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Brent Kincaid Nov 2016
Lie cheat and steal
Fascism is totally real
What deals are they cooking
When none of us is looking?
**** **** and destroy
The fascist version of joy.
Buy a few ****** congressmen
Start the whole thing over again.

Washington DC is always run
By sellouts and crooks, every one.
It you want things to not be the same
Do something about changing the game.
Find out where your representatives
Go to play, to bank and live,
If they seem to be able to walk
Totally different than they talk.

Keep the waters murky and hazy
Because the voters are so lazy.
Tell a bunch of lies on TV
Nobody cares about reality.
They think celebrity shows
Are the way life really goes.
That is, of course, because
Nobody notices the cameras.

Washington DC is always run
By sellouts and crooks, every one.
It you want things to not be the same
Do something about changing the game.
Find out where your representatives
Go to play, to bank and live,
If they seem to be able to walk
Totally different than they talk.

Washington DC is always run
By sellouts and crooks, every one.
It you want things to not be the same
Do something about changing the game.
Find out where your representatives
Go to play, to bank and live,
If they seem to be able to walk
Totally different than they talk.

An important thing for us to remember
Is to act like Christmas beyond December.
Peace on earth, and good will to men
Should need a certain date to begin.
It should be going on all the time.
The same with theft and other crime.
Our virtue as a nation will come up short
If all we care about is our favorite sport.
I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee

I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee



So many sellouts claimin' they real when they only want a mass stage appeal
****** swear they be down for the hood? but how while living lavish in the white neighborhoods?
This ***** turned ****** doo ****** where the **** are you? You loosin' ya black views
How the ******* gone say slavery was a choice I remember when you had a voice
Ever since you called Bush out it seems like got drained out
Gallons of blood a spiritual transfusion ***** ya loosin'
Ever since your lips ****** on that white ******* **** **** them Kkkhardashians say it louder once the mic enter my hands enemies get the sweatin' cuz of my verbal weapon
yeah ya been coming out makes me doubt
No wonder why they call you gay fish half of them ******* is really *******
In the celebrity world where boys is girls and girls is boys seduced by the evilness that swirls life ain't about diamonds and pearls
Pandoras box dusty as **** so no need to throw a fit Kanye I got a black polished AK' forty seven ready to send you to heaven
No ladder leaning on a stagger soon to end up a plastic bagger
Coroner's dinner deaths the winner while ya visions growing thinner
**** what ya stand for I take you back through the "wire" throw gasoline all over you then light a fire burning your empire
**** your kids and ya legacy none of us admire
Your coonery I'll crown you with thorns full of barbed wire til your soul transpires

Yeah punk ***** so
I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee
I say **** kanye **** kanye **** kanye yea yea eeeee


Also **** them white ***** kkkhardashian once again letting you know how they do brothers in
****** go crazy or end up in the pen or another gender trend
**** making friends **** chasin' ends
And if you wanna join kanye ya casket ready soon to be tucked in ....
Night night you ***** ******* die slow
JAATC Oct 2020
Revival of a revolutionary spirit
What I represent?
Dem single mother ******* children
Uneducated, unmotivated, and poverty stricken
Moma pay da rent, da car note, den broke, da game sumtm' slick
So I'm young BLACK and angry, real ****-life *****
Infested communities of drugs and guns thats brought in by the government
So before I move a pack o pull a trigga just tryna win
I'm already guilty, 'until proven innocent'
Ain't dat a *****
The days as slaves and Jim Crow's segregated ways have passed,
Dey sayin'
But I only see it disguised now as a 'color blind' racial caste system
Crooked politicians and sellouts oppressing dey own kin
In the 'pursuit of happiness'
They're privatising prisons for capital
Mass incarceration
How could another life be property?
With a loss of civil rights, even after release
Take it ha you wona
I'm anti-colonialism
Everywhere the 'Albino' go he **** the land and oppress the people
A POLICE MAN CAN DO ANYTHING
Why compromised are the police men?
From all over the world, policemen are sellouts,
Policemen arrested Jesus Christ and flogged him,
Others tortured Galileo Galilai for intellectual cross purpose,
Some of them vandalized Martin Luther King, and his wife,
As they also put Fidel Castro on the tilted trial,
The same are the ones that arrested Mahatma Gandhi
In the same tandem of Colonel Afrifa organizing a coup
To effect putsch against Kwameh Nkrumah, or Mandela to Robben gulag,
They tortured Rubia and Matiba in Kenya down the abyss of mental breakdown,
They kicked in the teeth Abdulla Abdalladiff at Kamiti prison
Then they ran off for a decade to effect the ****** of Robert Ouko,
Their evil tendency was never quenched until
They abducted the County parliament speaker
Of Maembe hamlet in the Nyake Kingdom of potato eaters
And held him in the spine chilling captivity for days and days
Only to release him when he sufficed to stay in dumb freedom.
Axiomighty Nov 2013
I'm a poet full time
I serve these sentences; they're my bloodlines
These killer rhymes got me behind iron bars
It's ironic because these bars save me from myself, rub' em together and get a spark
My self-expression serves as an anecdote to it's opposite act
Harm can't touch me when I don't react
I'm not playing, when I'm on fire like this you better take a picture, and frame
Because my ingenuity could snap, and fall short of fame
This prison jumpsuit is plane
And I'm about to jump out, in fact
I feel like I'm fallin', with no aim
But, I'm really flying, posing for headshots; I can’t be shot down because they’ll always underestimate their window of time as I escalate to higher panes
It's all perspective; everything ends up dyeing somehow
But why describe a story by its finish with the multi-personality mayhem
When you could define it by the ******, elevating like hemp, laughin, but they’ll know I’m not kidding at the end
'Sept I'm just sprouting up like its may
ahem listen up because this is just the beginning, elementary, first day
And I'm already spittin like I should be exspelled,
Kicked out, never schooled, hell
Just take over the game like I got a monopoly held hostage
Got Scotian Power, I'm overcharged and tired of these sellouts ******* the page
This ainte a hoes stage
By *** I mean any tool who never dag
Never worked and got their hands ***** for little pay
So step aside, or a circle, surround me like sharks
Try and tare me apart, and I'll just write about it
That’s art, you'll self destruct in your jealous rage
You're baked if you think you're stopping me, when you were born they said, "this pie sees"
*****, I'm a Pisces, this is my age
Too late to stop, already took out the cleaver and pulled up my sleeves
******' getting my peace
And don't be shocked by my curse words please
There's a reason my poetic heart monitor goes beep, beep, beep
Because to peak, I have to express these things
It's called my life line for a reason, I use it when I need the audience to know
That I'm going to deep
To the microscopic level
So you can see the demons that keep this ***** beating
And you'll know I flat lined
When I leave something unsaid
Because I don't shoot blanks until I've done my time
That is why I never make the last sentence rhyme
Because I won't stop writing until I die
So, as long my poem ends like this, you'll know I haven't yet served my life sentence.
Walid Abdallah Jul 2018
As long as we are ruled by madness, hounds
will devour fetuses still in their wombs,
mines will sprout in wheat fields, and even
the crossed light of morning will be eye-fire.

We’ll see the young hanged, wronged
at the dawn prayer. It’s an age witness
to a snarling pig fouling mosques.

When madness rules, there are white flowers
on the ruined branches, emptiness
in a child’s eyes, no kindness, no faith, no
dignity held sacred. All fates futureless,

everything present worthless. As long as madness
rules, the children of Baghdad can only guess
why they wander hunger’s thorns,

why they share the bread of death, why off
in the distance, American Indians
hover in the cold, why greed shouts them down,
every race crawling ghost-hearted.

Through blood-colored streets, between humiliation
and disbelief, crippled shadows creep,
and the madness-hounds howl in our minds.

We are on our way to death.



The children of Baghdad scream in the streets
as Hulagu’s army pounds the city’s doors
like an epidemic; his grandchildren roar
over the bodies of our young.

The wings of wild birds are blood rivers,
black claws claw eyes—all this cracks the silence.

The Tigris River remembers those days, so look
behind the curtain of history—how many
aggressors have passed through the centuries
of our land, and still we resist?

Hulagu will die, and the Iraqi children
will dance in front of Degla. We are not
to be hanged from all corners of Baghdad.

*


A river can be a weapon against injustice on the earth.
A palm can be a weapon against injustice.
A garden can be a weapon.

Among the water, in the silence
of tunnels, though we hate death,
for God and right we will set fire forever
to your refusal that Islam is holy.

Baghdad, ***** by tyranny, your children
are raising flags. Where are the Arabs
and the white swords, wild horses, glorious families?

Some of them were condemned, some
fled shameful, some stripped and gave away
their clothes, and some are lined up in the devil’s hall
to get their share of the spoils.

And people ask about a great nation’s ruins,
but nothing remains of that shining empire
that spans from the ocean to the gulf.



Every calamity has its cause.

They sold the horses and traded in
the knights in the market of rhetoric:
Down with history! Long live hot air!

Death comes to the children of Baghdad
in the smallest toys, in the parks, in restaurants,
in the dust. Walls collapse on the procession of history,
shame upon civilization, shame from a thousand borders.

From the unknown, a missile charges,
“Where are the weapons of mass destruction?”

Will daylight come again after the ****** smile
has been erased, after planes block the sunrays,
and our dreams spurt suicidal blood?

By what law do you demolish our homes,
and flood fire upon a thousand minarets?

In Baghdad, days pass, from hunger to hunger,
thirst to thirst, under the gaze of the master
of the mansion, the thousand-masked face.
Will there never be an end to this nonsense?

The curtain rises: we are the beginning.

To starve people—is this honor?
“To prey upon supplicants”—that’s the glorious slogan of victory?
To chase children from one house to another—the joy of tyranny.

These days, people have the right to humiliation, submission,
death in every atom, and the chronic question,
“Where are the weapons of mass destruction?”



The children of Baghdad are playing in schools:
a ball here, a ball there, a child here, a child there,
a pen here, a pen there, a mine here, a death there.
Among the fragments, the cactus.

There were children here yesterday,
fluttering like pigeons in open spaces.
One of these days, dawn might lighten the universe,
but for now the sun of justice is far below the horizon.



Despite sacrifice, there is a dark gluttony:
some are faithful, and some are sellouts.

Oh nation of Mohammad, my heart longs for Al Hussein.
Oh Baghdad, land of Caliph Rasheed,
oh castle of history, and once-glorious age,
the two moments between night and day are death and feast.



Among the martyrs’ fragments,
the throne of the universe, shaken by a young voice.
The dark night leaves when a new day flows.

Oh land of Al Rasheed, don’t lose hope, every tyranny ends:
a child adores Baghdad, holds a white notebook and flowers,
paper and poetry, some piasters from the last feast.

*
*

Behind his eyes, a tear that won’t break
but flows like light deep in his heart: the picture
of his father who left one day and never returned.
The child embraces ashes, and stays a long time.

A thread of blood runs through his mouth;
his voice and shed blood are one.
His features washed out; all of this world is separation.

The child whispers, I long for Baghdad’s day.
Who said oil is worth more than blood?

Don’t ache, Baghdad, don’t surrender.
Although there is dissent in this blind time,
there is, in the far horizon, a wave of visions.

Although the dream is distant, it rises. Rise,
and spread my bones in the Tigris River,
so daylight will one day rise over my funeral procession.

God is greater than the madness of death.
Who said oil is worth more than blood?
Translated from Arabic by Fogle and I.
JV Knight Mar 2013
Everything was dreary
...And bleak.
And my skin happened to look red and splotchy.
All I had wanted
Was to binge on coco flavanols and overdose on caffeine.
I hadn't moisturized my skin after my shower, or put cover up on while it was still moist and warm. My veneer had not been established.
I told myself it didn't matter..
But really this issue was the cultivation
The turning point of my day.

Then I put my face on.
The grey, somber mask turned to Lovely, Feminine Pink.
As I spread the beige cream across my complexion, I felt something shift; insidious.
I felt the ******* I had been enslaved to.
I had been the one
With no friends and no sellouts to lug around with the rest of her baggage.
I had been the one
Who gawked and sneered
At the self-medication of the lonely girls who looked oh-so attractive
With their gleaming, hair~framed faces
And popping eyes.
What have I become?
I now claim this self selling drug
As my own.
What does it mean? What does it say about me?
Even more importantly, what does it say about you, and your stand point?
Do you put your face on, or do you let your soul bubble out of the surface of your complection?
FACE
A FACE
A million faces, pretty ones.
It's time to face the place of natural grace and replace the superficial first impression we chase.
It's not really a poem yet but simply my brains on paper.
Walid Abdallah Jul 2018
Inside their tombs, our martyrs are whispering,
Oh God, we are coming back.

On land they are lifting their hands,
and their voices grow in the silence of the grave:
Oh God, we are coming back.

Stones fall, ashes rise, and their eyes beam,
Oh God, we are coming back.

Our martyrs stepped out of their coffins,
lined up and raised the shout:
Shame on you cowards.
Our home is sold, our nation
a herd of sheep, and you sleep.

Our martyrs travel to Al Aqsa Mosque,
they pray in the churches of Lebanon,
they wander the streets of Jerusalem,
they break into prisons in every land.

They rise from the ashes of the captive home
and preach on every corner of a beaten nation.

They call in the midst of massacres,
God is greater than this man-made world,
God is greater than this man-made world,
God is greater than this man-made world.

Our martyrs are approaching, their shouts echoing
on the walls of Beirut. They gather in the streets
to fight in darkness despite the pale light.

In homes bound by humiliation and madness, they call,
Oh God we are coming back.
One day our coffins will light all of Jerusalem.

They are coming back to break into the castle.



On every corner, they ask the cowards,
Why did you tolerate the wolf, sleeping
amidst sheep, a home as whole as the universe
auctioned off, overrun with rats?

Cowards who sold out our broken home,
our living ancestors, there you are
on the screen, drunk in the fuss,
walking Death, hypocrisy, and control,
we will rid our holy dead of you,
and of the irony of the age.

Oh God we are coming back.

Don’t believe that people killed
in a battle for God are dead,
they are still alive in God.

*


Our martyrs, roaring on every corner of the land,
streams of them asking,
Oh living, what are you doing?

Every day you’re double-crossed and slain
like sheep, surrendering your rights,
running like rats to the wolves,
leaving your people weeping

while you are prostrate before America’s
dollars and the images on screen.

Rats in all sorts of compromising ways.

And in the mad laughter of calamity,
a nation is sold into collapse.

Two images collapse into one:

while kneeling,
your heads under their shoes,
and our Arab Jerusalem,
given to wolves by the drunken.



With Lebanon adrift in blood, and tyranny
on the prowl, our martyrs shout
from every corner, Does honor
have a place? Where have the rebels
disappeared? Why have the sellouts fled?

The silent, the forgetful, and the two-tongued
all keep their mouths shut.
If you ask, they give you official nonsense.
If you ask, you get a bullet in the eye.

*


When you march in the parade of commerce
you wind up sold. History shows traitors
no mercy. The flood washes
over all of you chasing death
with the ad-man chasing you
to sell you tomorrow in the slave market.

Our priests are oblivious in their seats,
drunk on the power of reign and rule.

Our people in prison-darkness. All of them asleep.

When do the sleeping awaken?
When the sleeping wake.
Translated from Arabic by Fogle and I.
Robert Ueda Nov 2014
Stoners go hippie with the sticky sweet smoke
Dope-wicked hope stricken trippin' sinners don't choke
Sellouts sell jail cells in the cellar downstairs
Hairs-frayed-from-hairspray stricken sisters don't care
Tell me where are the werewolves wearing skin overcoats?
Not a body dare boast that their coast is a host
For a problem don't got one when the team boat won't row
Don't tell me you got hope when the dough runs the show
Don't tell me that you care when to sin is to share
Don't ever tell me that you know when your love never show
You're ******' ******-gut, up-chucking sick
Don't ya know?
epictails Apr 2015
Come,let's pack our bags
Hunting hats and all
Perhaps Stradtler is straddling
some ****** *****
Right now, pun intended
Ackley's snoring close to you
Ignore the idiot
Now listen to me
You and I
Let's forget Pencey and leave
the **** phonies who run it

We'll walk the streets together
With no dead ends our way
Your fears scare me too, you hear me?
The world is just too phony
For people like us who escape to live

Everyone tells you to grow up
And forget yourself
Just to kiss and dance with their **** grown up ideas
We are both at a losing end
Finding a close to a story that never really began
Let's just bottle up these *******

Holden, nobody really gives a ****
except the cheap, wretched bars downtown
where  old jokes like ourselves
set fire to the downpour
in our heads with more pain and
then some cheap painkillers
***** a little snooze a little
Some you gain, some you lose

Nobody really takes a look
For a **** second, see?
Except the smelly, narrow hotel rooms
Where we can rest our broken shoulders
And become a child once again
Once again, dear Holden
Non sellouts unlike your brother D.B
The door is to remain close
Some phony might take it against us
Take us to Hollywood
The hell filled with phonies

Nobody, Holden, nobody
We are alone
You and me
And the whole phony world killing themselves
While laughing at our struggles
To live our lives a little honestly
Holden Caulfield will always be my favorite character. Perhaps at an even higher rank than Sherlock Holmes. His angst, cynicism and frequent use of profanity is very much like mine. As I was reading the book I felt like I was living his life. This is for a character I really miss and who I'll always understand.
Mischelle Aug 2014
something's wrong when kids are running away from homes
and taking comfort in alleyways
it's "one of those nights" every night
where the moon mocks your very existence
laughing at how minuscule you are
because you are just a strand of dust
floating in this vast universe
maybe it's that very thought that drives kids to runaway
in search for something more than what a home can offer
how can anyone feel at home when the stars you see are dead
and you don't know which god created this thing called life and why
how can anyone blame the kid for taking comfort in alleyways
at least the darkness won't judge him like the walls in his bedroom do
you know something's wrong when your kid left the window open
and the suicide rates are increasing
with social customs and ideals
we missed something along the way
the missing puzzle piece to this thing called life
what importance is it if no one's going to leave a mark
but artists will still starve on the streets of cities
while corporate sellouts run them
and maybe that's why the kid ran away because he's an artist
Andrew Rueter Jan 2020
Vestigial limbs of a memory forgotten
itch like bicycle shoestrings tapping every spoke.
One day my brother asked me to visit someone with him
he said the guy was my age and feeling down
because his cat ran away
I said sure, that sounds like a nice thing to do.
After 20 minutes I realized why the cat ran
I was planning my escape route as well
this guy was miserable
completely negative
—it was annoying
and then he said it:
"System of a Down sold out with Toxicity,
which was a garbage album."
the layers of stupidity sent me into a k-hole.
Millions of fans would **** Serj Tankien's ****
if only SOAD would make one more album
but yeah, their sellouts, and your cool.
Clearly, screaming, "banana, banana, terracotta pie" repeatedly
is just telling people what they want to hear.
I tried to change the subject to politics
but he made it clear he had absolutely no interest,
well no **** he doesn't understand SOAD, it's pretty political,
but because art is subjective he thinks his opinion has value
and it does—it lets me know to stay away from his negative idiocy.

Kind of like a car ride I shared
with an older right wing friend of my father.
He scanned the radio like a crackhead
searching for a song in the shallow pool he enjoyed
his lexicon limited, our selection scarce
like a lost cat trapped in a garage
unaware of what is and isn't food.
We came across I Got A Name by Jim Croce
and he said, "Nope. No Jim Croce in this car."
Really? ******* Jim Croce?
I guess I wouldn't like his music either if I voted for Leroy Brown.

It'd be naive of me to think these people
don't work for The New Yorker
calling Ford V Ferrari "empty and hollow".
**** dude, I hate to break it to you
but if you can't find emotion in that movie
that's a flaw in you
and the hordes of imbeciles
approaching art with a "this better ******* impress me" attitude
tearing apart any movie that aims for anything elevated
to be just generally miserable or to show how "smart" they are.
Meanwhile, sniping at an actually empty and hollow movie
is seen as punching down and a waste of time
so a subculture of cynics is developed
infecting others with toxicity
to see art as a challenge to one's intelligence
rather than honest emotional expression
then people miss out on the full capability of art
and consume it improperly
and regurgitate it in front of me like a feeble feral cat.

— The End —