BLESSED be this place,
More blessed still this tower;
A ******, arrogant power
Rose out of the race
Uttering, mastering it,
Rose like these walls from these
Storm-beaten cottages --
In mockery I have set
A powerful emblem up,
And sing it rhyme upon rhyme
In mockery of a time
HaIf dead at the top.
Alexandria's was a beacon tower, and Babylon's
An image of the moving heavens, a log-book of the
sun's journey and the moon's;
And Shelley had his towers, thought's crowned powers
he called them once.
I declare this tower is my symbol; I declare
This winding, gyring, spiring treadmill of a stair is my
ancestral stair;
That Goldsmith and the Dean, Berkeley and Burke
have travelled there.
Swift beating on his breast in sibylline frenzy blind
Because the heart in his blood-sodden breast had
dragged him down into mankind,
Goldsmith deliberately sipping at the honey-*** of his
mind,
And haughtier-headed Burke that proved the State a
tree,
That this unconquerable labyrinth of the birds, cen-
tury after century,
Cast but dead leaves to mathematical equality;
And God-appointed Berkeley that proved all things a
dream,
That this pragmatical, preposterous pig of a world, its
farrow that so solid seem,
Must vanish on the instant if the mind but change its
theme;
Saeva Indignatio and the labourer's hire,
The strength that gives our blood and state magnani-
mity of its own desire;
Everything that is not God consumed with intellectual
fire.
III
The purity of the unclouded moon
Has flung its atrowy shaft upon the floor.
Seven centuries have passed and it is pure,
The blood of innocence has left no stain.
There, on blood-saturated ground, have stood
Soldier, assassin, executioner.
Whether for daily pittance or in blind fear
Or out of abstract hatred, and shed blood,
But could not cast a single jet thereon.
Odour of blood on the ancestral stair!
And we that have shed none must gather there
And clamour in drunken frenzy for the moon.

IV
Upon the dusty, glittering windows cling,
And seem to cling upon the moonlit skies,
Tortoiseshell butterflies, peacock butterflies,
A couple of night-moths are on the wing.
Is every modern nation like the tower,
Half dead at the top? No matter what I said,
For wisdom is the property of the dead,
A something incompatible with life; and power,
Like everything that has the stain of blood,
A property of the living; but no stain
Can come upon the visage of the moon
When it has looked in glory from a cloud.

THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.

Let the poetry of others repose in majestic halls:
My poems are filler for paper shredders,
For packing in shipping boxes,
And backing for flypaper sticky strips;
To wipe the muddy soles of shoes
That have seen too much of springtime
In the garden.

Others poetry fills the airwaves, and sits between the covers of books;
My poetry is for grocery lists,
And sudden messages you need to scribble while on the telephone,
And maps to undiscovered geneological treasures
That are only a township away-
To trace the faces of cool tombstones
Under a mid-day sun.

You won't find my poetry near any other kind of list
That doesn't say get bleach, dog food, and toilet paper.
Still, my poetry is from a well lettered life-
I have written all my heartbeats, and most of my sighs
Into sibylline hieroglyphics, from midnight initiations
In the secret brotherhood, of my own soul:
And I will die a freeman, because nobody
Will ever feel the need to own any of these words.

Astral architecture hangs on the balance of my once fragile mind, now unbound and open to the potential of the Penrose Stairs that I climb. Infinity, I thought, was an innate idea man was not meant to understand, because if the universe is in fact infinite, into what does it expand?

Standing at the precipice of epiphany, teetering at the very cusp of clarity, it came to me in a monumental moment of sibylline singularity:

It expands into itself.

The thought was too profound to perceive, too ravenous to be satiated. Could this be at long last, the answer for which I have waited?

I realized that consciousness operates under a similar uniformity: the brain won't outgrow the head, but the mind will outgrow the body, and our echoes will radiate across the endlessness of existence, for all our forgotten frequencies are oblivious to the concept of distance.

We are all limitless beneath the veil of this perceived reality,
but only there are we human, and only then are we free.

Sibylline is my palimpsest,

Immured in prosody,

I am a lascivious raconteur,

Bedizened with fecundity.

Scrying on the Moon (for Brigid)

By sibylline light
images I recognize,
creviced captures of my life.
I know her judgment to be my own.

"Nourished by Moon rivers
mythical cavern blooms
unseen by sunlight
glow green."  
Thus she sets the scene;
becomes the prophecy.

"Purest white simplicity
curved to suggest fragility
faith fed maiden ready for
plucking,
given in ******* to womanly woes,
hard rows to ***
for that human hug through  
crying of night.

Fate of mortal soldiers, sacrificed to lust.
Seeking relief, beg for the boon of drama
high adventure
sneaking into sad hotels
for a fix or a tumble.
Laughs,
deadly play,
danger, a real chance.

Barefoot in the snow
icy roads
winds so strong
I could not make you hear.
I thought you were my destiny.
Crazy thoughts, far from clear;
but I believed
song lyrics from Saturnine deities
would not lie, leave me
dying, fading into winter's grey
drifting clouds,
endless sorrow endured for naught.
Lost on this careless corner,
dreaming of oblivion, intent on visions
like rain
tapping against eternity's
vast windowpane.
Scenic serenity.
Nature's gradations of green
soothe tired eyes,
trembling nerves, throbbing  veins.
Slivers of moonlight reflect
in withered refrains, unearth secrets
embedded in song
effervescing through cool pure air

cleansing the uprising nestling
set aflame
resurrected
tempered mettle,
pure, wise, tested
engorged with the will
to rise"

revised February 1, 2010


twilight of the goddess, call to song to aery dancing, lady fair your firey trance rewinds our souls, enjoy these offerings, flights of fancy, all art is yours

My doors open
To pain of evolution
In her sibylline chamber
The curves of heroine
Divine and devilish
Imprison my piety
In shadowy corral
Rendering my calculus steam less
Left untasked of masters
My thoughts waft like gossamer
Toward pointed hills parted
By aphrodisiac crevice
Her silent words caress my ear
Whispering ******* bliss
In grotto of mystery.

I am a kaleidoscope—shapelessly shifting, and
dominated by colors that I cannot change
without some sort of grandiose outside force
granting me a helping hand.  I might as well be water.

But my reflection insists on creating dissonance.  She
and I, although we look the same, do not coincide
as neatly as
           yin and yang
           Adam and Eve
           my hand in his.                       Perhaps because
thoughts and feelings generally
do not mix like paint.

Human beings are full of hypocrisies; I am merely
one of seven billion.  My doppelganger knows that

I will never be harmonious, and I am but an echo
of Sisyphus, yet still I wonder if she also knows how
sanctimonious I can be at even the best of times; how
wolfish my attitude can turn; how
downright wicked I can become.
                                                        (Perhaps she is overlooking it.)

Oftentimes, I find myself wondering if those ugly,
impulse actions I grudgingly stomach are really my
own choices, or if they are hers.  I am the analytical
one of us, and she, the fervent, the hot-blooded prima donna;
I think of how easily I lay down my neck to her will, how often I
throw my frontal lobe at her, belly up,
as if to say,             “this is my
                                              white flag.”
I allow my duplicate’s hands to twist and turn my paths.

She makes me self-conscious of the
           coffee splotch birthmark on my shin,
           my flummoxed feet that flounder about;
           the mausoleum I keep buried
six-feet-under in my backyard.  Her sentiment
bleeds into me and permanently dyes my bones red
like the red meat I am; she tries to coalesce us.  
                                                        Perhaps it’s idiosyncratic of me to
rip myself in two, but being made of water
makes it hard for oil to blend into place; it makes it
hard for logic to have any room for a
seemingly clairvoyant heart, though

sometimes I wonder if my sophist thoughts could
possibly have any consideration for my twin’s
sibylline yet affectionate disposition.  I
wonder what the
           secret is to being whole, what the
           secret is to ending civil wars, and what the
           secret is to placidity—
I wonder why all my answers are kept under lock and key.

The internal bloodshed within myself might not
be as abnormal as I think it to be, but if it’s not me who
I see when I look into the mirror,
what is it that others see?

.              how disapproving. to hear chords as yours,
I thought how clean as a viola;
               well, then as smooth as looking through a person.
I thought this blackness was opaque.
               so why sunlight through my ears when I hear
your ******* like water through a straw:
               notice: in my country, drought-heavy
cow-full, dust-bowled, bare-footed, large-
               accented-- skinny-boyed, big-thighed sauntering
girls-- what words: girls, boys-- notice:
               in my country water is desperate and
mottoed. we sing for it as god. when it
               rains mothers cry. your ******* is a waste
of water and a waste of my skin. transparent.

(o lightskins!: post-colonial nymph-paragoned
sibylline demigoded golden Greek-statued heroes--
               how full of **** y'all are!

and I Hephaestus...)

In Quebec’s quiet winter wee
A season’s joyful jubilee
Crafted mid cliffs towering tall  
Sculptures sitting in silent awe

Glistening gems grown from sea spree
Blue-blush hushed by green-glow glee
Fascinating formed frozen freeze
Sketched a skillful sibylline sprawl
In Quebec’s quiet winter.

A sublime sight stunning to see
Until spring summons the flow free
Tuning it to a fast free fall
A raging race, a roaring wrawl
Go gaze and kneel at nature’s knee
In Quebec’s quiet winter.

Take me away,
words.
Show me a place where people are more than just what other people have heard.
Where the sound of their souls echo off the ideas that make up their essence;
"Life is a matter of a miracle that is collected over time by moments,
flabbergasted to be in each other's presence."*

Make me believe it,
but do it quickly,
because if I hear this flawed character's views on what's Wrong and Right one more time,
I think I might lose it.

Blow my mind,
words.
Cure this disease that's become a curse.
Reveal my muse once again in all her awe-inspiring glory.
Tell me a tale.
Share your story.

An idealized version of The Best and The Worst.
Truth may be stranger than fiction,
but real life is starting to feel rehearsed.

Let me get lost between your words,
so that I may believe in the depths of my dreams;
They've such absurd dynamics,
with hints of sibylline profundities.

Take me away again,
words,
but please do it quickly.
My faith is starting to wane,
and I've got work in the morning.

Ancient walls of darkened stone,
They make up this structure brimming with secrets -
Looming large with a heavy air,
Some even say it seems aware,
And the curious are drawn to its storied grounds.

The sun has slid beneath the horizon,
Setting once more upon the mortal day,
To bring forth the allure of the shadows,
To make way for the sibylline night.

Ivy bursts through the cracks in the walls,
As you wander the halls gone silent with time;
Brushed by whispers of heavenly laughter,
And the murmurs of time-lost voices -
Echoes of an era, imprints left in stone.

Mysterious, maddening, enthralling -
These halls tell of a tormented past,
Witness to the events of a bygone life,
And ever since forsaken.

Walk the path trodden black by this fallen soul,
Enter into his courtyard;
A large open space, quiet as the rest,
And scarred by decay.
An eldritch bell adorns the middle,
A bell with no stand, floating free,
Polished silver with an amethyst glow;
From it dangles a chain,
Swaying to and fro.

Pull the chain, ring the bell,
Be spared the pain of the living hell.
Ring the bell, ring the bell,
There's more to see, more to tell.

From the bell, a resounding toll,
Resonant and clear;
A violet haze surrounds your eyes,
And fills you with fear.

The bell was rung, you pulled the chain;
Ignored the heralds, played my game.
Now join them in their timeless pain.

*The bell chimes the midnight chord!

Antiphon Benedictus II / Sybilla Herophile

The wide influence of history was automated in rituals; it would indicate a bibliographical time rather than secular. The antiphons will take us through the hallelujah of eternal times and along the path of the Spring of Castalia. In singularity will be Delphic Herófila, primordial of Delphi prophesying Trojan conflicts. By reinterpreting her priesthood, she leads us to the Templar Adyton, which can be reinterpreted in a Christian way in the classical antiquity of this antiphon. Being able to be captive, she looked serious and wise, visionary and with customary strange gestures, for an abnormal state of Young Sybilla woman who was later supplanted by older fortune tellers.

The Antiphon Benedictus says: “Herophila you were plagiarized and ridiculed by a heterodoxy that knows rituals and sacred cares, the Pneuma that emerged from the cracks upset your incongruities, which settled on the millennial pedestal in Macedonian territorial geographies, uniting with Alexander the Great, recirculating in Sibylline centers and dividing the doors of Sober Hell, towards epiphanies of the cult of light, and of the sacred pairs of wisdom.

The discussion took place in front of those who surrounded the perimeter of the Antiphon; there was Vernarth and Saint John the Theologian. For decades the twilights have not made the red blood cells of the Cassotis iridescent, which defied a hydrographic competition, for the purpose of desembalming the bodies of the Falangists that emerged from the Temenos of Patmos; secular space for the auditoriums of the antiphon. With ornamental fictitious oracles envisioning the inadvisable opening of opposing eyes towards a Mysta or Mystírio Eleusino, so that finally, given the toxicity of Mercury's sulfide, they would emancipate themselves by making objections to the hypothesis of ruddy post-mortem symbols, which the braves of Tel Gomel, when appearing outside the extinct topic, so that the Benedictus songs would button their navels, which was the only thing that united them to the Sybillas who came from the expropriated ethics, and from the Cinnabar outpatient clinics for long periods providing life in the quantum of Mercurial Ambrosia. Being this preferably housed in the skulls of the V (Fifth courtyard of Helleniká, but this time with eschatology of the Koumeterium of Messolonghi). Eurydice is associated with an exhumation in front of the alerted and emitted effluvia of the Herophile after the Zygastron, which shone from a canvas and that Borker preserved from the Laurel Woods, in a sycalyptic horizon of the equinoctial Aftó of the Kaitelka Cetacean, which nitrated oxides from the eastern vertical, on its back, spauto shredding with purple carbonates towards the Rubicunda del Tinctorium, and from the rhizome that hydrated the enervated and dispersed drops that remained from the convulsion of the Metelmi wind, and shaking the fin that came from this Balaenidae specimen Mysticete, in casuistry of a whale with Down syndrome, but with prodigious psychic powers.

The Cinnabar wandered through the clothes of Tel Gomel's disembalmed ones, who colored themselves with sulfur mercury and revived from the oracles of Herófila, who woke up early with Eurydice validated by her Orphic impetus like no one else. The specific parts were tints of vital signs and epidermis shoots that trembled through the epiphyses of the tibiae that decanted arthritic through the femurs, and that rose with timid muscular masses, until they reached the instep where the celestial holes of Vernarth appeared, that he struck each one of his faithful with his Xifos sword, to bleed a bronze chalice for their reduced movements, stacked on crossed legs with dejected cheekbones that fell on their feet.

Reddish spots on his jaws and on his forearm they were transposed with red salvific footprints of Eurydice that he brought from Charon, but that expressly limited them in the posterior scapula that came arriving from the fifth courtyard of Messolonghi completely stiff in black. The muscular insertion was made of pale ocher, and the Cinnabar was elemented to verticalize the involuntary bodies of the earthquake, before the controversy of the makeup of their resurrection, after an outfit that they had never used before, pigmented by an antiseptic oracle of Herófila, which already insisted to compensate with war shrouds the size of the Benedictus that self-shod the iron suns, and that buried fangs of light and life in their facials, moving in the nervous of the trigeminal towards the ethmoid, causing rales of stimuli feminoids, for the enthronement of the women present in the only atrium of the Mandragoron. Thus they remained in multi-partial stages of the psalm that revived them, to go to meet the Hegemon Alexander the Great, who emerged synchronously from Larnax, from an eruption that uttered the greatest insults of political clarity, in the fierce agonies of his perforated lung. Parasites were sprinkled like empathic germs of Hellenism, conferring Masken resurrection, beyond the curtain or canopy that separated them in Persepolis..., returning from the Indus, for the funeral that would pass through the departure of Hephaestus. Rigor-mortis buried a soul overheating in pulmonary contusion, after a feverish respite, and re sulphating in the rhetorics of Plato and Aristotle.

The Sybillas no longer menstruated on the tripod, the Pythoness in their prehistoric eagerness was conceived twice cyclical, which were reconverted into prehistoric female raptures that confirmed the exo-red blood cells of the menstrual torment, to become reconverted Christian goddesses who were doubly buried in one past joined to the other, and that they were about to precede the next past-present, on an oak that supported them, clinging to them to bear the pain that never existed.

Licking paper as if I’ve never done
Taking a walk beneath the calming sun
This stroll to make time pass by
Until we feel the begin of sibylline high

Snickering and trees is all we can do
The bench moved, did you see that too?
No wind, yet dirt is skipping along
This new universe is forever where I belong

Twinkles and jumbles of words catch my eye
Bright colors and auras, so much stimuli
Warning, don't dare look at your reflection
Little paper, so useful for the amazing introspection.

As you restricted the flood of senses in my soul
and slammed the last window
where the light entered my world,
I became the slave of my rampageous rage,
tasting a bit chagrin and a bit revenge.
Could you feel my silent bleeding
in this ****** and blackened silence?
Which was violently leading me
to non-compliance?
You slipped away from my dismal and absurd destiny at once
as the brightest and sibylline star.
I wish you were something else,
either a compelling dream or a lucky talisman
however what to do so far,
the most dangerous you are -
a femme fatale - benevolent, nice woman...
You sparkled in the mass
like gold is distinguished from all other elements.
You can run away,
but anyway your spirit complements
my dark futilities forever.
Even from afar I can feel your laughter,
like an instant thunderstorm lightning upon my head
and leading me to the madness
with the conversations inside my brain:
'- Believe me...
- Leave me...
- Trust me...
Get me...
Please...
- Forget me...
- Keep me...
Keep me...
Keep me!
- You hurt me!
- Forgive me...
Just roughly try me!
Yet you are my essence which cannot be evaded
neither by you nor by me...'
I remember everything even with my awful memory...
It was autumn,
Leaves were falling like my last esperances,
but then and in that small room
blossomed the trees of life with your laughter
shattering all the gloom and after,
the whole ruins of my existence
were covered with colorful flowers
and turned into a scenic place...
I will water that meadow
which you brought to me as an early spring
and I will keep it evergreen.
Now you are in my pale palms,
like my broken, foolish fate
as near as you have never been.
I see the clouds and storms approaching,
The fiction of destiny is completely plain
My sketchy anger and self-destruction  
are crying and calling again,
I am falling again
and I have to cling to!
Have to cling!
Have to!
Keep me...
Keep me...
Keep me...
You are in my pale palms,
You are in my palms,
So, nothing can hurt me,
Nothing can hurt me!
Nothing!

Spílaiaus, noticing that Vernarth felt unprotected on the iridescent Nimbus, greeted Zefian; he was in the Phlegrean Fields reliving the Sibylline Treatises of the Pytia Cumea, when the last death rattle of the Universe began to beat with force Zefian sent from his Thracian Gold Quiver right next to where the Sibylline Treatises could materialize again by withdrawing the Arrow of the Vóreios where it began to protrude from the Doric stylobats of the Megaron, everything was comparable to the Parnassus from which Leto; Apollo's mother would grant them Vernarth's Megaronic Songs, making up for her withdrawal since he was saved from the fire in 548 BC.  from the Acropolis, being able to assent to the presence of Triads Women who moaned at him due to his deserted unbalanced voice without being able to receive his exclamations. Zefian then before the lightness of his cosmic phalanges withdrew the Fourth Arrow from the Phlegrean Fields; before it from the volcanic caldera, he released the nine books recovered in total from the six cremated, to then be pierced by Zefian's Arrow to finally project them towards the contiguities of Prophyits Ilias where their spirits appeared here with such reflections of Miletus conversing with each other that the beauty of Coronis was not enough tenor of Paralesias of the Firmament of Apollo, so the Heavens of Patmos had to be opened with the nine sybilline books along with Vernarth's Hellenic Trilogy to establish the Duoverse as paralesias of the world that would restart from the Ádyton to save the Inheritance and his astrophysicist strangulation.
Both vicissitudes of the Fourth Arrow were heading at incalculable speeds to collide and merge with the Arrow that pierced Apollo's Lynothorax to the detriment of Coronis, thus abandoning transcripts of the oracles that crossed paths in the Seventh Hour of Paralysis to later touch with holistic chrysanthemums with their pointed ivory ornaments that hung from the Universe wrapped in an omphalos, which became a Kosmous of wands encrusted with igneous flames to burn to a great degree among the stylobates that the upper canopy prevented from being incinerated from the rest, protecting the parapets from the Megaron that depended on the nearby Cloud of the Iridescent Nimbus where Vernarth resided in the armband patterns of the monarch Croesus.

Spílaiaus replies to Vernarth: “From this promontory, I go to your parents, I tell you that I see signs of great parapets where the center of the Kosmous rises; “The Ádyton, is closely linked to the fusion of the Quarta Saeta, and Septenario del Ibic or Virola to the depths of the Katabainen; whose Katabasis grows through places of impious land from a Megaron that is nothing more than traces of Lycurgus in limber blood that the tabernacle could not contain, nor could it dispossess for a chalice the firmness of an instigated Christus that could now flow and be reborn by submitting to Cyrus, and other satraps of the past, referring to the fact that Vernarth's asceticism depended on the minimum luminance that could come out of Tartar. Vernarth, distinguished himself more calmly when he perceived that Eurydice filled him with greater agreement with the one who is delimited from an underground room, than from a sub-empyrean who began to separate him from the parapets of the Megaron with the shape of a Howling Kosmous burnishing from the same district Strategoi.

In this way, the Adyton was made up of a temple with Seven Steps until the arrival of the fusion of Zefian's Arrow to collide with that of Apollo, then both being the curtain of the interface of the Duoverse that became oracular with the presence of Jerome de Estridón, and Spílaiaus taking them to the Forests of Parnassus and Kanthillana with the Pythonesses in the spurious Oracular of the nuptials. The Sybilla Herofila is present with her veil with the darkness of Castalia, with ceremonious gestures also in front of her the Sybilla Cumea for the brothers of Delphi and Adyton who reopen it with the power of their God, who was accumulating access to an infinite where nothing isolates it, not even from the sip of a sea that does not grant the gift of quenched thirst, then the Psiloi custodians as advisers of their "V" of the pentagram would take charge of the Oracle's minions to unite the center of the Kosmous with the Universe-Duoverse where he rested on the niche of Hestia.

Apollo emerges between some proxenos that accompanied him before noticing the impact of the Arrowheads, and compasses between proxenos that would admit the New Duoverse of the Oracle of Adyton, for a new universe that was gestating from a polymer towards a multidimensional height that rotated to exhibit only the edge that would admit the mass of Saetas to create rings of vibration, and frequency of Apollo in front of Vernarth looking from the magnanimous lookouts of all Greece. This is where the shepherd Coretas juxtaposed himself with his flock to swarm in the thin strips of landslides that would be left by the atomic detonations of both colliding Arrows, whose cracks would drop obtuse crude oil down mysterious empty cliffs in the face of a Greece that would be born before Anthropotite or humanity, only eclipsing Vernarth in the company of the atomic hatching in the middle of the sieve of the same faces of his entourage that will make him return every day of his transition, like fiery Ashin of the Roman Vestal in assiduity of Naples.
Apollo indicates to Vernarth: “If you stay alone in the drift of Astro Cirrus, you stay with the shadow of Coronis, or you will tell me that it dissipates from the discharges of Tarquino Prisco, you must treasure your Trilogy as a pendulum on the towpath of the Dodona or from the hiding places of the fetish between leaves of the inventory that unknown is not by an auspice that will open from the greatest Paradise ”

In advance of the hallmarks of the Itheoi Duoverse; with the Pre-Kelesete or Possession, they decide to contribute the Anticipatory that will open the doors of the Soul that they have to enter the Universe of San Juan Apóstol, from then on a whopping bump are unleashed with the hatching of Saetas between Zefian and Apollo. The Cabal skirmish was accomplished in the dark! The macro transport of spiritual masses begin to coexist transporting the end of the Himation Ceremonial, later until an impartial right here appeared from Camphor, it was his signature Macrowave protoform of the Himation itself; called Camphor-Xórki (syllabus). The Pre-Kalesete began its walk through the Nothing when Vernarth tried to look down on the limpid spheres of Patmos seeing the holistic whole involved in a Greece that was hailed from the Hatching Arrows coming from the last breath near the Camphor-Xórki of San Juan Apóstol where the Xorkí began to syllable “O θάνατός σου είναι τώρα Ζωή – Your Death is now Life”, from the Quantum atomic that began spelling out by Vernarth's Stóma; or beginning of his astonishing mouth that was regurgitating the oscillating lapses between the Keselete and Xorkí.

With expeditious speed came the Arrows of the Phlegrean Fields, forking one by one until the Fourth Sagittal that was isolated in the evolution of myriads of stars that were made up of the proximity of the Nimbus where Vernarth provided himself in decades of nebula Celestines that shone to tear pimps fibers that still aspired to hijack the remains of the Millitum Vernarth, in the form of clusters of radio galaxies that moved towards the reddish, expanding from the Campos Phlegraios in Naples itself; like geological hydrothermal fissures that clustered behind a sudden crimson blue of the great Universal that split receiving the Saeta Prima from said field of fire. The gravitational completion of the curve generated the Saeta Prima that was made conventional with assistant telescopes, before exultant excesses of wanting to see it as a Quasar that descended from Andromeda together with the Auriga, in such a radio galaxy journey to melt the bars of the Universe to be distended by Vernarth's bombastic Stóma that expressed itself more than his dwarfed senses by the Galaxy that was propelled by the waning of the radiance of the Quasars.

The Primal Saeta is abducted in the intermediate vortex of the Quasars, it remains in the orbit of the Nimbus where Vernarth remained in photometric that allowed him to reflect it in its silhouette with the closest astral referent of Orion. The Secunda Saeta came out of the transversal valleys, this came with the agreement of the Pre-Keselete of Saint John the Apostle bathed in ultra-luminous infrared Ouranos, making vibrating strings of the frequency of the Universe in an ultra-luminous dream emanating from molecular gas, adapting to the new fusion of Zefian's Prima and Secunda Saeta with the determination to split the monoxide at the base of the Nimbus from the acroteria that still accompanied it with the universal entity of the Empyrean as hydrogen that formulated the Saetas clash in homologation of the same aerodynamics prop of the Xiphos, from solid metal to liquid in pearly spirals from the magnitude collapse of the Tercia Saeta, this would bring the same from the Horkun hydrothermal or Horcondising Mountain with thousandths of a thousand light years that would unify on their Solid and Liquid pedestals as the Fifth Essence of the Horkun, the Third Bolt arrived between five Kyrios who followed her through the atrium that was beyond the Hydor that incarnated in collusion with her deformation to soon reform, beginning to go towards the manifest of shared energy towards magnitudes divided by the coefficient 0.7 Micron of atomic energy levitating from the quasar equivalent that stretched from the luminous zenithal meridian in front of the mast of the Four Leaf Clover, which pretended to be a Cherub still emanating from nothing, towards the fractal splendor of the Patmos region ten times greater than the hydrothermal that reconfigured Greece at a distance of ten molecular cycles minus a molecular trace of the carbonate crystal. The diameters of the absolute observable were coming out to the delight of a Hellenic Ego observable in the wide Cosmos rendered in anti-gravity of the Fourth Arrow; being competent to see how he appropriated a snowy-blue sky that softened with the obstructed eyes of Saint John the Apostle, granting more than ninety percent of the explosiveness of the Quarta Saeta above the infrared that dominated the collisions, leaving them inactive for only seven seconds before concluding the snowy waves with the dense and glacial gas helically topped by few waves of any gas that sprout from each galaxy that never ended as an isolated Nimbus as Kant preceded, in a time that becomes more extensive than our own light that lives in its bright end. The dislocated morphology of the Fourth Saeta would ignite the border of the Pre-Keselete from the Phlegrean Fields, Kimolos, the Horkun, and Patmos in an unleashed spiral since the matter was uncontrolled from other unknown matter between myriads of collisions caused by Zefian to the limit that cuts his inspiration, only falling asleep all the previously mentioned Duoverse with Vernath's Megaronic Odes in Epilogue of Xorkí, from here towards the metallic lithic tip of the Xiphos with its spelled enchantment.

Megaronic Odes

"You see from the Enchantment in which all matter becomes Free, You see how each one of them after being Four will now be one that speaks of their very existence that you do everything... you realize that the noise of the Duoverse is born from the Xorkí, where everything dark turns grey... and black is Xorkí.

“Everything that has four digits moves with your four wings, everything that you call Quarta Saeta is a Xorkí syllable…”
Camphor is the heat of friction of the contracted memory, it is here that all pain that is in this field of tragedy urges it, and leaves you distrustful of sap that is another that you lead to the Pre-Keselete as an environment of infernal turns that seem to be good of a good that is born to crash fatally. I want to tell you with these Megaronic Odes that I write, which do not belong to me, they are concise clashes of two atomic ignition fields of the Keselete and Xorkí of San Juan Apóstol that make me not mortified, that you will destine me to the gross speed of the blinking of my Hellenes eyes quicker than those of enchanted thought.

“I need to tell you that between La Prima and Quarta Saeta, my charms between frictions will rest on herbs from Corinto and Sudpichi, I will join the choir that will begin to rise for me, it will do so for you who have just begun to know me, soon we will see you, my dear Adelfos"

"As for the Primal and Quarta Saeta, it is the fanfare of a being that would visit every night, it would invite you to live your own experience that was seen to shine for the last time while being handcuffed to an agro bush, which would sustain itself against an enchantment of the Xorkí in a revived future of the brand new Vernarth with his prodded and resonant Xiphos”

Vernarth utters: “Eurydice... here I am, a closed pilgrimage looms towards the dim light with the nocturnal phrase of him endowing me through the conclusive!! Father... Mother, Myloi of the Sad Wind, here I am with your Primordial Arrow endorsing Pillows, beloved Adelfós, the Rabih San Juan? Almighty God bless you from this Quilt holding our spirited hope of seeing you again! "

Between The Prima and Quarta Saeta, enormous hydrothermal plasmas of the drained Don would be cited, which would conglomerate between the interdimensional of the four Saetas, to later send them from the "Heroon Hurkun Funeral Home of Kanthillana", from there to Lefkandi for the transition of his cremated body that began to revive from there ipso facto, later from the Phlegrean Fields with the Fourth Arrow that Zefian would finally bring with the III Trilogy of Vernarth Hellenic being transferred from the iron prop, supremely seconded by settling in the Prophytis Ilias to revive in autonomous descent of the body of a “Hero in his Heroon who will be reborn from his immolated body”. Incontinently, the arrows will be spaced through the interdimensional strapping of all of Greece to revive its awakening just as it happened with Erestles in Messolonghi; but this time of Orion's Wagon breaking with its coined bar eternity in its Hurkun chamber. In this way, Vernarth is distracted by looking at him at three hundred and sixty degrees looking at the Prima, and from this Secunda Saeta seeing how he rose and accelerated his trajectory adjacent to the Tercia and Quarta that would take him towards a failed break over Thyatira; with the Son of Yahweh, who has eyes like a flame of fire or Aish, and feet similar to going burnishing the bronze chaff towards Patmos to revive immediately with the subrogation of his body in the company of the almighty Mashiaj, Saint John the Apostle and the granted Right of the Hexagonal Birth, with the posterity of prosapies remaining everlasting to resurrect him from the neophyte and Hellenic Hortus Heliacus.

am conscious
of the ticking clock

how
the bleached reef
of a window frame
intimidates,
says
something
of a heed untaken,
propagates the
cloud-seed doubt
with lightly spoken
fallacy,

recoiling
on a layman
tongue.


Am
aware of where
the sentence stops.

where syllables
of rhinestone rain,
call sibylline ,

reverberate

in thick
galactic suburbs.

How
soporific
doppler-shifts of
moving conversation
played me, staring
down the outpost
of my unbecoming
walls.

As they headed for the roadstead of Skalá he was eclipsed just as he had been predestined by Wonthelimar. They had contravened with Apollo after coming from his winter appointments in Hyperborea, he came to meet his twin sister Artemis towards an olive tree that would be the directive of the battle of Patmia with the Zefian arrows and the Iberian Rings of Wonthelimar in the direction of the Zenit, with the first arrows of the string of the arch of predestination of the blessed land as Skalá will be, commanding and carrying the insignia of Hyperborea with Zefian and Vóreios violating the stormy East bow after addressing the sibylline oracles, which already had the date Synchronous of the Flegrean Fields, to locate the Codex Raedus n °VI of The Cumana sibyl that was found at elevation 97 of the wind tunnel when listening to these waves, very close to the sinkholes, in avidity of the Delphic Pythia with divinatory proselytes that ran through the folds of her garb, with pleats of a cerebral divinatory legion. His Cumana relativity was distended from his arrival at the Mausoleum, prophesying life for all in the passion of living together with the bodies abandoned by the souls of the Devotee, in the innocence of the soul that slips away daunted by not being desolate, between the Lilith parchment, and in the offerings of the Strigoi, for breaches of the troubling visions of the darkness of the cavern of Chauvet, by sacrificing competitive sensory-emotions of the malefic Votum of Lilith. Only one can exist as an inviolable part of chaste Wonthelimar tradition, groping the Xiphos with human sheepskins, tectonic offerings, and fringing the altitude 103 of the Strigoi wind tunnel. After writing the 9 books of the Synoptic of Rome and of King Tarquin who rejected it until the last three books that the Sybilla had burned were awarded, after having challenged the six that made up the compendium that Apollo had written for the approval of Rome.

After they distanced themselves from the contravention of Apollo and Artemis to the southern east-west magentism. They would carry their belongings with the "The Ibic Rings", which would be the transmigration towards the cardinals and points where the Megaron of Vernarth was going to be exactly after the battle, arguing that the Zefian phalanxes would be ordered in Sintropia and organic chaos in Patmos, where Pythagorean proportions would be made in essences of numbers that idly advanced in the temporal steps of Wonthelimar that mobile was made of religious Saetas and of the Mercurial Ambrosia of the Cinnabar, to help him with the most insightful points of the Constellation of Capricornus. Zefian's tendency was to blatantly delight afterward to pull the bowstring, to spooky existence; presuming that where they fell would be the beginning of the storms that would originate Áullos Kósmos Megarón! for calm courts imposed from a cosmos, who were directed by committing themselves to the will of a doubtful Vestal god advocating the association of the hospitable Canephores, as Roman bilocation Vestal Virgins, and quantum parapsychological of the feared inter-fable alive that rebels in the arrows that still They did not fall, not knowing of their whereabouts, waiting for Apollo to launch them, like plates or serial hosts that were evoked from where the origin of the Universe was broken, to open towards the hyperboric Duoverse contravened organic, vigorous and anti-curd even in the divine origin celestial as a *****-ovule parameter, rather in aeonical instances in the furnace of Hestia, running eternities into vast volumes of light-years. From the medrones of Wonthelimar's antler, regenerative sobs grow in the Ibic Rings that were native to the Nyons massifs, taking hold in the Seven Ibic Rings. Before reaching the Battle of Patmia.

Ibico 1: "The first one was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, then he would find the light when he left the cave alive if he was accepted."

Ibico 2: ”He was guided by Vlad Strigoi in the priesthood center of his shelves with the Chiroptera, and others of the mercurial ambrosia for the purpose of energizing the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the waters of the Antiphon Benedictus ”.

Ibico 3: "From the Eygues, the waters evaporated for healings of the tormented initiation processes of raising the four Zefian Arrows, to indicate the zenith of the Megaron."

Ibico 4: “This ring was from the antlers of Wonthelimar, here they wore the Oikos or threads of Gold from Orfí, for the Himatión and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Valdaine ”.

Ibico 5: "This piece of metal speaks of the fifth plasmatic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned with the Mashiach."

Ibico 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Helleniká and Theoskepasti".

Ibico 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medron, up to the millimeter shoulder of the assembly of the square meters, which will illustrate the Acrotera del Megaron "

Once the Rings were instituted, the Arrows after the Codex VI of the Sybilla Cumea, everything would turn green in the direct plane from Grikos to Skalá, causing splendor in the Emotional Subclavian Kabbalah; bringing on himself his own external atmosphere of Zohar Light attracted by Saint John the Apostle, expressing with this phenomenon the scene of physical mysticism, to induce the archetype of great volume of the Kabbalah pipeline between both points, mobilizing between these two nodes the Vital homeostatic of light and divine blood that would be transported by the dualistic subclavian that could be seen in the floods or roads that led to the place of confrontation, displaying the Greco-Judaic vital of language that poured through these fistulas of light to overcome the red blood cell bloom; That would be portions of the presence of divine blood of the Mashiach, where every arrow has its focus as is the Torah in fulfillment of a sky adorned that was positioned on the figure that was sniffed by the essence of a skeleton exempt from a Subclavian, that only with it and the emotion of Saint John could be exclusively Kabbalistic only transported by the Zohar light that Vernarth and his phalanxes offered in anticipation of their Misná, and not of the nocturnal powers that exiled the luminous circles that left them circumscribed by the full moon that it would unite him around its intensity, and that it would degrade into the Platonic theocentric. The works of projecting indeterminate successism the uncontrolled defragmentation by the higher orders where their unity could be reiterated in the mystical memory, over the divine irresolution of right and inconclusiveness of the deductions of the full moon, therefore the Subclavia of Kabbalah will exonerate these ambiguous emanations, to starting from the ordering of the ibic rings, procreating in them the order that is not replaced or reversed.

Ibic 1: "The first one was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, then he would find the light when he left the cave alive if he was accepted." It indicated the Kabbalah of Saint John of everything known and remained stable given its transcendent radiance with the cosmic energy that was usual, preserving, and at the same time externalizing the absolute presence, purity towards the stage of absolute admiration, while stillness and silence he was fascinated by the creatures of the expectation of an extra personal Vernarth after the eschatological of his soul.

Ibic 2: ”He was guided by Vlad Strigoi in the priesthood center of his shelves with the Chiroptera, and others of the mercurial ambrosia for the purpose of energizing the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the waters of the Antiphon Benedictus ”. It was consigned to the superior spheres of the eons and ignorance of the destiny of the lamas of those who would go to collate in this affront of Patmia, relating Gnostic tendencies with the epigraphy and materiality of the Cinnabar as the elemental computer of the Vas Auric of Limassol and the canticles. from the esoteric melisma of Vlad Strigoi.

Ibic 3: "From the Eygues, the water evaporated for the healings of the tormented initiation processes of raising the four Zefian arrows, to indicate the zenith of the Megaron." All rivers flow through the Kabbalistic of the Subclavian, for she upholds the correct uses of the pastoral sermon that would reach the venerated elevation space of the Megaron with her homiletics.

Ibic 4: “This ring was from the antlers of Wonthelimar, here they wore the Oikos or threads of Gold from Orfí, for the Himatión and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Valdaine ”. The centrifugal speed of the rings yearned for other geographical heights of Valdaine, near Chauvet with the epigraph saying that “all vibrations lead to the Onyon massif, in the mystique of beings that will always lift the trees of the growth variants, such as those that are the medron in the antlers of Wonthelimar.

Ibic 5: "This piece of metal speaks of the fifth plasmatic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned with the Mashiach." Universes can be divided into numbers or letters all interacting alphanumeric. The multidimensional Duoverse stipulates that Vernarthian submitology flatters the Kabbalah that clings to the stria of St. John the Apostle "Duoverse" The new universe of Vernarth being apologetic, Jewish and also Hellenistic, therefore skews from our creator and all creative thought theological in all its creation. Divine providence and grace are and will be their hierarchies to have a universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of royalty of manifested Christian meditation.

Ibic 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Helleniká and Theoskepasti". The sixth medron or somatotropic nutrient, speaks of a vegetality converted into the tree of life consecutively as the cartilage of the antlers, which was Kabbalah of the random pollinations, but messianic centered in the radius of the islands of Kímolos. The female figure of the twilights was saturated with pollinations of Lepidoptera that looked like their angelic cloudscape.

Ibic 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the aphonic lexicologies, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will rise according to the final medron of somatotrophic growth, up to the millimeter shoulder of the assembly of the square meters that will illustrate the Acrotera del Megaron ”the euphony of the preservation and transformation of Cinnabar will contract the vocalizations or Antiphons in hexameters, as Voices of restructured Sybilas materializing from the six books cremated by Sybilla Cumea, trying to reissue them in the circle of contemplation.

Through the desolate Dasht-e-Lut desert. Brisehal's huge shadowy structure moved him when he clothed himself to the whole of the Middle East, even disobeying his parents; beings unpopulated from places of contemplation that were emerging from their great mountain of the enchanted desert. The lemurs were overflowing, wandering alone as if wanting to hold on to the last sparks of politics that remained for them to surrender in their own unencumbered exile. Brisehal was a canine-headed mountain similar to Anubis, but millions of times the size upward and hydrochloric, like the prospect of parishioners entering the garden-kingdom of Heaven on their laps. Before shaking the day with the movement of his trembling footsteps, Brisehal spent two years moving day and night on the surface that became attractive to Solari's lux. Brisehal in this fifth codex was liquefied in the black layer of the wind tunnels that were by Dash-e-Lut, until the sensory layer of Dasht-e-Kavir, being attracted by the tunnel of the cave 308 meters high in Intra geological Patmos, all the sculptures and images of the cusps were made near 103 meters of initial altitude in this vertical subway, in connection with parallels that were retracted in cubic tons, drilling the dolonines or geological depressions in the extensive Lut, for a giant born from the laments and lacerations of Vernarth, when he was mentored by arrows in the middle of the Gaugamela field, even moving Maceo. When the sinkholes moved noisily, smaller mountain ranges were conceived deduced with the greater effect of their rotating nerves.

They were immense thunderings that even scrubbed even the nimbus spheroids reddened by Dasht-e-Kavir's clamor. He turned from left to right, pretending to exile the Lut Desert, tubed from his pro-generation by two bundles of high-density optical or fibral rope that he energized, and that could cohabit with Vernarth disabled in his odyssey of the Horcondising (Paradise of the lineage of Vernarth to Gaugamela).
Canto de Brisehal: “the veil that shelters indifference, has been knotted in the hatched abdomen of the earth, and of the doline that protected me from the folio that exchanges what has or will happen. The feat of all those who suffer from standing and lying down, have three routine abortions in their relative white pregnancy, which made me nest in love for my lord Vernarth. The Eritrean Sibyl, neither in Greek nor in Latin, has to circumvent the breviaries of the Pontiff Maximus who speaks while he sleeps, of aniline nights where no one perishes awake. "

Sibylline for the Saudi, from the vortex the gulfs that hide are directed,
from where they are reborn as choirs of Aeschylus, behind the springs of Agamemnon, where Clytemnestra opens the plains that make the

Shamal runs through its dry mood dew, but wet with Eritrean sap, it is an affront in subtropical springs that dry up tears from the sturdy fallen body, in tears that will not be heard by the tenacious hemp...

Al-Haffar, pierced in arrows on his thighs, arms, and pectoral, where the star opens, shining for those who die for it in the first sheet-lightning of the Thorayya night,

with violent hugs to receive who from a codex, receives the fifth bowl, for the violent winds of fishermen who ditched themselves from the wind into fine dust, and from the cleft hands of Aldebaran, peepholes of bilges of ogres that are born hellish to die as, pious in the arms of the Eritrean Sibyls, and in prologues of Brisehal with so many meters of wingspan, notwithstanding that no rye in a greater degree, which has to be ceremonial to them at the expense of a revived Libyan Sibyl.

have you been eating well? i asked

yes, she said. her face was shining

your sleep?

quite well. i wake up in the morning now, at least.

vaccine?

one shot. and i'll be having a booster shot soon.

great. great.

.

.

we had beer today. she brought over some pastries. for once i was not left hungry.

she was wearing a beige sweater. she wore boots instead of slippers. she wore the same glasses.

you changed your lightbulb, she said.

yeah, orange now. a bit better, innit?

honestly? for me, not really. it makes the place look like a western.

oh. ok.

.

.

why don't we go upstairs? she asked

it's a mess. i had a re-haul of sorts. i'll have no visitors there.

oh, ok.

.

.

there was a silence as i finished my beer. she finished hers as well.

i grabbed a cup of water. i had to take my meds. i opened the last day of my pill box.

you still take a lot of meds?

i have to, i said. the old ones. some vitamins. this horse pill.

really? that one?

heh, yeah. it's not that big of a deal.

she held a chuckle.

this one's for humans. mother got it from a pharmacist, not a vet. not sure if if does anything, but it's pretty much just nothing. i just take it so she'd get off my ***.

she kept her snark. it was nice to hear a laugh.

i took my pills and washed it down. taking so many still left me feeling like i swallowed a stone.

she was staring. her expression was... unco.

what are we going to do now, she asked

i took a breath to clear my chest. i felt stiff.

you know what, why don't we go outside. it's past the hot hours.

sure, why not.

get your mask.

.

.

.

it was the finest week of september. the sky was streaked by yesterday's rainclouds. there would be a pretty sunset today.

it was not a busy sunday.

no one would be walking to church.

there would still be no children playing, nor old people in their garden chairs gossiping with their neighbors.

and there were no cars in this particular afternoon.

it was quiet.

.

.

we walked slowly.

she told me her usual gossip. i responded with the usual humor. the standard back and forth customary within slow walks.

i still felt stiff as we went. she looked relaxed by comparison. she seemed to be in better form than me the whole day.

there's usually no one in the park these days, i said.

well yeah, no one's going outside.

they still do. but a lot more subdued, i think. though these days are a lot better.

yeah.

.

.

we reached the park.

the slides and swings were empty. the covered court right besides it was empty as well. adjacent was a quiet construction site. it had replaced the trees and bushes that this park once had. this place has changed over the years.

we sat in a concrete bench. i ripped my mask off to breath the empty air.

she kept hers on. she wore a cloth mask with an embroidered figure in pink.

wait, are you vaccinated? she asked.

yep. that single dose one made by the people who make shampoo. sure felt like i was injected shampoo too.

ah.

she took her mask off as well. she took a breath. it came out sounding like a sigh.

are you a lot better now? i asked.

yes, i am. believe me. you?

don't ask me yet.

okay. do you still talk to your friends?

not really.

work?

no.

school?

ha, no.

.

.

do you still write?

no. couldn't.

well, that never stopped you before. what was that quote that you always say?

what quote?

the one about everyone being a poet.

ah, right. everyone makes poetry, but only some write it down.

that always was a funny one. i liked hearing that a lot from you drunk.

yeah.

for someone who despises cliché quotes, you always repeat that like everyone didn't hear it.

only when drunk. i say a lot of cliché stuff when drunk.

i liked those times. times with crowds. and beer. and clichés.

i like them too. those times will come again.

yeah.

and we'll be a lot older, with a lot more stories to tell.

yeah. some more drunken poetry from you.

.

.

the minutes towards sunset arrived.

.

.

you never liked my poems. i never saw you as one who would care for those, other than like song lyrics.

i like it. i like it coming from you too.

oh. ok. thanks.

it's nice to hear. i liked it when you describe and stuff.

it's not that creative. it's not even clever.

and that one afternoon...

yeah, that one. that wasn't so long ago.

she faced me. her hair was glowing within the golden light.

she wore blush. i could never tell why women would want to look like that. a blush could mean so much different emotions.

.

.

.

no writing. tell me a poem. describe me.

now?

it's the perfect time.

.

.

the last of the sun peaked over the building roof.

the light reflected from the greater clouds colored the lesser haze in vermillion; blush over the darkening blue.

the green and trees and bare scaffolding in their shadow, embellished by the setting light, as articulate and abstract as an impressionist frame.

the remnant of the afternoon heat drove the wind to chorus, and now it sings a soft encore.

the world loses another warmth, but the chill of this hour will soothe, before another freeze.

and the image of you

within this

the world, fickle and sibylline

but always, with everything, ethereal

with you, divine.

.

.

.

"you're beautiful."

.

.

she smiled. she leans for a kiss.

i take it. it was not as cold as it usually felt.

.

.

.

.

are you a lot better now?

a bit. remind me to give you some ivermectin later.

funny.

we broke distance again. better be safe.

she laughs. her expression became dissolute.

keep your worm pill. come here.

.

.

.

This one was a reply to a write by a good friend about learning or not learning from our past experiences...
**
The past is past is past or
it is passed on by
re the past
notched marked
by repast after repast
the past is set
past is cast 
a plaster cast
a master class
in rote
fixed
irrefutable
non mutable
dissimilar to what lies
in the interstices
as the aperture closes
the fissure fuses
past becomes
futures muse
a riddling ruse
the future
mutable and inscrutable
an enigma machine
sibylline
potentially sublime
as yet pristine
unmarked or measured
its layers feathered
still the past
possibly imparts
a suture to our future
in parts
lessons learned
badges of honour earned
or bridges burned
lessons unlearned
vexed and perplexed
so
past invades the now the next
past behaviour's become
an opaque crystal ball
warnings 
predicative
indicative
of a future fall
perception restrictive
reminds us that
what lies behind us
can time jump morph
fast forward wind
to render us blind
forgetting 
letting
past past past
get set to upsetting
the apple cart
with it dictate 
a forced error restart
and so the past the past the past
the presets and how
past catapults ahead
resets at now
back from the future
to present 
unbidden 
unsavoury gifts
continuum slips
fabric of time rips
tears at its seams
and so it seems
like lucid dreams
the past the past the past
on presents door does 
beat beat beat
a current theme
set eternal
infernal
drum machine
looped continuous cycle
to repeat repeat repeat.

J.C. honey-owl 20/07/2019

hypnagogic rope,

serpentine

alpha wave.

guardian of

visual metaphors.

sibylline interstices

of grey apples.

this frazzled loom

come from the eleventh hour--

greenly kinetic and terribly

sibylline.

aches with vision shakey as a

petal of terminal color.

as ominous fragrances are

increasingly seated upon

the air.

spreading their temporary birthright.

as gospel.

It was to happen
from known to unknown,
sibylline hands held the head.

This was my first
love to catch the tears of moon.
Honey drips. From where bees come?

After I gained you in light,
I lost you again in deep dark.
Birth of venus was rehearsed.

Why did you paint
your name on forehead to
attract the dying desire?

The poetry decides the
fate of falling star on the hey,
before you burn your port.