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Torin Jun 2016
I place the sky on a shelf
Glass lightning birdsong
My ears dont find your name in the wind
And there is no face
I can't forget the cloud
The sharpened silver-lining

How many times will I become a wall?
A kitchen sink
A holy symbol
I can't turn away from the bottle
Until I am the air you breathe
I place the sky on a shelf
And know it will always be there if I need it

I place the sea inside a box
Ceramic razor shark teeth
My eyes have seen better days
And different oceans
I can't forget the wave
The way it crushed me under

Your stay awake for me at the edge of the world
Porcelain skin
Churning breath
I can't turn away from the seed
Until I am water once again
I place the sea inside a box
And wait
CredibleTopHat Aug 2018
There is a misconception on my shelf
that appears when the shelves are overthrown with dust
dust drawn out by time, a misconception drawn out by lies
a misconception seen with half an eye
a single devil in disguise

Coming back when I least expect it
to take it's share from my mind
to unravel my life, to make me blind
and to forget everything i've done
to forget it all and to leave it behind

There will always be a misconception on my shelf
there with the single purpose
to erase and hide my true self
Joe Wilson Mar 2015
I wander these passages
I’m searching for you
In my mental state
It’s the best I can do.
I don’t know who you are
Nor even myself!
I feel like a parcel
Just left on the shelf.
I’m aimlessly wandering
I’m not seeing you
And if I did
Would you seem at all true?
My thoughts are a jumble
They’re making no sense
And as I see no one
I find I am tense.
Why am I looking?
I’ve no real idea
And as I go wandering
I recognise fear.
It creeps now upon me
On my shoulder it sits
I’m getting more frightened
The fear comes in fits.
So what am I doing?
I haven’t a clue
I thought I was searching
Searching for you.
But I don’t know who you are
Nor even myself
So I guess I’ll just sit here
Alone on my shelf…


©Joe Wilson – Straying from my shelf…2015
Isaac Golle Sep 2012
Grace.
Let it fall like an ocean
Let it rip through the skies
Let it fill up my heart and pour out my eyes
Let it gravitate my soul
Let it make me feel whole
Let it remind me of why I live
Let it remind me of all that you give!

Grace
Let my heart be made still and let mine eyes be opened!
Let me remember that my ears
were made to listen
And my lips exist for a lot more than just kissin'
Let me remember that these hands simply cannot do it all
Cuz see I wasn't made for that
I wasn't made for that at all

Grace
I was made to live and when I say live I think I mean give
But then I quickly realize I can only give so much!
And there's only so many lives I can touch!
Well how can I love if I can't constantly give
And how can I live if I can't constantly love but
Where's the hope in the God above if I'm the one doin' all the work?
And that's when I remember I accomplish the most when I just let go
And let You grab hold

Grace
Well what were these hands made for if not feeding the poor?
And what are these heart-wrenching feelings of constantly wanting more?
Why do my bones ache and my soul quake at the thought
Of living for myself?
Why do I worry so much about putting the marginalized on the shelf?
Why do I worry
about a life that loves hell?
Well maybe all this
is an unidentified desire to glorify God personified in Jesus Christ crucified

Grace
And maybe my soul's been singin' songs to my saviour since the day I was born
And maybe my saviour's been singin' sweet lullabies to quench the fear in my eyes
Maybe not all is lost
Maybe hope and salvation really come without cost
WELL TRY AND TELL THAT TO THE MAN LIVIN' ON THE STREET WITH NOTHIN' TO EAT
an'
TELL THAT TO THE CHILD WHOSE FATHER GIVES HIM A DAILY BEATING
TELL THE MURDERER'S AND RAPISTS THAT THEY CAN GO FREE
TELL THEIR VICTIMS...
Tell them what?

Grace
Maybe it's time I remembered I don't have all the answers
Maybe it's time I remembered I am a speck of dust in a rolling beach of existence
Maybe it's time I look at what's right in front of me
And not strain my neck as far as the eye can see
Maybe it's time to focus on living and not just surviving
Maybe thriving looks more like trusting than trying
Maybe all the answers to my questions aren't really answers at all
Maybe it's alright that my walk sometimes feels like a crawl
Maybe 100% of the wrongs I do are all my fault

Grace
Maybe God's lookin' at me like a child set free
Maybe God's not lookin' at who I used to be
Maybe God's lookin' right past all the bitterness and apathy
Maybe God really does look at the heart
And maybe He's been holding mine from the very start
Maybe this is all going according to plan and if it's not well then maybe God's still using it to help me become a better man
Maybe it's time I stopped trying to figure all this out!

Grace
Let it be felt
Tangibly
Maggie Emmett Jul 2015
PROLOGUE
               Hyde Park weekend of politics and pop,
Geldof’s gang of divas and mad hatters;
Sergeant Pepper only one heart beating,
resurrected by a once dead Beatle.
The ******, Queen and Irish juggernauts;
The Entertainer and dead bands
re-jigged for the sake of humanity.
   The almighty single named entities
all out for Africa and people power.
Olympics in the bag, a Waterloo
of celebrations in the street that night
Leaping and whooping in sheer delight
Nelson rocking in Trafalgar Square
The promised computer wonderlands
rising from the poisoned dead heart wasteland;
derelict, deserted, still festering.
The Brave Tomorrow in a world of hate.
The flame will be lit, magic rings aloft
and harmony will be our middle name.

On the seventh day of the seventh month,
Festival of the skilful Weaving girl;
the ‘war on terror’ just a tattered trope
drained and exhausted and put out of sight
in a dark corner of a darker shelf.
A power surge the first lie of the day.
Savagely woken from our pleasant dream
al Qa’ida opens up a new franchise
and a new frontier for terror to prowl.

               Howling sirens shatter morning’s progress
Hysterical screech of ambulances
and police cars trying to grip the road.
The oppressive drone of helicopters
gathering like the Furies in the sky;
Blair’s hubris is acknowledged by the gods.
Without warning the deadly game begins.

The Leviathan state machinery,
certain of its strength and authority,
with sheer balletic co-ordination,
steadies itself for a fine performance.
The new citizen army in ‘day glow’
take up their ‘Support Official’ roles,
like air raid wardens in the last big show;
feisty  yet firm, delivering every line
deep voiced and clearly to the whole theatre.
On cue, the Police fan out through Bloomsbury
clearing every emergency exit,
arresting and handcuffing surly streets,
locking down this ancient river city.
Fetching in fluorescent green costuming,
the old Bill nimbly Tangos and Foxtrots
the airways, Oscar, Charlie and Yankee
quickly reply with grid reference Echo;
Whiskey, Sierra, Quebec, November,
beam out from New Scotland Yard,
staccato, nearly lost in static space.
      
              LIVERPOOL STREET STATION
8.51 a.m. Circle Line

Shehezad Tanweer was born in England.
A migrant’s child of hope and better life,
dreaming of his future from his birth.
Only twenty two short years on this earth.
In a madrassah, Lahore, Pakistan,
he spent twelve weeks reading and rote learning
verses chosen from the sacred text.
Chanting the syllables, hour after hour,
swaying back and forth with the word rhythm,
like an underground train rocking the rails,
as it weaves its way beneath the world,
in turning tunnels in the dead of night.

Teve Talevski had a meeting
across the river, he knew he’d be late.
**** trains they do it to you every time.
But something odd happened while he waited
A taut-limbed young woman sashayed past him
in a forget-me-not blue dress of silk.
She rustled on the platform as she turned.
She turned to him and smiled, and he smiled back.
Stale tunnel air pushed along in the rush
of the train arriving in the station.
He found a seat and watched her from afar.
Opened his paper for distraction’s sake
Olympic win exciting like the smile.

Train heading southwest under Whitechapel.
Deafening blast, rushing sound blast, bright flash
of golden light, flying glass and debris
Twisted people thrown to ground, darkness;
the dreadful silent second in blackness.
The stench of human flesh and gunpowder,
burning rubber and fiery acrid smoke.
Screaming bone bare pain, blood-drenched tearing pain.
Pitiful weeping, begging for a god
to come, someone to come, and help them out.

Teve pushes off a dead weighted man.
He stands unsteady trying to balance.
Railway staff with torches, moving spotlights
**** and jolt, catching still life scenery,
lighting the exit in gloomy dimness.
They file down the track to Aldgate Station,
Teve passes the sardine can carriage
torn apart by a fierce hungry giant.
Through the dust, four lifeless bodies take shape
and disappear again in drifting smoke.
It’s only later, when safe above ground,
Teve looks around and starts to wonder
where his blue epiphany girl has gone.

                 KINGS CROSS STATION
8.56 a.m. Piccadilly Line

Many named Lyndsey Germaine, Jamaican,
living with his wife and child in Aylesbury,
laying low, never visited the Mosque.   
                Buckinghamshire bomber known as Jamal,
clean shaven, wearing normal western clothes,
annoyed his neighbours with loud music.
Samantha-wife converted and renamed,
Sherafiyah and took to wearing black.
Devout in that jet black shalmar kameez.
Loving father cradled close his daughter
Caressed her cheek and held her tiny hand
He wondered what the future held for her.

Station of the lost and homeless people,
where you can buy anything at a price.
A place where a face can be lost forever;
where the future’s as real as faded dreams.
Below the mainline trains, deep underground
Piccadilly lines cross the River Thames
Cram-packed, shoulder to shoulder and standing,
the train heading southward for Russell Square,
barely pulls away from Kings Cross Station,
when Arash Kazerouni hears the bang,
‘Almighty bang’ before everything stopped.
Twenty six hearts stopped beating that moment.
But glass flew apart in a shattering wave,
followed by a  huge whoosh of smoky soot.
Panic raced down the line with ice fingers
touching and tagging the living with fear.
Spine chiller blanching faces white with shock.

Gracia Hormigos, a housekeeper,
thought, I am being electrocuted.
Her body was shaking, it seemed her mind
was in free fall, no safety cord to pull,
just disconnected, so she looked around,
saw the man next to her had no right leg,
a shattered shard of bone and gouts of  blood,
Where was the rest of his leg and his foot ?

Level headed ones with serious voices
spoke over the screaming and the sobbing;
Titanic lifeboat voices giving orders;
Iceberg cool voices of reassurance;
We’re stoical British bulldog voices
that organize the mayhem and chaos
into meaty chunks of jobs to be done.
Clear air required - break the windows now;
Lines could be live - so we stay where we are;
Help will be here shortly - try to stay calm.

John, Mark and Emma introduce themselves
They never usually speak underground,
averting your gaze, tube train etiquette.
Disaster has its opportunities;
Try the new mobile, take a photograph;
Ring your Mum and Dad, ****** battery’s flat;
My network’s down; my phone light’s still working
Useful to see the way, step carefully.

   Fiona asks, ‘Am I dreaming all this?’
A shrieking man answers her, “I’m dying!”
Hammered glass finally breaks, fresher air;
too late for the man in the front carriage.
London Transport staff in yellow jackets
start an orderly evacuation
The mobile phones held up to light the way.
Only nineteen minutes in a lifetime.
  
EDGEWARE ROAD STATION
9.17 a.m. Circle Line

               Mohammed Sadique Khan, the oldest one.
Perhaps the leader, at least a mentor.
Yorkshire man born, married with a daughter
Gently spoken man, endlessly patient,
worked in the Hamara, Lodge Lane, Leeds,
Council-funded, multi-faith youth Centre;
and the local Primary school, in Beeston.
No-one could believe this of  Mr Khan;
well educated, caring and very kind
Where did he hide his secret other life  ?

Wise enough to wait for the second train.
Two for the price of one, a real bargain.
Westbound second carriage is blown away,
a commuter blasted from the platform,
hurled under the wheels of the east bound train.
Moon Crater holes, the walls pitted and pocked;
a sparse dark-side landscape with black, black air.
The ripped and shredded metal bursts free
like a surprising party popper;
Steel curlicues corkscrew through wood and glass.
Mass is made atomic in the closed space.
Roasting meat and Auschwitzed cremation stench
saturates the already murky air.              
Our human kindling feeds the greedy fire;
Heads alight like medieval torches;
Fiery liquid skin drops from the faceless;
Punk afro hair is cauterised and singed.  
Heat intensity, like a wayward iron,
scorches clothes, fuses fibres together.
Seven people escape this inferno;
many die in later days, badly burned,
and everyone there will live a scarred life.

               TAVISTOCK ROAD
9.47 a.m. Number 30 Bus  

Hasib Hussain migrant son, English born
barely an adult, loved by his mother;
reported him missing later that night.
Police typed his description in the file
and matched his clothes to fragments from the scene.
A hapless victim or vicious bomber ?
Child of the ‘Ummah’ waging deadly war.
Seventy two black eyed virgins waiting
in jihadist paradise just for you.

Red double-decker bus, number thirty,
going from Hackney Wick to Marble Arch;
stuck in traffic, diversions everywhere.
Driver pulls up next to a tree lined square;
the Parking Inspector, Ade Soji,
tells the driver he’s in Tavistock Road,
British Museum nearby and the Square.
A place of peace and quiet reflection;
the sad history of war is remembered;
symbols to make us never forget death;
Cherry Tree from Hiroshima, Japan;
Holocaust Memorial for Jewish dead;
sturdy statue of  Mahatma Gandhi.
Peaceful resistance that drove the Lion out.
Freedom for India but death for him.

Sudden sonic boom, bus roof tears apart,
seats erupt with volcanic force upward,
hot larva of blood and tissue rains down.
Bloodied road becomes a charnel-house scene;
disembodied limbs among the wreckage,
headless corpses; sinews, muscles and bone.
Buildings spattered and smeared with human paint
Impressionist daubs, blood red like the bus.

Jasmine Gardiner, running late for work;
all trains were cancelled from Euston Station;  
she headed for the square, to catch the bus.
It drove straight past her standing at the stop;
before she could curse aloud - Kaboom !
Instinctively she ran, ran for her life.
Umbrella shield from the shower of gore.

On the lower deck, two Aussies squeezed in;
Catherine Klestov was standing in the aisle,
floored by the bomb, suffered cuts and bruises
She limped to Islington two days later.
Louise Barry was reading the paper,
she was ‘****-scared’ by the explosion;
she crawled out of the remnants of the bus,
broken and burned, she lay flat on the road,
the world of sound had gone, ear drums had burst;
she lay there drowsy, quiet, looking up
and amazingly the sky was still there.

Sam Ly, Vietnamese Australian,
One of the boat people once welcomed here.
A refugee, held in his mother’s arms,
she died of cancer, before he was three.
Hi Ly struggled to raise his son alone;
a tough life, inner city high rise flats.
Education the smart migrant’s revenge,
Monash Uni and an IT degree.
Lucky Sam, perfect job of a lifetime;
in London, with his one love, Mandy Ha,
Life going great until that fateful day;
on the seventh day of the seventh month,
Festival of the skilful Weaving girl.

Three other Aussies on that ****** bus;
no serious physical injuries,
Sam’s luck ran out, in choosing where to sit.
His neck was broken, could not breath alone;
his head smashed and crushed, fractured bones and burns
Wrapped in a cocoon of coma safe
This broken figure lying on white sheets
in an English Intensive Care Unit
did not seem like Hi Ly’s beloved son;
but he sat by Sam’s bed in disbelief,
seven days and seven nights of struggle,
until the final hour, when it was done.

In the pit of our stomach we all knew,
but we kept on deep breathing and hoping
this nauseous reality would pass.
The weary inevitability
of horrific disasters such as these.
Strangely familiar like an old newsreel
Black and white, it happened long ago.
But its happening now right before our eyes
satellite pictures beam and bounce the globe.
Twelve thousand miles we watch the story
Plot unfolds rapidly, chapters emerge
We know the places names of this narrative.
  
It is all subterranean, hidden
from the curious, voyeuristic gaze,
Until the icon bus, we are hopeful
This public spectacle is above ground
We can see the force that mangled the bus,
fury that tore people apart limb by limb
Now we can imagine a bomb below,
far below, people trapped, fiery hell;
fighting to breathe each breath in tunnelled tombs.

Herded from the blast they are strangely calm,
obedient, shuffling this way and that.
Blood-streaked, sooty and dishevelled they come.
Out from the choking darkness far below
Dazzled by the brightness of the morning
of a day they feared might be their last.
They have breathed deeply of Kurtz’s horror.
Sights and sounds unimaginable before
will haunt their waking hours for many years;
a lifetime of nightmares in the making.
They trudge like weary soldiers from the Somme
already see the world with older eyes.

On the surface, they find a world where life
simply goes on as before, unmindful.
Cyclist couriers still defy road laws,
sprint racing again in Le Tour de France;
beer-gutted, real men are loading lorries;
lunch time sandwiches are made as usual,
sold and eaten at desks and in the street.
Roadside cafes sell lots of hot sweet tea.
The Umbrella stand soon does brisk business.
Sign writers' hands, still steady, paint the sign.
The summer blooms are watered in the park.
A ***** stretches on the bench and wakes up,
he folds and stows his newspaper blankets;
mouth dry,  he sips water at the fountain.
A lady scoops up her black poodle’s ****.
A young couple argues over nothing.
Betting shops are full of people losing
money and dreaming of a trifecta.
Martin’s still smoking despite the patches.
There’s a rush on Brandy in nearby pubs
Retired gardener dead heads his flowers
and picks a lettuce for the evening meal

Fifty six minutes from start to finish.
Perfectly orchestrated performance.
Rush hour co-ordination excellent.
Maximum devastation was ensured.
Cruel, merciless killing so coldly done.
Fine detail in the maiming and damage.

A REVIEW

Well activated practical response.
Rehearsals really paid off on the day.
Brilliant touch with bus transport for victims;
Space blankets well deployed for shock effect;
Dramatic improv by Paramedics;
Nurses, medicos and casualty staff
showed great technical E.R. Skills - Bravo !
Plenty of pizzazz and dash as always
from the nifty, London Ambo drivers;
Old fashioned know-how from the Fire fighters
in hosing down the fireworks underground.
Dangerous rescues were undertaken,
accomplished with buckets of common sense.
And what can one say about those Bobbies,
jolly good show, the lips unquivering
and universally stiff, no mean feat
in this Premiere season tear-jerker.
Nail-bitingly brittle, but a smash-hit
Poignant misery and stoic suffering,
fortitude, forbearance and lots of grit
Altogether was quite tickety boo.



NOTES ON THE POEM

Liverpool Street Station

A Circle Line train from Moorgate with six carriages and a capacity of 1272 passengers [ 192 seated; 1080 standing]. 7 dead on the first day.

Southbound, destination Aldgate. Explosion occurs midway between Liverpool Street and Aldgate.

Shehezad Tanweer was reported to have ‘never been political’ by a friend who played cricket with him 10 days before the bombing

Teve Talevski is a real person and I have elaborated a little on reports in the press. He runs a coffee shop in North London.

At the time of writing the fate of the blue dress lady is not known

Kings Cross Station

A Piccadilly Line train with six carriages and a capacity of 1238 passengers [272 seated; 966 standing]. 21 dead on first day.

Southbound, destination Russell Square. Explosion occurs mi
This poem is part of a longer poem called Seasons of Terror. This poem was performed at the University of Adelaide, Bonython Hall as a community event. The poem was read by local poets, broadcasters, personalities and politicians from the South Australia Parliament and a Federal MP & Senator. The State Premier was represented by the Hon. Michael Atkinson, who spoke about the role of the Emergency services in our society. The Chiefs of Police, Fire and Ambulence; all religious and community organisations' senior reprasentatives; the First Secretary of the British High Commission and the general public were present. It was recorded by Radio Adelaide and broadcast live as well as coverage from Channel 7 TV News. The Queen,Tony Blair, Australian Governor General and many other public dignitaries sent messages of support for the work being read. A string quartet and a solo flautist also played at this event.
Robert Ronnow Aug 2015
Yogurt.
"I begin the day buying yogurt in a small favorite grocery store."
Not pizza, nor gatorade.

Bananas
although they are imported from afar and grown in monocultures.
Attract fruit flies in August.

Peaches
locally grown with rainwater. I ate all the farmer's peaches alone
stacking them by the railroad tracks.

Water --
rainwater, tap water, distilled water, carbonated water, spring water –--
deep gulps, infinite sips.

Nuts
in moderation, or not, unsalted, raw, replacing chips. His bowl
of filberts, almonds, walnuts quiet weekday mornings.

Edible plant parts --
roots, leaves, stems, flowers, fruit, buds. In olive oil
or butter.

Potatoes --
look online how best to prepare. Baked or fried. With a little
fish or meat.

Tea and honey,
play and prayer. Swimming and running,
talking quietly.

Bread?
Bread's possible as the Bible. Each is liable
to bloat your thoughts.

Wine and dandelions.
Dandelion wine's Ray Bradbury's story. Cans in a pantry, books on a
      shelf
to the end of time.

Pasta
we used to call spaghetti, never noodles. I wonder if I can remember
      how to make
grandma's sauce.

Tomatoes --
cherry, grape. Grab God's eye
going by.
www.ronnowpoetry.com
unwritten Jun 2014
the way that alcohol
f  l  o  o  d  e  d
her veins
was almost like
the way in which
stars
flood a night sky.

and her eyes,
were black holes:
empty
and dark.

she left all her cares behind
a long time ago,
on a shelf
in a jar,
sitting right next to two others, labeled
"happiness"
and
"trust."

you might ask what happened to her love.

she left that with me,
and said,
"do with it what you wish,"
for she hadn't the trust
to expect me to keep it safe,
nor the happiness
to keep it for herself.

i never saw her again after that,
but i still have her love.

and to this day,
here it sits.

on a shelf,
in a jar,
right next to two others, labeled
"memories of you"
and
"hope for the future."

though i must say,
each of these jars
is growing emptier
each day.

(a.m.)
okay so i don't really know what inspired me to write this so yeah it's really random but i kinda like it.
Jeff Gaines Feb 2019
And now, their desperation and panic sink to an all-new low. They actually begin an attack on my sexuality, my familial relations and even my ability to have an ****** ...

  An ******?

  When you stop laughing, take into consideration that they are also regressing throughout all of this because this dysfunction that they suffer from is deeply rooted in their youth. Thus all the silly name calling and accusations that they could not possibly be able to know or prove and yet they state them as fact, like a child. I.E: A child calling out: "Your mama is a *****". Now those words come flying out from a frightened child when they really have no idea whatsoever about this target's mother. It is just an attempt to hurt. Nothing more.

But in this next bit, you can really see this desperation and panicked choice of subjects to try and use "against me", as-it-were. They don't know what else to do. Their ego is on autopilot, telling their fingers what to type ... and their ego is regressing back to childhood. Thus the childish subject matter.


(Name Deleted) Jeff the TROLL..
Has never and will never reach ****** ****** with either female or male partners.

Has never had a stable and fulfilling love life.
Will NOT and can NOT never ever love anyone UNCONDITIONALLY.
Has never been loved UNCONDITIONALLY by anyone male or female.
Has always been consumed unto bitter and fierce hatred of anyone who has!!.
A deep and bitter jealousy leading to violent hatred consume this TROLL.
Get back under your bridge Jeff.
Any replies from you in future will be deleted unread-even your long overdue apology.
AUM

 0 
 1 reply 
15h

Jeff Gaines  SOOOO MUCH FUN!

Ok, (Name Deleted) ... THAT was your most humorous YET!

Your actions are truly textbook of a person with your deep psychological issues. So ... if you will not read any more of my responses to YOUR trolling, then I needn't worry about you then sending a new volley to this one ... Hum? Good, I'm glad. This is truly getting boring. It's not too challenging to have a battle of wits with an unarmed person ... and a predictable one as well.

Sadly, we both know that your silly, over-inflated ego will NEVER allow you to NOT read something written about you. And you not responding would be a cover for your pathetic attempt to have the last word. (Again, we both know THAT won't happen)

Funnier still, you call me a troll, then go to one of my pieces and begin yet another troll campaign on the same day that you claim to not read any more of my responses.

So, you are trying to say ... "I will continue to troll/bully you, but I will read none of your responses, so I win". (hands on your hips, stomping your tiny foot on the floor, no doubt)

You say you are married? I pity this person ... your behavior is that of a post-pubescent, angry little boy with serious ego and self-esteem issues. Her life must be a living hell, as I would bet money that you are an overbearing control freak with an intense king-baby syndrome to boot. Of course, I could be completely wrong and it is SHE who wears the pants in your household and THAT is why you must come here to find some sense of "control" in your world. But that is all conjecture that I do not wish to even BEGIN to address.

Your need to appear like some type of "guru" or all-knowing person who is better than everyone else is deeply seated, so I think it started very early in your life.

As I've said ... 'TEXTBOOK".

So textbook in fact, that I have decided to make this entire exchange into a piece about trolls/bullies and bullying. But don't worry about that ... I will leave it up long enough for you to read it, leave one of your hysterical troll responses to further prove my observations ... and I will have had the last word.

Then, predictably, you will write something about me on your page, then block me so that I can't respond (thus making your poor, decimated ego feel like it had the last word), which will not only further prove my observations about you, but it will lead folks over to my page to read my piece about you.

It'll be fun!

Now, on to your latest huffing and puffing:

"troll"

Once again, you accuse me of something that YOU are guilty of.

Once again, you are crying about me doing something that YOU did first. (I can't stop laughing about this. Just like a bully to cry and whine when he himself is punched in the nose and doesn't receive the response that he is seeking when HE does the punching!)

*** - Kettle/Gander - Goose, little man.

I am only guilty of responding to your trolling ... which is my right. Because, as is well established, you began this little soiree when you called me an "Unreconstructed alcoholic with no personal sense of shame" in a comment about a piece I had written about a friend that had recently died! Sadly pathetic, indeed.

Then, as I've stood up to you, you have spiraled down, like a burning airplane, in your pathetic child-like name calling and such to the point where you did schoolyard (at best) name-calling ("Electronic ****"? I LOVED THAT ONE!) and attacked my race, my religion and political stances (I picture you, a terrified little schoolboy, trembling in a schoolyard, shouting these things as you wee your pants in fear).

Then. you actually threaten me with physical violence (punching me in the nose). Now ... when NONE of that ridiculous posturing and panic-stricken chest-beating has worked, you take a jab at my sexuality and interpersonal relationships?

You are the one with "No personal sense of shame" here. You are publicly getting more and more pathetic and your ego won't even let you see that! Your imaginary pedestal is way too high, (Name Deleted). The fall from there is really going to hurt you.

Attacking my sexuality, love life and relationships?

Really?

There are few straws left for you to grasp at, huh?

Again, having never met me, something you couldn't POSSIBLY make accurate conjectures about. ANYONE reading this would laugh, knowing where this is truly coming from.

My FAVORITE was the bit about me never achieving an ******! It took me SEVERAL minutes to stop laughing about that one.

How old are you (Name Deleted)? 12 ... 13, maybe?

No matter your actual birth age, these silly claims and insinuations are definitely NOT those of a grown-aged man. They are straight out of the playbook of an early teen. To make such an unfounded accusation is nearly disturbing on SO many levels.

Wow ... just ... "WOW".

You spew them from your imaginary ivory tower, the one that makes you believe that you are above everyone else, so they MUST be facts, right?

And in true (Name Deleted) form, you state them like facts to the public.

A public that can readily see that it is all coming from a wee little man, standing on an imaginary pedestal trying to convince the world that he is a "somebody". You should have taken my earlier advice and just closed your mouth. But it is all too late.

Deep nasal breaths (Name Deleted) ... DEEP nasal breaths.

I've no need to respond to this silly notion with tales of my ****** bravado or adventures, nor my past love life. That is none of your business and a true gentleman NEVER kisses and tells.

Besides, THAT is the action of schoolboys and men who are lacking in the "endowment" department ... as is attacking OTHER men about these issues.

I won't bring my family into this either. (Taking shots at my familial relationships (Name Deleted)? Hmmm, I wonder if this a Freudian confession of your own family issues. But I won't go there. It's a can of worms best left on the shelf, I should think. It does pose some possible explanations for your behavior and persona though, doesn't it?)

So ... I hope you stick to your word and "not read/delete" this so that I needn't respond again. But, (long sigh) I highly doubt that you will. Your life AND your behavior are CONTROLLED by your fully delusional ego.

Watch for my upcoming piece, which will feature this exchange for ALL of the world to see. It will be cut and pasted verbatim, and I will even add a few additional notes.

I'm going to use it to help educate others on how to recognize and handle egotistical, cowardly, wanna-be bullies such as yourself.

Please, allow me to at least thank you for writing all these responses and demonstrating in such a textbook fashion, how your type acts and reacts and even letting us see inside of you a bit, thus letting us see what makes you tick.

And most importantly ... THANKS for the laughs.



This last one is where we can see the bottom of their barrel. As predicted, they can NOT “not read/erase” something that is written about them. Their ego would NEVER allow this. They MUST read and respond because THEY must have the last word. So, we are back to schoolyard names like “**** wipe”, attacking my sexuality and chest beating by attempting to assert that I have somehow “FAILED”. (You see? They HAVE to win, so it is easier to just let them think that they did.) After this, they can only lash out with slurs against my Mother and such. I think I've made my point here.

And now you, dear Reader, will have seen nearly the complete downward spiral of a bully/hater/troll when you stand up to them. I thank them for their 'help” in making this new piece and then show that I am the better man and offer to let them have the last word. I've no idea what that will be, but if you would like to see it, just go to the piece titled “Message To A Friend” (Link in notes below), it will be there soon enough. Their desperation to be dominant is so readily apparent here, it is sad. As I said, they can't help it. Their ego is on autopilot because these issues are so deeply ingrained in their self.



(Name Deleted) To Jeff the TROLLISH LOSER.
WOW so many words just to prove you are a piece of white liberal **** wipe.
You must really hate life with your filthy mouth spewing out
non stop TROLL NONSENSE--as if its a Fight or a Battle to be fought with any stranger just to prove you are a MAN!!!.
WELL JEFF YOUVE FAILED.
YOU are not a MAN but you do have a Male Body.
Never will be a Man.
Always a sexless TROLL.
.
 0 
 1 reply 
13h

Jeff Gaines Well, (Name Deleted), I want to sincerely thank you for all of this. You don't realize it now, but you have helped me to compose something that will, in turn, help other people. It is very admirable. I/we have taken something awful and made it into something positive.

Balance in the universe doesn't get any better than that. Besides, from here, there's not much left but you making verbal attacks on my Mother and such. Even I won't let you reduce yourself to that.

I wish you well. I hope all of your dreams and wishes come true, and moreover, I hope you get the help you need to finally find peace. A peace that will let you stop trying to belittle others with your condescension and bullying demeanor. I truly hope that you can release the tortures that keep you with this agonizing persona. It must be horrible for you.

And again, THANK YOU!

Leave any message you wish after this so that you can sleep well, knowing that you had the last word. I know how important that is to you and your ego, so have it ... as a gift from me to you in appreciation for all of your help here. I promise ... I won't respond. It's all you, Dude. My job is done here.



This one, sent to me on a completely different page/post, involves the “truce”. They did this on the comment section of another piece called “I'm Sorry If You Miss Me” (Link in notes below). They couldn't do this where we had been in our volley, that might appear as a weakness to someone who'd been watching it all.

They offer an olive branch (for all that's worth), but with it, they also offer to take me to enlightenment and save me somehow. None of this is sincere in ANY way. It is once again, them, trying to condescend to me that I am in need of THEIR help. That I am less, and they are more. Just as I described in the beginning of Part I.

(Also note that upon realizing that this has all been an analyzation of them and their behavior, they attempt to spin it around that it is THEM analyzing ME. Once again, textbook predictability)

If for some silly reason, I took this “truce”, they would feel that they have dominated me and nothing would change. As you read it, you will see just what I mean, especially in the way they go on and on about how accomplished they are at 'helping” others and how they can lead me to some new and better existence, as I am such a “sick human being”. The megalomaniac is really showing through here:



(Name Deleted) Dearest TROLL,
TRUCE?

Though you so obviously write vicious TROLL Gibberish you so obviously cant spell the word gibberish correctly.Not very Self referential eh?.
Diminishes your projected self mage of being a 'nice guy' somewhat eh?.
I have analysed your crippling problem and can offer you the only way out of it.
The presence of an individual Mind superimposed in strategic command over all your brain centres in the last hour before birth has led to you being NON Self Realised(which is your problem basically).
You don't know your Cosmic Identity--and the Mind in your head has led you to believe that you are not the Individual Isness but are the Mind created operating device the Conditioned Identity.
This replaces the ID and takes control over the Glucose and Oxygen supply to all Brain centres from the Individual Isness.
Send me a Poste Restante address and I will send you(for FREE)a copy of my only CD--on which I play Alto Saxophone and Alto Clarinet andAmplified C Silver Concert Flute and my wife who is my life companion plays Electric Bass.
We use the name Maneesha which is Sanskrit for Beyond Enlightenment.
The CD which is called 'Rolling Home' is as recorded--every track in one take-no electronic messing around!.
It was recorded under strict Tibetan Tantric rules of performance--I was a Flute playing Pujari in a Temple on the Burning Ghat in Varanasi where I played for Hindu Cremations for 6 years in the 1970s.
The intention is that the listener--you--will become Mindless .According to the sacred texts of the Vedas one must become Mindless as that is the only openly accepted way to reach the final end of Yoga Meditation.
Temporary union with the Isness of the Unverse.
Yes I know you will go off into paroxysms of laughter at my very absurdwritings but I must offer as you are a very sick human being--and your TROLLISH sickness will only get much worser as you age.
I have offered.
You will ridicule me.
Your choice.



And there you have it, dear Reader. A (disturbing) look, into a very disturbed mind. I am not, nor would I ever condone or recommend doing what I have done here. I did this for you. I had the idea while reading one of their demeaning comments on someone's daily. So, when they came to my daily … I put my hook in the water. The best thing you can do is give no reaction. Soon enough, they will go off in search of the attention they so desperately need and leave you in peace. As I have shown you here, engaging them brings a never-ending string of buckets … buckets FILLED with waste-of-time.

All you need to do is keep in mind this one simple thing when they write horrible things in your comment sections, or you encounter one in your life …

Something you are doing, or have done, is SO amazingly awesome, that it brought out ALL that darkness in them!

Just ignore them and they will go find someone else to pick on. Give them an “LOL” and ignore all that follows, or just delete their comment and block them. Your time is limited and so very precious. Don't give one second of it to these types of people. It simply isn't worth it.

Besides … You have MORE amazing things to accomplish!

                   Big Love,
                           ~Jeff
Nigel Morgan Oct 2012
Ah the persimmon, a word from an extinct language of the Powatan people of the tidewater Virginia, spoken until the mid 18th C when its Blackfoot Indian speakers switched to English. It was putchamin, pasiminan, or pessamin, then persimmon, a fruit. Like the tomato, it is a ‘true berry’.
 
Here in this postcard we have a painting of four kaki: the Japanese persimmon. Of these four fruit, one is nearly ripe; three are yet to ripen. They have been picked three days and shelter under crinkled leaves, still stalked. Now, the surface on which these astringent, tangy fruit rest, isn’t it wondrous in its blue and mottled green? It is veined, a ceramic surface perhaps? The blue-green mottled, veined surface catches reflected light; the shadows are delicate but intense.
 
You told me that it troubled you to read my stories because so often they stepped between reality and fantasy, truth and playful invention. When you said this I meant to say (but we changed the subject): I write this way to confront what I know to be true but cannot present verbatim. I have to make into a fiction my remembered observations, those intense emotions of the moment. They are too precious not to save, and like the persimmon benefit from laying out in the sun to dry: to be eaten raw; digested to rightly control my ch’i, and perhaps your ch’i too.
 
So today a story about four kaki, heart-shaped hachiya, and hidden therein those most private feelings, messages of love and passion, what can be seen, what is unseen, thoughts and un-thoughts, mysteries and evasions.
 
                                                                            ----
 
 
Professor Minoru retired last year and now visits his university for the occasional show of his former colleagues and their occasionally-talented students. He spends his days in his suburban house with its tiny non-descript garden: a dog run, a yard no less. No precious garden. It is also somewhere (to his neighbours’ disgust) to hang wet clothes. It is just grass surrounded by a high fence. He walks there briefly in the early morning before making tea and climbing the stairs to his studio.
 
The studio runs the whole length of his house. When his wife Kinako left him he obliterated any presence of her, left his downtown studio, and converted three rooms upstairs into one big space. This is where Mosuku, his beautiful Akita, sleeps, coming downstairs only to eat and defecate in the small garden. Minoru and Mosuku go out twice each day: to midday Mass at the university chaplaincy; to the park in the early evening to meet his few friends walking their dogs. Otherwise he is solitary except for three former students who call ‘to keep an eye on the old man’.
 
He works every day. He has always done this, every day. Even in the busiest times of the academic year, he rose at 5.0am to draw, a new sheet of mitsumatagami placed the night before on his worktable ready. Ready for the first mark.
 
Imagine. He has climbed the stairs, tea in his left hand, sits immediately in front of this ivory-coloured paper, places the steaming cup to his far left, takes a charcoal stick, and  . . . the first mark, the mark from the world of dreams, memories, regrets, anxieties, whatever the night has stored in his right hand appears, progresses, forms an image, a sketch, as minutes pass his movement is always persistence, no reflection or studied consideration, his sketch is purposeful and wholly his own. He has long since learnt to empty his hand of artifice, of all memory.
 
When Kinako left he destroyed every trace of her, and of his past too. So powerful was his intent to forget, he found he had to ask the way to Shinjuko station, to his studio in the university. He called in a cleaning company to remove everything not in two boxes in the kitchen (of new clothes, his essential documents, 5 books, a plant, Mosuko’s feeding bowl). They were told (and paid handsomely) to clean with vigour. Then the builders and decorators moved in. He changed his phone number and let it be known (to his dog walker friends) that he had decided from now on to use an old family name, Sawato. He would be Sawato. And he was.
 
His wife, and she was still that legally, had found a lover. Kinako was a student of Professor Minoru, nearly thirty years younger, and a fragile beauty. She adored ‘her professor’, ‘her distinguished husband’, but one day at an opening (at Kinosho Kikaku – Gallery 156) she met an American artist, Fern Sophie Citron, and that, as they say in Japan, was that. She went back to Fern’s studio, where this rather plump middle-aged woman took photographs of Kinako relentlessly in costume after costume, and then without any costume, on the floor, in the bath, against a wall, never her whole body, and always in complete silence. Two days later she sent a friend to collect her belongings and to deliver a postcard to her husband. It was his painting of four persimmon. Persimmon (1985) 54 by 36 cm, mineral pigment on paper.
 
‘Hiroshi’, she wrote in red biro, ‘I am someone else now it is best you do not know. Please forgive’.
 
Sawato’s bedroom is on the ground floor now. There is a mat that is rolled away each morning. On the floor there are five books leaning against each other in a table-top self-standing shelf. The Rule of St Benedict (in Latin), The I-Ching (in Chinese), The Odes of Confucius, The Tale of the Bamboo Cutter (10th C folk tale) and a manual of Go, the Shogi Zushiki. Placed on a low table there is a laptop computer connected to the Internet, and beside the computer his father’s Go board (of dark persimmon wood), its counters pebbles from the beach below his family’s home. Each game played on the Internet he transcribes to his physical board.
 
He ascribes his mental agility, his calm and perseverance in his studio practice, to his nightly games of Go in hyperspace. He is an acknowledged master. His games studied assiduously, worldwide.
 
For 8 months in 1989 he studied the persimmon as still-life. He had colleagues send him examples of the fruit from distant lands. The American Persimmon from Virginia, the Black Persimmon or Black Sapote from Mexico (its fruit has green skin and white flesh, which turns black when ripe), the Mabolo or Velvet-apple native to Philippines - a bright red fruit when ripe, sometimes known as the Korean Mango, and more and more. His studio looked like a vegetable store, persimmons everywhere. He studied the way the colours of their skins changed every day. He experimented with different surfaces on which to place these tannin-rich fruits. He loved to touch their skins, and at night he would touch Kinako, his fingers rich from the embrace of fifty persimmon fruits, and she . . . she had never known such gentleness, such strength, such desire. It was as though he painted her with his body, his long fingers tracing the shape of the fruit, his tongue exploring each crevice of her long, slim, fruit-rich body. She had never been loved so passionately, so completely. At her desk in the University library special collection, where she worked as a researcher for a fine art academic journal, she would dream of the night past and anticipate the night to come, when, always on her pillow a different persimmon, she would fall to ****** and beyond.
 
Minoru drew and painted, printed and photographed more persimmons than he could keep track of. After six months he picked seven paintings, and a collection of 12 drawings. The rest he burnt. When he exhibited these treasures, Persimmon (1989) Mineral pigment on paper 54, by 36 cm was immediately acquired by Tokyo National Museum. It became a favourite reproduction, a national treasure. He kept seeing it on the walls of houses in magazines, cheap reproductions in department stores, even on a TV commercial. Eventually he dismissed it, totally, from his ever-observant, ever-scanning eyes. So when Kinako sent him the postcard he looked at it with wonder and later wrote this poem in his flowing hand using the waka style:
 
 
*Ah, the persimmon
Lotus fruit of the Gods
 
Heartwood of a weaver’s shuttle,
The archer’s bow, the timpanist sticks,
 
I take a knife to your ripe skin.
Reveal or not the severity of my winter years.
its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of iPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coif
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

You Tube Music Video:
Black Eyed Peas
Joints and Jam

2/7/11
Oakland
jbm
(WIP)
Jackeline Chacon Aug 2014
I met a mysterious man
It was love at first sight

Thought he was charming
Things weren't quite right

He spoke to me romantic
Pure seduction in my eyes

I loved the way he kissed
It taste of such sweet lies

He gazed deep to my soul
He said I was perfection

Yet it was not me he spoke
But to his own reflection

He was a man so confident
Sure no one could disagree

So naive I was for thinking
That you could ever love me

Now I find myself silenced
A little lost book in a shelf

A Narcissist can not love
Except their beautiful self
D Conors Aug 2010
Big ****, The Head *******,
was the head of all the ******* in the ******* Shed.
What made Big **** so skilled and keen
at dickheadedness was to be seen.
Big **** had a certain ******* flair,
for tugging at everyone's short and curly hair.
He never had an important specialty,
except for being a type-A personality.
His skills were near to nothing great.
He kinda looked like a backward ape,
with a necktie 20 years gone out of style,
and his middle-management bullshitty wiles;
"I'm better than any ******* here!"
He'd proclaim everyday with a prickish sneer.
So they put him on his own cocky shelf,
where he could reign all by himself,
and every *******, ***** or *******-wanna-be,
would come to the ******* Shed just to see,
what they could achieve if they'd observe instead,
the ways and means of Big ****, The Head *******.
___
Dedicated to every single uptight, middle-management, pain in the ****
you have ever had to work with or for.
D. Conors
08 August 2010
George Anthony May 2017
I know that there is a table
in a Catholic high school in my local town
with an etch of the letter "G"
next to boredom-inspired vandal,
jagged lines, circles,
perhaps a few ******* shapes
as silly high school boys
are prone to draw.

An Advanced Maths textbook sits on a shelf
with a little doodle
of a peace sign next to an emo smiley
from a time where I was caught
between two phases,
tight black jeans and a flowing turquoise shirt.

Tobacco stains smeared
over the wood of a sealed off door
just outside my bedroom,
evidence of the first time
I tried a cigarette, seven years old,
and then panicked and tried to
flush it down the toilet,
only to have to fish it out and stuff it
in a little crevice, to be hidden and
remain there for seven years.

We leave all these little marks
and stains
in places we've been.
Spilled food, spilled ink, spilled drink,
tobacco stains and pools of blood.
"The marks humans leave are
too often scars."

I have scars.
Left forearm. Right calf. Right wrist bone. Both kneecaps.

A scar across my ribs and chest I was
so desperate to be rid of,
I bathed myself in oils and it was
the first scab I
never picked at; but a couple of weeks ago
I dreamt it was there again, fresh.
It tore open in front of everyone, bled out,
and I woke up gasping, drowning in my fear,
agonised, clutching at a wound that'd long since faded
convinced I could feel it splitting me apart again.

I have evidence all over my body
and more buried deep within the recesses of my mind,
scars so jagged they put knives to shame,
shining, pale, like diamonds in moonlight
not half as precious
but still invaluable.
Evidence of the marks humans leave behind.

I'm not innocent.
I don't pretend like I am.
I know there is a man out there
who gained another scar to add to his collection
when he was fourteen years old.
I know my hands carved it into his skin.
I know I used to use my fists
when others used their words to hurt me.

When I die, I know that I will leave
pieces of myself
everywhere
I've ever been. Whether people know it
or not, whether they
remember me
or not. There are ink stains
and coffee spills. My blood
is still on the floor of his house.
The high school cafeteria
has a circle of red
from a nosebleed I didn't realise I was having.
There are parks wearing my graffiti
and children donning my old clothes, and people overseas
still alive because of me

(or that's what they'll tell me, but
all I did was talk.
Give yourself the credit you guys deserve,
you're the ones who chose to listen.
You're the ones who had the strength to
pick your head up and carry on)

There are exes who still think of me
and friends who will one day
come across some article of clothing
or a piece of technology
I left behind after a sleepover.
Teachers who will remember
that smart, sarcastic student
who had panic attacks in their classrooms
and drank coffee in the mentoring hub with Mrs. Hume
whilst buttering bagels and functioning on no sleep.

Maybe our place in the universe is
insignificant. Or maybe it's the
most significant thing
of all.
Maybe the Buddhists are right.
Maybe we are the universe, together
as one. I sure think it makes sense.

Streams of consciousness
and spirits that need healing.
We work the sun
without even realising we're doing it.
We destroy it, too,
which is perhaps why we
are so self destructive in turn.

Maybe we're
smaller than specs of dust
but that's okay.
You don't have anything
without the particles required
to make things up.
Everything is a collection of atoms:
the tiniest things of all
yet they're the centre of everything,
the beginning of everything.

So when the end comes and
we burst back into the sky,
stardust and souls and
blinking little lights,
we'll have left our marks on the earth
regardless of who remembers
and we'll still be there, twinkling,
a collection of atoms that came from a supernova
essential to the makeup of galaxies
and life itself.
What could be more beautiful than that?
I don't know. It was... some sort of stream of consciousness, perhaps? I blanked out halfway through writing it.
Josh Murphy Feb 2014
I'm not myself,
Just another book on the shelf,
Showing my spine,
But it's not yours, it's mine.

Judge this book by its cover,
Because you don't want to discover,
The truth between my pages,
This book has been rotting ages.

As my pages turn yellow,
You read that I am mellow,
As your hands turn black from ink,
I pray that I would sink.

You think you know the real me,
You think that I feel free,
But no book can be himself,
When he's stuck on your reading shelf.
Rocky G Jan 2013
I'm hung on the same shelf
Night after night, that shelf
That old, dusty shelf
My strings bundled up
So I can't leave this retched place
But in the morning you come for me
Untie my strings, and drag me away
The floor is cold under my feet
The lights burn my eyes
The cheering crowds hurt my ears
Then...the curtains open
And so the show begins
Master pulls my strings
I jump, dance, wave, kick myself and fall
But does anyone hear my cries for help?
They can't over their laughter
The humility is hurtful
The strings agonizingly painful
At war with the puppet master
But once again have failed
The curtains close
And I'm back on that old, dusty shelf
cgembry Mar 2016
Story after story
Displayed on stories upon stories
Of multiple library floors
In large spacious rooms

Levels of fiction
Nonfiction
Mystery
Poetry

On and on they go
Lined on shelves dauntingly high
Or Child-level low
Artful as featured works in museums

We congregate with hushed voices in examination
Yet we can touch them
We are invited to
We can reach out and remove a piece of history

From the ancient days of scrolls
To the modern pages
We pull them from their places
To discover the wonders within

Sharing in the joy that emanates
From the joining of imaginations
A connection so powerful
It unites the hearts of strangers

We lose ourselves for hours
In our favorite chapters
With our beloved characters
Whom we come to love as precious friends

Reading ignites the imaginative powers of the self
And it all begins by pulling a book off of a shelf
anonymous999 Nov 2014
there are some who want a thinner waist
and others who just don't like the taste
of food they feel they do not deserve

some eat cake with their eyes
while others are busy planning their demise
one wants to see bones, another, headstones

one could love themselves if they were just 40 pounds thinner
"maybe i'll love myself if i just skip dinner"
the other has no appetite, a battle with calories she does not fight

a battle, rather, with herself
to **** herself or stay in living hell
too preoccupied to care what is on the pantry shelf

there are some who want a thinner waist
and others who just don't like the taste
of food they feel they do not deserve
MARK RIORDAN Mar 2017
TO BE A LEADER YOU MUST
LEAD FROM THE HEART
HAVE A COMMITMENT TO YOUR DREAM
AND HAVE CONVICTION FROM THE START


YOU MUST ALWAYS INSPIRE PEOPLE
AND BE THE STRENGTH IN YOUR TEAM
IF YOUR JOURNEY IS TOO STRAY
ALWAYS COME BACK TO YOUR DREAM


YOU MUST NEVER SWET THE SMALL STUFF
AND STAY FOCUSED ON YOUR TASK
BE TRUE TO ALL YOUR ANSWERS
IF QUESTIONS ARE EVER ASKED


NEVER SPEAK A WORD OF DOUBT
ALWAYS ENCOURAGE WITH YOUR WORDS
BUILD UP OTHER CHARACTERS
TO MAKE A BETTER WORLD


BUT THE ONE THING YOU MUST DO
IS ALWAYS BE TRUE TO YOURSELF
OR YOU WILL WIND UP JUST ANOTHER
BROKEN DREAM ON THE SHELF
LEADERSHIP IS A MIND SET AND IS NOTICED IN YOUR ACTIONS AND DEEDS. ENCOURAGE LEAD AND BE TRUE TO YOURSELF AND FOLLOW YOUR DREAMS.
Melinda Éva Jul 2015
Your cover is hard, your spine is broken
and all of your pages are torn
Your corners are folded, your text is stained
but my heart felt as if there was more

I stood on my toes and reached for you,
struggling to extend to the highest shelf
The tips of my fingers grazed your grey board binding,
the excess paper and rags created to embody your whole self

All you've known are the footsteps and whispers
of strangers who have passed you by
refusing to give your tattered leaves
a chance to peel open their sealed minds

In my possession you are beautiful,
full of wonder and infinite pleasure
I'll envelop myself in every one of your pages
like a pirate admires every piece of his treasure
Mike Groves Jun 2018
This thing I thought I could grasp,
Desperately I try to hold on to it,
This thing I never had,
I knew this illusion wouldn’t last,

It disappears as soon as we reach for it,
It’s as thin as the mountain air,

For a moment we lie to ourselves,
placing it securely and safely on a shelf.
Even though it is a forced perception, A contrived illusion.
Once we leave the room...
As soon as we lock and bolt the door...
we wont see it anymore.

We never realize the freedom there is in letting go,

We would be happier admitting this concept is completely fictitious.
We could break this circular pattern, this cycle so vicious.

I've spent too much time trying to hold it in my hands,
Making myself the victim of my own laid out plans.
R McAtee Mar 2015
I've got your ashes in a box on the shelf.

Sometimes I look at it to remind myself.

I see the pictures that we took when you lived,

Before you became a box on the shelf.

They remind me of the memories,

like a seance with the dead,

all the things that you said

flow through my head

when I see that box again.
Caitlin Jul 2014
You call when you are lonely
and I come running.
More than willing-
to fill your days with laughter and light.
Only you don't call when the sun is in the sky.
You call when she is fast asleep,
and you need a play thing.

The porcelain doll on the shelf-
the toy you pick up-
as if you remind yourself you are still in possession of it.
That your doll has not grown a brain of it's own-
and fled to a place where she is not set on a shelf.

I refuse to be that doll anymore.
I refuse to be the drunken texts and phone calls-
where you slur "baby, I miss you."
I am not your doll.
I am not your fix to a lonely night.
**I am my own person.
I need to remember this...
There is one thing that ought to be taught in all the colleges,
Which is that people ought to be taught not to go around always making apologies.
I don't mean the kind of apologies people make when they run over you or borrow five dollars or step on your feet,
Because I think that is sort of sweet;
No, I object to one kind of apology alone,
Which is when people spend their time and yours apologizing for everything they own.
You go to their house for a meal,
And they apologize because the anchovies aren't caviar or the partridge is veal;
They apologize privately for the crudeness of the other guests,
And they apologize publicly for their wife's housekeeping or their husband's jests;
If they give you a book by Dickens they apologize because it isn't by Scott,
And if they take you to the theater, they apologize for the acting and the dialogue and the plot;
They contain more milk of human kindness than the most capacious diary can,
But if you are from out of town they apologize for everything local and if you are a foreigner they apologize for everything American.
I dread these apologizers even as I am depicting them,
I shudder as I think of the hours that must be spend in contradicting them,
Because you are very rude if you let them emerge from an argument victorious,
And when they say something of theirs is awful, it is your duty to convince them politely that it is magnificent and glorious,
And what particularly bores me with them,
Is that half the time you have to politely contradict them when you rudely agree with them,
So I think there is one rule every host and hostess ought to keep with the comb and nail file and bicarbonate and aromatic spirits on a handy shelf,
Which is don't spoil the denouement by telling the guests everything is terrible, but let them have the thrill of finding it out for themselves.
Joe Wilson Mar 2014
Oh to wander down country lanes
Where ‘shank’s pony’ is the mode
By which one travels from end to end
Beating off the open road.

Willow-herb and cow parsley
Grow tall against the hedge
Where dandelions behave like kings
Growing wild among the sedge.

A toad pops out and then pops back
To long grass where he’s hidden
Where birds will sing a merry song
And ducklings scurry when bidden.

For these few hours you forget the world
And you feel at peace with yourself
But the lure back to your reality
Gets this dream returned to the shelf.

©JRW2014
Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Pagan Paul Aug 2018
.


The table lamp

The single book of verse.

The ornament standing alone.

The photo in an unforgiving frame.

Or just
the dust


gathering comfort
in a bitter room.





© Pagan Paul (2016/17/18)
.
Old Poem
Shaped to look like a table lamp.
.
Please remind me
that I am more than
a speck of dust
on your book shelf.
Please remind me
that I am one of those
hundreds of books
that line your shelf.
And please tell me
that I happen to
be your favorite.
-o.b.
ghost queen Nov 2019
You ask why I am anxious, why i am depressed, let me list for you the reasons why:

Global warming
Melting glaciers
Heatwaves
Polar vertices
Category 6 hurricanes
F5 Tornadoes
Droughts
Desertification
Floods
Wild fires
Snowless winters
Ice free arctic
Antarctic ice shelf collapse
Greenland glacier melting
Perma forst thawing

Ocean warming
Ocean acidification
Coral bleaching
Sea level rising
Coastal erosion
Over fishing
Fisheries collapse
Plankton extinction
Fertilizer run offs
Chemical pollution
Raw sewage dumping
Red algae blooms
Vibrio explosions

Ozone layer depletion
Lack of fresh potable water
Acid rain
Top soil depletion
Dead soil
Deforestation
Banana palm tree cultivation
Evasive species
Overpopulation
Urban sprawl
Insect apocalypse
Animal extinction
Lower biodiversity
Bird apocalypse
Bee apocalypse
Bat apocalypse
Amphibian apocalypse

Aging nuclear power plants
Superfund sites
Radioactive contamination
Three mile island, Chernobyl, Fukushima
Endocrine disrupters
PBAs
Autism
***** count collapse
Effeminization of men

Noise pollution
Light pollution
Chronic stress
Diabetes
Metabolic diseases
Over eating
Obesity

Drug resistances
New and emerging diseases
Epidemics pandemics
Swine and bird flu
Genetic modification
Biotech tech
nano tech
Crispr
DNA
genetic testing
Designer babies
Aging population
Health care rising
Unaffordable medications
Uninsured
Medicare of all
Medical bankruptcy
Social security bankruptcy

Rise of terrorism
Rise of extremism
Far right
Alt right
Lack of education
Masculine identity crisis
Emasculation of men
Decline of boys
Rise of girls

Increasing depression and anxiety
Increase anxiety depression among young girls
Lack of human connection
Social isolation
Social awkwardness
Snowflake generation
Disintegration of the family
Suicides
Social media addiction
**** addiction
Drug addiction
Alcohol addiction

Lack of equality
Political corruption
Kleptocracy
Corporatocracy
Plutocracy
Oligarchy
New American aristocracy
Too big to fail
Privatize profits, socialize losses
Decline of democracy
Fascism
Terrorism
Religious extremism
Religious tension
Political divisiveness
National unity
Second American civil war
Helplessness of the common man

Big data
Data protection
Algorithms
Internet tracking
Lost of privacy
Artificial intelligence
Singularity
AI white collar job lost
AI automation
AI back office
Autonomous AI
5G supremacy
Quantum computer supremacy
Virtual reality
Augmented reality
Cybernetics
Chronophobia
Outsourcing
Off shoring
On shoring

Over education
Under employment
Skills gap
3rd world immigration
La reconquista
Cultural dilution
Status quo
Declining economies
Housing crisis
Housing cost
Homelessness
Illiteracy
Hunger
Unemployment
Full employment
Racism
Intolerance
Race relationships
Increasing crime
Student loans
Credit card debt
High mortgages
7 year car loans
Inverse yield curve
52 week high

Wars
Military interventions
Social uprisings
Dwindling resources
Resources conflicts
Rare earth metals
Depletion of helium
Peak oil
Fracking
Water wars
Climate refugees
A list of worries people face today that is causing anxiety and depression
Tyler Cobain Jun 2014
I'm in a very weird mood today
I might **** myself
Or would that be seen as rude?
Maybe I'll just leave my heart on this shelf

Get out of my head I don’t need this
I want to survive but I cannot resist
The feeling of cold steel on my skin
Is too beautiful like the hug of a kin

I’m in a strange mood today
I might **** myself
Or is this just obscene
Maybe I’ll just place my soul of this shelf

Get out of my head I don’t deserve this
I want to fight but Santa Muerte I cannot resist
The feeling of euphoria is near it’s said
So let me lie in this infinite bed
Logan Robertson Aug 2018
Stuffed seals.
Sits shelf,
soaking sunshine,
standing sentry,
soliciting smiles.
Shoppers smitten,
strike smiles,
spending silver.
Storied seals,
send shoppers shrilling.
Somewhere,
seamstresses
stitch supplementary shipments,
shaking store,
sustaining sales.
Sales staff splendidly stock shelf.
Seamlessly.
Such salvation, seals seeks.
Successfully, seashells.

Logan Robertson

8/1/2018
Jeff Barbanell Mar 2014
We run our course
We go the extra mile
We stay up sustaining immortality
Our deaths turned round
Projects on behalf of Eros
When we usually preach Agape
We enact sequential art performed with grace
Luna tunes colored water splashable you
In person honey with unlimited shelf life
We mate across spanned labyrinths a maze
Combs ensconced with nectar leading back to queen
Our hive stops the minute drones bring home virus
Reconstructed renewability narrative needing update
Horton hears who made the sky say so much
Way past expiration date skids our frictional kiss
We could almost imagine eternity naming the date
Mutual assured destruction averted by forming pact
Loosens the chain reaction fused by fission escalated
To the max man’s post-apocalyptic grocery store tale
Sells e-foods gold light fear energy time bubble Dimension X
Dash between dates tombstoned selfie virtual cemetery
Tandem lovers pass together clasping each last breath alone
Little deaths punctuate like piano keys pluck cat gut strums
Enameled amber encased in static slabs conjoined by fringe elements
nish Aug 2018
------------------------------------
 \ why is it that time slips /                              
   \she slides and slithers /
     \right through these  /
        \ infinite crevices  /
          \found all over /
             \my greedy /
                \ hands,  /
                   \ like /
                   /    •   \
                 /       s      \
              /            a       \
           /             n            \
        /                 d              \
      /                                      \
    / in the dainty hourglass \
  /sitting aloft my skew shelf.\
-----------------------------------------
I wanted to try shape poetry again, and I have to say this was MUCH harder than .leafing
https://hellopoetry.com/poem/2633672/leafing/

It took forever to align the slashes to give this poem shape, without them it didn't look like an hourglass.
I hope you liked this poem and I'd love it if you commented some links to any shape poetry you've tried out.
Hope you enjoyed :)
David Crum Mar 2015
A rainy dreary Halloween from 2006.
Candlelit late night
bedroom phone calls.
Your dream about a train ride and mushroom farmers.
My dream about hidden cities.

"I want to feed you ****** and a muscle relaxer and **** the **** out of you"

How long has it been Now?
Too long maybe, some lines are stretched too thin, through waiting and longing, love and lust and the once closest of friendships,
Stretched like Taffy till nearly gossamer strands wound meandering miles of complex life events and other unshared memories.
A too familiar voice.
Echoes of "I want you to have the perfect *******"
Spaces in conversations that would have been empty  if not for the most contagious laugh I've ever heard.
One not matched before or since.

Can you live in the past and long for the future? Is it greedy to desire more of something that was already so sweet? I don't tell anyone about my dreams now. Candles sit on.the shelf primarily unlit.

There are no more secret cities.
No mushroom farmers or train rides
But there are still threads
Stretched like Taffy but woven like a tapestry.
Across time and distance.
Made of memories.
All you'd have to do Is tug on a thread.
Alan W Jankowski Oct 2015
Two young brothers are left at home,
All by their lonesome selves,
The older one notices a new toy,
Sitting high up on a shelf.

He climbs up and brings on down,
What he believes is a toy gun,
He thinks about the games they’ll play,
Boy this sure will be fun.

He aims the ‘toy’ at his little brother,
And shoots him in the head,
But that gun was not a toy at all,
And soon the three-year-old is dead.

When a child dies,
All the stuffed animals cry,
Alone on a shelf,
They sit by themselves,
In a cold lonely room,
Like a final tomb.

Johnny’s tired of being bullied at school,
But every dog has its day,
Though all his classmates seem so mean,
Johnny will make sure they all pay.

The next day at school will be different,
From a knapsack he pulls out a gun,
Suddenly he starts shooting his classmates,
Shoots them in the back as they run.

Soon most of the class has been shot,
And their young bodies are lying there dead,
With one bullet left in the chamber,
Johnny puts the gun to his own head.

When a child dies,
All the angels cry,
The tears flowing down,
On the sad little town,
It’s a cold, cold rain,
But it won’t numb the pain.

For Jose this is the biggest day in his life,
It’s his gang initiation in the ‘hood,
He must seek out a rival gang member,
With a couple of shots he’ll be good.

Jose packs his piece and extra clips,
And his driver takes him to the spot,
He takes aim at his helpless victim,
And another is dead with just one shot.

But that one bullet it ricocheted,
You hear a young mother scream and cry,
As she realizes her young son is hit,
On a cold dark street he is left to die.

When a child dies,
The whole world cries,
All lives matter, big and small,
I ask you people, heed the call,
Please stop the hate, before it’s too late,
For the future of us all.

10-27-15.
Written for the upcoming book "World Healing, World Peace Poetry 2016" on Inner Child Press...
http://www.worldhealingworldpeacepoetry.com/
Nat Lipstadt Mar 2019
letter to elana

for the poet elana bell

~

in a different cafe,
on a Manhattan streetscape where once, years earlier,
violence was the purview of West Side Story gangs,
ruling their internecine non-intersectionality territorial blood lines supremely

nowadays, violence replaced by the frenetic
noises of Lincoln Center theater goers,
student dancers, actors, musicians and poets joining the throng
of those who sup and run,
all hearing their own frantic
curtain calling, saying, announcing,
music dance voices words require your obeisance,
needy for a mutual worshipping reassurance fiat that:

life can be made transcendent
if even for just 90 minutes or 120 pages,
or a 3 minute poem reading


this city of millions requires billions of poems that spoon stirred  
and yet, almost always fail, to squeeze, all of the human essence that is in its ultimate source, clarifying nyc tap water,
containing the storied remnants of a hackable continuous,
single human stanza cell osmosis - a blockchain like no other

two poets sit side by side each in their own lapsed dreams,
she, a published poet of prize and rank, ^
he, a rank amateur whose only prize is his unpublished anonymity,
poetry, is his just a nightly soul cleansing,
an imported remnant of his Marrano piyyutim ancestry

one turns to the other,
in the inexplicable daily crazy miracle
of city fashionistas

in a city where stealing a parking spot, or the
forced squeezing creation of a subway seat space
where physics proves none exists,
are oft the roots of slashing and stabbings faithfully reported
on the 11 o’clock news,  
and trust and/or other encouraging words
are seldom heard and even less demonstrated,
the make-no-eye-contact of Camus’s L’Etranger anomie is the
normative, paranormal, paralysis cloak of we city separatists

“Can you watch over my electronics and stuff?”

Sure says the grayed and grizzled,
an all life long veteran of nyc,
judged to be trustworthy
based on a few seconds of being upsized and downsized,
a car wash (exterior only) perusal
despite a
“no direction home, like a compete unknown, a rolling stone,”  
this signage, yellow star permanently chest-affixed,
conveniently ignored, as it seems impossible
thieves don’t look like me,
don’t likely in their possess,
a distinguished head of gray hair (yeah, sure)

a thank you reward of (or did I imagine it) a lean-in,
a momentary head on a shoulder,
the chit chat now grows earned and earnest,
she confesses her cardinal poetry profession,
eliciting an ‘Oh Boy’ utterance from the poet
of a thousand names
and a thousand textual emendations

a fastidious nyc boundary is brief crossed for one short meal,
till the end when time sensitized IMRL intrudes and
the showtime calls out,
if not now, when? if not me, then who?

I read her poetry later in the praying supine first position of
three AM, and laugh with delight, at the contrast and no compare,
the styles clash and tho the stories told
are both writ in the aleph bet script,
there ends the Ven diagram overlap and
into the night’s coming of a Elvisian blue suede coverlet,
we both disappear, and if not for this recording,
history says, you old man confused, never happened,
just an imaginary poetry ink blot dream breaching...

~

postface:
another poetry book is no longer homeless,
comes to shelter upon my shelf, close to Angelou, far from Whitman,
now all the book’s nooks eyes collectively
reassessing the new old-owner, parsing his syntax,
undecided if his readership is worthy of them,
concluding that all these books are the
man’s owned roughened stones,
to be placed by human hands on the
serpentine curvature of his literary tombstone,
and until all stones fully read,
they all agree,
will they and he
be fully freed,
smoothing his legacy’s edges
Feb. 21 -March 5, 2019
NYC
another true story

^ https://en.m.wikipedia.org/wiki/Elana_Bell

— The End —