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"sere" poems
Where are the songs I used to know, Where are the notes I used to sing? I have forgotten everything I used to know so long ago; Summer has followed after Spring; Now Autumn is so shrunk and sere, I scarcely think a sadder thing Can be the Winter of my year. Yet Robin sings thro' Winter's rest, When bushes put their berries on; While they their ruddy jewels don, He sings out of a ruddy breast; The hips and haws and ruddy breast Make one spot warm where snowflakes lie, They break and cheer the unlovely rest Of Winter's pause--and why not I?
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The Key-Note
1413 Sweet Skepticism of the Heart— That knows—and does not know— And tosses like a Fleet of Balm— Affronted by the snow— Invites and then retards the Truth Lest Certainty be sere Compared with the delicious throe Of transport thrilled with Fear—
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Sweet Skepticism of the Heart—
Frail the white rose and frail are Her hands that gave Whose soul is sere and paler Than time's wan wave. Rosefrail and fair -- yet frailest A wonder wild In gentle eyes thou veilest, My blueveined child.
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A Flower Given to My Daughter
Ay, this is freedom!--these pure skies Were never stained with village smoke: The fragrant wind, that through them flies, Is breathed from wastes by plough unbroke. Here, with my rifle and my steed, And her who left the world for me, I plant me, where the red deer feed In the green desert--and am free. For here the fair savannas know No barriers in the bloomy grass; Wherever breeze of heaven may blow, Or beam of heaven may glance, I pass. In pastures, measureless as air, The bison is my noble game; The bounding elk, whose antlers tear The branches, falls before my aim. Mine are the river-fowl that scream From the long stripe of waving sedge; The bear that marks my weapon's gleam, Hides vainly in the forest's edge; In vain the she-wolf stands at bay; The brinded catamount, that lies High in the boughs to watch his prey, Even in the act of springing, dies. With what free growth the elm and plane Fling their huge arms across my way, Gray, old, and cumbered with a train Of vines, as huge, and old, and gray! Free stray the lucid streams, and find No taint in these fresh lawns and shades; Free spring the flowers that scent the wind Where never scythe has swept the glades. Alone the Fire, when frost-winds sere The heavy herbage of the ground, Gathers his annual harvest here, With roaring like the battle's sound, And hurrying flames that sweep the plain, And smoke-streams gushing up the sky: I meet the flames with flames again, And at my door they cower and die. Here, from dim woods, the aged past Speaks solemnly; and I behold The boundless future in the vast And lonely river, seaward rolled. Who feeds its founts with rain and dew; Who moves, I ask, its gliding mass, And trains the bordering vines, whose blue Bright clusters tempt me as I pass? Broad are these streams--my steed obeys, Plunges, and bears me through the tide. Wide are these woods--I thread the maze Of giant stems, nor ask a guide. I hunt till day's last glimmer dies O'er woody vale and grassy height; And kind the voice and glad the eyes That welcome my return at night.
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The Hunter Of The Prairies
Ay, this is freedom!--these pure skies Were never stained with village smoke: The fragrant wind, that through them flies, Is breathed from wastes by plough unbroke. Here, with my rifle and my steed, And her who left the world for me, I plant me, where the red deer feed In the green desert--and am free. For here the fair savannas know No barriers in the bloomy grass; Wherever breeze of heaven may blow, Or beam of heaven may glance, I pass. In pastures, measureless as air, The bison is my noble game; The bounding elk, whose antlers tear The branches, falls before my aim. Mine are the river-fowl that scream From the long stripe of waving sedge; The bear that marks my weapon's gleam, Hides vainly in the forest's edge; In vain the she-wolf stands at bay; The brinded catamount, that lies High in the boughs to watch his prey, Even in the act of springing, dies. With what free growth the elm and plane Fling their huge arms across my way, Gray, old, and cumbered with a train Of vines, as huge, and old, and gray! Free stray the lucid streams, and find No taint in these fresh lawns and shades; Free spring the flowers that scent the wind Where never scythe has swept the glades. Alone the Fire, when frost-winds sere The heavy herbage of the ground, Gathers his annual harvest here, With roaring like the battle's sound, And hurrying flames that sweep the plain, And smoke-streams gushing up the sky: I meet the flames with flames again, And at my door they cower and die. Here, from dim woods, the aged past Speaks solemnly; and I behold The boundless future in the vast And lonely river, seaward rolled. Who feeds its founts with rain and dew; Who moves, I ask, its gliding mass, And trains the bordering vines, whose blue Bright clusters tempt me as I pass? Broad are these streams--my steed obeys, Plunges, and bears me through the tide. Wide are these woods--I thread the maze Of giant stems, nor ask a guide. I hunt till day's last glimmer dies O'er woody vale and grassy height; And kind the voice and glad the eyes That welcome my return at night.
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56
Because you never yet have loved me, dear, Think you you never can nor ever will? Surely while life remains hope lingers still, Hope the last blossom of life's dying year. Because the season and mine age grow sere, Shall never Spring bring forth her daffodil, Shall never sweeter Summer feast her fill Of roses with the nightingales they hear? If you had loved me, I not loving you, If you had urged me with the tender plea Of what our unknown years to come might do (Eternal years, if Time should count too few), I would have owned the point you pressed on me, Was possible, or probable, or true.
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Touching 'Never'
Sere and yellow, Rough and round, [bright pebbles in a mound] Pitted and mellow, Winding our necks round, We wore them. Amber beads unearthed from clay, Fashioned by my artist love, Glowing yellow, filled with day, Captures sunbeams from above. I still love them. Some say gods have made these, To ensnare the light of Sun, But we women saved these, In memory & hope of sons, We keep them. Fat & smooth as butter, We turned them in our hands. The bone beads scraped with madder, The amber just with sand. Those of shadowy carnelian Embedded like a shield, We treasure as we fear them, Like wounds on battlefields. The others soaked with brownish earth, Sere and yellow, Rough and round, [bright pebbles in a mound] Pitted and mellow, Winding our necks round, We wore them. So, when we are dead, take not from us, These rounded, golden suns, But bury them with us, with sword and severed buss, To revere the slaughtered ones, Who never returned to us. Revised November 15, 2016
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Sep 5, 2017
Sep 5, 2017 at 8:55 AM UTC
Amber Beads - Inspired by Giles Watson's photography
1407 A Field of Stubble, lying sere Beneath the second Sun— Its Toils to Brindled People ****** Its Triumphs—to the Bin— Accosted by a timid Bird Irresolute of Alms— Is often seen—but seldom felt, On our New England Farms—
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A Field of Stubble, lying sere
I A THIN moon faints in the sky o'erhead, And dumb in the churchyard lie the dead. Walk we not, Sweet, by garden ways, Where the late rose hangs and the phlox delays, But forth of the gate and down the road, Past the church and the yews, to their dim abode. For it's turn of the year and All Souls' night, When the dead can hear and the dead have sight. II Fear not that sound like wind in the trees: It is only their call that comes on the breeze; Fear not the shudder that seems to pass: It is only the tread of their feet on the grass; Fear not the drip of the bough as you stoop: It is only the touch of their hands that ***** - For the year's on the turn, and it's All Souls' night, When the dead can yearn and the dead can smite. III And where should a man bring his sweet to woo But here, where such hundreds were lovers too? Where lie the dead lips that thirst to kiss, The empty hands that their fellows miss, Where the maid and her lover, from sere to green, Sleep bed by bed, with the worm between? For it's turn of the year and All Souls' night, When the dead can hear and the dead have sight. IV And now that they rise and walk in the cold, Let us warm their blood and give youth to the old. Let them see us and hear us, and say: 'Ah, thus In the prime of the year it went with us!' Till their lips drawn close, and so long unkist, Forget they are mist that mingles with mist! For the year's on the turn, and it's All Souls' night, When the dead can burn and the dead can smite. V Till they say, as they hear us - poor dead, poor dead! - 'Just an hour of this, and our age-long bed - Just a thrill of the old remembered pains To kindle a flame in our frozen veins, Just a touch, and a sight, and a floating apart, As the chill of dawn strikes each phantom heart - For it's turn of the year and All Souls' night, When the dead can hear, and the dead have sight.' VI And where should the living feel alive But here in this wan white humming hive, As the moon wastes down, and the dawn turns cold, And one by one they creep back to the fold? And where should a man hold his mate and say: 'One more, one more, ere we go their way'? For the year's on the turn, and it's All Souls' night, When the living can learn by the churchyard light. VII And how should we break faith who have seen Those dead lips plight with the mist between, And how forget, who have seen how soon They lie thus chambered and cold to the moon? How scorn, how hate, how strive, we too, Who must do so soon as those others do? For it's All Souls' night, and break of the day, And behold, with the light the dead are away. . . .
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All Souls
I A THIN moon faints in the sky o'erhead, And dumb in the churchyard lie the dead. Walk we not, Sweet, by garden ways, Where the late rose hangs and the phlox delays, But forth of the gate and down the road, Past the church and the yews, to their dim abode. For it's turn of the year and All Souls' night, When the dead can hear and the dead have sight. II Fear not that sound like wind in the trees: It is only their call that comes on the breeze; Fear not the shudder that seems to pass: It is only the tread of their feet on the grass; Fear not the drip of the bough as you stoop: It is only the touch of their hands that ***** - For the year's on the turn, and it's All Souls' night, When the dead can yearn and the dead can smite. III And where should a man bring his sweet to woo But here, where such hundreds were lovers too? Where lie the dead lips that thirst to kiss, The empty hands that their fellows miss, Where the maid and her lover, from sere to green, Sleep bed by bed, with the worm between? For it's turn of the year and All Souls' night, When the dead can hear and the dead have sight. IV And now that they rise and walk in the cold, Let us warm their blood and give youth to the old. Let them see us and hear us, and say: 'Ah, thus In the prime of the year it went with us!' Till their lips drawn close, and so long unkist, Forget they are mist that mingles with mist! For the year's on the turn, and it's All Souls' night, When the dead can burn and the dead can smite. V Till they say, as they hear us - poor dead, poor dead! - 'Just an hour of this, and our age-long bed - Just a thrill of the old remembered pains To kindle a flame in our frozen veins, Just a touch, and a sight, and a floating apart, As the chill of dawn strikes each phantom heart - For it's turn of the year and All Souls' night, When the dead can hear, and the dead have sight.' VI And where should the living feel alive But here in this wan white humming hive, As the moon wastes down, and the dawn turns cold, And one by one they creep back to the fold? And where should a man hold his mate and say: 'One more, one more, ere we go their way'? For the year's on the turn, and it's All Souls' night, When the living can learn by the churchyard light. VII And how should we break faith who have seen Those dead lips plight with the mist between, And how forget, who have seen how soon They lie thus chambered and cold to the moon? How scorn, how hate, how strive, we too, Who must do so soon as those others do? For it's All Souls' night, and break of the day, And behold, with the light the dead are away. . . .
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63
Gold shed upon suckling gold, The time of the bole blackens, Of the dark mounted through dapple, While in the sealed apple The seed cradled toward cold. A gold on gold spent, Put by from an elm in its years Now its gilded of days, Over turf’s dishevelment; Where all which is green sickens, All the fresh shall be sere. All which is green sickens, And it is but for a time Those embered veinings blaze A year’s delirium; Or neared of other space, Unportioned azure shall close One of more, and which is, One which goes. Let the little pupils that will, Of vision, gaze for salt To whet their gazing, wit In one weather is high From burrow and lair, by Nether providences’ default An all’s accrued. And apposite, beyond Such primer beholdings, has Its long accounting known The beetle’s morsel thus Was rich, and the slug’s bed on The oak’s generations, deep Over the lark’s bones. In slough of Edens fast Wit in one weather shall stand, While millennia nibble at The sensual apple Toppled it net, Plenty in the palm of the hand, And the fallen not fallen, not lost From out its certitude— For our unbeggaring Has been gross. Few and late To cherish an immoderate Wish, hope’s calculus, Love’s hope; few to miss, From natural tally ****** In the lime-girdled space Of choice, where alone Man can abandon what Is only his own; And in cold and tarrying Their rearisers sleep: While to the granite cheek Light’s purples bring Infinite their ministering, And past our finial And ragged crests, to keep Time’s ambient stood, Propose horizons from Their shadowy quarries; while, In an unwandered wood, Or under the indifferent foot, Is let fall, let fall a fruit, Through eternal leisures down, For but time’s unravelling.
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Dirge At The Edge Of Woods
Gold shed upon suckling gold, The time of the bole blackens, Of the dark mounted through dapple, While in the sealed apple The seed cradled toward cold. A gold on gold spent, Put by from an elm in its years Now its gilded of days, Over turf’s dishevelment; Where all which is green sickens, All the fresh shall be sere. All which is green sickens, And it is but for a time Those embered veinings blaze A year’s delirium; Or neared of other space, Unportioned azure shall close One of more, and which is, One which goes. Let the little pupils that will, Of vision, gaze for salt To whet their gazing, wit In one weather is high From burrow and lair, by Nether providences’ default An all’s accrued. And apposite, beyond Such primer beholdings, has Its long accounting known The beetle’s morsel thus Was rich, and the slug’s bed on The oak’s generations, deep Over the lark’s bones. In slough of Edens fast Wit in one weather shall stand, While millennia nibble at The sensual apple Toppled it net, Plenty in the palm of the hand, And the fallen not fallen, not lost From out its certitude— For our unbeggaring Has been gross. Few and late To cherish an immoderate Wish, hope’s calculus, Love’s hope; few to miss, From natural tally ****** In the lime-girdled space Of choice, where alone Man can abandon what Is only his own; And in cold and tarrying Their rearisers sleep: While to the granite cheek Light’s purples bring Infinite their ministering, And past our finial And ragged crests, to keep Time’s ambient stood, Propose horizons from Their shadowy quarries; while, In an unwandered wood, Or under the indifferent foot, Is let fall, let fall a fruit, Through eternal leisures down, For but time’s unravelling.
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66
1468 A winged spark doth soar about— I never met it near For Lightning it is oft mistook When nights are hot and sere— Its twinkling Travels it pursues Above the Haunts of men— A speck of Rapture—first perceived By feeling it is gone— Rekindled by some action quaint
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A winged spark doth soar about—
Which is the weakest thing of all Mine heart can ponder? The sun, a little cloud can pall With darkness yonder? The cloud, a little wind can move Where’er it listeth? The wind, a little leaf above, Though sere, resisteth? What time that yellow leaf was green, My days were gladder; But now, whatever Spring may mean, I must grow sadder. Ah me! a leaf with sighs can wring My lips asunder— Then is mine heart the weakest thing Itself can ponder. Yet, Heart, when sun and cloud are pined And drop together, And at a blast, which is not wind, The forests wither, Thou, from the darkening deathly curse To glory breakest,— The Strongest of the universe Guarding the weakest!
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The Weakest Thing
Departing summer hath assumed An aspect tenderly illumed, The gentlest look of spring; That calls from yonder leafy shade Unfaded, yet prepared to fade, A timely carolling. No faint and hesitating trill, Such tribute as to winter chill The lonely redbreast pays! Clear, loud, and lively is the din, From social warblers gathering in Their harvest of sweet lays. Nor doth the example fail to cheer Me, conscious that my leaf is sere, And yellow on the bough:— Fall, rosy garlands, from my head! Ye myrtle wreaths, your fragrance shed Around a younger brow! Yet will I temperately rejoice; Wide is the range, and free the choice Of undiscordant themes; Which, haply, kindred souls may prize Not less than vernal ecstasies, And passion’s feverish dreams. For deathless powers to verse belong, And they like Demi-gods are strong On whom the Muses smile; But some their function have disclaimed, Best pleased with what is aptliest framed To enervate and defile. Not such the initiatory strains Committed to the silent plains In Britain’s earliest dawn: Trembled the groves, the stars grew pale, While all-too-daringly the veil Of nature was withdrawn! Nor such the spirit-stirring note When the live chords Alcæus smote, Inflamed by sense of wrong; Woe! woe to Tyrants! from the lyre Broke threateningly, in sparkles dire Of fierce vindictive song. And not unhallowed was the page By wingèd Love inscribed, to assuage The pangs of vain pursuit; Love listening while the Lesbian Maid With finest touch of passion swayed Her own æolian lute. O ye, who patiently explore The wreck of Herculanean lore, What rapture! could ye seize Some Theban fragment, or unroll One precious, tender-hearted scroll Of pure Simonides. That were, indeed, a genuine birth Of poesy; a bursting forth Of genius from the dust: What Horace gloried to behold, What Maro loved, shall we enfold? Can haughty Time be just!
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September, 1819
Departing summer hath assumed An aspect tenderly illumed, The gentlest look of spring; That calls from yonder leafy shade Unfaded, yet prepared to fade, A timely carolling. No faint and hesitating trill, Such tribute as to winter chill The lonely redbreast pays! Clear, loud, and lively is the din, From social warblers gathering in Their harvest of sweet lays. Nor doth the example fail to cheer Me, conscious that my leaf is sere, And yellow on the bough:— Fall, rosy garlands, from my head! Ye myrtle wreaths, your fragrance shed Around a younger brow! Yet will I temperately rejoice; Wide is the range, and free the choice Of undiscordant themes; Which, haply, kindred souls may prize Not less than vernal ecstasies, And passion’s feverish dreams. For deathless powers to verse belong, And they like Demi-gods are strong On whom the Muses smile; But some their function have disclaimed, Best pleased with what is aptliest framed To enervate and defile. Not such the initiatory strains Committed to the silent plains In Britain’s earliest dawn: Trembled the groves, the stars grew pale, While all-too-daringly the veil Of nature was withdrawn! Nor such the spirit-stirring note When the live chords Alcæus smote, Inflamed by sense of wrong; Woe! woe to Tyrants! from the lyre Broke threateningly, in sparkles dire Of fierce vindictive song. And not unhallowed was the page By wingèd Love inscribed, to assuage The pangs of vain pursuit; Love listening while the Lesbian Maid With finest touch of passion swayed Her own æolian lute. O ye, who patiently explore The wreck of Herculanean lore, What rapture! could ye seize Some Theban fragment, or unroll One precious, tender-hearted scroll Of pure Simonides. That were, indeed, a genuine birth Of poesy; a bursting forth Of genius from the dust: What Horace gloried to behold, What Maro loved, shall we enfold? Can haughty Time be just!
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60
The only person that listens to me is my external dialogue You call it schizophrenia, I call it a duologue But in reality it's just, it's just that in a group of two I am my own leader, subject, enemy and compeer Born out of a fear of being alone, my mind began to sere And unintentionally planted a voice into each cerebral hemisphere
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Feb 25, 2018
Feb 25, 2018 at 9:36 PM UTC
Duologue
LOUD trumpets blow among the naked pines, Fine spun as sere-cloth rent from royal dead. Seen ghostly thro' high-lifted vagrant drifts, Shrill blaring, but no longer loud to moons Like a brown maid of Egypt stands the Earth, Her empty valley palms stretched to the Sun For largesse of his gold. Her mountain tops Still beacon winter with white flame of snow, Fading along his track; her rivers shake Wild manes, and paw their banks as though to flee Their riven fetters. Lawless is the time, Full of loud kingless voices that way gone: The Polar Caesar striding to the north, Nor yet the sapphire-gated south unfolds For Spring's sweet progress; the winds, unkinged, Reach gusty hands of riot round the brows Of lordly mountains waiting for a lord, And pluck the ragged beards of lonely pines- Watchers on heights for that sweet, hidden king, Bud-crowned and dreaming yet on other shores- And mock their patient waiting. But by night The round Moon falters up a softer sky, Drawn by silver cords of gentler stars Than darted chill flames on the wintry earth. Within his azure battlements the Sun Regilds his face with joyance, for he sees, From those high towers, Spring, earth's fairest lord, Soft-cradled on the wings of rising swans, With violet eyes slow budding into smiles, And small, bright hands with blossom largesse full, Crowned with an orchard coronal of white, And with a sceptre of a ruddy reed Burnt at its top to amethystine bloom. Come, Lord, thy kingdom stretches barren hands! Come, King, and chain thy rebels to thy throne With tendrils of vine and jewelled links Of ruddy buds pulsating into flower!
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An Interregnum
LOUD trumpets blow among the naked pines, Fine spun as sere-cloth rent from royal dead. Seen ghostly thro' high-lifted vagrant drifts, Shrill blaring, but no longer loud to moons Like a brown maid of Egypt stands the Earth, Her empty valley palms stretched to the Sun For largesse of his gold. Her mountain tops Still beacon winter with white flame of snow, Fading along his track; her rivers shake Wild manes, and paw their banks as though to flee Their riven fetters. Lawless is the time, Full of loud kingless voices that way gone: The Polar Caesar striding to the north, Nor yet the sapphire-gated south unfolds For Spring's sweet progress; the winds, unkinged, Reach gusty hands of riot round the brows Of lordly mountains waiting for a lord, And pluck the ragged beards of lonely pines- Watchers on heights for that sweet, hidden king, Bud-crowned and dreaming yet on other shores- And mock their patient waiting. But by night The round Moon falters up a softer sky, Drawn by silver cords of gentler stars Than darted chill flames on the wintry earth. Within his azure battlements the Sun Regilds his face with joyance, for he sees, From those high towers, Spring, earth's fairest lord, Soft-cradled on the wings of rising swans, With violet eyes slow budding into smiles, And small, bright hands with blossom largesse full, Crowned with an orchard coronal of white, And with a sceptre of a ruddy reed Burnt at its top to amethystine bloom. Come, Lord, thy kingdom stretches barren hands! Come, King, and chain thy rebels to thy throne With tendrils of vine and jewelled links Of ruddy buds pulsating into flower!
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38
It is not like a tree In bulk doth make man better be, Or standing long an oak, three hundred year To fall a log at last, dry, bald and sere, A lily of a day Is fairer far in May, Although it fall and die that night— It was the plant and flower of light. In small proportions we just beauties see And in short measures life may perfect be. የሰው ትክክለኛ መስፈርት እንደዛፍ መግዘፍ ሠውን አያደርገውም ከፍ፣ ጭራሽ እንደዋርካ ለሦስት መቶ ዓመታት በስፋት ተንሰራፍቶ፣ በመጨረሻ መውደቅ ደርቆ ፣ተራቁቶና አርጅቶ! በጥቅምት ወራት፣ ባላንድ ቀንዋ ሊሊ በጣም ብልጫ አላት፣ አመሻሹላይ ብትደርቅም የብርሃን አበባና ተክል ናት በምጥንም መስፈርት ይስተዋላል ውበት! ክትት ማለት ሲሆን መስፈርት ግሩም ሳይሆን ይቀራል ህይወት! (በቤን ጆንሶን) //
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Jan 8, 2016
Jan 8, 2016 at 6:31 AM UTC
Men’s True Measure/Ben Jonson/Translation in Amharic/የሰው ትክክለኛ መስፈርት/
Quando la sera scende sulle nostre spalle come un manto che non avremmo voluto portare, non chiedermi di cercarti, non chiedermi d'amare. Quando la sera ci inietta nelle vene la droga che ci fa tremare, come una carezza perduta, l'amore che avremmo dovuto amare, lasciami vagabondare per le vie in salita, lasciami sbattere la testa contro un muro, lasciami insicuro, ubriaco, contento di sbagliare. Quando la sera scende sulle nostre spalle in un minuto nel quale non ci saremmo voluti tuffare, non chiedermi di tornare. Lascia che come volute di fumo, come esalazioni nerastre, le tenebre mi avviluppino e mi s'offuschi la vista. Che come un cane fiuti la mia pista e con la morte giochi a scacchi la mia partita. Che un tossicomane m'abbagli, che una prostituta o un pederasta m'accostino, che una donna che credevo morta mi chieda aiuto dall'oltretomba, da un'altra vita. Quando la sera scende sui nostri sbagli come dita che sentiamo chiudersi in una stretta, come il viaggio che non avremmo voluto fare, come le cose a cui abbiam dovuto rinunciare troppo in fretta, come tutte le altre sere, come ogni sera, la stessa fitta, la stessa febbre, un'euforia smarrita... Quando la sera come un manto scende sulla nostra vita, lascia che questo manto io non lo sopporti, lascia che cerchi di scrollarmelo di dosso, lascia che a più non posso io mi metta a gridare.
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Mar 31, 2010
Mar 31, 2010 at 12:43 PM UTC
Quando la sera scende sulle nostre spalle...
No, do  dread my glance ,im Helen. im the purest creature of rage **** a lapse glance alas , a doom . a dream of Luth's sealed gloom. sinister glare of Gomorrah bright. soured sight of sere flower blight. im venomous kiss of sweetest lips. deadliest breath of daughter of Rappicini. come fair son of light and beauty. date me with naive lurking desire. receive my poisonous breath satire . i will sail thee near a pestilent fountain. im the sinister Titania and Bottom and more i contain. behold you not with my innocent beauty . perverse is my nature intend but my name holy. dost cross the path to purity on mount Sinai. cause i shall rule and Helen the offspring of my **** is lure untamed fiend,feed her she behold with leech. no, one of my breath is a blast to thy life to leash. my glare is illuminated like azure Vegas. my nectar Pompeii larva of past . my beauty is heaven flame it charms . come; rich, beauty ,savant and fame. for thou dost not behold with immortal Ichor. sip deep my breath. and meddle you with my luring glare. im Titania i hang over my head a dagger. upon which thy blood stream to the Bottom. thou thinkest to entwine me ? no,lo King Cophetua and the beggar maid. and my judgement hell fire . Thebes is in rout but Capaneus bid dust. what dost thou want ,thou Sophist ? no the sojourn of thee is Zeus Kirma. beset for worst as the writ Apocrypha. come thee savant ,come thee poet. bekneel before the sacred attire . heaven bow before the holy Dionysus. for we beset you with  frenzy ,ecstasy, and drama. all behold the same destiny. but elixir yonder in Kimmerian trinity. try not you for eternal bloom . cause error at Achille right heel. but Maqueros, Lazarus , and Leviticus. all will queenly glance at our Caduceus. behold you not my beauty. but behold you with our Pow wow. behold you ! say Amen RA.
0
Feb 27, 2015
Feb 27, 2015 at 3:00 PM UTC
TITANIA AND BOTTOM.
No, do  dread my glance ,im Helen. im the purest creature of rage **** a lapse glance alas , a doom . a dream of Luth's sealed gloom. sinister glare of Gomorrah bright. soured sight of sere flower blight. im venomous kiss of sweetest lips. deadliest breath of daughter of Rappicini. come fair son of light and beauty. date me with naive lurking desire. receive my poisonous breath satire . i will sail thee near a pestilent fountain. im the sinister Titania and Bottom and more i contain. behold you not with my innocent beauty . perverse is my nature intend but my name holy. dost cross the path to purity on mount Sinai. cause i shall rule and Helen the offspring of my **** is lure untamed fiend,feed her she behold with leech. no, one of my breath is a blast to thy life to leash. my glare is illuminated like azure Vegas. my nectar Pompeii larva of past . my beauty is heaven flame it charms . come; rich, beauty ,savant and fame. for thou dost not behold with immortal Ichor. sip deep my breath. and meddle you with my luring glare. im Titania i hang over my head a dagger. upon which thy blood stream to the Bottom. thou thinkest to entwine me ? no,lo King Cophetua and the beggar maid. and my judgement hell fire . Thebes is in rout but Capaneus bid dust. what dost thou want ,thou Sophist ? no the sojourn of thee is Zeus Kirma. beset for worst as the writ Apocrypha. come thee savant ,come thee poet. bekneel before the sacred attire . heaven bow before the holy Dionysus. for we beset you with  frenzy ,ecstasy, and drama. all behold the same destiny. but elixir yonder in Kimmerian trinity. try not you for eternal bloom . cause error at Achille right heel. but Maqueros, Lazarus , and Leviticus. all will queenly glance at our Caduceus. behold you not my beauty. but behold you with our Pow wow. behold you ! say Amen RA.
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48
Sprei jou vlerke My struikel-kind , want die berge se rante Steek skerp teen die wind Vlug vir jou onskuld Vlug na die son Vlieg weg van Gamora ontsnap van ***** Vlieg ver oor die wolke My struikel-kind Daars ń storm wat broei , maar hou jouself blind Want sere en blase Word gou-gou weer heel Maar geen pleister plak toe Die letsel van *** Honger hande neig Om jou kinderlikke onskuld van jou af weg te steel... Sprei oop jou vlerke My struikel-kind Want die berge se kranse Hang laag in die wind Kruip weg vir die hande Wat jou wil verslind En keer terug na jou kinderdae Om jouself weer te vind... Liefde... Van ń kaalvoet-kind
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May 5, 2014
May 5, 2014 at 5:33 PM UTC
kaalvoetkind
Only a long, low-lying lane That follows to the misty sea, Across a bare and russet plain Where wild winds whistle vagrantly; I know that many a fairer path With lure of song and bloom may woo, But oh ! I love this lonely strath Because it is so full of you. Here we have walked in elder years, And here your truest memories wait, This spot is sacred to your tears, That to your laughter dedicate; Here, by this turn, you gave to me A gem of thought that glitters yet, This tawny slope is graciously By a remembered smile beset. Here once you lingered on an hour When stars were shining in the west, To gather one pale, scented flower And place it smiling on your breast; And since that eve its fragrance blows For me across the grasses sere, Far sweeter than the latest rose, That faded bloom of yesteryear. For me the sky, the sea, the wold, Have beckoning visions wild and fair, The mystery of a tale untold, The grace of an unuttered prayer. Let others choose the fairer path That winds the dimpling valley through, I gladly seek this lonely strath Companioned by my dreams of you.
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1.8k
You
Done Aug. 8. 1653. Terzetti. Why do the Gentiles tumult, and the Nations Muse a vain thing, the Kings of th’earth upstand With power, and Princes in their Congregations Lay deep their plots together through each Land, Against the Lord and his Messiah dear. Let us break off; say they, by strength of hand Their bonds, and cast from us, no more to wear, Their twisted cords: he who in Heaven doth dwell Shall laugh, the Lord shall scoff them, then severe Speak to them in his wrath, and in his fell And fierce ire trouble them; but I saith hee Anointed have my King (though ye rebell) On Sion my holi’ hill. A firm decree I will declare; the Lord to me hath say’d Thou art my Son I have begotten thee This day, ask of me, and the grant is made; As thy possession I on thee bestow Th’Heathen, and as thy conquest to be sway’d Earths utmost bounds: them shalt thou bring full low With Iron Sceptir bruis’d, and them disperse Like to a potters vessel shiver’d so. And now be wise at length ye Kings averse Be taught ye Judges of the earth; with fear Jehovah serve and let your joy converse With trembling; Kiss the Son least he appear In anger and ye perish in the way If once his wrath take fire like fuel sere. Happy all those who have in him their stay.
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1.8k
Psalm 02
al verte parado frente a mi, pense en todas las veces que miraba tu foto & te imaginaba junto a mi. pense en lo pequeño que se ponen tus ojos cuando te ries & en lo amplia que se pone tu sonrisa cuando digo algo que te parece gracioso. pense en lo agradecida que estaba, pues era yo la culpable de que sonrieras tanto. te tuve tan cerca por mucho rato. volvi a tocarte, a abrazarte, a sentirte, a hablarte, a mirarte, a pensarte. hacias de cualquier momento uno util para hablarme. me preguntabas "estas cansada?" & sonreias. puede que me sienta cansada fisicamente, pero jamas me sentire cansada de ver tu sonrisa, ver tus ojos, escuchar tu voz, & escucharte sonreir. tu sonrisa es como la melodia que calma mis pensamientos & me ayuda a sentir viva. tantos dias mirando tu foto imaginandote a mi lado, & hoy por fin te tuve frente a mi sonriente como siempre lo has estado. aprovechabas cada momento para abrazarme & tocarme, observarme & hablarme. me hacias pensar en la vez que me preguntaste si eramos algo mas, que con tanto rato al lado tuyo lo comenze a creer. solo queria mas & mas & mas de ti. no solo te queria para ese rato. te queria para mas. para ese rato, & otro rato, & todos los ratos que puedan ser. sentir tus manos en mi me hizo sentir como pieza de museo. como si tu fueras el escultor que moldeaba la pieza & le daba forma & vida. & yo era la pieza de museo que cobraba vida al ser moldeada & tocada por ti. como si yo fuera esa pieza de museo que te sabes de memoria, te encanta tocar, & siempre esta en tus pensamientos. pense que eras el escultor que vendia taquillas de museo para que todos fueran & puedan admirar tu amada pieza de museo que soy yo. como si yo fuera tu pieza de museo favorita & quisieras que todos lo supieran para que conozcan & esten consientes de tan majestuosa pieza de museo que soy. que solo tuya soy & tuya sere. que no importa cuantos ojos vengan a observarme, sabrias que ninguno podria mirarme de la misma manera en la que lo haces tu. que no importa cuantas manos vengan con la intencion de tocarme, ninguno podria hacerlo pues soy tu pieza favorita & no quisieras que me rompieran, aunque muy en el fondo sabias que una pieza como yo jamas podria romperse, pues estaba echa de un material unico que no se encuentra en todas partes, si no dentro de ti: tu gran amor hacia mi. tan delicada pero a la misma vez tan fuerte & llena de vida. no quisieras que hubieran piezas de otras personas en mi. total, sabias que ninguno otro podria tocarme con el amor & la dulzura que lo haces tu. tu me conoces, pues tu me creaste. cuando me mirabas, te pensaba observando mi foto e imaginandome junto a ti. & que cuando estuve frente a ti, era la unica con la quien querias pasar todos tus ratos. tantos pensamientos cobraron vida cuando te vi, hasta que volvi a la realidad & recorde que no soy tu pieza de museo favorita. hasta que recorde que existe otra pieza de museo que te gusta tocar & moldear aun mas. hasta que recorde que hay alguien mas en tu vida que ocupa todos tus pensamientos & con quien pasas todos tus ratos.
0
Jan 12, 2016
Jan 12, 2016 at 11:05 PM UTC
español
al verte parado frente a mi, pense en todas las veces que miraba tu foto & te imaginaba junto a mi. pense en lo pequeño que se ponen tus ojos cuando te ries & en lo amplia que se pone tu sonrisa cuando digo algo que te parece gracioso. pense en lo agradecida que estaba, pues era yo la culpable de que sonrieras tanto. te tuve tan cerca por mucho rato. volvi a tocarte, a abrazarte, a sentirte, a hablarte, a mirarte, a pensarte. hacias de cualquier momento uno util para hablarme. me preguntabas "estas cansada?" & sonreias. puede que me sienta cansada fisicamente, pero jamas me sentire cansada de ver tu sonrisa, ver tus ojos, escuchar tu voz, & escucharte sonreir. tu sonrisa es como la melodia que calma mis pensamientos & me ayuda a sentir viva. tantos dias mirando tu foto imaginandote a mi lado, & hoy por fin te tuve frente a mi sonriente como siempre lo has estado. aprovechabas cada momento para abrazarme & tocarme, observarme & hablarme. me hacias pensar en la vez que me preguntaste si eramos algo mas, que con tanto rato al lado tuyo lo comenze a creer. solo queria mas & mas & mas de ti. no solo te queria para ese rato. te queria para mas. para ese rato, & otro rato, & todos los ratos que puedan ser. sentir tus manos en mi me hizo sentir como pieza de museo. como si tu fueras el escultor que moldeaba la pieza & le daba forma & vida. & yo era la pieza de museo que cobraba vida al ser moldeada & tocada por ti. como si yo fuera esa pieza de museo que te sabes de memoria, te encanta tocar, & siempre esta en tus pensamientos. pense que eras el escultor que vendia taquillas de museo para que todos fueran & puedan admirar tu amada pieza de museo que soy yo. como si yo fuera tu pieza de museo favorita & quisieras que todos lo supieran para que conozcan & esten consientes de tan majestuosa pieza de museo que soy. que solo tuya soy & tuya sere. que no importa cuantos ojos vengan a observarme, sabrias que ninguno podria mirarme de la misma manera en la que lo haces tu. que no importa cuantas manos vengan con la intencion de tocarme, ninguno podria hacerlo pues soy tu pieza favorita & no quisieras que me rompieran, aunque muy en el fondo sabias que una pieza como yo jamas podria romperse, pues estaba echa de un material unico que no se encuentra en todas partes, si no dentro de ti: tu gran amor hacia mi. tan delicada pero a la misma vez tan fuerte & llena de vida. no quisieras que hubieran piezas de otras personas en mi. total, sabias que ninguno otro podria tocarme con el amor & la dulzura que lo haces tu. tu me conoces, pues tu me creaste. cuando me mirabas, te pensaba observando mi foto e imaginandome junto a ti. & que cuando estuve frente a ti, era la unica con la quien querias pasar todos tus ratos. tantos pensamientos cobraron vida cuando te vi, hasta que volvi a la realidad & recorde que no soy tu pieza de museo favorita. hasta que recorde que existe otra pieza de museo que te gusta tocar & moldear aun mas. hasta que recorde que hay alguien mas en tu vida que ocupa todos tus pensamientos & con quien pasas todos tus ratos.
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20
Fond woman, which wouldst have thy husband die, And yet complain’st of his great jealousy; If swol’n with poison, he lay in his last bed, His body with a sere-bark covered, Drawing his breath, as thick and short, as can The nimblest crocheting musician, Ready with loathsome vomiting to spew His soul out of one hell, into a new, Made deaf with his poor kindred’s howling cries, Begging with few feigned tears, great legacies, Thou wouldst not weep, but jolly and frolic be, As a slave, which tomorrow should be free; Yet weep’st thou, when thou seest him hungerly Swallow his own death, hearts-bane jealousy. O give him many thanks, he’s courteous, That in suspecting kindly warneth us Wee must not, as we used, flout openly, In scoffing riddles, his deformity; Nor at his board together being sat, With words, nor touch, scarce looks adulterate; Nor when he swol’n, and pampered with great fare Sits down, and snorts, caged in his basket chair, Must we usurp his own bed any more, Nor kiss and play in his house, as before. Now I see many dangers; for that is His realm, his castle, and his diocese. But if, as envious men, which would revile Their Prince, or coin his gold, themselves exile Into another country, and do it there, We play in another house, what should we fear? There we will scorn his houshold policies, His seely plots, and pensionary spies, As the inhabitants of Thames’ right side Do London’s Mayor; or Germans, the Pope’s pride.
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1.7k
Elegy I: Jealousy
No. I write against. (Aihmeanlike, against it.) No, against it. Like this. [The point is pressing A dark circle down down down.] So (Djiuknowhatuhmean?) I clash on this. After doing that All day, on air! With conscious Breath, (which is just force myself Breath!) out of the glued muck Moss in my sere bellum. My Me do lah. Oblong god. Duh. How long, these fractured seams of seemlessness around? In the meantime, here’s some words, an image of a Stream, and I’ll say: “Like a dead Man(’s passing.)” Look at it. And you thought infinity Could be brushed off like a fly! Wring your wet sloppy self! Undried, then sundried! Well. Now, you are one-eyed. But what about that cry Of true voice swishing lost And found in the growing Concrescent infundibular Abyss? Oh, that might be the Sublime Sadness! (That one mentioned once.) Keeping the Eternal Walker out in the dwindling Afternoons, closer than tears To littered ponds of cold light. Will he pull out the solidified Spirit, or precipitate his freedom As indistinguishable from the Mystery? Oh. Please. Then the Self would be (the question). And there. Would be. No. Need for the asked king.
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Mar 27, 2012
Mar 27, 2012 at 7:58 PM UTC
Muck Moss
Luna is a silent world, a wasteland of sere beauty. It’s “seas” are dust and waterless; Rainfall? Zero, absolutely! In this place where birds don’t sing and nothing green can grow. We built the Armstrong Geodome, in secret, years ago. Here, on the “dark” side of the moon, in a Mare without a name., a climate controlled paradise was built, and workers came. Some were miners, strong and buff who search for this world’s gold. Some are research scientists one hundred fifty men, all told. In Twenty Forty Seven all hell broke loose on Earth There were nuclear exchanges and what followed next was worse. A winter like none other; we listened, helpless, as they died. Starvation is the cruelest fate for any mother’s child. One by one they all fell silent, the great cities of that Orb. Deaths occurred in magnitudes the human mind can not absorb. We struggled, yes, but we survived without the ships from home. One Hundred fifty adult males, like the mariners of old. We mourned the Loves we’d left behind, We shuddered at their fate. Our Refuge was our prison; We lived deprived of child or mate. The streets of Armstrong are always clean as cleaning bots are on patrol. but here no children laugh or play, it’s a town without a soul. Two decades we spent in that place then came the words for which we yearned: Atmospheric radioactivity to safe levels had returned. I was on the first ship home to San Francisco Bay. The landmarks all were flattened The Golden Gate in ruins lay. We mortals wept, I will not lie Our cradle had become our grave; The streets of home were silent, there was no one left to save. Terra is a silent world, a wasteland of sere beauty. It’s “seas” are toxic, lifeless now; Children? Zero, absolutely!
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Mar 4, 2012
Mar 4, 2012 at 10:44 AM UTC
The Dark Side of the Moon
Luna is a silent world, a wasteland of sere beauty. It’s “seas” are dust and waterless; Rainfall? Zero, absolutely! In this place where birds don’t sing and nothing green can grow. We built the Armstrong Geodome, in secret, years ago. Here, on the “dark” side of the moon, in a Mare without a name., a climate controlled paradise was built, and workers came. Some were miners, strong and buff who search for this world’s gold. Some are research scientists one hundred fifty men, all told. In Twenty Forty Seven all hell broke loose on Earth There were nuclear exchanges and what followed next was worse. A winter like none other; we listened, helpless, as they died. Starvation is the cruelest fate for any mother’s child. One by one they all fell silent, the great cities of that Orb. Deaths occurred in magnitudes the human mind can not absorb. We struggled, yes, but we survived without the ships from home. One Hundred fifty adult males, like the mariners of old. We mourned the Loves we’d left behind, We shuddered at their fate. Our Refuge was our prison; We lived deprived of child or mate. The streets of Armstrong are always clean as cleaning bots are on patrol. but here no children laugh or play, it’s a town without a soul. Two decades we spent in that place then came the words for which we yearned: Atmospheric radioactivity to safe levels had returned. I was on the first ship home to San Francisco Bay. The landmarks all were flattened The Golden Gate in ruins lay. We mortals wept, I will not lie Our cradle had become our grave; The streets of home were silent, there was no one left to save. Terra is a silent world, a wasteland of sere beauty. It’s “seas” are toxic, lifeless now; Children? Zero, absolutely!
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56
and for a moment and for more than moments it all and everything stopped cold dead in the tracks of a memory fleeting whirling in the sounds the echoes and the sounds of a warped scream or a song or a laughing laugher against the buffet of the mind's wind and the colour-rush and the grainy screen of inner views gone going, going gone forever (in the blink of a mind's eye) going gone time escaped and replaced again away it goes and memory bleeds dry and sere never returning burning bridges disappear and reappear until the ashes turn back into coal.
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Oct 20, 2010
Oct 20, 2010 at 4:44 PM UTC
time and THE CRUcifiXion of memory