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A horror movie scene as the heroine escapes.
Everything is still besides her convalescing breath and the distant, chasing wind.
Not a noise is heard except the fall leave's rattle and the birch wood's moaning bark in the moonlight.
Her body slouches into the protection of a lone shed, and shrouds itself in the aroma of cut grass.
A tense brow relieves and tired eyes close, thankful to receive the momentary peace.

A possible misstep turns the wary peace on end with the jagged cut of broken leaves. The once relieved brow now concedes surprise as wild eyes are cast towards an opaque barricade.
Sly pieces of garden equipment leash a weathered jacket in place as she attempts to stand.
A cackle is heard, a shriek undone.
To spite the brittle wood, the formulaic jump-scare-skeleton-hand bursts through the shed's solicitous walls, set to declare the last of a weary soul as his own.
The wind catches up and spearheads any hole it can find.
It begins whistling around the dim room like a tornado elated to havoc behind a castle's walls.
The tree bark howls, the leaves, now delight.
We learn there is no reprieve for a begging champion.
The camera slowly backs out of the splintered hole, and pans over a silhouetted forest to face the waning moon.
The hero succumbs with muted screams to a gore far below and out of frame.

Our only closure, a black screen, with bright white letters, slowly scrolling up.


The end.
Just something I had fun writing, figured not posting it would be a waste despite it not being "poetry", just an experiment I guess. I feel like it would be good, in like, a high-school, short story competition. *****.
Alyssa Underwood Aug 2018
We're forced, each man, to walk a trialed path—
resisted trek, uphill through blinding daze
that shrouds with crucible's perplexing haze
till fog-white skies yield quick to black clouds' wrath.
Affliction brims a thorny pack to bear
whilst dewy darkness drenches in the night,
but where is calming lamp to lend us sight?
And who will come to give us saving care?
Here through veil is heard a whisper certain,
then o'er the mountain creeps the dawning day
and with clear eyes we see the brume give way
as God retracts His theatre's curtain,
unsheathing velvet waves whose morning sheen
beyond grey mist splays vast and wondrous green.
~~~

"I will exalt You, LORD,
    for You lifted me out of the depths
    and did not let my enemies gloat over me.
LORD my God, I called to You for help,
    and You healed me.
You, LORD, brought me up from the realm of the dead;
    You spared me from going down to the pit.
Sing the praises of the LORD, you His faithful people;
    praise His holy name.
For His anger lasts only a moment,
    but His favor lasts a lifetime;
weeping may stay for the night,
    but rejoicing comes in the morning.
When I felt secure, I said,
    'I will never be shaken.'
LORD, when You favored me,
    You made my royal mountain stand firm;
but when You hid Your face,
    I was dismayed.
To You, LORD, I called;
    to the Lord I cried for mercy:
'What is gained if I am silenced,
    if I go down to the pit?
Will the dust praise You?
    Will it proclaim Your faithfulness?
Hear, LORD, and be merciful to me;
    LORD, be my help.'
You turned my wailing into dancing;
    You removed my sackcloth and clothed me with joy,
that my heart may sing Your praises and not be silent.
    LORD my God, I will praise You forever."

~ Psalm 30

https://hellopoetry.com/poem/1464179/the-beauty-behind-the-fog/
Terry O'Leary Dec 2013
Ill-fated crowd neath foreign cloud: the Silent City braves
against a sudden sullen flood, unleashing lashing waves,
which washes stony structures clean with radiance that laves.

Deserted streets, once dense retreats, spin yarns of yesterday,
with  faded words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes...
They frame a frail forgotten tale,  in carved unwritten runes
with symbols hung like halos strung in lifeless, limp festoons.

The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
though churches, mosques and synagogues abide without a bruise.

A church’s Gothic ceilings guard the empty pews below
and, windswept blown above the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stilled chapel chimes! Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillons, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.

Stray footsteps swarm  through church no more (apostates that profane) -
their echoes in the nave ring thin, while chalice cups maintain
a taste of brine in altar wine decaying in the rain.


No face will come with jagged tongue to sing a silent psalm
nor paint pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, or beg lethean balm.


Six steeple towers, steel and stone, drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

Coiled candle sticks! Their twisted wicks no longer 'lume the cracks
with dying flame in smoky swirl mid pendant pearls of wax,
since deference to innocence dissolved in melting tracks.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, across a cruel moraine
reflecting white a wisp of light in ebon beads of bane
which casts a crooked smile across a faceless window pane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
haunt ballrooms, bars, bereft bazaars, with no one left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep... a clutch of clammy clouds.


No breath will come  'cross jagged tongue to sing a silent psalm
nor paint pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The castle clock, unwound, defrocks! Those peerless speechless spokes
unfurl the blight of reigning Night by spinning off her cloaks,
and flaunt the dun oblivion, her Baroness evokes.

Green trees gone dark, in palace parks, where children paused to play –
now voiceless things on phantom swings, like statues made of clay,
mark marbled tombs in graveyards groomed for grievers bent to pray.  

The sun-bleached bones of those who've flown lie scattered down the lanes
while other souls who hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The terrors wrought by conscience fraught once stalked and lurked nearby
to rip the shrouds from  curtained clouds, frail fabrics on the sky –
now wraiths that scream in sleepless dreams no longer terrify.

And fog no longer leaks beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears  in sheets of shallow gray.

Beyond the suburbs, farmers’ fields (where donkeys often brayed)
exhale a gust of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

A silo, still! Like hollowed quill, a ravished feather’s vane,
with traces of bespattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No souls will come with jagged tongues to sing a silent psalm
nor paint pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play...
They’re celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.
There is snow on the ground,
And the valleys are cold,
And a midnight profound
Blackly squats o'er the wold;
But a light on the hilltops half-seen hints of feastings un-hallowed and old.

There is death in the clouds,
There is fear in the night,
For the dead in their shrouds
Hail the sin's turning flight.
And chant wild in the woods as they dance round a Yule- altar fungous and white.

To no gale of Earth's kind
Sways the forest of oak,
Where the sick boughs entwined
By mad mistletoes choke,
For these pow'rs are the pow'rs of the dark, from the graves of the lost Druid-folk.
Medusa May 2018
rain love fell a dream tonight
you were not there, but felt close
seeing nothing in mist of trouble
walking cloud of forgotten shrouds

no one, dank street, cruel houses
no dry place no cats about
wearing red and yellow slickers
long while cats hidden entire

wandering one wet world
slick pavement sky so asphalt
empty windows gaped calling
out deceptively catch the unwary

windows, concrete, no trees
mother's voice laughs soundlessly
no signposts, no streetlights
oddly forlorn, my hometown

unmarked, without direction
darker than hell's moonless night
this is my town, my place
one learns, find a way

feel the way, march in tyme
crawl slowly out the pier
knowing bay so full tonight

use poet radar
you will not
fail
Taking a walk in my town is strange, there are literally no streetlights, no sidewalks, and a bay at the end. On the many foggy or moonless nights you could swear you are on the dark side of the moon, not a car or person in sight.
zebra Sep 2018
have you ever seen beauty in a silky nightmare
have you  ever seen the monster of deprivation in heavens promise?

we speak of private things
we should never talk about
about vailed women
and their terrible secrets
and about myself who remains no longer a secret to myself

somewhere i went off the track
like a  daisy chain saw of honesty
to ensure you knew i was sick
a sick **** with a trick
as if i ate some ****** up hallucinogenic' s
making me spill my obsessions all over you
like some weird perfumed *****
down a swirling rainbow toilet
that turns out to be only jelly and whipped cream
wrapped in colored ribbons on cellophane tampons

i feel like  having *** or going to the toilet in public
while waving my hands up in the air
screaming yahoo i'm free
to blow to kingdom come
the temple of normalcy
you know
the church of rose gardens, cemeteries and deprivations
except of course for the sneers, smears
and self loathing vanilla demons
who wear long see through dresses and crosses
like dash board plastic virgins
with bobbing heads
that make hissing sounds about sin

i confess
i'm attracted to the darkest women
strange *******
and  ******
the stranger the better
who shake their butts
like hoodoo enchanted show girls
doing what they shouldn't do
crying and scrying like cooing moons calling
"drink me like ****** Mary
daddy **** lollypop"
all inky tats and razorblade ouchies

or
you can join those
covered in white collared black as death habits
begging the invisible *** cake in paradise
waiting for mercy and a little ****
that never comes
stuck in an empty
loveless bar of crucifixes that only serves up theology

oh baby
***** dreams do come true
pink ****** ***** gladly widen their haunches
like **** without boots
not caring if they go to hell
playin
like a joy ride of fiddle **** sticks
all freaky tongues and tingling licks
thick saliva multi lingual blow jobs
lathering flashing lipped saliva for the squirt  
with fiery wet hypodermic kisses
that make screams
like creamed upleaping lava and ash
for a million hungry sexed up twisting tongues
in occult ecstasy
fecundating shrouds of steamy clouds
in stained red black lighted rooms
with cherub crowned *****
and their drooling snatches buttered ****

eat quivering
like fowl mouthed piranhas
crying more raw meat please
while you drag your perfect person visage
into hollow caves of despair
cold and lonely

so you forlorn love struck weeping
horney pathetic scarecrow
socially engineered robots
if you want love
like heated buttery waffles with sweet jam
just give your self away like slutty putty
to lust criminals and *** addicted pervs  
until
you feel someone swallow you whole
soul and all
and lick their lips
like your their cherry pie

then look passed your
rats nest of pride and exhaustive approval list
and love them back
like free beer
bang their brains out
be their slave and make them yours
in the mad house of love
of warped shimmering mirrors, straight jackets, and squeezy insertions

and if one day they don't appreciate your imperfect perfection
if they weaponize like critic's
teach them respect
shove it where they breathe
lick your wounds
be brave
throw them in the trash bin of history
and move on

Eros and Venus
take a million forms

look around
your swimming in a giant bowl of broken hearts
hungry mouths, drenched ***** and hard *****

you whimpering little beasts
dress to ****
undress to live

its a movable feast
advice to the lovelorn young
thank you to Lora Lee for the line
" swirling toilet rainbows"
I

In that November off Tehuantepec,
The slopping of the sea grew still one night
And in the morning summer hued the deck

And made one think of rosy chocolate
And gilt umbrellas. Paradisal green
Gave suavity to the perplexed machine

Of ocean, which like limpid water lay.
Who, then, in that ambrosial latitude
Out of the light evolved the morning blooms,

Who, then, evolved the sea-blooms from the clouds
Diffusing balm in that Pacific calm?
C'etait mon enfant, mon bijou, mon ame.

The sea-clouds whitened far below the calm
And moved, as blooms move, in the swimming green
And in its watery radiance, while the hue

Of heaven in an antique reflection rolled
Round those flotillas. And sometimes the sea
Poured brilliant iris on the glistening blue.

                        II

In that November off Tehuantepec
The slopping of the sea grew still one night.
At breakfast jelly yellow streaked the deck

And made one think of chop-house chocolate
And sham umbrellas. And a sham-like green
Capped summer-seeming on the tense machine

Of ocean, which in sinister flatness lay.
Who, then, beheld the rising of the clouds
That strode submerged in that malevolent sheen,

Who saw the mortal massives of the blooms
Of water moving on the water-floor?
C'etait mon frere du ciel, ma vie, mon or.

The gongs rang loudly as the windy booms
Hoo-hooed it in the darkened ocean-blooms.
The gongs grew still. And then blue heaven spread

Its crystalline pendentives on the sea
And the macabre of the water-glooms
In an enormous undulation fled.

                        III

In that November off Tehuantepec,
The slopping of the sea grew still one night
And a pale silver patterned on the deck

And made one think of porcelain chocolate
And pied umbrellas. An uncertain green,
Piano-polished, held the tranced machine

Of ocean, as a prelude holds and holds,
Who, seeing silver petals of white blooms
Unfolding in the water, feeling sure

Of the milk within the saltiest spurge, heard, then,
The sea unfolding in the sunken clouds?
Oh! C'etait mon extase et mon amour.

So deeply sunken were they that the shrouds,
The shrouding shadows, made the petals black
Until the rolling heaven made them blue,

A blue beyond the rainy hyacinth,
And smiting the crevasses of the leaves
Deluged the ocean with a sapphire blue.

                        IV

In that November off Tehuantepec
The night-long slopping of the sea grew still.
A mallow morning dozed upon the deck

And made one think of musky chocolate
And frail umbrellas. A too-fluent green
Suggested malice in the dry machine

Of ocean, pondering dank stratagem.
Who then beheld the figures of the clouds
Like blooms secluded in the thick marine?

Like blooms? Like damasks that were shaken off
From the loosed girdles in the spangling must.
C'etait ma foi, la nonchalance divine.

The nakedness would rise and suddenly turn
Salt masks of beard and mouths of bellowing,
Would--But more suddenly the heaven rolled

Its bluest sea-clouds in the thinking green,
And the nakedness became the broadest blooms,
Mile-mallows that a mallow sun cajoled.

                        V

In that November off Tehuantepec
Night stilled the slopping of the sea.
The day came, bowing and voluble, upon the deck,

Good clown... One thought of Chinese chocolate
And large umbrellas. And a motley green
Followed the drift of the obese machine

Of ocean, perfected in indolence.
What pistache one, ingenious and droll,
Beheld the sovereign clouds as jugglery

And the sea as turquoise-turbaned *****, neat
At tossing saucers--cloudy-conjuring sea?
C'etait mon esprit batard, l'ignominie.

The sovereign clouds came clustering. The conch
Of loyal conjuration *******. The wind
Of green blooms turning crisped the motley hue

To clearing opalescence. Then the sea
And heaven rolled as one and from the two
Came fresh transfigurings of freshest blue.
ryn May 2015
I stand at the feet
of this stunning sunset,
The sparks in my eyes,
light each star.

          
Rhythm of each twinkle,
          synced with that of my own.
          Strong and sure,
          albeit few and far.


Nameless wind brings to me,
stories of silky clouds
I pull your smile deep in my heart
and finally can breathe.

          
Familiar words
          without cloaks nor shrouds.
          Just words...
          Yours and mine to reveal what
          our hearts would unsheathe.


What day is this?
Perfect to find
the rebirth of
freshly dewed dreams.

          
It isn't yesterday
          nor is it tomorrow
          It's today...
          Where the sun would see us
          weave our tapestries
          through promise-bound seams.


I feel deep in my heart,
a fluttery stirring,
A hope,
a strength to reach out to you.

          
This hope you speak of...
          Tethered by no thread or string
          Mending my universe
          and making it new.

          So now I stand
          at the end of this set...
          Seeking the beacon
          that I had known.
          I'd again brave through this day
          tomorrow...
          Just so that I could hear your heart
          that beats with my own...



     *Dajena M

     *ryn
RAJ NANDY Feb 2015
AN INTRODUCTION TO INDIAN ART IN VERSE  
By Raj Nandy : Part One

INTRODUCTION
Background :
The India subcontinent and her diverse physical features,
influenced her dynamic history, religion, and culture!
The fertile basin of the Sapta-Sindu Rivers* cradled one of
world’s most ancient civilization, (seven rivers)
Contemporary to the Sumerians and the Egyptians, popularly
known as the Indus Valley Civilization!
The Sindu (Indus), Jhelum, Chenab, Ravi, Sutlej, Bias, along
with the sacred river Saraswati, shaped India’s early History;
Where once flourished the urban settlements of Harappa and
Mohenjodaro, which lay buried for several centuries;
For our archaeologists and scholars to unravel their many
secrets and hidden mysteries!
Modern scholars refer to it as ‘Indus-Saraswati Civilization’;
By interpreting the text of the Rig Veda which mentions
eclipses, equinoxes, and other astronomical conjunctions,
They date the origin of the Vedas as earlier as 3000 BC;
Thereby lifting the fog which shrouds Ancient History! +
(+ Two broad schools of thoughts prevail; Max Mullar refers
to 1500 BC as the date for origin of the Vedas, but modern scientific findings point to a much earlier date for their Oral composition and
their long oral tradition!)

On the banks of the sacred Saraswati River the holy sages
did once meditate, *
When their third eye opened, as all earthly bonds they did
transcend !
From their lips flowed the sacred chants of the Vedas, as
they sang the creator Brahma’s unending praise!
These Vedic chants and incantations survived many
centuries of an oral tradition,
When Indian Art began to blossom into exotic flowers like
Brahma’s divine manifestations;
With all subsequent art forms following the model of
Brahma’s manifold creations!
The Vedas got written down during the later Vedic Age
with commentaries and interpolations,
And remain as India’s indigenous composition, forming a
part of her sacred religious tradition! *
(
Rig Veda the oldest, had hymns in praise of the creator;
Yajur Veda spelled the ritual procedures; Sama Veda sets
the hymns for melodious chanting, & is the source of seven
notes of music; Artha Veda had hymns for warding off evil
& hardship, giving us a glimpse of early Vedic life.)

IMPACT OF FOREIGN INVASIONS:
Through the winding Khyber Pass cutting through the rugged
Hindu Kush Range,
Came the Persians, Greeks, Muslims, the Moguls, and many
bounty hunters storming through north-western frontier gate;
Consisting of varied racial groups and cultures, they entered
India’s fertile alluvial plains!
Therefore, while tracing 5000 years of Art Story, one cannot
divorce Art from India’s exotic cultural history.
From the Cave Art of Bhimbetka, to the dancing girl of Harappa,
To the frescoes and the evocative figures of Ajanta and Ellora;
Many marvelous and exquisitely carved temples of the South,
And Muslim and Mogul architecture and frescoes along with
India’s rich Folk Art, enriched her artistic heritage no doubt!
Yet for a long time Indian Art had been the least known of
the Oriental Arts,
Perhaps because from Western point of view it was difficult
to understand the spirit behind Indian Art!
For Indian Art is at once aesthetic and sensual, also passionate,
symbolic, and spiritual !
It both celebrates and denies the individual’s love of life,
where free instinct with rigid reason combine !
These contradictory elements are found side by side due to
her culturally mixed conditions, as I had earlier mentioned!
Now, if we add to this the constant religious exaltation,
With the extensive use of symbolic presentation, from the
early days of Indian civilization;
We have the basic elements of an Art, which has gradually
aroused the interest of Western Civilization!

The further we get back in time, we only begin to find,
That religion, philosophy, art and architecture,
Had all merged into an unified whole to form India’s
composite culture!
But while moving forward in time, we once again find,
That art, architecture, music, poetry and dance, all begin to
gradually emerge, with their separate identities,
Where Indian Art is seen as a rich mosaic of cultural diversity!

(NOTES:-In the ancient days, the Saraswati River flowed from the Siwalik Range of Hills (foothills of the Himalayas) between Sutlej & the Yamuna rivers, through the present day Rann of Kutch into the Arabian Sea, when Rajasthan was a fertile place! Indus settlements like Kalibangan, Banawalli, Ganwaiwala, were situated on the banks of Sarsawati River, which was longer than the Indus & ran parallel, and is mentioned around50 times in the Rig Veda! Scientists say that due to tectonic plate movements, and climatic changes, Saraswati dried up around 1700BC ! The people settled there shifted east and the south, during the course of history! Some of those Indo-Aryan speaking people were already settled there, & others joined later. Max Muller’s theory of an Aryan Invasion which destroyed the Indus Valley Civilization during 1500BC, supported by Colonial Rulers, was subsequently proved wrong ! Indo-Aryans were a Language group of the Indo- European
Language Family, & not a racial group as mistaken by Max Mullar! Therefore Dr.Romila Thapar calls it a gradual migration, & not an invasion! The Vedas were indigenous composition of India. However, they got compiled & written down for the first time with commentaries, at a much later date! I have maintained this position since it has been proved by modern scholars scientifically!)

SYMBOLISM IN INDIAN ART
From the ancient Egyptian hieroglyphic to the Cretan Bull
of Greece,
Symbols have conveyed ideas and messages, fulfilling
artistic needs.
The ‘Da Vinci Code’ speaks of Leonardo’s art works as
symbolic subterfuge with encrypted messages for a secret
society!
While Indian art is replete with many sacred symbols to
attract good fortune, for the benefit of the community!
The symbols of the Dot or ‘Bindu’, the Lotus, the Trident,
the Conch shell, the sign and chant of ‘OM’, are all sacred
and divine;
For at the root of Indian artistic symbolism lies the Indian
concept of Time!
The West tends to think of time as a dynamic process which
is forward moving and linear;
Commencing with the ‘Big Bang’, moving towards a ‘Big
Crunch’, when ‘there shall be no more time’, or a state of
total inertia !
Indian art and sculpture is influenced by the cyclic concept
of time unfolding a series of ages or ‘yugas’;
Where creation, destruction and recreation, becomes a
dynamic and an unending phenomena!
This has been artistically and symbolically expressed in the
figure of Shiva-Nataraja’s cosmic dance,
Which portrays the entire kinetic universe in a state of
eternal flux!
The hour-glass drum in Nataraja’s right hand symbolizes
all creation;
Fire in his left hand the cyclic time frame of destruction!
The raised third hand is in a gesture of infinite benediction;
And the fourth hand pointing to his upraised foot shows the
path of liberation!

It was easier to teach the vast untutored population through
symbols, images, and paintings in the form of Art;
For a picture is more effective than a thousand words!
The Dot or ‘bindu’ becomes the focus for meditation,
Where the mental energies are focused on a single point of
creation,
As seen in the cotemporary art works of SH Raza’s
artistic representations!
Yet the same dot when expanded as a circle becomes
wholeness and infinity;
The shape of celestial bodies of the cyclic universe in its
creativity!
The Lotus seen in many sculptures, on temple walls, and
majestic columns, denotes purity;
A symbol of non-attachment rising above the muddy waters,
retaining its pristine color and beauty!
The Lotus is a powerful and transformational symbol in
Buddhist Art,
Where pink lotus is for height of enlightenment, blue for
wisdom, white for spiritual perfection, and the red lotus
symbolizing the heart!
This Lotus symbol also finds a place in Mughal sculptural
carvings and miniatures;
The inverted lotus dome resting on its petals, forms the
crown of Taj Mahal’s white marble architecture!
The trident or ‘trishul’ symbolizes the three god-heads
Brahma, Vishnu and Shiva;
As the Creator, Preserver and Destroyer, in that cyclic
chain which goes on forever!
The ***** stone of Shiva-lingam surrounded by the oval
female yoni symbolizes fertility and creation,
Usually found in the inner sanctuary of Hindu temples!
Finally, the symbol of ‘OM’ and its vibrating sound,
Echoes the primordial vibrations with which space and
time abounds!
All matter comes from energy vibrations manifesting
cosmic creation;
Also symbolized in Einstein’s famous matter-energy equation!
The Conch Shell a gift of the sea when blown, sounds the
ancient primordial vibration of ‘OM’!
It’s hallowed auspicious sound accompanies marriage
ceremonies and rituals whenever occasion demands;
And pacifies mother earth during Shiva-Nataraja’s sudden
seismic dance! (earthquakes)
Dear readers the symbols mentioned here are very few,
Mainly to curb the length, while I pay Indian Art my
artistic due!

A BRIEF COMPARISON OF ART:
Despite the many foreign influences which entered India
through the Khyber and Bholan pass,
India displayed marvelous adaptability and resilience, in
the development of her indigenous Art!
The aesthetic objectivity of Western Art was replaced by
the Indian vision of spiritual subjectivity,
For the transitory world around was only a ‘Maya’ or an
Illusion,- lacking material reality!
Therefore life-like representation was not always the aim
of Indian art,
But to lift that veil and reveal the life of the spirit, - was
the objective from the very start!
Egyptian funerary art was more occupied with after-life
and death;
While the Greeks portrayed youthful vigor and idealized
beauty, celebrating the joys of life instead!
The proud Roman Emperors to outshine their predecessors
erected even bigger statues, monuments, and columns
draped in glory;
Only in the long run to drain the Roman treasury, - a sad
downfall story!
Indian art gradually evolved over centuries with elements
both religious and secular,
As seen from the period of King Chandragupta Maurya,
Who defeated the Greek Seleucus, to carve out the first
united Indian Empire ! (app. 322 BC)

SECULAR AND SPIRITUAL FUSION IN ART:
Ancient Indian ‘stupas’
and temples were not like churches
or synagogues purely spiritual and religious,
But were cultural centers depicting secular images which
were also non-religious!
The Buddhist ‘stupa’ at Amravati (1stcentury BC), and the
gateways at Sanchi (1stcentury AD), display wealth of carvings
from the life of Buddha;
Also warriors on horseback, royal procession, trader’s caravans,
farmers with produce, - all secular by far!
Indian temples from the 8th Century AD onwards depicted
images of musicians, dancers, acrobats and romantic couples,
along with a variety of Deities;
But after 10th Century ****** themes began to make their mark
with depiction of sensuality!
Sensuality and ****** interaction in temples of Khajuraho and
Konarak has been displayed without inhibition;
As Tantric ideas on compatibility of human sexuality with
human spirituality, fused into artistic depictions!
Religion got based on a healthy and egalitarian acceptance
of all activities without ****** starvation;
For the emotional health and well-being of society, without
hypocritical denial or inhibition!
(’Stupas’= originated from ancient burial mounds, later became devotional Buddhist sites with holy relics, & external decorative gateways and carvings!)

KHJURAHO TEMPLE COMPLEX (950 - 1040 AD) :
Was built by the Chandela Rajputs in Central India,
When Khajuraho, the land of the moon gods, was the first
capital city of the Chandelas!
****** art covers ten percent of the temple sculptures,
Where both Hindu and Jain temples were built in the north-Indian
Nagara style of Architecture.
Out of the 85 temples only 22 have stood the vagaries of time,
Where a perfect fusion of aesthetic elegance and evocative
Kama-Sutra like ****** sculptural brilliance, - dazzle the eyes!

KONARAK SUN TEMPLE OF ORISSA - EAST COAST:
From the Khajuraho temple of love, we now move to the
Konark temple of *** in stones - as art!
Built around 1250 AD in the form of a temple mounted on
a huge cosmic chariot for the Sun God;
With twelve pairs of stone-carved wheels pulled by seven
galloping horses, symbolizing the passage of time under
the Solar God !
Seven horses for each day of the week, pulls the chariot
east wards towards dawn;
With twelve pairs of wheels representing the twelve calendar
months, as each cyclic day ushers in a new morn !
The friezes above and below the chariot wheels show military
processions, with elephants and hunting scenes;
Celebrating the victory of King Narasimhadeva-I over the
invading Muslims!
The ****** art and voluptuous carvings symbolizes aesthetic
bliss when uniting with the divine;
Following yogic postures and breathing techniques, which
Tantric Art alone defines!
(
Both Khjuraho & Konark temples were re-discovered by the
British, & are now World Heritage Sites!)

Artistic invention followed the model of cosmic creation;
Ancient Vedic tradition visualized the spirit of a joyous
self-offering with chants and incantations!
The world was understood to be a structured arrangement
of five elements of earth, water, fire, air, and ethereal space;
Where each element brought forth a distinct art-expression
with artistic grace!
Element of Sculpture was earth, Painting the fluidity of water,
Dance was transformative fire, Music flowed through the air,
and Poetry vibrated in ethereal space!

CONCLUDING INTRODUCTION TO INDIAN ART:

Indian Art is like a prism with many dazzling facets,
I have only introduced the subject with its symbolism,
- without covering its complete assets!
After my Part Three on ‘Etruscan and Roman Art’,
Christian and Byzantine Art was to follow;
But following request from my few poet friends I have
postponed it for the morrow!
Traditional Indian Art survives through its sculptures,
architecture, paintings and folk art, ever evolving with
the passing of time and age;
Influenced by Buddhist, Jain, Muslim, Mogul, and many
indigenous art forms, enriching India’s cultural heritage!
While the art of our modern times constitutes a separate
Contemporary phase !
The juxtaposition of certain concepts and forms might
have appeared a bit intriguing,
But the spiritual content and symbolism in art answers
our basic artistic seeking!
The other aspects of Indian Art I plan to cover at a later
date,
Hope you liked my Introduction, being posted after
almost forty days!
ALL COPY RIGHTS ARE WITH RAJ NANDY
E-Mail: rajnandy21@yahoo.
    FEW COMMENTS BY POETS ON 'POETFREAK.COM' :-
I have a vicarious pleasure going through your historical journey of Indian art! Thanks for sharing this here! 2 Mar 2013 by Ramesh T A | Reply

The prism of Indian Art is indeed has myriads of facets and is an awesome mixture of many influences some of which you list here so clearly - a very understandable presentation of symbolism too - -thank you for your fine effort Raj. 2 Mar 2013 by Fay Slimm | Reply

Oh what an interesting read with immense information capturing every single detail. You painted this piece of art with utmost care. Truly, it's works Raj…tfs 2 Mar 2013 by John Thomas Tharayil | Reply

First, I have to say, the part about the lotus symbolism reminds me – My name ‘NILOTPAL’ can be split into ‘NIL’ meaning BLUE and ‘UTPAL’ meaning LOTUS. So my name represents wisdom (although it contradicts ME.. LOL). A lot of things were mentioned in the veda and other ancient Indian texts that were way ahead of the time Like the idea of ‘velocity of light’ got considerable mention in the rig veda-Sahan bhasya, ‘Elliptical order of planets, ‘Black holes’ , although these are the scientific aspects. The emphasis on contradictory elements or even the idea of opposites in Indian art is interesting because India developed the mathematical concept of ‘Zero’ and ‘infinity’. Hard to believe Rajasthan was a fertile place but now it possesses its own beauty. It was great to read about the Natraja, ‘OM’ and the trident(Trishul). Among symbolisms, Lord Ganseha is my favorite because a lot is portrayed in that one image like the MOOSHIK representing
When I composed the History of Western Art in Verse & posted the series on 'Poetfreak.com', few Indian poet friends requested me to compose on Indian Art separately. I am posting part one of my composition here for those who may like to know about Indian Art. Thanks & best wishes, -Raj
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
    such strange things ‘have Never happened in our Land’,
    such quaint things ‘could Never happen in our Land’’,
    such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

    The ***** grinder preaches fine on Sunday afternoons -
    he quotes from books but overlooks the Secrets Carved in Runes:
    “You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
    it’s sink or swim as echoed dim in swinging door saloons”.
    The laughingstocks are flinging rocks at ball-and-chained baboons.

    While ghetto boys are looting toys preparing for their doom
    and Mademoiselles are weaving shells on tapestries with looms,
    Cathedral cats and rafter rats are peering in the room,
    where ragged strangers stoop for change, for coppers in the gloom,
    whose thoughts are more upon the doors of crypts in Christmas bloom,
    and gold doubloons and silver spoons that tempt beyond the tomb.

    Mid *** shots from vacant lots, that strike and ricochet
    a painted girl with flaxen curl (named Wendy)’s on her way
    to tantalise with half-clad thighs, to trick again today;
    and indiscreet upon the street she gives her pride away
    to any guy who’s passing by with time and cash to pay.
    (In concert halls beyond the Walls, unjaded girls ballet,
    with flowered thoughts of Camelot and dreams of cabarets.)

    Though rip-off shops and crooked cops are paid not once but thrice,
    the painted girl with flaxen curl is paring down her price
    and loosely tempts cold hands unkempt to touch the merchandise.
    A crazy guy cries “where am I”, a ****** titters twice,
    and double quick a lunatic affects a fight with lice.

    The alleyways within the maze are paved with rats and mice.
    Evangelists with moneyed fists collect the sacrifice
    from losers scorned and rubes reborn, and promise paradise,
    while in the back they cook some crack, inhale, and roll the dice.

    A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
    with broken neck, he looks a wreck, the sparrows all aflutter,
    the passers-by, they close an eye, and turn their heads and mutter:
    “Let’s pray for rains to wash the lanes, to clear away the clutter.”
    A river slows neath mountain snows, and leaves begin to shudder.

    The jungle teems, a siren screams, the air is filled with ****.
    The Reverent Priest and nuns unleash the Holy Shibboleth.
    And Righteous Jane who is insane, as well as Sister Beth,
    while telling tales to no avail of everlasting death,
    at least imbrue Hagg Avenue with whisky on their breath.

    The Reverent Priest combats the Beast, they’re kneeling down to prey,
    to fight the truth with fang and tooth, to toil for yesterday,
    to etch their mark within the dark, to paint their résumé
    on shrouds and sheets which then completes the devil’s dossier.

    Old Dan, he’s drunk and in a funk, all mired in the mud.
    A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
    “I’m feeling pain and crying rain and flailing in the flood
    and no god’s there inclined to care I’m always coughing blood.”
    The Monk, he turns, Dan’s words he spurns and lets the bible thud.

    Well, Banjo Boy, he will annoy with jangled rhymes that fray:
    “The clanging bells of carousels lead blind men’s minds astray
    to rings of gold they’ll never hold in fingers made of clay.
    But crest and crown will crumble down, when withered roots decay.”

    A pregnant lass with eyes of glass has never learned to cope.
    Once set adrift her fall was swift, she slid a slipp’ry ***** -
    she casts the Curse, the Holy Verse, and shoots a shot of dope,
    then stalks discreet Asylum Street her daily horoscope -
    the stray was struck by random truck which was her only hope.

    So Banjo Boy, with little joy, he strums her life entire:
    “The wayward waif was never safe; her stars were dark and dire.
    Born midst the rues and avenues where lack and want aspire
    where no one heeds the childish needs that little ones require;
    where faith survives in tempest lives, a swirl within the briar,
    Infinity grinds as time unwinds, until the winds expire.
    Her last caprice? The final peace that no one could deny her -
    whipped by the flood, stray beads of blood cling, splattered on the spire;
    though beads of sweat are cool and wet, cold clotted blood is dryer.”

    Though broken there, she’s fled the snare with dying thoughts serene.
    And now she’s dead, the rumours spread: her age? a sweet 16,
    with child, *****, her soul dyed red, her body so unclean.
    A place is sought where she can rot, avoiding churchyard scenes,
    in limey pits, as well befits, behind forbidding screens;
    and all the while a dirge is styled on tattered tambourines
    which echo through the human zoo in valleys of the Queens.

    Without rejoice, in hissing voice, near soil that’s seldom trod
    “In pious role, God bless my soul”, was mouthed with mitred nod,
    neath scarlet trim with black, and grim, behind a robed facade -
    “She’ll burn in hell and sulphur smell”, spat Priest and man of god.

    Well, angels sweet with cloven feet, they sing in girl’s attire,
    but Banjo Boy, he’s playing coy while chanting in the choir:
    “The clueless search within the church to find what they desire,
    but near the nave or gravelled grave, there is no Rectifier.”
    And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

    A sodden dreg with wooden leg is dancing for a dime
    to sacred psalms and other balms, all ticking with the time.
    He’s 22, he’s almost through, he’s melted in his prime,
    his bane is firm, the canker worm dissolves his brain to slime.
    With slanted scales and twisted jails, his life’s his only crime.

    A beggar clump beside a dump has pencil box in hand.
    With sightless eyes upon the skies he’s lying there unmanned,
    with no relief and bitter grief too dark to understand.
    The backyard blight is hid from sight, it’s covered up and bland,
    and Robin Hood and Brother Hood lie buried in the sand.

    While all night queens carve figurines in gelatine and jade,
    behind a door and on the floor a deal is finally made;
    the painted girl with flaxen curl has plied again her trade
    and now the care within her stare has turned a darker shade.
    Her lack of guile and parting smile are cutting like a blade.

    Some boys with cheek play hide and seek within a house condemned,
    their faces gaunt reflecting want that’s hard to comprehend.
    With no excuse an old recluse is waiting to descend.
    His eyes despair behind the stare, he’s never had a friend
    to talk about his hidden doubt of how the world will end -
    to die alone on empty throne and other Fates impend.

    And soon the boys chase phantom joys and, presto when they’re gone,
    the old recluse, with nimble noose and ****** features drawn,
    no longer waits upon the Fates but yawns his final yawn
    - like Tinker Bell, he spins a spell, in fairy dust chiffon -
    with twisted brow, he’s tranquil now, he’s floating like a swan
    and as he fades from life’s charades, the night awaits the dawn.

    A boomerang with ebon fang is soaring through the air
    to pierce and breach the heart of each and then is called despair.
    And as it grows it will oppose and fester everywhere.
    And yet the crop that’s at the top will still be unaware.

    A lad is stopped by roving cops, who shoot in disregard.
    His face is black, he’s on his back, a breeze is breathing hard,
    he bleeds and dies, his mama cries, the screaming sky is scarred,
    the sheriff and his squad at hand are laughing in the yard.

    Now Railroad Bob’s done lost his job, he’s got no place for working,
    His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
    The union man don’t give a ****, Big Brother lies a’ lurking,
    the boss’ in cabs are picking scabs, they count their money, smirking.

    Bob walks the streets and begs for eats or little jobs for trying
    “the answer’s no, you ought to know, no use for you applying,
    and don’t be sad, it aint that bad, it’s soon your time for dying.”
    The air is thick, his baby’s sick, the cries are multiplying.

    Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
    their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
    Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
    and midnight dreams abound with screams. Bob knows he needs to hurry.
    It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
    he chooses gas, they breathe their last, there’s no more cause to worry.

    Per protocols near ivied walls arrayed in sage festoons,
    the Countess quips, while giving tips, to crimson caped buffoons:
    “To rise from mass to upper class, like twirly bird tycoons,
    you stretch the treat you always eat, with tiny tablespoons”

    A learned leach begins to teach (with songs upon a liar):
    “Within the thrall of Satan’s call to yield to dim desire
    lie wicked lies that tantalize the flesh and blood Vampire;
    abiding souls with self-control in everyday Hellfire
    will rest assured, when once interred, in afterlife’s Empire”.
    These words reweave the make believe, while slugs in salt expire,
    baptised in tears and rampant fears, all mirrored in the mire.

    It’s getting hot on private yachts, though far from desert plains -
    “Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
    Beyond the blame and pit of shame, outside the Walled domains,
    they pet their pups and raise their cups, take sips of pale champagnes
    to touch the tips of languid lips with pearls of purple rains.

    Well, Gypsy Guy would rather die than hunker down in chains,
    be ridden south with bit in mouth, or heed the hold of reins.
    The ruling lot are in a spot, the boss man he complains:
    “The gypsies’ soul, I can’t control, my patience wears and wanes;
    they will not cede to common greed, which conquers far domains
    and furtive spies and news that lies have barely baked their brains.
    But in the court of last resort the final fix remains:
    in boxcar bins with violins we’ll freight them out in trains
    and in the bogs, they’ll die like dogs, and everybody gains
    (should one ask why, a quick reply: ‘It’s that which God ordains!’)”

    Arrayed in shawls with crystal *****, and gazing at the moons,
    wiled women tease with melodies and spooky loony tunes
    while making toasts to holey ghosts on rainy day lagoons:
    “Well, here’s to you and others too, embedded in the dunes,
zebra Aug 2017
i am much younger than i am
my hair is dark and thick
instead of pruned bald
i am lean and meek
feeling hollow
as if weightless

we are at an airport
with no memory of getting there
i had left my hotel room urgently
in a jacket that is not mine
i can't find my Swedish wife
whom i miss like a panicked child
and my Asian wife whom i've never never met before
and know all to well
is angry
and could care less if i got lost forever

i am going home to my parents house
i remember that they are dead
but we had just spoken
there will be soup and Hors d'oeuvre's
they wait for me
on my way
the streets and boulevards are unfamiliar
yet old hat
and no matter how long i walk
i can never find their house
it's located somewhere in Brooklyn
on Haze street in San Francisco
bright is the sun

i have a business
and retain no idea of what i do
i left my cloths somewhere
and i don't know why
in a locality i cant remember
for a reason that doesn't exist

a beautiful woman smiles offers me ***
she is friends with a girlfriend whom i'm committed too
but do not know and never met
i want to cheat with her
but guilty kisses will ruin everything
so i turn away
murdering desire
in an already anchor-less miasma

i remember a past
my life a continuum
of disjointed vagaries
tears well up

i fear myself a figment
a bodiless revenant
stranded in a fog
sparkles and smoke
incandescence and shrouds
a dis-junctured soul
that clutches memories
like braids of dust
living in the eye of nothing
a labyrinth of shades
lighted by the sun of cognizance
a wretched phantom
transparent husk
living a dark fiction
my grave a womb

i am the dead living
Irish Ditty.. One fine day, middle of the night, two dead men got up to fight. Back to back they faced each other, drew their swords and shot each other.
Axel Jul 2018
For eons untold I have watched you rise and fall. Build empires and break them. Cure diseases and be ailed by them. I have watched you commune in many religious ways… watched you slaughter for your faith. Now that the darkness has dawned, finally I have come, soaring towards you.

As the farmer brings his harvest home, the librarian pores over long forgotten a tome, whilst the piper flutes a final tone. Echoes from my insides a most peculiar and maddening drone.
Too long soils you have stained with blood, bygone your time of breeding. Your cancerous race, your viral existence… Put out of its misery soon enough.

I soar, adorned in shrouds of doom and gloom, my wings blowing frigid winds and blotting out the moon. Unseen horror, hidden in the darkest nooks of your feeble minds. The stalking predator that lurks near the sheep pen. Crypt born from the graven mounds of a long stained and rotten memory. Ancient pillars carved for me, worshiping us.

No atonement can there be for the existence of human sin. Only to rend and tear your fleshy vessels. In a nuclear chaos confounded to the self-made oblivion, the blindfold to not see, the unutterable horror that is me…

Flee…


If it makes you feel safe and sanctified. You will feel my leering gaze and gaping maw wherever you may hide. Sleep will creep upon you somehow.

Like in times of old, there are some stories they left untold. To prevent further damnation and total extinction, the worship of the gods of all creation. Floating in a sea most nebulous, blackened and foul, adrift outside of the play garden of time and space, there live things without a face.

The piping of mad flutes a harbinger of my coming, a blazing star to wipe the slate clean. Not even a faint echo will remain.
Go out while you can… Walk hand in hand into extinction as brothers and sister, opting out of a raw deal. The last midnight for the human race…

A cancerous vile growth that only thrives for our amusement…
Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:--nor can I now--so on
I move to the end in lowliness of heart.----

  "Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native air--let me but die at home."

  Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

  "Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet
That I may worship them? No eyelids meet
To twinkle on my *****? No one dies
Before me, till from these enslaving eyes
Redemption sparkles!--I am sad and lost."

  Thou, Carian lord, hadst better have been tost
Into a whirlpool. Vanish into air,
Warm mountaineer! for canst thou only bear
A woman's sigh alone and in distress?
See not her charms! Is Phoebe passionless?
Phoebe is fairer far--O gaze no more:--
Yet if thou wilt behold all beauty's store,
Behold her panting in the forest grass!
Do not those curls of glossy jet surpass
For tenderness the arms so idly lain
Amongst them? Feelest not a kindred pain,
To see such lovely eyes in swimming search
After some warm delight, that seems to perch
Dovelike in the dim cell lying beyond
Their upper lids?--Hist!             "O for Hermes' wand
To touch this flower into human shape!
That woodland Hyacinthus could escape
From his green prison, and here kneeling down
Call me his queen, his second life's fair crown!
Ah me, how I could love!--My soul doth melt
For the unhappy youth--Love! I have felt
So faint a kindness, such a meek surrender
To what my own full thoughts had made too tender,
That but for tears my life had fled away!--
Ye deaf and senseless minutes of the day,
And thou, old forest, hold ye this for true,
There is no lightning, no authentic dew
But in the eye of love: there's not a sound,
Melodious howsoever, can confound
The heavens and earth in one to such a death
As doth the voice of love: there's not a breath
Will mingle kindly with the meadow air,
Till it has panted round, and stolen a share
Of passion from the heart!"--

                              Upon a bough
He leant, wretched. He surely cannot now
Thirst for another love: O impious,
That he can even dream upon it thus!--
Thought he, "Why am I not as are the dead,
Since to a woe like this I have been led
Through the dark earth, and through the wondrous sea?
Goddess! I love thee not the less: from thee
By Juno's smile I turn not--no, no, no--
While the great waters are at ebb and flow.--
I have a triple soul! O fond pretence--
For both, for both my love is so immense,
I feel my heart is cut in twain for them."

  And so he groan'd, as one by beauty slain.
The lady's heart beat quick, and he could see
Her gentle ***** heave tumultuously.
He sprang from his green covert: there she lay,
Sweet as a muskrose upon new-made hay;
With all her limbs on tremble, and her eyes
Shut softly up alive. To speak he tries.
"Fair damsel, pity me! forgive that I
Thus violate thy bower's sanctity!
O pardon me, for I am full of grief--
Grief born of thee, young angel! fairest thief!
Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur'd brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.--
Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern'd earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion."--As her heart would burst
The maiden sobb'd awhile, and then replied:
"Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks
Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg'd little ones to brush
About the dewy forest, whisper tales?--
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks 'twould be a guilt--a very guilt--
Not to companion thee, and sigh away
The light--the dusk--the dark--till break of day!"
"Dear lady," said Endymion, "'tis past:
I love thee! and my days can never last.
That I may pass in patience still speak:
Let me have music dying, and I seek
No more delight--I bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?"--Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay------

          "O Sorrow,
          Why dost borrow
The natural hue of health, from vermeil lips?--
          To give maiden blushes
          To the white rose bushes?
Or is it thy dewy hand the daisy tips?

          "O Sorrow,
          Why dost borrow
The lustrous passion from a falcon-eye?--
          To give the glow-worm light?
          Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?

          "O Sorrow,
          Why dost borrow
The mellow ditties from a mourning tongue?--
          To give at evening pale
          Unto the nightingale,
That thou mayst listen the cold dews among?

          "O Sorrow,
          Why dost borrow
Heart's lightness from the merriment of May?--
          A lover would not tread
          A cowslip on the head,
Though he should dance from eve till peep of day--
          Nor any drooping flower
          Held sacred for thy bower,
Wherever he may sport himself and play.

          "To Sorrow
          I bade good-morrow,
And thought to leave her far away behind;
          But cheerly, cheerly,
          She loves me dearly;
She is so constant to me, and so kind:
          I would deceive her
          And so leave her,
But ah! she is so constant and so kind.

"Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,--
          And so I kept
Brimming the water-lily cups with tears
          Cold as my fears.

"Beneath my palm trees, by the river side,
I sat a weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
        But hides and shrouds
Beneath dark palm trees by a river side?

"And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
        'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
        'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
        To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when, in June,
Tall chesnuts keep away the sun and moon:--
        I rush'd into the folly!

"Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
        With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms, and shoulders, enough white
        For Venus' pearly bite;
And near him rode Silenus on his ***,
Pelted with flowers as he on did pass
        Tipsily quaffing.

"Whence came ye, merry Damsels! whence came ye!
So many, and so many, and such glee?
Why have ye left your bowers desolate,
        Your lutes, and gentler fate?--
‘We follow Bacchus! Bacchus on the wing?
        A conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
        To our wild minstrelsy!'

"Whence came ye, jolly Satyrs! whence came ye!
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
        Your nuts in oak-tree cleft?--
‘For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
        And cold mushrooms;
For wine we follow Bacchus through the earth;
Great God of breathless cups and chirping mirth!--
Come hither, lady fair, and joined be
To our mad minstrelsy!'

"Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
        With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of ******, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
        Nor care for wind and tide.

"Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done:
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
        On spleenful unicorn.

"I saw Osirian Egypt kneel adown
        Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
        To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
        Old Tartary the fierce!
The kings of Inde their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
        And all his priesthood moans;
Before young Bacchus' eye-wink turning pale.--
Into these regions came I following him,
Sick hearted, weary--so I took a whim
To stray away into these forests drear
        Alone, without a peer:
And I have told thee all thou mayest hear.

          "Young stranger!
          I've been a ranger
In search of pleasure throughout every clime:
          Alas! 'tis not for me!
          Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

          "Come then, Sorrow!
          Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
          I thought to leave thee
          And deceive thee,
But now of all the world I love thee best.

          "There is not one,
          No, no, not one
But thee to comfort a poor lonely maid;
          Thou art her mother,
          And her brother,
Her playmate, and her wooer in the shade."

  O what a sigh she gave in finishing,
And look, quite dead to every worldly thing!
Endymion could not speak, but gazed on her;
And listened to the wind that now did stir
About the crisped oaks full drearily,
Yet with as sweet a softness as might be
Remember'd from its velvet summer song.
At last he said: "Poor lady, how thus long
Have I been able to endure that voice?
Fair Melody! kind Syren! I've no choice;
I must be thy sad servant evermore:
I cannot choose but kneel here and adore.
Alas, I must not think--by Phoebe, no!
Let me not think, soft Angel! shall it be so?
Say, beautifullest, shall I never think?
O thou could'st foster me beyond the brink
Of recollection! make my watchful care
Close up its bloodshot eyes, nor see despair!
Do gently ****** half my soul, and I
Shall feel the other half so utterly!--
I'm giddy at that cheek so fair and smooth;
O let it blush so ever! let it soothe
My madness! let it mantle rosy-warm
With the tinge of love, panting in safe alarm.--
This cannot be thy hand, and yet it is;
And this is sure thine other softling--this
Thine own fair *****, and I am so near!
Wilt fall asleep? O let me sip that tear!
And whisper one sweet word that I may know
This is this world--sweet dewy blossom!"--Woe!
Woe! Woe to that Endymion! Where is he?--
Even these words went echoing dismally
Through the wide forest--a most fearful tone,
Like one repenting in his latest moan;
And while it died away a shade pass'd by,
As of a thunder cloud. When arrows fly
Through the thick branches, poor ring-doves sleek forth
Their timid necks and tremble; so these both
Leant to each other trembling, and sat so
Waiting for some destruction--when lo,
Foot-fe
ryn Apr 2015
As the violet of day
draws to a close...          
Witnessed the dwindling
vermillion sun,             
being swallowed  
by the horizon.
Ever so slowly,
       seconds stretched...
      This moment here...
Captured...      
and                
froze.        

    Brushing off
the indigos  
  and                
blues.          
of the past,
            Whilst I shed these
scarlet tears.
Burdened with
              unfounded speculation
and fears.        
Gifted the        
lease of bravery
but I know...        
it wouldn't last.      

A final skirmish            
between                          
night and light.            
My crimson wings    
spread to greet the.        
green evening air.            
Feather and wind.            
spoke to each other;      
quivered as if              
the same story        
they shared.          
A conversation    
              that ended quickly before
both took              
flight.                        

To the                        
highest heavens,
leaving a          
trail of leaves
from days of
yellow...        
  Flying past the
                 blushing orange cheeks
  of                        
sleeping clouds.
             Evading the beckoning
of                      
    night's curtains
and            
shrouds.  
    Into the sun,
I would go.
                Beyond world's end,
           I would follow...

To find you
                  where the universe
                      would run its course.
                      I'd gladly soar through
       spectrum's grain,
Through        
      unfamiliar realms
and                  
              warped new planes.

Why?          

Because      
blood red  
rubies          
pump            
through mine
and                
garnets          
flow              
      through yours...
PICTURE and book remain,
An acre of green grass
For air and exercise,
Now strength of body goes;
Midnight, an old house
Where nothing stirs but a mouse.

My temptation is quiet.
Here at life's end
Neither loose imagination,
Nor the mill of the mind
Consuming its rag and bonc,
Can make the truth known.

Grant me an old man's frenzy,
Myself must I remake
Till I am Timon and Lear
Or that William Blake
Who beat upon the wall
Till Truth obeyed his call;

A mind Michael Angelo knew
That can pierce the clouds,
Or inspired by frenzy
Shake the dead in their shrouds;
Forgotten else by mankind,
An old man's eagle mind.
“Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!”

The merchant’s word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, “Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!”
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o’er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, “Our ship, I wis,
Shall be of another form than this!”
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!
Covering many a rood of ground,
Lay the timber piled around;
Timber of chestnut, and elm, and oak,
And scattered here and there, with these,
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula’s sunny bay,
And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil
One thought, one word, can set in motion!
There ’s not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o’er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,
Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning.
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man’s speech.
Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main
Was modelled o’er and o’er again;—
The fiery youth, who was to be
The heir of his dexterity,
The heir of his house, and his daughter’s hand,
When he had built and launched from land
What the elder head had planned.

“Thus,” said he, “will we build this ship!
Lay square the blocks upon the slip,
And follow well this plan of mine.
Choose the timbers with greatest care;
Of all that is unsound beware;
For only what is sound and strong
To this vessel shall belong.
Cedar of Maine and Georgia pine
Here together shall combine.
A goodly frame, and a goodly fame,
And the Union be her name!
For the day that gives her to the sea
Shall give my daughter unto thee!”

The Master’s word
Enraptured the young man heard;
And as he turned his face aside,
With a look of joy and a thrill of pride
Standing before
Her father’s door,
He saw the form of his promised bride.
The sun shone on her golden hair,
And her cheek was glowing fresh and fair,
With the breath of morn and the soft sea air.
Like a beauteous barge was she,
Still at rest on the sandy beach,
Just beyond the billow’s reach;
But he
Was the restless, seething, stormy sea!
Ah, how skilful grows the hand
That obeyeth Love’s command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love’s behest
Far excelleth all the rest!

Thus with the rising of the sun
Was the noble task begun,
And soon throughout the ship-yard’s bounds
Were heard the intermingled sounds
Of axes and of mallets, plied
With vigorous arms on every side;
Plied so deftly and so well,
That, ere the shadows of evening fell,
The keel of oak for a noble ship,
Scarfed and bolted, straight and strong,
Was lying ready, and stretched along
The blocks, well placed upon the slip.
Happy, thrice happy, every one
Who sees his labor well begun,
And not perplexed and multiplied,
By idly waiting for time and tide!

And when the hot, long day was o’er,
The young man at the Master’s door
Sat with the maiden calm and still,
And within the porch, a little more
Removed beyond the evening chill,
The father sat, and told them tales
Of wrecks in the great September gales,
Of pirates coasting the Spanish Main,
And ships that never came back again,
The chance and change of a sailor’s life,
Want and plenty, rest and strife,
His roving fancy, like the wind,
That nothing can stay and nothing can bind,
And the magic charm of foreign lands,
With shadows of palms, and shining sands,
Where the tumbling surf,
O’er the coral reefs of Madagascar,
Washes the feet of the swarthy Lascar,
As he lies alone and asleep on the turf.
And the trembling maiden held her breath
At the tales of that awful, pitiless sea,
With all its terror and mystery,
The dim, dark sea, so like unto Death,
That divides and yet unites mankind!
And whenever the old man paused, a gleam
From the bowl of his pipe would awhile illume
The silent group in the twilight gloom,
And thoughtful faces, as in a dream;
And for a moment one might mark
What had been hidden by the dark,
That the head of the maiden lay at rest,
Tenderly, on the young man’s breast!

Day by day the vessel grew,
With timbers fashioned strong and true,
Stemson and keelson and sternson-knee,
Till, framed with perfect symmetry,
A skeleton ship rose up to view!
And around the bows and along the side
The heavy hammers and mallets plied,
Till after many a week, at length,
Wonderful for form and strength,
Sublime in its enormous bulk,
Loomed aloft the shadowy hulk!
And around it columns of smoke, upwreathing,
Rose from the boiling, bubbling, seething
Caldron, that glowed,
And overflowed
With the black tar, heated for the sheathing.
And amid the clamors
Of clattering hammers,
He who listened heard now and then
The song of the Master and his men:—

“Build me straight, O worthy Master,
    Staunch and strong, a goodly vessel,
That shall laugh at all disaster,
    And with wave and whirlwind wrestle!”

With oaken brace and copper band,
Lay the rudder on the sand,
That, like a thought, should have control
Over the movement of the whole;
And near it the anchor, whose giant hand
Would reach down and grapple with the land,
And immovable and fast
Hold the great ship against the bellowing blast!
And at the bows an image stood,
By a cunning artist carved in wood,
With robes of white, that far behind
Seemed to be fluttering in the wind.
It was not shaped in a classic mould,
Not like a Nymph or Goddess of old,
Or Naiad rising from the water,
But modelled from the Master’s daughter!
On many a dreary and misty night,
‘T will be seen by the rays of the signal light,
Speeding along through the rain and the dark,
Like a ghost in its snow-white sark,
The pilot of some phantom bark,
Guiding the vessel, in its flight,
By a path none other knows aright!

Behold, at last,
Each tall and tapering mast
Is swung into its place;
Shrouds and stays
Holding it firm and fast!

Long ago,
In the deer-haunted forests of Maine,
When upon mountain and plain
Lay the snow,
They fell,—those lordly pines!
Those grand, majestic pines!
’Mid shouts and cheers
The jaded steers,
Panting beneath the goad,
Dragged down the weary, winding road
Those captive kings so straight and tall,
To be shorn of their streaming hair,
And naked and bare,
To feel the stress and the strain
Of the wind and the reeling main,
Whose roar
Would remind them forevermore
Of their native forests they should not see again.
And everywhere
The slender, graceful spars
Poise aloft in the air,
And at the mast-head,
White, blue, and red,
A flag unrolls the stripes and stars.
Ah! when the wanderer, lonely, friendless,
In foreign harbors shall behold
That flag unrolled,
‘T will be as a friendly hand
Stretched out from his native land,
Filling his heart with memories sweet and endless!

All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o’er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.

The ocean old,
Centuries old,
Strong as youth, and as uncontrolled,
Paces restless to and fro,
Up and down the sands of gold.
His beating heart is not at rest;
And far and wide,
With ceaseless flow,
His beard of snow
Heaves with the heaving of his breast.
He waits impatient for his bride.
There she stands,
With her foot upon the sands,
Decked with flags and streamers gay,
In honor of her marriage day,
Her snow-white signals fluttering, blending,
Round her like a veil descending,
Ready to be
The bride of the gray old sea.

On the deck another bride
Is standing by her lover’s side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.

The prayer is said,
The service read,
The joyous bridegroom bows his head;
And in tears the good old Master
Shakes the brown hand of his son,
Kisses his daughter’s glowing cheek
In silence, for he cannot speak,
And ever faster
Down his own the tears begin to run.
The worthy pastor—
The shepherd of that wandering flock,
That has the ocean for its wold,
That has the vessel for its fold,
Leaping ever from rock to rock—
Spake, with accents mild and clear,
Words of warning, words of cheer,
But tedious to the bridegroom’s ear.
He knew the chart
Of the sailor’s heart,
All its pleasures and its griefs,
All its shallows and rocky reefs,
All those secret currents, that flow
With such resistless undertow,
And lift and drift, with terrible force,
The will from its moorings and its course.
Therefore he spake, and thus said he:—

“Like unto ships far off at sea,
Outward or homeward bound, are we.
Before, behind, and all around,
Floats and swings the horizon’s bound,
Seems at its distant rim to rise
And climb the crystal wall of the skies,
And then again to turn and sink,
As if we could slide from its outer brink.
Ah! it is not the sea,
It is not the sea that sinks and shelves,
But ourselves
That rock and rise
With endless and uneasy motion,
Now touching the very skies,
Now sinking into the depths of ocean.
Ah! if our souls but poise and swing
Like the compass in its brazen ring,
Ever level and ever true
To the toil and the task we have to do,
We shall sail securely, and safely reach
The Fortunate Isles, on whose shining beach
The sights we see, and the sounds we hear,
Will be those of joy and not of fear!”

Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean’s arms!

And lo! from the assembled crowd
There rose a shout, prolonged and loud,
That to the ocean seemed to say,
“Take her, O bridegroom, old and gray,
Take her to thy protecting arms,
With all her youth and all her charms!”

How beautiful she is! How fair
She lies within those arms, that press
Her form with many a soft caress
Of tenderness and watchful care!
Sail forth into the sea, O ship!
Through wind and wave, right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear.
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the ***** of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!

Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
‘T is of the wave and not the rock;
‘T is but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest’s roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o’er our fears,
Are all with thee,—are all with thee!
Catherine Edgar Aug 2010
Frozen in the darkness silence peacefully shrouds me
hoping that I am breathless, praying he wont see,
this sublime sorrow I am gasping in the pain
swallowing bitter tears seconds from insane.
Defining the emotion each and every time
trying not to echo, balancing on the line,
silence is a killer but not my reason to die
hearing in this deafness will always make me cry.
The shadows over take me, speak the unspoken curse
just as well I am dying can't bear to smell this hearse.
Weighed down by lost tomorrows my memory finally broke,
why is it always my own hands gripped to make me choke?
His hug comforts my stomach blindly in his sleep
not knowing in this darkness my eyes can't help but weep,
obscurity plays around me tries to steal my breath
every time I close my eyes I know I’m close to death.
Panic underestimates the power the black withholds
carving me so gently, painless as it moulds
I sweat out my reaction cause words can't find a voice,
helplessly devoted to lay I have no choice.
Everything suffocates can't bear to close my eyes
repeated optimism as I see how everyone dies,
my mind is there to haunt me it never gives me peace
all the pills digested at will, still wont make it cease.
Night is a blur now confused by chemical reaction
convulsions rage as death excels performing its extraction,
in the mix I see his face traumatised by my choice, it's made
but time has gone his actions futile as sight begins to fade,
regret stabs flesh repentantly too late to change effect
I know he’ll cry forever at his failure to correct.
My selfish, vengeful actions will speak louder than my word
he never seen the suicide…do you think he finally heard?
© Catherine Edgar, 2010
A Masque Presented At Ludlow Castle, 1634, Before

The Earl Of Bridgewater, Then President Of Wales.

The Persons

        The ATTENDANT SPIRIT, afterwards in the habit of THYRSIS.
COMUS, with his Crew.
The LADY.
FIRST BROTHER.
SECOND BROTHER.
SABRINA, the Nymph.

The Chief Persons which presented were:—

The Lord Brackley;
Mr. Thomas Egerton, his Brother;
The Lady Alice Egerton.


The first Scene discovers a wild wood.
The ATTENDANT SPIRIT descends or enters.


Before the starry threshold of Jove’s court
My mansion is, where those immortal shapes
Of bright aerial spirits live insphered
In regions mild of calm and serene air,
Above the smoke and stir of this dim spot
Which men call Earth, and, with low-thoughted care,
Confined and pestered in this pinfold here,
Strive to keep up a frail and feverish being,
Unmindful of the crown that Virtue gives,
After this mortal change, to her true servants
Amongst the enthroned gods on sainted seats.
Yet some there be that by due steps aspire
To lay their just hands on that golden key
That opes the palace of eternity.
To Such my errand is; and, but for such,
I would not soil these pure ambrosial weeds
With the rank vapours of this sin-worn mould.
         But to my task. Neptune, besides the sway
Of every salt flood and each ebbing stream,
Took in by lot, ‘twixt high and nether Jove,
Imperial rule of all the sea-girt isles
That, like to rich and various gems, inlay
The unadorned ***** of the deep;
Which he, to grace his tributary gods,
By course commits to several government,
And gives them leave to wear their sapphire crowns
And wield their little tridents. But this Isle,
The greatest and the best of all the main,
He quarters to his blue-haired deities;
And all this tract that fronts the falling sun
A noble Peer of mickle trust and power
Has in his charge, with tempered awe to guide
An old and haughty nation, proud in arms:
Where his fair offspring, nursed in princely lore,
Are coming to attend their father’s state,
And new-intrusted sceptre. But their way
Lies through the perplexed paths of this drear wood,
The nodding horror of whose shady brows
Threats the forlorn and wandering passenger;
And here their tender age might suffer peril,
But that, by quick command from sovran Jove,
I was despatched for their defence and guard:
And listen why; for I will tell you now
What never yet was heard in tale or song,
From old or modern bard, in hall or bower.
         Bacchus, that first from out the purple grape
Crushed the sweet poison of misused wine,
After the Tuscan mariners transformed,
Coasting the Tyrrhene shore, as the winds listed,
On Circe’s island fell. (Who knows not Circe,
The daughter of the Sun, whose charmed cup
Whoever tasted lost his upright shape,
And downward fell into a grovelling swine?)
This Nymph, that gazed upon his clustering locks,
With ivy berries wreathed, and his blithe youth,
Had by him, ere he parted thence, a son
Much like his father, but his mother more,
Whom therefore she brought up, and Comus named:
Who, ripe and frolic of his full-grown age,
Roving the Celtic and Iberian fields,
At last betakes him to this ominous wood,
And, in thick shelter of black shades imbowered,
Excels his mother at her mighty art;
Offering to every weary traveller
His orient liquor in a crystal glass,
To quench the drouth of Phoebus; which as they taste
(For most do taste through fond intemperate thirst),
Soon as the potion works, their human count’nance,
The express resemblance of the gods, is changed
Into some brutish form of wolf or bear,
Or ounce or tiger, hog, or bearded goat,
All other parts remaining as they were.
And they, so perfect is their misery,
Not once perceive their foul disfigurement,
But boast themselves more comely than before,
And all their friends and native home forget,
To roll with pleasure in a sensual sty.
Therefore, when any favoured of high Jove
Chances to pass through this adventurous glade,
Swift as the sparkle of a glancing star
I shoot from heaven, to give him safe convoy,
As now I do. But first I must put off
These my sky-robes, spun out of Iris’ woof,
And take the weeds and likeness of a swain
That to the service of this house belongs,
Who, with his soft pipe and smooth-dittied song,
Well knows to still the wild winds when they roar,
And hush the waving woods; nor of less faith
And in this office of his mountain watch
Likeliest, and nearest to the present aid
Of this occasion. But I hear the tread
Of hateful steps; I must be viewless now.


COMUS enters, with a charming-rod in one hand, his glass in the
other: with him a rout of monsters, headed like sundry sorts of
wild
beasts, but otherwise like men and women, their apparel
glistering.
They come in making a riotous and unruly noise, with torches in
their hands.


         COMUS. The star that bids the shepherd fold
Now the top of heaven doth hold;
And the gilded car of day
His glowing axle doth allay
In the steep Atlantic stream;
And the ***** sun his upward beam
Shoots against the dusky pole,
Pacing toward the other goal
Of his chamber in the east.
Meanwhile, welcome joy and feast,
Midnight shout and revelry,
Tipsy dance and jollity.
Braid your locks with rosy twine,
Dropping odours, dropping wine.
Rigour now is gone to bed;
And Advice with scrupulous head,
Strict Age, and sour Severity,
With their grave saws, in slumber lie.
We, that are of purer fire,
Imitate the starry quire,
Who, in their nightly watchful spheres,
Lead in swift round the months and years.
The sounds and seas, with all their finny drove,
Now to the moon in wavering morrice move;
And on the tawny sands and shelves
Trip the pert fairies and the dapper elves.
By dimpled brook and fountain-brim,
The wood-nymphs, decked with daisies trim,
Their merry wakes and pastimes keep:
What hath night to do with sleep?
Night hath better sweets to prove;
Venus now wakes, and wakens Love.
Come, let us our rights begin;
‘T is only daylight that makes sin,
Which these dun shades will ne’er report.
Hail, goddess of nocturnal sport,
Dark-veiled Cotytto, to whom the secret flame
Of midnight torches burns! mysterious dame,
That ne’er art called but when the dragon womb
Of Stygian darkness spets her thickest gloom,
And makes one blot of all the air!
Stay thy cloudy ebon chair,
Wherein thou ridest with Hecat’, and befriend
Us thy vowed priests, till utmost end
Of all thy dues be done, and none left out,
Ere the blabbing eastern scout,
The nice Morn on the Indian steep,
From her cabined loop-hole peep,
And to the tell-tale Sun descry
Our concealed solemnity.
Come, knit hands, and beat the ground
In a light fantastic round.

                              The Measure.

         Break off, break off! I feel the different pace
Of some chaste footing near about this ground.
Run to your shrouds within these brakes and trees;
Our number may affright. Some ****** sure
(For so I can distinguish by mine art)
Benighted in these woods! Now to my charms,
And to my wily trains: I shall ere long
Be well stocked with as fair a herd as grazed
About my mother Circe. Thus I hurl
My dazzling spells into the spongy air,
Of power to cheat the eye with blear illusion,
And give it false presentments, lest the place
And my quaint habits breed astonishment,
And put the damsel to suspicious flight;
Which must not be, for that’s against my course.
I, under fair pretence of friendly ends,
And well-placed words of glozing courtesy,
Baited with reasons not unplausible,
Wind me into the easy-hearted man,
And hug him into snares. When once her eye
Hath met the virtue of this magic dust,
I shall appear some harmless villager
Whom thrift keeps up about his country gear.
But here she comes; I fairly step aside,
And hearken, if I may her business hear.

The LADY enters.

         LADY. This way the noise was, if mine ear be true,
My best guide now. Methought it was the sound
Of riot and ill-managed merriment,
Such as the jocund flute or gamesome pipe
Stirs up among the loose unlettered hinds,
When, for their teeming flocks and granges full,
In wanton dance they praise the bounteous Pan,
And thank the gods amiss. I should be loth
To meet the rudeness and swilled insolence
Of such late wassailers; yet, oh! where else
Shall I inform my unacquainted feet
In the blind mazes of this tangled wood?
My brothers, when they saw me wearied out
With this long way, resolving here to lodge
Under the spreading favour of these pines,
Stepped, as they said, to the next thicket-side
To bring me berries, or such cooling fruit
As the kind hospitable woods provide.
They left me then when the grey-hooded Even,
Like a sad votarist in palmer’s ****,
Rose from the hindmost wheels of Phoebus’ wain.
But where they are, and why they came not back,
Is now the labour of my thoughts. TTis likeliest
They had engaged their wandering steps too far;
And envious darkness, ere they could return,
Had stole them from me. Else, O thievish Night,
Why shouldst thou, but for some felonious end,
In thy dark lantern thus close up the stars
That Nature hung in heaven, and filled their lamps
With everlasting oil to give due light
To the misled and lonely traveller?
This is the place, as well as I may guess,
Whence even now the tumult of loud mirth
Was rife, and perfect in my listening ear;
Yet nought but single darkness do I find.
What might this be ? A thousand fantasies
Begin to throng into my memory,
Of calling shapes, and beckoning shadows dire,
And airy tongues that syllable men’s names
On sands and shores and desert wildernesses.
These thoughts may startle well, but not astound
The virtuous mind, that ever walks attended
By a strong siding champion, Conscience.
O, welcome, pure-eyed Faith, white-handed Hope,
Thou hovering angel girt with golden wings,
And thou unblemished form of Chastity!
I see ye visibly, and now believe
That He, the Supreme Good, to whom all things ill
Are but as slavish officers of vengeance,
Would send a glistering guardian, if need were,
To keep my life and honour unassailed. . . .
Was I deceived, or did a sable cloud
Turn forth her silver lining on the night?
I did not err: there does a sable cloud
Turn forth her silver lining on the night,
And casts a gleam over this tufted grove.
I cannot hallo to my brothers, but
Such noise as I can make to be heard farthest
I’ll venture; for my new-enlivened spirits
Prompt me, and they perhaps are not far off.

Song.

Sweet Echo, sweetest nymph, that liv’st unseen
                 Within thy airy shell
         By slow Meander’s margent green,
And in the violet-embroidered vale
         Where the love-lorn nightingale
Nightly to thee her sad song mourneth well:
Canst thou not tell me of a gentle pair
         That likest thy Narcissus are?
                  O, if thou have
         Hid them in some flowery cave,
                  Tell me but where,
         Sweet Queen of Parley, Daughter of the Sphere!
         So may’st thou be translated to the skies,
And give resounding grace to all Heaven’s harmonies!


         COMUS. Can any mortal mixture of earthUs mould
Breathe such divine enchanting ravishment?
Sure something holy lodges in that breast,
And with these raptures moves the vocal air
To testify his hidden residence.
How sweetly did they float upon the wings
Of silence, through the empty-vaulted night,
At every fall smoothing the raven down
Of darkness till it smiled! I have oft heard
My mother Circe with the Sirens three,
Amidst the flowery-kirtled Naiades,
Culling their potent herbs and baleful drugs,
Who, as they sung, would take the prisoned soul,
And lap it in Elysium: Scylla wept,
And chid her barking waves into attention,
And fell Charybdis murmured soft applause.
Yet they in pleasing slumber lulled the sense,
And in sweet madness robbed it of itself;
But such a sacred and home-felt delight,
Such sober certainty of waking bliss,
I never heard till now. I’ll speak to her,
And she shall be my queen.QHail, foreign wonder!
Whom certain these rough shades did never breed,
Unless the goddess that in rural shrine
Dwell’st here with Pan or Sylvan, by blest song
Forbidding every bleak unkindly fog
To touch the prosperous growth of this tall wood.
         LADY. Nay, gentle shepherd, ill is lost that praise
That is addressed to unattending ears.
Not any boast of skill, but extreme shift
How to regain my severed company,
Compelled me to awake the courteous Echo
To give me answer from her mossy couch.
         COMUS: What chance, good lady, hath bereft you thus?
         LADY. Dim darkness and this leafy labyrinth.
         COMUS. Could that divide you from near-ushering guides?
         LADY. They left me weary on a grassy turf.
         COMUS. By falsehood, or discourtesy, or why?
         LADY. To seek i’ the valley some cool friendly spring.
         COMUS. And left your fair side all unguarded, Lady?
         LADY. They were but twain, and purposed quick return.
         COMUS. Perhaps forestalling night prevented them.
         LADY. How easy my misfortune is to hit!
         COMUS. Imports their loss, beside the present need?
         LADY. No less than if I should my brothers lose.
         COMUS. Were they of manly prime, or youthful bloom?
         LADY. As smooth as ****’s their unrazored lips.
         COMUS. Two such I saw, what time the laboured ox
In his loose traces from the furrow came,
And the swinked hedger at his supper sat.
I saw them under a green mantling vine,
That crawls along the side of yon small hill,
Plucking ripe clusters from the tender shoots;
Their port was more than human, as they stood.
I took it for a faery vision
Of some gay creatures of the element,
That in the colours of the rainbow live,
And play i’ the plighted clouds. I was awe-strook,
And, as I passed, I worshiped. If those you seek,
It were a journey like the path to Heaven
To help you find them.
         LADY.                          Gentle villager,
What readiest way would bring me to that place?
         COMUS. Due west it rises from this shrubby point.
         LADY. To find out that, good shepherd, I suppose,
In such a scant allowance of star-light,
Would overtask the best land-pilot’s art,
Without the sure guess of well-practised feet.
        COMUS. I know each lane, and every alley green,
******, or bushy dell, of this wild wood,
And every bosky bourn from side to side,
My daily walks and ancient neighbourhood;
And, if your stray attendance be yet lodged,
Or shroud within these limits, I shall know
Ere morrow wake, or the low-roosted lark
From her thatched pallet rouse. If otherwise,
I can c
A MAN that had six mortal wounds, a man
Violent and famous, strode among the dead;
Eyes stared out of the branches and were gone.

Then certain Shrouds that muttered head to head
Came and were gone.  He leant upon a tree
As though to meditate on wounds and blood.

A Shroud that seemed to have authority
Among those bird-like things came, and let fall
A bundle of linen.  Shrouds by two and thrce

Came creeping up because the man was still.
And thereupon that linen-carrier said:
"Your life can grow much sweeter if you will

"Obey our ancient rule and make a shroud;
Mainly because of what we only know
The rattle of those arms makes us afraid.

"We thread the needles' eyes, and all we do
All must together do.' That done, the man
Took up the nearest and began to sew.

"Now must we sing and sing the best we can,
But first you must be told our character:
Convicted cowards all, by kindred slain

"Or driven from home and left to dic in fear.'
They sang, but had nor human tunes nor words,
Though all was done in common as before;

They had changed their thtoats and had the throats of
birds.
There is snow on the ground,
And the valleys are cold,
And a midnight profound
Blackly squats o'er the wold;
But a light on the hilltops half-seen hints of
feastings unhallowed and old.

There is death in the clouds,
There is fear in the night,
For the dead in their shrouds
Hail the sun's turning flight.
And chant wild in the woods as they dance
round a Yule-altar fungous and white.

To no gale of Earth's kind
Sways the forest of oak,
Where the thick boughs entwined
By mad mistletoes choke,
For these pow'rs are the pow'rs of the dark,
from the graves of the lost Druid-folk.

And mayst thou to such deeds
Be an abbot and priest,
Singing cannibal greeds
At each devil-wrought feast,
And to all the incredulous world
shewing dimly the sign of the beast.
1.

Is it a will o' the wisp, or is dawn breaking,
That our horizon wears so strange a hue?
Is it but one more dream, or are we waking
To find at last that dreams are coming true?

2.

Far off and faint, a golden line is streaking
The cloudy night that shrouds the life of man;
It is the sun that dim eyes have been seeking,
Through all blind pathways, since the world began.

3.

The sign to weary heart and waiting nation
That day will come to bring them their release
That, late or soon, through storm and tribulation,
Or with slow change, the earth shall rest in peace.

4.

That One, invoked, with half- despairing passion.
Through years and years of wrong, will right us then;
Will take away, in rude or gentle fashion,
The curse that man has laid on brother- men.

5.

Ah, blessed One! our souls go out to meet thee,
At whose feet Hope will fold her tired wing;
And yet we know not how we ought to greet thee,
And take the gifts thy bounteous arms will bring.

6.

Come not, O friend! with vengeful weapons, borrowed
Of them that warred against thee — sword and flame;
For all alike have suffered and have sorrowed,
And all alike have sinned against thy name.

7.

Come thou to men who groan in sore affliction
A breathing spirit of new life and grace;
Come in thy robes of light and benediction,
That all may recognize thy perfect face.

8.

Yet, as thou must, come soon, for them than need thee —
And thou wilt come — Deliverer great and strong!
Brighten, O tender dawn, though few may heed thee,
And bring the day that we have sought so long!

9.

No class strife then, each man against his neighbour,
No waste, no want, to breed the plague of crime;
No insolent pomp, no hard and sordid labour,
No wars, no famines, in that happier time!

10.

But pleasant homes, and good days growing better;
Contented hearts throughout the tranquil land,
That keep the law, in spirit and in letter,
Which we have been so dull to understand.

11.

And fruitful work, instead of barren duty,
With fruitful rest and leisure interweaved;
And life made bright with plenty and with beauty,
And souls made strong with noble aims achieved.

12.

Great Art, no more the plaything of the idle,
But nurse and handmaid to all human needs;
Great Nature, curbed no more with bit and bridle,
Nor men's religion crushed in bitter creeds.

13.

Nor sacred Love a crime, a jest, an error,
To keep or lose, to give or to suppress,
A secret shame, an anguish and a terror,
A curse to them that it was meant to bless.

14.

All round our narrow lives the tide encroaches,
Distant and dim, but spreading far and fast.
O Liberty, thy longed- for reign approaches
That is to give man's birthright back at last!
vasts;

15.

And must we go, who see the new age dawning,
While yet we suffer in the pangs of birth,
Nor breathe one breath of the divinest morning
That yet has come to bless our waiting earth?

16.

Oh, must we go, just when the day is growing?
Oh, must we waste with vast and vain desires,
Like sparks put out when viewless winds are blowing,
We, lit and quickened with supernal fires

17.

Are we to read no more the wondrous pages
Of this great tale that evermore goes on?
Will suns and stars light up eternal ages
With happier worlds — and we alone be gone?

18.

Never to learn the moral of the story —
Why we have toiled for what we must not keep,
Why we have fought to win no crown of glory,
Why we have sown what unborn hands will reap.

19.

Never to learn wherefore our Maker sent us
With these immortal passions in our breast.
Ah me! Ah me! Wherewith can we content us
To know so much, and not to know the rest!
ryn Jul 2014
My life isn't much, save for bleakness that had lasted long
It was dark time that made every right seem wrong
Finally a day came when everything was altered
It was the height of period when I would surely have faltered.

Like rays breaking through the thickest of clouds
Like blades ripping through the heaviest shrouds
The rays they illuminate and allowed me to see
The blades they cut and slash, to reveal so desperately.

With the light shining bright, hand up ready to shield
Out of the shrouds arms open, welcoming what it may yield
In between my fingers, through the gaps I squinted
I find myself in awe with my feet firmly planted.

A beautiful vision that is worthy of an artist's canvas
Bewitching blue eyes, face framed by streams of golden tresses
Releasing a gasp, I could hardly believe what I'm seeing
It was a moment where beauty had lost it's original meaning.

This moment I wish to have the word hastily redefined
For our eyes have connected with rare magics that bind
She smiled with the promise of freedom that I yearn
She embraced with love that caused my fire to brightly burn.

"Burn forever", I said to my heart's raging fire
"For she has love in abundance that'll never ever tire"
She spoke, "I have come as the answer to your mournful cries"
"I have come to be steadfast and wipe the tears from your eyes".

'Twas a moment that I felt grateful, she had found me
'Twas a moment that I felt, I will never be lonely
'Twas a moment that I felt as if time had stood still
'Twas a moment that I've been granted the freedom of will.

Such liberation I felt was worth waiting all these years
Such anxious relief I felt, that had washed away all my fears
I can finally breathe and through new eyes I clearly see
That you came into my universe, you rescued, accepted and set me free.
nawke Jul 2018
once in my sanctuary
it came in a loud gallop
followed by a wallop
my sorrowful lumbar
detaching the fear
of a clumsy blunder

shifted away from
the law of physics  
an emptied vessel unmoved
like a sealed vacuum
certain a final curtain
pin drop in code of silence

light time alliances
whooshing me into
ethereal plains
a sublime hemisphere
of infinitesimal space, time
an indescribable beyond

gentle breezes
feathery light teases
soon a star-gazing eyes
darted through a
zero gravity galaxy of an
endless empyrean expanse

a’turnin spherical sight
orange white stripes
rosely red spot
churning roiling clouds
speckled dusty rings
what beauteous it shrouds

why am I here
a knowing voice appeared
melodically close but I
can only behold afar
of an ethereally existential
interstellar manifold

questioning mind
told of convoluted ways
as seen and heard
the rhymes and seasons but
for one and the only reason
mankind's whisper'd words

entrance to the portal
as did my dawned immortal  
met a peaceful assembly
I lay in days, this rapturous gifts
what divine effulgence of
a truly cosmic lift
July 2016 - the trip to somewhere
I long soon, to come and see you, again and again
You are my
Ensorcelled Elysium,
You are my
Eden Dream.

You cascade
Upon my Dreamscape,
Enshrine my slumber in
A flowered gale of aromatic petals
That envelop me, beckon me
To herald the rebirth
Of Days of Yore.

You vein
The Glistening Glade of Memories
With your
Brooks of Aqueous Emerald.

Tis' the
Phantasmagoric Plane
Where still
My wayworn spirit wanders, wearily
In search of the magic
To enfetter
The Hands of Fate
(For they conspire against us).

Swifter than your descent
Into my soul
(Five seconds still and flat)
By
The nexus of your affections,
You evanesced
Like vapor,
Yet
I shall not concede to
The Malevolent Matriarch of Destiny.

For you
O, Breath of Life,
Forsook me not
So I sublime all stains
Tarnishing my flesh
By cries to The Ethereal.

At midday
Awaiting the Twilight
I long for
The birth of The Womb of Aether’s
Progeny,
Starlit winds.

I muse
Swimmingly in Seas of Reminiscence,
Banished from that Blackened Bastion
Of Shadowed Heavens,
For when darkness shrouds
My dreams can be seen
Draping the skies.

I then fathom,
You must not be far off,
Wishing,
Hoping,
Believing
That perhaps
You too
Wonder upon stars
Longing to find that one
That entwines us anew.

You shall alight,
Upon me once more
As
August Sun’s Nimbus
(If only for a moment)
Is thwarted
By
Ebony Miasma
That drenches Cimmerian skies.

In search
Of Ardor’s Light abiding in
The Sylvan Shrine of Your Numinous Eyes
I plead that
The Crag oppress
The Coals of Tribulation,
Until my anguish is
A Diamond Heart.

The pilgrimage
I must bear,
Must be traveled by
The Adamantine alone.

Where have you gone,
Tree of Life?
Why have you withered,
Yggdrasil?

Do I possess
The Eradia of Souls,
By which you shall
Effloresce?

I would halt the cogs of time,
Relinquish my liberty,
To slumber for eternity
In crystal stasis
By your side.

Even in that crystalline quietude,
I would be eminent,
I would be exalted,
I would be ennobled,
In the knowingness that
Your
Stalwart Heart
Radiates
Just beside me.

I exhale Empyrean Winds
When rapt in reverie,
Yearning to be
Captive to your devotion,
Yours alone.

The Bliss of Your Most Holy Kiss
Would signet me
With the
Bounty of Your Name
Burnishing the skin
On my lips.

Though ephemeral,
Your presence divined,
Your presence
Was my anointing.

To be solaced
By the astral resonance emitted
By your touch
Sent the
Pulse of Nirvana
Surging, rippling,
Like a kaleidoscope tide,
Down my spine

You are
The Waters of Vitality
That floweth from
The Creeks of Eden,

You have been
Poured upon my palate
From the
Goblet of Redemption
That I may drinketh
Of
Supernal immortality.

When once again we meet,
Perhaps the tears you summoned
From my spirit
By your
Stirring caress
Shall have absolved me
Of the pangs
In loving a man
(And man alone).

Perhaps then,
The sentiments
I pine to profess,
Will resound.

A melody
Sung in legato,
A  mellifluous melisma,
Flawlessly delineated
And
Intonation in deiform
Or perhaps,
Flowering fioritura
Lacing airwaves,
By the Empress Coloratura.

Perhaps then, piety
Betwixt you and I,
Will waft the air
And I might then,
Permit my quaking body
To succumb to
You alone.

Until that morn,
I shall be vigilant,
Counting the Dawns,
Counting the Twilights,
Until
I can gaze
Into your forested eyes
If even for but a moment.

For even but a moment
Spent with you,
Will bleed a nostalgia
Across my mind's sky,
Painting clouds crimson with passion,
And
That I shall revere,
And
That shall last
And last
And,
Last… And
Last.

O, it will last,
To Elysian Infinity.


            I am a vestige,
               But I shall live once more,
                  In the light of memories
                       That blossom, are perennial,
                           And imbibe the dazed glory of the past
                       Until the past is vanquished
                 By a future that is fragrant
             With the mist of romance
          And eclipses the simulacrum,
       A fictitious sun of the infernal masquerade,
    The antithesis of the truest holy,
Then, rapture of life shall mystify no longer,
For the Numen of Truth,
  Shall cleanse creation without a drop of façade,
      His Providence shall emancipate the hollow,
             The Death of Dreams shall writhe
               In everlasting abeyance,
                 Absolving our wayward spirits,
                  The Winds of Change,
                  The Scourge of Pain,
               And
          The Loveless Wraiths
        That haunted our husks
      Shall be transcended for aeons,
  And tribulation made distant, made nebulous
As the Genesis of Time and Space itself
  For we embark on an exodus,
     Beseeching salvation to redeem us
        When the Requiem of Iniquity
           Is triumphed by everlasting cadence.

Be Valiant,
                 Be Sapient,
                             Be Love
                                       And
                                          By this
                                                You shall conquer the world
                                                           ∞
Hello my fellow comrades! This piece was originally written as a means of catharsis. I wanted to express the romantic sentiments begotten by an individual who deliquesced from my world as swiftly as they arrived. I hope you guys can glean virtues of humanity, poignancy, candor, and (an organic) transparency in this piece. I want to impress the density of reverence pulsing in my heart for the person who enraptured me by the thew of their tenderness and kindred spirit.

Hopefully the massive length of this piece does not deter from reading its contents. Holistically speaking, the volume of content in this piece is the metaphorical incarnation of the Ocean of Affection that ebbs and flows within my soul (for this individual). I would love to improve, so if you have any constructive feedback you'd like to convey I would be most grateful. Anyhow, I hope that on some level you can connect with the overtones of undying piety in love that deluge this piece. Thank you all for reading and God bless!
ryn Aug 2014
Wish I had a special pair of lenses
A tool for me; just for my senses
That grant me binocular vision
Allow me to see with heightened perception.

Peer through mountain crags, over dunes of sand
Pierce skyscrapers in familiar foreign lands
A sight beyond nimbus clouds
Amazingly through temporal shrouds.

Past breathtaking ridges and quiet plateaus
Alongside a ****** of black-feathered crows
Tripping over singing brooks and moss-covered pebbles
Herds of quadrupeds as they frolic and gambol
Extraordinary views and candy for the eyes
Travelling linear between earth and skies.

But...

You're too far away for me to see
Even if bestowed upon me...

Still,

I wish my eyes binocular...
Because I need you so much closer...
richie dagger Dec 2010
Radiation shrouds the world
Rotting bodies cover the ground
Cockroaches have taken over
There's no one left around

There's fire in the air
Bombs are falling from the sky
There's no way to escape this
Worldwide genocide

Famine and disease have struck again
Bacteria's flowing through your veins
Try to fight the sickness
While is rotting out your brain

When the sirens cried out
That's all you could hear
Feel a chill in the air
You're stricken with fear
When the sirens stopped screaming
They don't make  a sound
Take a look around
There's no life to be found


There's fire in the air
Bombs are falling from the sky
There's no way to escape this
Worldwide genocide
04/04
Michael Marchese Aug 2018
So sell your daughters
**** your sons
Go break your spoken
Vows in tongues
For from these lungs
I storm the loudest
As my furies  
Muse the proudest
Wings endowed with shrouds of Nyx
Baptized within the River Styx

So wage petty crusades
And feel
Titanic wrath’s
Achilles heel
For in this heart  
My lust will claim
Entire Gaea’s
Set aflame
By bolts of my creative spark
Be sure, I’ve never missed my mark

So bend your knees
And cross your hearts
And mutilate
Your private parts
For by these hands
The story spun
The sickle swung
And shed my young
And led them to the glory sung
Henceforth until the Fates are done
Verisi Militude Oct 2010
Sarah the Schizophrenic says the ugly old woman who wanders vacantly down the hall is ugly because she’s filled with demons, that if Mary was a good person her skin wouldn’t be a bunch of crushed tissue paper bruised under the eye-sockets. She’d be beautiful, Sarah insists. Like you.

Well, I don’t know about that, so I take a drag on my cigarette, hold the smoke in my lungs, let it circulate around for a little while, then exhale, flick the ashes off the **** with a swift snap of my thumb. Mary doesn’t do this, I think to myself, ******* off the stick once more. She’s not the one really inhaling Hell. All she does is lie in bed all day with her nose to the wall.

That woman makes me feel *****, Sarah hisses. Half of her face is concealed in the night, the other half dipped gold in the weak porch light. She’s hideous. You’re beautiful though, honey. You’re a doll.
Touching my face lightly with the tips of my fingers, I take another meditative pull, stand and walk a few paces, peer into the darkness. Beautiful. A lot of people say that. A lot of men. No matter how much I try, they still say I’m pretty. Ask for my number. Where’s your man at? I can chop my hair to bits, sleep so little that red and purple rims my eyes, walk so long in the chilly autumn air my cheeks are carved planes, no longer round and soft, but harsh, cold. I can smoke in order to purse my mouth into a puckered sphincter, destroy my image with oversized sweaters and baggy jeans and lack of make-up. Yet they never leave me alone, stare at me unabashedly, hungrily, take a seat next to me on the empty bus, follow me a ways down the street until I have no choice but to take the long way home, just to lose them. Want to know my name, my age, where I live, where I work, but most importantly, am I taken? Do I have someone? The lie always comes easily. Yes, I do. Then, I turn on my heels and walk away. He’s a lucky guy, a lucky guy to have you, they call. ****.

Of course, they know. They all know I don’t have anyone. They can tell by how I quickly avert my eyes, incline my head to the floor. That’s why, I think, they find it so easy to talk to me. An empty, hollow shell, I can be what they need me to be at the moment: vulnerable. Am I pretty? I’m not sure. But still, the notion is enough to make me want to pour a can of lighter fluid all over my face, touch a lit match to my flesh and shave my head just to make them quit coming after me. Leave me alone. All I want is for them to go away.

Yet simultaneously, I find it difficult not to humor their silent pleas. Yes, I want to tell them, I will sleep with you tonight. Come pick me up around eight and make sure you have a bottle of Jack with you. No, I don’t care what your name is, and I’d rather not look at your wrinkled face, your ******, defeated face, either. Sure, I will make you feel worth something and you will allow me to forget where and who and why I am for a few hours, and then early in the morning I will slip out unnoticed and never see nor hear from you ever again.

You okay? Sarah asks. My cigarette has burned down to an angry red stub. I drop it, squash it beneath my feet. Yes, I say, sticking another one between my lips.

Are you sure? she shudders. That woman just walked by. I think she’s trying to possess everyone. It’s enough to make someone go crazy.
I do not answer. A few minutes later, a man walks out, joins us. His face is haggard, unshaved, his shoulders hunched, hands in his pocket, a tangled marionette dropped by society. Fumbling with his cigarette, when he finally stuffs the lighter back in his pocket, he glances up, sees me, freezes. I look up at the sky, legs and arms crossed, smoke seeping from my mouth.

You’re real pretty, you know that? He asks after a while. I shrug, waiting for the inevitable. After a brief pause, it comes: You got a man?
Omer Hannash Oct 2014
In that period of time he began pouring his trust into a half a pint cups of local beer and cheap cigarettes, local as well, which he could afford, who would have guessed?...
He used to gaze at girls with a curious and contemplative look that was also full with sadness and despair, instantly advocating for the holy mission and function of the prostitutes and the escort ladies and he already a abandoned the idea of having a pet except the turtle.
From time to time he use to scribble incomprehensible prose and poetry and couldn't find any condolence even in Hemingway or Cobain.
His only consolation was with the pen and watching the sunset off the sandy sea shore, for he could be sure that the same sun isn't dying buy only moving to a better place.
It seemed like he will leave after him numerous beginnings for stories and a lot of middles as well...
Sometimes, it would have seems to him that the first end he's going to write is going to be his own.
Leaving behind communities of characters that all their world is nothing but a few words, that seems like they are going to prosper and blossom but they were faded and gone like the sole of the candle's flame on top of a birthday cake, which was blown off while giggling her childhood laughter, leaving behind a delicate and curly thread of smoke, that is gone in a blink of an eye.
At the age of twenty-two he began writing his own eulogy, like this miserable old woman, preparing her own shrouds, but from that too he was finely despaired.
you haven't lived
until you've been in a
flophouse
with nothing but one
light bulb
and 56 men
squeezed together
on cots
with everybody
snoring
at once
and some of those
snores
so
deep and
gross and
unbelievable-
dark
snotty
gross
subhuman
wheezings
from hell
itself.
your mind
almost breaks
under those
death-like
sounds
and the
intermingling
odors:
hard
unwashed socks
****** and
*******
underwear
and over it all
slowly circulating
air
much like that
emanating from
uncovered
garbage
cans.
and those
bodies
in the dark
fat and
thin
and
bent
some
legless
armless
some
mindless
and worst of
all:
the total
absence of
hope
it shrouds
them
covers them
totally.
it's not
bearable.
you get
up
go out
walk the
streets
up and
down
sidewalks
past buildings
around the
corner
and back
up
the same
street
thinking
those men
were all
children
once
what has happened
to
them?
and what has
happened
to
me?
it's dark
and cold
out
here.
ATC Apr 2016
Where, if not for hell, do people go
When they pass from this world into the next?
Forgive transgressions, but what do they know
If all the places are things too complex?
This is asked because the time is now come
That those who avoid hell find themselves gone
To a realm elsewhere, a place without sun;
A destination older than the dawn.
The dead find oft a fumbling spirit in
That keeps them thinking if they’ve truly died,
But when that spectre knows that time’s begin,
Something further in it, its place, resides.
Lo, the place is found among the clouds,
When corpses cower deeper in their shrouds.
i believe in a thing called love,

in toxic oxytocin tears and

jagged daggers of emotions

that hit hard and quick and deep

leaving lovers dazed and aroused

on kitchen tiles and sticky dance floors.

i do believe in love, i do,

in blood filled love potions

you put so much of yourself into it

that she just has to love you

she has to, she must,

and she does, she does,

ugly crying but ****,

for you, all for you,

please just hold on

she pleads -

mucus filled tears cascading down her face,

*******,

thighs,

pooling on the floor,

making the doctors both cringe with disgust and

simultaneously lean forward with interest

swaying in non-existent breeze -

and you die with your first kiss in your fist

and a piebald smile that splinters her inside forever

but i guess that isn't your fault, right?

i do believe in love, i do, i do,

in unfettered devotions

in ****-that-guy,

the quality relationship improvement show,

because you want to be a lover

but the guy ain't right

so just make him up

and use a real guy as his outside

you love him sanded, smoothed, buffed, painted

with rims and an inexplicable 48 inch lcd screen

you'll officially get hitched but don't cry

divorce is common and either way it doesn't matter

just look pretty and make sure to squint.

i do believe love, i do

i believe in

poisoning yourself for Juliet

rather than taking her pulse

to taking dear John's heart and

jumping on it happily

because you love him sooooo much

but like, the world has conspired against you,

not with guns and bombs and videotape

but with, like, freely made decisions,

peer pressure and jagermeister  

his blood makes pretty patterns on your

milk white thighs and i guess that

he sticks around for the show

oh boy, i believe in love, i do, that

6 and 9 aren't meant to be together

they just fit, that

there's no place for 'pure' in love cos it's all

pain and *** and spit

as for 'star crossed lovers'

the stars are always crossed

else eclipses would be boring and

each lost lover on a course

i do believe in love, i do,

in the sweetheart who lispes

licking earlobes and bottom lip biting

of metal snakes, happy fates

and piscean traits,

exuding high fructose glucose syrup

instead of saliva

so kiss them carefully or you'll

sugar high and sugar low

and sugar crash and burn

with every cosmic turn and

oh, i believe in love, lovers, oh i do, i do,

in the swirls of black and white that

play ying and yang

that kiss and grate and fornicate

forming a pasty grey

declaring that their grey is the

greyest, greatest, gayest grey

i do believe in love, i do,

bridezilla has destroyed new york in the

quest for the perfect dress as

otherwise her,

sorry,

their,

day will be ruined

milan and paris are shaking in their loius vuittons

praying they will be passed over

oh anna wintour,

just one more working day

please let the cake be next on it's list,

deliver us, oh lagerfeld, from

polyester blend shrouds in hideous off white,

amen.

but yeah,

i do believe in love, i do,

in philosophers that never tire

who'll be debating whether

kpattz, robsten, or my name for it,

sorry, them,

pattenwart,

really love each other

or are merely feeding off the media **** storm

to soothe their fragile bodies

and appease their shiny deities.

so yeah, i know what it involves

every ingredient labelled and shelved

sampled and sicked up and

given 5 star reviews on amazon

with words of advice

and i do believe in love.

i do.

oh, i do

so friends,

hold out your bleeding hearts

apply some anti-skeptic

your wounds will heal in 30 days

give or take a century.
Foundlings lament beneath their shrouds
For the Givers they never knew.
Shouts of terror, gone unheard, loud
And bright in the fright of selected few.

Shadows cast beneath sunlight's flags
Are trademarked captions made of stained silk.
They trod the daylit bog in dusty rags,
Secretly living, they and their ilk.
Twinkle Jan 2015
A futile battle enmeshed
Overpowering emotions struggle to stay afloat
Heaving a deep breath I sink in
Isolated in my despair
Sliced through bone and marrow
Pain wrenches my soul, vice in its hold

A fragrance wafts in
Electrifying my soul
Reverberating memories explode
Bursting to surface
Tender moments, the story of a heaped up soul

In every cell of my being I feel you
Emanating exuding your deep truth
Your touch like butterflies
Transcendental your love
Rewinding reel by reel
The story of an unsaid love

I see you close, though I bear you not
My heart lost inside your soul
Irreplaceable the magic
Weaved by those deep emerald embers
Wants each moment to unfold

I ease back and surrender once again
To the assurance of this bliss
Entrenched deeply in this moment
Serenity shrouds a warm blanket
Intense emotions lay calm, spent
My soul in glorious serenity elevates
You are undeniably a part of me
My paragon, my serenity
Issue forth bright light, vibrant colors
Adorn the deep dark night sky
Your love a painting a million hues
Panoramic and divine.

I LOVE YOU....
Imaginary poem..wishing every bit this were real.
Boi Nov 2018
You, my garden of Anemone;
of periwinkle, plum, and mauve.

A fragrance of Lilacs; for my springs and summers.
A snow's aroma of a rare, rich branch of Daphne  

Fenced by shrouds of Lavender and Sage.
Adorned with Irises and virulent Vervain.

The Verbena that consumes me
As I yield to it's amethyst.
Anemone for her complexions, Lilacs and Daphne for her grace, Lavender and Sage for her appeal, Irises for her beauty, and Vervain for her poison.

Written with a pleasure of knowing someone for 24 hours.



To Krista & Alexa: A Special Thank You
Tearani C Nov 2012
I used to find myself in the reflection of that water,
And cleans myself of troubled thoughts
At rivers bend , claim name as abandon daughter,
I whispered into every tear my shame and greatest fears,
That after all these years that I had made it clear
That no love was real, and that I should persevere.
To have my heart torn out, torn before me.
I soothed it’s hot wounds in the lapping wake
In the ripples that my teardrops make
Examined as the flesh grew mark,
Record each pain in pink puckered scar.
I used to find myself in the reflection of that water,
Strip bear my inhabitations lay bare to naked skin,
Laugh at indiscretion, death, and fear when I dove in.
Dove down into the waters where silence overtook,
To noise and sleepy slumber of the flowing living brook.
I used to concentrate on beauty and the confidence life took,
And drown my insecurities and grin at boys who looked.
I used to find myself in the reflection of that water,
In the moons bright light astride the bank
when summer nights grew hotter.
I used to let the water pull me to the center of myself,
Let it hold onto me when I was lost to everybody else,
I used to sing it lullaby’s , until I found myself,
Now I’m getting older, they say the waters gotten cold,
And I have gotten harder but that I have gotten bold,
And I know I’m apt at swimming but there are some
Bridges I have known, but sometimes I think of running water
Over my frayed and frazzled soul.
But a storm is coming closer with terror in its clouds,
Hiding in shrouds of chaos , with rain that’s falling down,
It’s tearing away the sandy banks and washed my water out.
It took away some part of me and held it tell it drown.
I wonder what I can see of myself in the wake of all this change,
Now all that’s left to do, is start wading through the pains.
And fallow thoughts that whisper “if I see myself the same”,
And I’ll remember I used to find myself
In the reflection of that water,
How much she cared for me
And how much I was taught there
And how everything has changed.
But I have left my mark there.
The photographic chamber of the eye
records bare painted walls, while an electric light
lays the chromium nerves of plumbing raw;
such poverty assaults the ego; caught
naked in the merely actual room,
the stranger in the lavatory mirror
puts on a public grin, repeats our name
but scrupulously reflects the usual terror.

Just how guilty are we when the ceiling
reveals no cracks that can be decoded? when washbowl
maintains it has no more holy calling
than physical ablution, and the towel
dryly disclaims that fierce troll faces lurk
in its explicit folds? or when the window,
blind with steam, will not admit the dark
which shrouds our prospects in ambiguous shadow?

Twenty years ago, the familiar tub
bred an ample batch of omens; but now
water faucets spawn no danger; each crab
and octopus -- scrabbling just beyond the view,
waiting for some accidental break
in ritual, to strike -- is definitely gone;
the authentic sea denies them and will pluck
fantastic flesh down to the honest bone.

We take the plunge; under water our limbs
waver, faintly green, shuddering away
from the genuine color of skin; can our dreams
ever blur the intransigent lines which draw
the shape that shuts us in? absolute fact
intrudes even when the revolted eye
is closed; the tub exists behind our back;
its glittering surfaces are blank and true.

Yet always the ridiculous **** flanks urge
the fabrication of some cloth to cover
such starkness; accuracy must not stalk at large:
each day demands we create our whole world over,
disguising the constant horror in a coat
of many-colored fictions; we mask our past
in the green of Eden, pretend future's shining fruit
can sprout from the navel of this present waste.
In this particular tub, two knees jut up
like icebergs, while minute brown hairs rise
on arms and legs in a fringe of kelp; green soap
navigates the tidal slosh of seas
breaking on legendary beaches; in faith
we shall board our imagined ship and wildly sail
among sacred islands of the mad till death
shatters the fabulous stars and makes us real.
I

Our ****** dreams, all seedless in the light,
Of light and love the tempers of the heart,
Whack their boys' limbs,
And, winding-footed in their shawl and sheet,
Groom the dark brides, the widows of the night
Fold in their arms.

The shades of girls, all flavoured from their shrouds,
When sunlight goes are sundered from the worm,
The bones of men, the broken in their beds,
By midnight pulleys that unhouse the tomb.

II

In this our age the gunman and his moll
Two one-dimensional ghosts, love on a reel,
Strange to our solid eye,
And speak their midnight nothings as they swell;
When cameras shut they hurry to their hole
down in the yard of day.

They dance between their arclamps and our skull,
Impose their shots, showing the nights away;
We watch the show of shadows kiss or ****
Flavoured of celluloid give love the lie.

III

Which is the world? Of our two sleepings, which
Shall fall awake when cures and their itch
Raise up this red-eyed earth?
Pack off the shapes of daylight and their starch,
The sunny gentlemen, the Welshing rich,
Or drive the night-geared forth.

The photograph is married to the eye,
Grafts on its bride one-sided skins of truth;
The dream has ****** the sleeper of his faith
That shrouded men might marrow as they fly.

IV

This is the world; the lying likeness of
Our strips of stuff that tatter as we move
Loving and being loth;
The dream that kicks the buried from their sack
And lets their trash be honoured as the quick.
This is the world. Have faith.

For we shall be a shouter like the ****,
Blowing the old dead back; our shots shall smack
The image from the plates;
And we shall be fit fellows for a life,
And who remains shall flower as they love,
Praise to our faring hearts.
ryn Jan 2016
I was once a shape...
Equally jointed,
at four opposite points.

I was a square...
I never knew the way of the world.
Never open to new experiences,
even when they presented themselves bare...
Even when the shrouds of uncertainty
were wiped away leaving the future unfurled.

I grew up...
Huddled under the roof set above me,
with four walls that kept me safe and sheltered.
That was the entire universe.
That was all I saw...
Views so narrow and uneventful...
A life so bland with the fun bits all sheared.

Never brought up to question...
Never given the time and space to think.
There was always a yardstick upon which I was measured.
The sea of expectations was vast but shallow...
So I could wade forever,
but never sink.

I was once a shape...
No one then expected me to be other than a square.
I had everything I needed,
all within the confines of imposing cordons and tapes.
But the world would constantly rap on the windows.
Peddling its fantastical ware.
It would entice with its secrets and mysteries.
Boasting the wonderful stories it'd like to share.
IN tombs of gold and lapis lazuli
Bodies of holy men and women exude
Miraculous oil, odour of violet.
But under heavy loads of trampled clay
Lie bodies of the vampires full of blood;
Their shrouds are ****** and their lips are wet.

— The End —