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Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.

No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne’er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.

Will no one tell me what she sings?—
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?

Whate’er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o’er the sickle bending;—
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
Jane Doe Nov 2012
The root suggests multiples,
a pair of shoes, yours and mine.

The prefix is a verb in motion, a
positive direction; a triumph of gravity
in defiance of its equal and opposite reaction.

He stands by the car in the grey light
with drizzle beading up on his shoulders.
Our life upset, torn at the seam into his and mine.

Turn around,
the coward whispers from my mouth.
I see my face reflected in the glass window

staring back at myself, the coward,
half of a set now rendered unusable, sold as scrap.
Turn around.

Multiples reduced to singular nouns.
My shoes are kicked and left by the door.
Everywhere his shapes are cut out of the dust.

The coward in me grins wide as a sickle
In the bathroom mirror. Our set of ghosts are
making too much noise, all night they keep me

up.
CK Baker Feb 2019
Dry veins branch the dead gulch
cinder cones set on a marble tan scape
fanning sands sketch ephemeral
fossil plates fold under columns of gray

Mountain back steep at the crevasse
sinkhole spots form on parallel nine
sulfur pipe stems from molten ash
withered shrubs and crumbling spines

silt fields cover the foothills
swayback shed near the Whipple tree barn
tumbledown shacks form the patchwork
from goat canyon ranch to big bison farm

Salt lakes fractured in amber
sickle-bush cut at the bowline knot
a half-moon traced by the viper
oxbow streams and valley grot
Many a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on—
Day and night, and night and day,
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel’s track:
Whilst above the sunless sky,
Big with clouds, hangs heavily,
And behind the tempest fleet
Hurries on with lightning feet,

He is ever drifted on
O’er the unreposing wave
To the haven of the grave.
What, if there no friends will greet;
What, if there no heart will meet
His with love’s impatient beat;
Wander wheresoe’er he may,
Can he dream before that day
To find refuge from distress
In friendship’s smile, in love’s caress?
Then ’twill wreak him little woe
Whether such there be or no:
Senseless is the breast, and cold,
Which relenting love would fold;
Bloodless are the veins and chill
Which the pulse of pain did fill;
Every little living nerve
That from bitter words did swerve
Round the tortured lips and brow,
Are like sapless leaflets now
Frozen upon December’s bough.

On the beach of a northern sea
Which tempests shake eternally,
As once the wretch there lay to sleep,
Lies a solitary heap,
One white skull and seven dry bones,
On the margin of the stones,
Where a few grey rushes stand,
Boundaries of the sea and land:
Nor is heard one voice of wail
But the sea-mews, as they sail
O’er the billows of the gale;
Or the whirlwind up and down
Howling, like a slaughtered town,
When a king in glory rides
Through the pomp and fratricides:
Those unburied bones around
There is many a mournful sound;
There is no lament for him,
Like a sunless vapour, dim,
Who once clothed with life and thought
What now moves nor murmurs not.

Ay, many flowering islands lie
In the waters of wide Agony:
To such a one this morn was led,
My bark by soft winds piloted:
’Mid the mountains Euganean
I stood listening to the paean
With which the legioned rooks did hail
The sun’s uprise majestical;
Gathering round with wings all ****,
Through the dewy mist they soar
Like gray shades, till the eastern heaven
Bursts, and then, as clouds of even,
Flecked with fire and azure, lie
In the unfathomable sky,
So their plumes of purple grain,
Starred with drops of golden rain,
Gleam above the sunlight woods,
As in silent multitudes
On the morning’s fitful gale
Through the broken mist they sail,
And the vapours cloven and gleaming
Follow, down the dark steep streaming,
Till all is bright, and clear, and still,
Round the solitary hill.

Beneath is spread like a green sea
The waveless plain of Lombardy,
Bounded by the vaporous air,
Islanded by cities fair;
Underneath Day’s azure eyes
Ocean’s nursling, Venice, lies,
A peopled labyrinth of walls,
Amphitrite’s destined halls,
Which her hoary sire now paves
With his blue and beaming waves.
Lo! the sun upsprings behind,
Broad, red, radiant, half-reclined
On the level quivering line
Of the waters crystalline;
And before that chasm of light,
As within a furnace bright,
Column, tower, and dome, and spire,
Shine like obelisks of fire,
Pointing with inconstant motion
From the altar of dark ocean
To the sapphire-tinted skies;
As the flames of sacrifice
From the marble shrines did rise,
As to pierce the dome of gold
Where Apollo spoke of old.

Sea-girt City, thou hast been
Ocean’s child, and then his queen;
Now is come a darker day,
And thou soon must be his prey,
If the power that raised thee here
Hallow so thy watery bier.
A less drear ruin then than now,
With thy conquest-branded brow
Stooping to the slave of slaves
From thy throne, among the waves
Wilt thou be, when the sea-mew
Flies, as once before it flew,
O’er thine isles depopulate,
And all is in its ancient state,
Save where many a palace gate
With green sea-flowers overgrown
Like a rock of Ocean’s own,
Topples o’er the abandoned sea
As the tides change sullenly.
The fisher on his watery way,
Wandering at the close of day,
Will spread his sail and seize his oar
Till he pass the gloomy shore,
Lest thy dead should, from their sleep
Bursting o’er the starlight deep,
Lead a rapid masque of death
O’er the waters of his path.

Those who alone thy towers behold
Quivering through aereal gold,
As I now behold them here,
Would imagine not they were
Sepulchres, where human forms,
Like pollution-nourished worms,
To the corpse of greatness cling,
Murdered, and now mouldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou ldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou and they!—
Clouds which stain truth’s rising day
By her sun consumed away—
Earth can spare ye; while like flowers,
In the waste of years and hours,
From your dust new nations spring
With more kindly blossoming.

Perish—let there only be
Floating o’er thy heartless sea
As the garment of thy sky
Clothes the world immortally,
One remembrance, more sublime
Than the tattered pall of time,
Which scarce hides thy visage wan;—
That a tempest-cleaving Swan
Of the sons of Albion,
Driven from his ancestral streams
By the might of evil dreams,
Found a nest in thee; and Ocean
Welcomed him with such emotion
That its joy grew his, and sprung
From his lips like music flung
O’er a mighty thunder-fit,
Chastening terror:—what though yet
Poesy’s unfailing River,
Which through Albion winds forever
Lashing with melodious wave
Many a sacred Poet’s grave,
Mourn its latest nursling fled?
What though thou with all thy dead
Scarce can for this fame repay
Aught thine own? oh, rather say
Though thy sins and slaveries foul
Overcloud a sunlike soul?
As the ghost of Homer clings
Round Scamander’s wasting springs;
As divinest Shakespeare’s might
Fills Avon and the world with light
Like omniscient power which he
Imaged ’mid mortality;
As the love from Petrarch’s urn,
Yet amid yon hills doth burn,
A quenchless lamp by which the heart
Sees things unearthly;—so thou art,
Mighty spirit—so shall be
The City that did refuge thee.

Lo, the sun floats up the sky
Like thought-winged Liberty,
Till the universal light
Seems to level plain and height;
From the sea a mist has spread,
And the beams of morn lie dead
On the towers of Venice now,
Like its glory long ago.
By the skirts of that gray cloud
Many-domed Padua proud
Stands, a peopled solitude,
’Mid the harvest-shining plain,
Where the peasant heaps his grain
In the garner of his foe,
And the milk-white oxen slow
With the purple vintage strain,
Heaped upon the creaking wain,
That the brutal Celt may swill
Drunken sleep with savage will;
And the sickle to the sword
Lies unchanged, though many a lord,
Like a **** whose shade is poison,
Overgrows this region’s foison,
Sheaves of whom are ripe to come
To destruction’s harvest-home:
Men must reap the things they sow,
Force from force must ever flow,
Or worse; but ’tis a bitter woe
That love or reason cannot change
The despot’s rage, the slave’s revenge.

Padua, thou within whose walls
Those mute guests at festivals,
Son and Mother, Death and Sin,
Played at dice for Ezzelin,
Till Death cried, “I win, I win!”
And Sin cursed to lose the wager,
But Death promised, to assuage her,
That he would petition for
Her to be made Vice-Emperor,
When the destined years were o’er,
Over all between the Po
And the eastern Alpine snow,
Under the mighty Austrian.
She smiled so as Sin only can,
And since that time, ay, long before,
Both have ruled from shore to shore,—
That incestuous pair, who follow
Tyrants as the sun the swallow,
As Repentance follows Crime,
And as changes follow Time.

In thine halls the lamp of learning,
Padua, now no more is burning;
Like a meteor, whose wild way
Is lost over the grave of day,
It gleams betrayed and to betray:
Once remotest nations came
To adore that sacred flame,
When it lit not many a hearth
On this cold and gloomy earth:
Now new fires from antique light
Spring beneath the wide world’s might;
But their spark lies dead in thee,
Trampled out by Tyranny.
As the Norway woodman quells,
In the depth of piny dells,
One light flame among the brakes,
While the boundless forest shakes,
And its mighty trunks are torn
By the fire thus lowly born:
The spark beneath his feet is dead,
He starts to see the flames it fed
Howling through the darkened sky
With a myriad tongues victoriously,
And sinks down in fear: so thou,
O Tyranny, beholdest now
Light around thee, and thou hearest
The loud flames ascend, and fearest:
Grovel on the earth; ay, hide
In the dust thy purple pride!

Noon descends around me now:
’Tis the noon of autumn’s glow,
When a soft and purple mist
Like a vapourous amethyst,
Or an air-dissolved star
Mingling light and fragrance, far
From the curved horizon’s bound
To the point of Heaven’s profound,
Fills the overflowing sky;
And the plains that silent lie
Underneath the leaves unsodden
Where the infant Frost has trodden
With his morning-winged feet,
Whose bright print is gleaming yet;
And the red and golden vines,
Piercing with their trellised lines
The rough, dark-skirted wilderness;
The dun and bladed grass no less,
Pointing from this hoary tower
In the windless air; the flower
Glimmering at my feet; the line
Of the olive-sandalled Apennine
In the south dimly islanded;
And the Alps, whose snows are spread
High between the clouds and sun;
And of living things each one;
And my spirit which so long
Darkened this swift stream of song,—
Interpenetrated lie
By the glory of the sky:
Be it love, light, harmony,
Odour, or the soul of all
Which from Heaven like dew doth fall,
Or the mind which feeds this verse
Peopling the lone universe.

Noon descends, and after noon
Autumn’s evening meets me soon,
Leading the infantine moon,
And that one star, which to her
Almost seems to minister
Half the crimson light she brings
From the sunset’s radiant springs:
And the soft dreams of the morn
(Which like winged winds had borne
To that silent isle, which lies
Mid remembered agonies,
The frail bark of this lone being)
Pass, to other sufferers fleeing,
And its ancient pilot, Pain,
Sits beside the helm again.

Other flowering isles must be
In the sea of Life and Agony:
Other spirits float and flee
O’er that gulf: even now, perhaps,
On some rock the wild wave wraps,
With folded wings they waiting sit
For my bark, to pilot it
To some calm and blooming cove,
Where for me, and those I love,
May a windless bower be built,
Far from passion, pain, and guilt,
In a dell mid lawny hills,
Which the wild sea-murmur fills,
And soft sunshine, and the sound
Of old forests echoing round,
And the light and smell divine
Of all flowers that breathe and shine:
We may live so happy there,
That the Spirits of the Air,
Envying us, may even entice
To our healing Paradise
The polluting multitude;
But their rage would be subdued
By that clime divine and calm,
And the winds whose wings rain balm
On the uplifted soul, and leaves
Under which the bright sea heaves;
While each breathless interval
In their whisperings musical
The inspired soul supplies
With its own deep melodies;
And the love which heals all strife
Circling, like the breath of life,
All things in that sweet abode
With its own mild brotherhood:
They, not it, would change; and soon
Every sprite beneath the moon
Would repent its envy vain,
And the earth grow young again.
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Michael Ryan Mar 2012
We live in a cycle

my name is Michael

little kid rides a tricycle

while a grown up rides a bicycle

I have a sickle

to my right ventricle

some kid found a nickle

some grown up is being fickle

the red flood starts as a tickle

and ends at a trickle

little kid believes in a miracle

a grown up only sees an obstacle

my name is Michael

We live in a cycle
This wasn't thought out well, but I liked it even if some it is forced and would have to be read with my voice to fit better. Oh well.-----I did make the form fit what I"m talking about though :)
SPRING
Spring is the king of the seasons
Ugadi is the first of the festivals
We wear new clothes
And eat delicious broths
Mother prepares the customary mango pickle
Father worships the sickle
Nature is in her full bloom
There is no room for any gloom
The cuckoo sings early in the morning
The farmer is ready for harvesting
There are new born leaves
And pleasant breezes
Every tree has a flower
There is flowing water in the river
The wind blows very softly
The birds fly very swiftly
The winter was very cold
But the spring is very beautiful to behold
Ugadi brings in new hopes
The farmer depends on yearly crops
May this new year bring in peace!
I am able to write a poetic piece
by JVL NARASIMHA  RAO
Kyle John Somer Oct 2012
Darlin’, they say you’ve got knives swimming through your heart beats.
That the blood flowing from your pin pricked fingertips to your mumbled fear lips
is dressed up angry, in bayonet holding coats of arms.
That your tiger tooth saber shaped blood is dragging its hands down your veins
slowly scratching in dates down walls of young membrane tombstones
shooting firing squad lines of pain as your body tears itself apart.
They’re saying that its only going to get worse from here.
With your pinstriped POW nerves vibrating like skyscrapers
as each pulse bleeds through you like a ten on the richter.

Darlin’  I’m dying to see you smile, but the washington rain is drowning you
and you're losing time for existing.
Shivering in that hospital bed as icicle cells freeze you to the bone.
You used to light up a room with all your bright sunflower laughter
but now your hands are cold like sad glaciers
pushing your shoulderblades under icy water
and all that seems to come out of your lips
are hospital bed nightmares and fluorescent smoke wishes.
Every morning your black coffee eyes brew up tears
they rain for hours.
but crying isn't dowsing this wildfire.
You’re trying to stay on your feet, but your ankle deep in gasoline.
Your breath is like a pendulum time keeper.
The white blood cell count like a stop watch for the grim reaper.
And you watch, eyes stinging, as you burn up from the inside out.
Temperature climbing mountains. Breaking ozones.
But they say you're on the decline.

Darlin’ I know they say you have bad blood.
They say that your heart won't gone on beating for a long time
and at night you cough up blood on your pillow creating a universe of helio constellations
but they don't know how hard you try.
I know right now london feels like its falling
Everything does.
Its ashes and ashes.
But like a pilot light supernova things can change.
Lets grab up fistfulls and fistfulls of ash in our shaking hands
and put them together
and let the weight of the world turn them to diamonds
and we can push them inside our nimble rib cages
and live a little bit longer

Darlin'

Can you hear me?















They asked me to speak at your funeral.
I talked about our weekend in the mountains
and how your laugh would bounce off the canyons in such beautiful frequencies.
I talked about how I met you
how my heart wouldn't stop feeling like avalanche symphonies.
And how you turned scarlet when I asked you your name.
I talked about your family, our friends,
how we would look at the stars for hours without letting our eyes breathe
because you thought the world of space.
I talked about your yellow rain boots and how you would always track the wilderness inside with you.
I talked about your fear of trains and thunderclaps and how in rainstorms you would curl up next to me and shake like an earthquake but you knew your were safe.

I talked about how much I loved you.
It started raining, I started breaking down.
And I talked about how hard you tried.

Darlin' they said you had bad blood.
That if we would have caught it sooner we could have saved you.

Darlin' I wish we had had more time.
I could have written you so many love letters.
Darlin' I wish we had had more time.





Death stole you away.

And signed your fate with a sickle cell pen of red ink.
In this evil year, autumn comes early...
I walk by night in the field, alone, the rain clatters,
The wind on my hat...And you? And you, my friend?

You are standing--maybe--and seeing the sickle moon
Move in a small arc over the forests
And bivouac fire, red in the black valley.
You are lying--maybe--in a straw field and sleeping
And dew falls cold on your forehead and battle jacket.

It's possible tonight you're on horseback,
The farthest outpost, peering along, with a gun in your fist,
Smiling, whispering, to your exhausted horse.
Maybe--I keep imagining--you are spending the night
As a guest in a strange castle with a park
And writing a letter by candlelight, and tapping
On the piano keys by the window,
Groping for a sound...

--And maybe
You are already silent, already dead, and the day
Will shine no longer into your beloved
Serious eyes, and your beloved brown hand hangs wilted,
And your white forehead split open--Oh, if only,
If only, just once, that last day, I had shown you, told you
Something of my love, that was too timid to speak!

But you know me, you know...and, smiling, you nod
Tonight in front of your strange castle,
And you nod to your horse in the drenched forest,
And you nod to your sleep to your harsh clutter of straw,
And think about me, and smile.
And maybe,
Maybe some day you will come back from the war,
and take a walk with me some evening,
And somebody will talk about Longwy, Luttich, Dammerkirch,
And smile gravely, and everything will be as before,
And no one will speak a word of his worry,
Of his worry and tenderness by night in the field,
Of his love. And with a single joke
You will frighten away the worry, the war, the uneasy nights,
The summer lightning of shy human friendship,
Into the cool past that will never come back.
Ethan Taylor Jan 2010
The Cheshire cat-like moon
Swung low above the beach,
O’er darkened midnight dunes,
‘twas barely out of reach.
When from the salty sea
Arose its mirrored frown.
We rose up by our feet
And hung there upside-down,
Suspended in the sky
Amidst the twinkling stars.
We kissed there, you and I,
Fell downward with a jar,
Then I awoke and found
Us both in sheets ariled.
I kissed your crescent brow
And slept again awhile.
My flows Isaac Hayes hot butter emcees stutter
Once I rise from the gutter no other
Layin' raps guillotine know what I mean
Make a chick lean once shes see me on the tv screens
After my greens but I play mean switch up the scene
Ya styles anorexic so ya necks better get protected
Another sucka selected mics I wreck it
Head on I'm dead wrong cheat more than Armstrong
Cycling rhymes easily I be the coldest
Past the tundra sound the thunder with no lightening
Only striking I make the earth move
But it ain't no quakes take over I dominate in all states
But you ain't in good hands running" with the clan
Once I stand ya turn up a paraplegic
lieutenant Dan desert sand storm soon to swarm
Invoke harm sound the alarms bombing farms
Let ya blood meditate in my
palms
Silence **** end your wills made many sigils
Begins a new sequel since snitches squeal
They gotta get dealed with blows deadly
Than a uppercut from Dempsey swing rapidly
attack the mic like a ragin' chimpanzee
emcee of the century
Don't many wanna see the styles of real street gory laying killer
ephipany


Lyrical iceberg **** the seas flows honey
Attracting bees melodies so smoothly call me
Johnny G sayin my my my as the bullets fly by
Another dead guy soul searching the sky
I got ties from the Buddha that rises the highest
A wise guy
Know a lie when I see a lie so why try
Shootin' fairy tales only to mind
jail
Ya thoughts I'm dead caught
Without a chase slash ya face
With my Lyrical sickle got ya brickled
Penny to nickle count ya steps watch the reps
I got prepped so many slept as I crept
On the mic turn the industry swayze amazingly
My styles wicked complex as myxlplix
Mentals twisted lyrically gifted none could lift
My rhymes couldn't weigh on whales scales
Sail like Gail Devers please believe tha
Brother in black is back to set the track
Bumpin' out new jacks with they wack acts
No ******* I move minds like clergies in pulpit
Vatican Assassin clench my fist catch a whiff
Of a Bruce Lee's lift way of the dragon I'm stabbin'
Deep into intellects once the  rhymes injects
Spreads like infects contaminated none could reject
Mateuš Conrad Aug 2018
.i knew the relationship was over when i encountered her ex-boyfriend sitting in her st. petersburg flat drinking ***** with me, no, wait, it was when she started questionning me using cosmopolitan magazine quiz about perfect girlfriends on our way from st. petersburg to moscow to see metallica, while all i wanted was to listen to bob dylan and appreciate whatever rural russia had to offer... beside that? it took me quiet a time to fiddle through and find the glagolitic alphabet, the slavic alphabet before the learned greek came across "my" people, given the romans never venture that far... good luck finding an african phonetic encoding system, beside the hieroglyphs... i wont bother looking right now... not to insult, though: so much for a large phallus megalomania contra envy... Ⰶ: życie (life) is not the half of the caron ž in the form of: the acute... (ź): ździra (don't ask, seriously, the word implies worse than ***** / szmata)... źródło (source)... eh... the one-armed caron (ž)... ź... i can't explain it any further: you need to speak the lingo to keep the "nuance" alive... southern slavs treat the caron akin to ž = ż... how beautiful... given the english language has no diacritical marker application: can't exactly claim diacritical markers using only the automated hovering decapitated heads above ι & ȷ...


i drink and relax solving a sudoku -
i'm not doing it to compete -
   just having a conversation with
my neighbor about the difference
between Alzheimer's
and dementia brought back memories
of what i negated for some time...

it's only when someone else tells
you of their elder relative's dementia
you muster the courage to
spot the same symptoms in
your relative...

         my grandfather has dementia...
my early teenage years,
every summer visiting him,
traveling to Krakow,
     going fishing,
riding our bicycles in the afternoon...
he feeding my what books
i should read...
      i still visit,
  spend about a month,
say, keep him company,
   fix up the kitchen...

  but it's such an exhausting disease...
not so much for the sufferer -
this mild form of Alzheimer -
no killer proteins eating away at
the brain cells -
   dementia?
the ontological nadir of old age...
then again, perhaps the zenith...

a closure...
   the long term memory opens,
while the short term memory
closes -
   he still can solve a crossword
puzzle like a mad genius...
but he lapses into what is
the cinema of mortality...
                 he remembers things
like the two SS-men
   posted in my home town,
running up to them
and saying -
herr bitte bon-bon!...
  the raven black of the uniform
and the glaring *******...

    i blocked the fact that it was
dementia, when my grandmother
thought it was wise to scare all
of us, uncle, mother and father
into thinking it could degenerate
into Alzheimer's...
        he still recognizes me!
Alzheimer's sufferers can't
even muster that!

   at best... dementia couples itself up
with melancholia,
  the natural melancholia
akin to the sadness expressed by
Nietzsche: only when the house
has been completed,
but never during the construction...

dementia is just an endless memory
loop...
   when man is allowed to finally
put down the hammer, the sickle...
and retire?
  he's standing on the precipices of mortality...
on a dam about to crack open,
and release a surge of the sea
of memory...
   why wouldn't he take the time
to remember?
  to remember himself?
        
the tedium comes when the same
persons implores others to listen to them...
when memories become less
of the old man's cinema and more
affairs of an oral culture -
our culture has lost the point
of oral transmission -
  hence dementia sufferers have
to evolve -
                  into not talking so much...
not as a mean spirited conviction -
why? i do the same -
   i have about 10 focal memories
that constant revive me -
               and i'm only 32...
          but i don't talk about them...
hell, i won't write them...
   it's my own, private cinema -
but my grandfather comes from
a time before the optical explosion
of television...

         i don't need to hear what he saw -
all i need is to tattoo his mannerisms
and face onto my psyche...

   but dementia, thank god,
is a listening tedium...
                     point being...
a life opens up,
   but any immediacy of life disappears...
hence his persistent ability
to solve crossword puzzles,
enjoy reading the newspaper -
but the significance of remembering
yesterday is missing...
    
he's an old man...
   he has no obligations in terms of
duty in a professional arena of
the metalwork factory...
why wouldn't he attempt to push death
aside and not linger on
the memory of his, magnum opus -
his life sigma oeuvre?

     me?
  some would call this music neo-**** skinhead
****...
   *wumpscut
, two songs...
   thorns & wreath of barbs,
     bunkertor sieben (reprise)...
but it relaxes me when sitting on a sudoku,
drinking Bacardi cola and lime...
      enjoying the cool August air
after just enough rain
that manages to exfoliates the flowers
with refreshed sensuality...

  sudoku no. 10101...
    after enough numbers pop up,
the tactic is to hone in on one number
in each of the 9 squares and 9 vertical
and 9 linear line...
for sudoku no. 10101 in the Friday's
edition of the times?

   it went something akin to this

[8, 5] - [3] - [1] - [9] - [7] - [2, 6] - [4]

that's the closest schematic
i'll have for you,
   with regards to how the grid is filled.
Fountain, that springest on this grassy *****,
Thy quick cool murmur mingles pleasantly,
With the cool sound of breezes in the beach,
Above me in the noontide. Thou dost wear
No stain of thy dark birthplace; gushing up
From the red mould and slimy roots of earth,
Thou flashest in the sun. The mountain air,
In winter, is not clearer, nor the dew
That shines on mountain blossom. Thus doth God
Bring, from the dark and foul, the pure and bright.

  This tangled thicket on the bank above
Thy basin, how thy waters keep it green!
For thou dost feed the roots of the wild vine
That trails all over it, and to the twigs
Ties fast her clusters. There the spice-bush lifts
Her leafy lances; the viburnum there,
Paler of foliage, to the sun holds up
Her circlet of green berries. In and out
The chipping sparrow, in her coat of brown,
Steals silently, lest I should mark her nest.

  Not such thou wert of yore, ere yet the axe
Had smitten the old woods. Then hoary trunks
Of oak, and plane, and hickory, o'er thee held
A mighty canopy. When April winds
Grew soft, the maple burst into a flush
Of scarlet flowers. The tulip-tree, high up,
Opened, in airs of June, her multitude
Of golden chalices to humming-birds
And silken-winged insects of the sky.

  Frail wood-plants clustered round thy edge in Spring.
The liverleaf put forth her sister blooms
Of faintest blue. Here the quick-footed wolf,
Passing to lap thy waters, crushed the flower
Of sanguinaria, from whose brittle stem
The red drops fell like blood. The deer, too, left
Her delicate foot-print in the soft moist mould,
And on the fallen leaves. The slow-paced bear,
In such a sultry summer noon as this,
Stopped at thy stream, and drank, and leaped across.

  But thou hast histories that stir the heart
With deeper feeling; while I look on thee
They rise before me. I behold the scene
Hoary again with forests; I behold
The Indian warrior, whom a hand unseen
Has smitten with his death-wound in the woods,
Creep slowly to thy well-known rivulet,
And slake his death-thirst. Hark, that quick fierce cry
That rends the utter silence; 'tis the whoop
Of battle, and a throng of savage men
With naked arms and faces stained like blood,
Fill the green wilderness; the long bare arms
Are heaved aloft, bows twang and arrows stream;
Each makes a tree his shield, and every tree
Sends forth its arrow. Fierce the fight and short,
As is the whirlwind. Soon the conquerors
And conquered vanish, and the dead remain
Mangled by tomahawks. The mighty woods
Are still again, the frighted bird comes back
And plumes her wings; but thy sweet waters run
Crimson with blood. Then, as the sun goes down,
Amid the deepening twilight I descry
Figures of men that crouch and creep unheard,
And bear away the dead. The next day's shower
Shall wash the tokens of the fight away.

  I look again--a hunter's lodge is built,
With poles and boughs, beside thy crystal well,
While the meek autumn stains the woods with gold,
And sheds his golden sunshine. To the door
The red man slowly drags the enormous bear
Slain in the chestnut thicket, or flings down
The deer from his strong shoulders. Shaggy fells
Of wolf and cougar hang upon the walls,
And loud the black-eyed Indian maidens laugh,
That gather, from the rustling heaps of leaves,
The hickory's white nuts, and the dark fruit
That falls from the gray butternut's long boughs.

  So centuries passed by, and still the woods
Blossomed in spring, and reddened when the year
Grew chill, and glistened in the frozen rains
Of winter, till the white man swung the axe
Beside thee--signal of a mighty change.
Then all around was heard the crash of trees,
Trembling awhile and rushing to the ground,
The low of ox, and shouts of men who fired
The brushwood, or who tore the earth with ploughs.
The grain sprang thick and tall, and hid in green
The blackened hill-side; ranks of spiky maize
Rose like a host embattled; the buckwheat
Whitened broad acres, sweetening with its flowers
The August wind. White cottages were seen
With rose-trees at the windows; barns from which
Came loud and shrill the crowing of the ****;
Pastures where rolled and neighed the lordly horse,
And white flocks browsed and bleated. A rich turf
Of grasses brought from far o'ercrept thy bank,
Spotted with the white clover. Blue-eyed girls
Brought pails, and dipped them in thy crystal pool;
And children, ruddy-cheeked and flaxen-haired,
Gathered the glistening cowslip from thy edge.

  Since then, what steps have trod thy border! Here
On thy green bank, the woodmann of the swamp
Has laid his axe, the reaper of the hill
His sickle, as they stooped to taste thy stream.
The sportsman, tired with wandering in the still
September noon, has bathed his heated brow
In thy cool current. Shouting boys, let loose
For a wild holiday, have quaintly shaped
Into a cup the folded linden leaf,
And dipped thy sliding crystal. From the wars
Returning, the plumed soldier by thy side
Has sat, and mused how pleasant 'twere to dwell
In such a spot, and be as free as thou,
And move for no man's bidding more. At eve,
When thou wert crimson with the crimson sky,
Lovers have gazed upon thee, and have thought
Their mingled lives should flow as peacefully
And brightly as thy waters. Here the sage,
Gazing into thy self-replenished depth,
Has seen eternal order circumscribe
And bind the motions of eternal change,
And from the gushing of thy simple fount
Has reasoned to the mighty universe.

  Is there no other change for thee, that lurks
Among the future ages? Will not man
Seek out strange arts to wither and deform
The pleasant landscape which thou makest green?
Or shall the veins that feed thy constant stream
Be choked in middle earth, and flow no more
For ever, that the water-plants along
Thy channel perish, and the bird in vain
Alight to drink? Haply shall these green hills
Sink, with the lapse of years, into the gulf
Of ocean waters, and thy source be lost
Amidst the bitter brine? Or shall they rise,
Upheaved in broken cliffs and airy peaks,
Haunts of the eagle and the snake, and thou
Gush midway from the bare and barren steep?
Yeah it's one shot one ****

Plottin' against my enemies will soon to be killed
Bullets feedin' ya last meal
Dope rhymes sedatin' like pharmacy pills
Since hataz got no chill heads I'll drill  now you leakin' out like oil spills
Or a radiator angelic caters none could create a
Flows nasty as mine poppin' a multiplicity of shells I'm one of a kind
Thoughts intertwined  
****** into a demons intervention contenders in suspension from the soul lynching
Caught in the realms of heaven and hell & you can smell
The ashes burning fermentin'
time runnin' slower than molasses
My murders be classic enemies dramatic causin' static
Shoot more than Bird combined with Magic
Workin' my Johnson on the tracks tonsils sittin' as a hip hop consul underground magul  
**** longer than Repunzels hair follicles
Cookin' up sigils into a *** of gold no rainbow snortin' sir nose
D'void of Funk rattlin' the earth from the bass in my trunk blazin' skunks
Abraxas I'm embracin' one of my goetias when facin' ain't no replacin'
Fools givin' chase
and to tastes of demonic faces
My flows replenish like **** laces
Blunts turn into ashes dump it out on the masses
Epidemic mase deaden your pace hazardous like toxic waste
Adversaries don't wanna face
Off like Nicolas to Travolta livin' in an ultra violent culture
Cleatin' into ya flesh I be the stalkin' Vulture mulchin' ya
'til ya
  A dissembled particle blank photo in the article from curvin' emcees with my surgical
lyrical sickle stare into ya eyes as the blood trickles
Down ya body you easily brickled rhymes artificial
My soul sour as a pickle no tickles
Could move me or influence thee my legacy
Lay cinematography like A. Hitchcock in the 50s huh
Ya soon to be a death reel for thrills
Rememeber
All I need is one shot one **** forreal!!!!
William A Poppen May 2014
No sickle bar churns
repetitiously clanging two notes
while grasshoppers and field mice
scurry to survive the blade

Now yellow bulldozers with humongous tires
roar like thunder in a rainstorm and
scrape away black loam leaving
clay as red as fresh beets

There is no funeral for the hay meadow
that is dead and put to rest
without a tombstone
I am open to suggestions for a better title.
Onoma Apr 2019
pull out your

sickle and cut

down as many

Buddhas you

encounter upon

the path.

all you'll be met

with is the slight

purse of their overjoyed

lips.

barely containing the

cosmic joke.
Stephan Cotton May 2017
Another shift, another day, Another buck to spend or save
A million riders, maybe more, delivered to their office door
Or maybe warehouse maybe store.
Or church or shul or city school, right on time as a rule.

Clickety, clackety, clickety, clee,
I am New York, the City’s me
Come let me ride you on my knee
From Coney Isle to Pelham Bay
From Bronx to Queens eight times a day.

Ride my trains, New Yorkers do
And you’ll learn a thing or two
About the City up above, the one some hate, the one some love.
On the street they work like elves
Down below they’re just themselves.

Through summer’s heat they still submerge,
Tempers held (though always on the verge),
They push, they shove – just like above –
The crowds will jostle, then finally merge.

Downtown to work and then back to sleep
They travel just like farm-herded sheep.
In through this gate and out the other,
Give up a seat to a child and mother,
Just don’t sit too close to that unruly creep!

With these crowds huddled near
Just ride my trains with open ear,
There’s lots of tales for you to hear.


Dis stop is 86th Street, change for da numbah 4 and 5 trains.  Dis is a Brooklyn Bridge bound Numbah 6 Train.   77th Street is next.  Watch out da closin dowahs.


     I’m Doctor Z, Doctor Z are me
     I’ll fix your face or the visit’s free.
     Plastic surgery, nips and tucks
     You’ll be looking like a million bucks.

     Looka those pitchas, ain’t they hot?
     You’ll look good, too, like as not!
     Just call my numbah, free of toll
     Why should you look like an ugly troll?

     You’ll be lookin good like a rapster
     Folks start stealing your tunes on Napster
     Guys’ll love ya, dig your face
     Why keep lookin like sucha disgrace?

     Call me up, you’re glad you did
     Ugly skin you’ll soon be rid.
     Amex, Visa, Mastercard,
     Payment plans that ain’t so hard.

     So don’t forget, pick up that phone
     Soon’s you get yourself back home.
     I’ll have you looking good, one, two three
     Or else my name ain’t Doctor Z.


Dis stop is 77th Street, 68th Street Huntah College is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     It was a limo, now it’s the train;
     Tomorrow’s sunshine, but now it’s rain.
     The market’s mine, for taking and giving
     It’s the way I earn my living.

     Today’s losses, last week’s gain.
     A day of pleasure, months of pain.
     We sold the puts and bought the calls;
     We loaded up on each and all.

     I’ve seen it all, from Fear to Greed,
     Good motivators, they are, both.
     The fundamentals I try to heed
     Run your gains and avoid big loss.

     Rates are down, I bought the banks
     For easy credit, they should give thanks.
     Goldman, Citi, even Chase
     Why are they still in their malaise?

     “The techs are drek,” I heard him say
     But bought more of them, anyway.
     I rode the bull, I’ll tame the bear
     I’ll scream and curse and pull my hair.

     So why continue though I’m such a ****?
     I’ll cut my loss if I find honest work.



Dis is 68th Street Huntah College, 59th Street is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     He rides the train from near to far,
     In and out of every car.
     “Batchries, batchries, tres por un dolar!”
     Some folks buy them, most do not,
     Are they stolen, are they hot?
     “Batchries, batchries, tres por un dolar!”

     Who would by them, even a buck?
     What’re the odds they’re dead as a duck?
     “Batchries, batchries, tres por un dolar!”
     Why not the Lotto, try your luck,
     Or are you gonna be this guy’s schmuck?
     “Batchries, batchries, tres por un dolar!”


Dis is 59th Street, change for de 4 and 5 Express and for de N and de R, use yer Metrocard at sixty toid street for da F train.  51st Street is next. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin dowahs.


     “Dat guy kips ****** wit me, Wass he
     tink, I got time for dat ****?  Man, I
     got my wuk to do, I ain gona put
     up with him
     no more.”

          “I don’t know what to tell this dude. Like,
          I really dig him but
          ***?  No way.  And
          He’s getting all too smoochie face.”

     “Right on, bro, slap dat fool up
     side his head, he leave you lone.”

          “Whoa, send him my way.  When’s the last
          time I got laid?  I’m way ready.”

          “Oh, Suzie,..”


Dis is fifty foist Street, 42nd Street Grand Central is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.



     Abogados es su amigos, do you believe the sign?
     Are they really a friend of mine?
     Find your lawyer on the train
     He’ll sue if the docs ***** up your brain.

     Pick a lawyer from this ad
     (I’m sure that you’ll be really glad)
     You’ll get a lawyer for your suit,
     Mean and nasty, not so cute.

     Call to live in this great nation
     1-800-IMMIGRATION.
     Or if your bills got you in a rut
     1-800-BANK-RUPT.

     We’re just three guys from Flatbush, Queens
     Who’ll sue that ******* out of his jeans.
     Mama’s proud when she rides this train
     To see my sign making so much rain.

     No SEC no corporations
     We can’t find the United Nations.
     Just give us torts and auto wrecks
     And clients with braces on their necks.

     Hurting when you do your chores?
     There’s money in that back of yours.
     Let us be your friend in courts
     Call 1-800-SUE 4 TORTS.


Dis is 42nd Street, Grand Central, change for the 4, 5 and 7 trains. Dis is a Brooklyn Bridge bound Numbah 6 Train.  Toity toid is next.  Watch out da closin doors.


They say there’s sev’ral million a day
From out in the ‘burbs, they pass this way.
Most come to work, some for to play
They all want to talk, with little to say.

Bumping and shoving, knocking folks down
A million people running around.
The hustle, the bustle the noise that’s so loud
Get me far from this madding crowd.

“We can be shopping instead of just stopping
And onto the next outbound train we go hopping.
Hey, it’s a feel that that guy’s a-copping!”

They want gourmet food, from steaks down to greens
Or neckties and suits, or casual jeans,
It’s not simply newspapers and magazines
For old people, young people, even for teens.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Thoidy toid Street, twenty eight is next.  Watch out da closin doors.


     “So what’s the backup plan if
     He doesn’t get into Trevor Day?
     I know your
     heart’s set on it, but we’ve only
     got so many strings we
     can pull, and we can’t donate a
     ******* building.”

           “Hooda believed me if I tolja the Mets
          would sail tru and the Yanks get dere
          by da skinna dere nuts?
          I doan believe it myself.  Allya
          Gotta do is keep O’Neil playin hoit
          And keep Jeter off his game an
          We’ll killum.

               “My sistah tell me she be yo *****.  I tellya I cut you up if you
                ****** wid her, I be yo ***** and donchu fuggedit.”

     “I wish you wouldn’t talk like that.
     And we can just **** good and
     Well find some more strings to pull!”

          “Big fuggin chance.  Wadder ya’ smokin?”

               “Yo sitah she ain my *****, you be my *****.  I doan be ******
                wid yo sistah.  You tell her she doan be goin round tellin folks
                dat ****.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Twenty eight Street, twenty toid is next.  Watch out da closin dowahs.


     Do you speak Russian, French or Greek,
     We’ll assimilate you in a week.
     If Chinese is your native tongue
     You’ll speak good English from day one.

     Morning, noon, evening classes
     Part or full time, lads and lasses.
     You’ll be sounding like the masses
     With word and phrase that won’t abash us.

     Language is our stock in trade
     For us it’s how our living’s made.
     We’ll put you in a class tonight
     Soon your English’ll be out of sight.

     If you’re from Japan or Spain
     Basque or Polish, even Dane,
     Our courses put you in the main
     Stream without any need for pain.

     We’ll teach you all the latest idioms
     You’ll be speaking with perfidium.
     We’ll give you lots of proper grammar
     Traded for that sickle and hammer.

     Are you Italian, Deutsch or Swiss?
     With our classes you can’t miss
     The homogeneous amalgamation
     Of this sanitized Starbucks nation.


Dis is Twenty toid Street, 14th Street Union Square is next. Yer ona Brooklyn Bridge bound Numbah 6 Train.  Watch out da closin doors.


     “Ladies and Gentlemen, I hate to bother you
     But things are bleak of late.
     I had a job and housing, too
     Before my little quirk of fate.”

     “There came a day, not long ago,
     When to my job I came.
     They handed me a pink slip, though,
     And ev’n misspelled my name.”

     “We’ve got three kids, my wife and me.
     We’re bringing them up right.
     They’re still in school from eight to three
     With homework every night.”

     “I won’t let them see me begging here,
     They think I go to work.
     Still to that job I held so dear
     Until fate’s awful quirk.”

     “So help us now, a little, please
     A quarter, dime (or dollar still better),
     It’ll go so far to help to ease
     The chill of this cold winter weather.”

     “I’ll walk the car now, hat in hand
     I do so hope you understand
     I’m really a proud, hard working man
     Whose life just slipped out of its plan.”

     “I thank you, you’ve all been oh so grand.”


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is 14th Street, Union Square, change for da 4 and 5 Express, the N and the R.   Astor Place is next.  Watch out da closin doors.


     The hours are long, the pay’s no good
     I’m far from home and neighborhood.
     All day I work at Astor Place
     With sunshine never on my face.
     Candy bar a dollar, a soda more
     A magazine’s a decent score.
     Selling papers was the game
     But at two bits the Post’s to blame
     For adding hours to my long day.
     All the more work to save
     Tuition for that son of mine: that tall,
     Strong, handsome, American son


Dis is a Brooklyn Bridge bound Numbah 6 Train.  Yer at Astah Place, Bleekah Street is next.  Watch out da closin doors.


     Summer subway’s always hot, AC’s busted, like as not
     Tracks are bumpy, springs are shot ‘tween the cars they’re smoking
     ***.

     To catch the car you gotta run they squeeze you in with everyone
     Just hope no body’s got a gun 'cause getting there is half the fun.

     Packed in this car we’re awful tight seems this way both day and
     night.
     And then some guys will start a fight.  Subway ride’s a real delight.

     Danger! Keep out! Rodenticide! I read while waiting for a ride.
     This is a warning I have to chide:  
     I’m very likely to walk downtown, but I’d never do it Underground.

     Took the Downtown by mistake.  Please, conductor, hit the brake!
     Got an uptown date to make, God only knows how long I’ll take.


Yer ona Brooklyn Bridge bound Numbah 6 Train.  Dis is Bleekah Street, Spring Street is next.  Watch out da closin doors.


     The trains come through the station here,
     The racket’s music to my ear.
  &nbs
Images, overheard (and imagined) conversations.  @2003
And the trees about me,
      Let them be dry and leafless; let the rocks
      Groan with continual surges; and behind me
      Make all a desolation. Look, look, wenches!


Paint me a cavernous waste shore
  Cast in the unstilled Cyclades,
Paint me the bold anfractuous rocks
  Faced by the snarled and yelping seas.

Display me ****** above
  Reviewing the insurgent gales
Which tangle Ariadne’s hair
  And swell with haste the perjured sails.

Morning stirs the feet and hands
  (Nausicaa and Polypheme).
Gesture of orang-outang
  Rises from the sheets in steam.

This withered root of knots of hair
  Slitted below and gashed with eyes,
This oval O cropped out with teeth:
  The sickle motion from the thighs

Jackknifes upward at the knees
  Then straightens out from heel to hip
Pushing the framework of the bed
  And clawing at the pillow slip.

Sweeney addressed full length to shave
  Broadbottomed, pink from nape to base,
Knows the female temperament
  And wipes the suds around his face.

(The lengthened shadow of a man
  Is history, said Emerson
Who had not seen the silhouette
  Of Sweeney straddled in the sun.)

Tests the razor on his leg
  Waiting until the shriek subsides.
The epileptic on the bed
  Curves backward, clutching at her sides.

The ladies of the corridor
  Find themselves involved, disgraced,
Call witness to their principles
  And deprecate the lack of taste

Observing that hysteria
  Might easily be misunderstood;
Mrs. Turner intimates
  It does the house no sort of good.

But Doris, towelled from the bath,
  Enters padding on broad feet,
Bringing sal volatile
  And a glass of brandy neat.
King Panda Jun 2017
a waxing crescent grows thicker
every day—a careening sickle
half-hugged and begging
—below, flying flecks
of salt. The

pang-tamed wile—gems wrapped in
foil and heated in
god’s shadow in space. I am

close to those I love. I am

made of molten jewels.
meltingly.
meltingly. bowl of

wisdom—a dish for
old mints and mammalian
eyes. These tears—

they are mine.
Lee Jan 2013
romeo is bleeding but not so as you'd notice
he's over on 18hh street as usual
lookin' so hard
against the hood of his car
and puttin' out a cigarette in his hand
and for all the pachucos at the pumps
at romeros paint and body
they all seein' how far they can spit
well it was just another night
but how they're huddled in the brake lights
of a 58 belair
and listenin' to how romeo killed a sherrif his knife

and they all jump when they hear the sirens
but romeo just laughs
and says all the racket in the world
ain't never gonna save that coppers ***
he'll never see another summertime
for gunnin' down my brother
and leavin' him like a dog beneath a car without his knife

and romeo says hey man gimme a cigarette
and they all reach for their pack
and frankie lights it for him
and pats him on the back
and throws bottle at a milk truck
and as it breaks he grabs his nuts
and they all know they could be just like romeo
if they only had the guts

but romeo is bleeding
but nobody can tell
and he sings along with the radio with a bullet in his chest
and he combs back his fenders and they all agree its clear
that every thing is cool now that romeos here
but romeo is bleeding and he winces now and then
and he leans against the car doors
and feels the blood in his shoes
and someones crying in the phone booth at the 5 points by the store
romeo starts his engine and wipes the blood off the door
and he brodys through the signal
with the radio full blast
leavin' the boys there hikin' up there chinos
and they all try to stand like romeo
beneath the moon cut like a sickle
and they're talkin' now in spanish about there hero

but romeo is bleeding
as he gives the man his ticket
and he climbs to the balcony at the movies
and he'll die without a wimper
like every heros dream
just like an angel with a bullet
and cagney on the screen
Tom Waits is one of my favorite artists, this little text does him no justice.
If you like it at all look at him perform it live on youtube and it'll make you love it.
Paul Glottaman Dec 2010
Tonight, my god, tonight!
I will meet you,
the first and last time.
Your cloak and dagger
existence, your
pallor of decay,
your dark dreams.

I will walk from this
comfort to the hill
by the moon.
Water rushing somewhere
below us.
I will find you there.
Patiently waiting.
Chess board before you,
sickle in hand.

I will meet Death tonight.
I will laugh at him,
turn my nose at him.
I will take the challenge.
I will rise to the occasion.

Tonight, my god Tonight!
I will be immortal.
The curfew tolls the knell of parting day,
The lowing herd wind slowly o’er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;

Save that from yonder ivy-mantled tower
The moping owl does to the moon complain
Of such as, wandering near her secret bower,
****** her ancient solitary reign.

Beneath those rugged elms, that yew-tree’s shade,
Where heaves the turf in many a mould’ring heap,
Each in his narrow cell for ever laid,
The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,
The swallow twittering from the straw-built shed,
The ****’s shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
Or busy housewife ply her evening-care;
No children run to lisp their sire’s return,
Or climb his knees the envied kiss to share.

Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke:
How jocund did they drive their team afield!
How bowed the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
Their homely joys and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the poor.

The boast of heraldry, the pomp of pow’r,
And all that beauty, all that wealth e’er gave,
Awaits alike th’ inevitable hour.
The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault,
If Memory o’er their tomb no trophies raise,
Where through the long-drawn aisle, and fretted vault,
The pealing anthem swells the note of praise.

Can storied urn, or animated bust,
Back to its mansion call the fleeting breath?
Can Honour’s voice provoke the silent dust,
Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have swayed,
Or waked to ecstasy the living lyre;

But Knowledge to their eyes her ample page,
Rich with the spoils of Time, did ne’er unroll;
Chill Penury repressed their noble rage,
And froze the genial current of the soul.

Full many a gem of purest ray serene
The dark unfathomed caves of ocean bear;
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.

Some village-Hampden that with dauntless breast
The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
Some Cromwell, guiltless of his country’s blood.

Th’ applause of list’ning senates to command,
The threats of pain and ruin to despise,
To scatter plenty o’er a smiling land,
And read their history in a nation’s eyes,

Their lot forbad: nor circumscribed alone
Their growing virtues, but their crimes confined;
Forbad to wade through slaughter to a throne,
And shut the Gates of Mercy on mankind,

The struggling pangs of conscious truth to hide,
To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
With incense kindled at the Muse’s flame.

Far from the madding crowd’s ignoble strife
Their sober wishes never learned to stray;
Along the cool sequestered vale of life
They kept the noiseless tenor of their way.

Yet ev’n these bones from insult to protect
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture decked,
Implores the passing tribute of a sigh.

Their name, their years, spelt by th’ unlettered Muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.

For who, to dumb Forgetfulness a prey,
This pleasing anxious being e’er resigned,
Left the warm precincts of the cheerful day,
Nor cast one longing ling’ring look behind?

On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
Ev’n from the tomb the voice of Nature cries,
Ev’n in our ashes live their wonted fires.

For thee, who, mindful of th’ unhonoured dead,
Dost in these lines their artless tale relate;
If chance, by lonely Contemplation led,
Some kindred spirit shall enquire thy fate,—

Haply some hoary-headed swain may say
“Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
To meet the sun upon the upland lawn;

“There at the foot of yonder nodding beech,
That wreathes its old fantastic roots so high,
His listless length at noon-tide would he stretch,
And pore upon the brook that babbles by.

“Hard by yon wood, now smiling as in scorn,
Mutt’ring his wayward fancies would he rove;
Now drooping, woeful-wan, like one forlorn,
Or crazed with care, or crossed in hopeless love.

“One morn I missed him from the customed hill,
Along the heath, and near his fav’rite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he:

“The next, with dirges due in sad array
Slow through the church-way path we saw him borne,—
Approach and read, for thou can’st read, the lay
Graved on the stone beneath yon aged thorn.”

                THE EPITAPH

Here rests his head upon the lap of earth
A Youth, to Fortune and to Fame unknown:
Fair Science frowned not on his humble birth,
And Melancholy marked him for her own.

Large was his bounty, and his soul sincere,
Heaven did a recompense as largely send:
He gave to Misery (all he had) a tear,
He gained from Heaven (’twas all he wished) a friend.

No farther seek his merits to disclose,
Or draw his frailties from their dread abode,
(There they alike in trembling hope repose,)
The ***** of his Father and his God.
neth jones Mar 2022
000
drowned and round again    
                                 in sick little circles
chopping at the bar
a round                            
                     and drown again    
                                            in little sickle stumbles
                   chopping wise at the bar                    
                                  with your wage crunched
                                   in one mitt
           and your obscenity
gripped
           in the other
MARK
If the quick spirits in your eye
Now languish, and anon must die;
If every sweet, and every grace
Must fly from that forsaken face;
  Then, Celia, let us reap our joys,
  Ere Time such goodly fruit destroys.

Or if that golden fleece must grow
Forever, free from agèd snow;
If those bright suns must know no shade,
Nor your fresh beauties ever fade;
  Then fear not, Celia, to bestow
  What, still being gathered, still must grow.

Thus, either Time his sickle brings
In vain, or else in vain his wings.
Rajinder Apr 2018
You hang there, a
yellow sickle
and float white
around me.
Moon, you fog me
in winters, and
Dazzle in summer.
In between you hide....
Black
There is a Reaper whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.

“Shall I have nought that is fair?” saith he;
“Have nought but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again.”

He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.

“My Lord has need of these flowerets gay,”
The Reaper said, and smiled;
“Dear tokens of the earth are they,
Where he was once a child.

“They shall all bloom in fields of light,
Transplanted by my care,
And saints, upon their garments white,
These sacred blossoms wear.”

And the mother gave, in tears and pain,
The flowers she most did love;
She knew she should find them all again
In the fields of light above.

O, not in cruelty, not in wrath,
The Reaper came that day;
’Twas an angel visited the green earth,
And took the flowers away.
David Barr Nov 2014
Chords of expression fray into the misty atmosphere of a nocturnal energy field, where hermits display magical arts on the cliff-tops of allegiance.
The application of force is intensified with heightened awareness, as it will produce the desired effect.
Are you willing or able to acknowledge that there is a resonating vibration which surpasses timeless universal parameters?
My cat is watching me.
Therefore, the question arises around whether the concept of perception is defined by conservative projections or unbridled liberty?
So, if we meander down those narrow and solitary roads of Andalucia to the small village of Pastelero, where snakes discreetly writhe into the fields of golden grain, we will find that an exploding teardrop is more powerful than a sonic boom.
The sickle is an astrological formation which compels me to ask: Where have all the flowers gone?
Sleuthed Nov 2012
caveat! —bursting out as the fuse fetters away
wafting t'ward oil spills, tranquilized guns
with pace maker minds
and time to ****

sickle celled, graving shores
plead to crawl underground
through cascading bile and sedatives
that sift through these negatives
like bangled thieves
who crawl on broken knees
and lie idle under haunted bridges.

bouldered bones intertwine
or veins cut along a dotted line
caveat! cries the sayer's sooth,
for he says it scours and devours—
the slinking nightmare sleuth.

the tar is interrupted in carved equinoxes
soak in the crippled toxins
as the air becomes as thick as theophany
and tharm like grease in blood that take me in,
through ash and mud and
all the spider webs caving in
like delicate gorges forges beneath
nightmare sleuth reaching zenith

caveat, silhouettes
stretched out like oil in water
and this silicon tomb can hold me no longer
for i must break out before i am a goner
because it's a mistake that i'll never shake
your face turns opaque
and there was nothing in your eyes
but dripping flesh

wring out all your words for me
your jeers and your juries
but go cling to your crutch
your kings and your qualms
and the church that burns
in its hallow vacancy

for none can resist the urge
that thieves its delinquents from catatonic catacombs
and quagmire junctions
where the swamp will **** you in
and festering sweat sticks like guilt to your skin
and hell is a nightclub where every loss is a life
and heaven's a daydream with your neck to the knife
it needs no rhyme or reason
and every slip of your broken lip
just lose your grip and give in to the treason
would you rather burn at the stake
than suffer your cement heart break
with no reason or rhyme
it's just the weight of the season

backdrop collapse
railroads unfolding
and like a cell storm the train
is coming your way

and slinks away like a nightmare sleuth
it just takes one swipe of the claw
or one bite of the tooth
and it drags you in
feel the sidewalk sleeping
and the blinking lights creeping
above the overpass
and the cold wind reeling--
it'll be your last.
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;
Ah, when she moved, she moved more ways than one:
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I'd have them sing in chorus, cheek to cheek.)

How well her wishes went! She stroked my chin,
She taught me Turn, and Counter-turn, and stand;
She taught me Touch, that undulant white skin:
I nibbled meekly from her proffered hand;
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing did we make.)

Love likes a gander, and adores a goose:
Her full lips pursed, the errant note to seize;
She played it quick, she played it light and loose;
My eyes, they dazzled at her flowing knees;
Her several parts could keep a pure repose,
Or one hip quiver with a mobile nose
(She moved in circles, and those circles moved.)

Let seed be grass, and grass turn into hay:
I'm martyr to a motion not my own;
What's freedom for? To know eternity.
I swear she cast a shadow white as stone.
But who would count eternity in days?
These old bones live to learn her wanton ways:
(I measure time by how a body sways.)
Andrei Apr 2010
There is a Cheshire cat with a nefarious nose ring
Who lashes berating riddles, and vernacular that’ll make you cringe
He slithers through abandoned shadows
On dilapidated gravel, and bears a deathly sickle grin
Enticing as he may be, he only wishes to deceive
So be wary of his beguiles, they are hidden underneath his symmetrical smile
Nor give in to the plastic prophecies he preaches
Nothing he teaches will stitch meaning into your ambiguities
For he enslaves your sorrows and siphons your dreams
Leaving you asphyxiated in catatonic screams
Beside the ungathered rice he lay,
  His sickle in his hand;
His breast was bare, his matted hair
  Was buried in the sand.
Again, in the mist and shadow of sleep,
  He saw his Native Land.
Wide through the landscape of his dreams
  The lordly Niger flowed;
Beneath the palm-trees on the plain
  Once more a king he strode;
And heard the tinkling caravans
  Descend the mountain-road.
He saw once more his dark-eyed queen
  Among her children stand;
They clasped his neck, they kissed his cheeks,
  They held him by the hand!
A tear burst from the sleeper’s lids
  And fell into the sand.
And then at furious speed he rode
  Along the Niger’s bank;
His bridle-reins were golden chains,
  And, with a martial clank,
At each leap he could feel his scabbard of steel
  Smiting his stallion’s flank.
Before him, like a blood-red flag,
  The bright flamingoes flew;
From morn till night he followed their flight,
  O’er plains where the tamarind grew,
Till he saw the roofs of Caffre huts,
  And the ocean rose to view.

At night he heard the lion roar,
  And the hyena scream,
And the river-horse, as he crushed the reeds
  Beside some hidden stream;
And it passed, like a glorious roll of drums,
  Through the triumph of his dream.
The forests, with their myriad tongues,
  Shouted of liberty;
And the Blast of the Desert cried aloud,
  With a voice so wild and free,
That he started in his sleep and smiled
  At their tempestuous glee.
He did not feel the driver’s whip,
  Nor the burning heat of day;
For Death had illumined the Land of Sleep,
  And his lifeless body lay
A worn-out fetter, that the soul
  Had broken and thrown away!
Eleete j Muir Feb 2014
Naught the mages
Elm yellows plough
feigning eternities
dream of man;
the cradle of time
the realm of night,
Scathing Hekates
piacular restitution
heralded papally
upon Seven Hills
cradling  Hades
tau cross-roads;
Eliciting with the iron
seminal sickle,
gifting the servants
of the servants of God
and slaves of slaves alike;
dismembering the boughs
of war- elsewhere,
Building broken bridges
Carving the lullabies
of humanity grafting
a sprig of Yggdrasil.

ELEETE J MUIR
rusty shacks Jun 2013
I blink my eyes
a lot
when i talk to you,
because I want
to capture you
in crystallized perfection.
And I try
to forget that
ice melts.
Coincides with first day of fall
and Autumnal equinox for said year,
where colorful splash kindled like tinder.

After I riff flecked about thee August
Autumn Equinox 2023,
this seasonal polymath teached you
fall Equinox will be Saturday,
September 23, 2023, at 2:50 AM,
in Northern Hemisphere
Eastern Daylight Time,
which spoiler alert thy
learned wordsmith (courtesy Google),
when (Our Sun) Welles

(exemplary Citizen Kane)
crosses celestial equator
i.e. (imaginary line in sheltering sky
wherein pantheon of mankind Bowles
above Earth's Equator
from north to south),
a barley detectable
quiet rye hit
(*** on feel the noise)
moment occurs.

Eyesore fissured **** – wide,
stripping crust of planet vied
where survival of fittest futilely tried
to the max, viz (courtesy
badass beastie boys of **** sapiens)
exploited, offended, and violated
beholden hidebound sacred
contractually fragile important obligations
arranged marriage wedded  
civilization and its discontents to Mother Earth,
(more like shotgun wedding)

alarming, blaring, and clanging
sounding Doomsday Clock,
where ambivalence unheeded
trebling cleft noteworthy
wound, where hide rubbed raw
each betrothed nsync, didst guide
generic hominids shrugging indifference
resembling Atlas sized fountain head
scathing tragic misguided
exploitative testament writ large,

where precious resources exploited
**** sapiens railroading, snubbing,
and thumbing nose
despite flora and fauna espied
comprising onced vibrant edenic biosphere
(figuratively) asper dead
serious portentous desperate
global abuse decried
as feeble effort ignoring
inevitable demise doth decide

dismissively prophesying mocking
(burdensome), whence creator cried
resplendent raiment
adorned playfully chide,
sans whirled, wide webbed biota
adorn terra firmae analogous,
quadrants expectant wedded bride
named Gaia, when (dark and Stormy Dan
yells) Armageddon legatee - time ran
out for **** sapiens meaning...

salvation to late for human
fate i.e. as does wrecking,
(falling on deaf ears) plea
as Mother Nature dost allied;
this observer awestruck,
knitted brows, cuz field day, sans
grim reaper will
glory in field day
whar crisscrossed lovely bones
numb skulls pay fealty.

Festive gatherings of
apple cider and pumpkin pie,
a distinct golden jacketed
matted palette well nigh
paints arboreal swath, sans
quiet riot of brilliant
color, that doth belie
rampant terrestrial, unreal,
and venal degradation aye
temporarily turning a (third)
blind eye apathetically, blithely,
and conveniently shunting aside

empyrean découpage citadel
betokens (bespeaks) autumnal arrival
two oh fifty ante meridian
chariot of fire emblazons telltale signature,
one humble human doth
bid summer and his squandered life adieu
courtesy handy dandy blue's clue
flora and fauna begin
to prepare for hibernation.

Onset of harvest time witnesses
courtesy sweat of one's brow
he/she doth reap (and feeling invigorated)
what they did sow.

Common type of implements utilized
when gathering in of crops
include small sickle, big sickle,
darat, gandasa and small axe et cetera.

The hand sickle is used to harvest crops
like wheat, maize, barley, pulses and grass etc.

Big sickle (Darat) used
to harvest fodder from trees
silent whoosh of sickle
signals harvest hew
and/or raking leaves,
which I eschew.

Already crisp cool mornings
sun kissed mine cheek
refreshing air wafts thru longish hair
trademark characteristic property
aging pencil neck geek
attends brief bathroom charge coffee
exotic brew jolted kidneys leak
***** not kidding water closet doth reek.

Especially third season upon us mortals
Montgomery county, Pennsylvania
said geographic real estate sloughs
(i.e. sheds) summer dog days
necessitating shuddered windows
disallowing natural aeration
to circulate thru unit B44
cozy one bedroom apartment.

I will stave off clicking on the heat,
as long as possible,
yet invariably come first frost
yours truly will renege
and surrender creature comfort,
albeit climate controlled temptation
similar when global warming
quite evident predicated upon
Farmers' Almanac prophetic prediction.

Though ecology minded
quick acclimation to unseasonable
hot or cold temperatures
finds me adjusting thermostat dial
mainly to thwart palmar hyperhidrosis
regarding turning on air conditioning
during sweltering triple digit
(Fahrenheit) thermometer readings,
versus absent sweaty hands
courtesy old man winter arctic blast.

Ah... remembrance of wood burning
stove late papa lit,
to dispense chill pervading childhood home
324 Level Road christened "Glen Elm"
within national (local registry)
when Leiper family initially occupied estate
at that time (think early twentieth century)
merely intended as summer getaway.

This time of year finds me
to reminisce and wax poetic
nostalgia more pronounced,
particularly as aspiring wordsmith
orbitz the sun seemingly
with greater rapidity
twelve months cycling at light speed
ruminating, punctuating equilibrium,
and narrating mortality

accentuated when flora and fauna
exhibit metaphorical raiment
presaging Mother Nature's fall fashion show
linkedin with approaching senescence
prompting generic garden variety **** sapien
to rue his transience upon oblate spheroid.

Gentrification impossible mission
thus thy lovely bones will subsequently
become repurposed into  ashes
sprinkled hither and yon to and fro
across elysium fields
of happy hunting grounds.
Jacky Xiang Oct 2010
With eager hope, lines are flung from stone quays,
In cerulean depths, lobsters drink crystal *****,
Banners of Mars ripple across lengthening days,
March festivals surrounds the sky with ambrosia.

Tiny dinghies dot the shores of crystal shine,
Jewel glints on serene ripples of the coast,
Velvet gloves of mirth while we wine and dine,
April races into hedonistic delights with a toast.

Gentle showers of rain caress our joyous minds,
Feeling the sweet uplifting scents assail us,
Choirs of birds paint rainbows for the colorblind,
May serenity soothes the birth of young Horus.

Beauteous blooms decorate the healthy fields,
Amidst the hush, come avalanche of avian flocks,
Summer-tide tickles the sickle it wishes to wield,
June love bind resonating halves in holy wedlock.

Spectral symphonies echo with rise of nations,
Waves of sultry heat from pulsating solar veins,
Let the tellurian realm bask in sleepy volition,
July warmth masterfully holds onto summer reins.

The waving forest whisper missives of lasting peace,
Stroll through sylvan woods to reveal new dreams,
The graceful rush of lucent creeks has not ceased,
August reverie rests on the soil of our daydreams.

Falling colors heralds summer's wave of adieu,
Scarlet pillows above billows of restless seas,
The harvest of ripened grains among rich milieu,
September bounty overflows the humble eaves.

Waning sunset unleash dying orange hues,
Above deep carpets of brittle gilded leaves,
Somber silence greets the coming of bad news,
October winds whistle through the lonely caves.

A maple flag shivers in the frigid air,
Upon a parapet far on the distant hill,
Boreal winds herald flares of despair,
November ice upon empty lifeless mills. 

From gloomy blooms above fell sparkling dust,
Asthmatic gales howl by gates of frozen pearls,
'Tween the valley crevice, stellar shine avast!
December frost rimes up the stormy whirls.

Chains of stiff ******* will soon be asunder,
Bolts of aurelian steel pierce the somber veil,
Of numb terraqueous veins arise new wonders,
January snow cradles early blossoms well.

The day's eye blinks awake across the skyline,
Phantom calls from across the sea stuck in time,
Steady upward climb the green grapevine,
February thaw shall meet the thirsty maritime.
Wrote half of it before midterms, and the other half after midterms. March is traditionally the first month of the year. It is the meteorological beginning of spring. A chronicle of a single orbit on the third planet of our solar system.
Gaye Sep 2015
Yong Marx, yet to die, jumped
out of an air-conditioned car, a
journey Berlin to Bombay as the
Dream merchant of Utopia
metamorphosed him into a subhuman
white bearded national bourgeoisie.

The third world girl who was climbing a
tree without Motorcycle-
Diaries hung to her clothe looked
like an Engelian mistake possibly
not from Cuba, Zambia or Bolivia,
certainly not a Soviet artefact.

Alienation, self-affirmation and all
unlike modes of production confused
his surplus brain. The dichotomy
of imaginings and reality with the
girl proven anti-thesis kafkaesqued
him an added ****** struggle.

A shift in his struggle with a smile
on her lips gave a  hint of welcome to her
Animal Farm. He did get inside.
The moulded furniture, preoccupied sickle
and the lacking exploitation
left him a disappointing proletariat grin.

She opened her mouth, blue words
did not discharge. Neither the mid wife
nor the revolution pumped her conscience.
He got up, disappointed, alarmed,
cursed the chap who misdirected
to a class-less renewed pattern.

“Comrade” she said shaking his hands,
the blood did stir for a moment but
the fight less slant , **** suits and
her distant reality pained the rationalist.
The amusingly alienated young Marx
jumped into his car and left for utopia.

— The End —