Prince Simon, Prince Jason and Princess Sophie lived a regal life.

Slaying dragons and battling witches by day, monsters and beasts by night.

Each day brought adventures new, trips on boats and to the zoo.

One particular day when feeling bored, Prince Simon decided to explore.

Down to the basement, he slowly sneaked, quietly to take a peek.  New adventures he did seek.

A rickety old wardrobe he did find and suddenly an adventure sprang to mind.

Prince Simon shouted excitedly, "come quickly Prince Jason, Princess Sophie the Wardrobe holds an adventure new, one for me and why don't you join me too?"

The three children didn't hesitate into the Wardrobe they climbed, "where are we going today? do you know the way? Prince Jason chimed.

"The way is West" Prince Simon declared "to the Wild Wild West in the days that were best, in the morning I have a history test."

Quickly buckle up, hold tight, the wardrobe will soon be taking flight.

No sooner had they entered the wardrobe and buckled up, then the wardrobe began to rock and shake, the wardrobe began to lift and quake.

The rocket started rising higher and higher, faster and faster , picking up speed and going faster and faster.

Higher and higher, faster and faster they rose into the sky.

Higher and higher, faster and faster until they were 30,000 feet high and heading in the direction of the Wild Wild West.  
All three children were delighted, the rocket ship made them so excited.

Prince Jason and Princess Sophie said, " what do we need to wear on this adventure?"

Prince Simon said "cowboy hat, jeans, boots, and vest, that's all that's required for the wild wild west"

"mmm said Princess Sophie what about cowgirls or squaws that is what an Indian Girl is called"

"Well," said Prince Jason "their very similar, a cowhide dress, boots and Stetson hat for cowgirl, a cowhide dress, boots and feather headdress for the Squaw, let's look around and explore what the wardrobe has hidden for us all"

The children started looking and everything they required they did find Prince Simon and Prince Jason looked very fine as Cowboys with their hats, jeans, boots and vest they would fit right in, in the Wild Wild West.

Princess Sophie decided to dress as a Squaw and donned Cowhide dress, boots and feather headdress turned to her brothers to see if she passed the test.

"Perfect" Prince Simon and Prince Jason declared "come join us  now," they both said," it won't be long" Prince Simon stated "until we land back in time of the 1870's in Deadwood Gulch, USA, the Sheriff has a campaign to rid the county of its bad name "

Prince Jason and Princess Sophie were so excited they began to laugh and squeak, Princess Sophie did declare that "her knees were feeling weak"

10 minutes later the rocket had slowed down and was starting its' descent, Princess Sophie got so excited as she spied a teepee tent.

"Look" Princess Sophie shouted "a reservation down below, where Indians are settled and warm fires are all aglow"  

"Can we please stop and speak, I would like to ride a horse and a canoe, I have read stories and I know that's what they do, in the land of the Sioux!"

Slowly the rocket did descend, landing near the reservation, all three children opened the door, their eyes grew wider at what they saw.

5,000 Indians greeted the visitors with big smiles, and their leader, name of Crazy Horse asked them to join them for a while.
“Stay a while,” Crazy Horse said we’ll make some food, teach you to ride a horse ******* and a canoe, teach you the ways of the Sioux.

Princess Sophie replied, “we can’t wait” looking at the leader’s headdress Princess Sophie sighed “how come your headdress is as tall as it is wide?”

Crazy Horse smiled and sweetly said “I am a leader of these people and I do not hide; my headdress makes me stand out from others at my side”

Crazy Horse led the children to the teepee tent and signalled them to sit on the floor in front, cross-legged.

“We hunt daily for fish and meat, the food you are going to be given is precious and prepared with care, please do not wait, dig in, enjoy, there is enough to share”

Prince Simon, Prince Jason and Princess Sophie dived in enthusiastically, tasting everything, they could, from rice and beans, fish and meat, everything was so tasty and cooked in a *** hung over the wood.

“when you have finished “Crazy Horse declared we have horses ready for you to ride, don’t worry someone will walk with you at your side”

The children excitedly climbed upon their horses, Lakota for Prince Simon, Kamanchee for Prince Jason and Quil for Princess Sophie, they each clicked their heels and off the horses trot.

Just as Crazy Horse promised, each of the children had an Indian by their side, walking and talking about the best way to ride.

After an hour the children did decide that as much as they enjoyed it they had to end the ride.

Prince Simon said to Crazy Horse “thank you for your hospitality but we really must leave right now, we are meeting the Sheriff man of Deadwood Gulch” he said with a bow.

Crazy Horse bid them adieu and said, “say Hi to Wild Bill for me, last time I saw him he was wagon master”

The three children said their goodbyes and walked along the White River to their destination town, Deadwood Gulch.

Suddenly wooden huts appeared and horses pulling carriages, people and cargo shared the inside and Wells Fargo in writing on the outside.

Prince Simon, Prince Jason, and Princess Sophie looked around the town, found a sign that said Sheriff’s Office, rang the bell and entered.

Wild Bill Hickock with his long hair and Stetson hat, looked just as the children remembered from their history class.

“Hi,” said Wild Bill as he rose from his seat, stretched his hand out to greet the three children.

You must be Prince Simon, Prince Jason and Princess Sophie come to learn the ways of the Wild West before your history test.

“Yes” said Prince Simon, wildly shaking Wild Bills hand “we are delighted to meet you and lend a helping hand”

Wild Bill said, “follow me, I am about to take a walk, meet the local folk and welcome visitors to the town, would you like to tag along with me as I walk around?”

The three children agreed excitedly and followed behind, “First stop” said Wild Bill is the Post Office look for the Yellow sign”
“I see it,” said Princess Sophie as she ran across the street “let’s all go inside and meet the postmistress, make sure she’s got what she needs, if she requires any stationary we may have to place an order to arrive with speed”

“Next stop,” said Wild Bill “is the Blacksmiths down the road, if you are lucky he will show you how a horse is shoed”
The children watched quietly as the Blacksmith plied his trade, treating all of the horses to pairs of shoes fit for a parade.

“Last,” said Wild Bill “off to a rodeo we go, you will see cowboys riding their horses and using their lassoes and if your very lucky they will let you try it too”

Prince Simon, Prince Jason, and Princess Sophie were so excited they hardly said a word, watching the rodeo in silence, watching every move.
Finally, Wild Bill shouted from the side, “hands up who is keen to have a ride around the ranch? Try their hand with a lasso and maybe get some lunch.

The children’s hands shot up in the air and all three children gave a very loud cheer, Wild Bill laughed and replied, “Follow me and I will hook you up with three horses for a ride”

For the second time that day the children rode horses, this time in a circle around the corral, keeping time Wild Bill always by their side, they loved the ride.

Last but least Wild Bill put on a feast of a show with rope in his hand he threw the lasso over some cans set up on a fence, pulled the rope tight and without a second glance, felled the tins to the floor, the children let out an appreciative roar.

“That is the end of your day” Wild Bill did say “I am sorry to see you go but you must run along home, you’ve been gone a long time and your mummy will be worried”

The children shook Wild Bill's hand and thanked him for his time, sadly the day had ended and they climbed back in the wardrobe, set the destination to their home a million miles below.

As they approached their home, the roof started to open wide and the rocket began to slow, the ride was nearly over and they did not have far to go.

Very soon the wardrobe landed safely on the floor, the children were exhausted and ran to open the door, out they fell full of excitement and looking for their mummy, headed straight to the kitchen.

Mummy looked at all three children and declared “there you are, I was searching for Prince Simon as he has a history test in the morning on the Wild Wild West and I was going to help him revise for it.

The children laughed and cried, Princess Sophie, sighed, “no need mummy” they all declared “we know all about it, we’ve all been there”

Prince Simon said “Can we just have some tea and go straight to bed, I promise I have all the knowledge of the Wild Wild West clearly in my head, at least enough to pass the test.”

Of course said Mummy wash your hands, tea is ready.

Bequeath this Honour from the Eighties' Tribe
To he who Modelled their Choice of Youth then
Synchronise! The Word our Age imbibe
Of Cool Moves, Puppies and Groovy-Pop Scent
This Innocence, Sir, which you Emulate
Through Mischief that Last Good Deed you remind
How we, though Clowned, this Party appreciate
Left printed for Cats to oogle behind
Then that Watch you wore alarmed you to Grow
And signalled your Hour to stand and be brave
Hail, Parker Soldier! Valiant Flag bestow,
Took arms with Locals and fought for our Stay.
And when you Return, those Preppie-Girls cheer
The Nerd and the Suave, Cross-Wrists with you here.

oh god, oh god! that dump felt: just about as good as a zeppelin droping bombs over london... i managed to feel a vindaloo up my **** at the end of it! magic.

ever heard of huskies?
                                                                             no?
        my godmother is a huskie...
she's a doctor, she sometimes didn't shave
her legs: or that was my initial bewilderment
when i was playing video games
i.e. *porsche challenge on PS1...
and that's donkey's years ago...
        but she was a huskie...
                       she was a woman with a deep
voice...
                  but this is in another culture
and i'm sitting here, watching western culture
and thinking: well **** me! no problem
with the genital removals...
   but who the **** is going to reconstruct your
jaw-line?
                you can't fake a femenine jaw
from a man's jaw... nor the hands...
     that's why i sometimes think my **** is
tiny... but then i can hold a basketball in one hand,
that means: pick it up with one hand...
   that's why i always said... the sexiest part
of a woman's body? her hand(s).
           i can't believe i'm going to name these
people, but given my godmother's husky voice
i think i should... on a matter of principle:
and yeah, i sometimes speak like i've been castrated,
even though i smoke tobacco my voice should
be deep... all the time... i sometimes resonate:
like an angel... when i'm being pretty pretty, nice;
   how the **** are you going to reconstruct
the jaw so that i don't think you are?
                      self-conscious about your larynx?
that's not even sad, that's prompt for: me being
inquisitive... given my godmother (the doctor)
who spoke like she spoke...
                                 em... chloe arden?
    what the **** is this huskie playing at?
               blaire white... oh 'ere we go, another huskie...
i'm not laughing... you look into those eyes
and you know something is a "tad" bit iffy...
            i get it... you think you sound like a "man"
sometimes... and i get it: i sometimes sound like
i've been licked in the ***** by a karate kick...
    and that has happened to me one...
            i was doing this course in some specific
interest area... and i was signalled out
  because i wasn't shouting when i was moving forward
doing kick! chop! kick! chop! ha! ya(h)!
                    sensai was away, and this white geek
took over the class... he said: you have to shout
while moving! i was like: no...
           what the hell does he do? kicks me in the *****...
clap clap... well done you ******* ******.
          you don't do that sort of thing in boxing
for ****'s sake... that's a no go zone...
             if he even gained a black belt in the art...
he'd be excomunnicated there and then...
                             you a ******* woman or something?
*****.
                 yeah, i realised that, i have this delay
button... something happened to me 15 years ago
and i'm only writing about it now... it's a bit like Proust
on stereoids... i'm not gay enough to remember
eating: that "special" macaroon.
   like i said:
         these girls are huskies...
                         i know because my godmother
is a husky...
                               it's self-consciousness in the extreme...
get kicked in the ***** and you'll start wearing
post- / anti- transgender spectacles...
        no matter what you tell me... that jaw line and
those plump cheeks with the missing cheek bones
that's characteristic of women... mmm...
             you have a better magic trick? 'cos'
this one isn't working on me (ref. the two stated examples);
o.k., and my godmother.

"So, you ski da marathon, eh?"
came the voice out of the back
"You anglos call me Frenchie"
"But, my friends all call me Jacques"
"You ever do da marathon?
That is why you're here?
Sit here with old Frenchie
Barkeep...three more beer"
We sat down with this old man
He looked worn out, nearly dead
He said "You know, to win this race"
"It's all up here in my head"
The beers arrived, he drank his down
Our lips were barely wet
When he signalled to the barkeep
Three more for him to get
"You know, I've been here yearly
telling Anglos like you's two
The way to Montebello
The best way to get through"
"I'm eighty fours years old you know
Believe me now it's true"
And with a little finger snap you know
The barkeep brought more brew
We sat and listened as this man
Told tales of races past
He talked of Jack Johannsen
And he drank his beer down fast
We sat with him for hours
And at ten we paid the bill
We'd spent two hundred dollars
This old man drank his fill
The next day we came in to eat
Before we started out
"You ski the marathon eh?"
We heard that husky shout
We looked into the corner
Three more suckers yet to please
So, we smiled and we left quickly
To our room to get our skis
We spent the day out on the course
Thinking that this wise old man
Knew just what he was saying
He knew every inch of land
We skied each part and in our heads
We heard that old voice say
In a husky, bad french accent
You ski the marathon...eh?
We finsihed up and thawed out beards
That had frozen to our bibs
We were off to see our wizard
In fact we fought for dibs
To see who'd buy the first round
To listen to this sage
To be a student of this teacher
Who'd reached this grand old age
"You ski the marathon, eh?'
Came from the back as we walke in
It was the same old husky accent
We knew that it was him
But, there back in the corner
Sitting at our teachers feet
Were another bunch of skiers
Who'd be buying this mans treat
So, we rounded up some barstools
And we bent the barkeeps ear
He told us that Old Frenchie
He showed up every year
He comes to town a week before
The race itself takes place
He's a regular here in this bar
The whole town knows his face
He isn't from around here
Lachute, is where he lives
But for two weeks every winter
It's free advice he gives.
You buy his beet, and hear his tales
It keeps the old man young
In fact, myself I've been here 40 years
And races...he's sikiied...none
He waits there in that corner
For you anglos to show up
And he drinks what he can handle
He's really in his cups
"Barkeep, three beers...if you please"
Came roaring from the back
It seems two brand new anglos
Were new victims of old Jacques
We finsished up, and paid our bill
We knew that we'd been taken
by an old man with an accent
Who smelled like beer and bacon
The last day, when we ventured out
We dropped by to see Jacques
The barkeep said he'd gone on home
But, come next year..he's back
You boys enjoy your race day
And I'll see you here next year
So, we tipped him ten bucks extra
To buy him and Jacques a beer
That summer, I went to Quebec
To run an iron man
I was down around Three Rivers
I went there with my friend Dan
We went out for an evening
To have some drinks before race day
And when we walked into that tavern
"You run the iron man...eh?"
That voice, you couldn't hide it
That was Frenchie in the back
He said hello, you anglos..bon soir my friends
...Now you can  call me Jacques!!!

1) I am the half-pint of hope in a plastic cup, not the full litre of utopia in the bottle of sanguinity.

2) I am the cracks in the side-walk, not the perfectly paved path for positive people.

3) I am everything the fire left behind, not the half-salvaged items saved from the burning wreck that steals oxygen.

4) I am just a cigarette you put between your lips, not the romanticised fad people say it is.

5) I am the heaving through heavy lungs, not the clear inhaling and exhaling of oxygen through untainted lungs.

6) I am the awkward silence, not the deafening silence that people love.

7) I am the heart that still imagines the ghost of your fingertips on it , not the one that is covered with love bites and dark bruises constituted of unbridled lust.

8) I am the jagged path of unsteady thoughts, not the ebb and flow of consciousness.

9) I am scattered thoughts quickly scribbled in an old moleskin notebook, not sad love droning about his eyes.

10) I am mottled blood stains on bleached floors, not those oddly beautiful blood patterns you see in ****** scenes.

11) I am the static on the television which matches the thoughts in your mind, not the always-very-strong-signalled antenna on your rooftop.

12) I am a burning building screaming for help, not the beautiful luxury homes that are fireproof.

13) I am not flawless, I am the imperfections that are difficult to embrace.

The coffee *** just signalled, Ready,
So I pour the cream before the java:
A cup of divergent thinking.
There are roads running
In opposite directions,
Sharing points of similarity:
A tree, a sign, me.
Inside or outside the box of thinking,
Using the lower and upper ladder rungs
To paint the same wall,
Prologues and epilogues to the same story,
Lawyers in clown suits,
Children using,
Kittens chewing slippers,
Dogs in litter boxes,
Earth cooling,
Healing and feeding the masses,
Elected monarchies... NO monarchies,
Sleeping in or getting up,
Cursory letter to family and friends
(Though this is coming to an end),
Making love while wearing gloves,
The moon moves east to west
In the blink of sleep,
Churches giving alms and unlocking doors,
Schools excelling,
Parents attending.
To juxtapose is divergent,
Like sobering up with detergent
(You may be clean, but are you dry?).

If insurgents were divergent,
We'd have more convergence.

The firelight was fading
The shadows grew in size
In the distance if you listened
You could hear the faintest cries
Of coyotes and of timber wolf
Signalling the end of day
Howling at the growing moon
Keeping night spirits at bay

The last piece of the sagebrush
Was burning to it's core
The flames that danced as quicksilver
Now, they danced no more
The fire, once was blazing
It's flames a dangerous height
Was now a nest of coal chunks
to warm us through the night

Four days out and three to go
We'd be in two days ahead
The scheduled trip with this years herd
And we'd be back in our own bed
A smaller group of beef this time
But, that's the way it goes
At least we'd leave the mountains
Before the early snows

Coffee from the morning meal
Was still sitting in the ***
Two minutes in the embers
And it was steaming hot
The first round of watch was up
And the coffee was re done
The second watch, for wolves and things
Needed coffee and a gun

Two went down the first night out
We heard the wolves, but missed them all
They'd been following us for three days now
And at night you'd hear them call
They signalled that the day was done
And that the herd was staying still
The darkness was their element
It was time for them to ****

The fire was near finished
The flames were all but smoke
but that cup of cowboy coffee
put life into this old grey cowpoke
If the wolves kept at a distance
And just kept howling at the moon
We'd lose no more beef tonight
And be home two days from noon

The fire spit and crackled
The night was damp and cold
The stars were silent beacons
To the wolves so quick and bold
We heard them in the distance
Howling loud as if to say
Will you make it through till morning?
Wait until we come to play.....

Sands of time
tinkling through an obscure artefact
the light in you as you recognise your own.


Why and how are long-trodden tracks, forgotten
as my mind unfurls with a fresh green vine
whence before the stubborn old clung dry, and crisp,
those bitter octogenarians of perception.


R&M;, those sweet surprises
winking from behind a hidden door
were small shards in the bright crystal of our day
that felt woven only for us.
You trailed your fingers in the lukewarm water
And across my neck, both, at every opportunity
the warmth of the day
to turn to burning heat of us as light and inhibition fell.


'.....a thousand kisses deep', you read
And those you gave enthralled me
Cruel-clever Fate, to plant us as seeds apart
that sad, never understood genus or cure
to find now the curlicues of tendrils touch
And all to make pure, beautiful, joyful sense
our flashpoint clear in its providence.


How clear and fine, luminous, perfect
your touch and kindness and intellect drew
these feelings from myself, not forgotten
but rather, felt in that day anew.

an older......deeper.....creature are you
curled in dark and bookshelves and things unmachinated
You're art, and never be apologetic
your sorrows, twisted mad moments and lust
sift through you to paper, golden dust
and I find you entrancing
in no hesitation
still, I find I've one eye on the snare.


A red orb signalled our day into night
red wine and red running beneath my skin
I see you so clearly my dear, in mind's eye
and know the feel of your hair in my hands
and your elegance contrasts with slyness and salt
and the glint in your eye with its knowing purport.


Forgive me, I cannot relay
all I felt
forgive me, I cannot I know, more I can give?
but know, incandescence you drew from me surely
for you, kindred soul, have reminded me- live.

More towers must yet be built--more towers destroyed--
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
****** out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,--
And so went out . . .  For once, he forgot his pail.

Something had changed--but it was not the street--
The street was just the same--it was himself.
Puddles flashed in the sun.  In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .

He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,--deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . .  Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,--
He slowed his pace a little, and thought with horror
How monstrously that small tree ****** to meet him! . . .
He slowed his pace a little and remembered his wife.

Was forty, then, too old for work like this?
Why should it be?  He'd never been afraid--
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?

Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,--
That blue-eyed innocent girl, in a soft blouse,--
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.

He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off.  Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God--I'm done for now, the dream was right . . .'

There is something discombobulating about feeling a shudder and a tilt, the models in front of you apparently moving slowly sideways, as the stand with your show seat starts to move in circles.

At the same time, the models at the Céline show seemed to be going off in all directions. Popping in and out of the black holes of space were models - young or older - wearing a smart green masculine trouser suit, a striped shirt, a white belted raincoat, something furry and - unexpectedly - a tunic and trousers printed with black wheels and checks skittering before your eyes.

All this and the bodies and arms of shadowy people behind the plastic backdrop. I rushed backstage to try to make sense of the show chaos (sorry: artistic intrigue), but designer Phoebe Philo did not want to talk when I asked her the point of her dramatic presentation of her Autumn/Winter 2017 collection.

"Just ideas coming together with lots of ideas," said the designer. "Just lots and lots of ideas and how they impact each other."

Around me, Phoebe's team were hugging and sobbing and clutching each other, as if this show were their last. Overview notes provided by the public relations people seemed even more confusing, apart from telling me that the installation (that required more electric cables and wires than I have ever seen above a fashion runway) was by French artist Philippe Parreno.

''The Céline AW17 collection explored Phoebe Philo's storytelling design process of how a collection is created and the notion of how changes result in impact," read the statement. "Further, the collection relates closely to the interconnected nature of women's lives and possibilities for women."

Before I read this, I had thought of Phoebe as the English designer who has her children running around backstage and who made practical but classy clothes for today's woman. She threw into the mix a few charming pieces like the fluffy flat sandals that have been picked up by other designers across the world.

With all that on offer, why did the new Céline collection have to complicate things so much?

Take away the moving seats and impossible-to-follow criss-cross of the models and there was the Céline look that any woman would crave: the bold, floor-length tailored coat; a tuxedo with its hemline sweeping right down to the ankle. The tailoring looked bigger, oversized even, which is in tune with the Eighties-style square shoulders that we have seen elsewhere this season.

Phoebe seemed to be offering a hardened version of the serenity she once found in streamlined clothes. An example of the new severity would be a plain, long sleeved dress with a hemline at mid-calf. Its softer side was a blue shirt elongated to the ankle and worn with trousers.

Ultimately, Phoebe offers 21st century elegance with the smooth lines disrupted by a tangle of fringe at the hem or what appeared to be a big blanket over one arm.

I received an overall impression of longer - to the ankle - length, a sense of sobriety and a few fanciful things for evening. What I missed in the hurdy-gurdy of the presentation, is, as yet, unknown.

With exquisite workmanship and Victoriana melded with pop, Pierpaolo Piccioli had a new vision of romance for the digital era.

Prudishness and pop - can the two really meld together? Yes! If the Victorian-style cape is in a vivid, sugary, postmodern pink and the dress underneath a colourful geometric pattern, recalling the Memphis era.

At Valentino, the 1880s met the 1980s with sensational results as designer Pierpaolo Piccioli dismissed the feminist vibe that has reverberated through the Autumn/Winter 2017 season yet created a collection that was respectful to and joyful for, women.

Just looking at the designer's four moodboards was a history lesson, as Pierpaolo whizzed me through dark Victorian carved birds, bright Memphis furniture, coral with a religious connection to Medusa - so much from the past crammed into one collection.

Yet on the runway, the result was far from overloaded, as the history of coral was subsumed into the necklaces all the models wore and the deflated Victorian silhouette - long and high waisted, but slim where a crinoline once was, seemed perfectly acceptable as a romantic vision of the 21st century.

"I wanted to add deepness and romanticism to the modernity of the shapes, so these are absolutely items that you can wear separately - a white shirt or the skirt with your own sweater," said Pierpaolo. "I think fashion is made for dreams, but sometimes you want a dream that is daywear."

The Valentino studios are at the heart of the matter, apparently finding it as easy to toss off a tailored coat with a mid-calf hemline nudging Victoriana bootees, as it is to make a soft, light dress to flow underneath. The detail and delicacy of the dresses seemed like an extension of the haute couture, but the designer was eager to point out that the clothes came from the Italian factory dedicated to Valentino.

Whether it is so easy visually to mix a sorbet pink top with tiny ruffles down the arms that flowed into a cherry ripe panelled skirt, the result was surprisingly calm. Even the dresses patterned with Memphis pop blended in with the plainer, pleated versions. And just when you thought that the show's high romance was over blown, the designer would slip in a black top over a pair of sloppy velvet trousers or calm a Memphis patterned dress with a tailored coat. A severe black jacket could be worn with anything already in the closet from an LBD to blue jeans. Like the tailored coats, it kept ripe femininity in check.

"For me it is important to keep the lightness, otherwise it doesn’t feel confident and if you don’t feel that you don’t feel beautiful," said Pierpaolo. "I think if you feel confident you can even be able to show your sensibility and really feel stronger."

However you rated the clothes - too fancy, too froufrou, too historical - there is no denying that Pierpaolo has created a vision that is respectful to women and which makes them feel beautiful. In a churning political universe, Valentino offers a small, still voice of calm.

Demna Gvasalia revisited Cristóbal’s silhouettes with surges of modern colour, print and volume.

Balenciaga haute couture has been revived for the first time since Cristóbal himself closed the house nearly half a century ago. The last nine outfits shown by creative director Demna Gvasalia, on the huge carpet patterned with the word 'Balenciaga,' had their roots in the legacy of grandeur left by the noble Spanish-born couturier, who died in 1972.

Demna, who started in fashion by building street-smart, unadorned clothes, deliberately named just Vetements (the French word for clothing), has turned towards the grandeur of the original designs that are part of the Balenciaga legacy.

“I thought 100 years was a good reason to make couture available again,” said Demna backstage. “We're not going to do a couture line or show during couture, but these pieces will be made to order – basically for people who want to buy a couture dress from Balenciaga.”

The grand offerings – the polka dot dress with bustle back, the layers of dark pink taffeta, and a slim black gown, all with large back bows, were not the only historic links. The show opened with tailored coats which were worn with a drape over the left shoulder, reminiscent of the way that the models of an earlier era would walk with their heads up, shoulders rounded and stomachs sunk in.

“I studied how the pieces are worn and I found these images from old mood boards of Cristóbal where women are standing with their coats like this,” the designer explained. “The idea was to bring this kind of elegance, the gesture of wearing those pieces, but take it into a kind of cool and make it more modern. You can also wear it in a normal way, but it is constructed so that one part is larger and then you can also pin it up. And this is what you see basically in all these books.”

Demna's way of rethinking with his brain what he had seen with his eyes is exceptional – and the reason why he seems able to update the house as if he were growing new shoots from existing roots.

The arrival of vivid colour signalled a change of pace, as every figure stood out in the farthest reach of the enormous sports stadium. The hosiery especially perhaps, in grass green, and cut-away waistcoats like harnesses in pastel colours, took the image of Balenciaga back to the early days of Nicolas Ghesquière and his futuristic period at the house.

Demna is also drawn by the flowers that were a part of the Cristóbal Balenciaga look; by showing a patterned skirt with big, bold, brightly coloured sweaters, he gave print a modern feel.

The show was not perfect. Mini dresses in the floral patterns and bright hose looked out of place. But the overall effect was precise but theatrical, with the couture creating a dramatic ending.

Choosing Demna may have been a gamble by François-Henri Pinault, CEO of Kering, the luxury group that owns Balenciaga. But the designer has turned out to be able to answer fashion's most difficult challenge: finding the balance between old and new, tipped towards the future.Read more at:http://www.marieaustralia.com/cocktail-dresses | www.marieaustralia.com/****-formal-dresses

I was sitting playing slots
It was two a.m. and vacant
When a man came up and asked
Is this seat beside you taken?
I turned and told him no i'ts free
I looked deep and saw despair
He dropped his rumpled duffle bag
And plopped himself into the chair

He let his body acclimate
More to the warmth, than to the seat
I turned and played my game some  more
This man was basking in the heat
I watched him pull the tickets
From his pocket one by one
He laid them out before him
Until he'd counted twenty one
He fed them to the slot machine
Some kicked back, he got real tense
When he was finished I looked over
He had put in just ninety cents

The tickets were the remnants
of what others may have lost
But to him, they were a rental
To keep him not from getting tossed
He watched me for a while
Not hitting one button on his side
I could not help but look over
No matter how I tried

His hair was grey and matted
His fingers showed the stains
Of many years of nicotine
His eyes just showed the pain
He lit a smoke, second hand I'd say
He'd pulled a bag from in his coat
It was full of butts, all well worn down
Already ****** down someone's throat
He gave a cough and coughed a bit
Like he was getting set to speak
Then this man, slid over some
And in a voice, weary and weak
He said 'you got to line them up
I'll give you some advice
I knew that slots were random
But, this man....he had a price

He stared close at my empty glass
I'd just finished a cold beer
He coughed again and then he said
Son, it's surely dry in here
I waved a drink girl over
And I signalled to her "two"
I mean, it was cold outside
And I couldn't let him go  with out a brew
He kept eyeing up my ashtray
Where I'd left half a cigar
I knew that he would have it
in his grasp, before I went too far
I watched as he kept staring
Looking round, checking his back
He was fidgeting, and shaking
Waiting for the drink girl to come back
He had no bills to tip her
So as he saw her coming near
He got up to use the restroom
He said son....please watch my beer
I tipped her for the two of them
He was watching from the door
I guess when you've got nothing
You've got to learn just how to get more
I lit a second cigar up
clipped the end and took a puff
He sat back and breathed the smoke right down
Until his lungs had had enough
I asked him if he'd like one
His eyes lit up at this
He said thank you and was grateful
He said sir, I'd be remiss
But, can you cut it with your cutter
It's been so long since I've had one
I used to smoke them in Miami
When I used to winter in the sun
Lately, though, I've had hard times
I'm not half the man I was
I can't tell you what I used to have
I can't total up the loss
I lit the smoke, he ****** it in
Almost passed out from the taste
He said, I see these on the street some days
All crushed, son....what a waste
I used to winter in Miami
Watching jai lai, betting big
spending cash like it grew on trees
His eyes, they danced a jig

You know, now, when I think on back
I'm more thankful now than then
But, son, if I had the choice
I'd do it all again
Now, I come on in here
I pick my row seat in the fifth row, son
The fourth one in by the third glass door
The second seat, just over one
I listened to his seating plan
I looked around and tried to see
He said, you're looking at what seat I'm in
Looking for door number three
I'm kidding with you, there's no seat
I just move around to where it's warm
to where I might find some conversation
A place, some shelter from the storm
I knew he was a grafter
And in the end would be found out
He was looking for the easy way
Of this there was no doubt
whether he'd ever seen Miami
didn't matter all the same
But, in truth how many drifters
Know that jai lai is a sport and not a game
I finished up and told him
Keep warm and find a bed
He told me thanks, and shook my hand
And ran his hand over his head
I got up and I left him
Leaving five bucks on my machine
A fresh cigar in my ashtray
all where it could be seen
I walked away in silence
Heard the ticket get spit out
I then turned to see him leaving
Looking around for his next route
Whether he'd ever seen Miami
had cash, or food to eat
didn't matter in the long run
As he searched out another seat

Rolled into town
With a chip on my shoulder
Big as a boulder
Footloose and free

I went to my woman
I stood there and told her
I thought we should fold her
Now it's just me

Love isn't easy
It's more than a game
You play what you're dealt
And there's no one to blame
Do something wrong
It's more of the same
Love isn't easy for me
NO....Love isn't easy for me

Needed some time
Found an old city bar
me and my guitar
Had two shots and a beer

Had me a drink
From an old, cracked fruit jar
Thick as coal tar
What it was, wasn't clear

Love isn't easy
It's more than a game
The players may change
The result's still the same
Think too ******* it
It'll drive you insane
Love isn't easy for me
NO...Love isn't easy for me

Went to the jukebox
Put some cash in
It was just then
my phone, signalled me

My ex said hey baby
Let's try it again
I counted to ten
It's my guitar and me

Love isn't easy
It's a new kind of hell
You think you're ok
But, you never can tell
Instead of in love
I wish I'd just fell
Love isn't easy for me
NO...Love isn't easy for me


Rolled into town
With a chip on my shoulder
Big as a boulder
Footloose and free

Sadness never signalled us a sign from the cosmos,
left us to decipher the bones of history in quest of omens.
Unheeded, despair overflowed us like a desert sand storm,
buried us in credit ennui and economic laissez-faire.

World leaders formed escalating groups, G-5, G-12, G-20,
still the banks camouflaged in oppressor's language,
invented derivatives against all uncertainty, save their own,
till Wall Street acquired the stench of backed up urinals.

Only when the desperate sallied into the world's streets,
emoting songs that gushered from the wells of outrage,
did rolling blackouts of democracy unearth the buried cities,
freeing a wind that whispers ruin in uncompromising sunlight.

you know what two indicators of psychiatric diagnostic bases are?  whether or not you can keep eye-contact or chew your nails... frankly i  like the taste or keratin, it's like concentrated burnt skin, and that  eye-contact bit? i'm not here to ****** anyone, not keeping eye-contact  doesn't make me disengage from dialogue, it simply enhances it, after  all, i'm talking to your body, i don't have to peer into your soul.*

the hippocratic oath died with modern psychiatry,
it simply died, limp and almost lethargic
and riddled with leprosy (it’s peeling off me now, bit by bit),
the hippocratic oath died there and then,
the schism of the church from the state
enforced the secularisation of medicine
and medicine gave birth to its ******* offspring
known as psychiatry / logic of the non-existence
of the soul, better known as the missing
part of psychology...
the local g.p. analysis shows that i'm clearly
not biting my nails or have inefficient eye-contact
putting me on an autistic spectrum
with a feministic interpretation of aristotle,
but frankly i too could be a feminine candy
pusher for platonism in the **** sense of the word,
trying to convert a hetrosexual tyrant to keep
a few less digits of **** under my sleeve:
mythology - or the logic behind:
in a kingdom far far away... a long long time ago,
there's a logic to myth, meaning the timescale is
unimportant, but important with a debriefing
signalled by two words: it happened; but it's not
relatable these days.
it's a good thing english asylums closed their gates
at the beginning of the 20th century or mid-way,
english society subsequently changed into an asylum,
no fewer madmen among the mentally ill and those
in politics... the ratio is so equilibrate you wouldn't
even bet on a horse that ran a mile with the odds being
in its favour... me? *******? i'm fuming,
you want me to shoot blanks at whimsical prejudices
of a cancer patient because you were doing crosswords
looking at your genitelia and said: i'm a woman!
well, moist **** to you too... i'll make sure
the next pole that travels to england will get his money's
worth... watch me type like a chopin dynamo...
crescendo multo gratis!
that's the thing concerning the little red ribbon
wrapped around a box present in existentialism
it evolved from: phenomenology... it ignored kant...
it ignored the application of pluralism to kant's
concept of the thye noumenon...
subsequently it ignored rasputin (a.k.a. the superman)
on par with the great illiterate statues of history:
socrates, jesus, mohammad...
khadijah wrote the first of the surahs i bet...
she the litterate ***** must have known
he would decrease the volume of expression,
ending with a short surah like the heretical infestation
of malachi with the old testament.
*****! *****! give me *****! i want a snooker table too!
to the next of kin: don't come to england...
they're prone to the disease known as anglo-saxon / norman
lunacy... please don't come... or if you're coming
make it seasonal... and make it scarce -
bandit irish idiots just made a breakthough, quote un quote:
we multiply! no wonder the theory of relativity couples
people with confusion... newtonian logistics is missing,
the vector system is missing, cause and effect
is missing in relation to climate change - well **** happens,
our historical realism is not different from our
concensus... we all agreed... thanks to einstein there's
no cause & effect, because the compound space-time
vortex equates the two... we can sleep soundly tonight...
we've been saved by the geneva convention of albert camus'
absurdity... phenomena are universals because
of the attached number avaliable... noumenology
is scarce due to third arms and legs... a handful
is twelve disciples... in between the number of fingers
and toes... a handfull is between 10 and 20... that's a handful...
so if particulars deal with noumena... things unknown
or previously unknown or subsequently known because
of their david bowie oddity... then phenomena are concenred
with universal rhythms... i.e.... it can happen to an ant,
it can happen to a sparrow... it can happen to a human being...
it's the ideal economy of ideas just popping up whenever
you thing the singularity of god or the verb pronoun i is missing:
the noun pronoun, the thing that is freely ignoring things
due to their names and narrating geological abstractions?
yeah... that's still there.

I was one drink in on Friday night
I heard the church bells 'cross the square
When the barkeep signalled next one's free
And to me, this was quite rare

There was Billy, me, two drunks and Sue
and a waitress name of Shirley
She said "that bell just rang on sixteen times"
I said "that means it's early"

the bell rang on four days one time
found a cat locked in the tower
sister mary nice as pie
thought our bell had found the power

she ran through town spouting off
how Christ has come again
when it was a 42 pound tabby cat
making out like old big ben

the pastor ran to city hall
you see he'd lost his keys
someone had to stop that noise
made by a fat cat full of fleas

fourteen rings meant two o'clock
fifteen meant half eight
eleven meant eleven and
twenty one meant you were late

it hadn't rung for fifteen years
then the new pastor came to town
I never really trusted him
he wore a smile, not a frown

i'm here to bring the church to you
i'm a pastor of the people
I laughed when I heard him say this
I wasn't going near his steeple

the church had been built catholic
turned Lutheran for a bit
United, Pentecostal too
And then the Baptist group bought it

they had a real fine choir
did great shows, and fixed the bell
it hasn't rung right since that day
Now the Baptists left as well

They run a new age service now
you know, electric candles and fake wine
confession is a long dead ghost
and you get penance points on line

they don't hold service Sunday's
the pastor, he sleeps in
they pray together through the week
and to me that is a sin

the bells go off eight times a day
sometimes nine, or even more
they keep the pigeons from the square
and shake the paint right off the door

I sit and worship faithfully
at the bar, with my drunk friends
with some cotton ***** for our poor ears
to use until the **** bell ends

i'm one drink past the last one
we've bet on how many times the bell
will ring in the next hour
you can never really tell

For now, i'll stay here drinking
with the gang here and the cat
he's deaf as any post you'll see
but he's still near twice as fat

he can't hear the bell's loud ringing
oh.....twenty three...this one's on me
maybe next time will ring sixteen more
and i'll get another beer for free.

The clock strucks midnight
another day set down
out of misery
plaintive songs the stars sing
another dismal night born
born to the hope of resuscitation.
It falls in
trapped in warmth of storm
that could never detach a leaf
on the top of it
wails a passing wind
for it never evanesced a teardrop,
and soaked with my teardrops
there lies my favorite pillow
golden brown,torn
waiting to feel my heartbeats
in sync with your footsteps.
But you never rang my bells
that whimsical tune
set for your phone call never buzzed,
and the beach near your place
we were to make sand pyramids at,
lies barren,lifeless.
What i hear
over the sound of sea waves hitting a stone
best of your venomous words
three months back
you spit out,then left.
In those few moments of your stay
my heart barely felt anyone's presence.
Now,here i stand
on my knees
impaled by the silence
stagnating my valor since then
begging for the echoes.
What if the words sound pungent,
they're yours anyway!
It is dark outside love,
and that fainted light
on the top of the tower
few meters from my window
never signalled your sojourn!
so i stay awake
untangling the variables of Algebra
to shape the letters of your name & engrave it over my wrist
then wash it away
so easily in the morning.
Though the feelings remain intact
once warm,now as cold as mid december
but unlike december
it conspires to last longer.
Longer that forever
devoid of the smudges of broken trust.
Hoping,Wishing,Waiting
will you ever come?
Or am i not?
Not even worthy of a goodbye?
you left without a single word
whom should i try & look beautiful for?
The dark patches
underneath my eyes
horrid and unseemly
No,i dont wanna stay up at night
reading your message to your first love
but eulogise the drastically beautiful eyes you've got.
Mornings never brought bliss.
sunrays burnt my eyes rather make it shine.
These damaged eyes
find you ten folds better than
every other 6 feet tall guy
because no one else
treads over my heart
meliorating every bit of it,
the way you do
then coerce it to fall in for your guiltless flaws.
And if you remember
we met each other,
virtually
around this month
two years back.
I fell adrift.
Hoping you'd clasp me
it hurt
more than it could
more than it should
and if you choose to ruin me,
let me be ruined!
For the sake of the smile
i'm irrationaly in love with!
Yes, I am in love with you!
frantically,passionately,psychotically
and willingly staying there.
You seem content unquestionably!
yet this heart longs to hear it in your voice.
Are you doing fine my love?
Will i ever know?
For i'm just a wish away
but you?
1762 Kilometers!

The word was out around the street
Tonight, behind Giannis bar
There would be really something special
From the bluesman and his guitar

For locals not for punters
Just for those upon the street
You'd better bring a lawn chair
If you wanted a good seat

The word spread fast and no one
Would miss this once they heard
New works from the bluesman
You had to take in every word

The bluesman was a legend
In this flawed, dark part of town
He only played back in the alley
That was where his show went down

At precisely eleven seventeen
The bluesman took his place
Upon his beat up orange crate
In his same familiar space

It was just like a cathedral
Underneath the golden moon
Quiet and forboding
As he started his first tune

The alley was the bluesmans church
As he sang to the street people
But this church had no walls or pews
No bells, it had no steeple

The bluesman sang of love and loss
Of dragons, ships and gin
He sang of Shubert, Bach and Liszt
He sang of constant sin

He looked but he saw no one
He was zoning, all alone
He sang songs of faith and hunger
Time to give the dog a bone

He played and drank his med-cin
For sometimes he got dry
The bluesman had the crowd entrapped
Beneath the shining moonlit sky

He talked of how his smoking
Through the years gave him his sound
It only took me fifty years
I'm surprised I'm still around

He sang of love and window panes
Of jealousy and trust
Of walruses and potholes
Of people turned to dust

As people sat in wonder
Of this prophet in disguise
You could see a certain twinkle
Deep in the bluesmans eyes

Gianni, stood off to the side
Timekeeper of the show
He signalled to the bluesman
One more and we must go

He had to close the restaurant
Turn the lights off in the back
So the bluesman took another sip
And grabbed a song from his minds pack

He finished up with something
Singing songs for all who came
He made them feel it was their heartsong
Although he never said a name

He sang of waitresses and barkeeps
Pawn brokers and of guests
of family and train tracks
of watchers and of quests

He finished up and packed away
His crate and his guitar
And he collected appreciation
In a two quart mason jar

The crowd left thirty dollars
almost ninety cents a seat
A fortune to the bluesman
And the folks here on the street

Well they arrived by night the street cars light came through the curtain        
So sharp
Their bags were packed tight trapped to backs to leave now or asap
They went
The car was lamborghini leather bound
Driver look round to greet them, Lets go
Gliding up a vain took a left at Circle Main
Drive through red lights heading North to Lungsville
The black and white chess pieces blocked the roads and signalled to Motor bound brothers to stamp on the light heading North
"The Bridge is wide open"
They went Hail Mary hoisted sails they flew like new born's
Over the water
Fulfilling their prescribed Destiny

"You don’t fall in love like you fall in a hole.

You fall like falling through space. It’s like you jump off your own private planet to visit someone else’s planet. And when you get there it all looks different: the flowers, the animals, the colours people wear.

It is a big surprise falling in love because you thought you had everything just right on your own planet, and that was true, in a way, but then somebody signalled to you across space and the only way you could visit was to take a giant jump. Away you go, falling into someone else’s orbit and after a while you might decide to pull your two planets together and call it home. And you can bring your dog. Or your cat. Your goldfish, hamster, collection of stones, all your odd socks. (The ones you lost, including the holes, are on the new planet you found.) And you can bring your friends to visit. And read your favourite stories to each other.

And the falling was really the big jump that you had to make to be with someone you don’t want to be without. That’s it.

P.S. You have to be brave."

From Chundanthuruth to Madrid
I was driving
On an errand
That was not really urgent

In the car, a song
Not actually sweet
Not even beautiful
Was playing in a hum..

Whenever I got bored
Looked at the sky
The sky too looked back
Once I winked at it
Teasingly..
Since the sky could not wink
Closing one eye
It shot a frightening glance
At me; said
" get lost, mind your business! "

I kept driving..
Beyond Kalamasseri
At the container road signal
Stood a man
Signalled to stop

No sooner did I stop
Than he got inside
And sits authoritatively
On the seat to my left
Regarding my song
Neither too sweet
Nor that beautiful
With contempt..

(In looks, a gentle man, infact a rogue
I said in brackets )

Though Idid not like much
I asked him his name
' Life ' he said
Ah! 
Since it was my first
Encounter with "Life"
Asked his initials too

Without paying heed
Life played a song
I did not like
Life played another song
I did not like at all
Life played a different song
I did not, did not like
Life played different different songs
I did not like

Life played song
I did not like
Life played song
I did not like
Life played song 
I did not like
------------
Malaamparamp, moolampilly
High court junction
Marine drive
On the way to Madrid
Life kept on playing
Different different songs

My "I dont like, I dont like"
Continued 

Life again played a song
I did not like it
Again I did not like
Again and again 
I did not like

Life 
Then
Played a song
I liked it a bit
I liked it a bit more
Bit by bit
I liked that song
Liked the song
Liked the song very much
Liked only that song

That song became mine
That song became me
What to say;
I even danced
To that song

Just then
Just then
Once again
I asked Life
His initials
Laughingly it said
" Life.PK"

(Translated by Vijayalakshmi Murthy)

To the Enlightened Healer take to Pray
My Swallowed Ego for his Bow to Heal
In his Reddened Mind deny his Best Day
And submit to Therapy his Triceps feel
Ever the More his Circle's Motto adapt
To Reconsider this Two Week's Defeat
A Warrior he is; Such Pool's Walk protract
And make the South brace his Healthy Conceit
But during this Event a Blessing cries
Which the Lone Star Maiden rushed to his Aid
A Few Soft Words; Then a Rub on those Lies
Allowed most of his High-Nosed Debts be Paid.
It was their Time. To heal Divorce's due
A Spectrum appeared; And signalled his Cue.

I reached for you this morning
Smooth, soft skin usually needing my warmth
But that 5'2 angelic body was gone
Flew from the nest at the earliest hours
Between 2 and 3
I looked for you under the sheets
Hoping you didn't fall too deep into slumber
You were crying on my chest
Just before the lights went out
You signalled to me you were comfortable
As the drool fell from your slumbering mouth
Too cute is the way you sleep
Half on me while your feet dangle off the bed
So baby have a good day at work
I'll see you tonight
Come home quickly
I cooked you dinner this morning

I hear
Lamentation

They would always start the chants by daybreak
Waking me from my already-light slumber
Allowing me to rub my weary eyes for moments
Before the deep chime of the bell signalled daylight

I could never understand
their devout worship
as they fell on their knees
murmuring words unheard to me

But somehow there was something about the air
Perhaps it was the incense always lit at the altars
Maybe it was the quiet drone of their prayers
Other times it must have been the sight of nature

Years and years I spent in its hallways
Always longing for the world outside
Dreaming for the odd heaven-sent journey
That would sometimes come flying my way

Now I have different dreams
Shown to me in elusive conical shades
Driving the roots of every reverie
Deep into my very core
Flashes of other years
Distant images unknown to me
Illuminated by every hue and colour
Lulling me gently

But what it is to dream differently
Yearn for the silence in the world
Creeping up to us on dusk
Sweeping apprehension

Finally I returned home
Dropping all my weight
Pressing my forehead over
to breathe.

men with anger fused with patience

standing at their red light stations



Flying on the freeway heaven
I-10 west and half past seven
smoothly gliding to my home
nighttime sings with traffic  moans

driving under bridge-forged caverns
red lights make me sit in patterns

looking at the saddened faces
I met the I-10 homeless cases
cups in hands speak speechless phrases
fill the street  in endless mazes

there and with my own conviction
signalled him my own  intention
rolled my window to the line
and gave my brothers  peace of mind

drivers thumb their nose in spite
never knowing what it's like
watching no one do what's right

Dyslexia, mixed messages
Everything so confusing
Susceptible to misusing;
A 'B' becomes a 'D' instantaneously
And screws things up simultaneously.

A short trip from insanity to inanity.
Fiscal confuses with physical
Turning laudable into laughable
So quickly eyes can't disguise
Whether one means the skies
Or perhaps one means this guy's.

If read, confusion and contusion
Seem like quibbling over siblings
But things like read and read
Only different when they're said
Take un-signalled turns in the head
And instead come out backward,
Which should be spelled backword.

Muddling and confuddling resides
Issuing thundering broadsides,
Rendering and sundering any
Blundering inadept ineptitudes
Like some kind of garbled beatitudes.
Some take hostile attitudes.

Wheedling and wheeling away
Beetling and saying it wrong;
Maybe a song can be written
And some tongues can be bitten,
Taken aback by words taken back,
As the Raven said "Never more!"

It turns out the show's only just started when the fat lady's sang -
'Tho mum had told me it'd be over when Mrs Jones came on -
So imagine my surprise when she burst into Kool & the Gang.

It was at this talent show; I'd come to see this smoking Orang-utan.
I'd seen the mediocre 'Mystico', the lacklustre 'Lassie' and a small man named Ron;
It turns out the show's only just started when the fat lady's sang.

The final act was to be signalled with a gong and a bang,
Then out came Mrs Jones, the size of the entire Yukon.
So imagine my surprise when she burst into Kool & the Gang.

I guess it was a perfect example of yin and yang,
And since it happened Mrs Jones is quite the local icon.
It turns out the show's only just started when the fat lady's sang.

It'd seemed like she'd be better suited at a competition eating pie, or meringue,
At her local diner with her 20% off coupon.
So imagine my surprise when she burst into Kool & the Gang.

The bass kicked in, she belted it out and the whole audience sprang
Into frenzy and boogied, like night had been and gone.
It turns out the show's only just started when the fat lady's sang
So imagine my surprise when she burst into Kool & the Gang.

A little dot of light in the distance
Signalled that they were on their way home
She was waiting at her own insistence
As the trawler drew closer through the foam.

Her man had taken another man's place
And he sailed with yesterday's tide
But their baby was due in only three days
She wanted him back on dry land by her side.

It caused her to reflect on her father
He'd been lost in the'53 spring tide
That had raced down the east coast of England
Brushing trawlers and ferries to one side.

They called it 'The Big Flood', it was really that bad
It happened unexpectedly
Two and a half thousand, including her dad
Were drowned and swallowed by the sea.

January thirty-first into February one
The storm raged like no other before
Then it turned out to sea and was suddenly gone
Leaving death and devastation in it's maw.

The trawler was pulled into the harbour
And her husband jumped the jetty and ran
He took her into his arms and she worried no more
He was home, he was safe, and her man.



©Joe Wilson - The trawlerman's wife & the 1953 spring-tide disaster...2015

I wonder if you decided twenty years ago
That this was the life you wanted.
If heartbreaker was tattooed into your
DNA ink flowing mixing with blood if this
Was what you wanted your legacy to be:
Fingers ghosting down girls' throats
Lips planting promises into their brains
Where your promise is a distraction
Where you start to lose traction on
Everything. But her.
How long do you intend to break them Down while you wait for her to
Say something that matters to you.
There is a war path where you step
And it is littered with crushed beer cans,
Cigarette butts, hand grenades and
Bombshells.
Is this your legacy?
It precedes you.
I should have known when we first met
That your smoke signalled fire
That you would burn everything to the
Ground. No village is safe around this
Destruction.
But go ahead, because this means nothing
To you.
With your fingers inside another girl
If you close your eyes, she'll feel the same
As the girl who's ******* with your mind.
And if they taste like cheap ***** and
Regret, if their skin leaves traces in your
Sheets, if their feelings leave traces in your
Brain, well, that's just a consequence of
The no-strings theory.
I'm sorry I'm so bitter because you're
Always in my thoughts and you don't have
ESP so you can't know this and I can't tell
You. I'm sorry I'm so bitter because you
****** our friend in more ways than one.
I'm sorry I'm so bitter because it
Wasn't me.
I would hate myself for being another
Tongue you wish was hers,
But the closest I can get to you is through
The heat of your skin, and I want to know
How to twist you inside out.
So I'm sorry this is messy and confusing and emotional but
I read what she wrote and
Threw up my heart. You did this.
You'll keep doing this.
I can't stop wanting what I'll never have.

Happy ******* birthday.

We came as a strand of life from the source.

The estuary signalled creation, and finally; the residents spoke back.

There she was on the veranda; a Costa Rican sunset.

He sank pills with beer, and then he promptly disappeared.

And when they burned down the library, all humanity died.

The pixels flared upon the screen: now she is dead.

I surfed meteorites and time, just to see you again.

She planted the seed, then laid down in the soil.

She’s married now I think; I care not to check.

A woman took over God’s role: The results improved dramatically.
E. J., Coles-Jordan. (2014). An Equal Society: A Necessity for Cultural Revolution. Journal of Made-Up Thoughts and Wisdom, 1, 1-9999.

the day light was wrong
so it stayed there until the night dance came,
and everything flew apart from our hands that were
to used to tools that had old roads, later
we’ll go on up
and see what the hell we were talking about.
we’ll live normally, and will see every intricate part
of the carcass
(s)he will have a familiar grace
and behaviour behind our eyes;
bleeding out.
signalled by our sleeping embrace.
to do the same;
falling in windows
painted in silence
since we’re both off today
and our new place needs work;
paint streaming from our hands and nails
that makes no sound.

She lay there sleeping like a stone
Might sleep, were she just left alone
Attempts at peaceful slumber were
Foiled. And a cat would purr
To see her shoes left unattended
The Dreamland she was in was mended
When a lick delivered lightly
To her forehead woke her slightly
And with frustrated gesture
For her friends had all but messed her
From repose that she had wanted
All their actions left her daunted
She only wasnted for a snooze
Not a hamburger and *****
Just a rest for weary eyes
In the end, the bell ended her tries
It signalled end to tiresome day
So she got up and went on her way

turned self hatred to ego death
order out of chaotic mess
I have sinned, I must confess
from denying that I am blessed

for I’m a vessel for the power
big and bright, to which I cower
self-protecting, sad wallflower
procrastinate my finest hour

my heart expired, my talents latent
the Universe frowns at complacence
signalled for change in ways so blatant
uncovered what was truly fated

so “no more!”, I said aloud
in a tone uncanny and proud
gathered the few truths I found
stood for justice, stood my ground

wielded tools for reinvention
based on only good intention
so whilst my past begs for a mention
I’m better pressed to break convention

break myself and forge another
birth my own daughter and mother
court my own subconscious lover
love yourself, then love each other

because life’s too short to **** yourself
it’s got that sorted, watch your health
harness your power, know your wealth
you’ll gather dust sat on that shelf

Yes,
the sea too is here
in the sand on the shore
on the rising of the tides
in the very air,
I believe
as I
breathe
that the sea is here.

I reach up
to the bell and it sells me its melancholy still tinged with the smell of spice from some distant shire
and the whispers of smoke that signalled a welcoming fire, the owl hoots as if in sympathy for the sightless.

If I am blind then I have touched upon ancient mystery in this foreign land which feels like home to me.

In the heat, in the haze and wandering through the winding maze
I see a shadow or maybe a figure, never sure which one is bigger, but nevertheless,
I see.

It is of course, a trick played by the sea upon the albatross, a mirror into which It takes its reflection as mine.

I came upon, sometime in the early morning, an elderly giant who told me, that each movement of each grain of sand on the shore is one more than the movement of one grain before and it appeared to me to be true.

The steps march ever upwards,
making furrows in the whitestone, a million tired limbs coloured by the days length and the clock move slowly.

Mozambique cuisine, no finer table have we ever seen and
sounds from a radio behind the green doors of number 32, the street name like the radio station unknown, but the music plays melancholy and I am back to the toll of the bell and the smell of spice.

The sun blazed and caused a significant amount of precipitation to ooze out of my skin. The woman who sat next to me filled  space enough for two but paid for one. Me, the unfortunate one who sat close to her was praying that no one else boards this atrocity of a  public transport vehicle. The sweat on our skins made our contact uncomfortably more intimate than it was required for two strangers. It made my skin curl with disgust.
The little old lady stood at the bus stop with a silver wash basin half filled with her catch, fish. She signalled and the trotro staggered to a stop.

Platinum wishes; handfuls of disease
Ostentatious, drifting memories
They meld into one, fall to your knees
Conscripted love, forced to believe.

The pleasant hours often show
The check is signalled, liquor flows
Kisses stick like rain upon clothed skin
Every touch a knowing nod to sin.

We’re all that’s left
Mere animated corpses on the Earth
The adults of our dreams are trees instead of ants
Ambition while it’s stable never lasts.

All complex emotions hide beneath
Nothing of the topics which we’d agreed
Slights as smooth as slippers on our feet
Insults fly like hail; dense as sleet.

Your warmth is my addiction, doomed to always splinter
Sneaking bottles inside of psych wards
Voices prized above, not untoward.

The faintest of conclusions lack the foresight to predict
Complications always rise
They never sink.

you liked to live life in the fast lane
speed straight down highways, no slowing down
no brakes, no time to hesitate
no time for limitation on your desire to obtain your preoccupations

you liked to focus on the present for a short while
until the now signalled its change to the slow lane and began driving the speed limit and you could no longer race it
from then, it was pretending to care while searching for the next body type
no two were exactly alike, you always had a hunger for a new rev in the engine
sooner rather than later, the present became a distant memory that you left stranded on the side of the highway and you took the driver's seat in a new model that you should've taken passenger's in

you did always enjoy revisiting your antiques though
they were the ones you knew were too attached to forget you
until one day, your most prized possession refused to turn on its headlights and refused to run for you
and thus began the inhalation of your premium body type collection

off to the races speed demon, good luck finding another car to race