for me to fight.
I am tired of feeling and being weak and fragile, telling myself I'm strong are only words filled with false hope dripping with vile.
I am tired of the days I feel happy and alive, whilst also telling myself this is temporary and will soon deprive.
I am tired of my mouth being sewn shut as to not mutter a single word, trailed off when it finally unravels to people who refuse to have me heard.
I am tired of the numbness in my body after I break down, realizing the man-made tornado had once again ripped into my lonesome town.
I am tired of being alone and having no friends, because I'm still trying to heal from the knife twisted deep into my spine from the last person that wanted my life to end.
I am tired of keeping myself in captivity, when I know that I can free myself to feel amenity.
I am tired of the bipolarity in my decisions, always asking to be left alone but cry when I'm not given attention.
I am tired of being the family burden, an annoyance who can never do right with flaws that can not be undone.
I am tired of getting tangled into the constant mess I put myself in, they say I keep doing this to myself as I place my problems on my head with a pin.
I am tired of being ******* to the strings, in which exhaustion plays and moves me like a puppet's unescapable fling.
I am tired of being tired all the time, it's becoming so hard to find words that rhyme.
I am tired, I am just so
Tired.
Lately has been nothing but terrible outcomes and I feel worn out and exhausted. I don't know how much longer I can keep these shallow breaths going.
1481

The way Hope builds his House
It is not with a sill—
Nor Rafter—has that Edifice
But only Pinnacle—

Abode in as supreme
This superficies
As if it were of Ledges smit
Or mortised with the Laws—
Michael DeVoe Feb 2010
I'm a soldier in the nightlight revolution
I'm fighting the nightmares that haunt your dreams
The monsters in your closet
And the Boogeyman under your bed
One outlet at a time
I'm a silent alarm that vibrates your covers
When older brothers come in after bed time
To cover your face in shaving cream
Dip your hands in popcorn bowls of warm water
Or just slap you in the face
Sometimes they're not that subtle
I know when there is a tooth under your bed
Or reindeer on your roof
I've got a motion detector to keep step fathers at bay
While your mother's asleep
I'm his grave digger and his crypt keeper
Taking his skeletons out of the closet
And laying them in the middle of the floor
That man won't call on you anymore
I'm a hug when all you need is a handshake
And a hold-you-all-night when all you need is a kiss on the cheek
I don't do half-***
When things go bump in the night I bump back
Never fear to close both eyes when you sleep
Dream of fairy tales, Prince Charming
Dream of Maid Marions
Waiting for your touch
Don't fear the reaper he fears me
I am a soldier in the nightlight revolution
Armed with so much more than illumination
I crawl through the cracks in the closet door
Make their shadows cast pictures of rainbows on your wall
The Boogey Man runs from Chuck Norris
Chuck Norris runs from me
Please rest easy
Let the night take you for all it has to offer
Through star lit skies and rain filled clouds on magic carpets rides
Ocean floors and clown fish in little yellow submarines
Rain forests with koalas and parrots and panda bears
Son never fear for what the night brings near
The nightlight revolution is here
Throw your dream catcher away I will hand craft each one
Take the lavender out of the window sill
Don't leave the door cracked
You've got me
I'm here
We're all here
Soldiers of the nightlight revolution
And we will not sleep til you're awake
A collection of poems by me is available on Amazon
Where She Left Me - Michael DeVoe
http://goo.gl/5x3Tae
there was a little butterfly sat upon my sill
sitting all alone sitting very still
he had colored wings very big and bright
the colors of the rainbow shining in the light
he sat there a while as peaceful as can be
staring through the window looking straight at me
then he spread his wings and he began to fly
up in to the air in to the bright blue sky
I must report the passing of a dear old friend today
I'm not sure when it happened, but I felt I had to say
That the Vegas that's in movies, books, and on TV
Is not the one that you will find, it's not the one you'll see
I know your expectations are of glitter and of lights
Of singers in the lounges that play into the night
The lounges now are empty of the singers and the bands
Instead they're full of djs, and bad magicians badly tanned,
The song that was Las Vegas is not one thats in your head
The one you know with Elvis, is now gone, you see it's dead
The old hotels are gone now, It's not like it was before
The new buzzword in Vegas is now just, MORE, MORE, MORE
It's now a culture aimed at being bigger than the rest
For now it seems that bigger, means you're now known as the best
There's hotels full of bedbugs and the service is the *****
But, the casino doesn't care if there are people in the pits
The strip is nearly two miles long, and almost half is blank
It's like the desert opened up and ten casinos sank
At one end is the Stratosphere, it's got a real cool view
But, because of it's location it's not easy to get to
The Sahara was next closest, but now the Lady's gone
And to walk from this tram stop at night, well I cannot say it's fun
It's dingy and it's ***** and it's not a place to be
I wouldn't recommend this part, it's not a place to see
Freemont Street, The Old Vegas is off the beaten path
It's an hour ride upon the bus, and a taxi...do the math
It's just a place to go to once, there's no reason to return
And if you ever visit here, I think that's what you'll learn
The middle part of the strip is glitzy and spread out
It's kind of close to what Las Vegas is about
It's not all geared to people who have childeren all in tow
These ultra cool casinos is where you might just want to go
The other end is busy, but it's full of gloom and doom
And on every single corner, you can get girls to your room
There's people handing out small cards with women with a price
Who'll come up to your room and well....let's say they don't play dice
On every bridge across the strip, there's beggars and there's hawkers
They're selling everything from cds to bottled dollar water
It's tourist town, a fast food mess, it's Disneyland on crack
There's lots of things to do down here, but you must always watch your back
Did The Mirage **** it?, when Steve Wynn said let's go really huge
Hotels like this were ten times larger than the Moulin Rouge
It wasn't when Hughes came to town and bought the Desert Inn
You know the land that's now the new home of the casino known as Wynn?
It didn't die when Elvis left, it sill was full of life
But at someime since the town has died, it has fallen on the knife
The strip itself is two miles long, but you know that that's not all
In the years since Elvis left, it's become a big strip mall
There's stores here selling plastic , and the people shop in streams
I'm not sure, but to me NIKE is not the Vegas in my dreams
Rolling in their graves, I bet the stars who made this town
Are sitting in heaven or hell, saying when did it go down
There's more shows now of tribute acts and hypnotists galore
And you can find a Circus from Quebec through nearly every hotel door
At some point rigor mortis set into this old girl
I wish they could revive her, at least give it a whirl
There's buffets selling fried foods, obesity....my lord
And if you don't go out to Denny's, the restaurants you can't afford
My mind has got an image of Vegas that is cool
It involves going out late and spending daytime at the pool
You dress to go to dinner, maybe dancing and a show
And the concierge at the hotel is someone you should know
But now, you go out shopping to the outlet in the day
The casinos are all empty, since there's no one left to play
Getting dressed to go to dinner, means you switch from shorts to jeans
And the ways some people act now, well it's borders on obscene.
So, today I'd like to ask you all, for you may know more than I
But, can anybody tell me, just when did Vegas die?
Nabs Dec 2015
By: Nabs

    When I was little, my mother often gave me flowers.

She would make me a crown of Primroses that smells like the day my father left us.
I would smile and dance a little twirl that had her smiling fondly. Her little princess, Said she couldn't live with out me.
I believed her.

Right before my mother decided to stop breathing, she gave me a bouquet of Lily of the valley.

I never knew that apology was poisonous.

    The day I turned fifteen, my grandmother gave me a book on flowers, It was written with green ink and bound in human skin. Said that It was family heirloom. Said that the universe needed someone who understand Hana. Said that I was born to understand only them and to remember that flowers are ephemeral.

I cradled the book, feeling as if the world was spinning. Opening it feels like coming home after a long time of drowning.

By the time I realized, a bush of Basil and beds of Petunias were growing in my home like ****. The color should have been red instead of purple.

      I met you when you were giving a bundle of daisy to a boy.
The boy scoffed and slapped the daisies to the ground. It's petal were falling apart just as blue and black blooms like an eager bud on you. Your body were taut as a string but your face was smiling, the kind of smile I couldn't decipher the meaning.

I picked the daisies up and asked if i could keep it.  You said only if I gave you my name.

You were wreathed with White Hyacinth and Pine leaves. It suits you.

    You told me one day, after you gave me a Bleeding Heart, that I needed to learn more than the languages that flower speak. That I needed to learn human.
I asked to you why do you say that?
You looked at me, with a little smile and a soft look on your face. Told me that I was too oblivious, I was more flower than human. I frowned and said," That hurts".
You laughter was much more sweeter than any Honeysuckle.

Though I still didnt understand your laughter nor the bleeding heart.

    The sight of our hands lacing together, looks much more delicate than Queen Anne laces. It made me aware of the dips of your lips, how warm your callouses hands were and the way you sometimes darts to sneak a glance at me with warmth in your eyes when you thought I wasn't looking.
I would feel my heart thumping loudly and I would disentangle our hands, trying to hide the tremors in my hands. You would pursed your lips and cracked a joke.

The next day I received a bouquet of Lilacs and red Peonies. It was too beautiful and I was already withering.

    You often asked If I was ok. I said I was. You would go rigid at that and started to pull down all the blinds to your soul. But that day when I answered I was ok, you gave me an Orange mock.
Said that I can trust you. You left with out meeting my eyes.

That night, I left a single Aster on your window sill. Hoping I did the right thing.

    The thing was, I was scared. Not of you, no never of you. That I swear on White Lilies and Myrtles that we bound ourself to.
It's just, every time I'm with you I want to bare my self naked. To let you see how the parasites are growing inside me, withering me as it did my mother. My grandmother would say that it is our legacy we cannot escape. To grow and bloom then wither ourself after the peak.

My Grandmother was a Sakura tree, My Mother an Ajisai, and I was a Tsubaki.

My mother was supposed to lived longer than me. But Hydrangeas needed their rain or they'll wither away.

    You told me once, that I remind you of Wisterias. Always enduring even after the cruelest storm. I grimaced and whacked you on the back. Said that you were an idiot for thinking that. You laughed again and tickled me until I asked for mercy.

I feel less Tsubaki and more human with you.

    I never let you go to my home because I could not bear the thoughts of you seeing the lawn strewn Marigolds, the grief that latched itself to the soil.
How the yards was filled with weeds and plants that was tangling them self to choke each other. How the walls was bare and the furniture was only enough to survive. The only thing that was lending colors to my home were the branches of Plum Blossom and bouquet of Lilacs and Peonies that seems to not wither away.

This home would not hold further.

    I gave you Blue Carnations the night when vines were choking my lungs, making it hard for me to breathe.

You said they were beautiful, and smiled a serene smile. I wanted to kiss you so bad, but I was leaking clear salty sap, that was rolling down my cheeks. I told you all about Hana and all about my family. How bare my home is and how you are my Iris, my good news, my good tidings.

You hugged me, not minding the sap that's staining your shirt. I didn't see the Red Camellia you were tucking in my hair.

  The day when I almost gave you Red Daisies and Lungwort was the day I found out that you had severe allergy to flowers.
That breathing their pollen would shorten your life as the breath you took became a privilege that you were slowly losing.
I asked, "why would you endanger yourself like that?".
"I love flowers, that's all", you said with an uncaring shrug.
The thoughts of you withering away, made me nauseous.

I went home throwing away the Daisies and Lungwort, Burning down the marigolds and Petunias.

The only thing was left were Hana and the bouquet of Lilacs and Red Peonies.

  I never get to told you that my roots was withering.

  When you found me lying on my home, covered with Primroses, Camellias, and Blood Red Poppies, I know that you knew. In your hand were Peach Blossoms and they were so very beautiful.
You cradled me close to your chest. Whispering that I will be okay, that It's unfair for me to do this to him.
"I know", I rasped. My voice was barely working and Black-Red sap was steadily tricking from the corner of my lips.

  When I saw my mother walking down to me, carrying a basket full of Sweet Peas, Volkamenia, and Yarrows, I understand what your smile meant the first we met.

It was Red Camellias, Love and acceptence
Thank you for reading this long poem.
This is a tribute for flowers.
Hope you guys enjoy it.

— The End —