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"sepulchre" poems
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea: But we loved with a love that was more than love— I and my ANNABEL LEE; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful ANNABEL LEE; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me— Yes!—that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my ANNABEL LEE. But our love it was stronger by far than the love Of those who were older than we— Of many far wiser than we— And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful ANNABEL LEE. For the moon never beams without bringing me dreams Of the beautiful ANNABEL LEE; And the stars never rise but I see the bright eyes Of the beautiful ANNABEL LEE; And so, all the night-tide, I lie down by the side Of my darling, my darling, my life and my bride, In her sepulchre there by the sea— In her tomb by the side of the sea.
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Annabel Lee
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea: But we loved with a love that was more than love— I and my ANNABEL LEE; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful ANNABEL LEE; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me— Yes!—that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my ANNABEL LEE. But our love it was stronger by far than the love Of those who were older than we— Of many far wiser than we— And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful ANNABEL LEE. For the moon never beams without bringing me dreams Of the beautiful ANNABEL LEE; And the stars never rise but I see the bright eyes Of the beautiful ANNABEL LEE; And so, all the night-tide, I lie down by the side Of my darling, my darling, my life and my bride, In her sepulchre there by the sea— In her tomb by the side of the sea.
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41
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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Apr 11, 2014
Apr 11, 2014 at 9:39 AM UTC
OTHELLO AT THE GRAVESIDE OF SHAKESPEARE
In the last months of March 2014, Soldier Othello the Moroccan moor Was in Stratford-upon-Avon at the graveside Of William Shakespeare the English bard, He was observing the anniversary Of Shakespeare and his European brother Cervantes, He had in his pocket another charm and amulet Given to him by his paternal grandfather, This time round not a charm for love portion, But a mystique totem to raise the dead from dusts, As Othello himself has hitherto over-matured Above the painful torture of *** with aristocrats, He has left it for the Jewish aristotrash; Frantz Kafka, Whose torturous appetite for *** with German women, Was the sorriest eyesore of his thespic efforts. Like Jesus at the grave of Lazarus Othello groaned by shouting; William the son of John! No response, he shouted again; Shakespeare the bard! Then the mystique powers of Othello’s amulet Electrified Shakespeare back to life, What is your problem you black moor, The ***** of Morocco, the soldier Who beguiled Desdemona into betrothal, Not because of glory of your work, But due to charms of your love portion Bequeathed to you by your witch mother, What brings you to my sepulchre, For only to perturbed my purgatorial peace, What brings you!? Questioned Shakespeare the bard. Am no longer the moor, blackness is class But not the race, as race is bankrupt, I come here to salute you with good news, That your European brother, Alfred Nobel, Currently rewards thespic bards like you, Whether black or white, blue or green, The ***** bards from the natural forest, He also rewards, so wake up and pick the prize! Retorted Othello in virtue of truth, And also tell me the native bricks Of your beautiful architecture; Where and how did you mold thy bricks? Your brown English bricks that walled your culture; ***** clown, leapfrog, mercurial, oxymoron, Falsitafity, Shyllocking, colleaguery and window, Cauldron, graymalkin, woo, betroth, infatuation and so on. From underneath his sepulcher Shakespeare broke A violent gaggle of laughter as if he was ten English skeletons, You Othello you are still a beautiful moor Whose foolishness time has not condemned to oblivion, You are as a fool as I created you ; I will only teach you One brick, the window , that you go and put on Your wind disturbed African huts, Put the wind door on your hut, And be flexible in your tongue To give it English elegance Combine and shorten wind and door To get your cultural brick of; window !
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58
Sleeping in a silent forest night sky come and swallow me whole I promise I won't protest These stars may fill my tired soul And these trees, oh, how I love thee Lush and green, dark and eerie This is where I long to be Here is where I'd never be weary I put my life onto the earth Dig myself a hole for a bed This is where lies all lifes worth Here everything is, I miss nothing I haven't had Roots may pervade me, leafs shall cover And in my stead another will grow I will dissolve in the arms of my last lover And of all misfortune it will never speak nor will it show On new branches my soul will hang until another
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Aug 24, 2018
Aug 24, 2018 at 7:13 AM UTC
Sepulchre
929 How far is it to Heaven? As far as Death this way— Of River or of Ridge beyond Was no discovery. How far is it to Hell? As far as Death this way— How far left hand the Sepulchre Defies Topography.
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How far is it to Heaven?
At midnight, in the month of June, I stand beneath the mystic moon. An ****** vapor, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley. The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin moulders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake. All Beauty sleeps!—and lo! where lies (Her casement open to the skies) Irene, with her Destinies! Oh, lady bright! can it be right— This window open to the night! The wanton airs, from the tree-top, Laughingly through the lattice-drop— The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully—so fearfully— Above the closed and fringed lid ’Neath which thy slumb’ring soul lies hid, That, o’er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come o’er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress! Strange, above all, thy length of tress, And this all-solemn silentness! The lady sleeps! Oh, may her sleep Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie For ever with unopened eye, While the dim sheeted ghosts go by! My love, she sleeps! Oh, may her sleep, As it is lasting, so be deep; Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold— Some vault that oft hath flung its black And winged panels fluttering back, Triumphant, o’er the crested palls, Of her grand family funerals— Some sepulchre, remote, alone, Against whose portal she hath thrown, In childhood many an idle stone— Some tomb from out whose sounding door She ne’er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within.
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The Sleeper
At midnight, in the month of June, I stand beneath the mystic moon. An ****** vapor, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley. The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin moulders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake. All Beauty sleeps!—and lo! where lies (Her casement open to the skies) Irene, with her Destinies! Oh, lady bright! can it be right— This window open to the night! The wanton airs, from the tree-top, Laughingly through the lattice-drop— The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully—so fearfully— Above the closed and fringed lid ’Neath which thy slumb’ring soul lies hid, That, o’er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come o’er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress! Strange, above all, thy length of tress, And this all-solemn silentness! The lady sleeps! Oh, may her sleep Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie For ever with unopened eye, While the dim sheeted ghosts go by! My love, she sleeps! Oh, may her sleep, As it is lasting, so be deep; Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold— Some vault that oft hath flung its black And winged panels fluttering back, Triumphant, o’er the crested palls, Of her grand family funerals— Some sepulchre, remote, alone, Against whose portal she hath thrown, In childhood many an idle stone— Some tomb from out whose sounding door She ne’er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within.
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61
Save thyself and come down From the cross Likewise also the chief priests Mocking said amongst themselves With the scribes he saved other's Himself he cannot save Let Christ the king of Israel Descend now from the cross That we may see and believe And they that were crucified with him reviled him And when the sixth hour was come there was darkness Over the whole of the land until the ninth hour And at the ninth hour Jesus cried with a loud voice Saying Eloi Eloi lama sabachthani? Which is being interpreted as My God My God why hast thou forsaken me? And entering into the sepulchre they saw a young man Sitting on the right side clothed in a long white garment And they were affrighted and he said unto them be not affrighted Now when Jesus was risen early in the first day of the week He appeared first to Mary Magdalene out of whom he had cast seven devils and when she told them that he had had been with him as they mourned and wept and they heard he was alive believed not And he said unto them go ye into all the world and preach the gospel to every creature he that believeth and is baptized shall be saved but he that believeth not shall be ****** and these signs shall follow them that believe and in my name shall thy cast out devils they shall speak with new tongues they shall take up serpents and if they drink deadly things it shall not hurt them they shall lay hands on the sick and they shall recover so then after the Lord had spoken unto them he was received up into heaven and sat on the right side of God and they went forth and preached every where the Lord working with them and confirming the words with signs following Amen.
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Mar 26, 2018
Mar 26, 2018 at 9:23 AM UTC
New Beginnings
Save thyself and come down From the cross Likewise also the chief priests Mocking said amongst themselves With the scribes he saved other's Himself he cannot save Let Christ the king of Israel Descend now from the cross That we may see and believe And they that were crucified with him reviled him And when the sixth hour was come there was darkness Over the whole of the land until the ninth hour And at the ninth hour Jesus cried with a loud voice Saying Eloi Eloi lama sabachthani? Which is being interpreted as My God My God why hast thou forsaken me? And entering into the sepulchre they saw a young man Sitting on the right side clothed in a long white garment And they were affrighted and he said unto them be not affrighted Now when Jesus was risen early in the first day of the week He appeared first to Mary Magdalene out of whom he had cast seven devils and when she told them that he had had been with him as they mourned and wept and they heard he was alive believed not And he said unto them go ye into all the world and preach the gospel to every creature he that believeth and is baptized shall be saved but he that believeth not shall be ****** and these signs shall follow them that believe and in my name shall thy cast out devils they shall speak with new tongues they shall take up serpents and if they drink deadly things it shall not hurt them they shall lay hands on the sick and they shall recover so then after the Lord had spoken unto them he was received up into heaven and sat on the right side of God and they went forth and preached every where the Lord working with them and confirming the words with signs following Amen.
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22
529 I’m sorry for the Dead—Today— It’s such congenial times Old Neighbors have at fences— It’s time o’ year for Hay. And Broad—Sunburned Acquaintance Discourse between the Toil— And laugh, a homely species That makes the Fences smile— It seems so straight to lie away From all of the noise of Fields— The Busy Carts—the fragrant ***** The Mower’s Metre—Steals— A Trouble lest they’re homesick— Those Farmers—and their Wives— Set separate from the Farming— And all the Neighbors’ lives— A Wonder if the Sepulchre Don’t feel a lonesome way— When Men—and Boys—and Carts—and June, Go down the Fields to “Hay”—
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I’m sorry for the Dead—Today
My brother finds comfort in calculators. He assigns every number a name. He believes that they add up to certainty and he is upset with fractions that remain. So I examine these maps with my eyes, and at best I can trace with my finger all the way to that town where she went in an attempt to forget the cracks and the lines of my face. So Jetsabel cleaned out the closets for me and she piled up the boxes in the hall. Tomorrow when she wakes she'll come take them away and they'll never haunt me again; but it is still hard to sleep with the moon's heavy beams. I run barefoot to the backyard, just to freeze in my place by the rod iron gate; too afraid and ashamed to advance. Today I walked through the snow and found a field of headstones. They were in rows like the weeks in calendars where each box is a day you can never escape without pills or the poison of sleep. These memories leak from these faucets that weep. Hot tears splash against the shower floor and I stand in the steam as if inside a dream-- I can see her again by the sink. From behind the bathroom mirror she pulls a thermometer and places it under my tongue. She said, "You're as pale as a sheet. You look awful, my sweet. Lay down and wait for the sun." So I stayed in that bed. She brought me water and read each night from a volume out loud. She whispered soft poetry. Her favorite was Anabel Lee. And those words, like these drugs, comforted me. But the clocks kept waving their hands and she couldn't understand why temperature would never drop. And though she promised with tears that she would always be here, I heard truth like the sounding sea. I said, "My Arienette, how soon you forget this house will never be your home, and you will leave in the fall when the trees become graves and their colors lie dead in the grass." Gold and green torture me like the lies I believe too easily. Oh my Jetsabel, look at this hell that I have made. If you want, maybe drop by sometime-- put some flowers on my grave so that I will look beautiful in my silent sepulchre. Yeah, that's fine. Throw some dresses away. I don't want anything of hers. For the moon never shines and the stars never rise without bringing me dreams, haunted by the ghosts of those bright eyes.
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Sep 18, 2012
Sep 18, 2012 at 5:03 PM UTC
Jetsabel Removes the Undesireables
My brother finds comfort in calculators. He assigns every number a name. He believes that they add up to certainty and he is upset with fractions that remain. So I examine these maps with my eyes, and at best I can trace with my finger all the way to that town where she went in an attempt to forget the cracks and the lines of my face. So Jetsabel cleaned out the closets for me and she piled up the boxes in the hall. Tomorrow when she wakes she'll come take them away and they'll never haunt me again; but it is still hard to sleep with the moon's heavy beams. I run barefoot to the backyard, just to freeze in my place by the rod iron gate; too afraid and ashamed to advance. Today I walked through the snow and found a field of headstones. They were in rows like the weeks in calendars where each box is a day you can never escape without pills or the poison of sleep. These memories leak from these faucets that weep. Hot tears splash against the shower floor and I stand in the steam as if inside a dream-- I can see her again by the sink. From behind the bathroom mirror she pulls a thermometer and places it under my tongue. She said, "You're as pale as a sheet. You look awful, my sweet. Lay down and wait for the sun." So I stayed in that bed. She brought me water and read each night from a volume out loud. She whispered soft poetry. Her favorite was Anabel Lee. And those words, like these drugs, comforted me. But the clocks kept waving their hands and she couldn't understand why temperature would never drop. And though she promised with tears that she would always be here, I heard truth like the sounding sea. I said, "My Arienette, how soon you forget this house will never be your home, and you will leave in the fall when the trees become graves and their colors lie dead in the grass." Gold and green torture me like the lies I believe too easily. Oh my Jetsabel, look at this hell that I have made. If you want, maybe drop by sometime-- put some flowers on my grave so that I will look beautiful in my silent sepulchre. Yeah, that's fine. Throw some dresses away. I don't want anything of hers. For the moon never shines and the stars never rise without bringing me dreams, haunted by the ghosts of those bright eyes.
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34
Cherubim, Seraphim Watching from above, afar a flying dove; crepuscular Peace of mind in you we find, arcane Playing amongst the darkness, what we were I forgot Bairn devine, Define; Angelic promises, Demonic pride Cosmic tears, is it to ourselves we lie? Through my eyes I see the mirror of indifference Aeon-Antiquity Shadows illuminated by night, the moon the bringer of light Corona, soul. Angelic promises made in hell! Deistic dipterous demons within thee; watch 'de'skies', Demonic pride facing fears vanquishing friend or fiend The belligerent zenith a conflagerated nirvana. Inside ourselves we die, we lie for salvation; trying. You watched us in thy darkness- You took away the light; Now know more, shadows shed pain An acrimonial heaven built upon the burning of sepulchre. Tear drops of eternal rain Splashing on the doorstep of purgatory Like dew on a rose Dawn arisen, Ethereal ebullience the dream of cornucopia; An Elysian asphodel Cerulean, Azure. 1997 ELEETE J MUIR
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Jan 11, 2014
Jan 11, 2014 at 9:59 AM UTC
Horizon
They are silent and beautiful, gorgeous in in the white halo, cemented in a beautiful terrazzo, baring the names of fallen soldiers, the European soldiers that fell in Wars; second and first and the heinous silent wars, i hope this is why they have a proverb; white sepulchre, only baring the white dead, only chiefs but no dead Indian. Common wealth graveyards are all over in Africa, in India , panama , Latin America and europe, the active fronts in which the allies fought ****** they are beautifully placed in silently posh areas, in langata when in Nairobi, in Mbaraki when in Mombasa, in Matisi when in Kenya, In Namusungui when in Lodwar, They bear horizontal silence with white names engraved on their beautiful face shouting the glory of European empires, which provoked the evil sense in the heart of the king's horseman in Kenya, in the city of Nairobi, to steal the graveyard lands, he made them his urban home with an uppish courtyard, for him the dead white neighbours are better than in-corruption. I walk around the commonwealth graveyards, in the all quarters of erstwhile British empire, looking for the names of African soldiers , who died in thousands fighting for the queen the royal bloodied woman of England;Elizabeth, Looking for the sons of Ethiopia who stood with the second duce Benito son of Mussolini, fighting for Hitler,for Shintos in the European war, i have seen no name of any African, I have not seen Wandabwa wa masibo, who was conscripted into the first world war, Along with his father Biket wa Khayongo, Biket back after seven years in 1918, carrying Wandabwa's Belt, Wandabwa died in the field, Where was he buried, he is nowhere Not anywhere among the soldiers in cemeteries, I have not seen Nasong'o wa Khayongo, who was conscripted in 1940, to fight against ****** he was conscripted on his nuptial evening, even before he had had the first *** with his new wife, he went away crying, he never came back, his name is nowhere in the graves the commonwealth graves that bare names of the fallen, Fallen soldiers, but they all bare white names in the black world. you come to Africa, Kenya, Nigeria, Malagasy,Egypt, whatever the geographies of Africa, and you keep keen, you hear someone is called Mr. Keya, or Madam Keya, or you come to Bungoma county of Kenya, you meet a man that is of the circumcision age group, Known as Bakikwameti Keya, Bakinyikewi Musolini, Keya is subverted sound for Kings african rivals; KAR the African sound for KAR is Keya, in reference to mass conscription of Africans into the KAR, to fight ****** A child born during that time is Keya, A man circumcised during the time is in the age group of Keya, A simple lesson in regard to our people, taken away to fight the colonial power and left to died and rot away in the bush with a simple courtesy for ceremonial burial, that come along with the death of soldiers, who passed away in the battle field.
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Sep 1, 2014
Sep 1, 2014 at 4:13 AM UTC
Commonwealth War Graveyards
They are silent and beautiful, gorgeous in in the white halo, cemented in a beautiful terrazzo, baring the names of fallen soldiers, the European soldiers that fell in Wars; second and first and the heinous silent wars, i hope this is why they have a proverb; white sepulchre, only baring the white dead, only chiefs but no dead Indian. Common wealth graveyards are all over in Africa, in India , panama , Latin America and europe, the active fronts in which the allies fought ****** they are beautifully placed in silently posh areas, in langata when in Nairobi, in Mbaraki when in Mombasa, in Matisi when in Kenya, In Namusungui when in Lodwar, They bear horizontal silence with white names engraved on their beautiful face shouting the glory of European empires, which provoked the evil sense in the heart of the king's horseman in Kenya, in the city of Nairobi, to steal the graveyard lands, he made them his urban home with an uppish courtyard, for him the dead white neighbours are better than in-corruption. I walk around the commonwealth graveyards, in the all quarters of erstwhile British empire, looking for the names of African soldiers , who died in thousands fighting for the queen the royal bloodied woman of England;Elizabeth, Looking for the sons of Ethiopia who stood with the second duce Benito son of Mussolini, fighting for Hitler,for Shintos in the European war, i have seen no name of any African, I have not seen Wandabwa wa masibo, who was conscripted into the first world war, Along with his father Biket wa Khayongo, Biket back after seven years in 1918, carrying Wandabwa's Belt, Wandabwa died in the field, Where was he buried, he is nowhere Not anywhere among the soldiers in cemeteries, I have not seen Nasong'o wa Khayongo, who was conscripted in 1940, to fight against ****** he was conscripted on his nuptial evening, even before he had had the first *** with his new wife, he went away crying, he never came back, his name is nowhere in the graves the commonwealth graves that bare names of the fallen, Fallen soldiers, but they all bare white names in the black world. you come to Africa, Kenya, Nigeria, Malagasy,Egypt, whatever the geographies of Africa, and you keep keen, you hear someone is called Mr. Keya, or Madam Keya, or you come to Bungoma county of Kenya, you meet a man that is of the circumcision age group, Known as Bakikwameti Keya, Bakinyikewi Musolini, Keya is subverted sound for Kings african rivals; KAR the African sound for KAR is Keya, in reference to mass conscription of Africans into the KAR, to fight ****** A child born during that time is Keya, A man circumcised during the time is in the age group of Keya, A simple lesson in regard to our people, taken away to fight the colonial power and left to died and rot away in the bush with a simple courtesy for ceremonial burial, that come along with the death of soldiers, who passed away in the battle field.
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65
899 Herein a Blossom lies— A Sepulchre, between— Cross it, and overcome the Bee— Remain—’tis but a Rind.
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Herein a Blossom lies
O' bygone poet's, For where hath Thou gone; O' bygone poet's, I keepeth thee alive; In mine poetic song's. O' archaic poet's, Arise from thy sepulchre; O' archaic poet's, Hath thou gone Lost; massacred. ©Brandon Nagley ©lonesome poets poetry
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Feb 12, 2016
Feb 12, 2016 at 10:07 PM UTC
O' bygone, O' archaic poet; for where hath thou gone?
Colliding; the collusion of day and night Of things co-exsisting, theirs, Light and darkness. Blazing across the ethereal plain An arch angelic inferno. Infinite is the horizon Confluently coloured; eminence Transforming smouldering heat. An auric aureole interpenetrating diverse bi-unity, Illuminative transcension igniting The charcoal black vast depths of heaven, space. The eternal perfection ordained, twilight Zenith sense turbulent like the oceans tide Anthropomorphic legions, lingering shadows In the purgatory of mischievous children. Blood gushing like emotions, Sacraments ordained for sacrifice Canonised; Sepulchre Immortal legions mortal as the knell echoes This side of paradise, Heaven an altar A church altar, rapidly retreating As stars disperse like candles fading- Sacrilegious; sepulchre Of angels fallen. 1997 ELEETE J MUIR
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Jan 11, 2014
Jan 11, 2014 at 1:11 PM UTC
Deism
It was only days ago In a time of a better me The strangers lived here, sometime ago They dwelled inside of me I was young, and lived rather grand In the skin that was me Oh what times we had, them and I, I and them I and the people inside of me With our thoughts ever conflicting, None were covetous of we Maybe it's been years, not days ago These people inside of me Had only first appeared Without my sanity So they bound me with ropes, Those people inside of me My own body and mind my sepulchre No longer are we who I used to be.
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Feb 6, 2014
Feb 6, 2014 at 9:29 PM UTC
These People In Me (Parody of Annabel Lee)
1385 “Secrets” is a daily word Yet does not exist— Muffled—it remits surmise— Murmured—it has ceased— Dungeoned in the Human Breast Doubtless secrets lie— But that Grate inviolate— Goes nor comes away Nothing with a Tongue or Ear— Secrets stapled there Will emerge but once—and dumb— To the Sepulchre—
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2.8k
Secrets is a daily word
A grimoire of nuptials apporting The implored cadaverous knight Securing obsequious omens Stirring the sleeping metals of Chaste belladonna, glistening Elf-locks entangled with Hellweed Vowing until the golden bowl is broken Clasping the devils paintbrush promising Before the garrulous black mass Leering upon Vulcans mirror Cursing the covenant of faithfulness With a moonstone band Evoking a vixens wedding Sealing with Adams holy ale Their oath as the belfry rings Resounding admist white sepulchre. ELEETE J MUIR.
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Jan 13, 2012
Jan 13, 2012 at 9:00 AM UTC
Soul Knotting
In the secret sepulchre of dreams you rest. Hidden from the cruel eyes of the world. Free from worry in this deathlike sleep. Seeking the happiness life denied you.
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Sep 6, 2012
Sep 6, 2012 at 12:37 AM UTC
The Secret Sepulchre of Dreams
THE GYRES! the gyres! Old Rocky Face, look forth; Things thought too long can be no longer thought, For beauty dies of beauty, worth of worth, And ancient lineaments are blotted out. Irrational streams of blood are staining earth; Empedocles has thrown all things about; Hector is dead and there's a light in Troy; We that look on but laugh in tragic joy. What matter though numb nightmare ride on top, And blood and mire the sensitive body stain? What matter? Heave no sigh, let no tear drop, A-greater, a more gracious time has gone; For painted forms or boxes of make-up In ancient tombs I sighed, but not again; What matter? Out of cavern comes a voice, And all it knows is that one word "Rejoice!' Conduct and work grow coarse, and coarse the soul, What matter? Those that Rocky Face holds dear, Lovers of horses and of women, shall, From marble of a broken sepulchre, Or dark betwixt the polecat and the owl, Or any rich, dark nothing disinter The workman, noble and saint, and all things run On that unfashionable gyre again.
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The Gyres
Men of England, wherefore plough For the lords who lay ye low? Wherefore weave with toil and care The rich robes your tyrants wear? Wherefore feed and clothe and save, From the cradle to the grave, Those ungrateful drones who would Drain your sweat—nay, drink your blood? Wherefore, Bees of England, forge Many a weapon, chain, and scourge, That these stingless drones may spoil The forced produce of your toil? Have ye leisure, comfort, calm, Shelter, food, love’s gentle balm? Or what is it ye buy so dear With your pain and with your fear? The seed ye sow another reaps; The wealth ye find another keeps; The robes ye weave another wears; The arms ye forge another bears. Sow seed,—but let no tyrant reap; Find wealth,—let no imposter heap; Weave robes,—let not the idle wear; Forge arms, in your defence to bear. Shrink to your cellars, holes, and cells; In halls ye deck another dwells. Why shake the chains ye wrought? Ye see The steel ye tempered glance on ye. With plough and ***** and *** and loom, Trace your grave, and build your tomb, And weave your winding-sheet, till fair England be your sepulchre!
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To The Men Of England
Down through the tomb's inward arch He has shouldered out into Limbo to gather them, dazed, from dreamless slumber: the merciful dead, the prophets, the innocents just His own age and those unnumbered others waiting here unaware, in an endless void He is ending now, stooping to tug at their hands, to pull them from their sarcophagi, dazzled, almost unwilling. Didmas, neighbor in death, Golgotha dust still streaked on the dried sweat of his body no one had washed and anointed, is here, for sequence is not known in Limbo; the promise, given from cross to cross at noon, arches beyond sunset and dawn. All these He will swiftly lead to the Paradise road: they are safe. That done, there must take place that struggle no human presumes to picture: living, dying, descending to rescue the just from shadow, were lesser travails than this: to break through earth and stone of the faithless world back to the cold sepulchre, tearstained stifling shroud; to break from them back into breath and heartbeat, and walk the world again, closed into days and weeks again, wounds of His anguish open, and Spirit streaming through every cell of flesh so that if mortal sight could bear to perceive it, it would be seen His mortal flesh was lit from within, now, and aching for home. He must return, first, in Divine patience, and know hunger again, and give to humble friends the joy of giving Him food--fish and a honeycomb.
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Ikon: The Harrowing of Hell
Christ, dost Thou live indeed? or are Thy bones Still straitened in their rock-hewn sepulchre? And was Thy Rising only dreamed by her Whose love of Thee for all her sin atones? For here the air is horrid with men’s groans, The priests who call upon Thy name are slain, Dost Thou not hear the bitter wail of pain From those whose children lie upon the stones? Come down, O Son of God! incestuous gloom Curtains the land, and through the starless night Over Thy Cross a Crescent moon I see! If Thou in very truth didst burst the tomb Come down, O Son of Man! and show Thy might Lest Mahomet be crowned instead of Thee!
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On The Massacre Of The Christians In Bulgaria
281 ’Tis so appalling—it exhilarates— So over Horror, it half Captivates— The Soul stares after it, secure— A Sepulchre, fears frost, no more— To scan a Ghost, is faint— But grappling, conquers it— How easy, Torment, now— Suspense kept sawing so— The Truth, is Bald, and Cold— But that will hold— If any are not sure— We show them—prayer— But we, who know, Stop hoping, now— Looking at Death, is Dying— Just let go the Breath— And not the pillow at your Cheek So Slumbereth— Others, Can wrestle— Yours, is done— And so of Woe, bleak dreaded—come, It sets the Fright at liberty— And Terror’s free— Gay, Ghastly, Holiday!
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Tis so appalling—it exhilarates
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea. ~Edgar Allan Poe
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Jul 30, 2012
Jul 30, 2012 at 11:31 AM UTC
Annabel Lee, By Edgar Allan Poe
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea. ~Edgar Allan Poe
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When he, who, from the scourge of wrong, Aroused the Hebrew tribes to fly, Saw the fair region, promised long, And bowed him on the hills to die; God made his grave, to men unknown, Where Moab's rocks a vale infold, And laid the aged seer alone To slumber while the world grows old. Thus still, whene'er the good and just Close the dim eye on life and pain, Heaven watches o'er their sleeping dust Till the pure spirit comes again. Though nameless, trampled, and forgot, His servant's humble ashes lie, Yet God has marked and sealed the spot, To call its inmate to the sky.
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No Man Knoweth His Sepulchre