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"shelley" poems
BLESSED be this place, More blessed still this tower; A ****** arrogant power Rose out of the race Uttering, mastering it, Rose like these walls from these Storm-beaten cottages -- In mockery I have set A powerful emblem up, And sing it rhyme upon rhyme In mockery of a time HaIf dead at the top. Alexandria's was a beacon tower, and Babylon's An image of the moving heavens, a log-book of the sun's journey and the moon's; And Shelley had his towers, thought's crowned powers he called them once. I declare this tower is my symbol; I declare This winding, gyring, spiring treadmill of a stair is my ancestral stair; That Goldsmith and the Dean, Berkeley and Burke have travelled there. Swift beating on his breast in sibylline frenzy blind Because the heart in his blood-sodden breast had dragged him down into mankind, Goldsmith deliberately sipping at the honey-pot of his mind, And haughtier-headed Burke that proved the State a tree, That this unconquerable labyrinth of the birds, cen- tury after century, Cast but dead leaves to mathematical equality; And God-appointed Berkeley that proved all things a dream, That this pragmatical, preposterous pig of a world, its farrow that so solid seem, Must vanish on the instant if the mind but change its theme; Saeva Indignatio and the labourer's hire, The strength that gives our blood and state magnani- mity of its own desire; Everything that is not God consumed with intellectual fire. III The purity of the unclouded moon Has flung its atrowy shaft upon the floor. Seven centuries have passed and it is pure, The blood of innocence has left no stain. There, on blood-saturated ground, have stood Soldier, assassin, executioner. Whether for daily pittance or in blind fear Or out of abstract hatred, and shed blood, But could not cast a single jet thereon. Odour of blood on the ancestral stair! And we that have shed none must gather there And clamour in drunken frenzy for the moon. IV Upon the dusty, glittering windows cling, And seem to cling upon the moonlit skies, Tortoiseshell butterflies, peacock butterflies, A couple of night-moths are on the wing. Is every modern nation like the tower, Half dead at the top? No matter what I said, For wisdom is the property of the dead, A something incompatible with life; and power, Like everything that has the stain of blood, A property of the living; but no stain Can come upon the visage of the moon When it has looked in glory from a cloud.
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Blood And The Moon
BLESSED be this place, More blessed still this tower; A ****** arrogant power Rose out of the race Uttering, mastering it, Rose like these walls from these Storm-beaten cottages -- In mockery I have set A powerful emblem up, And sing it rhyme upon rhyme In mockery of a time HaIf dead at the top. Alexandria's was a beacon tower, and Babylon's An image of the moving heavens, a log-book of the sun's journey and the moon's; And Shelley had his towers, thought's crowned powers he called them once. I declare this tower is my symbol; I declare This winding, gyring, spiring treadmill of a stair is my ancestral stair; That Goldsmith and the Dean, Berkeley and Burke have travelled there. Swift beating on his breast in sibylline frenzy blind Because the heart in his blood-sodden breast had dragged him down into mankind, Goldsmith deliberately sipping at the honey-pot of his mind, And haughtier-headed Burke that proved the State a tree, That this unconquerable labyrinth of the birds, cen- tury after century, Cast but dead leaves to mathematical equality; And God-appointed Berkeley that proved all things a dream, That this pragmatical, preposterous pig of a world, its farrow that so solid seem, Must vanish on the instant if the mind but change its theme; Saeva Indignatio and the labourer's hire, The strength that gives our blood and state magnani- mity of its own desire; Everything that is not God consumed with intellectual fire. III The purity of the unclouded moon Has flung its atrowy shaft upon the floor. Seven centuries have passed and it is pure, The blood of innocence has left no stain. There, on blood-saturated ground, have stood Soldier, assassin, executioner. Whether for daily pittance or in blind fear Or out of abstract hatred, and shed blood, But could not cast a single jet thereon. Odour of blood on the ancestral stair! And we that have shed none must gather there And clamour in drunken frenzy for the moon. IV Upon the dusty, glittering windows cling, And seem to cling upon the moonlit skies, Tortoiseshell butterflies, peacock butterflies, A couple of night-moths are on the wing. Is every modern nation like the tower, Half dead at the top? No matter what I said, For wisdom is the property of the dead, A something incompatible with life; and power, Like everything that has the stain of blood, A property of the living; but no stain Can come upon the visage of the moon When it has looked in glory from a cloud.
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69
I feel like I am neurologically deficient That a lot of my brain cells are missing Like a punch drunk doped up punk boxer A pimply muscle bound ***** on steroids Hanging out at my old high school locker No shocker that I am no medical doctor But I always thought I’d be just a bit better I guess on average I am a little bit smarter But the bar is set so low that it requires Very little to grow and go over it, you know In comparison to the other young men I may be grandstanding and one upping them But when it comes to grand scheme of things When compared to past people Who shared my glorious dreams Like Percy Shelley and John Keats Like Ginsburg and the other Beats I think I am drifting of course just a bit Lest we all forget the **** cut the crap to fit in it Maybe I’m okay few travel this way anyways So who’s to say if I’m doing it the wrong or the right way But I still feel like my brain needs a chemical treatment A diet with more nutrients and sufficient Supplements Because I’m feeling neurologically deficient
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May 24, 2015
May 24, 2015 at 4:19 PM UTC
Feeling Deficiant
Eat me before I eat you Staring with **** eyes I'll be yer mantis (Who's the ***** Swallow me whole Devour me alive Loving it more Than all the whips of Caesar Regurgitated hate like Mary Shelley's Frankenstein Or pigs feeding on blood and bones At the trough Boring my way out thru Yer ****** ulcer guts You shouldn't drink like a fish If you aren't at sea Weakening your resolve With surly drunk parasitic me This is how we show Our extensive toxic love sensibility
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Sep 8, 2014
Sep 8, 2014 at 8:35 AM UTC
**** eyes
I wish you detox from drunken heights, I’m jesus for today until my current shift ends and the next one begins, after many nights, in the garden centre of fallen south coast eden. Shine shine shine Light of mine For now everything’s just fine People’s faces glitter as I go by, memories of sinless youth, for my hands blind with nostalgia, that my being resurrects. The child Lazarus scurries past my side, to his home with his future in his hands, in my hands, cupped wide. Shine shine shine Light of mine For now everything’s just fine I can love the unfortunate, for my fortune is golden. Delivered in letters from North, West, East. My trinity circle who join me at my supper, breaking the garlic bread and sipping the borello, to top crab ravioli baptised in the stream of sauce. Shine shine shine Light of mine For now everything’s just fine The gates of heaven are open, unblocked by the deaths of Keats, Shelley and Williams, their souls not blocking the exit with an Underground Queue. I give my blessings to Livingstone and Charles Gordon The one native he changed and the others’ sacrifice at Khartoum Gained me my crown to modestly flaunt. Shine shine shine Light of mine For now everything’s just fine I float down the hall, to His Mighty Voice, as my gold becomes a donation on the alter, to gain the choral hymns of Mercury gilded rock gods that will brighten my days for now, oh glorious moments. Amen.
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Aug 22, 2018
Aug 22, 2018 at 12:22 PM UTC
The Messiah In Miss Hart's Class.
Good-Night by Percy Bysshe Shelley Good-night? ah! no; the hour is ill Which severs those it should unite;
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Dec 22, 2014
Dec 22, 2014 at 11:57 PM UTC
Good-Night by Percy Bysshe Shelley
I'm ****** off with Robert Frost And the guy who wrote Paradise Lost. I ain't happy with Aristotle, And especially John, the weird Apostle. Don't mention, please, Shelley or Keats, Blake, Byron or Yeats; Each and every one you see, (if you're ready for some truth) Took their themes from me. Don't look aghast, Don't tsk and titter, Their thievery's left me Mean and bitter. Just because they said it first, Doesn't mean I find it just. It doesn't give them ownership Of my themes and authorship. I write of Roads, Good and Evil, God and Satan, love and leaving. I know I'm internally bleating, But I can't abide this metric beating. Although they're merely dust and bones, They don't have the right to own All the great lines I have sown: The best laid plans of mice and men. (I said that before Robbie Burns). Let me make this poeticaly clear; ***If I was there, or he were here, I'd sue the *** of Will Shakespeare***.
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May 11, 2018
May 11, 2018 at 9:31 AM UTC
Robbie Burns Is a Plagiarist
I will keep pushing myself. Keep going. I will read Edmund Spenser, Shakespeare, Wilde, Shelley, Doyle, and CS Lewis By the end of the summer. You laugh. Two weeks, one book a day, it isn't hard. I only have four chapters of chemistry to finish, Two chapters of AP Physics, Four chapters of AP US history, My personal reading list, Four debate cases, And a little light reading (Judith Butler and Ayn Rand). I WILL finish everything I have to do. Refill the coffee *** I'll use more eyedrops. Two weeks. I will finish my summer homework.
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Aug 18, 2013
Aug 18, 2013 at 12:43 AM UTC
Procrastination
Even though your funeral was in the summer, It felt like autumn the way the tears Hung off Aunt Shelley's jawbone like cold raindrops On the eaves of the old porch, The way Grandpa's eyes were too red and wet and A thousand years away, The way Dad's sorrow poured out of folded arms and tight lips, Soft like worn leather, The way it rained too lightly to add any cliché dreariness. I just couldn't think of that red granite box as you, even though I Knew It was the soft gray remains of your body. Death is not like winter, cold and harsh Death is autumn, life draining from bodies, Life drip-dripping from stuttering lips and Once-strong grips Death is watching summers of laughter and hugs fade to Hospital rooms and rain-grey skin and Slow sad songs like wind in red-brown, dead-brown leaves And feeling a slow, quiet loneliness invade your veins. Your death was not cold, impersonal sterile white; it was the Aching melancholy melody of removing One shade of green From a palette, not noticed in the painting at large But felt  keenly in the way the artist's hand no longer Cues that brushstroke. Watching you die was watching all the green leach out of the leaves And turn them briefly, painfully on fire, Standing in a field of emerald grass and feeling it Crinkle and turn yellow-orchre under cold fingers Collapsing into mud. Watching Death from the outside is the single Most painful part of your painless process. When you took your last breath, your features were a Picture-perfect memory of peace, even as my face was a Mask of confusion, my chest heaving with stale hospital air The way yours would never again. I wanted to run outside and imagine all the trees turning red-gold In your honor, mimicking your final Blaze of glory in that last smile. Autumn came early that year, though no trees Turned Til October. Even in the middle of spring I can smell the Rain-woods-wind-wine scent of your autumn soul And it makes me smile.
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Sep 23, 2014
Sep 23, 2014 at 9:13 PM UTC
Great-Grandfather, of Autumn
Even though your funeral was in the summer, It felt like autumn the way the tears Hung off Aunt Shelley's jawbone like cold raindrops On the eaves of the old porch, The way Grandpa's eyes were too red and wet and A thousand years away, The way Dad's sorrow poured out of folded arms and tight lips, Soft like worn leather, The way it rained too lightly to add any cliché dreariness. I just couldn't think of that red granite box as you, even though I Knew It was the soft gray remains of your body. Death is not like winter, cold and harsh Death is autumn, life draining from bodies, Life drip-dripping from stuttering lips and Once-strong grips Death is watching summers of laughter and hugs fade to Hospital rooms and rain-grey skin and Slow sad songs like wind in red-brown, dead-brown leaves And feeling a slow, quiet loneliness invade your veins. Your death was not cold, impersonal sterile white; it was the Aching melancholy melody of removing One shade of green From a palette, not noticed in the painting at large But felt  keenly in the way the artist's hand no longer Cues that brushstroke. Watching you die was watching all the green leach out of the leaves And turn them briefly, painfully on fire, Standing in a field of emerald grass and feeling it Crinkle and turn yellow-orchre under cold fingers Collapsing into mud. Watching Death from the outside is the single Most painful part of your painless process. When you took your last breath, your features were a Picture-perfect memory of peace, even as my face was a Mask of confusion, my chest heaving with stale hospital air The way yours would never again. I wanted to run outside and imagine all the trees turning red-gold In your honor, mimicking your final Blaze of glory in that last smile. Autumn came early that year, though no trees Turned Til October. Even in the middle of spring I can smell the Rain-woods-wind-wine scent of your autumn soul And it makes me smile.
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(for the unknown You) – Sweep up a mound of achievements; layer dogwood and newspaper beneath; find a small, secluded shoreline to sleep an endless sleep; shovel money (in at least twenty currencies), some status and fame onto the funeral pyre’s unremembering flame; write furiously with computer or pen, fill out the days’ whitespace with enthusiastic fantasy; revel on a fallacy (or three); win the gladiatorial games in the Corporate Arena; rediscover a bit of ancient folklore; set up nice altruistic societies to make orphans feel infinite; plant a little garden – give guidance in its growth; build four or five fine-but-small boats with richly decorated keels; fight for something worth believing, though I’m still unsure what that means… A(my) guess: lyricism and poetry and prose, musical composition, simply being kind and open; A suggestion(for You): lay Your hand on a patient’s slowing heart in a cancer ward, catch their tears with a jar and meditate on better things to do; give the old folks a laugh; steal the Elgin Marbles back for the Greeks, or, for the memory of ancient Greece; find where lay a psychopathic fascist’s bitter ashes and give them to the conspirators for closure; (for me) place letters on the graves of John Keats, Percy Shelley, Wystan Auden and William Yeats; rescind, abolish, annul, invalidate my station in God’s dysphoric, existential reverie; heap up beautiful words and send them off to sea inside a laptop on a cellophane-wrapped raft; (for both of us) think thoughts uplifting; smile thirty-three times a day (or more); plan for the future of ourselves and others; give just a bit of love to our mothers; sweep the kitchen and the city streets for free; by your garden plant a tree. Beyond these things for us to do, be proud-yet-humble, open-eyed and acquiescent; just accept; all things inanimate and animate, accept.
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Jul 4, 2012
Jul 4, 2012 at 7:58 AM UTC
Things to do
(for the unknown You) – Sweep up a mound of achievements; layer dogwood and newspaper beneath; find a small, secluded shoreline to sleep an endless sleep; shovel money (in at least twenty currencies), some status and fame onto the funeral pyre’s unremembering flame; write furiously with computer or pen, fill out the days’ whitespace with enthusiastic fantasy; revel on a fallacy (or three); win the gladiatorial games in the Corporate Arena; rediscover a bit of ancient folklore; set up nice altruistic societies to make orphans feel infinite; plant a little garden – give guidance in its growth; build four or five fine-but-small boats with richly decorated keels; fight for something worth believing, though I’m still unsure what that means… A(my) guess: lyricism and poetry and prose, musical composition, simply being kind and open; A suggestion(for You): lay Your hand on a patient’s slowing heart in a cancer ward, catch their tears with a jar and meditate on better things to do; give the old folks a laugh; steal the Elgin Marbles back for the Greeks, or, for the memory of ancient Greece; find where lay a psychopathic fascist’s bitter ashes and give them to the conspirators for closure; (for me) place letters on the graves of John Keats, Percy Shelley, Wystan Auden and William Yeats; rescind, abolish, annul, invalidate my station in God’s dysphoric, existential reverie; heap up beautiful words and send them off to sea inside a laptop on a cellophane-wrapped raft; (for both of us) think thoughts uplifting; smile thirty-three times a day (or more); plan for the future of ourselves and others; give just a bit of love to our mothers; sweep the kitchen and the city streets for free; by your garden plant a tree. Beyond these things for us to do, be proud-yet-humble, open-eyed and acquiescent; just accept; all things inanimate and animate, accept.
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44
Like burnt-out torches by a sick man’s bed Gaunt cypress-trees stand round the sun-bleached stone; Here doth the little night-owl make her throne, And the slight lizard show his jewelled head. And, where the chaliced poppies flame to red, In the still chamber of yon pyramid Surely some Old-World Sphinx lurks darkly hid, Grim warder of this pleasaunce of the dead. Ah! sweet indeed to rest within the womb Of Earth, great mother of eternal sleep, But sweeter far for thee a restless tomb In the blue cavern of an echoing deep, Or where the tall ships founder in the gloom Against the rocks of some wave-shattered steep.
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The Grave Of Shelley
~for Isabel, Alex & Wendy, Theo & Rose~ be reading Whitman and Hafiz, adding some Shelley and Frost, for (no salt) seasoning, might add in a biblical, King Solomon’s be-loved, sugared Song of Songs… won’t need to go far, on my nightstand, search & reach, to love and preach to generations next, a lesson last & simple: read, read, read there by learning, how to first define, then preserve the variety of feelings rising from within! here’s a starter morsel from Walt, sort of a summary of how to do it, all well and proper… poppy ”This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families, read these leaves in the open air every season of every year of your life,. re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.” Walt Whitman Preface to Leaves of Grass, 1855. Walt Whitman, c.1887.
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Aug 16, 2023
Aug 16, 2023 at 4:08 PM UTC
To my dying day, (Walt & I, in Good Company)
Just for a handful of silver he left us, Just for a riband to stick in his coat— Found the one gift of which fortune bereft us, Lost all the others she lets us devote; They, with the gold to give, doled him out silver, So much was theirs who so little allowed: How all our copper had gone for his service! Rags—were they purple, his heart had been proud! We that had loved him so, followed him, honoured him, Lived in his mild and magnificent eye, Learned his great language, caught his clear accents, Made him our pattern to live and to die! Shakespeare was of us, Milton was for us, Burns, Shelley, were with us,—they watch from their graves! He alone breaks from the van and the freemen, He alone sinks to the rear and the slaves! We shall march prospering,—not through his presence; Songs may inspirit us,—not from his lyre; Deeds will be done,—while he boasts his quiescence, Still bidding crouch whom the rest bade aspire: Blot out his name, then, record one lost soul more, One task more declined, one more footpath untrod, One more triumph for devils and sorrow for angels, One wrong more to man, one more insult to God! Life’s night begins: let him never come back to us! There would be doubt, hesitation and pain, Forced praise on our part—the glimmer of twilight, Never glad confident morning again! Best fight on well, for we taught him—strike gallantly, Menace our heart ere we pierce through his own; Then let him receive the new knowledge and wait us, Pardoned in heaven, the first by the throne!
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The Lost Leader
Just for a handful of silver he left us, Just for a riband to stick in his coat— Found the one gift of which fortune bereft us, Lost all the others she lets us devote; They, with the gold to give, doled him out silver, So much was theirs who so little allowed: How all our copper had gone for his service! Rags—were they purple, his heart had been proud! We that had loved him so, followed him, honoured him, Lived in his mild and magnificent eye, Learned his great language, caught his clear accents, Made him our pattern to live and to die! Shakespeare was of us, Milton was for us, Burns, Shelley, were with us,—they watch from their graves! He alone breaks from the van and the freemen, He alone sinks to the rear and the slaves! We shall march prospering,—not through his presence; Songs may inspirit us,—not from his lyre; Deeds will be done,—while he boasts his quiescence, Still bidding crouch whom the rest bade aspire: Blot out his name, then, record one lost soul more, One task more declined, one more footpath untrod, One more triumph for devils and sorrow for angels, One wrong more to man, one more insult to God! Life’s night begins: let him never come back to us! There would be doubt, hesitation and pain, Forced praise on our part—the glimmer of twilight, Never glad confident morning again! Best fight on well, for we taught him—strike gallantly, Menace our heart ere we pierce through his own; Then let him receive the new knowledge and wait us, Pardoned in heaven, the first by the throne!
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32
following on with my current obsession with my tomato growing experiment, ive decided to look at books, and films, and any other related tomato themes, as follows: The Tomatoes Of Wrath-Steinbeck A Midsummer Night's Tomato-Shakespeare Tomato And Juliet-Ditto Frankentomato-Shelley Alice in Tomatoland-Carrol Night Of The Living Tomato-zombie horror! E.T.- Extra Tomato! Tomatoes And Prejudice-Austen I Heard It On The Tomato Vine-Marvin Gaye You're So Vine- Carly Simon Summertime (and the living is tomato)-Ella Fitzgerald LGBT-LGB+Tomato BY Jemia de Tomatoville 😏🍅🍅🍅🦋💕🙄 any other suggested ideas welcome, as i may bring out a book on the subject (but thankfully, probably won't!) and will, or not, call it Tomato Wrong!
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Aug 4, 2020
Aug 4, 2020 at 7:38 AM UTC
Tomato Wrong!
I'm a post-punk ginger goth A freckled-faced banshee fan Pale make-up matching my skin I don't easily tan I'm a post-punk ginger goth They call me ginger-goth man Taking my sunlight secondhand Part of a bat cave clan I'm a post-punk ginger goth A Mary Shelley fan The original goth had ginger hair I continue as she began
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Mar 8, 2020
Mar 8, 2020 at 1:07 PM UTC
Ginger Goth
Read Shakespeare and Milton and all of the rest Keats, Coleridge and Wordsworth are some of the best Read Ted Hughes and Sylvia, Motion, Duffy They say what I want to say better than me Read Homer and Ovid, Basho and Su Shi Chaucer and Boccaccio they've stood the test Read Donne, Spenser, Marlowe, Jonson and Raleigh Read Shakespeare and Milton and all of the rest Read Swift, Pope, Blake, Tennyson, and Rossetti The two Barrett Brownings are of interest For feelings romantic as true as can be Keats, Coleridge and Wordsworth are some of the best Read Larkin and Betjeman if you're depressed Read Wendy Cope to enjoy all of life's zest Yes please don't think I despise modernity Read Ted Hughes and Sylvia, Motion, Duffy And how about all those I haven't addressed Yeats, Auden, Joyce, Longfellow, Poe and Shelley And all of the others I'm bound to have missed They say what I want to say better than me But what of the poet, with poets obessed? In prose I am prolix, in speech stuttery: So where will you find my emotions expressed? On MySpace, on Twitter, read my poetry It says what I want to say
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Oct 7, 2009
Oct 7, 2009 at 11:12 AM UTC
Rondeau Redoublé: The Shoulders of Giants
My Doppelganger holds secret negotiations with my Avatar. Slicing up the available territory by flipping a coin. Apparently, I can see a me for myself if I happen to be in Somalia next Monday. But that’s the Avator talking. Doppelganger is betting on Seattle. I am eavesdropping, sitting around in my underwear. They think I am unaware because I can’t see them, but they are impossible without me. Goethe, Shelley and John Donne are in the next apartment huddled over some broken poems each had written on the mirrors. No mistakes were made. No reflections. They get to see themselves out of the corner of one eye, for up to nine seconds which is like a lifetime to remember. Yet the acrid smell of Neitzsche emanates from dark corners. Sturm und Drang be ****** Neitzsche is convinced no one has ever looked like him, but he does suggest a parallel universe. Abe Lincoln, a latecomer and unlikely participant, picks up a few pointers. He knows full well that what he saw was not a reflection. And he rode that train all the way from Pittsburg. All those windows... And, yes, KA, the spirit double, the Egyptian Goddess, goes in **** as the Greek Princess and shows up as Helen to tease Paris of Troy. How can you not believe that? For Goddess sake, she helped end the Trojan War. I have a lot of time on my hands. I don’t get out much. Ava and Dopp came by just to let me know I’m still around.
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Jan 4, 2014
Jan 4, 2014 at 4:57 PM UTC
My Doppleganger
Tinderbox pt.1—Magic At first, I caught its eye In the rolling smoke of fire I ****** my hands To pull it out And speak with lighted words, In light of brilliance, A vital warmth, But in the end just ashes. And then, The curve of silk waters Which rushed upon and through the rocks Wrote to me A rich and liquid poetry Not in bursts but subtle waves I cupped my hands to catch its words, But even then, I could only hold so much And only for so long.                Tinderbox pt. 2—the Artist Entranced in the world Here and beneath the moment, In the spaces and each letter I saw the fire, the waves of silk Each play in their environs, I’d grieve At their perfection, Running my eyes over their hilly peaks And dreaming mine had been there. My worlds were ugly, incomplete Extinguished at very moment That the two would meet The tinderbox was fire to my hands, My cup was rife with holes And there, I’d thought the artist dead Or never even alive. In my sleep I’d hear a voice Like Milton, Coleridge, or Shelley A babble arresting and forcing pity From its infantile lucidity... I knew this thing, but killed it. Perhaps even now, I believe in magic Though, to pluck rain from a furied storm Or converse with tiny sparks That become Something of brilliance and solemn silk That groves were wrought from tiny seeds Long after mere chaos That, from it, comes a universe and white paper is all it needs. What awoke me was not That there was art But that the words had tried to say something, Something the heart could not speak Nor the mind would dare to reason; It was not as much the words that made it up But the worlds in between them.
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Jan 14, 2014
Jan 14, 2014 at 8:24 AM UTC
Tinderbox--pts. 1 & 2
Tinderbox pt.1—Magic At first, I caught its eye In the rolling smoke of fire I ****** my hands To pull it out And speak with lighted words, In light of brilliance, A vital warmth, But in the end just ashes. And then, The curve of silk waters Which rushed upon and through the rocks Wrote to me A rich and liquid poetry Not in bursts but subtle waves I cupped my hands to catch its words, But even then, I could only hold so much And only for so long.                Tinderbox pt. 2—the Artist Entranced in the world Here and beneath the moment, In the spaces and each letter I saw the fire, the waves of silk Each play in their environs, I’d grieve At their perfection, Running my eyes over their hilly peaks And dreaming mine had been there. My worlds were ugly, incomplete Extinguished at very moment That the two would meet The tinderbox was fire to my hands, My cup was rife with holes And there, I’d thought the artist dead Or never even alive. In my sleep I’d hear a voice Like Milton, Coleridge, or Shelley A babble arresting and forcing pity From its infantile lucidity... I knew this thing, but killed it. Perhaps even now, I believe in magic Though, to pluck rain from a furied storm Or converse with tiny sparks That become Something of brilliance and solemn silk That groves were wrought from tiny seeds Long after mere chaos That, from it, comes a universe and white paper is all it needs. What awoke me was not That there was art But that the words had tried to say something, Something the heart could not speak Nor the mind would dare to reason; It was not as much the words that made it up But the worlds in between them.
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58
I'm studying real poets. Shelley, Sandburg, Frost, and Wordsworth. Coleridge, Blake, and William Butler Yeats. Do you know why they're considered real poets? Because they made art, not hashtag trends. Wrote from Experience with black quill pens. Sure, they got high, but wrote on instinct. And The Road Not Taken doesn't mean what you think. They wrote about about life and the world that they heard, not ******* in the margins of Microsoft Word.
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Sep 6, 2014
Sep 6, 2014 at 2:45 PM UTC
I'm Studying Real Poets
Alone in a blank meadow even that night hadn't grown any shadow Certainly I had seen the mystic moonlight was falling on the purples of the valleys, dancing  with the sweet summer breeze Certainly I had seen, Her smile on the dark side of the moon, how did she unclosed herself in an unclogged sky! how did her glimmer attract the arbitary! did you see her streaming  beauty anytime? I am not a poet at all, So I could not write an ode about her beauty, Yeah, finally dreams were coming slowly from the wide open sky_ Slowly and Slowly, I was mingling with her shimmering even I could not bear her long wild and mad looks, such a heavy unfolded glee, Oh! very smashing shines spreading beyond  the valley, That only be vented by the poetess Shelley.... @Musfiq us shaleheen*
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Sep 10, 2014
Sep 10, 2014 at 3:59 PM UTC
thy unfolded beauty
Some of you go so far as to disclaim any ability to find you, but I've got you. (sonnet #MMDCCXCV) Dare claim your writing does not breathe a strain Of your dear essence: to be fooled. Thereby Petrarca's soul distills its fervour aye; And Wyatt cool good sense; while Surrey feign With mildest touch and Spenser's pure refrain, Sweet Shakespeare beauing hearts, dare cry Amain. From Milton's kingly strength's reply To Wordsworth's cold hauteur, yea come again? Twas Samuel Taylor Coleridge roused me To think afresh, his lively fancy through Each line with his impress. From Shelley's plea To Keats' indulgence, Missus Browning's blue Yet mystic charm, don't think all cannot see. You don't know me? But ah, I do know you. 31Aug13b
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Sep 12, 2016
Sep 12, 2016 at 7:40 PM UTC
You Have the Right to Remain Silent
__|small gee for god; big bee for byron|__ Strikes a chord with you, does it? This shambling poverty of thought, Insta-rated and underwhelming; Thank god for Byron. __|keats versus shelley|__ Sparing no injury to his phthisicky frame, Keats lies atop a make-believe of cherry trees Searching among the clouds For wealth, health and a Grecian urn, While Shelley does Venice And blows himself a hookah. __|o poesy! for thee I grasp my pen|__ Panning the wayward sky for inspiration, A hope, a word, a beginning; A versification so ecstatic as to transfix the senses and pierce the heart, A lightning phrase capable of uprooting all commonality, As outrageous a miracle in the minds of men as crucified immortality. __|requiem|__ Unlike the wilting rose which has no higher calling Than to bloom and die upon the stem, And having relinquished its last perfumed petal Retreat from memory again, I fear that I shall linger, Tethered to this eternal moment By shudd’ring will and breath combined, A brighter shade of myself than what of me I have left behind.
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Apr 16, 2021
Apr 16, 2021 at 4:21 PM UTC
ROMANTIC NOTIONS: A DIGRESSION
. i'm not an alcoholic, i'm an intermediating construct of blues... i think more about blank canvas i am to fill, than the next drink 'm about to have.... why give a dog's bollock's care concerning yourself with whst other other, proper, "sober", sensible people make of your?   i guess an inhibition of a lost verse...        in poetry we call that a quais take on a paragraph...    something akin to: the same worth of the worth of something worth losing... get the drift?!   Clive Owen... Denzel Washington, Brian Molko... now? breed me, a ******* hybrid Q your nag hammadi perfectionism! you trans-gender eucharist!    breed me an example to my specification! breed it! show me the Frankenstein! breed it!        i want wolf ***** "ingested" in women subjects! i, WANT, THEM!                you want the Frankenstein monster? first you need the mad doctor... you have me... cuffed and teasing!      i am,. dying to waake from what is death, and what is death assured, in the fork form of, shadow...    you, want, the monster... i am giving your the antithesis of the nameless caricature of what man's capability!             i need it, whatever "it", is...        i will not sleep till this "thing" is awake in the womb of my cognition... and i know of its wake!                  it's funeral a birth, it's birth, banshee screech!                  the failed Polish winged hussar charge against the Ukranian Cossack upriing, thick, in, mud...                         i have the desires to damage marking banknotes...       Shelley will always outlast the credibility of Austen...     Mary contra Jane...        horror... Frankenstein monsters... vampires...      werewolves... she's the third of the canon!   you don't do that! you can't do that!                 but you did, do that! there is a shadow of man, he dares to call history to contra the visage for the excuses of journalism...      not here... not now...   as a young boy, i dreamed of mingling the ***** of wolves, being impregnated in human females...         i guess, as a treat... to alleviate the existing product                  of down syndrome' what? what is science? if not the reinvigorated perpetuation of trans-categorical inquiry? p.s. when i drink? the last "thing" on my mind is the activity of drinking, notably, for socially unhinged barriers to be broken... i'm an anti-social drinker... i hate conversation, esp. when drinking... a ******* desert, when it comes to              the calorie intake!
0
Aug 21, 2018
Aug 21, 2018 at 9:52 PM UTC
confession
. i'm not an alcoholic, i'm an intermediating construct of blues... i think more about blank canvas i am to fill, than the next drink 'm about to have.... why give a dog's bollock's care concerning yourself with whst other other, proper, "sober", sensible people make of your?   i guess an inhibition of a lost verse...        in poetry we call that a quais take on a paragraph...    something akin to: the same worth of the worth of something worth losing... get the drift?!   Clive Owen... Denzel Washington, Brian Molko... now? breed me, a ******* hybrid Q your nag hammadi perfectionism! you trans-gender eucharist!    breed me an example to my specification! breed it! show me the Frankenstein! breed it!        i want wolf ***** "ingested" in women subjects! i, WANT, THEM!                you want the Frankenstein monster? first you need the mad doctor... you have me... cuffed and teasing!      i am,. dying to waake from what is death, and what is death assured, in the fork form of, shadow...    you, want, the monster... i am giving your the antithesis of the nameless caricature of what man's capability!             i need it, whatever "it", is...        i will not sleep till this "thing" is awake in the womb of my cognition... and i know of its wake!                  it's funeral a birth, it's birth, banshee screech!                  the failed Polish winged hussar charge against the Ukranian Cossack upriing, thick, in, mud...                         i have the desires to damage marking banknotes...       Shelley will always outlast the credibility of Austen...     Mary contra Jane...        horror... Frankenstein monsters... vampires...      werewolves... she's the third of the canon!   you don't do that! you can't do that!                 but you did, do that! there is a shadow of man, he dares to call history to contra the visage for the excuses of journalism...      not here... not now...   as a young boy, i dreamed of mingling the ***** of wolves, being impregnated in human females...         i guess, as a treat... to alleviate the existing product                  of down syndrome' what? what is science? if not the reinvigorated perpetuation of trans-categorical inquiry? p.s. when i drink? the last "thing" on my mind is the activity of drinking, notably, for socially unhinged barriers to be broken... i'm an anti-social drinker... i hate conversation, esp. when drinking... a ******* desert, when it comes to              the calorie intake!
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I Ah, did you once see Shelley plain, And did he stop and speak to you? And did you speak to him again? How strange it seems, and new? II But you were living before that, And you are living after, And the memory I started at— My starting moves your laughter. III I crossed a moor with a name of its own And a certain use in the world no doubt, Yet a hand’s-breath of it shines alone ’Mid the blank miles round about— IV For there I picked up on the heather And there I put inside my breast A moulded feather, an eagle-feather— Well, I forget the rest.
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