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Marian Jul 2013
A silhouetted butterfly
On a silhouetted rose
A silhouetted humming bird
******* nectar from a silhouetted flower
A silhouetted creek
Flows on a silhouetted forever
Mingles with my silhouetted dreams
Of silhouetted pedal harps
Bringing forth a silhouetted melody

*~Marian~
Marian Jul 2013
Beautiful silhouettes of palm trees
On a silhouetted cliff
Overlooking the beautiful sunset
With the silhouettes of stars
Appearing in the silhouetted sky
Where the silhouette of a moon
Appears to lighten up
This silhouetted night
A little silhouetted cabin
Sits on a silhouetted island
Brightening up
My silhouetted forever

*~Marian~
Hope you enjoy!!! :) ~<3
A horror movie scene as the heroine escapes.
Everything is still besides her convalescing breath and the distant, chasing wind.
Not a noise is heard except the fall leave's rattle and the birch wood's moaning bark in the moonlight.
Her body slouches into the protection of a lone shed, and shrouds itself in the aroma of cut grass.
A tense brow relieves and tired eyes close, thankful to receive the momentary peace.

A possible misstep turns the wary peace on end with the jagged cut of broken leaves. The once relieved brow now concedes surprise as wild eyes are cast towards an opaque barricade.
Sly pieces of garden equipment leash a weathered jacket in place as she attempts to stand.
A cackle is heard, a shriek undone.
To spite the brittle wood, the formulaic jump-scare-skeleton-hand bursts through the shed's solicitous walls, set to declare the last of a weary soul as his own.
The wind catches up and spearheads any hole it can find.
It begins whistling around the dim room like a tornado elated to havoc behind a castle's walls.
The tree bark howls, the leaves, now delight.
We learn there is no reprieve for a begging champion.
The camera slowly backs out of the splintered hole, and pans over a silhouetted forest to face the waning moon.
The hero succumbs with muted screams to a gore far below and out of frame.

Our only closure, a black screen, with bright white letters, slowly scrolling up.


The end.
Just something I had fun writing, figured not posting it would be a waste despite it not being "poetry", just an experiment I guess. I feel like it would be good, in like, a high-school, short story competition. *****.
Silhouetted by the Setting Sun
I'm content but i am mourning because
another day is almost done
Why does it have to be this one?
The one i met you for the first time?
The first day i held you and wished you were mine?
the one i learned  our lips slip together
like rhymes
from a poet's soul

The night i knelt and asked because it just felt right
why must i walk away again tonight?
Why do i have to be away from you?
My waking dream that's coming true
and here i sit not knowing if
tomorrow is worth leaving this
this bliss...?

Will it be broken by morning?
Or will i even feel it through sleeping?
and in the night when in my dreams i'm waiting
will you be my gentle shaking
when i lie there slowly waking?

The purple light bleeds dripping  through the southern sky
the sun falls silent to the moon's soft shine
and i
i have to realize
that no matter how much or how many times
i wish it wasn't or beg to know why
even the best of days will pass away
when sun and moon are gone
then must come another day

And I
I realized
silhouetted by the setting sun
that if the first would not have gone
then the rest would not have come
that if the ones before had stayed
the ones thereafter would be slayed
only the first day would exist
silhouetted by a sun like this.
Rai Jan 2014
You held me closer to your  skin than felt comfortable*
Come on we are only passing strangers
There's no need for all these niceties
Pass me a cigarette and be gone with you*
The moon is high and I'd rather be alone with my thoughts of who you might of been

Sober for a change
I wipe your sweat from my brow
Too close brother god dam you

Did I say you could come that close
Pushing through my barriers
There's such a thing as personal space my friend


Do I want to join you for a drink
I don't think so
Yep I may have called you friend but that doesn't make you my family
My brother
Hell in just a moment I'm joining the other wanderers on the road to oblivion
Until then speak your truths
Tell no lies


I see you hide behind eyes of ice cold blue
The hues are amazing
But they aren't enough to catch this heart
Not on a night like this anyhow


Ok so your cultured and refined
Behind your grey shaggy hair and your hair spiked chin

Your breathing is shallow upon my skin

Why do you try to touch my soul
Do you really think there's anything left
I've been bleeding on these god dam paper sheets for years now
An obscure poetess from the other side of town
No body notices me
Not until now that is I guess


You deal
Ill win
I always do


You stand silhouetted in the light of the window
I'm sure you were once a handsome soul
Something like loneliness lines your brow
A feeling of need arises in my chest

You are an angel of darkness
And so I let you stay
You may wander my corridors a while if you desire
What be it you desire my way wood friend
You touch so much more

And words will not give away the secrets our bodies hold

Sleep fast on pillows of Egyptian cotton
Crisp white sheets
Blood stained
By my poets hand


Tomorrow you will run wild
Beckoning for your freedom
The silhouetted man with a need for a connection


*Spit me out quick
Before your words fail you
Shofi Ahmed Nov 2018
The hallowed turf is a six seasonal
always one step ahead on earth.
So exceptional a land is out of the box
acutely drawn down the Moon
and sublimely unique is written in stone!

A patch of land every star loves to touch
so much so the Mintaka know they can mirror
the pyramid on the surface of the earth
but not the tucked away zenana here
the planetary gem, the earth's gold dust!

Go with the southern breeze on play with the sun
here it colours the wind gives it its Midas touch
and strikes a deal to part a silhouetted cloud.  
That a beauty spot raises the eyebrows of the day on a high,
on the shining face of the golden Bengal in broad daylight!

If that scores blowing the wrap off a geometry in reserve
somewhere in Sylhet, meet the Hebrew king David here
he would offer his thousand and one melodic symposium
and King Solomon princely his whole affluent shebang.
'Cause the rolling down sun from heaven this time
hitting the ground could sparkle right on the palm
holding up the very cherry-picked handful of earth!

Oh, what's that? Keeping now and then the times in tune
the earthy depth's pearl or outburst of the enduring master art,
the jewel on the foundation stone from the root of the earth?
The golden ratio foot is so firm still is a wisp of cloud
hanging over the ocean of life what loses plops in it
smooths out a rainbow tantalizing every looking eye!

The ascended fairy is a stealer that no hand can touch
seven colours shine on a patch of blue null to touch
took on a meaning for Sylhet in a handful of earth.
It matches the soil of Makkah the centre of the earth
the birthplace of the prophet king Muhammad (PBUH)!
One who is in the know hops on the foundation stone
and rose to heaven in the Night of Ascension.

How is it done a regular soil mirror the very pivotal one?
The labyrinth is out of this world, relate to Queen Maab
let alone a native maestro that not a genie can describe!

Every atom loves to discover the meaning of that.
It knows the constant vibrations the never-ending dance
that keeps it on its toe the choreography hails from outside.
With most polished foot and motions is butterfly dance
can't move an inch away there is always a canvas
is blank beneath the foot yet to lay on it candlelight!

Light a candle in Sylhet I wonder is it the moonlight
spills through even down into an atom's black canvas
or lovely dropped down the sun on a handful of earth?

Meet here the open future shows up at the earth's
hub-moon's anew rallying to the untouching-sea
the Indian subcontinent's corner to the ancient wind!

Hark the morning birds follow singing deep in the midst
mellifluous-shrills fill the air unveiling the dream scenes!
Ah, the deep footed earth how mystique, every morning
the sun off the heaven's hill lays in a new diaphanous
gold-light-rug beneath it, but yet to paint a footprint,
the colourless magic let alone the centrepiece!

The times anew numerating the bounties of our land.
Craving to sip in a dew-potion on our blossoming rose
cirrus clouds dancing over the seven seas here they drop
Banish the midday blues singing the deep sea's song!

Nestled amidst the Rivers Surma, Kushiara and Monu
Perched on the shades of the trees, each one is a canvas.
Glows with changing Bangladesh's unique six seasons
as they swing and leap in the branches of the trees
and murmur with the upstream and the autumnal breeze.

Stunned angels on their way heaven taking one more sunset
potted in the starry bowl look back at the wee hours.
They can hear pianissimo on this preserved perennial land.
It never falls asleep is awake with a numerically perfect
circle of 360 spiritual dynamos from the centre they hailed
with a handful of earth and lived here as it matched.    

A deep-seated truth, rock-solid Shilahatta in Sanskrit.
Clothed in an enduring vesture minted Sylhet loops in
with the Hebrew Bible's Shalet, a ruler, a shield!  

A little drop makes the mighty ocean.
Like one single word on the lips
the maestros' great epics begin to be told.
Just with a mundane handful of earth
Primed Sylhet's masterpiece begins to unfold.
With the whole ball of wax keeping us onboard
lo, before the face of the earth, it unveils the mirror!
With the whole nine yards on her least hold
Believe it or not, Sylhet is cherry-picked chosen by God!
The subject matter is about a land possessing a deeply seeded truth. The prime significance of which is its scattered afar but matches the pivotal soil of the centre of the earth!
Spencer Dennison Sep 2014
The truest bliss you impart upon me
sends a shiver down each column of my spine,
etching track marks over all my body,
a drug no-one can perfect or refine.
Your visage leaves lightning bolts on my eyes
and a heart palpitating in my chest.
Your body silhouetted in night skies
melts my deepest poetry to mere jest.
When we touch, it smashes my composure
into oblivion and far beyond.
When we lock eyes, I'm chilled from exposure
but for certain, only I feel this bond.
Although I strive for a day we would meet,
with the others, I could never compete.
Sonnets are my newest fascination, even in Iambic Pentameter. I'll try to post more than one daily.
ryn Oct 2014
Paints of dark twilight hues,
Slathered across in blunt strokes.
Blend with deft hands,
Cajole gently with jabs and pokes.

Backdrop begging for a few others.
Longing to hold in infinite embrace.
Friends of earth and midnight sky.
Worthy of a doe-eyed lovers' gaze.

Cascading moonbeam...
Drenching all in silvery white.
Restless twinkling stars...
Singing their mismatched might.

Silhouetted landscape as horizon,
Darkened oils of plateaued ridges.
Finest brush could only manage,
To close the gap, I build bridges.

Nearing completion, this stint on canvas.
Nuances of dawn for what I've begun,
Usher the arrival of a brand new day.
All I need now is a few drops of sun.
Inspired by you...
ryn Aug 2014
Street lamps play
As they have before
Dim walkway
Leading to a door

Careful steps
Strewn leaves
Breathe between gaps
Skulking like thieves

Rustling trees
Otherwise nothing
Mind at ease
Heart rapidly beating

Usually stops here
Usually I'd stir
But still in slumber
I drew closer

Eyes on door
Familiar scene
Stood here before
This dream I've been

Up the patio
Door was ajar
Accompanied by my shadow
Stretched far

Tunnel vision
Dripping eave
Door handle beckons
Hand raised to receive

Usually stops here
Usually I'd rouse
Allowed to enter
This time... This house

Handle I seize
Door seemed light
It did not freeze
Hinges did not fight

Revealed the insides
Scanned surroundings
Unlit lights
Stairs climbing

Footsteps I heard
Coming my way
Sounds absurd
But yet I stay

Usually stops here
Usually dream is done
But still was clear
It only had begun

Darkened figure
Descending on bare feet
Beauty light as feather
Ever did I meet

She did not see me
Planted at the doorway
Impossible it may be
Nothing did she say

Walked right by
My eyes followed
Seconds fly
In eternity they burrowed

Usually stops here
Usually I'd wake
Yet still I'm here
Chance I'd take

Stood at the fridge
Back towards me
Under siege
My mind set a flurry

Fridge was opened
Light casted her silhouette
Her back darkened
Curiosity grew fat

Illuminating beams
Accentuated her hair
Like golden streams
Flowing with flair

Usually stops here
Usually I'd startle
Connection did not sever
Continue I was able

Spellbound I gawked
Rooted like a tree
Wide-eyed I stalked
This siren before me

She drank
Not knowing I was there
Stiff as a plank
I was locked in a stare

Finally broke free
Shifted my weight
She turned to me
And then said...

Then it ceased
Then I awaken
Surprisingly pleased
Slice of heaven

Who was she?
Silhouetted face
Perpetually...
Mysterious grace

Foreign albeit familiar
Strange but true
Now rings clear...


It is you...
Based on a dream I had.
Walking out 'upon-the-grass,'
found myself a-lone.
Roses, trees, the walking paths,
a second sort of home.

How did,
how did I...
How did I get this way?

People in the park at night,
find themselves a-lone.
People in the park at night,
wandering, -no home.
Silhouetted moving shades,
invisible by day.
People in the park at night,
-not people now they say.
and they,
they are...
-just wandering away,
-wandering away.


Laying up against the Oak,
Father I am home.
Open skies, see stars amass,
I am not a-lone?
Why was this my destined path?

How did I get this way?

People in the park at night,
they are not a-lone.
People in the park at night,
WAN-DER-ING BUT HOME.
Silhouetted moving shades,
invisible by day.
People in the park at night,
-not people now they say!
PEOPLE IN THE PARK AT NIGHT,
lost along the way.
SLEEPING IN THE PARK TO-NIGHT,
crumbling; they fray.


Lord why?
why are things...
why are things...
Why are things this way?

Falling from this life at last,
found I'm not alone?
Jesus came to see me pass,
said

"Nev-ver were you a-lone."

People in the park at night,
see themselves a-lone.
People in the park to-night,
not wandering but home...


Never are they alone.
Pagan Paul Aug 2017
.
i.
The morning mist dissipated
as the ships keel ploughed a furrow
through the Great Green of the Aegean,
leaving far behind the magick isle.
Vigilantos stood at the prow,
marvelling at the accompanying dolphins,
curious and playful,
schooling with purpose to the ocean.
Ahead, waiting, a grand tour.
Of Sumer, Abyssinia and desert lands,
to glean hidden knowledge,
regain the mysteries of the ancients,
read the Necronomicon and old scripts
from a time when power crackled,
and the storms of the gods
belittled the existence of mankind.

ii.
The twilight Moon peeps
from behind the brazen grey cloud.
And she weaves hap-hazard
through the crushes of the crowd.
A high-born daughter of the desert,
a vision of beauty from the sand.
With silks and satin and perfume
richly obtained from foreign lands.
Through the colourful bazaar she threads
with occasional glances thrown at stalls,
priestess jewels sparkle in the night,
its her Name the sirocco calls.

iii.
Cobalt blue water, an illusion of light
where the sun slides through the meniscus,
and the harbour of Tyre was alive.
The bustling of boats around ships at anchor,
snatching glimpses of a turquoise sky
and the quay throbbing with the pulse of music.
It would be another 3 thousand years
before Rome was even a trading post on the Tiber,
let alone an empire conquering the east,
or building hippodromes and columned avenues.
Vigilantos drank in the atmosphere,
his magicians instincts bristling, noting all.
Meandering through the narrow streets,
loosely following direction, getting lost.
Seeking his retinue and camels, ready to start,
across the desert to Ninevah on the Tigris.
To speak to tribes, pray with the priests of Ur.
To find the secrets of mysteries, and treasure,
reaping the knowledge of the Old Gods awe,
amongst the shifting dunes of history.

iv.
Vivid colours of silks and dyes
adorn the tents of cloth and stick.
The summer sun beats down lazy,
heat as oppressive as mist is thick.
Her charms and delights are hidden,
with misery and pain, the last week spent.
The dark, the quiet, the inane chatter,
deep within the women's red tent.
Free from the curse, her moon-cycle complete,
she wanders with mood sombre and slow.
A powerful man from a western place
will arrive at the camp as the sun sinks low.
He had seen her in the main bazaar
and decided to stake his claim.
Whilst confined away, behind her back,
her father had bartered for riches and fame.

v.
His travels around those beautiful lands
had yielded books of law and scripts.
He had heard the oral traditions of elders
and gazed in wonder at the Moon's eclipse.
Then he had seen the greatest treasure
wending her way through crowded markets.
With tact and guile he discovered her Name,
and vowed to grace her father's carpets.

The desert folk live a simple life
but far from simple are they.
Sharp of tongue and quick of wit,
erudite in a most unusual way.
The father was the elected leader,
King of the tribe that he now led.
Vigilantos had bargained hard
to purchase the girl for his marital bed.

vi.
The sun sinks, falling from the sky in the eve.
Spectacular reds and orange colliding with the dunes.
The azure twilight sky lit and sprinkled with stars,
and the tribal camp fills with laughter and tunes.

vii
He walked with purpose toward the campfire,
his features silhouetted by flickering light.
The sudden hush of the assembled camp
echoed strange, deep into the desert night.
His eyes beheld her most beautiful form,
half in the shadow, half in the light.
For her families benefit he had traded,
agreed bargains, and come to claim his right.

“Princess of the desert, Daughter of the sand,
step forward gently and take me by the hand.
For my island home calls out loud to me,
so come, let us away across the sea”.

Head bowed in fake submission
she boldly makes her cold admission.

“I am a Woman of the free,
these sands are my home to me.
With all good grace; I could not face
life on an island in the sea”.

viii.
Black and red, darkness and rage
descend upon his fevered mind.
Humiliated, spurned by a maiden fair,
and pride will not be left behind.

“A curse. A curse. 'pon thy beautiful head,
prowl and creep as do the undead.
Evil deeds are now thy course,
henceforth our contract is now divorced”.

But something made Vigilantos start,
a pang of something from his dead heart.
With such feelings he could not contend,
so a caveat, for the curse to amend.

“Thy deeds and crimes maybe invested
'pon mortals only who invest the same such evil
'pon their fellow mortals”.

ix.
Leaving far behind the desert
he turns his face to the sky.
The ships keel ploughs a furrow
as the evening mist draws nigh.

And now she prowls the dark night,
her Name lost in the sands of time.
Seeking out the mortal sinners and
punishing their evil with her crimes.

... and thus it begins ...
Judderwitch.


© Pagan Paul (08/08/17)
.
Prequel to The Judderwitch poem (posted in April).
I fear this may create more questions than it answers.

My Judderwitch poems are now in a collection :)
https://hellopoetry.com/collection/28451/judderwitch/
PPx
.
Emilia Rosamarie Jan 2015
Moonlit sadness
Silhouetted madness
Hollowed out bones
Marrow on the floor
Blood soaked sheets
Rotted flesh beneath
Shaking fingers
Guilty hands
Breathless lungs
Skies crowded with bodies hung

*How can any of us breathe
beneath this sky of subliminal madness?
Music provides a blanket of background noise,
As you sit, in a velveteen chair, legs parted, hands on your knees,
I stand between them, silhouetted against flashing gold lights,
I stare down into your upturned face & slowly begin to undress.
Piece by piece my clothing drops to the floor at your feet,
Pooling around my clear, stiletto heels.
Your eyes too drop down, lingering on my *******,
My skin, soft & sun kissed, shimmers golden in the soft light.
I turn slowly, allowing every curve of my body to be illuminated,
The arch of my back, the contour of my hip & the arc of my buttocks
Your eyes trace down my thighs, now spread & back up,
As I bend, & reveal my inner most secrets to you.
My sweet opening that promises so much pleasure,
Just inches from your lips & your tongue & your pleasure.
Slowly I slide to my knees, down on all fours, face to the floor,
Inviting you to enter me, visually, take me with your eyes,
I turn to meet your groin & I watch with interest,
As I play with my ******, at the stirring that may come.
I rise up instead, to my knees, cupping my *******, blowing,
On my now ***** ******* & my eyes reach yours,
And time & space hold for us, as we join together, for a second,
Before I lean in, my breath on your cheek & I whisper,
That's £20 please.
Robert C Howard May 2017
Through an open window, I hear
      the Big Thompson's steady music
drifting up from the valley below.

May breezes and gentle rains
     coax the snow-capped peaks
to surrender their alabaster cloaks
      downslope into gathering streams.

Silhouetted by light from the waxing moon,
      a cinnamon bear lopes along water’s edge,
pauses for a draught and meanders on.

A bull elk newly coifed with velvet antlers
        folds his legs beneath its belly
and kneels into grasses beside a tranquil pond.
        while the Big Thompson rushes on.

Spring beauties, calypso orchids and geraniums  
       shake off their winter's sleep and
dot every vagabond trail and verdant hill
        while fresh new leaves adorn the aspen boughs.

The Big Thompson inexorably presses on
        bound for rendezvous with time and space
and tumbles into the always patient sea.

© 2017 by Robert Charles Howard
Adele Aug 2018
I see beauty in palm-
sized tomatoes growing afloat in Inle
the dusky Lake
in Myanmar, I see it
in rough hands
of the one legged man
silhouetted just like his perilous
wooden boat against the slow setting
sun. I hear thin echoes
of beauty
hundred years
of ruins, temples, stupas standing
with pride, the culture of longyi, worn
with voluminous delight

I took the train that goes
on a loop
saw  buildings, the market, the houses,  plantations
a city  a country covered
by a dark cloud that has yet to
acknowledge a genocide
the cries

afterwards a hi
a ‘mingalaba’ a Burmese
lady with a white cream on face which is made from ground bark called ‘thanaka’ she comes to sit
by the Dyamayanggi Temple
afterwards the scorching sun filled flakes the paste
a basket full of snack, she offers
a smile

The mirth in chasing sunset in the land of thousand pagodas. A mystical climb a striking landscape. I breathe
feel and wish to stay
longer. Soak myself in the twilight of moment. In a fleeting time, of closing lids, I drown with the colors of the sky.
Isoindoline Oct 2012
Elli had never thought that the walls were strange.  Really, she didn’t think of them as walls precisely; they simply marked where her world ended.  After all, they had always been there, looming grayishly about one hundred feet from her back door.  Occasionally, strange shapes would appear at the top of the wall, silhouetted by bright lights so that she could never say what they looked like.  The sky was a perfect circle of blue or gray, depending on the weather, and it hung rather flatly overhead.  Elli’s house had pristine white walls with a red tile roof, exactly like the other four houses in her little slice of existence.  There was one other child besides Elli, but he was a baby who barely spoke.  

Not that anyone else said much either.  The adults seemed happy enough she supposed and treated her with kindness, but they all looked at each other knowingly, with resignation.  

Elli couldn’t understand why that was so; they had everything they needed here: food, water, clothing, each other.  The weather was even cooperative for the most part, raining just often enough to keep the trees and flowers alive, and never getting cold enough to warrant anything heavier than a long-sleeved shirt.

She had to admit, though, it did get a little boring occasionally.  But, just as soon as she thought she would cry with boredom, a new toy would appear, or a new type of flower for her to discover.  When she asked her mother where these things came from, she would go tight-lipped, then relax, and say gently that they were gifts from Above.

What ‘Above’ was, precisely, no one could (or would) tell her.  So she made it up.
Elli thought that Above was quite mysterious, but it must be benevolent because it gave her so many gifts.  She would talk to Above sometimes, but it never answered; it only came with more presents when she had tired of the old.  Often, Above’s presents to Elli were in the form new discoveries, and very occasionally in the form of an actual toy.

One day, Above gave Elli a mysterious gift: a sketchbook and three pencils.  She was unsure what to do with them at first, but after some experimentation she discovered that one end of the pencil made a mark, and the other end could make the mark disappear.  That discovery alone delighted her, and for a while, she busied herself simply with the process of marking and erasing.

Next, Elli started to put the marks together in ways that pleased her, and eventually filled the entire sketchbook with abstract drawings.  She thought she would erase them all and start over the next day, but when she woke up that morning, another sketchbook and three new pencils were stacked on top of the old.  She squealed with glee.

Elli took the sketchbook out to her favorite tree that day, and as she sat in its shade, it occurred to her that she might be able to replicate what she saw around her on her paper.  
Elli began to draw.  

She explored everywhere for things to draw, and as she followed the curve of the concrete wall late that afternoon, she saw a strange object on the ground, half hidden by a large bush.

Bending down to take a closer look, she noticed that whatever the object was, it was flush with the ground and seemed to have space below it.  Elli thought that was odd; she had always assumed the ground was utterly solid, and to find that there was a seemingly endless hole underneath was disconcerting.  She set her sketchbook and pencils down and reached out for the object.

It was covered in a reddish dust that came off on her fingers.  She grabbed the grate and pulled a bit.  It rattled invitingly.  Acting on impulse, Elli grabbed the cover with both hands and heaved; it was heavy, but not unmanageable, and she soon had it off and found herself staring down a dark tube.  She knelt down, stuck her head in, and shouted.  The echo of her shout leapt away down the tunnel.

Elli backed away from the hole and sat down, contemplating her discovery.  One thing was certain: her little world was not as little as she had thought.

Eventually, Elli decided that the peculiar hole would have to wait.  She was getting hungry, and the thought of her mother’s cooking enticed her.  So, with some effort, Elli pulled the cover back over the hole and dusted her hands.  It would be waiting for her to explore tomorrow.

The next morning, Elli raced out to the hole and dragged the off the cover.  Again, she shouted and listened to the echo of her voice leave her behind.  

She wondered where the echo went.

Finally, curiosity got the better of her, and dragging her sketchbook and pencils with her, she lowered herself into the darkness.  

As her feet touched the bottom, she noticed that the hole had become tall enough for her to stand in.  Looking up, she realized that she would not be able to go back that way. She shook off that thought, and turned her face to the darkness.

The tunnel was damp, so Elli slid her sketchbook protectively under the front of her shirt.  The further she got from her entry point, the darker it became, until she could no longer see anything.  

For the first time in her life, Ellie knew fear.  

She thought of her friend, Above.

I don’t like this; I really don’t like this, Elli said to Above in the darkness.  Can you hear me, Above?  I’d like a gift to help me get out of here.  Please?

No answer came, but Elli knew that that was what would happen.  Above never spoke to her.  She felt wetness well up in her eyes, felt it trail down her face, and touched it with her fingertips.  Her fear abated a little as she stood in the darkness and nothing extraordinary happened.  Elli sniffed.

Picking up her courage, she continued forward in the darkness, feeling her way along the damp walls of the tunnel.  Suddenly, she heard a loud scraping noise overhead.  She jumped back, stumbled over her feet, and dropped her sketchbook in a puddle.  A sliver of light appeared in the ceiling, widening as the scraping noise continued.  Elli looked up, frozen, fear returning vengefully.  Light filled her section of tunnel.  She looked up, blinking at its brightness.  

A strangely elongated hand appeared, silhouetted against the light, reaching out for her.  Elli gasped.  It’s all right, the hand said, I will help you.  I am here to get you out of the tunnel.  Elli didn’t move.  Another strange hand appeared, and together, they reached for her, grasped her, and hauled her out of the darkness.  

Elli looked at the owner of the hands, into a face entirely unlike any she had seen before; the eyes were much too large, and the irises were an iridescent purple.  It didn’t have a nose, and its mouth was decidedly small.  It looked upon her with what she could only fathom was worry and concern.  There were others, standing, watching.

Who are you? Elli asked.
We are Above, it said.
And Elli knew nothing at all.
Prose, not poetry, I know.  And several years old at that.  Wrote this after reading Vonnegut's "Slaughterhouse Five."
James Jarrett Aug 2014
He thought that he had been evicted like a raucous Irishman, late once again on the rent, his belongings and furniture strewn on the lawn
His cold, deadly stare and ruffled red, said the same, with haughty indignation written all over him
As could be expected with any eviction, belongings strewn to the street, it started to rain; large splattering drops falling from the sky with an audible impact, adding insult to the injury
But he was just a child, set free and off to learn on his own, his perch and roost along with his chair, moved to his new home
He had outgrown the large screen porch, which was such a ridiculous place for an Owl anyway
Wood and glen gone, surrounded by girder and screen, locked into the realm of old peoples coffee and cigarettes
Tucked up into the eaves ignominiously, or sitting on the lamp, grooming flesh from his over large and taloned  feet
He would sit silhouetted by the dim red glow of the bulb, relaxing, until a noise would spin his head and he would become hooded and glaring death
The lamp added a glow to his eyes, which already burned with a raptors fire and he would become the personification of evil to the world of prey
Low and crouched, wings slightly spread; he would become the terrifying story that small warm animals tell their children at night to keep them in line and safe
But now he has been moved outside and all of his familiar belongings with him, or most anyways
Now he perches outside, either on the rough, twisted branches near his roost, or his favorite chair, and contemplates late into the night
But it seems that he prefers the comfort of his living room and he rests on the arm of the chair, quiet and pensive in the still and humid darkness
He stares at me while I smoke; the white plumes drifting like iridescent fog into the moonlight, while I observe him from his former home, illuminated by the dim lamp light
His saffron eyes gleam in the darkness, his dark form robed in that of the raptor, wings held down, with the tips outstretched like fingers
He stares at the lamp, standing like a pedestal against the wall and I wonder to myself
Does he want his ****** lamp moved out there too?
Artimus the owl getting moved to his new aviary
Jonathan Handboy Nov 2014
Embraced together as one
Sun-kissed orb of night
Whispered secrets amiably
In silhouetted flights
Thought of this looking at pics of me and my inamorata
Miss Grim Jan 2016
He saw her through the tower window.
Silhouetted by candle light
Her beauty quite breath taking
On this cold November night
High above the tree tops
Imprisoned in the stone
She was far too pretty
To be trapped up there alone
So he fought his way to the top
This damsel deserved his best
He slaughtered the mighty dragon
Blood smeared across his chest
He made his way to the door
And found to his surprise
He could not break it down
Because she barricaded the inside
A scream from the room
You fool she hissed and said
I want to be here by myself
And now my pet is dead!
You ruined my castle
With your disgusting little plight
I am no damsel in distress
And you sir
Are no ******* knight!
Stephen E Yocum Dec 2013
Funny the things we recall.
Images that flash through our brain.
Some most vivid for me were of an old man.
Skin like creased parchment paper,
Lined and yellowed with age.
The veins visible just below the surface,
of a thin nearly transparent veneer.
Liver spotted flecks of red,
Charted paths from the toil of many years,
Palms callused forever from a life time of labor.
Big fingers knotted and misshapen,
The two inch tip of one gone missing,
Saw taken, at age sixteen.

Looking at those old hands, one could hardly guess
That still there remained gentleness in their caress.
For an old dog, or a little grandson in need of some
Companionable affection or parental love.

Those aged hands could also make things,
Toy sailboats, and wooden trains,
complete with caboose,
And cow catcher guard.
A cool flute whistle that actually worked,
He said it was like the Indian’s made,
Out Oklahoma way.
And he would know,
He cowboyed there.

His hands taught me to tie my shoes,
Open and close my first pocket knife.
Those same hands could become birds,
rabbits, butterfly's, all sorts of things.
When projected up on the wall,
Silhouetted by a naked back light.
His hands knew magic too,
Pluck silver coins right out of my ears.

His tired face matched his hands,
visual weathered, creased and
wrinkled road maps,
Of 89 years of rugged roads traveled.

Yet, his lively pale green eyes remained
forever fraudulently youthful prisms,
Eyes and spirit of a much younger man within.

But it is his hands most of all I shall remember,
Their imposing look and their reassuring
touches of tenderness.

I shall never forget my Grandfather’s hands.
For my Granddaddy Clarence M. with Love and remembrance.
JR Rhine Mar 2016
Ascent

The narrow passage arched over the gaping river
like a gymnast vaulting backwards,
gracing the ground with open palms.

I began to climb--
beleaguered on both sides
by insecure concrete obstructions;
I diverted my attention to the ascending road ahead.

I continued to climb,
like a slowly chugging roller coaster,
meekly scaling up the track
with subdued anticipation.

I sunk into the road;
the sky merged with my pseudo-perpetual path, forming the offing--
where it seemed the road ran eternally into the heavens.
I saw blue reach into black in the late afternoon's
fading visage.

Summit

Gliding over the mountainous ****,
I stared over the horizon
where the sun was neatly tucked
under the trees--
silhouetted against the dusky sky,
looking like fingers reaching up into the void,
accumulating like earthly pillows to a heavenly face glowing brightly.

I watched a murky blue dip into a wet grass'd green,
then a traffic cone orange,
followed by the passionate (infra)red of two lovers' entwined,
climaxing in a jaundiced yellow--
tucked neatly like a layer of film
atop the silhouetted landscape.

Descent**

I wished I had
descended the adret
of my ascension's perceived perpetual offing,
rather than this gritty one--
to dip into the horizon,
where I would metamorphose
into a dazzling array of colors;

feeling myself slowly fade away
into the impending night sky.

Tucked away for another day,
sleeping under the stars,
in the fingertipped forests
now obliquely reaching into their absent luminescence
but relishing the cool night air--
silently waiting for light
to soon again
breach their gloomy shells.

[Enlightenment lingered within the visions of my ascension--
I danced with its transient spirit at the summit--
to be decimated as the car lurched downward into mortality.

I saw what could be as I moaned into the
fading afternoon's dipping colors.

Who knew the descent was the hardest part of humanity?]
Solomon's Island, Southern Maryland.
D Conors May 2010
“The rest is silence.”"-A. Crowley

I

I will know you only because
you are known to me deep down
beneath the subtle shadows carved
permanently upon your deceivingly
angelic face
sculpted by an artist
nameless to none but the heavy slab of stone
he used to create an ache
I’ve come to want to know as you
whose soft and silent rolling voice
where from there springs the torrents
of a turmoil melting like wax
in the mixed up chasm
of your mind
the destroyer of your smile
the reminder of bad times
that causes me to know you and from where you come
riding in bare-back
jet-black hair flying on
the hated molten roaring
riveted steel furnace
of inner anguish
again
and again
you beautiful deadly diamond black jewelry rose
of unworldly charm and perfected pain.

II

This is how I know you
in the steamy swelter of the nightfall’s
stifling bluish pall
you and I alone somewhere
anywhere
but probably nowhere
between the silken smooth heavenly legs of
here and there inside
the broken smoked crystal chandelier
of an ancient chamber room illuminated by
the flicker of more than fifty slowly disappearing
jutting candle-flames
I know you
because you make yourself known
to me
on the black-satin wrinkled bed-sheets that
we lie
writhing around upon like two
dying dancing angels
being swallowed by the suffocating oil
of a shame we bother created
just like gods
or dancing dancers dancing slowly
dying
in the pallid ***** fuming fog
…dancing with the gods.


you are as I know you
silhouetted in the silence of our
ecstatic shattered sighs
as we fly through lust’s futile passions where
we lie, we lie
we lie…


III

You are crawling across
the one-thousand mile mattress
stalking towards me
starvation’s fire fuels
your steely-sharp brown eyes
leopard-like your lithe,
tiny olive-brown body poised
ready to pounce
ready to strike
arrayed in skin-tight crimson lace
deadliness flashing on your face
your ******* dark and pointy ******* feel
fit for me to fed the song—
I smile—
then with healthy, stealthy fury
you leap
and pin me down
trapping
me between these shiny sheets of coal
and your sweeping feline glowing
perfumed-prison hair
polished glossy ruby fingernails
dig deep
into my massive arms
ivory razor-baring teeth
bite my hips
my neck
my chest
my thighs
you stop just in time
to devour me
delightfully
rocking, reeling in the sounds of us around
the intoxicating scent of your
flaming fountain-***
colognes my livid throbbing burning *****
I yell
I try to scream
I want to cry
…but instead, drift off to dream.

IV

You lie awake
aiting watching and waiting allowing
your imagination and your hands
on a journey to your ever-lingering
flaming fury far beyond the heights of hunger’s call
just as we have done no doubt
without each other
for a long time
in the cold
in and out
up and down
back and forth
body arches
thighs uptight
muscular calves quivering
toenails clenching like an eagle’s talons
on the bed
--lift high your sweet holy offering to the air!

Hands wet and warm fly from the glistening
magic perfect patch of forever music
that makes me want to weep
you scream
I awake
we breathe deep
we go back.
Repeat the scene.

V

Pre-dawn purple painted brush-strokes streak the sky
framed by the window where I know I will find you
in nothing more than a gown of sleek vermillion
light-chamois
that displays the room glow striking at your body’s faint
outline
your slender legs
your precious girlish hips
that golden chain around your waist
Divine
your blushing tearless chiseled cheeks
I arise
and walk behind you
run my trembling fingers up your spine
I still don’t really know you as your sighs compete with
mine
you reach around and lead me away
behind a peeling splintered door
warped and withered with
dismay
where you will teach me how to paint
by spilling your blood in
splatters
upon the floor
in said consequence I
calmly take the blade from
your tiny talking hands
pull your slashed and sliced torn wrists
to my tongue
and slowly lick
with a lingering criminal kiss
the dripping cuts that begin to fade
and go away forever in the day
now that the wounds have disappeared
becoming scarless
bloodless
sere
I can but heal your beaten lost youthful body
although I cannot convince you that
I care.
Daylight here.

VI

I know now that I know now
that I know you
and in the ****
with suntanned bodies wind kiss-hissing
through our hair
we walk side by side
on the blistering shoreline sand
avoiding bits of broken glass bottles
one by one
if we can
slowly strolling to the edge of the
abysmal eternal
emerald omniscient ocean-waves
breaking
ttundering
blanketing our feet
spraying its mist upon
our hands
I stop
you sprint
on diving headlong at the deep
the foamy water roars
and roars
you emerge and approach the shore
standing straight along
beside me
to stare
at a pair of grayish seagulls circling
in the air
squawking songs about themselves
when before the breathing of a minute
one
bird drops dying dead to feed
the never-ending belly
of the sea
the other screeches viciously
mourning
you look
at me
and then I come to know now how to know you
now that you have at last known me
as your part your pink and precious lips
for the first time
we will ever kiss
as you finally cry for
our
reality.

That is not sand left clinging to your cheeks
Just the salty tears we need
To set us free.


Now you can bury you and me.


(Threnody means “funeral chant.”)
D. Conors
c. November 1994
All original documentation has been preserved.
Eli Grove Oct 2012
My hooded head casts a shadow
across the overflowing ashtray.
My exhaled smoke is silhouetted on the
handcrafted clay.
In the shape of an oyster,
painted with the colors of
rebellious 21st century youth:
Red. Gold. Green.
With a flare of "originality."
Breeze, light, cold
escorts winter across my
aged face and I see all that my life is:
Tar. Work. Tar. Tar. Sleep.
Work. Tar. Eat. Work. Tar.
Tar. Work. Eat. Work.
Drink coffee.
Tar.
Sleep.
Die.
Is this equation what I am
reduced to?
Simple formula, obsessive compulsive
DREAM.
The exponents of my life,
variables and names:
Tar. to the power of X.
Tar. to the power of M.
But exponents and powers
mean little to drowning men.
Can a man suffocate on
his own routine?
Can a man fashion a noose
from the fibers of his
"adult life?"
Look, Ma!
I'm all growed-up.
I have murdered adventure
and the youth that lives
inside it.
I snapped one too many thin branches,
fell through the thin ice,
and now I am addicted to solid ground.
I will stand on the banks,
watching the children
ice-skate around my ashtray
that overflows with
every "yesterday" and
half-smoked "this one time"
that comprise my
former life.
I am a grown-up now.
Joseph Valle Dec 2012
There was a Truth
in murk-settled water.
I'll sit at the surface
and remember past wrongs.

Stirred lake was below us,
the eels and a catfish,
but towered above
the sun shone down warm.

A dead masquerade,
you kicked for the surface.
Your body, it rippled
a silhouetted sky.

Dead hum underwater
our eyelids were liquid.
My jellyfish back
absorbed the tanned rays.

Ingest your diffraction,
a hunger astray.
A dry-land discov'ry:
it was my legs aflame.

The murk was in you.
The murk was in you.
Dear God, I was clean.
Dear God, I was clean.

A seat at the table
to pray for the lake.
But what does it matter?
Wash my hands to eat.
"What do you mean you've never seen Blade Runner? My GOD! I didn't think there was a single person on the planet that hasn't seen that. They showed it to us in elementary school as an example of a prophetic, foretelling, social commentary."
"Well, I never was a fan of fiction or science, even though somehow I've still managed to live my fair share of both."
" Do androids dream of electric sheep? What are your dreams?"
"Electric...sheep?"
"Yeah, that's the title of the book the movie is based on, but like, I'm honestly curious about the second part. It's a better ice-breaker than your deprived childhood".
"You wanna' know what I dream? I dream of a world soaked in gasoline, and a lone, shadowy, figure masked by deceit and decay, filling the air with a rotten sulfuric smell as he festers in his own filth. I can't see this guy clearly, but I know him. I know him in my head and my heart and he just stands there, idle, in a place where he can see the silhouetted skyline of the entire wretched city. Trapped between his forefinger and thumb is  a match donning a dancing flame for a hat, performing a flamenco routine for two wild eyes.  Eyes that indicate a sureness of what to do, but make no use of intentions. They seem to sort of flip between question and answer with each dimming and brightening of the match's beacon.  The question appears to already have been answered, but has yet to be acted upon. He's tinkering with the notion.  Is this due to hesitation in the man's mind, or is he simply toying with the already squirming city? The final act is inevitable, yet the ulterior option, to extinguish the trigger, still stands...". He pauses.
His new partner's face has lost most of its color and his mouth is propped open with a jack made of sheer horror and curiosity.
"Well JESUS man! Aren't you gonna tell me the rest of it?"
"The rest of it is: I wake up".
He languidly looks around, takes a pull from the bottle, and proceeds to pull his mask over his face. His partner isn't sure, but he thought he'd caught a smile crack before his mouth was covered,
  "...and not like a haha I'm yankin' your chain kinda grin. This ****** meant it", his partner would recall later to some buddies in a bar.
"I wake up and wonder whether I'm the man, or the match".
He slams the magazine into his weapon and rips the slide back to load up the first round of ammunition. He exits the vehicle, and heads towards the disheveled building that has more or less sunk into its foundation. His new partner shakes his head, wipes his face with his paws of hands, pulls on his mask, and flicks the *** end of his cigarette whose embers have already begun to eat away at the cotton filter out towards the woods. He catches the light from the buckshot of the cherry out of the corner of his eye and imagines that match spinning towards the city.
"What the **** have I gotten into..."
Excerpt from a story that is being written some time in the next 30 years
Robert C Howard Jul 2016
They gathered by Williamson Road at sun-up
      from neighboring spreads across the Tioga valley.
They came with carts laden with lumber stacks -
      with saws, adzes, hammers and sundry tools.

They gathered with the homesteaders bond.
      to co-build their neighbor's' dreams.

Sweet music of community echoed off the hills.
     Chisels clanged into rock, shaping the foundation,
saws sang into boards to frame a timbered skeleton.
     The staccato syncopation of hammers fastened walls
that soon would shelter plowshares, stock and grain.
      A smithy leaned over his fire and forge -
chiming iron into sturdy latches and hinges.

     Children scurried about mixing squeals and laughter
with exuberant fetching and lifting whenever called.
    
In two short passings of the sun the deed was done
      and a handsome new barn, decked out in a wash of red
was silhouetted tall and proud against the fading light.

Homesteaders gathered at a celebration table
      to share a hearty meal adorned by the music
of fiddles, grateful smiles and easy laughter.
  
Then one by one they steered their wagons home
      gazing back at what their labors had wrought -
knowing to the depth of their communal souls
      that we are more together than we are apart

Listen up, America!  This is the music of community.
      We are more together than we are apart.

*© 2016 by Robert Charles Howard
I have a skyline of emotion-
A silhouetted city.
It’s all dark- all shapes as you
Look in.
Ups and downs, and you can’t tell
Anything apart.
Different heights and different lows-
All starting from the ground up.
It’s dark as you look in-
Look in at the silhouetted city.

But looking out,
Oh goodness that’s different.
Always looking out from the highest roof tops or the lowest of basements.
You see the colors the sun casts.
Spread over the water or over the streets,
Over the souls.
You can’t see the other buildings as you look
out
It’s where you are- looking out at the colors
Staring as it sparkles and shines-
You don’t see the darkness that you stand in-
You don’t see the whole picture.
You see only what lies outside of that window.
I have a skyline of emotion, a silhouetted city,
Looking in.
But looking out
I have a spectrum of colors,
An array of different heights,
An array of different feelings.
Looking out-
That’s all that matters.
Leaetta May Oct 2016
chasing down those clouds
in penetrating light
rode to the bridge

sun had set
pink and gold patterns
on the river

The man at the water plant
leaning on the railing
glanced down the river.

above the silhouetted hills
below the salmon gilded clouds
a patch of blue

no longer blue
but the color of the turquiose ring
on my bike tires
Nick Strong May 2015
Black crows circling wildly
Above trees silhouetted
Beneath darken skies
Swirling clouds, towering
Static charged excitement
Ripples cross the air
A wave of heat blown
Across the ground,
By a dry breath, of
Unseasonable wind
Bending saplings to
Kiss dusty, dry earth
Time stands still poised
Restless, wild world
Waiting  
For Odin’s hammer
Amanda Nov 2015
Upon thine eyes i see thee
There be breath in thou lungs
Blood flows in thou veins
A beat from within thy chest
Hath thee waited under the great oak?
For thy hath waited under stars at night
Doth thee reach out?
Echoing calls of thy name in the wind
Thy tears yearn for thou warmth
But alas the cold air kisses thyself
The darkness awakens thy senses
For thy hath felt thee when lonely tears do shed
Mary Gay Kearns Feb 2018
Lady you stand at the end
Where entrance meets daylight
Under the red brick archway
Between the buildings,
A white cap hides your hair
And the Dutch costume
Is of yesterday.
Silhouetted in geometry
Your profile senses thought
Far out in the distance
Where hopes and dreams reside.
You are as ancient as humanity
Womenkind contemplating
Their singularity,
Waiting for time
To eclipse this solitude.

Love Mary

From Pieter De ***** The Courtyard Painting
National Gallery London.
16 lines
Darren Aug 2015
Awe
A winters stare,
Beautifully resonates in the air,
A clear sky, a frozen pitch,
I wonder if the beauty,
will last more than a few minutes,


The snapping of a twig,
which was once part of the untouched view,
A graceful swan as muted as I am in awe,

Gliding by,


Looking over by the hill,
The mist breathing through the grass,
as I pause once more,
The grandest of oaks, silhouetted by the rising sun,
Grips me to the core,


Only in England…


Say no more.
Olympia Nov 2012
I'd walk out across
Even if
There was nothing but water on the other side
Where the lamps break and explode on the surface
And the night birds swoop low, near me.
If you were never there and
The cloud behind your silhouetted frame was complete
Without you
Full in its colored whiteness and
Billowing lines
I would still look and maybe
Smile.
If the wooded planks, missing here or there
Below my padding feet and scraping jeans
Creaked half as much, silent under nothing,
Quiet with no feet behind me
Yours
I would walk forward still
Crisscrossing here or there and meandering
around.
I would
And I wouldn't
Between the glass of the bottle and the asphalt
In the sound of
Their touch
In that moment when the music turns stale
When I know I'll soon
Want for home
I wouldn't.
And in that place
Where soft and quiet
In know and understand
I would, and I would not.
Hereafter, I deny.
Hold me home
vircapio gale Mar 2013
a poetic rain,
in small print,
fills the white sky page
...and leaves it pregnant with a frontier glowing brighter
than the prime moved space attuned to matter's birth
--all the freedom still, and more... continues growing heedless of the dark surround

and as a bright lotus conjures flight from murky soils--
heavy, sinking, rooted into nether darks--
you digest even drivel as you read, and leap beyond,
celebrating its inherent scope, tendril values spanning all potentiality;
i squint to see you silhouetted there: silent poet flying in between the signs,
to re-sign brilliance on that plane,
and voice the silence intertwining muse and verbal ruse

producing in an everpresent rain the giving-rise to words,
the meaning prior and pretend, and signaled apprehension past intent:
deluge inspiration in the rents of earth, carry dust into the rainbow clouds, and see the shaking world alight in lovingkindness without end

speaking now in arts reversed,
in playing poems and writing at a pitch to sweeten tongues with memories relived...
speaking in the ripple-visage looking back at skys beneath a surface weight we bear,
and shed in holding breath in waves, and squinting tight
the urge to love a universes' birth, conceive
the poem that generates progenesis of stellar forms
each...day
words to twist the vital helix of all oneness beings into being fair
chiasmi of the night alive to sing expanse, to sing alive galactic seas alight
into the pan-flute of the gods re-tuned to shakuhachi tones,
tabla moans and pops of ancient memories reborn
make verbal love within raags beloved rivers smooth at sitar drone
... within the theater your poetic home enfolds

Blinded by love,* can a lotus grow?
through this, beyond chance, to realize...kinship with a chameleon?
with an ant in unexplored territory?
mysteries hiding
revealing deeper mysteries, the hues of Kerala regrown
unknown cloud of "known"-unknown rising...
unknown cloud of possible-knowns to be...
being past, unknown cloud to wash the earth...
allowing all other clouds, dharma-megha cloud returning to that ocean..
--what limits of versatility attain here in my underwater tears?

we can be A dog and a cat transfixed by a sun set
lizards versus spiders crawling for our meals
the dance and dancer one
and we can tend the gardens all our lovers left
or tend the Goddess Night in daring shadow walks with her to inner, spiraled light
that inner vined garden of her truth forever singing you are me
tat twam asi in hues dark maidenhood restrokes
euphoric agony contains a clue
where negatives dream each other through and through
in a subtle exchange self with self before a mirror that eats all reflections









*)O(
italics are credited to the poetry of K. Balachandran, being either direct quotes or titles
Carter Ginter Apr 2019
Bring me to life
Let in the light
Free my tormented soul
As I wait,
Alone with this empty horizon.

Slowly, but surely
Loneliness fades as the mountains rise up to meet me
Billowing above
Silhouetted across the sky
Stoic and unmoving
Their life runs so deeply across the earth
Without the posions of fear and hate
To disrupt their simplicity
And their complexity
They are pure existence
And this moment is everything
So I join them.

Air coats my throat and fills my lungs
Allowing the vibration of energy
Radiating from all that surrounds me
To dance across my skin
Through my body and
Into my bloodstream

I am by myself on this road
But I cannot feel lonely
Every inch of nature that surrounds me
Has invited me into their energy
Into their space and sense of freedom
Pure acceptance
No judgement
From the wisps of white dancing through blue shades of infinity
To the neverending marathon of greenery, fields and shrubs jog to the edge of forever
I cannot be alone
As my heartbeat joins the rhythm of the universe
DJ Goodwin Jun 2012
The writer sits and ponders,
filled with empty silent dread,
‘Sorry, this word cannot be found’
the smug spellchecker says.

Weary of petty complications
he drifts, searching for inspiration,
soaring through the African sky
with glorious, lofty liberation.

The yellow plains stretch far below
herds of buffalo, running free
the lions hide amongst the grass
dotted around sandarac trees.

He soars now, over snow-capped peaks
tableclothed in angry cloud,
by eagles, gliding with their young
their talons stretched in readiness
silhouetted in the fiery sun.

He conjures now, Fijian sand, lazy swaying palms
crashing frothy, roaring waves; silky banana ***.
A sparkling ocean glittering, caked with yellow icing,
just a mirror for the setting sun.

But then wings of grace are stripped and
he plummets towards uncertainty,
falling back to swivel chair, staring
at desk lamps, coffee, burgundy.

The rain drizzles down outside,
the heating pours through well-placed vents
as Chinese Communism awaits:
confronting, mocking, dense.
copyright 2012, David J. Goodwin
Jun 16, 2012
Eamonn ODowd Nov 2011
Over the ravaged battlefield, a pall of death hung fast
I watched in silent horror, as the wounded breathed their last
The screams of bloodied soldiers, echoed down the sodden trench
As vermin ate the flesh of men, unbothered by the stench.

A drizzling rain was falling soft, as darkness slew the day
I knew my life was fading fast, so I began to pray

Oh GOD! Above in heaven, as you look down on this Hell
You see,through this black holocaust, a frightened Sentinel
The time is fast approaching Lord, when we'll meet face to face
And I'll be held accountable, for my actions in this place

No words in mitigation, can excuse the deeds I've done
I'm a product of my nation born to die upon the Somme
Before deaths bullet takes me, when I'm ordered from this hole
I beg you to forgive me and recieve my wretched Soul...

The order came along the trench ''Get ready to attack''
The cold hard hand of terror rested firmly on my back
Down along the frontline, whispered prayers of men grew quiet
While mass extermination waited out there in the night
Each brief second seemed an hour, as I saw my life flash past
Then somewhere in my reverie, the whistle blew at last

That cold hard hand of terror pushed me forward from behind
A burning rage and bloodlust closed the senses of my mind
Rifle shooting deadly sin, over no-mans land I stumbled
The dead of prior battles, in heaps around me,tumbled
A piercing war-cry on my lips, my bloodlust not yet sated
Firing blindly, all the while, the foe he grimly waited

Halfway accross hells quagmire, the flares popped overhead
Casting down an eerie glow on the living and the dead

Caught like running Ghosts of men, by those floating midnight Suns
Fodder for Deaths banquet, silhouetted for their guns
The whine of flying bullets filled the air about my ears
A smell of death, its **** and blood returned me to my fears

Realising our predicament, caught between two stools
Though Death reaped us like fresh grass, we all ran on like  fools
A bullet caught me in the chest, just below my shoulder
I fell upon the barbedwire and felt my blood grow colder
Hanging there, as life ran out, screaming for assistance
I saw myself and comrades, from what seemed a mighty distance

So adrift upon some sea, Life, winding down within me
But Oh! the manner of my Death, a very sad short story
A lad of nineteen summers, I had never loved a wife
Nor done the things I dreamed I'd do in the young days of my life....

My nation called ''We Need You Son'' in nineteen and fourteen
And preached of War and Battle as a bright and shining dream
With words like, Honour, Glory, Pride........ Bravery and Duty
Beguiled my generation by painting Death as beauty....

A message from the government explaining my sad tale
My poor beloved family will soon get in the Mail
Telling lies of sacrifice for our nations worthy cause
BUT NOT RELATING,HOW I DIED OF GOVERNMENTAL FLAWS.....


Written on October 5/2005.. Copyright.Eamonn O'Dowd.
This is my first submission to Hello Poetry and I would appreciate any constructive criticism you all can give me..EamonnO'Dowd.....
Prerna Sinha Jan 2014
From behind the bars of illusion, I saw a stretch of isle
Enfolded in airs so fresh, holding sun above horizon
Imaginations swelling with crossing of valleys
Thriving on smoldering of love so poisonous
From behind the bars of chimera, I saw a silhouetted soul
He walked besides me in a stretch of fantasies
His hand held mine through the summers of life
Bestowing showers of love every morning
Underneath the starry nights I dream of eternal togetherness
From behind the bars of illusion, I saw my being.

— The End —