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Terry O'Leary Feb 2014
THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.
(To Marcel Schwob in friendship and in admiration)

In a dim corner of my room for longer than
my fancy thinks
A beautiful and silent Sphinx has watched me
through the shifting gloom.

Inviolate and immobile she does not rise she
does not stir
For silver moons are naught to her and naught
to her the suns that reel.

Red follows grey across the air, the waves of
moonlight ebb and flow
But with the Dawn she does not go and in the
night-time she is there.

Dawn follows Dawn and Nights grow old and
all the while this curious cat
Lies couching on the Chinese mat with eyes of
satin rimmed with gold.

Upon the mat she lies and leers and on the
tawny throat of her
Flutters the soft and silky fur or ripples to her
pointed ears.

Come forth, my lovely seneschal! so somnolent,
so statuesque!
Come forth you exquisite grotesque! half woman
and half animal!

Come forth my lovely languorous Sphinx! and
put your head upon my knee!
And let me stroke your throat and see your
body spotted like the Lynx!

And let me touch those curving claws of yellow
ivory and grasp
The tail that like a monstrous Asp coils round
your heavy velvet paws!

A thousand weary centuries are thine
while I have hardly seen
Some twenty summers cast their green for
Autumn’s gaudy liveries.

But you can read the Hieroglyphs on the
great sandstone obelisks,
And you have talked with Basilisks, and you
have looked on Hippogriffs.

O tell me, were you standing by when Isis to
Osiris knelt?
And did you watch the Egyptian melt her union
for Antony

And drink the jewel-drunken wine and bend
her head in mimic awe
To see the huge proconsul draw the salted tunny
from the brine?

And did you mark the Cyprian kiss white Adon
on his catafalque?
And did you follow Amenalk, the God of
Heliopolis?

And did you talk with Thoth, and did you hear
the moon-horned Io weep?
And know the painted kings who sleep beneath
the wedge-shaped Pyramid?

Lift up your large black satin eyes which are
like cushions where one sinks!
Fawn at my feet, fantastic Sphinx! and sing me
all your memories!

Sing to me of the Jewish maid who wandered
with the Holy Child,
And how you led them through the wild, and
how they slept beneath your shade.

Sing to me of that odorous green eve when
crouching by the marge
You heard from Adrian’s gilded barge the
laughter of Antinous

And lapped the stream and fed your drouth and
watched with hot and hungry stare
The ivory body of that rare young slave with
his pomegranate mouth!

Sing to me of the Labyrinth in which the twi-
formed bull was stalled!
Sing to me of the night you crawled across the
temple’s granite plinth

When through the purple corridors the screaming
scarlet Ibis flew
In terror, and a horrid dew dripped from the
moaning Mandragores,

And the great torpid crocodile within the tank
shed slimy tears,
And tare the jewels from his ears and staggered
back into the Nile,

And the priests cursed you with shrill psalms as
in your claws you seized their snake
And crept away with it to slake your passion by
the shuddering palms.

Who were your lovers? who were they
who wrestled for you in the dust?
Which was the vessel of your Lust?  What
Leman had you, every day?

Did giant Lizards come and crouch before you
on the reedy banks?
Did Gryphons with great metal flanks leap on
you in your trampled couch?

Did monstrous hippopotami come sidling toward
you in the mist?
Did gilt-scaled dragons writhe and twist with
passion as you passed them by?

And from the brick-built Lycian tomb what
horrible Chimera came
With fearful heads and fearful flame to breed
new wonders from your womb?

Or had you shameful secret quests and did
you harry to your home
Some Nereid coiled in amber foam with curious
rock crystal *******?

Or did you treading through the froth call to
the brown Sidonian
For tidings of Leviathan, Leviathan or
Behemoth?

Or did you when the sun was set climb up the
cactus-covered *****
To meet your swarthy Ethiop whose body was
of polished jet?

Or did you while the earthen skiffs dropped
down the grey Nilotic flats
At twilight and the flickering bats flew round
the temple’s triple glyphs

Steal to the border of the bar and swim across
the silent lake
And slink into the vault and make the Pyramid
your lupanar

Till from each black sarcophagus rose up the
painted swathed dead?
Or did you lure unto your bed the ivory-horned
Tragelaphos?

Or did you love the god of flies who plagued
the Hebrews and was splashed
With wine unto the waist? or Pasht, who had
green beryls for her eyes?

Or that young god, the Tyrian, who was more
amorous than the dove
Of Ashtaroth? or did you love the god of the
Assyrian

Whose wings, like strange transparent talc, rose
high above his hawk-faced head,
Painted with silver and with red and ribbed with
rods of Oreichalch?

Or did huge Apis from his car leap down and
lay before your feet
Big blossoms of the honey-sweet and honey-
coloured nenuphar?

How subtle-secret is your smile!  Did you
love none then?  Nay, I know
Great Ammon was your bedfellow!  He lay with
you beside the Nile!

The river-horses in the slime trumpeted when
they saw him come
Odorous with Syrian galbanum and smeared with
spikenard and with thyme.

He came along the river bank like some tall
galley argent-sailed,
He strode across the waters, mailed in beauty,
and the waters sank.

He strode across the desert sand:  he reached
the valley where you lay:
He waited till the dawn of day:  then touched
your black ******* with his hand.

You kissed his mouth with mouths of flame:
you made the horned god your own:
You stood behind him on his throne:  you called
him by his secret name.

You whispered monstrous oracles into the
caverns of his ears:
With blood of goats and blood of steers you
taught him monstrous miracles.

White Ammon was your bedfellow!  Your
chamber was the steaming Nile!
And with your curved archaic smile you watched
his passion come and go.

With Syrian oils his brows were bright:
and wide-spread as a tent at noon
His marble limbs made pale the moon and lent
the day a larger light.

His long hair was nine cubits’ span and coloured
like that yellow gem
Which hidden in their garment’s hem the
merchants bring from Kurdistan.

His face was as the must that lies upon a vat of
new-made wine:
The seas could not insapphirine the perfect azure
of his eyes.

His thick soft throat was white as milk and
threaded with thin veins of blue:
And curious pearls like frozen dew were
broidered on his flowing silk.

On pearl and porphyry pedestalled he was
too bright to look upon:
For on his ivory breast there shone the wondrous
ocean-emerald,

That mystic moonlit jewel which some diver of
the Colchian caves
Had found beneath the blackening waves and
carried to the Colchian witch.

Before his gilded galiot ran naked vine-wreathed
corybants,
And lines of swaying elephants knelt down to
draw his chariot,

And lines of swarthy Nubians bare up his litter
as he rode
Down the great granite-paven road between the
nodding peacock-fans.

The merchants brought him steatite from Sidon
in their painted ships:
The meanest cup that touched his lips was
fashioned from a chrysolite.

The merchants brought him cedar chests of rich
apparel bound with cords:
His train was borne by Memphian lords:  young
kings were glad to be his guests.

Ten hundred shaven priests did bow to Ammon’s
altar day and night,
Ten hundred lamps did wave their light through
Ammon’s carven house—and now

Foul snake and speckled adder with their young
ones crawl from stone to stone
For ruined is the house and prone the great
rose-marble monolith!

Wild *** or trotting jackal comes and couches
in the mouldering gates:
Wild satyrs call unto their mates across the
fallen fluted drums.

And on the summit of the pile the blue-faced
ape of Horus sits
And gibbers while the fig-tree splits the pillars
of the peristyle

The god is scattered here and there:  deep
hidden in the windy sand
I saw his giant granite hand still clenched in
impotent despair.

And many a wandering caravan of stately
negroes silken-shawled,
Crossing the desert, halts appalled before the
neck that none can span.

And many a bearded Bedouin draws back his
yellow-striped burnous
To gaze upon the Titan thews of him who was
thy paladin.

Go, seek his fragments on the moor and
wash them in the evening dew,
And from their pieces make anew thy mutilated
paramour!

Go, seek them where they lie alone and from
their broken pieces make
Thy bruised bedfellow!  And wake mad passions
in the senseless stone!

Charm his dull ear with Syrian hymns! he loved
your body! oh, be kind,
Pour spikenard on his hair, and wind soft rolls
of linen round his limbs!

Wind round his head the figured coins! stain
with red fruits those pallid lips!
Weave purple for his shrunken hips! and purple
for his barren *****!

Away to Egypt!  Have no fear.  Only one
God has ever died.
Only one God has let His side be wounded by a
soldier’s spear.

But these, thy lovers, are not dead.  Still by the
hundred-cubit gate
Dog-faced Anubis sits in state with lotus-lilies
for thy head.

Still from his chair of porphyry gaunt Memnon
strains his lidless eyes
Across the empty land, and cries each yellow
morning unto thee.

And Nilus with his broken horn lies in his black
and oozy bed
And till thy coming will not spread his waters on
the withering corn.

Your lovers are not dead, I know.  They will
rise up and hear your voice
And clash their cymbals and rejoice and run to
kiss your mouth!  And so,

Set wings upon your argosies!  Set horses to
your ebon car!
Back to your Nile!  Or if you are grown sick of
dead divinities

Follow some roving lion’s spoor across the copper-
coloured plain,
Reach out and hale him by the mane and bid
him be your paramour!

Couch by his side upon the grass and set your
white teeth in his throat
And when you hear his dying note lash your
long flanks of polished brass

And take a tiger for your mate, whose amber
sides are flecked with black,
And ride upon his gilded back in triumph
through the Theban gate,

And toy with him in amorous jests, and when
he turns, and snarls, and gnaws,
O smite him with your jasper claws! and bruise
him with your agate *******!

Why are you tarrying?  Get hence!  I
weary of your sullen ways,
I weary of your steadfast gaze, your somnolent
magnificence.

Your horrible and heavy breath makes the light
flicker in the lamp,
And on my brow I feel the damp and dreadful
dews of night and death.

Your eyes are like fantastic moons that shiver
in some stagnant lake,
Your tongue is like a scarlet snake that dances
to fantastic tunes,

Your pulse makes poisonous melodies, and your
black throat is like the hole
Left by some torch or burning coal on Saracenic
tapestries.

Away!  The sulphur-coloured stars are hurrying
through the Western gate!
Away!  Or it may be too late to climb their silent
silver cars!

See, the dawn shivers round the grey gilt-dialled
towers, and the rain
Streams down each diamonded pane and blurs
with tears the wannish day.

What snake-tressed fury fresh from Hell, with
uncouth gestures and unclean,
Stole from the poppy-drowsy queen and led you
to a student’s cell?

What songless tongueless ghost of sin crept
through the curtains of the night,
And saw my taper burning bright, and knocked,
and bade you enter in?

Are there not others more accursed, whiter with
leprosies than I?
Are Abana and Pharphar dry that you come here
to slake your thirst?

Get hence, you loathsome mystery!  Hideous
animal, get hence!
You wake in me each ******* sense, you make me
what I would not be.

You make my creed a barren sham, you wake
foul dreams of sensual life,
And Atys with his blood-stained knife were
better than the thing I am.

False Sphinx!  False Sphinx!  By reedy Styx
old Charon, leaning on his oar,
Waits for my coin.  Go thou before, and leave
me to my crucifix,

Whose pallid burden, sick with pain, watches
the world with wearied eyes,
And weeps for every soul that dies, and weeps
for every soul in vain.
Chris Saitta Jun 2019
The desert is not the grave of the sea.

The heaving reign of pharaohed seas,
Rule in bloodline of palm wine and embalming fluid of brine.
The tides are their mummified lips,
Whispering the coming forth of spells eternally to the sky.  
All goddesses, like shawled Isis, in lamentations of hair
And past-wept somnolence for Egypt,
Lie across the heart-bound murmur of waters
From their dead kings and the kingly divine, Amun-Ra,
Whose bird-starred eyes fill the canopic jar of the cosmos.

The sea is the grave of the desert.
“Palm wine” and spices were used to rinse out the abdomen of the remains.

The Egyptian Book of the Dead was a phrase coined in the 19th century.  A more literal translation is The Book of Coming Forth by Day or Spells for Going Forth by Day.

The heart was actually the only ***** left intact in the mummified dead. The other organs were kept in canopic jars though some were rebound and reinserted into the mummified remains.

For a slide video of this and other poems, please check out my Instagram page at chrissaitta or my Tumblr page at Chris-Saitta.
zebra Jun 2019
do you know
how much light you have to have
to play in the dark

ask the lady of the moon
my trilling lover of comatose dreams
**** queen dressed in fallen roses
on her knees

her head a cocked jaw
throat; a giraffes
for shirts of skin and magic wands

she prays to be broken
split saliva jewel
kink clutch
little crying angel
hugging her ball and chain
shawled ***; a trussed cathedral
bound in silk
a vomiting flower of *******

her feet bound
puddled black crimson
crumbling at every teasing cuddle
and darkened bite like ghost fire
flame on flame

her ******; buttered Kasbah dark fruit casaba
i take a bite
red teeth and stretched tongue
adorn the hood of lust
and sink flying
into blood scape's womb
she screams hooked on satin's *** nail
wailing; hideous mirth
and folds sweet and sour
siracha tang

her mouth a gagging river
of ***** and oleo tubes
eyes gazing globe video games
****, brewing perfume's of delirium
**** star ships at apogee
riding the glitter rim

my ****
a rabid swoon of towering babble
is full tonight
brimming with white blood
red and trembling milk
to fill your mouth my love
and the bitter honey of my soul
mark john junor Jan 2014
it stopped raining after
some long hour had passed
the rain had simply faded like
shawled figure moving through the afterlife
just the signature of presence evaporating into the still air
like the quiet thunder of a doves wings in the evening shadow

a sense of walking the day down through its years
a child at dawn full of promise and wonder
a man full of strife and the heat of passions at noon
an old man gasping by the witching hour
see the day walk its life to the tomb
before the grand spectacle of night has finished

and the very damp ground was littered with leaves
pulled from their high towers and cast down by
the winds strong hand
dirt in clinging clumps decorate the once
vividly clean surface of her lawn chairs
she pecks at the debris with a rapid motion
wipe away the inglorious world with
her chatter is subtle but not unfriendly
as she offers tea
the long hour passes
as we instilled with small conversation watch
the overcast slowly dissipates
like her charm
it is fleeting
she at last asks about your day
with hands folded in her lap like two neat doves
fearfully waiting to fly in panic at such slight provocations

the rain left its signature on my life
both beauty and troubled thoughts gather beneath its wet canopy
all reach life in the waters of the world
all rise from child and fall to tomb
like rain falls back to the earth which birthed it
we all return to the soil
thick and rich loam full of the savaged remains of the fallen
and the seeds of the yet unborn
Chris Weallans Feb 2015
We sit in the still
and through tiny buffeted windows
watch the stubborn shore arrest the fierce sea.

An old clock tocks as slow as winters
as we recall the beach of crowded summers

The cold wind whispers along the scurrying dunes
to throw the sand in abstract arcs
against the ice blue sky

In large coats, billowed scarves
and stout boots
we trudge against the bickering wind
blustering in its niggling argument
far into the sea.

I never thought our steps
could be this close
as we huddle and cower
against the wind

and in a tiny distance
the gale rips up our prints
as if no foot had ever trod.

Yet behind our watering eyes
We know that once two footsteps touched
Our shoes kissed
in the wild wet and wintry night

There will be warmth
in the accordion blessed bar
with pipe smoke leering to the rafters
and yellow light from candled glasses
casting tall shadows
of the shawled women
waiting for the long lost sailors’ return.

Shall I be a sailor then
to board the narrow boat of your body
in all the crash and yaw
the swell and deep
the thunder and breech
the pounding and clamour
until in the safe soundings
in the harbours of morning
we drift like flotsam
on the shoreline of sheets.

And driving home on a damp Sunday
will we marvel at the twisting rain
and how the tiny ship of our footsteps
survives the howling gales
and the all wild wide oceans of our watery ways
If anyone has a problem with the content of this poem let me know and I will mark it as explicit
CJ M Sep 2015
Fresher than the sky after a rainy day, us was found strongly subdued in intrigue and properly shawled in ****.
Higher than hippies can ever attain yet the ocean envies our deepness, back breaking as if our love were a tile floor that doubled as a bed at night, yet we are still comfortable. Still striving for the placement next to the historics and enjoying the wait, the ascent toward remembrance and the ascent from stupidity as we learn each other like Spanish class.
Let me know you, let me feel your energy. Why? Well, why not? I'm an alienated settler, so I suppose I need closeness? Or better yet,
I need you.
Why are you looking around? Move the stranger in front of you so that you can see my finger pointing at you. Yes, you, I need you. I'm interested, curvy swaying hips that deserve my caress, **** luscious lips that deserve my attention, she's a love-starved apparition that's deserving of the meal that I feel I can provide.
We are instruments, feel the beat of my drum, ba-da-da-dum-di-dum-di-dum, the sound my heart makes when you talk to me. The sound I hear when I know I'm ****** to make a fool or myself in front of you. My love, we are satire beings, embodying principles that we formed in a sheepish state when our fantasies were formed and our dreamy hopes became lost wishes.
I thought I knew love, but I didn’t know you, so what I knew was the fact that truth and lie could be twins at times. Right and wrong could be cousins.
Filmore Townsend Sep 2014
iconising by her walk
averting sight when shawled
female comes 'round corner.
on-ward, foot-looker, shaming
self due to abundance; shaming
self due to ennui of purpose.
I was in a place in UK where they actually
spoke this way .. A long time ago ..And I
wrote this ..

Twas to be that thine alone twood stand
Twile moon and star and wind twood be~
Twen shiver twood endure thus so
Failing the likes of time and thee~
Shawled in stance beyond the brush
Two shadows the night produced~
And thy meeting became a meeting thus so
As oneness from twosome reduced~
Walketh thine twards yonder hut
Twere fire burnt there brightly~
Twas there alone twithin this home
Twood love exist so tightly~
Twen moon it slept and clouds they wept
Twith water from heaven it fell~
Holdest thine in arms entwined
And dwell in the home of hunters dell~
From a being of wealth ye came from thus
To a being of both fur and gun~
Twere true love could be forever free
Thus no more eyes of jest in fun~
Twas there that thine chose to be mine
Twen moon and star it shone on high~
Love twas then born as night owl yawned
To vow love till time to die ~

Terrence Michael Sutton
copyright 2018
( I WROTE THIS IN THE OLDEST ENGLISH OF LONG AGO )

Twas to be that thine alone twood stand
Twile moon and star and wind twood be~
Twen shiver twood endure thus so
Failing the likes of time and thee~
Shawled in stance beyond the brush
Two shadows the night produced~
And thy meeting became a meeting thus so
As oneness from twosome reduced~
Walketh thine twards yonder hut
Twere fire burnt there brightly~
Twas there alone twithin this home
Twood love exist so tightly~
Twen moon it slept and clouds they wept
Twith water from heaven it fell~
Holdest thine in arms entwined
And dwell in the home of hunters dell~
From a being of wealth ye came from thus
To a being of both fur and gun~
Twere true love could be forever free
Thus no more eyes of jest in fun~
Twas there that thine chose to be mine
Twen moon and star it shone on high~
Love twas then born as night owl yawned
To vow love till time to die ~

Terrence Michael Sutton
Copyright 1977.
For preservation, salvation,
and veneration, though with hold
ding temptation two mike
pence sieve lee clear,
to immoral majority mold
toot hoods, (those bajillion
Americans unanimously polled)
did want me to broadcast, communicate,

and declare, sans mock cut up fold
drawl migrant accent,
(no matter I'm getting old),
nonetheless Ivana trumpet from Taj Mahal
straight to Mar-A-Lago) all told,
plus thank commensurate Republicans
(past or present), who extolled,
an invisible grandiose fire walled

barricade (donning, enclosing,
and fortifying) against Carl mauled
din lookalike hackers,
despite one sporting "FAKE"
hook nosed, hunchbacked
donned with torn (Turin) shawled,
shrouded, and disguised vagrant, indigent,
double chinned agent – bald

(except for being bewigged),
viz flowing locks of "FAKE" gold
in toe with Amazon heavily funded
unbridled trailing retinue
chanting appellation Matthew
Scott Harris alias Oswald),
no matter said faux
renegade twittering lobbyists

flock (like lemmings) within his fold,
and will happily, laughably parody
any vigilantes spot on cold,
what with his bugs
bunny eyed (What's up Doc)
intent reader rabbit stare,
that doth playfully scold
any Bare Ladies *******

linkedin, NOT nsync
with netiquette politesse mold
dinned communication, (asper
my pork chopped message
higglety pigglety divulged)
obeying tacit gold
din rule to hoodwink public, nonetheless
lemme exemplify, how

Democrats plan to hold
world web hostage
by secret Ransomware sold,
thru dark web bitcoin blockchain trolled
to collude with "crooked Hillary"
under Ponzi scheme auspices doled

courtesy, sans spongebobsquarepants
omnipotent NON GMO
gluten CRISPR rolled
oat sized INTEL nanobots,
no bigger than mold
spores heavily scrutinizing,
policing, monitoring and
fortifying electronic Internet scaffold.
and withheld broadcasting
the following communication
tucked away these many years,
when president number forty five
donned, jump/kick started, and tweeted
thru his musky, albeit flabby mantle,
a rallying cry forewarning onset of Mag(m)a
bubbling, gurgling, lobbing, and spewing lava
against backdrop of his trumpeting vitriolic
political preservation, salvation,
and veneration, though with hold

ding temptation tomb mike -
(make) pence sieve lee clear,
the immoral majority mold
toot hoods, (those bajillion
Americans unanimously polled)
did want me to broadcast, communicate,
and declare, sans incendiary fold
drawl (folderol) feigning migrant accent,
(no matter I'm getting older than Methuselah),
nonetheless Ivana trumpet from Taj Mahal

straight to Mar-A-Lago) all told,
plus thank Republicans
(past or present), who extolled,
an invisible grandiose fire walled
barricade (donning, enclosing,
and fortifying) against Carl mauled
din lookalike hackers,
despite one sporting "FAKE"
hook nosed, hunchbacked
adorned, donned with (Turin) shawled,

shrouded, and disguised vagrant, indigent,
double chinned agent - bald
(except for being bewigged),
viz flowing locks of "FAKE" gold
in toe with Amazon heavily funded
unbridled trailing retinue
chanting appellation Matthew
Scott Harris alias Oswald),
no matter said faux
renegade twittering lobbyists

to flock (like lemmings) within his fold,
and will laughably petrify
any vigilantes dead cold,
what with his bugs
bunny eyed (What's up Doc)
intent reader rabbit stare,
that doth playfully scold
any Bare Ladies *******
linkedin, NOT nsync
with netiquette politesse mold

gobbledygook communication, (asper
my pork chopped message
higglety pigglety divulged)
obeying tacit gold
din rule to hoodwink public, nonetheless
lemme exemplify, how I plan to hold
world web electronically hostage
by secret Ransomware sold,
thru dark wide whirled web
cryptocurrency bitcoin blockchain trolled
under auspices, sans

omnipotent NON GMO
gluten free CRISPR rolled
oat sized INTEL nanobots,
no bigger than mold
spores heavily monitoring
meant to fortify electronic threads
woven into a virtual tapestry
likened to Dickensian chain e-mail
intent to foment pandemonium
at expense to captcha totalitarianism,
whereby democracy imperiled.
Mohd Arshad Apr 2019
On lips of
I-will-first-change-myself
Happiness slid
Down the cheeks of life
And then reached the fertile field

The trees of change
Grew in every corner
Bearing blooms, very juicy

As I rose
To pluck one of them
At the window
The dream shawled its face

But I felt
That I had drunk that dream
The spell check after my writing this will
malfunction but I wrote this after a long ago
traveling experience and it was so real and
so very long ago in oldest of English time ..
As I spent time where Shakespear lived ..

Twas to be that thine alone twood stand
Twile moon and star and wind twood be~
Twen shiver twood endure thus so
Failing the likes of time and thee~
Shawled in stance beyond the brush
Two shadows the night produced~
And thy meeting became a meeting thus so
As oneness from twosome reduced~
Walketh thine twards yonder hut
Twere fire burnt there brightly~
Twas there alone twithin this home
Twood love exist so tightly~
Twen moon it slept and clouds they wept
Twith water from heaven it fell~
Holdest thine in arms entwined
And dwell in the home of hunters dell~
From a being of wealth ye came from thus
To a being of both fur and gun~
Twere true love twould be forever free
Thus no more eyes of jest in fun~
Twas there that thine chose to be mine
Twen moon and star it shone on high~
Love twas then born as night owl yawned
To vow love till time to die ~

Terrence Michael Sutton
copyright 1988.
Neil Coleman Mar 28
Some are my
angels
Halo'd and winged

Others my
demons
Horned and singed

These words I speak of,
these ill-fated feti,
doomed remnants on the yellowed page.
Lie lonely,
and shawled

      found in attics and cobwebbed mem'ries long gone
      in scrapbooks and photos of loved ones moved on

Wicked words can devour
the feeble and weak
as they bump into walls in the night.
Sightless,
and hushed

Yet there was once a vision
They once had a voice
And I am not God.
The weak make their own choice
There's words that make the page, and then there's the "feeble and weak"
Yenson Jun 2020
To another vine lend me your ears precious
in serene pennyworth abide with these musings
perchance some are worth tasting while some to spill
for in roaring thunder even lightenings fall to earths mud
departing in blazing strikes all soon back nowhere
thunder's enraged roars is nowt but a calling ring to clouds

In the town unsettled where beings walk backwards
copulatives asunder in misty dusts of vacuous airs
scatterlings and urchins denied widows mites spittle red-eyed
while reasons abscond and aged find marbles less to minds
in blooming fog and steamy cacophonies vocal daggers brandishes
deadly songs crawl out in hot peculiar jargon devoid of rhyme
dancing wounding poses striking jugulars in scarlet reign

as such the story of the many in times of then and now
but the sages deem if the center holds the outer battle lessens
the ***** to the walking remains grounded despite the big mouth
a wounded tiger carries twofold fierceness
and thus will strike with two paws and hinds
while the blinds sees all beings as dark faced voices regardless
so from the core ill bearing utterances I at quick take to burial
shawled in the knowing of cause and intention as a bird flies
the sour meal put on my table is not mine to eat

A lady of the night is always the first to recognize a *******
pilferers will call others thieves to move the shadows from them
while errant preachers call on God as their witness
misdeeds and chicaneries abound for man is born in sin
sounds alas, the formidable weapons that maim and kills
same as it molds and caresses same as it utters love in lies or truth
so water of a duck's back for some or a fitting burial
or take with that pinch of salt
if in certainty one is absolve of causation
in inner peace the center will hold and one remains fair of face
for Karma is beautiful and not always that ***** of 'renowned

— The End —