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In the parched path
I have seen the good lizard
(one drop of crocodile)
meditating.
With his green frock-coat
of an abbot of the devil,
his correct bearing
and his stiff collar,
he has the sad air
of an old professor.
Those faded eyes
of a broken artist,
how they watch the afternoon
in dismay!

Is this, my friend,
your twilight constitutional?
Please use your cane,
you are very old, Mr. Lizard,
and the children of the village
may startle you.
What are you seeking in the path,
my near-sighted philosopher,
if the wavering phantasm
of the parched afternoon
has broken the horizon?

Are you seeking the blue alms
of the moribund heaven?
A penny of a star?
Or perhaps
you've been reading a volume
of Lamartine, and you relish
the plasteresque trills
of the birds?

(You watch the setting sun,
and your eyes shine,
oh, dragon of the frogs,
with a human radiance.
Ideas, gondolas without oars,
cross the shadowy
waters of your
burnt-out eyes.)

Have you come looking
for that lovely lady lizard,
green as the wheatfields
of May,
as the long locks
of sleeping pools,
who scorned you, and then
left you in your field?
Oh, sweet idyll, broken
among the sweet sedges!
But, live! What the devil!
I like you.
The motto 'I oppose
the serpent' triumphs
in that grand double chin
of a Christian archbishop.

Now the sun has dissolved
in the cup of the mountains,
and the flocks
cloud the roadway.
It is the hour to depart:
leave the dry path
and your meditations.
You will have time
to look at the stars
when the worms are eating you
at their leisure.

Go home to your house
by the village, of the crickets!
Good night, my friend
Mr. Lizard!

Now the field is empty,
the mountains dim,
the roadway deserted.
Only, now and again,
a cuckoo sings in the darkness
of the poplar trees.
Stephen E Yocum Oct 2013
By Stephen E. Yocum

In 1974, from out of Kabul,
The bouncing open back of
An old flat bed truck,
Eating dust and Diesel fumes,
Two alone we journeyed.

A round the world exploration
Of adventure and discovery.
Of lands and cultures,
people never before encountered.
Naive Ecotourists, before there
Was such a thing, called by a silly name.

The land there about, dry and dusty,
Sparse vegetations, Inhospitable to all,
Featureless and drab beyond comprehension.
Harsh lands breed harsh unforgiving people,
Matching their dire extreme surroundings.
This being one of those places.

I was on an adventure,
More so than she with me,
A rocky marriage at best,
Stressed further by months of travel.
I seeking the raw, the real,
She wanting first class comforts,
Like the “Good Life as seen on TV”.
A rough open flatbed truck, eating dust,
Not even close to fitting that description.

We were going to a small distant town,
Where I might see a game as old,
As that culture, of those Afghan plains,
A game, no truly more of a passion,
A long held national obsession,
Not so much played,
As combated, a war on horseback,
Brutal, ****** and thrilling.

Under noonday sun, yet chill of weather,
An hour out, four mounted horsemen
Appeared over a low hillock horizon,
Their horses in gallop, snorting, prancing,
High stepping, bounding, on a mission,
Kicking up a cloud of yellow/red dust,
The riders making straight for us.

These were the days before the AK-47,
Before the Russian invasion of ‘97.
The tribal Afghan men back then toted old,
Long Barreled, flint lock looking weapons
Often adorned with ribbon or paint,
Looking at first glance merely ornamental,
Not quite dismissing their lethal intent.

I had seen a sheep shot by one of
These old rifles, the entry spot was
The size of an American Half Dollar,
The exit hole the size of a tennis ball exploded.

As they approached, at my direction,
She withdrew further back towards the
Cab of the truck, beside a wooden crate.
I still sat, legs dangling over the tailgate,
One hand holding onto the wood slatted
Vertical, side rail of the bed.
The other hand on the hilt of my 8 inch Buck Knife.
That given the impending situation, would have
Done me as much good as my ******* into the face,
Of a very strong hurricane wind,
Doing me and us more harm than good.
All the while, still watching the horsemen,
As they rapidly approached ever closer.

Ignoring our dust, they reined in less than
Fifteen feet from our rear bumper,
(If there had indeed been a bumper.)
Horses wild eyes rolling, saliva snorting
From their mouths and nostrils,
Lather of sweat coating sleek bodies.
Looking more akin to fierce Dragons than Equines.

Their dusty riders looked like mounted warriors,
Escaped from out of a Hollywood movie,
Full bearded, hard men, with Scars on their faces,
Their serious dust laden red eyes burning like fire.
Jaws firm set, faces otherwise devoid of expression.
Dressed in traditional head to toe garb,
A style unchanged in hundreds of years,
Large curved Knives in wide leather belts,
Two, sporting hefty British holstered revolvers.
All four with long rifles in one hand,
Horse reins in the other.

Just like that, there we all were face to face,
I could not avoid their eyes, locking mine on
The bigger man near the center,
Hiding as best I could, my concern, no my fear,
With a neutral expression, neither smile nor sneer,
That might give me away. Yet the hair on the back
Of my neck did tingle, throat too dry and constricted
To speak should it even be required.  

The bigger man into whose eyes I stared,
As if I had issued some challenged invitation,
With but a single practiced move of his,
Right arm and hand,
(Horse reins held in the other),
Quickly shouldered his menacing weapon,
And sighted down its long barrel, right at my head.

Perhaps it was only a few seconds,
Yet it seemed an eternity,
That gun’s bore looked immense,
Like the gapping open mouth,
Of some great ballistic cannon.
For a moment I ceased breathing.
It felt as if my heart stopped beating.
I could not but sit there waiting,
There was no escaping.

That throw back to a fiftieth century man,
Held the power, of Life or sudden death,
In his hand, my life on the tip of his trigger finger,
He and I both instantly understood this.

It was clear in that one moment,
That to him, this was nothing new,
Or even of the slightest importance.
A thing to which he was plainly indifferent.

Down that bore, was a place in which lurked,
A lethal bullet with my name written upon it,
I felt trapped, like screaming, but remained silent,
Eyes open, and then why I will never know,
Still looking at him I narrowed my eyes and smiled.

As perhaps a reply on the man’s harsh face,
There appeared an ever so slightest grin.
Then he hefted his weapon back down under,
His arm and silently smiled and laughed,
In my direction.

I could not help but notice that one of his
Upper front teeth was of bright gold, while the
One next to the gold, was completely missing.

He nodded just once his head, to me a message,
All said with no words actually spoken,
“Today traveler,
I could have killed you,
Taken your woman.
Out here no one would know,
No one would have cared,
Not even the truck driver.
You are in my homeland,
I control it and you,
Today I choose not to **** you,
Tomorrow I might feel different.”

Then he and his unsmiling companions,
****** their straining unyielding horses,
to their left, galloping away in an obscuring
cloud, of yellow and reddish dust billowing.

While adrenaline turned my arms and
Legs to jelly, and shortly thereafter,
My stomach to sudden fits of
Wrenching regurgitation.

When in a few years I first heard,
That the Russians had invaded
That harsh unforgiving land,
I told a friend,
“Those fool Russians,
Have grabbed a fearsome,
Tiger by the tail, and that beast
Might just devourer them,
And not the other way around.”
It came to pass, I was not far off,
In my knowledgeable easy prediction.

The lesson I learned that day?
No matter who you think you are,
Or where you might come from,
What Nations impressive seal,
That your Passport reveals,
When you travel far and wide,
Trespass in another man’s back yard,
You best beware, of all the possibilities.

Upon our return trip the next day,
We took a bus of public conveyance,
Imagining perhaps there would be,
More safety in a convergence of numbers.

Footnote:

Over the centuries many invaders
Have attempted to subdue the wild
Land of the Afghans’ and nearly all failed.
A land and a people offering absolutely,
No forgiveness, not even to themselves.

Rudyard Kipling wrote of the British Empires brief
Excursions into that land, offering some sage advice;
“When you’re wounded and left on the Afghanistan’s
Plains, and the women come out to cut up what remains,
Jest roll to your rifle and blow out your brains and go to
Your God like a soldier.”

All present and would be conquers take note,
This remains Wise advice.  No one truly conquers there,
They just visit and bleed and then eventually go away,
Tails tucked between their knees. If indeed they still
Have one.
I have not collected many regrets, however as too that
Day in 1974, on the back of that battered old truck on
The plains of Afghanistan, I have one.
Minutes before those four threatening Horsemen
Appeared, I had capped and return my Nikon F camera
to its dust and water proof cover, when the incident
occurred, that bag and my camera were at the time,
snugly strapped to my back.
L B Jan 2018
The snow is thin and pale today
like that girl –
you thought –
from the Home Depot –
the palette of an empty day

I think, instead
to smooth my hand along your arm
extend dominion 'cross your chest
To till the damp ***** of your shoulder
in surging heat
of earthen tones
to find in winter flames
your brow, your cheek, your neck

...your mouth that way...

This is the braille I'm all about
being far-sighted
and just too close
to even focus on you –
your eyes –
and all
the loss
these days
Chris Slade Apr 2019
What do you reckon? I know what you’ve been thinking…
We’re on a ship that looks unsteady, like it’s sinking…
We’ve made shaky plans to be gung-** and to go it all alone…
But we’re beginning to wonder… are we heading for some kind of danger zone?…
At first we were just floating along - enjoying the passing view
And 2 years off it looked a lot easier …leaving the EU!
But there’s a waterfall downstream…and it looks like a helluva drop.
And once we get too near the edge, well, we won’t be able to stop.

The simplicity of Cameron’s ‘in - out’ referendum question dawned…
Cos, divorce is complicated.  Those who voted leave were scorned,
branded racist, or at least suffering some kind of mental disorder.
“Didn’t you stop to think about the about the Northern Irish border?” (best read in a 'silly', sneery voice).
But - back then there were 2 million Syrians, Afghans, Iraqis all walking toward Calais.
Some thought serious overcrowding problems could come our way.
Single Market,? Sovereignty? Customs Union? What the hell’s all that?
It means you’ll need a visa to go to Benidorm you ****!

Meanwhile Merkel diffused things by taking the refugees in.
But only served to rattle the bars of the **** leaning right wing.
The Spanish got all Oity Toity about us having Gibraltar.
And some of those previously unforeseen problems made Brexiteers falter.
This is David effing Cameron!… Farage embarrassed him into calling for a vote.
And, when the Remainers lost, Dave saw his chance to produce his sick note.
“I’ve done my bit”, he said “so… I’m standing down…  so who do you think should take my dodgy crown.
The Buffoon, the Backstabber, the Right Honourable Lady Home Sec?”
She, the author of  Windrush, Repatriation, food-banks, lower benefits? She got it! ****** heck!…

Hoodwinked by a government you maybe invested your life in, in all the earlier polls
Now we’ve all been tricked by a bunch of, navel gazing, self serving arseholes!
So it’s the blind leading the blind… Well, no.! Misinformed…and maybe just a bit short sighted.
And, you know, Theresa… she’ll most likely still get knighted.
But I doubt this episode will score with generations yet to come,
Deserted by this Parliamentary shambles - sitting on their hands, their collective ***.
The proletariat are cut adrift, and heading for the falls…
So we’re looking for a new saviour - someone with charisma…big *****!

Let’s look forward to this time next year… When some trusty politician re-writes our little story.
When we may be out - but far from down… Well I somehow can’t see it being a Tory…
And if isn’t Jezzer - who HAS got his eye on the prize…
McDonnel, Starmer, Benn, Tom (call me Slim) Watson? Who should THEY try for size?
And, just supposing, by chance, the Conservatives actually crack it
who, amongst the front runners there, could get the job and hack it?
Lord Snooty, Gove, Hammond…Hunt the err… Foreign Secretary,  Javid, Liam Fox (surely not!). Bojo?
With this current stay of Brexicution, for just a couple of weeks… the petition, the march, the chaos, could it still be NO-GO?…
Whatdya reckon?
The complexion of this subject - Brexit (if I hear the word one more time on TV I think I'll unplug the thing and throw it out of the window) changes by the minute so it's hard to pin it down - Here is where we're at up to this point.
TSK May 2015
He said he couldn't find her
That one he always dreamed of;
I guess she dances within his mind
But never passes his line of vision.
He searches the few steps ahead
As if she will appear with ease.
I suppose when he is so intent
On that girl he wants right here
And right now, before him in whole,
He forgets that I stand in earnest
A little farther off and to the left.
The daughter of the village Maire
Is very fresh and very fair,
A dazzling eyeful;
She throws upon me such a spell
That though my love I dare not tell,
My heart is sighful.
She has the cutest brown caniche,
The French for "poodle" on a leash,
While I have Bingo;
A dog of doubtful pedigree,
Part pug or pom or chow maybe,
But full of stingo.

The daughter of the village Maire
Would like to speak with me, I'll swear,
In her sweet lingo;
But parlez-vous I find a bore,
For I am British to the core,
And so is Bingo
Yet just to-day as we passed by,
Our two dogs haulted eye to eye,
In friendly poses;
Oh, how I hope to-morrow they
Will wag their tails in merry play,
And rub their noses.

* * * * * * *

The daughter of the village Maire
Today gave me a frigid stare,
My hopes are blighted.
I'll tell you how it came to pass . . .
Last evening in the Square, alas!
My sweet I sighted;
And as she sauntered with her pet,
Her dainty, her adored Frolette,
I cried: "By Jingo!"
Well, call it chance or call it fate,
I made a dash . . . Too late, too late!
Oh, naughty Bingo!

The daughter of the village Maire
That you'll forgive me, is my prayer
And also Bingo.
You should have shielded your caniche:
You saw my dog strain on his leash
And like a spring go.
They say that Love will find a way -
It definitely did, that day . . .
Oh, canine noodles!
Now it is only left to me
To wonder - will your offspring be
Poms, pugs or poodles?
Ellis Reyes Oct 2014
Unforgiving heat
Cool drink
Giraffe,
Hippo,
Wildebeest,
Gazelle
Sip muddy water hole
Crouching low.

Unforgiving heat
Cool drink
Texans
Sip fridge-cooled Camelbacks
Crouching low.

Light breeze
Eggplant skies
Tall savannah grass
Sways
Masking movement.
Predators travel
Unseen.

Guns ready
trophies sighted
Giraffe
Hippo
Wildebeest
Gazelle

Bullet chambered
Trigger finger
trophies....

Running?

Cheetahs pouncing
Texans screaming
Law of Nature
End of Story.
This poem is the product of a poetry challenge laid down my 6th grade English students. The gave me the words, Giraffe, Hippo, Fridge, Eggplant, and Texas. My assignment was to create a poem that included surprise or astonishment and incorporated all of the given words. This poem is the product of that challenge.
i had a little cat he was very sad he was getting old
and his eyesight getting bad
he bumped in to things while walking on the floor
when he wanted out he couldnt find the door
he couldnt see his food when it was time to eat
his very favourite dish biscuits and some meat
i took him to the vet and told him of his plight
that he was getting old and had a poor sight
the vet he made some glasses so that he could see
now the cat was happy as happy can be
he could find his food and see across the floor
when he wanted out he could see the door
it looked rather funny when he went to bed
falling fast asleep with glasses on his head
June West Oct 2015
" A THOUGHT WITHIN A THOUGHT WITHIN A THOUGHT"

I remembered the other day while staring out of a car window
looking west
that i couldn't see up close.

I guess its like a thing i have
eye doctors say is either near sighted or far sighted.
anyway
I thought it could be quite the metaphor
like how i kinda cant see what i have till its gone
or maybe
it connects with art an perspective
like its really all where you stand
or position yourself
I mean, how can you really think you get a thing
or painting if you will
and feel confident enough to slap a label on it
predefining everything it is or could be
until you see it from all angles.

Then when i took that thought and made it abstract
I found myself in new angles
that i didnt even know existed
often enough
to know that
in myself i lack to say
I get.

I think the beauty is in the undefinable,
unbelievable
maybe let it be
unknown.
Dazzled in catching yourself
in sudden observation
the kind where you're not sure how long you could have been zoned out
suddenly realizing whats in front of you.

out a window facing west
a view
my view
narrows in tunnel vision
on the rearview mirror
reminding me of what i cant see
objects in mirror are closer than they appear
and i got to thinkin
if I were to have labeled that rearview mirror
or any maybe all rearview mirrors including metaphorical ones
It woulda probably went along the lines of something
step outside yourself and meet at a coffee shop
I wish you luck
*

_ _ for the more cynical sailor mouthed_ _
Anthropos apteros for days
Walked whistling round and round the Maze,
Relying happily upon
His temperment for getting on.

The hundredth time he sighted, though,
A bush he left an hour ago,
He halted where four alleys crossed,
And recognized that he was lost.

"Where am I?" Metaphysics says
No question can be asked unless
It has an answer, so I can
Assume this maze has got a plan.

If theologians are correct,
A Plan implies an Architect:
A God-built maze would be, I'm sure,
The Universe in minature.

Are data from the world of Sense,
In that case, valid evidence?
What in the universe I know
Can give directions how to go?

All Mathematics would suggest
A steady straight line as the best,
But left and right alternately
Is consonant with History.

Aesthetics, though, believes all Art
Intends to gratify the heart:
Rejecting disciplines like these,
Must I, then, go which way I please?

Such reasoning is only true
If we accept the classic view,
Which we have no right to assert,
According to the Introvert.

His absolute pre-supposition
Is - Man creates his own condition:
This maze was not divinely built,
But is secreted by my guilt.

The centre that I cannot find
Is known to my unconscious Mind;
I have no reason to despair
Because I am already there.

My problem is how not to will;
They move most quickly who stand still;
I'm only lost until I see
I'm lost because I want to be.

If this should fail, perhaps I should,
As certain educators would,
Content myself with the conclusion;
In theory there is no solution.

All statements about what I feel,
Like I-am-lost, are quite unreal:
My knowledge ends where it began;
A hedge is taller than a man."

Anthropos apteros, perplexed
To know which turning to take next,
Looked up and wished he were a bird
To whom such doubts must seem absurd.
"Now when we had discovered Cyprus, we left it on the left hand."--Acts xxi. 3.
"We sailed under Cyprus, because the winds were contrary."--Acts xxvii. 4.

St. Barnabas, with John his sister's son,
  Set sail for Cyprus; leaving in their wake
  That chosen Vessel, who for Jesus' sake
Proclaimed the Gentiles and the Jews at one.
Divided while united, each must run
  His mighty course not hell should overtake;
  And pressing toward the mark must own the ache
Of love, and sigh for heaven not yet begun.
For saints in life-long exile yearn to touch
  Warm human hands, and commune face to face;
  But these we know not ever met again:
Yet once St. Paul at distance overmuch
  Just sighted Cyprus; and once more in vain
  Neared it and passed;--not there his landing-place.
I have a dream! I have a dream,
To the racial discriminators, said Martin Luther King,
I have a dream! I have a dream!
To the evil-creating economists, I warn and ring.

Globe witness hunger, inequality poverty and unemployment
The world turns out to be bitter,
To all of you, I write this letter.
To create a world relieved from these and turn better.

I am a mad aspiring economist, a fool,
Searching for the right tool,
You turned the world with full of mess,
People are left with nothing less.

To the world, you gave theories,
Pushed us into a vicious cycle of injuries,
About your theories, you boasted,
It has created a few ruling and bloated.
Most of you worked as economic hitmen,
Turned victim laymen to fighting gunmen.

To the realities, your theory is distant,
Served no solution to the dying peasants,
To the few, we remain a psychological slave and servants,
Tuned our lives to a depended migrant.

With your development lecture,
You have killed the entire nature,
In the name of ventures, corporates turned vulture,
Hunted and looted our generations’ future.

We lived a self-reliant community,
You killed us with imposed liability,
Our lives are now placed in intensive casualty,
The word that remains imagination still is equality.



We lost our humanity and identity,
In your eyes, we are just a market and commodity,
Your play with scarcity, was a mere futility,
We finally became a society, filled with atrocity.

Your useless lectures of development,
Put us under frightening & irrecoverable unemployment,
For a few, you got us into a deep-rooted enslavement,
So, now for you instead, we make a replacement.

To my questions, you neglected and ran,
In your eyes, I am foolish stupid common man,
To you short-sighted range,
I say I will bring in a change!

Today, I may remain lower and mere viewer,
A day will come, where you will stand to answer,
Writing a new rule, I would seize your beloved positions,
This will be my lifetime mission and ambition.

I say with all my limited experience,
I will put a test to all your conscience,
Are you just a fat-big corporate’s hand?
With people will you always stand?

I am not an economist,
I am neither an egotist,
I proclaim! I proclaim!
I am a revolutionary economist,

I know you will fit me a label,
I am sure I will be an economic rebel,
A rebellious economist.

I dream a world without huge inequalities,
I dream a world free from imposed liabilities,
I dream a world without poverty and disparities,
I finally dream for becoming an economist with no ambiguities.
The whole world is staring at new difficulties. It is still riddled with poverty, inequality, unemployment and illiteracy. The economists who dictated these rulebooks are the main culprits behind these. I am an aspiring economist. The economists mostly don’t stand with people’s welfare. Mostly they are ambiguous. They know only theories. They work as economic hitmen for many corporates. They are just a bookworm. Without understanding the pain and situation, they put forward new theories. Their theories sometimes serve good for the western world. One food or one dress or even one house cannot suit every person in the world. I have written this poem to the economists. It is better that all economist stay with people and find a solution that is most suitable for their enhancement. Else, people would reject their presence. In short, I say economist should be from the people, for the people, by the people, of the people.
Matt Jul 2013
Prolong the journey to happiness
revisit the memories of converging paths
sighted images is what made these last
but we cannot be sure it is for long

Hear the woman echo
the cry of love and joy
praising a man's piece
the romance is their buoy

Faintly, I felt her touch at our last goodbye
unaware of anything around us but sheer sorrow
our eyes met and spark adjoined
our lips touched, raising an alarm in my heart

Promote the fantasies of malady
her deep dark secrets keep me near
of unspoken dreams, my lips are sealed

Along with her fingertips, dastardly teasing with suffice
her strawberry scented hair straight though sordid.
I still long for her touch, even now.
#Romance #Love
Shiloh Jan 2017
Mostly I'm just overwhelmed
With avoidance
Feeling spells
Coming at me from all sides

Blindsided

I have to be careful with
Losing myself in all this
Scared it could turn out to be
Such utter responsibility

Blind Sighted

But one thing in all this time
I have noticed that all my
Fears and Doubts come from my Past
Only knowing longing last

Blindsided

My life is turning out to be
More than I could ever need
Instead of jealousy and stress
Massive love bursts out at best

Now what comes next I can't forsee.
Traveler Sep 2018
17 years since 911
Safety has never returned
To the free world
School shootings now rule
Our headlines...
Saudi Arabia still
Our closes allies...
Police still shooting
Our unarmed black men...
The industrial military complex
Bigger than ever
President still doing
The bidding of the 1%
$$$$$
Innocent people died
We were blind sighted
We came together
Only to become
Completely undone!
Traveler Tim
Liquidchaos Sep 2010
Blind sighted was I as I traveled the darken roads,
walking within the confines of my mind.
Learning of the darker paths again,
trying to explore the things left unsaid.
Occasionally trailing off the path,
patching the wounds that still bled.

Such a fool to let your guard down,
Such a fool to leave the paths unguarded.
Such a fool to believe again
Such a fool to suffer in torment.

Only to learn of a new wound there,
close to the one left by authority figures.
Stepping closer to examine it and
wondering if it could honestly be true.
Poking at it to try and learn more,
finding it a wound that travels deep.

Such a fool to let your guard down,
Such a fool to leave the paths unguarded.
Such a fool to believe again
Such a fool to suffer in torment.

Morbid curiosity encouraging me further,
extending hand to learn of the depth it holds.
Finding it to be larger than my fist,
what a deep wound this doth be.

Such a fool to let your guard down,
Such a fool to leave the paths unguarded.
Such a fool to believe again
Such a fool to suffer in torment.

Pus and gross things spilling along side
of the blood that seeps out.
Deadly infection having set in,
where I thought healing had started.
Silly thing I have been when I thought it scabbed over,
and healing as it should've been..

Such a fool to bare this burden.
Such a fool to think it was gone.
Such a fool to believe in trust.
Such a fool deserves to suffer.
Yes, mechanical leaf mover,
create the shrillest sounds known to man.
See if it doesn't just slowly make the world a ******* place
by taking away the joy of crunchy leafs,
which gradually become moist, squishy leafs,
then, after a long period, emerging from a snow covering
thaw and lie there, fully exposed, recumbent,
depriving the dormant seed of grass its sunlight, preventing grass,
freeing up water for infrastructure needs more urgent and rational
than supporting the most boring of decorative plants encompassing our lives.

I guess what I'm saying is that, not only are your sounds annoying,
they're just another of the short-sighted endeavors our present society insists on.
You are the "circumcision-for-hygiene-purposes" of our urban planning.

*******, leaf blower. ******* and the excruciating environmental ignorance you represent.

I SAID *******, LEAF BLOWER, YET YOU PERSIST!

You need to let that leafy-******* grow,
covering the shaft of ground.
Rid it of the pleasure-impeding growth of grass!
Let the earth cry out for the sensation of tiny points of pressure
moving delicately along its surface.
Let the ground erupt with wild flowers, or at the very least,
the trampled exuberance of plodded soil
and the desperate levels of human debris that would collect upon it.

Or are you trying to hide our wastefulness from us by removing something
which is nothing, a nothing, invisible barrier?

You've already succeeded in giving my apartment complex the ambience
of an industrial production complex
which I suppose it always was.
Maybe your attempt at concealment
has been a revelation.

Or maybe I just can't think straight,
because there's been a god-**** leaf blower
circling below my window all morning
and now a heavy, riding lawn mower is coming to cut the grass
that hasn't grown since September
but has been watered every day
even though it froze last night
and it's almost November.
MMXII
This poem is about something that was stolen from me.
Zulu Samperfas Dec 2012
A big American auto dealership shining bright
Silver columns glint in the morning light
Displaying brand new cars at different angles and heights
It pops out of the dull landscape like a bright star at night
But it was not so long ago
That we were about to lose this all
And I remember the swan song before the fall
It's amazing it's there now, standing tall
I was living in NYC
Married, my husband and me
and it was all about the SUV
we saw no reason to conserve any energy
The rest of the world was thinking
Our resources are shrinking
Maybe our cars, should, too
And that was really the thing to do
But ask an exec back in Detroit
What to do right now, what is right
And bigger is better like might makes right
Would be the answer, a sorry plight
And then it all crashed and burned
would not work, like an SUV that could not turn
down a narrow street in an older part of town
made before we thought less of me and more of the crowd
And I'm not glad for the greedy execs
but it was really about American workers necks
I'm glad we helped the car industry
Will it happen again? We shall see.
Yue Wang Yitkbel Aug 2018
I am terribly near sighted
Consciously and subconsciously
I see not what I have saw
And
I hear not what I have heard
Sometimes,
In fact most of the time,
I don’t even feel
What I should have felt

But the mirror of life
It keeps a record of every little thing
And I relive in my dreams
All that I have missed

And much much more:

All I ever need
Is just a little hint of life:

Your lovely little smile
I failed to respond to during the day
Would haunt me
With what would seem like
A whole lifetime of sweet champagne
And
Kisses of cherries and grapes
With a scent of longing that
Fills me to the core with
Twinges that burst throughout
My entire being
Shining brightly from
Every single particle of my
Soul

The little chirps and calls of crickets
That alternate between the oblivious
Moon upon a bed of restless stars
And the wizened sun
Would always take me to a land
Unlived, untouched, unruined
A vast nonexistence
A vast ruin full of life
Where I have never been so alone
Yet so fulfilled, so joyful, and so
Free

And

The dreamless gale that
Would raise me up to mountains
From which I can finally gaze down
With sure and confident eyes
Upon the whole of life
And
See, sense, and feel
Every scenery and every being
With the purest of colours
Rowing down the crimson rivers
In a canary boat caressed by
A forest of ocean blue sequoias
Blanketed with a soup of
Violet stars
Into the heart of the universe

Where everything that have lived
Or could have lived
Never went away

Where nothing is ever gone
But just lost
So momentarily
Like a wandering child
Let out into the world
Seemingly defenselessly
Yet, perfectly safe
Under the hidden watch of
The mother

Where everything I love
Love me just as much
And so much more

Where I am never just me
But a child
A poet
A painter
A musician
An ancient pilgrim

Where I can fall into stars
And float up to the edge
Of the sky
Swim in the air without my feet
Ever touching the ground

Where I am finally
Held by you
The one person
I love most unyieldingly
In a death grip of never letting go.
I Love you through My Dreams
Jan 27, 2018, 6:15 PM
By: Yue Yitkbel ****

Used to be a personal favorite so I wanted to publish it, but since I haven't heard back from anyone, and I don't like it as much as anymore  I'll just post them.

(I wish I can pin posts here:
I think these are better poems of mine:
https://hellopoetry.com/poem/2646158/the-threads-between-every-you-and-me/
https://hellopoetry.com/poem/2618377/the-metamorphosis-of-a-bee/
Mateuš Conrad Aug 2022
i could tell you how certain stations on the London underground
smell, but i can't capture you this smell...
a bit like in that film Perfume: scents are lost over time,
with regards to places -
                            unlike the eternal pine forest...
or the zest of lemon...
                                         those are universal scents...
one could and humanity has: created a synthetic answer
and copied these scents... made synthetic tastes
a whole chemistry of a posteriori scents and tastes...
Kant and chemistry are a perfect combination...
given the classical schematic:

analytical                         analytical
a priori                             a posteriori
apples grow on               tomatoes:
trees and                          categorised as fruits          
carrots grow                    yet used as vegetables
in the earth                      the analysis being
since apples                     even though they grow
are a fruit                         on something: trees,
while carrots                    bushes, vines...
are a root vegetable,       analysis has found that
ergo?                                 they are better treated
all vegetables                   as vegetables rather than
grow in the earth            fruits, since one rarely cooks
while all fruits                 savoury meals with fruit
grow on trees                  yet the tomato is used
or shrubs                         plentifully in savoury cooking


synthetic                          synthetic
a priori                           a posteriori
■, ▲                                   in light of the given examples
(geometry)                        in the realm of the analytical
and the propositions       a priori: that fruits grow on
that come with                 trees or bushes
them:                                  there's the pineapple
e.g. c² = a² + b²                   anomaly:
or physics:                         pineapples grow on the ground
e = mc²                                (in the ground) like cabbage-heads
                                            grow in much the same fashion...

i always struggle with the a posteriori conceptualization...
in the original i wrote as can be seen above...
are tomatoes the byproduct of
analytical a posteriori knowledge?
i.e. they are fruits that are used as vegetables (used,
hell, even treated as such)... because you will not find
a tomato desert as such...
the classification of a tomato as a fruit:
given how it grows... would also invoke the cucumber
to be treated as a vegetable:
vegetables are not as juicy as fruits...
the flesh of the fruit is usually softer and certainly
more juicy... while the flesh of the vegetable
is more bulky and requires cooking and salt
to extract the juices oh a higher carbohydrate
concentrate of the fibrous nature...

pineapples... a fruit that grows like a vegetable
in the earth...
i like this "confusion" in my head...
i'm not going to clarify it...
            i leave this curiosity in my writing on purpose...
analytical a posteriori facts:
well... first having categorised the tomato as a fruit:
upon analysis... true: the tomato behaves like
a fruit... but upon analysis: after the fact:
it is better used as a vegetable...

         and the synthetic a posteriori truth about
the pineapple? then again: i know where i might be going wrong...
isn't synthetic a posteriori knowledge possible?
it's not as simple as the pineapple example
based on: fruits grow on trees while vegetables grow in
the earth... i can only find questions
on the possibility of synthetic a priori knowledge...
ergo? of course synthetic a posteriori knowledge
is possible...
    it's ingrained in chemistry...
what does synthetic a posteriori knowledge look like?

a chemist tastes a lemon... and he tries to replicate
the taste of lemon using chemicals...
he breaks down the chemistry of the lemon...
and? with due course... replicates the taste of lemon
without actually using a lemon!
he breaks the lemon to the basic components
of citric acids and whatever else is needed to replicate
the taste of lemon and grind it into a powder:
chemistry is synthetic a posteriori knowledge...
isn't it?

the examples i cited with the pineapples:
it doesn't matter that the pineapple behaves like
a vegetable when it grows...
apart from that sick idea of a Hawaiian pizza toppings...
pineapple? ham?! you what?!
that's not synthetic a posteriori knowledge:
that's just a ******* whim of bad-taste...
there's no actual synthesis of the pineapple growing
as a vegetable and the "ingenuity" of treating
it like a bad idea for a pizza topping...
the tomato: however... is a pristine example
of analytical a posteriori knowledge:
sure... it's categorised as a vegetable...
because of the way it grows... compared to actual vegetables:
but? you wouldn't allow the tomato
to be bitten into like an apple... you wouldn't bake
a tomato cake as you might bake a banana cake...
the analysis concludes: our knowledge of fruits is this...
and we have this vegetable: the tomato
that's a fruit... but it would be better suited
in being used like a vegetable...

synthetic a posteriori does exist... it just doesn't apply
to pineapples for the simply reason that they
grow like vegetables... they're still going to be fruits...
synthetic a posteriori knowledge is chemistry...
it has to exist because a pineapple is
not a synthetic a priori "idea" of TASTE let alone
virtue or however Kant framed it...

ugh... my first day back at Craven Cottage...
little ****** steward: i hate these hierarchies...
it's a petty army of high-viz. jackets...
   i wasn't the supervisor but i had some colts under
my "supervision"... i tried to smooth things over:
i did... in the end i wanted to see Fulham play
Liverpool... i spread the word around:
this is *******... they should have put us inside
the stadium...
   but... the weather was the loveliest and the Thames
was tide-out... two seagulls arguing...
in the shade: this part of London is truly mesmerising...
i love the smell of the Thames with the tide out...
in the shade under these mammoth-esque splendours
of foliage...
hell... i even managed to spot my first KONIK
(little horse)... that's slang for... those ******* that buy
tickets at the regular price... then hang around the stadium
and try to push the tickets at a hyper-inflated price...
the ****** was selling the tickets for £250 for two!
and this was after the first half finished!
i told one of the guys with a radio:
call this in...
                          i had to repeat myself about 3 times
before the management agreed to my concern...
they sent two spare police officers to the person in question...
he almost sold those ******* tickets...
one minute i see him pretend to tie his shoelaces
(he wasn't pretending) - his black cap
disappearing under the bushes... next minute:
wh'ah where?! ****** did a runner...
so he wasn't tying his shoelaces "on a whim":
he was about to do a runner...

                  that's ******* exploitation...
that's like: stealing... capitalism at its worst...
the ingenuity of crime: oh... but it's innocent crime...
it's i buy something for £30 but...
i'll sell it for you for £250...
                             now... it's not antiques! it's not a *******
van Gogh painting that has been lying around
for quite some time... gaining a repertoire and a reputation
as something good, worthwhile:
it's a ******* football match ticket!
hyper-inflation like under the Weimar Republic...
money good as "gold": "gold" as in winter fuel,
timber the new platinum!

after all: there was no real synthetic a priori knowledge:
chemistry is hardly a question of appearance,
water is clear, but so is hydrochloric acid...
what else is clear? sodium hydroxide...
                 chemistry was born from synthetic a posteriori
knowledge...
how many chemical experiments came as a surprise
a sort of anti-Eureka of synthetic a priori knowledge?
champagne springs to mind... lysergic acid comes
to mind: no one was actually trying to find these things...
e.g. they did not come about through analytical
a posteriori knowledge: they arose from
a dimension of the synthetic a posteriori knowledge:
by chance: by accident...

sure... i might be doing a ******-low-skill job right
now: and it is... i'll admit...
it's super **** sometimes:
most of the time my coworkers are either
over-bearing ego-maniacs fixated on hierarchy,
or they're lazy Somali youths...
or just plain-sighted Nimrods...
i sometimes leave my mind to wander...
that when i get the jerks in the feet like
i'm about to fall over... like for bearskin hatted
soldiers on parade...
but i leave my mind to wander:
it's not an insult if it's true...
                  no: when i was a roofer and fiddling
with inanimate things there was more focus
on the work to be done... dealing with people
is a crass differentiation from perfecting how an inanimate
ought to behave under your hands...
to turn a roll of felt into a water-insulated roof
with a roll of fleece and enough tar...
people are different: i'm sort of studying people...
gearing myself to hover in on children in schools...

if Leibniz preferred the profession of librarian
and a private intellectual life of par excellence...
i wouldn't think twice about becoming a primary school
teacher than being a secondary school
teacher of chemistry...
**** me: if drag queen hour is about to be imported
from America: i best (better) step in...
i just imagine: well... unlike a barren woman...
who has no children...
who goes into a profession akin to primary school
teaching... but then i'd arrive...
i know the obvious stereotype to battle:
PEDOHPILE! ha ha...
           Ava Lauren: just my type... plump...
full-bodied... probably the age of my mum by now...
that's my type...
i need something rounded of:
a 5.9 = a 6... just an example...
                
             but i let my mind wander... when roofing
you couldn't leave your mind to wonder...
i could... tell you of the specific scents in certain
underground stations... Baker Street? is that the one
with the Victorian arches, a station under the bridge?
i don't remember...
Putney Bridge is a beautiful station...
but today i took the route:
Romford via train... got off at Stratford... waited for a minute
for the central line...
(i love meditating on the topic of tubes maps...
there are only two important lines
in London... why? based on how many times
they intersect... the Central Line and the Piccadilly
Line... they only intersect at Holborn)...
travelled to Holborn... not sitting...
at each carriage there are these half-seats...
you're leaning back... standing-sitting...
i felt so relaxed... i gave way to the momentum
of the tube...
i was moving backwards and forwards...
head nodding... shoulders doing the mr. plastic-fantastic...
i almost tried to remember the remaining
tension in my body... the grip i had on a bottle
of water and a packet of tortilla wraps...
the rest of me was: freed...

when it comes to scents... that's one thing:
everyone knows it's a stupid idea to change tube
lines at Bank... why? well... Bank it connected
to Monument...
it's a city within a city: a London 2.0... oh oh:
yes it ******* is... never change at Bank...
anyway... as i was relaxing having closed my eyes...
i can tell you where the best sounds of
machinery exist in London?
between Liverpool St. - Bank - and Chancery Lane...
mind you... i cycle the route from time to time...
what's above? is not, what's above...
compared to cycling... this route is like:
watching the original Dune movie...
i'm strapped to a ******* earthworm...
or: being digested by one while listening to
the clag glug and clamour iron biting iron...
i sometimes do the "twirl" of the tube above
ground... just after Aldgate...
i head towards Brick Lane... toward Liverpool St.
prior to reaching Bank St.:

all the Piccadilly Stations between Holborn and
Earl's Court have this sickly sweet stench
about them... it's sickly sweet... it's: sickly sweet...

i remember back in St. Augustine's we had one
female primary school teacher...
some ****** proverb speaks the words:
woe unto you for having to care for the children
of others...
while i'm thinking: that would be a worthwhile challenge...
i don't want any of my own:
the fear of ******* them up more than
i was ****** up wears me down...
at least with the genes of strangers
i can send in an auxiliary covert party of my psyche...
who would i send in? the usual suspects...
Kant, Heidegger, Newton, Ezra Pound...
oh... the list is pretty long...

most probably Rumi hanging around with
Zhuangzi... Ovid and Horace...
ooh... terrible idea to start drinking whiskey
after binge-eating a watermelon...
the burps i'm getting back:
******* postcards from Uan Muhuggiag (Libya)...
i'm seeing camels double the number of their humps!
not good... absolutely no good

burp... ooh... this watermelon will not go down
so good... while i worry about *******
myself come tomorrow morning...
unlike the Red Hot Chilly Peppers singing
the fames of California:
what do i have? i have the countryside of Essex
and the incursions in the concrete staccato
of London... i can mediate this...

              burp: well... at least it's whiskey mingling
with the juices of a watermelon...
i much prefer that to the half-digested acidic
meat of any sort...
                 that's healthy burping and healthy farting
for your...
hmm... investing in children... that's an idea...
i once remarked to a boy in a supermarket:
you know... how a while i thought animals
were incapable of seeing 3D objects
in a 2D canvas: i.e. why wouldn't animals
watch television with men?
today i had a "Fred" pester me for a bite
of my tortilla roll...
i would have given it to him freely:
i wasn't that hungry...
   so i asked his owner: so... what's his diet like?
oh... Fred has had pretty stomach upsets...
he spent the past three days eating mulberries
from a tree...
ooh! i love mulberries: who couldn't be more upset?
the dog or the mulberries?
ugh: these kind of people:
that have their dogs on a ******* vegan diet...
hey! Fred! bite into this tortilla wrap!
i have learned that the food man eats
if also eaten by a dog tastes better:
after it was eaten by man!

o.k., fair enough Fred... you have an owner that
deserves having you: but no children...
i'd put you in the same category as a child...
children, dogs, cats...
things that might stir in man the unusual:
certainly not Darwinistic / genetic investment
that might reduce a man's hormonal balance...
mate... you look at me that dumb-***** eyed way
one more time... let me pat you on the head
like i have... you're coming with me to the land
of eternal tortillas wrapping around chicken
and bacon: there's no "yes" as there's no "no"...

but that's London for you...
            and that's also Essex for you...
i spent an entire day in London?
where did i find those cheap-*** beauties of womanhood?
i didn't find them in London:
i had to travel back to Romford to find...
i sat down to eat a snack bucket in a chicken shop:
three spicy wings, some chips...
mayonnaise and some chilly sauce...
a 7up... £3.50... i enjoyed the meal
and thought about: nothing...
nothing is usually hard to "think" about...
you get into geometry: to prolong your time at pretending
to look "cool"... when eating alone...

i hopped on the bus... watched two hunchbacks
of an elderly couple "manage" their way own:
what cruel fate... the extension of mortality
via science... may i never see myself
that old... reduced to being the child of Atlas...
no... i don't care for the sensibility of secularism
and science...
old age transcends both of these:
it's the reality of old age...
prolonged old age is best renowned
and celebrated by lizards: turtles most in fact...
mammals look weird...
mammals look weird when their life is prolonged:
unnaturally: via the basis of science!

start giving out re-prescriptions to people
with a a faith in science but no hope in hope...
start selling them hopes of eternity...
this materialistic "eternal life": is drawing us closer
to no closure...
there comes a life: there coms a death of said life...
it's not fair to pretend that the inevitiable
is "not" going to happen: it will...
the tyranny of old age...
                  by the standards of the Benelux:
i'm more than willing to bow out...

who knows! i am not willing to simply live
for the awkward presence of strangers
on a basis of anomalies and non-intrusions
of some freaked-up formalities...
to hell with that: i have no evolutionary-existential
plight of  "conscience" that might make me suppose:
on racial grounds: that the human "effort"
will disappear: outright: completely:
sure... chances are... humanity will be governed
by more people willing to ***** cities of death via
the pyramid... people engage in the magic carpet
flights of Islam and pseudo-Islam from regions
akin to Somalia and Bangladesh:
my problem? i can't live forever! can i?

et scriptum est...
i like being toyed around as being the idiot...
it helps me grow...
and it was so written...
                ergo? ut necesse sit!
(and so it must be)
  ha ha! ah ha ha h ha ha!
vulnus ferrum:
                  sanguis respiratio
scratch of iron:
breathing blood!
            
mortuus est mori: the dead must die!
vivos debet mori /
vivos non sunt exceptio!

i work among people that make my intellect:
CLOWN!
   i entertain them... i must...
but their intellect is about as much:
grappling as... i don't know what!
i'm out of metaphors and aphorisms...

                        intelligence is discouraged when it comes
to a working environment...
           i'm like Leibniz... i'm unlike Newton...
my ambitions a "cowering" in a personal enterprise...
i like the individualism of m own enterprise:
i don't hope to solve or save the problems of
a common man... nope!
                
last time i heard? the train has arrived:
i also heard: the train is leaving...
well... i'm i geared up:
what do i care for the famines in Ethiopia?!
i don't care for claiming responsibilities for
people who don't take responsibilities for
themselves!
starve?! **** it... why not?"
oh right... one of the Somali types?!
pretend it's work by hiding behind the bushes?!
ergo? behind the bushes i pretend to shower you
with free bread and pork? don't like pork?
eat dirt instead!

i'm done: free-loaders: i'm done with them...
i'm so ******* with these Somalis that you can't even begin to comprehend!
Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright,
All were foreign in their light.
It was ever the self-same tale,
The old experience will not fail,—
Only two in the garden walked,
And with snake and seraph talked.

But God said;
I will have a purer gift,
There is smoke in the flame;
New flowerets bring, new prayers uplift,
And love without a name.
Fond children, ye desire
To please each other well;
Another round, a higher,
Ye shall climb on the heavenly stair,
And selfish preference forbear;
And in right deserving,
And without a swerving
Each from your proper state,
Weave roses for your mate.

Deep, deep are loving eyes,
Flowed with naphtha fiery sweet,
And the point is Paradise
Where their glances meet:
Their reach shall yet be more profound,
And a vision without bound:
The axis of those eyes sun-clear
Be the axis of the sphere;
Then shall the lights ye pour amain
Go without check or intervals,
Through from the empyrean walls,
Unto the same again.

Close, close to men,
Like undulating layer of air,
Right above their heads,
The potent plain of Dæmons spreads.
Stands to each human soul its own,
For watch, and ward, and furtherance
In the snares of nature's dance;
And the lustre and the grace
Which fascinate each human heart,
Beaming from another part,
Translucent through the mortal covers,
Is the Dæmon's form and face.
To and fro the Genius hies,
A gleam which plays and hovers
Over the maiden's head,
And dips sometimes as low as to her eyes.

Unknown, — albeit lying near, —
To men the path to the Dæmon sphere,
And they that swiftly come and go,
Leave no track on the heavenly snow.
Sometimes the airy synod bends,
And the mighty choir descends,
And the brains of men thenceforth,
In crowded and in still resorts,
Teem with unwonted thoughts.
As when a shower of meteors
Cross the orbit of the earth,
And, lit by fringent air,
Blaze near and far.
Mortals deem the planets bright
Have slipped their sacred bars,
And the lone ****** all the night
Sails astonished amid stars.

Beauty of a richer vein,
Graces of a subtler strain,
Unto men these moon-men lend,
And our shrinking sky extend.
So is man's narrow path
By strength and terror skirted,
Also (from the song the wrath
Of the Genii be averted!
The Muse the truth uncolored speaking),
The Dæmons are self-seeking;
Their fierce and limitary will
Draws men to their likeness still.

The erring painter made Love blind,
Highest Love who shines on all;
Him radiant, sharpest-sighted god
None can bewilder;
Whose eyes pierce
The Universe,
Path-finder, road-builder,
Mediator, royal giver,
Rightly-seeing, rightly-seen,
Of joyful and transparent mien.
'Tis a sparkle passing
From each to each, from me to thee,
Perpetually,
Sharing all, daring all,
Levelling, misplacing
Each obstruction, it unites
Equals remote, and seeming opposites.
And ever and forever Love
Delights to build a road;
Unheeded Danger near him strides,
Love laughs, and on a lion rides.
But Cupid wears another face
Born into Dæmons less divine,
His roses bleach apace,
His nectar smacks of wine.
The Dæmon ever builds a wall,
Himself incloses and includes,
Solitude in solitudes:
In like sort his love doth fall.
He is an oligarch,
He prizes wonder, fame, and mark,
He loveth crowns,
He scorneth drones;
He doth elect
The beautiful and fortunate,
And the sons of intellect,
And the souls of ample fate,
Who the Future's gates unbar,
Minions of the Morning Star.
In his prowess he exults,
And the multitude insults.
His impatient looks devour
Oft the humble and the poor,
And, seeing his eye glare,
They drop their few pale flowers
Gathered with hope to please
Along the mountain towers,
Lose courage, and despair.
He will never be gainsaid,
Pitiless, will not be stayed.
His hot tyranny
Burns up every other tie;
Therefore comes an hour from Jove
Which his ruthless will defies,
And the dogs of Fate unties.
Shiver the palaces of glass,
Shrivel the rainbow-colored walls
Where in bright art each god and sibyl dwelt
Secure as in the Zodiack's belt;
And the galleries and halls
Wherein every Siren sung,
Like a meteor pass.
For this fortune wanted root
In the core of God's abysm,
Was a **** of self and schism:
And ever the Dæmonic Love
Is the ancestor of wars,
And the parent of remorse.
Jaimee Michelle Jun 2013
It's Saturday June 15th 2013
It's been 9 long, dragging months since you left my sight
I still can feel your arms wrapped around me tight as I cried goodbye with my head pressed against your chest
The way you squeezed me tighter
And kissed me on the top of my head, while holding my hand
I see can see bright as crystals the tears dwelling in your eyes too
I bet you didn't realize it might be hard for you too?

It's been 5 agonizing months since she moved in with you
And the choice you seemed to be battling with had been made
You'd only missed a week here and there of your regular late night phone calls
But by this time, I couldn't remember the last time my phone rang and your voice was on the other end
She just swept in and with a snap of her fingers everything changed
Your demeanor towards didn't just go cold, from 5,000 miles away I felt frost bite
She wanted you to cut all ties with me
And you did

It's been a year and two months since we met
This time last year we were always wrapped up in each other
It wasn't just a spark, it was a fire
And as loud as my insecurities were, I guess you never heard the bliss I was in being with you
You were different
And everyone says that, but you truly were a turn around from where I'd been
A breath of fresh air with strong arms to hold me
A chest for a pillow at night
The sun the chased all the dark away
Our hands always seemed to fit so comfortably together
I was in such awe of you... That's probably why I didn't see the fiery ambers falling from the sky
Or the icy water you'd tossed on our once out of no where but beautiful fire had once been
You'd already moved on before you moved out and blind sighted me with goodbye

It's been a one of the hardest years of my life
When you came into my life, everything changed and for the better
All my bets were on us
I still haven't recovered from that devastating loss
My life crumbled and things that once made sense didn't
And you were all around me even though you'd disappeared
I left, ran as far as I could
But, I coulda done a lap around the earth and these feelings of rejection, confusion, emptiness and nothingness would just have been waiting
Without you in my life nothing felt right
I didn't know what to do, I didn't know what to say
I'd had no time to prepare
So I just decided I'd have to cut every single tie that we had
Seeing you and not seeing that blazing fire in your eyes... It was too heartbreaking
So I told you "if its over, it's over. We don't speak or see each other anymore"
But of course, you had another plan

It's been a year since things slowly began to change
And "I'm sorry" with the follow of the same mistake pushed you further away from me
Don't you get I was just afraid of losing you?
My heart had never beat like this before
But, it was what it was.... Or was it?
The second I tried to excuse myself from your life
You lost it. Begged relentlessly for me to stay
You didn't want me out of your life, much less out of arms reach
Pathetically I clung to what was left of you that was mine
Constantly waiting for your love to return to me
But you were so back and forth
One day, you'd cuddle with me on the couch, kiss me and play with my hair
Then vanish outta sight for a day or two after
Remember that choice that ultimately you made much later?
I guess that's what you spent the rest of the summer doing
You spent most of your days and nights with me
We still went out together
Ran errands together
Slept in the same bed at night
And I never had to beg or twist those arms of yours to get you near me
A heart isn't unbroken unless its whole again
And my heart hasn't been whole in 10 months
Seeing you was just letting me sink deeper
And as I sunk, you'd go spend the night at her house
I'd get so jealous
But, I allowed the situation to continue

It's been a year and two months since everything in my life got turned upside down
And at the time... I just wasn't ready for all the sudden changes and feelings swirling around in my head
Why wouldn't you just let me go?
Why did you need me in your life for so badly, if your heart had been lead astray
That question will haunt me until my dying day
My broken heart
All the little shattered pieces.... They belong to you
But, you are ignorant or just cruel with the way you enjoy having the power
The girl in the background who might be different come this September
I've been waiting... Hoping and dreaming of you being mine again
I've tormented my own heart while you play house with her
Well you let her call the shots
Even if that meant leaving the person most important and close to you, whimpering in the dust and fog of yesterday

It's been almost a year since you said you needed to be free
That "it just wasn't working"
When a month prior to that, you couldn't seem to get enough of me
The one who accepted you for you and never asked you to change a thing
So I tried to do all the changing, even if I was faking it, I just wanted to be whoever caught your heart in the first place
If I ever had it at all
You had strong words when forced to prove yourself, but with so many opposing actions
There was just a trust that was gone
And that made you just like them
And that brought me to my knees, to weak to run away, but far from delusional
They say you've never experienced love until you've truly mourned from it
Everyday and night without you were timeless
And as if I'd never catch my breath again
Or see the sun
So I must love you
Because I still miss you
I still cry when something makes me think of us
I've still been silently waiting for you to come home with open arms
And I'd be just that foolish to fall right into them
The pain literally had consumed me
I was so broken, I didn't have a clue as to where to start putting myself together again
I might not be perfect, but my darling, neither are you
And no one else has my eyes
The eyes that would memorize you sometimes and I'd get away with whatever I wanted
But, it was small silly stuff
You always laughed about how there was no one quite like me
And how much you liked the fact that I just accepted you, flaws and all and I never demanded you change a thing
To me you were perfect just the way you were
And I fit too perfectly in your arms

In September it'll be a year since you've seen me
Since I cried myself to sleep the night you left
I can't keep going back there
My heart rebreaks every single time
Everywhere I go, we've been
When I sleep at night, the bed is empty where you used to lay
It's finally become too much and I need to say goodbye
But, I'm not sure you'll get to say goodbye like I did
And I'm not sure my absence will matter, since you let her so easily fill it
I can't even imagine seeing your face and I'm far from ready to handle all the emotions that are gonna take over me if I do
I'm just going to fade into the fog and drive off in the night
You may not even realize I'm gone at first, or that you're one of the reasons I had to had out onto the dark, endless road
But when you do want to see me
And you find out that I'm not waiting in the background
You'll probably be stunned... And sad
You'll miss me
I don't think you ever stopped
You just let someone talk over your thoughts
It'll be the unusually warm, sunny, windy September day that you'll realize a years gone by since you could stand close enough to touch me
And it'll be that day in September when your endless thinking begins
And you'll have to know and feel the miles between us
It'll be a years passed this September
And that day will be the day you start to wonder how we got here
Why you went there
And left me here
Then had her move there
And now you're where we said goodbye
That September day will be the day you're face to face with all our memories
And the questions you can't help but ask yourself over&ove;;
That day since a year we'd said goodbye
Will be the day it finally all hits you and you just want back what you lost
That's the day you'll have to decide if its worth searching for
And you'll have to come find me
Because 3 months before September
I stopped waiting and I started living again
If on that day, your heartaches.... You'll make the choice to come find me
If not, that day in September it'll been a year since we'd seen each other
And everything changed
Sorry, it's a little long but I had a lot to get out, somewhat just to dose myself with reality. Although, a part of my heart always hopes he finds me.....
Michael R Burch Mar 2020
Of Tetley's and V-2's
(or, “Why Not to Bomb the Brits”)
by Michael R. Burch

The English are very hospitable,
but tea-less, alas, they grow pitiable ...
or pitiless, rather,
and quite in a lather!
O bother, they're more than formidable!

Keywords/Tags: limerick, light verse, nonsense verse, humor, humorous, England, English, Tetley, tea, milk, crumpets, scones, war, bomb, bombs, V-2, rocket, missile, missiles, formidable, Britain, Brits, defense, military, mrbtet, mrbtetley



This World's Joy
(anonymous Middle English lyric)
loose translation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
when it enters my thought:
regarding this world's joy,
how everything comes to naught.



Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).



How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast,
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Fowles in the Frith
anonymous Middle English lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing ... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood," facing a similar fate?



I am of Ireland
anonymous Medieval Irish lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?

NOTE: The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



I Sing of a Maiden
anonymous Medieval English Lyric, circa early 15th century AD
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Enigma
by Michael R. Burch

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior ...

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this, our reclamation;

fallen wren,
you must strive to fly
though your heart is shaken;

weary pilgrim,
you must not give up
though your feet are aching;

lonely child,
lie here still in my arms;
you must soon be waking.



Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs ...
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler—
harbored in dreams,
I ride out night’s storms.

Unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea ...
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is one of my more surreal poems, as the sea and lover become one. I believe I wrote this one at age 19. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine and Poetry Life & Times. The poem may have had a different title when it was originally published, but it escapes me ... ah, yes, "Entanglements."



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom—

that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



The Children of Gaza

Nine of my poems have been set to music by the composer Eduard de Boer and have been performed in Europe by the Palestinian soprano Dima Bawab. My poems that became “The Children of Gaza” were written from the perspective of Palestinian children and their mothers. On this page the poems come first, followed by the song lyrics, which have been adapted in places to fit the music …



Epitaph for a Child of Gaza
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



For a Child of Gaza, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow?

Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



I Pray Tonight
by Michael R. Burch

for the children of Gaza and their mothers

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Something
by Michael R. Burch

for the mothers and children of Gaza

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Mother’s Smile
by Michael R. Burch

for the mothers of Gaza and their children

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,

then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”



My nightmare ...

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



I, too, have a dream ...

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



Suffer the Little Children
by Nakba

I saw the carnage . . . saw girls' dreaming heads
blown to red atoms, and their dreams with them . . .

saw babies liquefied in burning beds
as, horrified, I heard their murderers’ phlegm . . .

I saw my mother stitch my shroud’s black hem,
for in that moment I was one of them . . .

I saw our Father’s eyes grow hard and bleak
to see frail roses severed at the stem . . .

How could I fail to speak?
―Nakba is an alias of Michael R. Burch



Here We Shall Remain
by Tawfiq Zayyad
loose translation/interpretation by Michael R. Burch

Like twenty impossibilities
in Lydda, Ramla and Galilee ...
here we shall remain.

Like brick walls braced against your chests;
lodged in your throats
like shards of glass
or prickly cactus thorns;
clouding your eyes
like sandstorms.

Here we shall remain,
like brick walls obstructing your chests,
washing dishes in your boisterous bars,
serving drinks to our overlords,
scouring your kitchens' filthy floors
in order to ****** morsels for our children
from between your poisonous fangs.

Here we shall remain,
like brick walls deflating your chests
as we face our deprivation clad in rags,
singing our defiant songs,
chanting our rebellious poems,
then swarming out into your unjust streets
to fill dungeons with our dignity.

Like twenty impossibilities
in Lydda, Ramla and Galilee,
here we shall remain,
guarding the shade of the fig and olive trees,
fermenting rebellion in our children
like yeast in dough.

Here we wring the rocks to relieve our thirst;
here we stave off starvation with dust;
but here we remain and shall not depart;
here we spill our expensive blood
and do not hoard it.

For here we have both a past and a future;
here we remain, the Unconquerable;
so strike fast, penetrate deep,
O, my roots!



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Distant light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from the tips of your fingers
and release a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
shielded by shade from a glaring sun?
Can you not always remain this way,
stoking the fire, more beautiful than necessary, and silent?
Darkness increases; we must remain vigilant
and this distant light is our only consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.

Walid Khazindar was born in 1950 in Gaza City. He is considered one of the best Palestinian poets; his poetry has been said to be "characterized by metaphoric originality and a novel thematic approach unprecedented in Arabic poetry." He was awarded the first Palestine Prize for Poetry in 1997.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me again,
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know ...
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal our happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth absorbs the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—when nothing remains.



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Autumn Conundrum
by Michael R. Burch

for the mothers and children of Gaza

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Piercing the Shell

for the mothers and children of Gaza

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.



Children of Gaza Lyrics

(adapted in places to the music by Michael R. Burch and Eduard de Boer)

World premiere, April 22, 2017, in the Oosterkerk in the Dutch town of Hoorn. Dima Bawab, soprano; Eduard de Boer, piano.

I. Prologue:

Where does the Butterfly go?
I'd love to sing about things of beauty,
like a butterfly, fluttering amid flowers,
but I can't, I can't …

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow,
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the power of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

Where does the butterfly go
when mothers cry
while children die
and politicians lie, politicians lie?

When the darkness of grief blots out all that we know:
when love and life are running low,
where does the butterfly go?

And how shall the spirit take wing
when life is harsh, too harsh to face,
and hope is flown without a trace?

Oh, when the light of life runs low,
where does the butterfly go,
where does the butterfly go?

II. The Raid

When the soldiers came to our house,
I was quiet, quiet as a mouse…

But when they beat down our door with a battering ram,
and I heard their machine guns go "Blam! Blam! Blam!"
I ran! I ran! I ran!

First I ran to the cupboard and crept inside;
then I fled to my bed and crawled under, to hide.

I could hear my mother shushing my sister…
How I hoped and prayed that the bullets missed her!
My sister! My sister! My sister!

Then I ran next door, to my uncle's house,
still quiet, quiet as a mouse...

Young as I am,
I did understand
that they had come to take our land!
Our land! Our land! Our land!
They've come to take our land!

They shot my father, they shot my mother,
they shot my dear sister, and my big brother!
They shot down my hopes, they shot down my dreams!
I still hear their screams! Their screams! Their screams!

Now I am here: small, and sad, and still ...
no mother, no father, no family, no will.

They took everything I ever had.
Now how can I live, with no mom and no dad?
How can I live, with no mom and no dad?
How can I live? How can I live?

III. For God’s Sake, I'm only a Child

For God’s sake, ah, for God's sake, I’m only a child―
and all you’ve allowed me to learn are these tears scalding my cheeks,
this ache in my gut at the sight of so many corpses, so much horrifying blood!

For God’s sake, I’m only a child―
you talk about your need for “security,”
but what about my right to play in streets
not piled with dead bodies still smoking with white phosphorous!

Ah, for God’s sake, I’m only a child―
for me there's no beauty in the world
and peace has become an impossible dream;
destruction is all I know because of your deceptions.

For God’s sake, I’m only a child―
fear and terror surround me stealing my breath
as I lie shaking like a windblown leaf.

For God’s sake, for God's sake, I'm only a child,
I'm only a child, I'm only a child.

IV. King of the World

If I were King of the World,
I would make every child free, for my people’s sake.
And once I had freed them, they’d all run and scream
straight to my palace, for free ice cream!
[Directly to the audience, spoken:]
Why are you laughing? Can’t a young king dream?

If I were King of the World, I would banish
hatred and war, and make mean men vanish.
Then, in their place, I’d bring in a circus
with lions and tigers (but they’d never hurt us!)

If I were King of the World, I would teach
the preachers to always do as they preach;
and so they could practice being of good cheer,
we’d have Christmas ―and sweets―each day of the year!

[Directly to the audience, spoken:]
Why are you laughing? Some dreams do appear!

If I were King of the World, I would send
my couns'lors of peace to the wide world’s end ...
[spoken:] But all this hard dreaming is making me thirsty!
I proclaim lemonade; please [spoken] bring it in a hurry!

If I were King of the World, I would fire
racists and bigots, with their message so dire.
And we wouldn’t build walls, to shut people out.
I would build amusement parks, have no doubt!

If I were King of the World, I would make
every child blessed, for my people’s sake,
and every child safe, and every child free,
and every child happy, especially me!
[Directly to the audience, spoken:]
Why are you laughing? Appoint me and see!

V. Mother’s Smile

There never was a fonder smile
than mother's smile, no softer touch
than mother's touch. So sleep awhile
and know she loves you more than "much".

So more than "much", much more than "all".
Though tender words, these do not speak
of love at all, nor how we fall
and mother's there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father's back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother's tender smile
will leap and follow after you ...

VI. In the Shelter

Mother:
Hush my darling, please don’t cry.
The bombs will stop dropping, by and by.
Hush, I'll sing you a lullaby…

Child:
Mama, I know that I’m safe in your arms.
Your sweet love protects me from all harms,
but still I fear the sirens’ alarms!

Mother:
Hush now my darling, don’t say a word.
My love will protect you, whatever you heard.
Hush now…

Child:
But what about pappa, you loved him too.

Mother: My love will protect you.
My love will protect you!

Child:
I know that you love me, but pappa is gone!

Mother:
Your pappa’s in heaven, where nothing goes wrong.
Come, rest at my breast and I’ll sing you a song.

Child:
But pappa was strong, and now he’s not here.

Mother:
He’s where he must be, and yet ever-near.
Now we both must be strong; there's nothing to fear.

Child:
The bombs are still falling! Will this night never end?

Mother:
The deep darkness hides us; the night is our friend.
Hush, I'll sing you a lullaby.

Child:
Yes, mama, I'm sure you are right.
We will be safe under cover of night.
[spoken] But what is that sound?
[screamed] Mama! I am fri(ghtened)….!

VII. Frail Envelope of Flesh

Frail envelope of flesh,
lying on the surgeon's table
with anguished eyes like your mother's eyes
and a heartbeat weak, unstable…

Frail crucible of dust,
brief flower come to this―
your tiny hand in your mother's hand
for a last bewildered kiss…

Brief mayfly of a child,
to live five artless years…
Now your mother's lips seal up your lips
from the Deluge of her tears…

VIII. Among the Angels

Child:
There is peace where I am now,
I reside in a heavenly land
that rests safe in the palm
of a loving Being’s hand;
where the butterfly finds shelter
and the white dove glides to rest
in the bright and shining sands
of those shores all men call Blessed.

Mother:
My darling, how I long to touch your face,
to see your smile, to hear your laughter’s grace.
Great Allah, hear my plea.
Return my child to me.

Child:
My darling mother, here beyond the stars
where I now live,
I see and feel your tears,
but here is peace and joy, and no more pain.
Here is where I will remain.

Mother:
My darling, do not leave me here alone!
Come back to me!
Why did you turn to stone?
Great Allah, hear my plea.
Please send my child back to me...

Child:
Dear mother, to your wonderful love I bow.
But I can't return...
I am among the Angels now.
Do not worry about me.
Here is where I long to be.

Mother:
My darling, it is as if I hear your voice consoling me.
Oh, can this be your choice?
Great Allah, hear my plea.
Impart wisdom to me.

Child:
Dear mother, I was born of your great love,
a gentle spirit...
I died a slaughtered dove,
that I might bring this message from the stars:
it is time to end earth’s wars.

Remember―in both Bible and Koran
how many times each precious word is used―
“Mercy. Compassion. Justice.”
Let each man, each woman live by the Law
that rules both below and above:
reject all hate and embrace Love.

IX. Epilogue: I have a dream

I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.

Look at me... I am flesh...
I laugh, I bleed, I cry.
Look at me; I dare you
to look me in the eye
and tell me and my mother
how I deserve to die.

I only ask to live
in a world where things are fair;
I only ask for love
in a world where people share,
I only ask for love
in a world where people share.

Oh, I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Reflections on the Loss of Vision
by Michael R. Burch

The sparrow that cries from the shelter of an ancient oak tree and the squirrels
that dash in delight through the treetops as the first snow glistens and swirls,
remind me so much of my childhood and how the world seemed to me then,
that it seems if I tried
and just closed my eyes,
I could once again be nine or ten.

The rabbits that hide in the bushes where the snowflakes collect as they fall,
hunch there, I know, in the flurrying snow, yet now I can't see them at all.
For time slowly weakened my vision; while the patterns seem almost as clear,
some things that I saw
when I was a boy,
are lost to me now in my advancing years.

The chipmunk who seeks out his burrow and the geese in their unseen reprieve
are there as they were, and yet they are not; and though it seems childish to grieve,
who would condemn a blind man for bemoaning the vision he lost?
Well, in a small way,
through the passage of days,
I have learned some of his loss.

As a keen-eyed young lad I endeavored to see things most adults could not―
the camouflaged nests of the hoot owls, the woodpecker’s favorite haunts.
But now I no longer can find them, nor understand how I once could,
and it seems such a waste
of those far-sighted days,
to end up near blind in this wood.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on my eyes like a snake’s on a bird’s—
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and although I hear,
he says nothing that I understand.

The moon shines—maniacal, queer—as he takes my hand and whispers
"Our time has come!" ... and so we stroll together along the docks
where the sea sends things that wriggle and crawl
scurrying under rocks and boards.

Moonlight in great floods washes his pale face as he stares unseeing
into my eyes. He sighs, and the sound crawls slithering down my spine,
and my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard. His face is bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.

Published by Dowton Abbey, Aesthetically Pleasing Vampires, Into the Unknown, Since Halloween is Coming, and Poetry Life & Times



Songstress
by Michael R. Burch

for Nadia Anjuman

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world robs her of both flight and song, what is left for her but to leave, bereaving it and us of herself and her song?



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite . . .

What do you know of the world’s despair,
gliding in vast  solitariness  there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.

Published by Poetry Porch and The Chained Muse



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Published as the collection "Of Tetley's and V-2's"
Sabila Siddiqui Jun 2018
The crescent moon has been sighted
Lantern of hope has been ignited.
Doors of mercy have been opened
And the devils have been chained.

It is the month,
Where clusters of sin await repentance
And good deeds worth are multiplied.

The month
In which we abstain from food
From dawn till dusk;
Empty stomachs
But tongue heavy from thikr.

A month
Enlightened with Allah's vast mercy
And extreme prosperity,
Tasting rewards
And bathing in immense blessing.

So choose to
Break mouldy habits
Reform the fabrics.
Reboot your entity
And Recharge your faith.

Choose to strengthen the backbone of your lives;
The pillars of Islam.
Recite the book that has been bonded with threads of faith
and encrusted with pristine words of Allah.

Choose to unshackle yourself
from the blackening shackles;
Untangle from messy mirage of the world
entwined with your wrist
And braid it into ladders to heaven.

Choose to join congregation at prayers
To pray to Allah seeking his affinity
Asking for forgiveness and pray for agility.

Choose to handle tough times with sincerity
And dig faith in one another.
For strength and forgiveness
can be found under his love
And this can be the month
That can bring you a step closer to Allah.
Nat Lipstadt Aug 2015
~~~
the light is very early morning poor,
my still eyes crusty from overnight dreams,
but I can make out the individual
geese, browsing, pecking, having an early
breakfast at our AAA 5 star-rated motel by the bay,
on their way to Florida & Mexico,
traveling their own highway,
The Atlantic Flyway,^
stopping over for a few quiet nights and noisy days at
our isle's grassy plain
(ok, our lawn),
a way station where the room rates are low,
free wifi for their GPS systems,
the eats decent, reasonable tolerable too is,
the local variety of  human company,
considered by goose cognoscenti,
as harmless

habitual digresser, I return to
the early morn scene where all quiet,
then the shrieking and the manic running sounds,
like the firehouse alarm but more akin to
rambunctious jazz  music and the hip hop of
"so you think you can dance,"
for the red fox
in this light,
but a grey outline,
amidst the geese,
inattentively grazing just by the bulkhead,
a mere handful of feet
from the water, always an
escape tunnel handy

I know it is a fox
by its
airborne shape distinctive,
four legs and bushy tail clearly outlined
in the blue black grey atmosphere,
flying about a foot above ground,
in the mix of chubby runners at the starting line,
performing emergency takeoff procedures

a dramatic race for life and death,
something few of us ever witnessed,
or worse, experience, but nonetheless,
a daily occurrence mostly far
from our daily humdrum reality shows

this, more tale, than poem,
has its twisty turn,
a poetic trick de rigeur,
starting here...

a human fellow
I happen to know somewhat well,
grasps the concept immediate

his highway personal has brought him here,
to this exact raceway spot, and moment,
over a course of sixty years plus,
unbeknownst this was on his calendar appointments schedule
from the moment of his birth

he, voyageur, ******, witness, non-participant, but
just another airborne passenger, looking to plot, route
his last legs onto the red flag,
race-over signal, globally

the geese by far the wiser,
better planners,
than short sighted, foolish men,
who don't measure well the encroaching, narrowing distance
to their own mortality's terminus finale,
geese smartly keep handy escape hatches,
an alternative route

who will be my fox?

illness sudden swift,
a heart beat skipped,
the silence of cessation,
the unimaginable telephone call of accident,
a terrible swift sword heaven-appearing,
a surprising but ordinary
number early up,
a shocking shortening of actuarial tables,
after all, every fool knows,
poets are
humanity's statistical outliers

so here I am contemplative,
cussing up cursive scripting story endings,
varied new and unexpected,
poetic concepts each one more deserving,
wondering are their any geese,
like me,
who prefer the sudden death of teeth
over the slow molting of checking off
the tedium of passage rings of years of annualized aging,
until one morphs
into the last runner in his own 10k race,
tho at the finishing touch end his is the pace
of a passenger aboard his red flyer wagon,
about to overturn

who when, he,
crosses beneath the finishing banner,
hours after all the rested have
made their way to the
Presumed Safety of Wherever,
he crosses to silent applause of onlookers
all gone away

~~~
as for my lawned, learned friends,
the fox proved to be...
not as good a planner as the geese
~~~
this poem is a favor returned to new friends, poets here,
Jimmy Yetts,
who asks similar questions, and,
mark cleavenger,
a life guarding professional,
who tries to save us from ourselves
and succeeds

~~~
^The coastal route of the Atlantic Flyway, which in general follows the shore line, has its northern origin in the eastern Arctic islands and the coast of Greenland. This is a regular avenue of travel, and along it are many famous points for the observation of migrating land and water birds.

Shelter Island,
August 2015
JJ Hutton Jun 2014
I.

Up the stairs Suzann without an E went.
8" X 10" bright white rectangles dotted
the yellowing and dusty walls,
clean reminders of bad family photos.
Her parents, Bob and Theresa,
had picked out wallpaper. Lilacs
and vines and oranges. Why? She
didn't know.

She tossed her backpack on the floor
at the foot of her bed. Her senior book
was still on the night stand. Charity and
Faith, her sometimes friends, had spent
the last two weeks filling out every page
of theirs, printing hazy images on cheap
photo paper at their homes and sliding them
into the plastic holders or taping them to
the pages without.

They coerced boys they
had liked or still liked or would like if to
fill out pages. When the boys simply signed
their names or names and football numbers,
they guilted them into writing more. Give
me something to remember you by.

Suzann liked to look at only one boy,
Casey Stephen Fuchs, pronounced "Fox,"
though you know that's just what the family
said. She didn't want him to write in her
senior book. She enjoyed the space between
them. She knew what her peers didn't:
she was seventeen.
She knew she didn't know
the right words yet. She knew the heart-bursting
flutters she felt were temporary--enjoy them, she thought,
shut up and enjoy them.

Her parents set her curfew at 10:30. So
this Friday, like most Fridays, she stays
home.

She opens ****** in the City of Mystics,
a novel she's burned through. Fifty pages
or so left. She likes detectives. The methodical
stalking, the idiosyncratic theories and philosophies
that allow them to connect dot after dot.

She shuts her eyes and sends herself walking down
the streets of New York, where hot dog vendors
whistle and say, "Nice legs." She flags down a cab.
She sees Casey across the street. What are you doing
here, stranger? She waves the cab on.
The driver, a brown-skinned man from some vague
country, throws his arms up. "C'mon."

She cuts across the traffic, dodging a white stretch limo,
a black Hummer, a hearse.

Casey's straight hair hangs over his left eye. It's both
melodramatic and troubled. There's a small shift
at the corners of his lips, the corners of lips, this
is a detail she writes of often in her journal--why?

She can almost hear Casey ask her, "What brings you here?"

"Business."

"What kind?"

"None of yours."

He takes this as an entry for a kiss. Not yet, handsome. No no.

"Make whatever you want for dinner," her mom shouts up the stairs.
"There's stuff for nachos if you want nachos. Some luncheon meat too.
Only one piece of bread though."

"Okay."

"Alright. Just whenever. Dad and I are going to go ahead."

"Okay."

"Alright."

Get me out of here. Suzann's whole life is small: small town,
small family, small church, all packed with small brained, short-sighted people. She wants New York or Chicago. She wants a badge--no not a badge. She'll be a vigilante. "You're not a cop," they'll tell her.

"Thank God," she'll say. "If I were a cop then there'd be nobody protecting these streets."

II.

She's read mysteries set in the middle of nowhere, small towns like her own Kiev, Missouri. They always feel phony. Not enough churches.
Not enough bored dads hitting on cheerleaders.
No curses. Every small town has a curse. Kiev's?
Every year someone in the senior class dies.

As far back as anyone she knew could remember
anyways. Drunk driving, falling asleep at the wheel,
texting while driving, all that crap is what was usually
blamed.

This smelly boy named Todd Louden moved out of Kiev
in the fall semester of his senior year a couple years ago.
Suzann was a freshman.

A few months after he was gone, people started saying
he'd killed himself with a shotgun. First United Methodist
added his family to the prayer list. They had a little service out
by this free-standing wall by the library where he used
to play wall ball during lunch. People cried. Suzann didn't know
anyone that hung out with him. Maybe that's why
they cried, unreconcilable guilt--that's what her dad
said.

Then in the spring Todd moved back. The cross planted
by the wall with his name confused him.
He'd just been staying with his grandma. Nothing crazy.
The churches never said anything about that. He was
just the smelly kid again. Well until late-April when
he got ran over by a drunk or texting driver.
They hadn't even pulled up the cross by the wall ball site
yet.

III.

You call it the middle of nowhere, a place where the roads didn't have proper names until a couple years back, roads now marked with green signs and white numbers like 3500 and 1250, numbers the state mandated so the ambulances can find your dying ***--well if the signs haven't been rendered unreadable by .22 rounds.

The roads used to be known only to locals. They'd give them names like the Jogline or Wilzetta or Lake Road, reserved knowledge for the sake of identifying outsiders. But that day is fading.

What makes nowhere somewhere? What grants space a name?

The dangerous element. The drifter that hops a fence, carrying a shotgun in a tote bag. Violence gave us O.K. Corral. Violence gave us Waco. Historians get nostalgic for those last breaths of innocence. The quiet. The storm. The dead quiet.

IV.

It's March and not a single senior has died.
So when she hears the front door open
around 2 a.m., Suzann isn't surprised.
She doesn't think it's ego that's made
her believe it'd be her to die--but it is.

She hears the fridge door open.
Cabinets open.
Cabinets close.
She hears ice drop into
the glass. Liquid poured.

She clicks her tongue in
her dry mouth. She puts
a hand to her chest. Her
heart beats slow.
She rests her head on
the pillow. It's heavy
yet empty, yet full--
not of thoughts.

She can't remember the name
of any shooting victims.
She remembers the shooters.
Jared Lee Loughner, Seung-Hui Cho,
James Eagan Holmes, Adam Lanza.
No victims.

She hears the intruder set the glass on the counter.
He doesn't walk into the living room.
He starts up the stairs. His steps are
soft, deliberate. What does he want?
Her death. She knows this. He is only a vehicle.
Nameless until. Has he done this before?
Fast or slow?

He's just outside her room, and she doesn't
remember a single victim's name. She hears
a bag unzip. She hears a click.

If he shoots her, Suzann Dunken, there's
no way the newspaper will get her name
right. Her name may or may not scroll
across CNN's marquee for a day or two.
If it does, it won't be spelled correctly.
This makes her move. Wrapping
her comforter around her body, she
tip-toes to the wall next to her door.

She hears a doorknob turn.
It's not hers.

He's going into her parents' bedroom.
They're both heavy sleepers.
She opens her own door slowly.
She steps into the hall. She sees the man.
The man does not see her.
She see the man and grabs a family
portrait. The man does not see her,
and he creeps closer to her parents.
She sees the man standing then she
sees the man falling after she strikes him
with the corner of the family portrait.
The man sees her as he scrambles to get
his bearing. She strikes him, again with
the corner. This time she connects with his eye.
A light comes on. "Suzann," her mother says.
He tries to aim the gun. Again she strikes.
He screams. He reaches for his eyes with
his left hand. Now with the broad side she
swings. She connects. She connects again.
The man shoves her off, stumbles to his feet.
By this time, her dad reaches her side.
One strong push and the man crashes into
the wall outside the room, putting a hole
in the drywall.

He recovers and retreats down the stairs
and out the door into blackness.

Her mother phones the police.
She pants more than speaks
into the receiver.

"Suzann," her dad says. "Sweetheart."

Suzann looks at the portrait, taken at JC Penny when
she was in the sixth grade. The glass is cracked.
She removes the back. She pulls out the photo.

"Did you get a good look at him?"

This photo. Her mother let her do anything
she wanted to her hair before they took it.
So she, of course, dyed it purple.

"That's right," her mother says.
"It's about half a mile east of the
3500 and 1250 intersection. Uh-huh."

Her dad sits down next to her.

"How long do you think it'll take them
to find us?"

There's a shift at the corners of her mouth,
and she nods, just nods.
Jade Ivy Jan 2014
I say that I am done
But I always leave a small part of me open
Vulnerable
Susceptible
I don't mean to
But I can never seem to help it
I can't let go of the whisper inside of me
Suggesting that maybe something will change
Maybe you will do something to change my mind
Something that will prove anything
And every time
I am left disappointed
And more heartbroken than before
Because not only do I feel foolish
For the many years spent with you
But I feel foolish for continuing
To open my heart up to you
Even when I know that you are undeserving
And you prove that to me
With every lack of action
Every lack of effort
Still, I can't help but to give you infinite chances
Because I foster a love for you
So deeply inside of me
But each time that you make it clear
That you don't feel the same
That this means nothing to you
I begin to hate you
Just a little



But it adds up
David Sjolander Nov 2010
You began as a dream
Dreamt by leaders with vision
Evolving to surpass
All of man's wildest ambition...

With adventurous men
Like Shepherd and Glenn
You stubbornly strove
To prove, once again
Beyond any doubt
That bounderies could be broken...

Despite mishap and fire
Alas, you did inspire
A generation to dream...

From Mercury to Apollo
The world, it did follow
Your steady pace
To Tranquility Base...

Via Viking and Voyager
Your efforts did prove
That exploration of the universe
Was well on the move...

To Mars, Jupiter, Saturn and Neptune...
You tenaciously endeavored
To, your accomplishments, festoon...

Your progress was sure
As you strove to endure
The incessent chatter
Of the grossly short-sighted
Their nonsense did clatter
Proving they were poorly enlightened...

With untold discoveries
Like non-stick surfaces and airtight seals
Through your numerous breakthroughs
You've shown us how it feels
To live better...

From Columbia to Hubbel
You've saved us great trouble
In our daily lives...

With your Space Station mission
You've shown the same vision
And, continue to lead in gaining cognition
Of our universe...

Lead on, great adventurers
Lead on.
Copyright David Sjolander 2010
Nat Lipstadt Oct 2023
The “little” Art I Possess

~writ for, inspired by, and warmly dedicated to
Kelly Rose Saccone~

“So an artist does…They say that often when you fill your walls with art you often forget it’s there and you don't absorb its beauty, but I enjoy what little art I have everyday. Sometimes it is just the color or the passion that hits me anew when I look at them.”
KRS

<~>

long ago the new~knowledge,
“newlodge” came brewing~infusing me;
art was not capable of being possessed

my reversal~eyes opened
the senses over~fulfilling,
body sensations brimming,

for I was the container,
only in temporary possession!

the art, in whatever the day’s chameleon guise,
is the professor-possessor, I am the missionary~emissary
remaindered by-product,
just
the vassal~vessel

when to gaze upon a poem~creation of years ago,
my expected mistakes appeared, a wee pride,
largesse of satisfaction, but these are frailties,
weaknesses, human misperceptions,
human ill-delusions!

never

ever was a poem among my possessions,
it was “in-sighted” within me
what was placed in my cupboard,
stored by my sensual conduits,
mine only to covey, not to covet,

art that tempest resides in as part,
a parcel in of the entirety of your body+soul composition,
but “out for delivery,”
seeded, stored & carry~birthed, given forth,
in a completed quantity
that’s so grand,
it takes five senses to truly comprehend!

it is pieces, a child of you,
recombinant,
you the birth sac,
how could ever be assessed as merely

little?

you are better understood to be a translator,
a temp~progenitor,
taking what all of nature and human experience
has installed on your inner walls, and then dispatched,
by you, gestated and unhesitatingly dispatched,

and when gift unwrapped from the plain brown paper of
our now orphaned belly skin,
it is to be hallelujah greeted,
for you, artist, translator, poem~mother,
have done you job, hallowed and sacrosanct,
and now the renewed giant emptiness,
will soon,
needy to be refilled, and
retransmitted once more:

this is no little, limited, mean feat,
your gifting is
beyond any words that limit,
no size constrains,
no words,
neither sufficient and insufficient,
you, are in loco parentis,
you’ve take what you/we are given,
beyond sizing,
and it seizes and is seized,
until you give it away
completed

and that is the grandest art .
inseminated within you,
true artistry!




7:42am
Fri Oct 27
2023
Valsa George Dec 2016
On a bleak and frosty night
Vexed and weary two travelers rode
Along the pathways-craggy and ragged
From Nazareth, trudging miles on end

Full pregnant, was she with child
Mary -the ******, suffused with Spirit Holy
Divinely ordained to bear the Godly Prince
Conceived before, she had known her spouse.

Abiding in Heaven’s Providence n’ care
They had rode past miles behind
Far too fatigued by the trip
Mary, now badly needed a place to rest.

Heading towards the blinking lights
Not far from the city’s guarded gate
Joseph sighted a tavern-small
Perched high on a tiny hill

A sense of relief beamed past
They have come at last to the journey’s end
Finally found a place to rest!
An interim home away from home

Tethering the donkey outside the gate
Joseph helped Mary alight the brute
In eager search, he hurried inside
With Mary, following with faltering steps.

But the couple, to their dismay found
Within the tavern, room, there was none
For many a man had gathered round
To halt there on that freezing night

Sundry folk from surrounding lands
Had reached Bethlehem for the yearly census
Tradesmen selling clothes and cheese
Nomads of varying clans and clime

Petulant camels, braying donkeys
The place was littered with man and beast.
The tavern small, so packed to full
Had no more space to harbor the crowd

Mary and Joseph, though dejected,
Were encamped within a manger- warm
With tender concern, Joseph joked,
To ease the strain on Mary’s face

“Gaze upon this palace of gold
Where a son shall soon be born to us”!
Mary smiled a gentle smile,
Humored by her husband’s jest

Under the gaze of tethered hosts
In veiled privacy of the midnight gloom
She gave birth to a radiant child,
The great Redeemer to all Mankind

The star studded sky suddenly glowed
With a rare brilliance never beheld
And a celestial voice trailed along
Delivering ‘tidings of joy’ to the globe around
Wish all my dear friends on HP a MERRY CHRISTMAS full of joy and peace!
Crysta Gingras Mar 2016
I wake up in the morning and see the sun saying hello
I go downstairs and am stopped by an odd fellow
He wore a green hat and carried a cello
He certainly was an odd little fellow
He stopped me and said “Do you want to follow your dreams?”
A little shy I squeaked “uh well, Sure please”
He led me down the hallway and right out the door
Looked back at me with a display and asked “what are you waiting for?”
I shrugged my shoulders with dismay and followed closely behind
He kept right on running I followed suit in kind
He led me to a castle that stood up straight and bold
He looked at me and pointed at it while demanding “Don’t you now fold;
The answers to all your dreams is up there waiting inside
The place is falling at the seams, no time to swallow pride”
So with a leap and a bound I found myself in the castle
Searching far and wide certainly was a hassle
I walked up to a fireplace and saw a burning stew
I turned around to look and who I saw, was you
You stared at me with a challenge, blue eyes boring holes
I stared right back unable to move from those striking blues
You asked what I had come for
I honestly said, “No clue,
Though if I’d take a guess, I’d say I came for you”
That quip made your eyes lose their stony glare
And if I had the confidence I’d swear I saw a sparkle there
You invited me to sit, and we talked for a long while
I impressed you with my wit and even got a smile
It came time for me to leave, so I made to bid adieu
You reached out and grabbed my arm, “life is far better with two”
I was a little taken aback, had I been too far forward?
This woman knew my inner thoughts, perhaps clear-sighted?
I wanted to agree with you, but I lived far from here
It seemed you knew again and said, “Will you take me there?”
My shock must have shown for you shrunk back like I hurt you
“Did I assume too much?” you asked with hesitation
“That all depends” I said with sly smile “do you like blue?”
You smiled again, glowing with confidence, as you leaned forward and said “of course I do”
This time I smiled back, and linked your arm with mine
We walked out of the castle and passed the fellow, now drinking wine
He looked up with a glance and then jumped back with a dance
Shouting for joy at the sight
He grabbed his cello
Before he could mellow
And sang with all of his might
“oh happy days you found your dream
It has all come true to be
For you found her and she found thee
So happy
So happy to be!”
We danced with the fellow
While playing his cello
And moved about all through the night
My hand in your hand
And your eyes on mine
Nothing has ever felt more right
Like the fellow had sung
So happy to be
Right then and there
Just you and me
A story for my Angel
Nat Lipstadt Apr 2019
You seem to know where you're needed


to whom this command addressed is a crazy me-man,
a street walking big DaVinci ibearded mumbler,
the kind you would cross the street
before the smell is close enough
to sending you running, not just
politely walking fast but a souped up
hi-yo silver away!

this guise no surprise,
you must and do
already know where I’m needed,
sealing the pact with a yellowtine post-it
writ in simple block letters ordered in a brewed cafe,
my latte arrive states my name as


come see me

come to the time the place and the date

and prepare oneself for twenty and fours
of rigid interoperability as our systems
interface reach the pure state of 100%
ultimate wordless dialogue

communicating
in with by
perfect silence
heaven

you will write a verse,
my reciprocation
is already prepared

this terse repartee
will many spawn poems generational
for your family amazing and extended

an elephnat never forgets,
his servers are a rolling stone
with no direction home,
capacity unknown
every blade sighted retained,
and every sensate glance
a phrase seeded

departure will find me clean shaven,
pressed jeans neat,
and shod in well worn dockers,
cloaking my innate invisibility

when the children ask who was that,
you’ll sage reply

one new who knew where one was needed
April  8  4/6/nought nineteen
10:13 am

https://www.google.com/search?q=da+vinci%27s+beard&ie=UTF-8&oe=UTF-8&hl=en-us&client=safari#imgrc=q3e6G4ijVeXNKM:
Mateuš Conrad Aug 2018
.i think,

  the ergo:

i'll never battle my alcoholism,
why?
   people enjoy their roller-coasters,
don't they?
same ****, different, cover...
i love the spiral...
and if you play me some
alice in chains...
akin to the song would?,
or man in the box?
          you just covered
the no man's land...
      pity is cheaper than words,
actually...
         i hate pity...
    i'm of the sentimentality
confined to:
  you do your ****,
i'll do mine...
    but god forbid i lax my
attunement to the rigoristic
attachment to,
either spelling, or grammar...
   i'm here for the free-fall...
the sort of free-fall
readied with the imagery
of Satan diving into the vacuum
of the vacuum of the universe,
with the ferocity of
an asteroid... generating
gravity and vector...
listening to the onslaught
of slayer's -
   raining blood;
or muse's song bliss...
let's just say...
   i'm here for the tartar stake...
roughly cut up...
rather than minced
baby food meat.

                            i am...

    you don't come between
a rhino's target,
and the coordinated,
posit for the origins of the charge...
i'd hate to use the incisor teeth...
i'd rather prefer at the maulers...
even though...
   it's like using a blunt knife...
you use the maulers to crush bone
to get the marrow...
      i've reverse...

             because what is speech
akin to this, sort of extravaganza?
the simpler excuse for the excuse
to not act...

                 i don't feel i need to act...
i much prefer waiting,
to acting, "hard"...
            i love the virtue some discredit...
on the simple ground
of a patient bidding a stalling...
i like it...
            let's face it though...
poetic terms overpower
the latter half of the Cartesian equation,
sum is over-laden with
metaphors...
      and cogito with
a blind-sighted focus
without a chance of a labyrinth...

the ergo-mismatch...
can't see a Minotaur even if i wanted
to...
         and i don't sometimes
feel inclined,
to charge at anything,
that's not standing before me,
in a mirror;
and is, esp. not me.

in a harsh rhapsodic voice -
i, will, not, REPENT!
to justify your pseudo-moralism!
drink your coffee!
and? ******* into your
quasi-amphetamine doctrine
of the faking of originality!
this, social-commentary...
like, half of these people never
cared about your health...
so, naturally... they don't make
much of the care behind it...
my rehab?
     visiting my grandparents,
the homogeneity of
a small Polish town...
   no cold turkey moment...
fixing up my grandparent's kitchen...
laying down new linoleum flooring,
refreshing the walls...
if you were never born
in a monochromatic,
monosyllable culture?
   you'll never know the counter-drug
akin to alcohol...
   experiencing it...
  
i'm sure, that you should ask an
alcoholic Jew...
   what cured him or her...
once they returned from a visit to
Israel...
           equivalent of
Mecca... but Mecca is not a place,
nor an idea... it's a people!
Bows N' Arrows Mar 2016
Postpartum epiphanies
I'm shuddering against a stonewall
taking into myself the smoke,
snowy hills and the quiet of the
pine trees
I feel awake as the noise in my
head starts to dissipate
I go under water between thoughts
and comeback up for air once a
conscious realization dawns as
sentences
blooming in my third eye
The solitude in these mountains is
medicine for me like lighting sage
it mends the holes I possess in
my aorta
This large Earth is turning soft
I can't trace it in the swift grey clouds
or the suns hide and seek game
I'm tongue-tied on the ecliptic orbits
I trip over the luminaries movement
The trees whisper faint
stories but i am
ear-less to their memories
I wish I could close my eyes and
fall asleep to their song-tales
like a child at bedtime
I'm faceless to this circumstance
I feel like shattered glass
The future seems at once
both short-sighted and vast
I'm getting through on faith
believing my time is precious
and too rare to spend it in a cage
Andres Hernandez Oct 2011
You
sad angel sitting
again
to remind me of that
day on which you were born
Saturn raised its heavy head.

Any sighted comet would have
been more hopeful
than that menacing globe

Remember the gelignite in your lungs
and cotton bronchioles?
Remember emptiness without melancholy?
Your chin on your palm, your power
lost, lost
in the number thirty

If this is the last orbit
the last revolution
the last whirl of your life’s wheel
hear how my song will ignite your pranas
until the
final wick of your trapped soul
cinders
BoogzThePoet Oct 2018
Life’s a trip aint it?
Cause I can see myself there.
In the courtside of movement with my daughter
Teaching her the fundamentals to this foreplay break form we call top rocking
See, cause we all started while still in the fetus of knowledge,
dance was our way out
far sighted to the violence was most important
My neighbors enriched themselves a devil’s deal with other advocates
Sold their souls to hate,
Gun play, drugs, **** and discriminate……tion.
Since that first get down on my auntie’s wooden floors,
Or since seeing the smooth criminal himself steal the encore,
I became the Xerox copy,
mirroring my master like a parrot,
I studied more and observed a new culture.
Not even knowing this family was my narrative teen story.
****.
I devoured every second.
Danced till my body couldn’t stand it.
I danced in the light and were steps away from my own shadows.
Sometimes the shadows were heavy
a filament that needs to be observed and cleansed--- go figure huh
A self-judgment clinging to aura.
A child crying who felt unloved.
A beings dependent on promises from Ones outside self.
Suddenly, light shines and the dancer feels the power--
A breath that aligns inside grace.
A moment where ones heart expands with love.
A moment where a dancer meets melody
Hip hip is a masterpiece,
hip-hop is you, me, him and her, and because of this masterpiece is a dancer inside of me.
His movements created mists around his company,
I didn't need to tell hip-hop I loved her.
I gave her all my love with this dance.
Keith Ren May 2012
I was a lateral,
and ticking.
I saw the seams
in you.

You were the new
becoming.
I was
the precious you.


Stop reflecting,
keen sister.
You were
what I sought.

Be now
transparent, lover.
Become what
I have caught.


Such crystalline seed,
have I projected thus far.

So I sit now in silence,
to see just what
things are.
I, in sorrow forever live and swell.
A thousand pangs and more each hour.
Alone to wait and weep for misery's bell
And bleed in Hell's Stygian bower.

Marred by silence, marred alone,
Obsequies possessed and slighted.
Death in heart, death in home,
But, my love, redemption, sighted.

The beauteous Cherub, me heart adored,
From the arms of Nyx delivered;
My bliss forever with her restored
And from our love, death did slither.

— The End —