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Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
Nigel Morgan Oct 2012
There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours



He then realised what the date was . . . and slowly let his hands fall to his lap.
Stages and Ages Dec 2015
I forgot how much I loved the
Foreignness of a stranger's hands on me.
My waist, my arm, my ***
I felt every touch
Like an infrared light sensor
The heat from your hand
Stayed and glowed on
my arm, my breast, my thigh
It's fine though,
Nothing more.
I have a boyfriend,
And you have
A Fiance and a Baby on the way
Joann Rolleston Nov 2014
Armageddon Auckland
Thanks now stalking
Yoda anything
Motion sensor
6 phrases
Glowing sabre
Cute and small
Tough as guts
Gentle Wise, Nuts
Anythings possible
Just gotta believe
Be positive
Dream
This is the Force
Of Course ...
feel the force, believe in yourself, reach for the stars
Act one, scene one
Decide your stance
Get a glimpse now
See us freaks
Ohhhhhhhhh!
You act like depression is a game
Two cards and a loss
Gamble the odds of life and death
We’re all a bit crazy
Hiding in the mirror,
Hiding in the mirror
You act like depression is a game
But you never took it seriously
You never took me seriously.
You doubt me, you think I’m a freak
(But you’re not wrong)
So play my game
You’ll never be the same.
But now the noose is round my neck
And I’m ready to go to hell.
You act like depression is a game
But just wait ‘till the world forgets my name.
Wanna see a magic trick?
I’ll leave the world
Give me 20 seconds and
I’ll leave the world.
You’re gonna cleanse the world from us freakshows,
But what you don’t understand
I’ve got the universe in my hands
Moving yo’ ******* like chess pieces
The freaks make it happen
We make it happen.
Oh, you were sick from the start
Categorizing all that you see
But as long as you keep judging,
You won’t know the first thing ‘bout me
Some people hide behind labels
People like me show the world.
And all your rebuttals
The things that don’t make sense
And we know
We know
We know.
The warfare that claims us all!
Middle fingers up, let’s go!
Join me, all you freak shows
Druggies and all
***** and all
Daddy issues and all!
Calling all freakshows.
Yeah we just want to die
We just wanna die
No one wants to ******* die!
You condemn me for what I say
You just want me to shut the **** up
Bite my tongue off, mouth full of blood
I bite my tongue, you bite my lip
A mouthful of saliva, you can’t even handle me
*****, don’t speak to me
You’re obsessed with ***
And no one checks
Where’s your morality?
I take a breath, a single breath
As I feel your bones rise off my chest
What a relief it is that you’re just like me.
This is your song, little angel
Only because you’re a freakshow, too.
So as depression calls my name,
I’ll make sure you remember my name.
So bow down!
***** bow down!
You thought this depression was a joke
So make me happy
Make me happy
Just another *****
Just another pitch
And just wait
Sensor, sensor
Sensor the children
Sensor your mouth
Don’t be obscene
Issues, issues
Lord knows I’ve got em.
My heads spinning like a go round’
I’ve been round
I’ve been here
Call me crazy ‘cause I dare speak
Hush my mouth, little mama, I don’t wanna speak
Call me a freak
Make me a freak
All I want to be is a freak
Freak
Freak
******* freakshow
So join me
Join me
Bring me your depression
Bring me your noose
Bring me your lust
Bring me your knives
Bring me your problems
And I’ll show you a mother ******* freakshow!
By me
softcomponent Feb 2014
There is the latent hum of some probably-industrial sumthin-or-another in the distance. Sounds like a ferry at dock, or the Townsite mills characteristic hum of eternity as it once acted as the forever-whitenoise of my past life in Powell River.

Sasha has gone to see her friend a floor down. I sit candidly at her desk typing these words on her MacBook Pro.. her dorm is an ambient water of a place, but with every passing night I spend in it, it becomes harder and harder to fall asleep. The bed feels like wood board or padded cement now. Sasha rolls around in her sleep, occasionally choking on her tonsils and gagging a prolonged operatic note of snores. It's not like she can help it.. often, she talks about removing her tonsils as if it's something she can do with a spare moment between classes.

The dorm was easier for me to inhabit when I imagined her living quaintly and quietly without my constant everywhereness.. on her first night alone in bed, she slept like a baby and the overheating, I'm sure, was less to bear in my absence as there wasn't a ******* furnace spurning mammalian blood to every antipode of my body for the sake of staying alive.. just her capillaries attending to the night-shift and leaving no feedback loop between our ***-drenched thermostats. There was a feeling of otherness to it that I could warm my soul with as if I were people-watching at a mall filled with everyone I've ever encountered in the matrix.

She's beautiful. Sasha, I mean. Superstitious despite her attempts to claim otherwise, but of a massive intelligence often unspoken and endowed with a linguistic nature that can speak regardless of words. Highly suspicious of some perceived bond between Anya and I that can't seem to be severed, and playfully dousing suspicions of general infidelity into many of our brink-night conversations.. I can't say I do much to remedy her paranoia as I always kick it back with consistent jokes of having '30 girlfriends' or 'that was what the girl I ****** the other night said as well! Trippy.'

These are obvious jokes. I would never cheat on her and it's a pain to have her imagine I would.

Christ be honest, I can never find the time to write anymore because I keep pretending I'm busy. I keep glassing my eyes apart with coffee and **** and feeling the inner sting to write and write and write until my fingers are bruised and my entire demeanour is nothing more than an existence in pure, floating consciousness of sleet-covered panic attack self-immoliating itself in a Wal-Mart parking lot just to say hiya, Good God, how's the cloud of idolatry today? Fleeting? Empty? Shat? I'm starting to think you have the shorter end of the stick cuz I'm pretty sure I've found the Kingdom of Heaven and it's all a bunch of beautiful panic remedy exacterbated by SSRI psychedelic depersonalization with a life-wish disguised as a death-wish to push the envelope for mails sake, cuz I've got a message for the human race and all it says is 'humanity is not a RACE chill the **** OUT and become the human pace for the sake of nil planet without a plan you aren't a ******* poster-boy you're a poser' all very stone-cold thoughts in a volcano.. all very valid but pointless semantic gestures towards Finnegans Wake and the sequel I'd like to write called Finnegans Nap.

The other day, I stole a book from the university library.

I had a freelance article I had to start and preferably finish that same day, and Sasha had decided to skip psychology for Charles Bukowski so we scouted a quiet space on the windowsill overlooking the perpetual busk of student body.. I plugged my laptop in and sourly gazed at the flakey subjects I had to choose from until I noticed we were right next to a giant section entirely dedicated to the study of the Beat Generation. I picked out the closest book, and dove up on some academic diatribe about the implementation of Timex making watches an affordable commodity during the post-war boom, causing economy to become totalitarian in its accuracy and thus mental hegemony. It worked its way into stating that Jack Kerouac's On the Road was a blatant and concise rebellion against this form of timekeeping in its hedonic, careless flow that was not marked by 6 o'clock or on-the-dot redundancy.. the subject matter being so dense and alluring, I turned to Sasha and said, 'I have to steal this book.'

She chuckled a little, being a chronic kleptomaniac herself, and retorted, 'are you sure you can do that? They have these sensor things that go off when you leave.. they'd catch you probably.' In my mind, I was needing to exorcise myself of Judaeo-Christian morality so as to guarantee a survival and thriving intellectual feed regardless of red-tape or monetary symbolism.. I saw myself adapting to a hedonic habit of robbery for the sake of food and freedom or some such half-witted excuse like that, and took Sasha's warning as a challenge to transcend my typical moral comfort zone.

Glassy-eyed, I asked Google how I'd go about bypassing the security scanners and, lo and behold, within 5 minutes I had my answer and was already digging through the books binding with my house-key to remove the magnetic strip hidden in the spine. After 10 minutes of exhilaration and anxiety at potentially being caught, the strip was out and jammed between two loose wood-boards in the window sill. I told Sasha we should try to leave.

As I neared the scanner, I let go of consequence in remembrance of my mortality, the blank expressions on our faces probably hinting at some form of degenerate nervousness had someone decided to analyze us aaaaaand yet.. we made it through as safe as a bird through an open window then out the other side.
excerpt: "the mystic hat of esquimalt"
Nat Lipstadt Apr 2017
in the river of good company

I dedicate this poem to
Mr. Harlon Rivers,
one of the best poets (here)
and from his good company,
i could drink all day and
never be quenched


~

Preface

sometime, the heart wants it wants,
denial, temporarily from your vocabulary, excised

sometimes, beauty keelhauls you, gets you
awestruck inspired, then arrogance overcomes
the brilliance of common sense and you go ahead and
mess with perfection despite every sensor flashing
uh oh, duh, oh no, fool on the premises, lockdown needed!

do believe this condition can be found in the medical books
under I, for Inspiration, Incantation, or S for Stupidifacation

my heart wants to write a poem,
cause I was a witness, sitting twenty feet
from the heavenly crime scene,
and every intonation swept my brain into that secret place,
when I heard KD Lang singing "The Valley"^

~~~

in the river of good company**

simple sentiment but good god
all I ever wanted and so oft lacked
such was my fate, one I made,
had plenty good words for boon companions,
the occasional touch of a woman rippling waves
cross my face, a love lapping slapping
of concentric pebble rings,
till like most good things
gone good goes bad,
it just happens to evaporate and
you think someday, maybe,
you will walk again in good company

the brain says quit right here
but the heart brooks no damning tantrum of sanity imposition,
for those handful of deepest, not quite six feet under
palpitations of insensible, cutting glimpses of that word I hate so,
memories,
of when
you walked in good company

men women no different - it is that heated aura
tween bodies that confirms that you are once again
a human being, just a being, temporarily
enhanced, elevated, by good company

so go ahead sweet talks ya, that devil id a/k/a desire, says -
one more for the road can't hurt ya,
write that poem -
and perhaps one good man, glory hallelujah, a good woman,
will read it and you can stop weeping you idiot,
do it so you will be back, nuttier but nurtured,
drinking from the river of good company,
mouthing not even dare whispering,
satisfied satiated, loving and loved
~
all reposts greatly and  grateful appreciated!



4/2/17 9:24am
the perfection...
~

K. D. Lang - The Valley (Jane Siberry Lyrics)

I live in the hills
You live in the valleys
And all that you know
Are these blackbirds
You rise every morning
Wondering what in the world will the world bring today
Will it bring you joy or will it take it away
And every step you take is guided by
The love of the light on the land
And the blackbird's cry
You will walk
You will walk
You will walk in good company

The valley is dark
The burgeoning holding
The stillness obscured by their judging
You walk through the shadows
Uncertain and surely hurting
Deserted by the blackbirds
And the staccato of the staff
And though you trust the light
Towards which you wend your way
Sometimes it feels all that you wanted
Has been taken away
You will walk
You will walk
You will walk in good company
I love the best in you
You love the best in me
Though it's not always easy
Lovely, lovely
We will walk
We will walk
We will walk in good company
The shepherd upright and flowing
You see
wifi is literally the radio wave r.a.d.a.r. like sonar or ultrasound but super computer crunching the data to visual rendered interpretations of digital information like laser 3d imaging real time full spectrum 3d environment video rendered in some cases, and others tiny tiny pin head mic and cams, but wifi via modems, devices tablets and cell with land line and cell tower , then you see the full saturation of the principalities of the air. and yes. it is that all seeing. and then infuse the social media, digital records of criminal, medical, military, scholastic, employment, financial, political emails, all forms of communications even snail mail, news agencies, all world wide data transfers, all audio systems even car stereos, home entertainment and appliances have secretly been incorporating the circuits that can be used via wire less signal to act as data points even microphones like a speaker is a mic just huge, and a temp sensor and many sensor actually function in many other useful ways, this is not uncommon, sort of like how an butter knife becomes a Flathead ***** driver when in need. your tv, refrigerator, sound system, even light bulbs of the cfl pigtail sort have been claimed to act as data gathering point, but the scary stuff in not just that you can be seen in full move around with the target 360 and 3d is that many devices transit data or harmonic frequencies into your home even when you have zero internet or c able even electricity, just take note of your wifi lists of neighbors, then realize many do not transmit their identity to be seen, and all these sensors and outright cameras and mics do not alert or announce that they can be accessed by internet of many, many common devices and these frequencies can do a hell of a lot of scary things to living conscious biological tissue, like make you sick, or even change emotions and states of comfort or discomfort, like cause you to feel pain in the back and gut, ( most common side effect and a sign of its use) simply search elf wifi cell towers and mind control, sound manipulation, sound that you can not hear you still interpret and even sound can cause you to see different colors and never hear it. so go figure and let the mind wonder and you have still not hit the horrors of this techs use, try the assault and made to forget, or the hypnotic induced trance via wave length in wifi and not recall events of bad things and even loose time some small like 5 10 minutes others loose days or hours. we have, a lot and well, this might help folks realize the power that these things have and just think if bad people in groups decide to use it.
Bella Oct 2017
I wear no sunglasses that Shield my
   eyes from the realities
       of this world
that put a Valencia filter over the
    things that I see or a sensor
        over the things that I hear.
I do not push the news stations
    through a small strainer only
        allowing the ”easy to
             handle”  stories to reach my
                 cup for me to consume.
I know that red is this world's favorite
    acrylic,
black it's favorite oil paint,
and blue it's favorite watercolor.
the painting of our world has red
    splattered across every
        building and seeping out of every
            wrist,
black in every sidewalk crack, every
     alleyway, and across
         every, screaming, mouth,
and blue welling in every eye.
I know this, but I have ripped the tape
    from my mouth, bandaged my
        wrists, and wiped my eyes
I have become comfortable.
opening my mouth
Like pulling the trigger of a gun
Aimed at anyone trying to Paint those
    colors back into my life
shooting their thoughts down making
    pastel bullet holes so the light can
         shine in.
I have become too comfortable.

I only come to this realization when I
    hear gunshots coming from a hand
        who does not know what it is
              holding
when I hear seemingly Innocent
     Voices say
“Well, why does it even matter,
if you've given a blow-job before, what's the hesitation to doing it  
     again?”
“ Because I said no.”
“ But you've already done it, before.”

I've told you, I do not wear filtered
     glasses.
but sometimes I forget that people are
     programmed with black paint on
          their brushes ready to cover over
               your mouth again.
I remember that as soon as I learned
     to rip the tape from my mouth
I realize that I can't just watch them
      bring the tape closer until they
           push it over my lips
I have to scream, as soon as I see it,
Because that is what my mouth is for.
And I have to fight to keep it of,
because that is what my hands and
      wrists are for.
And I have to look- not like the prey
      trying to stay out of sight,
but like a warrior with eyes like
       swords
and a mouth...
like a gun.
J Arturo Nov 2013
it's been a while since I wrote "a day in the life" or even
those little diatribes about the girls I like
but tonight the keys on my keyboard feel shorter, somehow
more eager to go down
and I'm tired
but it's good to write.

I'll start with monday I guess because that's when today started
I don't know how I keep this up and survive, but
I'm pretty sure I've been sleeping three nights a week for
months now.
it's like... haha... a year after polyphasing I need to make up for lost time.
Monday was Dana's parents ("parental") anniversary, it says in
the pink striped box, on the week view, of my calendar
I don't remember getting up but I started the clock at 10am sharp with
"remove sets and 5 easy steps from current"
no, never mind, I remember it now
(I checked my texts)
Damian invited me to breakfast, Tuneup, I said 8:45
he said he'd be there earlier. I got there at 8:30, before him
and sat in the back room. read the cached news items on my iPad. ate
a breakfast burrito with bacon, smothered, green
because I didn't want him to see me eating, again,
a burrito with the chili inside.
but he sat in the other room with… someone I can't remember
(I heard them, grabbed my coffee and switched seats)
he had kids, though. so we talked about kids. and they talked about kids
I don't really care about describing work any more.

Dana's mad at me, now, definitely– if it's 10am on Monday
It may have started last night… I don't know. She's mad because I work all day
and she has off
not that I know what we'd do to celebrate.
I went to Northern New Mexico College… impressed Sandy... Sandy something.
Impressed Damian by impressing Sandy, and as we drive back from Española
I realize that he's somehow grown into a larger part of my life than I thought would happen
and I'm almost wondering now if
when we leave from here
Dana will be enough to fill it.

It had snowed over the weekend, the mountains above Santa Fe were red with blood and the
valley spread out beneath us was white like… "white people", and it was (I think, should have been)
dark by the time I got home.

Dana had cleaned everything… and she never cleans everything, but she was so mad
and I was mad. hell. I was mad. because I don't want to be this person either
I mean, of course I do
can we ever be anyone, but who we want to be?
but more than this person I wanted to be somebody who suffers, and suffers for something good
and I knew that I could righteously suffer for this trip and for Damian and not have to suffer
for whatever person I might be afraid of becoming.

So when I told her I was going to work all night, she was even more upset and then we were
leaving for her christmas party but I realized that I have no interest in Starbucks or
the people she works with and she had no interest in me right then so I told her I would stay and
I guess at least she only texted me three or four times furiously.

and I… worked. I could tell you how. but I don't care.
and she came home. mad.
but Jones and Katy came over later, it was my idea
and I tried to install my new electronic sensor gadget while they three
sat on the bed and read poetry
(Katy and Jones had broken up earlier that day)

and after they left… at maybe three, Dana was being nicer to me
and I held her some, and we made out, but I
worked
but maybe, this time, it was a little more ok.

I went to breakfast, again
went to Patricia's, felt sad.
Came home, again. drove Dana to work, again.
Checked Ryan's mail box to see if I'd missed our delivery.
spent an hour and a half on Skype with Jeff, Connor listened...
I want to say admiringly

and then we took more adderall and started writing code and things got
a little fadey for a few hours, but I was ok because I am always ok and Connor
is really good at this, really– I mean. Connor is really good. and I want him to be happy.
and to try and tell him this I bought him burgers at five star (in Devargas, where we saw Todd)
and offered to give him my car.
we dropped off Katy's phone at Connor's house and came back here, took more drugs and tried to write but
it's getting over our heads now, and I'm feeling soft and strange
but soon Dana is off work and she seems, even, happy now
as we drive to Ben Sobol's birthday, where I gave him a book
and allowed myself to entertain, for a few minutes, the thought that Ryan might come to Lima. but we had to
come home

because I know I might be tired by now, know I was once before.

and tomorrow there is so much to do.

but sleep wouldn't come and I started writing my thoughts out, about instagram and privacy
and, to Damian, about whether compiling .less was worth it in the long run
and, thinking, who will argue with me like this when santa fe is done?
and then Dana and I had *** and now is the part where I sleep so hard it hurts but I keep thinking and it feels nice instead.
and so it's four am now, and I write.

and write. caught up on time.

still trying to catch my breath, from the ***– I've had a whole pack of cigarettes today, haha, maybe I'm
suffering myself to death
but mostly it doesn't even hurt, I just can't breathe, and my heart races to break free of my chest
(to go where it will be better kept).

so I wrote this because I looked down at my feet on the berber carpet lit by the rope light under our bed and I was afraid
that I might never again know what it was like to look down at something like that,
soft, orange, warm. home.
and with Dana, falling asleep to my left.


we leave for lima two weeks from today.
I told Ryan last night that it's because it's too easy here, because everything's been done
but it's a cruel thing to say… I think… when no one has it easy here, nobody has what they want
in fact it seems like almost everyone, not just here, spends most of life trying to get this
while we see our satisfaction only as an imperative to throw it away.
but.
hey. I guess I said I'd
like to die a poet
and now it's looking that way.

and I guess the reason I keep standing outside, the reason I texted Rachel from Danny's porch is that I've always
left every place with a plan to come back to
all those Rachel's fire escapes.
but I've never yet looked back, and certainly never gone home.
so the question, as I see it now is:
am I always going forward because I've always been running away?
or is it just impossible to go back to where you came?

because I am happy here. and this, for the first time, does not feel like an escape
so I'm scared it will turn out like one anyway.
From almost a year ago today
Montana Sep 2012
There's a light on my front porch
that comes on when I open the door at night.
I step outside to light a cigarette and
stand there under the bulb
watching the bushes move
with the wind and the scurrying of
little lizards.

But if I stand really still,
the light goes off and
for a few moments, I can disappear.
I can still hear the crickets and
a few cars in the distance, but
it's disembodied sound.

It's quiet. Dark. Far removed from
the reality illuminated by the sun
during the day and the sensor light
on the front porch at night.

I focus all my energy on
keeping my movements small, controlled.
The slight rise and fall of my chest as
I breathe. The modest shuffle of my
feet as I shift my weight from one
side to the other.

My thoughts are completely occupied
with making sure I stay invisible.
Reality exists only in the glow
of that wretched porch light.

But eventually, I feel the heat between my
fingers, jolting me back to an existence
where I have worries greater than
making sure I stay absolutely still.
Meena Menon May 2021
Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity,
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity
toiling for love and  truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremimi mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists, poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow,
the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.
I love my yoga practice and I’m finally taking a poetry class for the first time in my 41 (almost 42) years, though it’s online and free.  Our assignment asked us to fill blanks into this:  the [concrete noun] of [abstract noun].
Damian Acosta Apr 2010
In the distance a Bright Blue eye blinks with greed at the enticing tickle, of a seemingly fickle, wisp of eclectic lightning.
Torn out of actuality, the sky's emboldened hue, makes way for this wistful energy of new.
As the bolt of light, not really caring, rips the sky of Blue, like a Blood-red Herring, dives viciously, however not maliciously, into--

Transition now your mind to a darkness not unkind. Where silence is a splendor and your entire being is a sensor. Where gravity takes rest and gasping lungs aren't always best; a blanket of muffled harmonies vibrating soundlessly inside your bones, flesh and arteries--
FLASH

... Like a birth, like a death-- like the pause between your breaths-- for a moment, just for an echo of a glimpse of a moment, the flash of silver blue, that out of darkness quickly grew, pierced-- with exacting delicacy-- the bottom of this darkened sea, then disappeared instantly...

Flash-flash* {{Glow}}
Flash-flash {{Glow}}
{{...Glow-glow...}} fa d e...

... Where the bolt did land-- on the sea-floor sand-- a beating rock, electric blue from the shock..
{{...Glow-glow...}} fa d e...
{{...Glow-glow...}} fa d e...

And in that instant, new life was made...
While on the surface nothingness reigned...
{{...Glow-glow...}} fa d e...
{{...Glow-glow...}} fa d e...

It's a cosmic dance, disguised as chance--
Or lucky breaks that breed romance--
And to move along its endless song, without blind views of right or wrong,
Is to truly feel with unbiased zeal
The uniting pulse of the Universe.
2009
Graff1980 Sep 2018
A small pale faced figure stands, enshrouded in darkness, while a hauntingly sweet song softly echoes through the cave.

“There’ll be days
precious moments
see them sunning
by the bay
till, the sea
sees the star light,
blinking angels
dissipate.”

Somewhere in this sightless void a larger form slumbers. Moans of agony pass this man’s parched parted lips.  Tears moisten his painfully swollen face. The stench of sweat, *****, feces, and fetid breath fill the air around him. An alarm sounds as the last battery from the compact heater finally dies. Sloan shivers as the temperature within the cave begins to drop.
Mother mercy watches with a well-practiced stare of concern. She slides a thin, torn, and brown stained sheet over Sloan’s shuddering body. It does little to comfort the sick man. His ragged breaths slowly shift to slightly less raggedy breaths. Mother Mercy watches for a few more moments to make sure that he will not die, then settles down in a corner for the night.
Electric dreams of long ago float in the forefront of her mind. A bone thin boy of barely teenage years stumbles into a broken-down building that was once the Canadian Gazette. Stray rays of light from an overhead window brighten the small room, illuminating gun black filing cabinets, and dark wooden cubbies, colored with well-worn grey paint, which hold crumbled bits of old newspapers; One of the papers read, “Mass Methane Leak Poisons Ground Water and Air”.   Each step stirs up dust causing him to cough. Mother mercy can hear the congestion in his cough and see the fever in his scarlet flushed face. His eyes are a rabid red flitting left to right, searching for any sign of danger. A loud noise causes him to flinch. Mother Mercy moves forward, trying to speak to the boy, but like a doe sensing danger he prepares to dart.

She finds her voice. “Please. Do not leave. I can help you.” She pleads mechanically.

He moves forward, tentatively attempting to touch her. She can see a sharp scar that runs from under his right eye down to his thick dry cracked lips. He tries to speak, exposing his yellow and browning teeth and the many gaps therein.
Suddenly, daggers of light push past and through his young body. He does not cry out, but merely succumbs to disintegration. Then……
Then Mother Mercy awakens to a new morning. Waves of light bring the cavern to life.
Sunshine moves in and across the cave to expose uneven earth, and a dirt encrusted cave wall, which is oddly void of any insect life. Her hazel eyes quickly adjust to the oncoming onslaught of daylight. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls in an unsteady rhythm, which is all she can really hope for.
She slides dark brown locks of long hair out of her eerily symmetrical face. She brushes the dust off her tattered tan coat, and her holey faded jeans. With a couple of rapid sweeping motions, she removes almost all the dirt, and pebbles from the breast of her inner shirt.
Off to the left of the cave, and still covered by shadows a small machine awaits her inspection. She examines each tube, cord, and gauge with a military proficiency. Then using the jury-rigged straps, she places the machine on her back. Heading out of the cave, Mother Mercy stops, picks up the batteries from the small heating device, and checks Sloan one more time. Finally, with her bare feet fully outside she sets off for the day’s labor.
The sky burns a bright orange interrupted by barely perceptible vapors of methane, and bluish grey cotton clouds. Despite the splendor of the morning there is nothing but silence; No dogs barking, or bees buzzing about their honey making business. There is no life to be found except for minor patches of multi-colored fauna that are randomly situated along her route. So, Mother Mercy breaks the silence with a song.

“There’ll be years
yarn unspinning
as we stumble
towards our graves,
but the seconds
in-between breaths
are what make
this life so great,”

A few miles along the way, she stops singing, and begins to check the tiny traps she has planted along her daily path. Each carefully constructed device is sadly empty. Three or four more hours after that the silence evaporates and she can hear a small stream of water running. She stops and stares down at her bare feet.

“There is something I forgot to put on my feet.” She queries to herself while continuing to walk.

A few moments pass as she puzzles out the minor mystery. Once she makes it to the edge of the stream, an awkward smile fills her tiny round face. Mother Mercy removes the machine from her back, letting it fall to the ground. It makes a loud thud and sinks several inches into the slightly softened earth.  In a movement so swift human eyes could barely perceive it, she jumps up, rising several feet in the air while crossing a considerable distance, and finally lands in the stream. Soft sizzles sound from her bare feet, as she slowly grinds them into the mud. Then Mother Mercy sloshes sloppily out of the water wearing a thick layer of dark brown mud on her feet.

“Of course, how could I forget. I need mud to cool my feet.”

She walks back to the machine, pulls it out of the ground with ease, and returns to the stream. Next, she submerges the device. Waiting till it is completely full of water, she pulls it out, and begins fiddling with knobs and switches. She waits as the water boils, completely evaporates, filters, cools, and finally condensates back into liquid. Deftly, she removes one of the filters and shakes out all the unknown particulates. Then she opens a tiny compartment, and places a small sensor device within in the water to check its quality. After a satisfactory reading she places the water filtration system back on her back and heads down a different path.
The mud on Mother Mercy’s feet dries; Dark brown shades lighten, crust up and chip off in little flakes. Irritated, she begins to slide her feet through the almost nonexistent foliage to scrape off the remainder of the drying mud. With each small patch of grass Mother Mercy moves her feet faster and faster. Her left foot flows back and forth with incredible speed and strength. There is a loud clink and a chipped piece of rock soars across the air.
In puzzlement, Mercy stares down at her foot and finds that it has split open. Red and black fluid streams from the seam of torn skin, which expands and exposes metallic bone. As she moves, the wire insulation from within her foot ruptures, revealing cheap copper conductor. The hot metal sparks, lighting up the methane in the air. A scorching white, orange, and bluish outlined fireball expands with enough force to launch Mother Mercy up and back off her feet.

She hits the ground hard, and curses,” ******* methane!”

White synthetic skin begins to melt, shifting and swirling into grotesque shapes, and darker shades of red. Mother Mercy rises, unsteadily. Wincing in pain, she unloads her heavy water filter burden. Again, she checks all the tubes, cords, and gauges. What was once a thing of ease now becomes quite burdensome. She places the filter system on her back again, and resumes her journey. The red and black liquid continues to leak. Each steps becomes slower than the last. Until, she reaches her destination. Mother Mercy collapses next to a series of solar panels. With what little strength she has left, she detaches one of the charged batteries. A look of distress crosses her already agonized face.

“I’m sorry.” She softly sobs to herself. “I need this one.”

Mercy pulls a flap of skin from the right side of her waist. An intricate maze of wires, metal, and fake flesh pulsates. Her hand plunges deep within the slimy cavity, twists, and removes a damaged battery. It is bent, and cracked leaking a thick acid liquid which viciously burns her hand. She tosses it aside then slips the unbroken battery inside the cavity, twists it, waits for the click, then removes her acid, and viscous liquid covered hand.
The synthetic skin slowly starts to unburn, shifting in reverse till it returns to its previously pristine quality. Her foot begins to pop and all the parts snap back into their original place as the split skin slowly stiches itself back together.
Mercy harvests the rest of the charged batteries and places the used ones in their charging slots. Finally, with the days labors done she heads back to the cave.
Once she is at the cave she washes a stray rag. Then cleans her hands. Cradling Sloan, she slowly serves him some water. Once he has had his fill. She gently rolls him on his side moves his shirt up searching for any sores, then proceeds to softly scrub them. She rolls him in the opposite direction and repeats the process. Then she checks his inner thighs, and **** cheeks. Sloan winces in pain but remains quiet. She gently lays him back, and rolls up his pant legs, washing the bare skin which is littered with more nasty sores. She finishes by washing his face, hands, and his feet.  Finally, she sends him to sleep with a sweet song

“and the children
that we leave
littles daughters
full grown sons
are like blooms
that lose their trees
as our roots
wither and flee.”


Mother Mercy is consumed by an unnatural fatigue. She resists slumber for a few minutes, but inevitably succumbs. Everything becomes nothingness, then changes to nothingness with dizzy brown spots. Yellow sparks split from the tip of her consciousness. The darkness dissolves and becomes the cave again. Small streams of water worm their way in from the cracks on the wall, which seems to breath unevenly. Suddenly she realizes the cave stinks like sewage. Fresh wind works its way in then blows out a stark stench of rot. Each exhale sounds like a human moaning in pain. The last flickers of light die a long-protracted death.
A wheezing breath stirs Mother Mercy from her dreams. She awakens quickly to see Sloan gasping violently.  She rushes to his side, and sees a thick yellow and greenish gooey fluid mixed with blood sliding down the side of his jaw. With her left arm she flips him over holds his upper body inches off the ground, wipes away the disgusting fluid, and checks the abscess with her free hand.

“Spit it out.” She pleads.

Sloan continues to gasp. Tears swell but refuse to fall.

“Pleebees, helpep, me.” He struggles, coughing violently.

Mother Mercy cradles him in her arms, singing,

“Till, the song
that I am singing
becomes the song
that they passed on
and the love
that I was bringing
are the wheels
that just roll on.”

Sloan, gasps and wheezes for several minutes more. Tears and sweat fill his face.

“Mob where’s my mob?” He cries between gasping breaths.

Two hours later slumber finally reclaims Sloan. An hour after that Mercy gently places his pained body back into its original position. After another half an hour she to surrenders to sleep. She sees nothing.

A stern voice commands,” **** the enemy.”

Mercy cries in response, “There are no more enemies.”

Mother Mercy awakens to a new morning. Once again, she checks the man to make sure he is alive. Sloan’s chest rises and falls. She wipes off a spot of pus and blood left over from last night’s abscess leakage.  The swelling has slightly receded, but his face is still feverishly warm to the touch. She switches out one drained battery from the heater for a fully charged one then grabs the water filter, and heads off to start the day’s labor, singing.

“So, goodnight
little planet
precious place
that I lived on.
I know you won’t
miss me one bit
but I was grateful
to call you home.”
L B Jun 2017
I was wrong about the rain
Robins are calling for it
Fragrance of honeysuckle and pine
have joined the ozone--
Priest in swirling raiments
dangling sensor on a chain
waving it in air before the altar

clink   clink   clink

Releasing smoke that bends the mind
before the monstrance of the sun
with storm surrounding
Clouds sift through the rays and rain
Bowing thrice--

clink   clink   clink

He waves it in the air before the altar
releasing smoke
into the high and holy
Inchoate murmurs
follow
incense hands
down
into the nave
As Catholic kids, we were dragged to mass pretty regularly.   Between being terrifically bored, I got my little spirit elevated by all the pageantry of bells, and music, art and statuary,  the Latin litany with its dead language, foreign sound.  I was especially fascinated by worship of the incense-- the atmosphere it created.

The nave is the main rectangular hall for worshipers. Related to the words ship and belly.
Christine Jun 2010
He must have a sensor.
A sensor that can tell
When I'm low
And when I feel like nothing.
He has a magic light
That comes on in his ship
That shows him when I'm vulnerable.

This happens way too often to be coincidence.
Arcassin B Jun 2017
By Arcassin Burnham


I bet you'll love me better than before when i leave you,
i bet you'll love me more than life itself and all the things
you've been through foreshadowing everything you've
created neglecting all the things that would distract you
from what life has given you but you can't take it..

I bet you'll love me better than before when i leave you,
Cause all the things you took for granted will not come
back even its weakened state that follows more than it
can manifests itself into what you would fear the most,
i bet you hate it...

i will sensor all your ignorance,
and disqualify your time,
you are not more important than i have going on,
well fine,
throw dirt at my name that you shame,
you're only speaking about yourself,
gain too many pains in a world where everybody
cares less about their health.
i will sensor all your ignorance,
and disqualify your time,
you are not more important than i have going on,
well fine,
throw dirt at my name that you shame,
you're only speaking about yourself,
gain too many pains in a world where everybody
cares less about their health.

/

Faced a hell of a lot of threats , they were scared of somethin',
Have to do something with your life , just be on to somethin',
Get your *** up outta of the bed and do somethin',
Get your *** up outta of the bed and do somethin',
Had to make a way to get my mind right,
with what knowledge was in it til hours of the night,
too impatient for the bull , don't waste my time.
©abpoetry2017
http://arcassin.blogspot.com/2017/06/left-for-peace-do-something-30-days-til.html
Eliza Fairchild Apr 2016
The landscape streaks by,
a slow shift from city streets to mountain passes.
There is a whole world for my eye to scry,
answers are hidden in grassy knoll not university classes.

You have to be stable like a tree,
a stalwart sensor of your surrounding
Find an equilibrium with the world and let your soul free.

You'd be careful not to pry,
whether among-st the sky or grasses
the world has ways to make you cry
but with time all pain passes.
Teo Mar 2015
walk in the dark
down a silent street
streetlights are glaring pale orange suns
casting everything in their hateful hue
and it feels like the stones of the sidewalk
are all unwritten tombstones
and you can hear the dead
rolling around
and moaning
in despair
the cars roaring in the distance
sound as if the gates of hell had opened and
satan's army is chasing you
there is malice in the air
and you are more afraid than you've ever been in your whole life
you're sure that
your heart is
about to
flat
li
ne
...e
.....e
...e
.e
e
.e
...e
......e
..........e
.­.......e
.....e
..e
.e
e
e
e
.
.
.
.
.
.
you will never be safe again when
the halloween pumpkins on your porch sneer like
demons knowing your demise
and you have to be quiet or they'll
hear you
oh god, they'll
hear you
the houses across the street conceal monsters, malefactors
a few satanic sacrificial torture cults,
some serial killers/rapists, the general psychopaths, or
maybe even slenderman himself
everyone knows that killers are quiet
so be absolutely silent
or they will
surely
hear
youu
......u
.....u
.....u
....u
....u
.
.
.
.
y­ou should have stayed inside
now you can’t find your happy place
just a place where people can’t stop sweating
and their hearts are in the backs of their throats
. b
...e
...a
.....t
....i
....n
...g
oh god, they'll
hear you
you are breathing way too loudly
and coughing up a trail of blood
for the hounds of hell
to follow
wearing a choker of jingling fear
each step echoes like the dying breath of a bad memory
motion sensor spotlights screech on and off like flickering banshees
and the leaves blowing down the road sound
like the marching of the god of death coming to
get you, oh god he
heard you
and suddenly the street is flooded with your worst fear
everyone heard you
coughing out
your hopes
and d
.......r
........e
......a
.........m
........s
.
.
.
.
.
the only thing worse than things seeming to move
by
too
fast is when things suddenly
sit
t
….o
…….…o
……………..o
………………….…o
……………………..……...o
………­……………………………..o
....………………………………...……….….o
. s :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::­:::
……..t :::::::::::::::::::::::::::::::::::::::::::::::::::::::::
………­……i ::::::::::::::::
……………………..l :::::::::::::::::::::::::::
………………………………….l::::::::::::::::­:
…………………………………………………..l (i can see the shadow of time)
and you are a spider, dead in the web, torn
apart by little bugs
Was trying to literally draw a picture with the words but it doesnt really work out on this site so ***** it lol
C H Watson Jan 2015
Deployment confirmed, Flight Leader at ready
Mission parameters locked in the pipe
Target subsystem structures, hold the course steady
The last thing I want is a wipe

Miles of shrapnel, anti-drone hail
My brave flight cut down by a half
Magnetics engaged, we land on her tail
Free at last from hot metal and chaff

There can be no defense for this aft rail dispenser
Plasma torches will have out her heart
A soft spot at last on the tactical sensor
One final call and this party can start

"Flight Leader here, subsystem disabled"
"Prophet tactical, fire at will"
A surge of blue plasma, the deadly beam arc
We andrones must die with our ****

No graves will be dug for this 'drone flight destroyed
Disabling that aft rail smoke-caster
But our sacrifice bought what the Prophet predicted
Elegiac ion disaster
Looks like Captain Grayling's TAC officer has launched an androne flight to disable the defensive systems of an enemy ship! Aboard the mighty Vapor Prophet, it is not only the crew that have hearts of steel.

Dedicated to my friends at WC and AP!
Careena Jan 2017
Did I ever disclose
The exact moment I really found myself
Thinking about you seriously
In the way that the guarded part
Of my heart wouldn't allow me to?

I sat in a crowded room in a new hotel
Quick glances at social media before
The conference started, before the hush
When I scrolled past your face on the screen
Well, more specifically, the top of your head
Looking down, focused intently
On fixing a multi thousand dollar projector
Eager to take on new tasks, very handy, ready to help
And forgetting to sensor my own thoughts
I envisioned you fixing a broken hot water heater
In a starter home for us two
Laughing as you mended trivial things that I broke
Due to my knack for unintentionally destroying
Whatever comes in contact with my hands
But I saw you there with me, in the not-so-distant future
I saw us together, happy, very much in love,
And I thought "Wow, I could marry that man,  I want to"

Then I caught myself
My guarded heart kicked my wandering mind
In the seat of its pants as I teared up and reminded myself
Not to get too attached, not to be too trusting
Not to dream of it, for it won't happen anyway
The part of me that has learned that it is better
To be closed and prudent
Rather than to open my heart up
With the possibility of it shattering

But as I've spent more time with you
Seen your exposed heart and held your hand
Shared mine, showed mine, let you hold mine
I've realized that if I don't open up to the chance
Of having you hurt me
I would never get to experience the sweetness
Of truly loving you with my whole heart

*Perhaps you have been fixing the thing
That needed fixed most of all
If you ever wondered why it was hard for me to say it, that's why, because I always thought like that and let myself be scared of it as an actual possibility for us.
Nicole Sep 2017
I thought I lost the best part of me
When you walked out so easily
Now I realize that you leaving
Saved the deepest part of my sanity
You tortured my mind and made me sick
I'm ****** in the head from all your ****
I wasn't wrong to love you
No, I was wrong to stay
But I know in my heart that
You'll regret it one day

Cause you broke me down
And destroyed my heart
I gave you my all
Now I want out!
You left so long ago but
Left this curse on me
I'm finding escape
In **** I don't believe
But What else can I do
When I never ******* sleep

The years of these blades
And the gallons of poison
In no way compare
To the place you have me in
Conditioned my mind
To sensor my thoughts
Just to avoid
The brutal nights when we fought
And I was never enough
It was always the same
Even when you ****** up
I was always to blame

Cause you broke me down
And destroyed my heart
I gave you my all
Now I want out!
You left so long ago but
Left this curse on me
I'm finding escape
In **** I don't believe
But What else can I do
When I never ******* sleep

All those nights spent alone
When I needed you most
Should have been enough
To convince me to go
But no, I stayed with you
Did whatever you'd say
I became your slave
Your personal outlet every ******* dayy
Ugh

*******! For all that you did to me
*******! For the haunting memories
They're burning my heart
And plaguing my mind
You cannot escape what you cannot unwind

You said you loved me
***** you don't know how to love
You only play your childish games
And run away when life gets rough
Ugh

Cause you broke me down
And destroyed my heart
I gave you my all
Now I want out!
You left so long ago but
Left this curse on me
I'm finding escape
In **** I don't believe
But What else can I do
When I never ******* sleep
Something I wrote forever ago about the toxic relationship (wasteland) that was my first love.
Brent Kincaid Mar 2016
You, yew and ewe.
New, knew and gnu.
Two, too and to.
Do, dew and doo.
Your, you’re, ewer and yore.
Sower, sewer and even sore.

Pin, pen
Win, wen.
Tin, ten.
Bin, been.

For, four, and fore.
Poor, pour and pore.
Bear, bare and bayer.
There, their and they’re.
Sure, sewer, shore and shower.
Censor, censure, sensor, censer.

Din, den.
Kin, ken.
Win, wen.
Yin, yen.

Shoulda, coulda and woulda,
Wanna, hafta and hadda.
Pitchers painted of pitchers
Ree-lutters instead of realtors.
Pertecting you with protection.
Prescribing you a perscription.
A different kind of differnse,
For instance, gimme a frinstance.

Pin, pen
Win, wen.
Tin, ten.
Bin, been.
Din, den.
Kin, ken.
Win, wen.
Yin, yen.
Srirachasauce May 2017
"Look into the camera,"
and bring your eyes nowhere else,
not behind to where the lady stands,
holding an eight-year-old's hand.

"Place your forefinger on the sensor,"
and don't dare move it closer
to your wet eyes, for the man
with the ten-year-old might see
you shudder.

The arrow always points forward,
so take your steps fast and sure.
Ignore the shouts, shove away the feels,
smile and wave your way to
DEPARTURE.
There is a window-wall that separates the passport checkpoint area (and the terminals) from the rest of the airport in Bangkok. Loved ones often lounge by this see-through wall, clinging onto their last chance to say goodbye.
Kalesh Kurup Aug 2017
That journey from Morgue was hardly an hour and a half
But my travail took me through thirty years,
Holding his cradle tight, lest to wake him up from that eternal sleep

As he was laid in that ambulance all dressed up for his final journey,
He looked the smart, tall "Chettan ", unlike the child I tended a month back
Forlorn in some early childhood shores, courtesy the Alzheimer's

A bump ahead on the road shook the ambulance and me from my thoughts
In a reflex, my hands went to hold him from falling from the cradle
An eerie chill went through my spine, he was ice cold- the body was in Morgue for long

Water soaks through his new shirt, ice melts in the outside heat
“Chettan” who stood so tall for you to always looked up to…
Who came with abundance in his back pack every Friday

With his Murphy radio playing melodies deep in to the nights
With his cloak work precisions for breakfast to dinner times
With his grins and growls that moved the moods of “Chechi ”

Have you ever tried to feel a body from the morgue?
An ice cold, motion less, sensor less body
That moment and the eerie chill is a revelation
Death is so penetratingly cold
That you wish you don’t have senses to feel it anymore

Ambulance halted at the large assemblage of mourners
I stepped out, a furious movie flash back playing in that ‘space within my heart’
He laid there- ice cold; waiting to be escorted, to the pyre;
With that space within his heart gone to a void, unwittingly

- all rights reserved
“Chettan” in Malayalam is used to address an elder male. In this case an elder brother in law

  “Chechi” in Malayalam is used to address an elder female. In this case an elder sister
anastasiad Dec 2016
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Lauren E Kraft Apr 2014
I started wearing a heart rate monitor
All the time
I got it originally to figure out my threshold on the bike
I haven’t gotten around to doing that yet
When I first put it on
I guess it hadn’t made proper contact
I looked down at the watch
It blipped a tiny radiating pulse like a submarine Doppler
Searching for a beat
My friend pulled my shirt up licked the sensor and stuck it back to the place just beneath my breast
I laughed
There it was

Now when I walk
I look at my wrist obsessively
**** Tracy waiting for a secret message

I am thirty now
And I worry, nightly; I will be too old too soon
To be a mother
I worry that I am a child

I interpreted an ultrasound
For a deaf person
A communication with the beyond
The doctor searched for the right spot
Made contact
And I heard the muffled, galloping sound
Of someone trying to survive underwater
I opened and closed my fist to show her the rhythm of a pulse

I have no god
And I don’t want one
But what I do want is a sign
That I am alright

Tonight I sit on top of a closed toilet and watch water fill the bath
The best part of the day
A reentry to the womb
Right before I get in
I remember myself
I unhook the monitor from my ribs
And get in
Submerged, I listen for the galloping
But hear only neighbors
Shifting furniture downstairs

When I’m done I can’t help the compulsion
To put it back on
And when I do I get the message
PK Wakefield Aug 2014
whose own body have i been
beyond myself to live?

some grey some black
tiny little box of tick
tock, little snap
little whir
and crank

over the engorged aperture
of girlflesh parted on spits
of young wanting-to-be beautiful;

snap snap
whir tick
tock film,

film over light
over film
over electric
sensor hot
at mouths

gush twaining
snip
snap

(1.8 60)
too bright
too light
not enough
chiaroscuro
when you're

"lick(ing) her ****"
Martin Narrod Dec 2016
Dubious: charge
The deluxe program in. Obtuse angled and oblong animals. Mecca sexúal, discoverer pulling back the curtain tails in mimicry and peacockiness as the horizon shimmers itself out. Do not eschew unwieldy ostentation towards benign mid-weight colors in the sequel to Blahnik.

Offers in the hesitant, peak winds of Southern-Hemispherical Antarctic weather barometer losses. The ice is like a hive of nameless blue lily pad vessels, each a different magical shade of the water's blue.

She like the uncommon baroque grandeur in an hour of time, herself-

Summons the immense symmetry of her elaborate lavender macramès sheath and entomb her skin, exploding across her body like milk-white daffodils draped upon a morning  bow. Linseed and anise encompasses burnt sweet grass on the breadth of pine in a gentle pillow, anchored only by the veins of her red fruit nectar stitched at the grooves in her cool and unpunctuated lips. While anxiety numbing tufts of gentle satins wisp all the worry and turmoil away, pleasing every nerve, sensor, instinct, and exercise of glib humanity intertwined amid the pulse of our uncensored adultness. She glides amid the arcs of ebullient-molecules ribboned in winter synonyms, summoned up in her sensual and illustrious sublime, and the story of how like a horizon muted by organzas falling beneath her into that relationship she carries with her water God into something profound, immense, and totally ******* exquisite, yet beyond all imagining, she is always doing what has been the coolest **** ever to me. That becomes more magnificently indescribable like our amorous fire, incentivizing the luminous beauty of new stars to rush above us, and yet under us too, amidst the simple and perfected automany she so awesomely imbues.

Until the minutes are silenced in our heads and the days are warm with you.

For Sarah
Patrick Kokos Jan 2014
Manotello, olto tello, molto bene,
alta.

Never known before we go
before we go, we will sensor.

Acradabdakhrabra lies near
since we ended up in here.

Indios Bravas for you, people,
cause we’re crying
as Salvador died.

— The End —