Submit your work, meet writers and drop the ads. Become a member
Poetic T Sep 2015
Could of filled a thousand times
Up I went, opened that loose pink hole
Must have felt like air between thighs.
-
But you were always wanting more in-kind
Up it went did you feel anything inside
Could say I was small I was 9 inches 2 wide
Keep it coming fill you up, my sacks gave too much
Empty shrivelled bags seeds sewn now only dust
T**ill the next time my **** *** Bucket love.
Lea Rose Mar 2015
the daisy in the vase
sits by the window
with its feet dipped in water
its drooping head
drinking in sunshine

yet
it doesn’t stop
the blush pink from
littering the countertop
in hues of brown
leaves now,
shrivelled prunes
ripe of its
existence

love me
love me not

the daisy in the vase
remains only
a single stalk.
eileen mcgreevy Aug 2010
Oh ****, here we go again,
I feel it creeping through my brain,
The smoke has hit the fire alarm,
Almighty sadness , bleeding strain.

I'd run but what the ****'s the point?,
It's holding down my very joints,
I'm trying to fight the need to harm,
I'm geeting the **** outta this joint.

Oh misery, please spare me this monsoon,
Im growing weaker, i'll lose it soon,
This fist of pain, inside my head,
I've dried up, like a shrivelled prune
done by me
Terry O'Leary Feb 2014
THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.
Ellie Elliott Mar 2014
There is a tear in my existence,
the gap between two milk teeth
breaking away from wide-mouthed childlike innocence
and falling out,
lost to ice cream cones and garden fences
teen dream dancing and cool pretenses
ignorant bliss, aimless goals
and the taste of near-empty Jack Daniels bottles
seems wiped from me
like a milk moustache.

Adulthood, what are you but a mistress who is cruel to be kind
curling and winding around me until I choke in your perfectly proper pencil skirt?
What are you but a greater knowledge of the world and a lesser understanding of it?
What are you but a greater understanding of the self and a lesser affinity with it?

Adulthood, what are you but broken dreams and disappointment?
What are you but bigger dreams with arms that reach beyond death itself?
What do you bring except shrivelled skin and nostalgia for once upon a times?
What but wisdom and a sense of sanguine satisfaction?
What are you but blood and cells and bells and *** and terrific notions and consequences and deckchairs and chinaware and despair?

Adulthood, what are you but glazed-over wasted days and self-loathing?
What are you but three hundred responsibilities taken care of all at once, caffeine eyes and welling pride?
What are you but the inevitable crash and getting smashed and suddenly remembering why I should do things one at a time?

What are you but change upon change upon change upon mistakes made again for the millionth time?
And my changes, now lifeless
cause an identity crisis
about whether I'm really any different in the end
the likes of which will no doubt be seen again
when Monday rolls around,
what are you but Mondays, endless Mondays
driving me into the ground?

Oh Adulthood,
what are you but a downsize of naivity, a self-belief redundancy, a vitamin D deficiency and a proper place for everything apart from me?
What are you but desperate faces smashing into one another, drowning lungs, curtains pulled down, curtains put up, curtains being suddenly important? Curtains ******* me up?
What are you but woodsmoke and patios, warm faces, good graces and the ceaselessly mounting cost of Freddos, buildings and building things and falling in love...

And falling in love, falling asleep, falling awake, falling apart, falling together, falling
falling
falling
down.

What are you, Adulthood, but always always getting back up again no matter what, and alarms and reminders and no bed times
but being so tired you start to admire
that even the sun must sleep sometimes,
even if it always comes back up, shining even brighter
until the timing is right until the living is right until the mind is right only then can we stop trying
only then can we die
no wonder the afterlife is idealised
and even then, will I see the light?
Can I stop now?
Is it really alright?

What are you Adulthood, but a long list of questions?
Because I have so much to ask, you see, but mostly

What are you here for, except to show me how good I had it before?

Adulthood, I don't know.
ellie elliott
Alone I stand,
Forgotten how to trust,
A title I am brand,
For the knife in my back ******,
In envious lust,

A pack once thought,
Once united as one,
A battle together once fought.
Till our pack shrivelled down to none,

Now alone,
In haunting silence,
No pacts just on my own,
In daunting defiance,

Forgotten,
With all the loyalties won in wars,
My trust wilted and rotten,
Torn by deceits hateful claws,

A Wounded wolf still raw,
A lone wolf forever will I be,
A wounded wolf with scars I wore,
A lone wolf for everyone to see.
tranquil Jun 2014
love is rebel

when maddening rush of waves in sea
pound upon rocks obliterating all reverence
and meekest lilies bud in deserts to destroy
drowsy, shrivelled spirits of arid expanse

winds hum a song

and ballad of crimson bleeds from skylark's beak
as millennia of smoldering agony melt the furnace
of a gasping heart stomped upon by boots of time
weary, tired of burning for this world

i turn to you

chasing the merriest dream shut against an eye
of a frail romance, seeking a moment's solace
in tender touch of your silvery hue
lest my soul discern emptiness of my being

and turn blind without

caress of blissful light streaming down divinity
of a paradise which shall be home to lovers
in a moment something akin to blossoms fair
and be named the marvel of a moonlit sky

but how you only part

with moment lapsing into oblivion like a stream
housing ripples which fade into obscurity
as you flowing ride seaward along noiseless breezes
only to rest in nethers of a watery labyrinth

and doomed to burn

i part ways till my beloved's sleep grieves upon
dark stillness of heart as garish rays burn alight;
fill the land with a curtain of longing;
await your blissful countenance at twilight

beyond a chore of night and day

indulge in gleaming splendour of a festival
witnessed by angels and mortals alike
amid fleeting tenderness that paints our wispy sky
with a rosy blush, we seek each other

wriggling along

emptiness of space and hallucinate
a glittering spread of stars half asleep or coy
while celestial arena dumbfounded by our mutinous flight
gazes at two Gods sailing, sinking in each others arms

do humans plead and pray

wrought with sorrow, wish away the ill omen
turning glorious light to abominable darkness
as if life betrayed the vanquished spirit of
terrorized souls shouting, beating pots and drums

should someone tell the world

and those beseeching mercy from heavens
escape is a wing endowed to dream
through eyes of a lover which turn to riot
illuminate the darkness of a lifetime's longing

tell them dearie, tell them now

to the chanting, screaming vengeful barbarians
we're a tangle of coldly breathed sighs in lonesome nights
a mad rush of blooming desire grew tired of servility
wrapped inside the ring of black burning passion

we are the embrace

frozen in background of a singular nothingness
for which seems like an eternity but which shall
only last for a desperate twinkle of time
while savoured feasts of memories brew in our being

but long as we are bound

baited to the hook of grand order
crunched and gnashed under weight of divine province
we will part in an eye's blink again
like melody turned to a moan

-- the sun
faint and pale, vague as mist
in drowsing depth of shaded sky
gleaming sweet between the hills
you bless me with eternal light

tracing out the spiral steps
tresses silver pave the way
out in garden of my stars
beams of gold do so convey

tales of shiny mistress knocking
a door of white, still rustiness
awaiting night's crescendo
a valiant saviour - nothing less

though momentary interludes
fleeting glimpses, passing glances
shall slip away in an eyes blink
with churning spell of nature's dances

while night sighs of nostalgia
beckoned by call of time
reluctantly we submit
tremble with solemn goodbyes

as slender arms of dreamy beams
leaning dwell in treads of clouds
we'll dress the pitch of emptiness
all in eager lonely shrouds

-- the moon
Tea
When the elephant's-ear in the park
Shrivelled in frost,
And the leaves on the paths
Ran like rats,
Your lamp-light fell
On shining pillows,
Of sea-shades and sky-shades,
Like umbrellas in Java.
Dominique Oct 2018
Droplets tap the dusty windows
Tipping pleasure on the pane
Dribbles every time the wind blows
Prophesize a hurricane

Kisses linger on the backseat
Desperate to delight in more
Suffocated by the heat, but
When it rains, it starts to pour

Panic storm that quickly closes
Smashing waves upon the sand
Tension tearing up the roses
Stuttered poems, shaking hands

Though the pressure keeps you floating
And the ocean licks its shore
There's no way of sugarcoating
Once it rains, it has to pour

Stick a finger in your ceiling
Let the plants hang onto youth
Sunday jazz, petrichor feeling
Hear it tripping on the roof
Smell it shifting all around you
Leaking through your drying veins
Leave your stagnant dragonfly blue
Open up into the rain

When it rains, it pours
I'll blossom being yours

Downpour cleans the ***** traffic
Rippling madly down the drain
Paints the artist something graphic
While he's waiting for the train

Laughter echoes in the morning
Licking soil and clouds to raw
From the vision that's been dawning
Once you rain, it has to pour

Spitting bombshells pelt your raincoat
Tears in quiet pools of green
Holes inside your getaway boat
Water's sweet but can be mean

You've avoided all the warfare
But the stars rampage for more
Douse the thin comfort you still wear
Once it rains, it starts to pour

Stick a finger in your ceiling
Give the plants a thirsty truth
Fairy lights and freedom feeling
Tunes of our torrential youth
Smell it changing all around you
Bursting through the shrivelled veins
Leave your crippled summertime hue
Open up into the rain

When it rains, it pours,
I'll bloom so much being yours
We're a perfect storm, I guess
Fire has been stopped with less

When it rains it has to pour.
Rain brings change when we most need it
MereCat Mar 2015
When Icarus falls
Who can say that
He does not turn his own back
To the fact that
The ploughman’s family
Are shrivelled on a diet
Of failing crops
And that the only two
Imperturbable components
To the serenity of his fallen world
Are the sun and the sea
That wash blue and gold
Over the evidence
Who can say that
Icarus is not so consumed
With the boiling wax upon his shoulders
And the screams in his throat
That he has casually
Failed to realise
That the ploughman on the cliff
Has just as far to fall
Well... Reading 'Musee des Beaux Arts' in school yesterday I began to wonder where I fitted into the picture - whether I was even present, whether I was Icarus or the ploughman or the boat and I felt like I was probably all three...
Cronedrome Jul 2018
I stare into the space outside of you
Is it now
Will you give me the excuse Im always waiting for
Will you give me the excuse
Will you take all you've learned from these long nights
And longer days that float
Then wizz past like the eternity of a skydrop
Where the heart pounds faster than the sound of blood
And time stops

Too fast
So addictive
Full body shocking echos of sensation invade at random
Chemical flashback still-frames
Stir ancient Bonobo DNA into frenzied tool construction
So that I can have some more
Always more
I want more

Is it now
Will you take all you've learned from this telepathic dance
Of  fire fighting fire
will you give me the reason Im always hoping for
A secret I pretend to keep hidden from myself
Will you give me the excuse
Is it now

What are you
Who do you think you are
You read me so well with your body
Help manifest prophecies of pleasure in my pain
We take only what we need of each other's language
Syllables distorted by fresh intakes of breath
Newborn grammar crackles in the impulse of our mingled sweat
And in the chaos of sparkplug cell explosion
I am home

How human of me to decide
That I might just about be able to grasp infinity
In a few sharp moments of oblivion
But what can I do
My memory like yours is bloodcode
Millenia of dancing kept vague is a mercy
When fears longevity demands a louder voice

So what can I do
What do I know anyway
What am I
Who do you think I am
Is it now

Beauty
So much pleasure
Dizzy illusion that this motion
Is all the poetry I'll ever need
We sanctify the pain that brought us here
Without it we would never know
I am a seasoned devotee
And now hungrily I carve your separate pain into the scripture
This is power
Electricity that can never be destroyed

But now I stare into the space outside of you
The wave of shock in my blood
This time runs cold
Fist in my diaphragm
Breath labours in my chest
And I am home

In the old language I am so ******* sick of hearing
Declarations of war are never accidental
So please, let's not bother to pretend that we don't know
This mythology has nothing left now to enchant
Nothing to offer but the same cowering, mean spirited
Petrified and shrivelled desperation
That is the battle cry of every war
Everwhere
Every single ******* time

The root of so much evil
Lack
Of Imagination.

Control is always illusion
Betrayal always an insult to intelligence
And that is why
You can't look me in the face now
You betray yourself in this role
A waste of masochistic potential that you expend
On making yourself small in my eyes

And for what
I understand too well
This language is old
But not as ancient as they
And You
Would have us believe

I understand too well
This story is tired and hollow
This story is flat
A mythology so corrupt that even the old dears
With sinister, insipid eyes
Barely manage to keep a straight face

You join their ranks
With just a few short words
You join their ranks
With just a few short words that cloud your eyes
And widen mine to a horror
You try to convince me I have no right to
To a horror
You try to convince yourself that you don't see

Is it now
Is it an excuse that I've been waiting for
Or was it this
Dreadful feeling of inevitability
Did I forget?
Do I sleep with my enemy
Or is this just an accident of time in this geography
Too slow
Too dead for me
Yes
This is now
nikki Jun 2014
All I've been hoping for
is to be more
than just an other flower
left to die
shrivelled up between
the pages of your coffee stained notebook
Thomas Newlove Feb 2011
Here lies a calculator, once unstoppable,
Together we solved the world’s problems.
Your black buttons warmed my hands,
While my head was cooled by the solutions you created.
Stress relieving buttons,
How I often mistreated you,
Slamming my fingers into your soul,
Jabbing your rugged terrain.
My intelligence blossomed with you at my side,
But now you have shrivelled up,
Shedding your petals, one equation at a time,
Until you are planted in the grave you resemble.
I etched my name into you
At the start of our glorious friendship-
A sacred bond that would last forever.
Now, at the end, I engrave again.
This time there is no solution.
It is always an emotional time when you lose a calculator that lasted you through most of secondary school :'(
Megan Clifford Feb 2013
Black soot
Shrivelled up Cadbury
wrapper eyes
You were not my antidote
You turned a balanced

happy
friendly
spice 'n' all things nice girl
into a hermit with
bloodied fingers, a
self-destructive narcissist
(or did you just
coax her out of her shell)
well

I quit on you
the ****** is the **** spoon
your prose the lighter
your hips the dealer
my heart the coffin.

I cried
I cry
I will cry
Over your constellation swamps
Housing crocodiles
Water-borne diseases
and piranhas
I am naive;
I think my youth protects me.

My youth enslaves me.
Binds me in paper chains.
There once was a man whom the gods didn't love,
And a disagreeable man was he.
He loathed his neighbours, and his neighbours hated him,
And he cursed eternally.

He ****** the sun, and he ****** the stars,
And he blasted the winds in the sky.
He sent to Hell every green, growing thing,
And he raved at the birds as they fly.

His oaths were many, and his range was wide,
He swore in fancy ways;
But his meaning was plain: that no created thing
Was other than a hurt to his gaze.

He dwelt all alone, underneath a leaning hill,
And windows toward the hill there were none,
And on the other side they were white-washed thick,
To keep out every spark of the sun.

When he went to market he walked all the way
Blaspheming at the path he trod.
He cursed at those he bought of, and swore at those he sold to,
By all the names he knew of God.

For his heart was soured in his weary old hide,
And his hopes had curdled in his breast.
His friend had been untrue, and his love had thrown him over
For the chinking money-bags she liked best.

The rats had devoured the contents of his grain-bin,
The deer had trampled on his corn,
His brook had shrivelled in a summer drought,
And his sheep had died unshorn.

His hens wouldn't lay, and his cow broke loose,
And his old horse perished of a colic.
In the loft his wheat-bags were nibbled into holes
By little, glutton mice on a frolic.

So he slowly lost all he ever had,
And the blood in his body dried.
Shrunken and mean he still lived on,
And cursed that future which had lied.

One day he was digging, a ***** or two,
As his aching back could lift,
When he saw something glisten at the bottom of the trench,
And to get it out he made great shift.

So he dug, and he delved, with care and pain,
And the veins in his forehead stood taut.
At the end of an hour, when every bone cracked,
He gathered up what he had sought.

A dim old vase of crusted glass,
Prismed while it lay buried deep.
Shifting reds and greens, like a pigeon's neck,
At the touch of the sun began to leap.

It was dull in the tree-shade, but glowing in the light;
Flashing like an opal-stone,
Carved into a flagon; and the colours glanced and ran,
Where at first there had seemed to be none.

It had handles on each side to bear it up,
And a belly for the gurgling wine.
Its neck was slender, and its mouth was wide,
And its lip was curled and fine.

The old man saw it in the sun's bright stare
And the colours started up through the crust,
And he who had cursed at the yellow sun
Held the flask to it and wiped away the dust.

And he bore the flask to the brightest spot,
Where the shadow of the hill fell clear;
And he turned the flask, and he looked at the flask,
And the sun shone without his sneer.

Then he carried it home, and put it on a shelf,
But it was only grey in the gloom.
So he fetched a pail, and a bit of cloth,
And he went outside with a broom.

And he washed his windows just to let the sun
Lie upon his new-found vase;
And when evening came, he moved it down
And put it on a table near the place

Where a candle fluttered in a draught from the door.
The old man forgot to swear,
Watching its shadow grown a mammoth size,
Dancing in the kitchen there.

He forgot to revile the sun next morning
When he found his vase afire in its light.
And he carried it out of the house that day,
And kept it close beside him until night.

And so it happened from day to day.
The old man fed his life
On the beauty of his vase, on its perfect shape.
And his soul forgot its former strife.

And the village-folk came and begged to see
The flagon which was dug from the ground.
And the old man never thought of an oath, in his joy
At showing what he had found.

One day the master of the village school
Passed him as he stooped at toil,
Hoeing for a bean-row, and at his side
Was the vase, on the turned-up soil.

'My friend,' said the schoolmaster, pompous and kind,
'That's a valuable thing you have there,
But it might get broken out of doors,
It should meet with the utmost care.

What are you doing with it out here?'
'Why, Sir,' said the poor old man,
'I like to have it about, do you see?
To be with it all I can.'

'You will smash it,' said the schoolmaster, sternly right,
'Mark my words and see!'
And he walked away, while the old man looked
At his treasure despondingly.

Then he smiled to himself, for it was his!
He had toiled for it, and now he cared.
Yes! loved its shape, and its subtle, swift hues,
Which his own hard work had bared.

He would carry it round with him everywhere,
As it gave him joy to do.
A fragile vase should not stand in a bean-row!
Who would dare to say so? Who?

Then his heart was rested, and his fears gave way,
And he bent to his *** again. . . .
A clod rolled down, and his foot slipped back,
And he lurched with a cry of pain.

For the blade of the *** crashed into glass,
And the vase fell to iridescent sherds.
The old man's body heaved with slow, dry sobs.
He did not curse, he had no words.

He gathered the fragments, one by one,
And his fingers were cut and torn.
Then he made a hole in the very place
Whence the beautiful vase had been borne.

He covered the hole, and he patted it down,
Then he hobbled to his house and shut the door.
He tore up his coat and nailed it at the windows
That no beam of light should cross the floor.

He sat down in front of the empty hearth,
And he neither ate nor drank.
In three days they found him, dead and cold,
And they said: 'What a queer old crank!'
For at least a week now,
shrivelled leaf-like globes
of heliotrope and platinum,
umbilical cords
caught on the top
of a lamppost's ***** finger,
jostling, huddled together
in the breeze
like players in a scrum.

I go past on the top deck,
see those wrinkled baubles
skirmish, wish to leave
and drift in mist
before rasping
with a whimper,
an out-of-breath splat
of colour caught
in some tree.
Written: March 2013.
Explanation: A poem written in my own time regarding a group of balloons caught around the top of a lamppost in a nearby town. Later uploaded as a Facebook status.
Day Oct 2015
I still think of you some times,
why these wounds have yet to dry
What else could closure be
besides an endless loop of agony
because that's all we've proven to be
passionate toxic ecstacy
that will leave us shrivelled and worn
like a ****** on the side of the road
What a sad sight, they would say
watching us writhe in pain
and when we awoke from
whatever nightmare we acquired
we would try to explain
just how this couldn't stay the same
We would exclaim
that this is the last day
I loved you dearly
And I can only hope my emotions
are not misplaced
and I hope that one day
I will see you again.
Emilie L Feb 2010
Contemplating the dark
With a life neither bright nor stark
Shrivelled and fragile inside
Aiming for wonders of the glorious mind
With the sun peeping out from ominous clouds
Undisguised, yet elusive, towards an onset of doubts
Shrouding any fallacy
Cultivating mere fantasy
And the phantom of a far-fetched imagination
To bring out an electric, yet marvellous sensation
Shut inside a mysterious cage
Grasping poetry like some sage
Aiming for aloofness
While mourning over the senseless
Forever the beauty of words is a myth
Forever superficiality is a filth
The sublime scenery of sunset swish
Warms the heart, treasuring one’s deepest wish
Via the shimmering dawn
The azure sky I so adorn
To sniff the sweet odour of nature
All alone, as solitary as ever, with a hazy future
Nobody can gauge the depth of the imaginary
And taste the splendour of the ordinary
All this simplicity unravels a cosy palace
Where art is sacred; where the aesthetic is a solace
To end up in sensuous poetry
In which there’s no calculated geometry
Where the comfort of spontaneity is soothing
And readiness is but a blessing
For in poetry, a loner like me finds her grace
For via poetry, the solitary is free to embrace
And through the line of a verse, the loner dwells a florid universe…

-07/04/07
© eMs' silent poetry. All Rights Reserved.
Over the garden you droop,
crooked fingers
point in every direction.

When summer's gone
you shake, a wet dog,
the grass strewn with shrivelled waste.

"Not so young anymore",
a weaker wrinkled body
battered by almost all weathers.

A faded jade jacket
covers your naked figure
as the cold days come closer.

From my window I look,
and your strands of hair
nearly scrape the sky.
Written: September and October 2012.
Explanation: A work still in progress. Available on my blog and uploaded as an earlier draft on to Facebook. This poemwas my first piece for my second year of university.
Bai Hao Xue Nov 2018
When I saw her for the first time it wasn't admiration
It was awe mixed with a twinge of jealousy
Her perfection and her confidence intimidated me

When I first befriended her it wasn't just adoration
It was an obsession and a fixation
To be like her in thought and action
Till I learnt to be better than her without being enough
That was when the insecurity started
'Will I ever be enough?'

I wasn't enough at home, not fair enough or smart enough
I wasn't witty or flirtatious enough
I lacked guts and I lacked the temperament
Of a proper twelve-year-old.
I was a doormat and a pushover
Already coming undone at my seams
Trying to emulate perfection through blinded eyes
Every day I scoffed and surrendered to my picture of admiration
Trying to secure her own admission
'Will I ever be enough?'

Then she left me battling my own wars
Hers was to conquer new turfs.
I waited for a while, finally realizing
I was a ship without a captain, left to wander evermore.
I caught a new captain in a bystander who counted his lucky stars
I admired him for being there for me when I never was.
I tried to hold on to an unconsolidated bond of friendship
With a raging doubt piercing through my heart
'Will I ever be enough?'

Many came telling me my worth.
Many left ravaging my already battered heart
Many drank my colourless lifeless blood
Many left a wretched bluish mark
I shrivelled from the inside out
Bloating in the nausea of my being
Every day trying to put me together
Every day losing instead of winning.
One day finally I reached out
Knowing my salvation lies
I put everything behind me and cried out
Only to be put on the side.

That day I realized my worth
When she was hurt by my rejection
When she refused to give me a chance
When I had never received any ever.
My insecurities still lingered
But they were a part of me now
And I did not know how to do without.
I picked up the pieces that meant something to me
Even though she was no more there to see
Yet I knew that she was never enough
Never my horizon, never my turf
I had wings to reach farther
And my flight has thus
Now begun without her.

(c) Anavah 2018
This poem is autobiographical and written to my friendship with my childhood best friend. It is true that we parted ways and she was all I aspired to be for a greater part of my life but a part of me aspires to be more and that is all I strive to be.
Mateuš Conrad Aug 2016
feminism is pretty much a failure like communism... the latter wanted the workers of the world to unite... but they didn't... each working man took too much pride in his earnings an expenses to the extent that he sought no idealistic solution... the self-preservation element... feminism is very much alike to communism... it comes from the same source, the bourgeoisie caste... which explains why prostitutes in France defended their pundits... they basically said: ******* little Freudian undecided *****, with us it's 100 ***** a week... with you it's only about 100,000 interpretations of a **** in clingfilm at a Hollywood premier: your choice, either 100 *****, or a ***** and the cinema of the would-be agonies or a man resembling Richard Burton, sober, and being a Swedish patent for a house-husband, and a closet poet, and a chef, and a, and a, and a... can i suggest a kaleidoscope as the safest investment?

imagine sitting in a brothel waiting room,
there's about 10 of them -
and they're looking at your like you're
their father and they're about to skin you alive
like piranhas with their eyes -
it can be quiet intimidating,
what for £10 entry fee and £110 and hour
baggage of silenced ******* -
you're basically ******* Ferraris and Lamborghinis -
but it's worth the while,
you genitalia turn into a pavlova before
it's baked mush - your testicles are soaring
angels with the ticklish bits added
to what feels like a shiver of goosebumps -
you sit there for a while, it's the hardest time
to be making choices, you ask for a cup of water
(i always did),
you get it, Keith Lemon is doing his talk show,
the older prostitutes are un-amused -
they're the ones who'd skin you alive,
pick one and she turns into a sadistic
vacuum cleaner in the realm of oration -
you think these terrorists and so-called
martyrs would have the ***** keep up with an ante-chamber
like that? these women can sniff out perversity
like they might sniff out a woodlice in damp wood...
or the spiders that complete their weaving
and never take the central role on the stage,
but ****** their spiderweb before scuttling
into the frenzy of making a body of other insects
into immobile dough to **** into on the sidelines,
they're the out-of-body experiencing their architecture,
there's no ego in them, not central nervous system...
i always thought that spiders compensated the
cartesian problem with their spiderwebs -
they extended their nerves through their *****
into an architectural project of nerve endings / extensions...
see, that's the thing about poetry: pure narration...
no technique, no nothing, no need to create a
third person or first person ******, no characters
to study and incubate into a thrill ending: poetry
is the purest form of narration, easily a ricochet
into digression that in fiction would only mean another
grey matter character to involve in the plot.
. and - (dot and hyphen, as suggested by Nietzsche,
is steaming along forgetting the semi-colon).
- i swear insects are the perfect telescopes into
alien life... on that micro level you get to
understand the many hazards of differentiated life
elsewhere... it's the microbes you need to
mind as the real hazards and blizzards -
but this one time i broke the brothel rule
denoted as choice: i didn't make one.
i asked for one to make a choice for me...
one talkative gall said i shouldn't be asking...
so i replied: well aren't you the talkative one...
you'll do. told you a butcher's supermarket -
i turned myself into a piece of meat -
the ***** butcher said: he'll have to do,
he prompted me to talk the heretical *credo
...
the outer-body experience, prostitutes are the experiment,
i asked of the 10 present and my penguin **** solo
shrivelled up newspaper of ******* to chose -
and she did... it's funny giving choice to someone
who you payed to choose from... these Muslim martyrs
will find it had to keep it level headed like Solomon -
these boys will really struggle to reap their rewards...
they just blow up ten people but never sat in
the company of ten prostitutes...
ten blown up, in the company of ten prostitutes...
you really don't know what it's like trying out
whether you could stomach a harem, let alone keep
one like a walrus...
ever stole a kiss from a ******* who's saintliness
involved never giving one but merely ******* more ****?
hmm? oh i can get pornographic after all...
it's a joyride troupe of force in thinking the joys i
nourished in such places... although i have to admit
Amsterdam would never feed such poems...
it's just common place everything's worth clapping
(or too much clapping by the serfs at a Bolshoi ballet),
you need the thrill of something being illegal...
in the case of itemising England it's the brothel owners
that are the culprits, not the prostitutes, nor the pundits,
which is why i asked to perform oral *** once in a while
for the extra undocumented 10 quid... that didn't fall
into the hands of the madame... so it ends...
feminism alright for you, in that ivory tower of yours,
unscathed, belligerent and with sulphuric toxic gas
to **** out from your mouth as the proper argument?
the heart not steady? i see... i guess you have a hard fight
ahead of you... young men go to prostitutes undiscriminating
their age and **** as **** would do too,
but young women don't go to prostitutes,
professional women do... and they'd always probably
**** some young dude... see the difference?
young men go to prostitutes... young women have all
the eye-to-**** candy they can have... older women order
**** and limousine, a night out, a date, a dinner...
young men are like: broken pipe, need a plumber,
stillson pipe wrench! and where's that ******* spanner?!
and contrary to popular beliefs, cats have
a second weak spot other than petting their heads
and playing with their whiskers... the point
between the evolve coccyx and the spine...
they really love a rub when the coccyx turns into
a tail... it's almost like a reverse test for prostate cancer...
every cat sitting down when rubbed in that area
will do a marching army band salute of raising its
hind in anticipation of a rainbow -
and yes, urinating with ******* is pretty much as
exciting as a woman massaging her ******* with
a shower head with pulverising pressurised water.
ANCIEN REGIME

I

Now that I, tying thy glass mask tightly,
May gaze through these faint smokes curling whitely,
As thou pliest thy trade in this devil’s-smithy—
Which is the poison to poison her, prithee?

II

He is with her; and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—I am here.

III

Grind away, moisten and mash up thy paste,
Pound at thy powder,—I am not in haste!
Better sit thus, and observe thy strange things,
Than go where men wait me and dance at the King’s.

IV

That in the mortar—you call it a gum?
Ah, the brave tree whence such gold oozings come!
And yonder soft phial, the exquisite blue,
Sure to taste sweetly,—is that poison too?

V

Had I but all of them, thee and thy treasures,
What a wild crowd of invisible pleasures!
To carry pure death in an earring, a casket,
A signet, a fan-mount, a filigree-basket!

VI

Soon, at the King’s, a mere lozenge to give,
And Pauline should have just thirty minutes to live!
But to light a pastille, and Elise, with her head,
And her breast, and her arms, and her hands, should drop dead!

VII

Quick—is it finished? The colour’s too grim!
Why not soft like the phial’s, enticing and dim?
Let it brighten her drink, let her turn it and stir,
And try it and taste, ere she fix and prefer!

VIII

What a drop! She’s not little, no minion like me—
That’s why she ensnared him: this never will free
The soul from those strong, great eyes,—say, “No!”
To that pulse’s magnificent come-and-go.

IX

For only last night, as they whispered, I brought
My own eyes to bear on her so, that I thought
Could I keep them one-half minute fixed, she would fall,
Shrivelled; she fell not; yet this does it all!

X

Not that I bid you spare her the pain!
Let death be felt and the proof remain;
Brand, burn up, bite into its grace—
He is sure to remember her dying face!

XI

Is it done? Take my mask off! Nay, be not morose,
It kills her, and this prevents seeing it close:
The delicate droplet, my whole fortune’s fee—
If it hurts her, beside, can it ever hurt me?

XII

Now, take all my jewels, gorge gold to your fill,
You may kiss me, old man, on my mouth if you will!
But brush this dust off me, lest horror it brings
Ere I know it—next moment I dance at the King’s!
George Anthony Apr 2017
god, words, where do you start?
when i get like this, i just write my thoughts
is that the same as speaking from the heart?
what heart, what heart?
this thing that beats against my ribs
i'm sure it's just a hollow shell;
pumps blood and oxygen
allows me to live through this hell
but there's nothing more to it
i'm not doing so well

do rhymes make pain sound simpler?
i have a bad habit of using them when i'm heartbroken
rhymes are used to undermine meaning, according to my old English teacher
half rhymes and nursery rhymes and rhyming couplets and sentences left open

to interpretation, to ambiguity, to aching wounds and clinical analysis
i'm thinking of pretentious hipsters and all my therapists as i'm writing this

"the mechanism which allows you to feel is broken"
it wasn't the best movie but that line stuck with me
i think the mechanism which allows me to feel is broken
don't worry, Harry, i know how you feel, Harry
i, too, use the adverb; i, too, feel badly.

the sharp things that cut me, the dull things that bruise me
everything i should feel is either absent or agony.
love, they say; let love in, she heals your thoughts and broken skin!
fickle *****, she is, what lies i've heard her spin.
do you love me when you lie to me, darling love o' mine?
do you love me when you trace your fingers over the nubs of another's spine?
love o' mine, love o' mine, that Touch was supposed to be mine,
divine, divine, beloved and reverent and MINE

it's a good thing i don't want to hold onto you anymore
the rope burns were finally sleeping into my core.
my god, these splinters, i'm bleeding from my fingers
as i try to reach out for something that isn't withered,
because the flowers that you bloomed are shrivelled and abused
i refuse to water them, give them life anew
does that make me a murderer?
well you murdered them, too.
Marco Carlos Aug 2018
Over coming my short comings.
Initially so plentiful, now nothing.
Your naked body clothing my thoughts.
Like leaves to trees.
Like pouring vinegar in the wounds I once bled, I continue to ponder you,
they continue to bleed.
Alone I walk in paradise, the shrivelled memories faulting to mere dust.
The air in Eden, a little colder, the water stained bitter, turning hardened steel into rust.
Spiralling up in a whirlwind of desire of what once was, consuming me whole, and ridding me of trust.
My inevitable demise,
I knew what you were, I chose to bite the apple , why am I surprised.
love hate
And this place our forefathers made for man!
This is the process of our love and wisdom,
To each poor brother who offends against us—
Most innocent, perhaps—and what if guilty?
Is this the only cure? Merciful God!
Each pore and natural outlet shrivelled up
By Ignorance and parching Poverty,
His energies roll back upon his heart,
And stagnate and corrupt; till changed to poison,
They break out on him, like a loathsome plague-spot;
Then we call in our pampered mountebanks—
And this is their best cure! uncomforted
And friendless solitude, groaning and tears,
And savage faces, at the clanking hour,
Seen through the steam and vapours of his dungeon,
By the lamp’s dismal twilgiht! So he lies
Circled with evil, till his very soul
Unmoulds its essence, hopelessly deformed
By sights of ever more deformity!

With other ministrations thou, O Nature!
Healest thy wandering and distempered child:
Thou pourest on him thy soft influences,
Thy sunny hues, fair forms, and breathing sweets,
Thy melodies of woods, and winds, and waters,
Till he relent, and can no more endure
To be a jarring and a dissonant thing
Amid this general dance and minstrelsy;
But, bursting into tears, wins back his way,
His angry spirit healed and harmonized
By the benignant touch of Love and Beauty.
Terry O'Leary Oct 2013
I’m stealing through a twilit realm, the ancient pale of Whereis,
passing chambers of an Heiress
(though no need to feel embarrassed)
through a magic mystic mirror hanging curtainless.

A glimpse near naked alleyways (denuded by the moon) ex-
poses Ghosts in gauzy tunics
carving symbols, round and runic,
in distended dingy dungeons of uncertainness.

Down misty streets of cobblestone – ancestral avenues –
patchwork paths consume my shoes
(chasing foggy curlicues
twisting, twirling by in twos,
floating anywhere they choose),
leaving footprints that confuse
vagrant wispy retinues
of the threaded wooden sticks that stalk a Puppet wandering.

Condensed in drops of fantasy, distilled in evening dew,
shifting Shadows I pursue
(wearing faces I once knew,
slipping slowly from my view)
turn their backs to bid adieu
leaving stars to tempt me through
Awful Tower residues
mocking treasures time outgrew
in the birth of old from new
framing pageants in review
midst the visions of the painted past I can’t help pondering.

Contorted candelabra claw the skyline’s walled suspension
caught in twilight’s intervention
– still unlit (in stark dissension),
therefore seething with a tension
in the quiet apprehension
of the Watchman’s inattention
to the night-time’s bold pretension
to her power, not to mention,
to her hyperspace extension
(far beyond my comprehension
of the sundown’s bleak dimension) –  
on exhausted beaten boulevards of foolish fretfulness.

Oblivion depletes me, voiding haste and hurried hassles,
me, a simple abject vassal,
trailing moonlit floating castles,
– fickle feet, but fingers facile
grasping straws and pendant tassels –
as I stumble through the rubble of forgetfulness.

I think I must be dreaming as I seem to see these things,
neath a sky alive with wings
(hear the Nightingale, she sings),
midst the whispered murmurings
soughed by Phantoms clad as Kings
pacing palaces in rings,
while their hapless footfall clings
to the sagging sinking sands of midnight’s splintered splattered ruins.

Entangled in the swirling leaves that spin in dizzy flurries,
(while the wind beside me scurries
as an ermined hermit hurries)
lurk my sleepy woes and worries
(glowing faint’ but growing blurry)
which, when plundered by the demon dusk, I’d left behind me strewn.

The forgery of Multitudes between the Silhouettes
(and discarded cigarettes,
neath the haunted parapets)
mock my lonely echoed steps
         – mock my lonely echoed steps –
(struck like clicking castanets
         – struck like clicking castanets –)
as I lace unlabeled lanes, erasing silence’ sullen treason.

The mossy stones condole with me (within the oubliettes
draped in blood and tears and sweat
sometimes dry, more often wet
quite like drops of anisette
sipped in moments one forgets
self-reproach and raw regrets)
midst the midnight minuets
and the purling pirouettes
of the fugitive Grisettes
(flaunting charms and amulets)
who, in flitting shades of arching bridges, linger longer, teasin’.

Along the When I’m drifting, but a stardust castaway,
weaving, threading by cafés
and deserted cabarets,
just a gauzy appliqué
on the river’s rippled spray,
chasing Fools along the way
through the strands of yesterday,
neath the throbbing peal of sobbing bells in spectral cloisters, quaking.

In belfries, high and haughty, alabaster Knights perform,
riding stiff against a storm,
steeped in cloudlike chloroform,
while the raven skies deform
and my shrivelled shovelled form
(rapt, while bats in steeples swarm
close to candles waxing warm)
hangs in hallowed hallways, hiding, shoulders weary, weak and aching.

Around me hover grinning masks, veiled visages of Queens,
feigning fatal final scenes
of demented doomed Dauphines
(against the scarlet sky they lean,
dreary dripping guillotines),
traced in opalescent ballrooms only tattered time remembers.

The hidden hands of Harlequins (while floating free, unseen
disbursing secrets sibylline,
amongst the manes of Halloween),
tap (on tumbrel tambourines
behind abandoned shuttered screens)
a dirge (with tattooed tones pristine)
for me (a heap in ragged jeans
in these crazy cluttered scenes),
trapped interred in toppled stone chateaus that dismal dawn dismembers.

Rogue breezes pierce, benumbing me, my ears and toes a’ freezin’
(in the Cockcrow’s purple season
as when nightmares should be easin’
and the Zephyr winds appeasin’),
so I reach for  rhyme and reason,
which endeavours leave me wheezin’,
caught impaled upon the jagged edge of early morning’s breaking.

The chill evoking silver chimes of Nodomain start knelling
as the searing sun looms swelling,
and their monodies hang dwelling
in the cloud drifts’ care, revelling,
but the Sandman’s too compelling
and my weariness impelling
– since my eyelids risk rebelling,
when they’ll fall, there’s no foretelling
for the starry sky’s past telling –
as I fade beneath the flaming forge while embers tremble, waking.
Anastasia Webb Sep 2014
I have opened up my mouth
and taken out a spare pair
of butterfly wings
(pinched between thumb
and forefinger),
used-to-be-dusty but now
slightly damp from their
place of residence.
I dried them myself,
striking match after match
and holding each underneath,
close,
but not too close.

Instead of drying they
shrivelled up like petals
after leaving the flower.
As if to preserve warmth,
curling inwards,
they shivered, animated
by the heat of the glowing stick.

The flame got too close
to my fingers. I dropped it,
swearing. Pinched the wings too
hard (reflexes), the membrane
broke between my fingers
and the remnants
of freedom fluttered softly
to the ground.
Caosín Jan 2022
come now, little creature, curl up and let me surround you
let me sink warmth into your tired bones.
come now, little creature, let me sing you a lullaby
let my love for you grow.
come now, little creature, sleep now and get some rest
morning will come harshly if you will not lay down your head.
Tomorrow, little creature, it all starts up again
grasp for the small things that bring warmth to shrivelled hearts of men.
Valsa George Sep 2016
Down the dusty road,
in tattered rags,
He came,
weary,
wilted,
and
withered.

Body bent with age,
bones sticking out of the flabby skin,
with a tremor
running down his limbs,
and with expectant eyes,
He waited at my doorstep.
No words came out from pursed lips
But,
in mute language
begged for alms.

I held his shrivelled hand,
helped him ascend the steps.
Like a child obeying it’s Elder
He sat on a chair in the patio.

The sumptuous fare, served before,
he surveyed with eyes
bulging out in utter disbelief,
and greedily devoured
every bit of morsel.

A rare gleam lighted up his face.
With hands folded in benison
He stood up and silently took leave.

I watched him stumble
along the country track
and fade away in the distance.

Ripples of joy stirred my mind
in ever widening circles
as, a pebble idly tossed
cause ripples in still waters
................
Over a random act  
of kindness
idly tossed.......
Love is the cardinal of all virtues…. But love has many shades! Next to Love, comes Compassion…. It is love plus empathy….. ! I believe that even the Scripture minus compassion is zero.
This is a true story…. ! Through such small acts of kindness, the giver and the receiver derive some joy…As an average human being, I am not powerful enough to carry out heroic acts to better myself and the world around
I feel that if one has compassion, he/she cannot hurt anyone deliberately!
Mirlotta Oct 2014
Once upon a time, in a world that looks like yours      
there was a girl with
golden hair
that hung like a banner across her back in a
a sea of sandy metal
that whispered across the air
all the untold secrets of the water and the flowers
and their petals


and when she blinked, her eyes were blue
and if you leaned too close you'd
drown in them
like the hags who tumbled down the wells
and shrieked for help
that no one cared about
because they didn't hear their voice
or see their
ebony locks trailing like abandoned sea **** after them
because they didn't fit into the space the puzzle maker had carved
and couldn't conquer the tedium of difference



and the girl was tugged by hand to go to Church
and her prayers were secret treasures
that trickled from her lips
and tasted like righteousness
each word more crystal than the last
soaked in honey at the tip
and smothered in wonder and glory
and the days as they passed


and they never mentioned the girls she teased
who wore headscarves
or bindis
that she'd printed with the colours of endless torment
in hues of cheerless and agony
and the girls never told her that
if they took them off
like she begged them to
laughter sprinkled in and stirred
they'd have to show her how much more pain
her jeering caused them



and the girl made mockeries of the unconventional
but that was okay because
everyone did
their eyes creasing up into slits of derision
in universal agreement
skidding past the true
whims of their heart and growing to
resent them


and the eccentric pressed themselves carefully
into the mould of society's
baking tray
their souls thrashing out in pain and hatred
as they compressed their emotions
and intelligence
and the beauty they found in the strangest of things
into the shell that had been vacated for them
when its previous owner had shrivelled up
and given in
and died



and all the way through life, the girl was beautiful
but she still  blew char
over her eyelashes
and stained her lips the post-box red that's found in
first kisses and
poetry and
scrawled crayoned hearts and
fading wishes


and she made fun of the red that pulsed
in the form of acne on
her classmates' faces
growing their hair out long to cover their pain
until no one could see their shame
and pouring their money into
the collection tins of mass chain stores
of cream and gloop and products
until their faces were marred by make-up
until their mothers didn't recognise them anymore
and they cried



and the girl was thinner and happier than anyone
but because it amused her
her wrists were slit
so her peers doled out their sympathy
and held battles over
who could make her smile first
and she fasted to become thinner
and she collected
four leaf clovers


and her classmates ignored the tender puckered skin
of the children that hacked at
their flesh and
tried to hide it alongside their hurt
and she cackled at the ribs
that seemed to try and burst from their flesh
like hungry mouths were trying to eat
them from the inside out
and they collected things because they feared
what would happen if they didn't
because that was OCD



and when the girl grew up, she married a boy
and he was tall and
his hair was night
and he was handsome in the conventional way that was accepted
perfect match
the paradisiacal sight of
dainty damsel clutching the arm of the
kind of man she'd read about in books
she'd been infatuated with him before they'd met


and the boys who fell in love with each other were outcast and spat on
their hearts torn into tatters and shredded in machines
by the people who thought they could decide for them
that if they didn't love girls then they'd love no one at all
because in the fairy tales they'd read as young children
they learnt that
prince = princess
and the prince never runs away with the woodcutter
because where would the princess be then?



and the girl still lives on today, in a world that looks like yours
her words a deadly poison
reaping and bleeding
crushing her prey between *******
and showing songs to the ears of the impressionable,  young or old
sowing seeds in their brains
that blossom in their hearts
and she is beautiful
and she is terrible
and she is nameless but for the title of
Society’s own child
and she is blameless
for it is the parent
at fault.
Yay, first poem!
Summer pleasures they are gone like to visions every one
And the cloudy days of autumn and of winter cometh on
I tried to call them back but unbidden they are gone
Far away from heart and eye and for ever far away
Dear heart and can it be that such raptures meet decay
I thought them all eternal when by Langley Bush I lay
I thought them joys eternal when I used to shout and play
On its bank at ‘clink and bandy’ ‘chock’ and ‘taw’ and
    ducking stone
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone

When I used to lie and sing by old eastwells boiling spring
When I used to tie the willow boughs together for a ’swing’
And fish with crooked pins and thread and never catch a
    thing
With heart just like a feather—now as heavy as a stone
When beneath old lea close oak I the bottom branches broke
To make our harvest cart like so many working folk
And then to cut a straw at the brook to have a soak
O I never dreamed of parting or that trouble had a sting
Or that pleasures like a flock of birds would ever take to
    wing
Leaving nothing but a little naked spring

When jumping time away on old cross berry way
And eating awes like sugar plumbs ere they had lost the may
And skipping like a leveret before the peep of day
On the rolly polly up and downs of pleasant swordy well
When in round oaks narrow lane as the south got black again
We sought the hollow ash that was shelter from the rain
With our pockets full of peas we had stolen from the grain
How delicious was the dinner time on such a showry day
O words are poor receipts for what time hath stole away
The ancient pulpit trees and the play

When for school oer ‘little field’ with its brook and wooden
    brig
Where I swaggered like a man though I was not half so big
While I held my little plough though twas but a willow twig
And drove my team along made of nothing but a name
‘Gee hep’ and ‘hoit’ and ‘woi’—O I never call to mind
These pleasant names of places but I leave a sigh behind
While I see the little mouldywharps hang sweeing to the wind
On the only aged willow that in all the field remains
And nature hides her face where theyre sweeing in their
    chains
And in a silent murmuring complains

Here was commons for the hills where they seek for
    freedom still
Though every commons gone and though traps are set to ****
The little homeless miners—O it turns my ***** chill
When I think of old ’sneap green’ puddocks nook and hilly
    snow
Where bramble bushes grew and the daisy gemmed in dew
And the hills of silken grass like to cushions to the view
When we threw the pissmire crumbs when we’s nothing
    else to do
All leveled like a desert by the never weary plough
All vanished like the sun where that cloud is passing now
All settled here for ever on its brow

I never thought that joys would run away from boys
Or that boys would change their minds and forsake such
    summer joys
But alack I never dreamed that the world had other toys
To petrify first feelings like the fable into stone
Till I found the pleasure past and a winter come at last
Then the fields were sudden bare and the sky got overcast
And boyhoods pleasing haunts like a blossom in the blast
Was shrivelled to a withered **** and trampled down and
    done
Till vanished was the morning spring and set that summer
    sun
And winter fought her battle strife and won

By Langley bush I roam but the bush hath left its hill
On cowper green I stray tis a desert strange and chill
And spreading lea close oak ere decay had penned its will
To the axe of the spoiler and self interest fell a prey
And cross berry way and old round oaks narrow lane
With its hollow trees like pulpits I shall never see again
Inclosure like a Buonaparte let not a thing remain
It levelled every bush and tree and levelled every hill
And hung the moles for traitors—though the brook is
    running still
It runs a naked brook cold and chill

O had I known as then joy had left the paths of men
I had watched her night and day besure and never slept agen
And when she turned to go O I’d caught her mantle then
And wooed her like a lover by my lonely side to stay
Aye knelt and worshipped on as love in beautys bower
And clung upon her smiles as a bee upon her flower
And gave her heart my poesys all cropt in a sunny hour
As keepsakes and pledges to fade away
But love never heeded to treasure up the may
So it went the comon road with decay
Jack Kelly Jan 2013
Shrivelled Strawberries are all juiced out.
The fields are to long they block out the streams.

Save yourself from the grains then dropped to many blind mice.
Mines a fried egg , in demand for a content Sunday morning.

Existing for your touch and picture in a frame.
There will be nothing left yearn for but the nest in virtual gain.

Never warranted, never examined.
Dripping taps and a head full of sour *****

Get born again and have the hourly flap jack.
What’s the reason? Give another slip.

I saw this coming, the brand new exclusive six hour clip.
Loaded in a dangerous weapon of peace.

Embrace the floor, thought it shallows the soles of boundless feet.
Inherit the soul that squeezes.

There are the strawberries in a picnic in the middle of winter.
Call us callous and homeless with bitter springs.

Must I follow gutless, mute kings?
I ate the dinner and the news does stink.

You must forgive, you must forget.
This demon sinister is hell bent.

No better to speak the truth.
Jockey full of **** will coil, shake and drain the juice.

Much love and strawberries thought the mouths are dry.
Much prefer a leg of lamb.

Near Apocalypse and blessed is the tinned spam.
Mateuš Conrad Apr 2016
i can perpetually encapsulate the images
around me, of the outer-reaches of
suburbia with o.t.t.'s billy the kid strikes back...
the haunt of the place, outer-reaches suburbia...
you haunt the place with a chance traffic
of deer, foxes, and domesticated cats
crafting pacts with foxes to be un-edible
with the fox snouts readied for the blooming
scent of sardines, or some other
dietary requirement in black bin bags... a lovely place,
hazy, misty, enigmatic forest readied for
the lost soul in the dark to tread its path,
i know, the architecture of the place
bald patches everywhere, none used for
agriculture, just aesthetics, but still
the odd chance of complete darkness
encapsulating you to see nothing
while you walk in the doubled shade of trees
at night... this is the feel of the place, my vicinity,
it's not an urban environment of trade-secrets
of slang... that slang is way gone,
gone entombed in the 20th century cut of
the umbilical chord... it's gone gone gone...
there's no new cool, no new groove,
no jukebox humpty-dumpty beat-box
look smart... jive or grime...
the genocide of south america proves my point,
the chain "linkage" from ape to man
is among the unique ****** features of Chileans...
i wonder: Aztec, Mayan...
well, genocide via european diseases...
but we get a hot coco latte in return... thumbs up!
and then posthumous fame came to the one
who asked for peace... who said:
i want to drown the sound of modern traffic with
music, autumn is too subtle with falling leaves
falling notes to paper to guide me,
and spring is too deaf to be sound-testing
instruments for the two full symphonies of vivaldi
that are summer and winter, the two seasons
perpetuating a lack of change...
spring and autumn are vivaldi's pre nuptials...
they're not symphonies, they're preludes
should they be translated by jazz impromptus...
there are no constants in them, the fluxes,
the magnolias this year bloomed too early,
you could hardly see the pink and corpulent
flowering, the bloom of magnolias this year
showered no prawn pink for the eyes,
they hardly blossomed, shrivelled skin of petals
and excess bishopcric colouring (purple),
anorexia you might say, shrivelled up anorexia
attired in bishop...
tattoo me earth, with your changes,
make me an organic animate, rather than an
inorganic animate... let me chisel the facts into
myself that i see... don't give me the ***** of
regurgitated facts of having experienced education...
leave me be... leave me to experience this world
without aided information as a way of stabilisation
my experience of it... let me be the mini Columbus...
taking but a step but travelling a whole acre of open sea
diagonally... passing both electric air
and incubated waters in a glass bottle...
let me not unearth the metals of hades...
the metals, which when storing waters with the ship
heaving tremble and heartbeat agitate the waters
stored in them (aluminium of the beer can as example)
to a storm, a tsunami a frothing wave...
give unto me the storing of the voyage's ambition
in eye as in glass, the carbonated waters in bottle
insulated by glass and mirror, yet otherwise agitated
by metal; a message in a bottle, my captain's notebook
noting with a readied hand, unshaken, deciphered easily,
more easily than a student under examination:
sweaty hand oiling a pen to slip and mishandle
a g.c.s.e. a* grade of content reduced by poor handwriting
to a c grade... ready me for the voyage into
the sea of cosmos and eventual death.
We have fallen in the dreams the ever-living
Breathe on the tarnished mirror of the world,
And then smooth out with ivory hands and sigh.
W.B. YEATS  

*     *     *     *     *     *

My soul looked down from a vague height, with Death,
As unremembering how I rose or why,
And saw a sad land, weak with sweats of dearth,
Gray, cratered like the moon with hollow woe,
And pitted with great pocks and scabs of plagues.


Across its beard, that horror of harsh wire,
There moved thin caterpillars, slowly uncoiled.
It seemed they pushed themselves to be as plugs
Of ditches, where they writhed and shrivelled, killed.


By them had slimy paths been trailed and scraped
Round myriad warts that might be little hills.


From gloom's last dregs these long-strung creatures crept,
And vanished out of dawn down hidden holes.


(And smell came up from those foul openings
As out of mouths, or deep wounds deepening.)


On dithering feet upgathered, more and more,
Brown strings, towards strings of gray, with bristling spines,
All migrants from green fields, intent on mire.


Those that were gray, of more abundant spawns,
Ramped on the rest and ate them and were eaten.


I saw their bitten backs curve, loop and straighten.
I watched those agonies curl, lift, and flatten.


Whereat, in terror what that sight might mean,
I reeled and shivered earthward like a feather.


And Death fell with me, like a deepening moan.


And He, picking a manner of worm, which half had hid
Its bruises in the earth, bur crawled no further,
Showed me its feet, the feet of many men,
And the fresh-severed head of it, my head
(C) Wilfred Owen
Bring, in this timeless grave to throw,
No cypress, sombre on the snow;
Snap not from the bitter yew
His leaves that live December through;
Break no rosemary, bright with rime
And sparkling to the cruel clime;
Nor plod the winter land to look
For willows in the icy brook
To cast them leafless round him: bring
No spray that ever buds in spring.

But if the Christmas field has kept
Awns the last gleaner overstept,
Or shrivelled flax, whose flower is blue
A single season, never two;
Or if one haulm whose year is o'er
Shivers on the upland frore,
--Oh, bring from hill and stream and plain
Whatever will not flower again,
To give him comfort: he and those
Shall bide eternal bedfellows
Where low upon the couch he lies
Whence he never shall arise.
R Sep 2013
Every minute,
twitter receives ninety eight
thousand tweets
and facebook just got
six hundred ninety five
thousand status updates
and in the time that it took for
someone to type out
"today *****"
a heart was broken
a peanut butter jar was emptied
someone just got caught in the storm
while another girl dances in the rain
a newborn took their first breath
and someone took their last
but a caterpillar turned into a
beautiful butterfly
just as an earthworm
shrivelled up on the sidewalk.

A mathematician's son
forces himself to write down
equations out of pure fear
that his father would get angry
if he told him he'd rather be an
artist and paint a picture
of daffodils and sunsets
and maybe even the
pretty girl who sits behind him
in class but the truth is that
she could never ever like someone
who wears rounded glasses
and attends all his classes
because hey, that's not cool.
Cool is skipping school
and taking your first drag
on a cigarette and
maybe even having ***
at a stranger's house with
a strange boy who never
even cared to ask you for
your name because
it's all just a game anyway
so stop asking so much
you're losing you're losing
stop.

At this moment in time,
a father came home drunk
because his life is another word
for something that comes out of
your **** and that's when he hit
his daughter for the very first time
but it certainly won't be the last
and no one else knows but that night
she set fire to her dream catcher
because she thought
it wasn't doing its job right.
It never ever ever kept the
nightmares at bay
because they stayed with her
every night and every day
and that's when she realized that
the nightmares were coming
from inside of her head
but it's okay it's okay
daddy said tears are for
weak people and she
must be strong
because how can you not be
when everyday you endure
three punches
two smacks
and a kiss
on the lips
for good luck.

At this moment,
a girl fell down while
walking to school
while another girl
watched and laughed
and a penniless lady
is stripped of her clothing
and dancing in a way that
no one should dance
just so she could feed her infant son
who can no longer breastfeed due to
his mother's alcohol addiction
but somewhere somehow
there's a rainbow coming up
after a day of grey skies
and a constant raincloud that
drooped over everyone
but it's okay because
a dying wildflower
just had the most
amazing drink
and you might think
that this life has no meaning
since we're all going to die
eventually and I know
that your cheeks hurt
from smiling and your
mouth can't tell
anymore lies
I'm happy I'm happy
don't look me in the eye.

Just remember that we
all feel pain and we all
have those days where
we just can't win
but let me tell you:
at this moment in time,
you're beautiful
you're beautiful
you're beautiful
and you'll be
okay.
London is an onion.
Not one of those big, brown juicy globes
you can buy in packs of three, from Tesco,
No, an earthy, shrivelled relic from an old geezer's allotment,
With trailing fronds and a few infestations.
If you were to take a bite, your eyes would smart and your body rebel with a cough, a shudder and a wheeze,
But moments later, a smile would be playing round your lips,
Such a sensory adventure, though not exactly pleasant, can still be savoured,
And you'll remember the taste forever.

Londoners are weevils, hiding in the layers.
Outer, inner, some of us worm our way between them all.
Me, I tend to head for the heart of the thing,
Soho, Southwark, the inner sanctums.
I sometimes venture nearer the surface, the outer edges,
But too close to the unknown, and unfamiliar air,
And I start to pine for the centre.
You can work between the layers,
But the many skins are tougher than you'd think,
Better to burrow down, find a place to sustain
The appetite of a hungry little grub.

— The End —