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I think of seawater
because of its briny tang,
because when,
by accident,
it trips into my mouth,
coats the inside of my cheeks
in a clear, chloride gloss.

I think of seawater
because of the way
it blooms along the shore,
dazzling white jewels
slinking up our toes,
our feet left with a glimmer,
slippery and clean.

I think of seawater
because your hair was soaked,
chestnut brown trickles
wriggling down your face
and I could smell the beach
in the pool of your neck,
fresh and transparent

at the crook of your lips.
Written: September 2015.
Explanation: A poem written in my own time, not quite as good as I wanted it to be, but still satisfying. All feedback welcome as always. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP in the coming months.
Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
Keith W Fletcher Oct 2016
I thought about this and around this for a long time, so I guess it's time to write it down.

THE NATURAL ORDER.

There is a natural balance in Earths history and mankind's tentative balance along the scale.
  When humans began to band together and create communities, control of fire / light created a need for oil . Eventually settling on whale oil.
   So it was by the grace of whatever one might want to attribute it to,that let petroleum come into play at a time when whales are in danger of being annihilated and dead horses were clogging the streets of cities in the east, left dead or dying by the Cartmen who simply unstrapped the sick or dead animal and moved on.
  .Oil / petroleum led to the creation of the internal combustion engine.
   So again a hand stirred the ***.                
  Consider these improvements( if such they were )created rapid growth and burgeoning cities . Again Providence stepped in to create radio , telephone and airplanes, essentially at a time when growth of humanity was so great , that new ways of farming , new ways of seeing the world-  were  becoming more and more necessary to a shrinking world.
   Unfortunately, at a time when we, the American initiative creators of so many trends, ideas ,Innovations and inspirations around the world, were suddenly slammed a blow that at this point, 40 years later; it's very reverberations are still being felt.
   Consider if big oil and trickle-down had not ,for spiteful and greedy involution, taken down the solar panels from the White House roof, that Jimmy Carter had installed in 1977.
  How far ahead would we be now ,in clean energy and how much less damage to the ice cap and the atmosphere would have been done??  To date... my guess is that it is incomprehensible.
  So if nature does create a balance, it seems we are coming to a critical Junction.

Right now -metaphorically speaking- we are riding shotgun in a car with a driver ,who like us ,sees cars up ahead disappearing around the curve and all hitting  their brake lights. Now any reasonable driver at highway speeds is 65 - 80 miles an hour would at least take the foot off the gas in preparation of  tapping the brakes.
  So many politicians right now are refusing to accept the brake lights... see no reason to tap the brakes to interrupt cruise control, in all actuality, completely refusing to do anything except go around the curve at full speed.
   Around that curve we may find nothing but smooth sailing ,  or we may find a catastrophe in the making.
   Nature will accept the cruise Interruption now (maybe) brakes absolutely, but Full Speed Ahead will lead to the sickening crunch of seawater rising and  spilling salt water into the lands that are used for growing crops and food -  leading to millions , maybe billions of refugees with nowhere to go.

Or we will reach critical mass of sheer ignorant arrogance and nuke ourselves into a situation that does not have the technology or population to hammer at the planet so freaking hard.

Most likely the first scenario would instigate the 2nd and those of us who crawl up out of the ashes will start the evolution to revolution journey all over again.

Ain't nature Grand ???
I always wanted to be that random style of writer
Writing about things which have no connection
In reality but they are connective only by the ingenuity
Of his genuflection; the circumvention of his
Circuitous routing, his plaintive perturbing petulance
Which insists on stacking things of different orders
Flying birds together of different species
If I could write something of the ticking of clocks
Not as though the ticking were of premeditated duration
Embedded in metal tracks around perimeters
Of prevaricated die-cast hours; but as though the ticking
Were only a random fixture of a theoretical day
In which random clocks ticking played a minor role
During the still life of which a poet happened along
And copied it all down dutifully, not caring if
Ticking clocks were related to pitchers of Forsythia
Or falling off of cliffs into the Aegean;
The only task of the poet to capture it all
And let the reader sort it out later
In the random tracks of his circuitous brain:
Whether the pitcher was full of sea
Or the sea was stealing into the pitcher
One blue, serendipitous drop at a time
And where no clocks were keeping time.
Tay Jun 2017
Why are your hands like the ocean?
Pull in, push out.
Come here, go away.

You learned to cry quietly because it's prettier that way. You hate that your cheeks get red- like transparent ghosts found a way to put handprints on porcelain skin. You wipe your tears before they touch your cheeks. Don't give any clues that you're breaking.

Remember the first time your mother told you to not look directly into the sun? You asked why and she just laughed. "You'll burn your eyes, silly girl." You remember this conversation each time she calls you her sunshine.

You were nineteen the day you were told, "you're so soft." It was the twenty-ninth time someone had told you this, but this time those words were coupled with soft eyes instead of a hard-pressed stare. Maybe you could have loved him. But falling in love meant jumping, and there were sharp rocks at the bottom.

You jumped once before. You jumped and swallowed seawater as you watched him standing on the bank scrubbing your poetry off of his hands. You remember water setting fire to the air inside your lungs as you realized that no matter how hard you screamed for him to just love you again, he'd only whisper, "you're just too broken."

You remember two months later- the first time hearing the pop of an orange pill bottle lid thinking that maybe you should write the time- like you're calling the last time you'd really be you. It was a "first kiss, first dance, missed call, last chance, yes, no, maybe-so" kind of night. The kind of night that puts your soul on a sinking boat in the middle of the ocean. There's no coming back from that kind of lonely.

"Be good." She told you. You remember this when you go to type "food" in a text and your phone corrects it to "good". Your ribs drop off into an empty abyss. There is no fulfillment to the kind of starvation your hands feel when you reach out to hands that will never love you back.

Those bones hold you enough for you to sit upright in a hospital waiting room. Spine straight and lungs held in a panic. This happens every time they put cold hands on the parts of you that no longer work. New mothers tell you that children are a blessing- that they'll change your life for the better. Hollow eyes meet the baby blues of another and your hands grow heavy with longing as you realize that your junk really is just junk and you'll never hold tiny hands.

You wonder why you miss someone from years ago. You wonder why it is that you cannot remember what their voice sounds like but you can remember what it smelled like outside the day you two met. The last time you picked up a phone, your hands knew to dial their number. But you haven't called in ages now. You quietly realize that you only miss certain people when your body becomes medicine cabinet.

You now know that you have hands like the ocean because people may love you, but no one wants to stay on the beach after the sun sets.

You remember turning the mirror around and telling you mother the sun didn't shine that day.
Kagey Sage Aug 2014
I was gonna write about how I was writing standing up like Hemingway at some bar in Key West, but instead I ended up nearly lying down, like some Roman eating grapes, and I’m not scrawling with a pen. I’m typing.

Why the standing up, Ernest? Was it to gauge how difficult it was to keep good posture? Was it to better measure how drunk you were getting?

He would have boxed me for those asking those questions, or maybe he’d just slam a few shots.

All of us Northeasterners enjoy getting drunk somewhere tropical. I never have a choice in the matter. Whether it’s Florida, South Carolina, or the South Caribbean (I've never left the Western Hemisphere), all I really like down there is beaches and seawater. Everything else gives deep cringes. Those other tourists, so annoying just to look at. Flip flops, whole families, and the god awful shops they keep open. You go to a place good for a beach, green hills, seawater, and fruit, and you want to buy diamonds? C’mon. I wish you’d want these islands to be like national parks; nature over here and cities over there. But the tourists enjoy fake grass huts that try really hard to sell them junk.

So who’s to blame for the sellers perpetuating petty sales and mediocre values? Is it the islanders that make a profit, or the buyers that want the wares? Or is there a third party guaranteeing that the buyers and sellers alike are propagandized to expect the less than fine things in life? Are the salespeople actually working the shops, the ones really getting rich from the sale?
Leo Dec 2015
my lungs are filling
seawater is pouring down my throat
bitter and cold
and like waves
memories flood back in
screaming and thudding
hiding my face in my pillow
rain on my window
like the tears on my cheeks
from numb ears
after the screams
mother, father, son
you can't see the cracks
they hide but they are still there
just don't talk about the cracks
Searching Apr 2011
Twisted reeds sway gently in the wind as black seabirds slice the sky overhead.
Waves rolling one by one crash with increasing ferocity on to the rocky beach,
And I watch the red sun set fire to the spray while  the tide encircles me.
Tugging at my feet, pulling me forward, it beckons for my consent. I give in,
And all is quiet even in such chaos. All is nightmarish and beautiful all the more.

The blood red horizon seers my retinas; freshly unleashed tears take to the sea.
These waves, such enormous swells, crash in on me; an unseen war is waging.
They press  me down and back, and then drag me further into the endless blue.
Over and over again, repetition loses count, my outcries die prematurely.
Only seawater and air manage to sputter from my lips, cracked and worn.

Not a whisper can be heard out here in such a true state of despair, but not all
Castaways are without faith. The past I once cherished has been lost to the depths,
Yet a knowing tingle in my gut keeps me searching for a message hidden merely
'Neath the surface. Drifting deeper into my pain, I notice a curious thing:  
The force of the waves lessening as I gracelessly surrender to Sorrow and the sea.

My feet torn by jagged rocks no longer felt, my eyelids blistered by the red
Eternal sunset, a few waves push me under before the siege of the sea falters and
I learn to ride the surf, taking each afront as it comes, whether predicted or
Suddenly upon me. My pain ebbs away slowly with the passing of each episode,
And with each wave I acknowledge my loss, relinquishing my burden.

Like so many desparinging hearts before me shipwrecked in the sea of tears,
I forcefully remind myself that one day the lush, inviting green shores of the
Other side of the sea will appear in my line of vision. Yet, for now, I let myself
Drift through the grief of grieving you, often unsure of whether I'm meant to float
Or should let myself sink toward the blackest crags of my mind. Here alone.
Copyright © 2011 Searching. All Rights Reserved.
Zywa Feb 9
Seawater gently

rinses the washed grains of sand --


No flood to be seen.
Personal transmission-composition "Occam ocean" for orchestra (2015, Éliane Radigue), performed in the Organpark on February 3rd, 2024, by ensemble ONCEIM (L'Orchestre de Nouvelles Créations, Expérimentations, et Improvisations Musicales) and others - @orchestra

Collection "org anp ark" #361
serpentinium Jan 2018
I remember a dog with matted fur lounging in the shade
of a collapsed arch, staring in a way that animals sometime
stare that makes me wonder if the beliefs of Kantianism are
nothing more than old wives’ tales spun from smoke and cinder.

I remember the faint smell of sulfur mixed with seawater
in the shadow of the volcano that poured out its wrath
by the bowlful, the golden urns of the gods spilling
fire and magma from the very cradle of hell.

I remember the empty bathhouses, the villas with
half-painted frescoes, the expensive red paints made from
crushed beetle shells, the overturned tables and chairs,
the uneven stone streets carved by horse-drawn cart wheels.

I remember the skeletons huddled in boathouses,
unearthed from their ash-spun graves for prying eyes,
for the rapid shutter of camera lenses, for the proof
of their existence, as if to leer at the living and say,

“We are all nothing but carbon and bone.”
i really enjoyed seeing the ruins of pompeii and herculaneum
Rachna Beegun Feb 2015
There is a place in this world where we all belong

Where we can be as free as the wind and as reckless as the waves

We could sleep on the sand and walk the shores

Where the water will love us and we will care for it

Where we can swim forever into the depths of the sea

And explore the places where people have never been

And share secrets with the coves and have a family of miles of seawater

See creatures of other worlds and beautiful kelp forests

That’s where I would be forever and ever

I wish I could be there, live there

Soon I will be at the sea and live with the
Creatures

Soon that will happen
Mallory Dec 2018
21
It is no coincidence that I was born on the lightest day of the year; Summer solstice. With me, you will be always brightest here. I chew glass. Like cotton candy my love will melt you from the mouth, inside out. I linger like smoke mixed with summer midnight air. I glow like summer morning sunrise. Erasing every forged signature, you’ll feel me breathing down your spine. I’ll surface like a bruise you want pressure on. A sunburn you feel peeling. I sting and heal like salt: seawater on cuts. I am the hottest days, grabbing, clinging, giving meaning to body. Wet. Sweat trickling down back. I am rooted in the grass outside all of the flower beds, like morning glory, I will choke you out if it means I am still growing. I am dandelions, and daisies. I am melted buttercups dripping lazily, under chin. It is no coincidence, that I was born on the brightest day of the year; I am a flame in darkness. With me you will always burn brightest here.
JR Potts Jul 2015
Sometimes we run
into the arms of a terrible person
just trying to escape a broken heart
because loneliness has been known
to taste like warm whiskey,
parliament lights and the kiss
of a lack luster lover who spent more time
trying to lie you between the covers
than they did learning to say your name
out loud, you know the type.
I'd be lying too if I didn't say
I've been that kind, that tall glass of water
promising to dampen a dry tongue
which ain't got the courage to say I'm sorry,
not to nobody else but to themselves.

So I want apologize for not seeing
or perhaps ignoring how crushed you were
when I rolled you up in my arms
the way hikers do sleeping bags
and I held you in my lap
because the car was packed
and I didn't know where else to put you.
You must have felt safe there
thinking you were the place
for me to lay my head on this road trip
we call life, but little did you know
had the trunk not been full
I would have been sitting alone
face aglow from my cellular phone
texting other women,
probably with a smile.

I am here to tell you, you deserve better
and I don't want you ever settle
for anything less than a lover's embrace
because comfort plus time
equals unease on your mind.
Worrying whether this companion of yours
has become a stone tied to your heart
with a heavy rope and its tugging you down
into the dark blue depths
filling your lungs with ice cold seawater
with every last breath.

I want you to be with someone
you can chase for the rest of your life
and when you get tired of swimming
they won't leave you treading,
chumming shark infested waters
with blood from a poorly stitched heart
but they will follow and follow
until you both find that deserted island,
that paradise you promised one another.
Dear titanic, tell me of how you survived your last hurrah- tell me of how you didn’t see the iceberg, tell me of how it felt to lay down on the ocean floor, tell me of how empty you are, the skeletons of your passengers are all but hollow husks- skeletons from a time that is now gone.
“I am not empty,” the titanic says back to me, her voice muffled by bubbles and groans from rust coated pipes.
“But you are, I say. “You are empty but filled with ghosts- yours, the oceans, theirs. They party and laugh and drink and dance and run in your rooms, your hallways that go on forever.”
“You are the empty one,” titanic whispers, rusty railings creaking.
Dear titanic, how did you feel, sinking, ripping in two- unable to be put together again, how did it feel becoming a broken heart? Did you bleed? Did you do it to yourself?
“Was your sink an accident?”
“What do you think?” She growls- groans and moans echo all around.
“How did the music players continue on as you sank- their instruments and lungs filling up with seawater as their somber music filled the ears of your passengers?”
“They just played on, soothing my pain,” came the reply.
“Dear titanic-” I started.
“Let me ask you- why have you come?” She demands.
“To learn your secrets of course.”
“That’s not why.”
“Who hurt you for you to seek me out? Why have you come?”
“I've come to find out what you did to survive.” I reply.
“Then you know now” She whispers, pipes groaning as she shook with mirthless laughter
“Do I?” I questioned.
“Yes.” I imagined her smiling at me- broken glass as teeth and sharp lines for lips.
“How did you survive?” I whispered, my heartbeat echoing in the stillness- needing to hear the words I hoped she wouldn't say.
“I didn’t.”


— dear titanic, tell me of how you survived your sinking // a.
25 février 2020
09:54 am
Mateuš Conrad Jun 2016
early on i left an imprint for me to remember,
kinda like 2 x 2, equating to 4,
not as simple with words:
i like this dialectic between Dionysian and
Apollonian attempts to express aye arr parley!
shake the pine trees to get the toothpicks
like you might get a mojito, onward! toward
El Dorado! transgressing 24 hour hours
and you get the flavour:
first beer in in from dieting, oh ****, it's bitter,
second beer, mm, sweeter... then the headline
of whiskey and coke... Kazakhstan nice... yok sh'eh mash?!

three movements working their way,
those conquered and exposed to direct roman rule,
presiding over the "charm" with roads, western europe,
now they're so pride to reach that far back,
mention Boudica, one, more, *******, time!
i'll give you Britain that made Louis XIV
the peasant king at Versailles, and Charles II
wise with a Guy Fawkes firecracker... mm, guess
it happened here! in the yeast of a baker's
reincarnation via Malachi's heresy:
Elijah coming soon? Elijah not coming any time
you blunt sword of monotheism excluding
the chance of many, democratic influences!
either the fish or the aquarium...
the aquarium... a billion of them plus Islam will
be anarchic China, people never wish for better,
they only wish to better themselves,
including the social strata stampede that's necessitated
in the process... scientific positivism of Enlightenment
died, the absolute necessity (god) / the absolutely
necessary thing became trapped in the Bermuda
or the Copernican triangle, no good for crossing
oceans, just ably whirling east to no east outside
the atmosphere, try me with two thing:
Copernican vectors with a stable point constantly moving,
rather than sunny, constantly expressed economically
as usurper against usurer and the university grant
of simony, although worthy of an actor to spread
charitable work and paedophilia in Asia dubbed
Portuguese Missionary - well i'm sure the apologetics will
come, my neighbour hugging her dog watching television,
closest kin of the genesis story having secondary reminders
determining whether the lie was white or instructive,
a joke or seriousness - indeed entombed in treating these
words as a holiness worth for all the present religious attire.
absolutely necessary Kant said,
he also said: you said omni- etc., indeed you're on a
roundabout of intellectual yawns, there's nothing new here!
i need god as a concept of vectors and cursors, mediating
more than the caging of man's affirmation of himself
with Freud... the sounds and equally shared optics
need to accommodate a oneness, god is a predicate
of essential function: a. the triple affirmative:
i, thought, existence... something to concern myself with,
b. the duo affirmative:
denial, thought, existence... the arithmetic goes further,
i am writing quickly hence i will not brood over,
except a comparison in cinema, the film *hostel
(2005)
and pretty much all of Hollywood's 1970's grit output...
take for example Al Pacino in the panic in needle park,
you know what i see? modern american interpretation
of what eastern europe represents, the farts
leave flamboyant Amsterdam hopeful for Slavic ******,
they come to Slovakia, and it hits them,
the passive lack of jealousy and need to impress
building a chrysler building, the oddity like landing on mars...
but it's already been done with, New York in the 1970s,
the same slavic grit, even the way the cinematography looks
like the colours were shaded with a peppering of sand...
new york in the 1970s is like Eastern Europe in
the horror set in 2005 in Slovakia... globalisation's paranoia,
there are still people out there who we can't ascribe
metaphors to being exclusive: no iron lady lifted the
iron curtain, the iron lady had an iron skirt, and she
couldn't lift that up either... Churchill puffer a cigar
and a million bees emerged heralded by Edward the Confessor.
that's the relation though, Hollywood's 1970's urban grit
and what the tourists encountered in Slovakia in 2005,
a sleepy kingdom, 2nd Mongolia, second to none,
which i beg to differ with, given the Scots were tight
stretching 2 pence copper coin to invent copper wire
and the Swiss (also in hilly surroundings) have us
elaborate paedophilia via Nabokov catching butterflies...
hardly two mountain ranges and hardly two plateaus.
it's called exotica these days... yep... the dissection of
the Polish-Lithuanian commonwealth and the emergence
of both Lach, Ukrainian, Lithuanian, Latvian, Estonian
and White Russian is what the Czech say made them
speak both cesky and saksonski... tseba! holy roman
prague ****, disintegrated into the Austrian intervention...
very much as if: thank you for defending Vienna from
the Ottomans, Jan Sobieski.
but the Jews got reparations at the end of the ordeal,
and western Europe received the Marshall Plan...
eastern Europe received Marx... too proud they said,
it's not exactly Mama Russia surrogate,
it's Papa Khan also... moon gall! no news from Mongolia
i hear, sooner a tale from an American zoo
where a retired silver-back dragged a baby from
drowning in an inch of water, hero shot,
where were the parents? a four year old can hardly
sit on a kitchen stool let alone climb over zoological
fortifications... ah the blessing given unto man
by Iblis to ape ably a delay he has no chastity over:
if Iblis defended his pride, then man can but
defend his chastity - Iblis was given a longer time-frame,
man was given a shorter time-frame, Iblis'
choice expands furthest into myth, man's choice
implodes further into repetition - for Iblis' mistake
was but one, when knowing of man's aplenty;
it is said that when a man is to become a father,
he relives his childhood - legality i say would have
obliged me, but pride took no notice of symbols as signatures
of such love, especially given the expenses,
or as in the supermarket today, the cashier invested ?
into the one buying the goods:
- where is she? you're not together any more?
- oh, she's moving to York, it's her work, she has to.
- you're not moving with her?
- well, it's only for 2 years, and then she'll be back,
  training, it will take her 4 months...
na'h ah... bye bye...                       she ain't coming back...
tell you what mate, keep a cat, the most selfish animal,
bestia ex solipsism - no necessary petting by constantly
showering it signs of jealousy and ownership and upkeep,
as if having to punch a gorilla to hold hands.
i love feminism for one thing only:
it made sexism a branch of Darwinism, *** warfare...
in relation to me? two girls chatting away:
- *******! how could he leave you!
- but he did!
- what ***** made him do it!
- philosophy!
don't get me started on those who read very little
and can't allow philosophy a poetic form, and necessarily
have to plagiarise Aristotelian stylistics to be considered
philosophy (albeit only in scholarly musings).
i'm sure it was something about the fruits of our
presupposed wisdom that bore knowledge that individuated
us, to the point of extremes, as hardly scraps for
vultures, to no animal nobleness, parasitic amongst each other,
defining the 16th century or such desires to keep
afresh, minted and pampered for the next cohort of dupes...
some find the memory of dogs towards us keener
than our fellow men should wish to share...
the animal domesticated and not eaten is seemingly our
prefect to walk toward a seize-less craft of un-exhausted thought,
only un-exhausted because of missing interaction,
say there, is that Hegel's mirror (master) and narcissus (slave)?
the emergence of these belittled nations is clear in
western europe, the bombing of Libya,
the usurpers of Syria, the once conquered having a taste
for empire and colonial rule think they cherish
the biblical conundrum when the resurrection was inclined toward
the lands Sven and Mietek - toward the lands
of conquerors and the ones converted -
four movements thus (sketched):
a. sonata: βορας ηλιος - μακεδων να ινδια
b. adagio: βιργιλιος ως καντηνoν -
                  μεσoγειος: μαυρος (ex),
κoκκινος (ex), ειρηνικoς (ex),
ατλαντικoς (ex), βoρειος (ex), βαλτικη (ex),
south a poet, north a philosopher,
from only one sea came two oceans and many other seas
to sustain the thirst for seawater among men!    
c. scherzo: Casimir the 3rd welcoming the Jews.
d. sonata: an die mitternachtfreude - more like a calm
before taking up the arms.
Pea Jul 2014
I am so young
Yet so strong
Strongly salty
Like the seawater
Strongly lazy
Like the wind

I am dull
As a knife I don't have worth
Even pen can stab but I cannot
I am the seawater; I am the wind
I don't need to explain my worth to you

Every morning I wake up with poetry
On the tip of my tongue
On every clip of my nail
My fallen hair
The dead cells on my bed
My greasy face

I open my eyes with poetry
This heart beats in poetry
These erythrocytes carry poetry
I breathe poetry
I live in poetry
I do not need words
Not all poetries are words
And that's enough
Kendall Mallon Jan 2014
§
Battle of New Britain

Lieutenant Jim G Paulos led elements
of G Company in a savage counterattack
that ousted the intruders supported
by Lieutenant James R Mallon’s improvised
platoon of H/11, which remained
to help man casualty-depleted line.

Improvise (OED):
One: to compose on spur
of the moment; to utter
or perform extempore

two: to bring about or get up
on the spur of the moment;
to provide for the occasion

Three: […] hence to do anything
On the spur of the moment

Improvised platoon
Df James R Mallon:

When most of your platoon
lies dead in the pumice sands
of the South Pacific-Japanese
bushido bullets tear flesh and spirit
out of the corporeal—husks of limp
limbs you fought to defend and they you
Japanese mortar fire, machine and small-gun fire
fifteen yards in advance of the wire
how do you bring about or get up
the courage to grab whoever—
the nearest marine
talk through ears drums burst by mortar succeeding shockwaves
forget for the time the men
you spent months training
sipping beers in Australia
laughing over bar stool drunken jokes
men you shared your dreams about after
away from the mosquitoes
away from the constant moisture
rain rain rain day and night
soaking through fatigues through skin through bone
never enough sun to dry out
air already saturated
sweat or seawater—it is all the same
now you must find new men—men you have seen,
but do not know the same as your own platoon
their life and yours in each others hands
alone in a group of stranger-brothers
always faithful
keep composure in the face
your buddy’s entrails pouring into the pumice sand
hence to do anything
on the spur kicked into your side
to block what no man should ever be asked to see
and do what you can in the moment
to save your division from enemy fire.

§
Cyclops Black Eyes

One summer e’ening drunk to hell
He stood there nearly lifeless
A gal sat in the corner
And it’s how are ye ma’am and what’s yer name
And would ye like a drink?
She looked at him, he at her
All she could do was accept one

And rovin’ a rovin’ a rovin’ she’ll go
Through his pair of blue eyes

She knew not the pumice beaches and streams
Sometimes walking sometime crawling
amongst blood and death ‘neath a screaming sky
Where Cyclops black eyes waited for him
Was it birds whistling in the trees?
Always the Cyclops black eyes waiting for them
So they give the wind a talkin’

And a rovin’ a rovin’ a rovin’ he’ll go
Away from those Cyclops black eyes

And the arms and legs of other men
Were scattered all around
Some cursed, some prayed, some prayed then cursed
Then prayed and bled some more
All he could see were Cyclops black eyes looking at him

No Cyclops black eyes waiting for her
And a rovin’ a rovin’ a rovin’ she’ll go
And never know what saw his pair of blue eyes

Could she forsee in that pair of blue eyes
Decades he’d spend drunk to hell?
Sometimes walking sometime crawling
Rovin’ and rovin’ away from those Cyclops black eyes

§
Colt 1911**

I was nineteen when I learned
my Dad his father’s Colt 1911 pistol

when Dad was young he
and his brother found
the gun—hidden in the rafters
of the cinderblock basement
their father built; magazine bullets and pistol
on one rafter—separate, except
the bullets lived in the magazine

my dad and uncle, like any
young boy, were fascinated
by the pistol; though too young
to feel and know the power
and danger in the cold blue metal

when their father and mother were
away—home alone they snuck
to the hand-laid basement
reached around the rafters
through years of dust and darkness
feeling for the colt and mag
scrape-click-pop—ca-chick
round in the chamber—“freeze!”

so played boyhood fantasies
cowboys & Indians
cops & robbers
with a lethal toy


so my dad kept it a secret
locked in a tarnished steel box
locked through the trigger guard
magazine separate
four silver, dimpled, bullets rolled round between
their queue and releaser

I was struck by the weight—heavier than I expected—I felt the years of use polished into the wood grips—thick hand grease sweat blood humidity sand saltwater gun oil mud tears life saved and taken.
At the bottom of the wood grips ticked notches deep in the grain—both sides—different numbers; “What are these?” I asked running my finger across the nocth-ticks feeling their depths their absence consciously carved with his next best tool—kabar: workhorse that can baton through five inch diameter logs, machete through two-finger branches, dig a hole to burrow while machinegun fire mows down jungle; easy to sharpen, keeps an edge; full tang to hammer temples or tent posts

“I don’t know; the only thing we have is the lore.”

fI counted seven
the number the magazine carries
eight total, if you have one in the chamber

You have to commit to fire
a 1911, the cliché: don’t pull
the trigger—squeeze
is how the 1911 fires—a button
fits the crotch of the thumb and index finger
opposite the trigger on the handle;
to unleash the hammer then
lead, squeeze the two—firm
tight at the target; no shot fired
by accident—no Marvins with the 1911.
I am trying a new form of poetry called 'documentary poetry'. This is the story of my grandfather who fought five campaigns in the Pacific Theatre of WWII for the United State Marine Corps. (This is a work in progress)
Sofia Paderes Jan 2014
When I was sketching this afternoon,
my strokes seemed unsure
and my lines were all wrong and
I realized some things about you.

The reason your fingers
always seem to be slipping
every time you try to catch a
handful of waterfall
is because once upon a time
the rocks that your soles were planted on
crumbled.

You used to be a deer,
the way you stood on new heights
and how you looked on
with a steady eye, so
when was it that you decided
one more step was too much for you to climb?

The burying must stop.
It has been proven time and time again
that no matter
how deep a grave is dug,
the flowers will give the bones away.

I don't understand why you
confuse seawater with fresh, because
I know that you've already stuck out your tongue
and tasted the sweetness of real freshwater
or have you?

You are dust
walking in deep shadows
where I cannot find you.
I have only a candle
and my words, but I will wait.
After all, in the beginning,
something beautiful was made from dust
and from a word
sprung a world.

And lastly I realized that
I hope that you someday read this poem
and we will sit together in the afternoon sun
and you will listen to the sound of new things
as I sketch with sure strokes
and just the right lines.
Coleen Mzarriz Jul 2020
The seawater's saltiness and the tears from the sky passed through my nostrils—the abiding flavor of its bitterness came to me in a halt. Its rushing waves splattered all around. My white floral dress, covered in blood—and its aroma; the aroma of my crimson blood thirst me to sip more.

“Helena, Hel- Helena!” A familiar voice lulled me to wake up. It woke me to a familiar dream I could not forget—the way it keeps pulling me back; it is my cord of weakness. Its cacophony—the reverie; is all I could remember.

A rattling noise distracted me from the trance of my thoughts—we passed by trees standing strong, winds tugging out our hairs—while there played, ‘The Ghost of You’ hang there to lull us in peace; while the quiet August's night disturbs me from within.

“Helbound Town” As we strode across the gateway sign of Helbound, the chills of the night disturbed my senses—summer is about to end, as the month of September lies beneath the thin.
An enormous ancient house welcomed us and the old graveyard greeted me, where the deceased buried me in millions of 'hellos.'

“Come on in.” My Dad yelled when he opened the door. The creaking sound creeps into my bones. As the new Blacksmith House greeted us once again with antique furniture and the aroma of its damp and mildew odor; this is the new home of the Blacksmith.

“Listen, children. All of you go to sleep, and we'll drive down the Town tomorrow.” Dad called out, and we peeped into our new rooms. I pass by my window and the faint sound of the rustling leaves caught me in a swift, “Someone is out there” I whispered and peeked into the narrow window, as I move closer—my phone rang.

“Why are you calling in the middle of the night?!” I frowned when Steph wasn't talking. It's all just jarring sounds and the hushed voices. As I was about to end it, the rustling leaves and the hissing winds startled me. “W-what is this?” I peeked again, and a shadow stalked me from behind the tall tree.

“Hello. Welcome to my territory.” The shadow revealed himself—it was a familiar face. I am sure I met him somewhere; somewhere I couldn't remember.

“Who's this?!” I hissed. The man chuckled and let out a sigh. “Your savior.” He smiled. He's only meters away from my cracked window.

“Don't joke around. You don't know who you're messing with. Also, why do you have my Friend's number?!” I shouted. I couldn't stop myself from cursing and hissing.

He's getting on my nerves.

“Come on. It's just me, don't you remember?” He asked.

“What are you talking about? I don't know you!” I was about to end the call when he threw a rock and it landed on the cracked side of my window.

“H-how dare y-you!? What are you doing? Get out!” The veins on my neck were visible when I stopped myself from screaming so loud. How could this guy!

It was the sound of his genuine laugh that buzzed my ears. It was almost a gentle whisper that hissed in the bone-chilling of the Midnight.

“Goodnight. I will see you tomorrow. They are already waiting for you, Helena.” Then he disappeared in just a swift blink of an eye. I didn't even ask for his name.

There's a part of me that longs for his embrace. A part of me that wants him to be my sanctuary.

We drove past the quiet road of Helbound and went out to see the entire part of the Town. The people welcomed us with pairs of eyes scrutinizing our every move. The children in the street stopped midway and stared at us like we are new things strode past them.

The Town that was once lively and rambling on the narrow part of town was gawking at us—there is something in their eyes that brought danger inside me. Again, a familiar sense—a hidden trance where my mind couldn't remember.

“Come here.” The woman called in a dull monotone. We ignored the pairs of every eye we meet as we enter the small gray and grim of an old restaurant.

“They are just like that when they see new people that come here.” The woman added. My Mom and Dad looked at each other and ushered my two sisters and me to come closer.

“Stay here.” My mom whispered. The woman smirked and the moment I caught her eyes, there was something in her I smell...

Fear was to be seen in her dilated pupils.

“Casper, hurry!” The woman shouted at the back of the room. And there, the guy I talked to last night was here. In front of me. “Here you are” He mouthed and smiled.

The woman then went back and in just a blink of an eye, there is blood splattered everywhere. The horror in my eyes went away and it transforms into a hungry wolf.

I can't... I can't eat them!

“Eat. Eat you witch!” The woman screamed so loud. The cacophony of the surroundings and the muffled screams of people came all in once.

What is happening? What am I? Who am I?

I let out a loud cry—enough for all to hear. Enough for all to see. Then I laughed.

You caught me there.

In just a keen move, Casper was the only one alive.

The seawater's saltiness and the tears from the sky passed through my nostrils—the abiding flavor of its bitterness came to me in a halt. Its rushing waves splattered all around. My white floral dress, covered in blood—and its aroma; the aroma of my crimson blood thirst me to sip more.

I woke up to the rushing waves and the call of the sea. Casper was here—he smiled and reached for my hands.

“I want to eat more.” I pleaded.

“There's a family that wants to adopt you. Now's the chance.” He grinned and kissed my forehead.

“They're waiting for you, Helena. Let's go to their place.” He whispered and chased on the waves. I let out a slight smile and wiped the dried drops of blood.

“I can't wait to meet them.”
A flash fiction.
Anna Lo Oct 2011
Methinks he doth not have compassion,
as his gaze strays to the waxed floor, and into the blinding florescent light
in four brief moments,
never once trying to reflect a sense of empathy.
For the petals of all flowers does wither
as does the strong winds eventually lose momentum.
And into that dark place,
where one's heart is discarded into
the deep Caribbean blue mass of water
--floating alongside the millions of seawater wonders--
empathy flees the best of mankind
elsewhere.
And who's fault is to blame?
A question even the most intelligent of beings
and the most worldly of people
cannot earnestly answer?

And he is here.
his words unthinking
and "free-willed"
scorning the self-piteous.
whilst he refuses to acknowledge
his own state of being maudlin.
and this fine youth trods on
unknowingly
stepping closer to the seawater wonders,
lost.
and a little bit more.
and a lot more less.
but inevitably
Tried to have fun with words. Failed.
Will scorn later.
Oliver Apr 2017
Good grades will buy my
ticket to the New Town
where there's sun and golden sand.
Good grades will save me from
the homework I am drowning in.
One day I'll count my change
to buy a banjo like my
runaway uncle owned.
Each strum will create
my Freedom Song.
Toes in seawater,
Strings beneath my fingertips;
I'll have found my escape.
While the tide goes out it will
carry my worries in its waves.
I just really want to get out of school haha
Kate Mitchell Aug 2015
I was made of the stars
But you were made of the sea
I was always convinced
That through your veins ran galaxies

And your baby blues
Looked like the earth from space
The cigarette smoke on your lips
I would always trace

In your eyes I floated
Your lips I drank
Between your sheets I swam
But in your words I sank

In the depths of your ocean
I called out
water muffles words
from 100 feet down

So here I am now
At the bottom of the sea
Weighted down on the floor
Tears are quite salty
robin Mar 2013
i heard a girl once say,
if i could
i would drown
in poetry.
i would throw myself
into a sea of verses
and sink in splendor.

oh, no, i thought -

no you wouldn't.

if there was a sea of poetry
the coasts would be ringed with barbed-wire
and electric fences,
and signs that yelled warning
keep out
undertow

and swim on risk of death -
the beach would be littered with broken glass
from all the drunks that took their last drink
on the edge of a stanza.
the water would be turbulent
and *****
and cold,
and you might admire it one twilight,
when the sun is drowning and turning the sea
red,
and you'd say, oh
that's beautiful.

and you'd take a photo of yourself
grinning with the sunset at your back
and leave.

i heard a boy once say,
if i could
i would drown in your poetry.

oh, no, i thought.
no you wouldn't.
why is drowning such a common theme
in the minds
of readers of poetry?
i imagine it seems
romantic,
in some twisted morbid way -
but i think seeing a bloated corpse
pallid with seawater
missing a limb
or two
would put these delusions to rest.
i imagine seeing
the corpse of a poet
missing a heart
or mind
would put these delusions to rest.

you don't want to drown in poetry.

you want to watch me drown.

i heard a boy once say
if i could
i would drown in your poetry.

so says the boy who calls himself an artist
because he can play
'hey soul sister'
on guitar
and will prove it every chance he gets.
you don't want to drown in my poetry,
and even if you did
i doubt you could -
if poetry was bodies of water
you would throw yourself into a hotel swimming pool
miles away from the polluted lake
where i wash in stagnant water.
if poetry was bodies of water
you'd have someone build a koi pond in your backyard
and call yourself a poet.
if i could
i would drown in your poetry,

he said
and i told him to prove it.

if i could
i would drown in poetry,

she said.

the only people who say
they want to drown in poetry
are the people who don't know what it means.

the only people who drown in poetry
are the people who have no choice.
my ribs were pierced and the last 
vestige of life kept pouring out.
​and when the last word was said,
my body was lain among the mute.

I was a carpenter once, yet I will  
Soon be carved from wood
To sit in silence like furniture,
all dressed up and well kept
with expressions on my face: 

Of pain, of hope, of kindness.

But let us keep our eyes
on what cannot be seen.
What is visible is seldom what it shows.

A man I once knew kept with him a jar of seawater
He reasons that when he wakes up 
He is reminded by the vastness of the sea. 
And he embraces its fragrance: 

Salt and water.

Can not a jar claim a portion of the sea as his?
Or to put it in perspective is it not the sea that embraces us?
Our mouths and minds are still, left open and dull in silence
Waiting perhaps in solitary meditations 
or in many tongues we will talk.
and the crowd will call us drunk.

I and my other self are one. 
But soon, after I have gone another will take my place,
he will embrace us like the sea 
Even in places where no sea is in sight.
One thing is certain: salt. 
The tasteless air will ink new births of sea.

Today let us clothe ourselves in the nakedness 
of our adopted innocence. We will walk with the many 
and again converse in the greater garden.

- 5 September 2018
didactic,
Deborah Lin Jul 2013
I am a lighthouse
       or so I’ve been told
where few ships have sailed
in to find guidance.

I have been waiting
for a vessel to see my light
for a captain to come to shore
for the tides to wash up
        something more than
        a seashell
        a jellyfish
        an empty bottle
                with love letters drenched
                in tears and seawater
                (I couldn’t tell the difference)

I am a lighthouse
Please remember me
in the storm
and on cloudless nights
       when all the stars are
       irresistible in their glory
Remember me
as the place you come home to
Where you can let yourself in
(feel free to put your feet up)
and lay your head back
and let out a sigh that won’t
        be whipped away by ocean-saturated air

I am a lighthouse
in the middle of nowhere
Ships have wrecked themselves
on broken boulders that line my body
like a jealous widow, like a marked territory
Few have made it through.
None have ever stayed.
But my lamp is still burning
and my tower stands tall
and I will guide your journey,
        even if it means pointing over there
        when all I want is for you to stay here.
Taylor St Onge Apr 2014
The yucca plant from my mother’s garden sits
unattended and on the verge of death next to her
eldest rose bush, now wildly overgrown and lightly
blushing in the cosset of the midmourning sun.  Its
withered rosettes droop down to its bed of maroon-stained stones
in crisp, harum-scarum patterns as if the plant is spending its life
like currency trying to touch its toes.  I oftentimes
find myself wondering if the reason behind this
slow rotting of mother dearest’s garden is hidden within her
five-year absence.  If I didn’t know any better, I’d say
her nursery missed the d
                                              i
               ­                                  g
                                                     g
                                                        i
     ­                                                       n
        ­                                                        g
of her weathered hands.

She was the biosphere of my world; I suppose that
it only makes sense for the earth to match my thirst.  We
sit side by side, that yucca plant and I, as we struggle to
nod our heads towards daylight while we rise on
the side of the house that is more or less
cloaked in shadow; the side that she would sunbathe
on during scorching late afternoons.  Perhaps without her
body giving shelter, all her garden is doomed to
atrophy like muscle in the sunlight.

I find irony in the way that my mother’s favored plant
was the “ghost in the graveyard;” a perverted parallel
to the game that she never wanted us to play.  I think it to be
sort of sardonic that her pride swallowed the possibility of
a cure being found within that ****** plant’s roots. She,
a third generation American girl,
had blood as muddled as the mud
that buried that yucca’s heart.
The boundary line between Mother and
nature coalesces into one:
                                               Gaea
                                               six feet under
                                               melting into soil
                                               I hope she becomes seawater.
mommy drabbles
Edward Coles Sep 2014
A toadstool is swelling
inside my limbic system.
Spores sweat amongst tissue cavities,
dining out on grey matter,
until they force me
to stay in bed through the day.

What a thing it would be.
Depression as a fungus.
A mildewed mind as damp sets in,
the trumpet player
with athletes foot,
casting out the air-borne blues.

Misfortunes follow one another
along straits of fate,
as if sadness were a colony itself.
I want to take a pill
to **** the mushroom
that plumes over my head.

You can only diagnose
through words and symbols,
only treat once you set down your pen
and hold the hand
of a patient lover,
of the savant drinking at the bar.

For now I will let air in
through the open window,
watch the dreamcatcher sway
and hang like a tarantula
over the stars and crescents,
spilling out over my bed.

When I close my eyes
I hear the ocean in distant traffic,
sounding as waves when rolling by the door.
I will drown in seawater
and hallucinate a scene
of happiness.

Of a place for a poet's retreat.
c
peach Aug 2014
esc
theres something about your first love
something you will never be able to let go of
youre always going to love that person, always going to want them
theyre always going to mean something to you and
theyre always going to wake you up at 3am from a nightmare
because you were dreaming about them
dreaming about the person you let slip from your fingers
and losing that person was the worst thing you could have ever done
and you regret it every day
well that probably explains why im always waking up in the middle of the night screaming and choking on seawater
[you are my favorite nightmare]
because you reminded me of the ocean
even though your eyes are brown
i can get lost in you forever
floating in the middle of the sea (you)
and i wouldnt mind drowning in that sea because
that would mean id get to spend the rest of my life with you
id get to spend the rest of my life getting lost in your eyes
that remind me of the ocean even though they are brown
[you drive me crazy]
and thats why i always get the sudden urge to swim out to sea
and stay there forever floating and
listening to the waves youve created
but the gentle waves
the ones that i love
the ones that i believed were your way of telling me you loved me
[do you still love me?]
now i understand that the reason there was a hurricane in my heart
named after you
its because i broke yours, isnt it?
and that was your way of hurting me back, wasnt it?
[i never stopped loving you]
Jonathan Witte Apr 2017
The prison bus
passes this way

every now and then,
surfacing without

warning—a leviathan
of metal, grease, and glass

its dark windows secured
by squares of rusted wire

its diesel engine heart
spewing exhaust that

turns morning rain
the color of seawater.

The prison bus
does not stop
for stop signs;

red lights are nothing
but violent memories
strung in an overcast sky.

When the bus strikes
something in its path

the prisoners bounce
slightly in their seats,

lifted into
impartial air

liberated
momentarily

by the familiar
co-conspirators
of blood and laughter.

In his dreams,
the guard who
drives the prison bus
circumnavigates the globe,
plowing through clouds
of insects that shimmer
like fuel above the road.
Lost for words Jul 2010
Sensing the loss of you
Was hard, raw and angry
The realisation that you would not be mine
Stung like seawater
And howled like a foghorn
For months, seeing you cut like a knife
Hot, fat tears rolling down my cheeks
As I mourned the loss of your love.

Sensing the loss of us
Was slow, sad and silent
The realisation that I was over you
Crept like an ant up my leg
And whistled like the wind through a window
Now, seeing you is like pressing a bruise
Our conversations just a nostalgic echo
As I mourn the loss of my love.
Tracks of rain and light linger in
the spongy greens of a nature whose
flickering mountain—bulging nearer,
ebbing back into the sun
hollowing itself away to hold a lake,—
or brown stream rising and falling at the roadside, turning about,
churning itself white, drawing
green in over it,—plunging glassy funnels
fall—

And—the other world—
the windshield a blunt barrier:
Talk to me.  Sh! they would hear us.
—the backs of their heads facing us—
The stream continues its motion of
a hound running over rough ground.

Trees vanish—reappear—vanish:
detached dance of gnomes—as a talk
dodging remarks, glows and fades.
—The unseen power of words—
And now that a few of the moves
are clear the first desire is
to fling oneself out at the side into
the other dance, to other music.

Peer Gynt.  Rip Van Winkle.  Diana.
If I were young I would try a new alignment—
alight nimbly from the car, Good-bye!—
Childhood companions linked two and two
criss-cross:  four, three, two, one.
Back into self, tentacles withdrawn.
Feel about in warm self-flesh.
Since childhood, since childhood!
Childhood is a toad in the garden, a
happy toad.  All toads are happy
and belong in gardens.  A toad to Diana!

Lean forward.  Punch the steerman
behind the ear.  Twirl the wheel!
Over the edge!  Screams!  Crash!
The end.  I sit above my head—
a little removed—or
a thin wash of rain on the roadway
—I am never afraid when he is driving,—
interposes new direction,
rides us sidewise, unforseen
into the ditch!  All threads cut!
Death!  Black.  The end.  The very end—

I would sit separate weighing a
small red handful:  the dirt of these parts,
sliding mists sheeting the alders
against the touch of fingers creeping
to mine.  All stuff of the blind emotions.
But—stirred, the eye seizes
for the first time—The eye awake!—
anything, a dirt bank with green stars
of scrawny **** flattened upon it under
a weight of air—For the first time!—
or a yawning depth:  Big!
Swim around in it, through it—
all directions and find
vitreous seawater stuff—
God how I love you!—or, as I say,
a plunge into the ditch.  The End.  I sit
examining my red handful.  Balancing
—this—in and out—agh.

Love you?  It’s
a fire in the blood, *****-nilly!
It’s the sun coming up in the morning.
Ha, but it’s the grey moon too, already up
in the morning.  You are slow.
Men are not friends where it concerns
a woman?  Fighters.  Playfellows.
White round thighs!  Youth!  Sighs—!
It’s the fillip of novelty.  It’s—

Mountains.  Elephants ******* along
against the sky—indifferent to
light withdrawing its tattered shreds,
worn out with embraces.  It’s
the fillip of novelty.  It’s a fire in the blood.

Oh get a flannel shirt, white flannel
or pongee.  You’d look so well!
I married you because I liked your nose.
I wanted you!  I wanted you
in spite of all they’d say—

Rain and light, mountain and rain,
rain and river.  Will you love me always?
—A car overturned and two crushed bodies
under it.—Always!  Always!
And the white moon already up.
White.  Clean.  All the colors.
A good head, backed by the eye—awake!
backed by the emotions—blind—
River and mountain, light and rain—or
rain, rock, light, trees—divided:
rain-light counter rocks-trees or
trees counter rain-light-rocks or—

Myriads of counter processions
crossing and recrossing, regaining
the advantage, buying here, selling there
—You are sold cheap everywhere in town!—
lingering, touching fingers, withdrawing
gathering forces into blares, hummocks,
peaks and rivers—rivers meeting rock
—I wish that you were lying there dead
and I sitting here beside you.—
It’s the grey moon—over and over.
It’s the clay of these parts.
vega Feb 2022
APEIROPHOBIA: [n.] the fear of infinity or infinite things.



you are love at the end of the world, something spelled without a glottal plea

the stars on my crown hang heavy tonight and i’ve barely slept for an hour but my mind drifts off to weary constellations and i sometimes wonder if we were aligned at all

you, vague hurt, you, toothache in the middle of a birthday party

you, a love like no other

and running without wolves to guide our journey, the forest scratches every inch of bare skin and i would cry out if you hadn’t done the same to me in your restless tossing and turning, there is love in your eyes but no love in the blood you make me bleed

there is still something left to be said. but my mouth is dry and full of sand, kiss it and catch a fly on the wall, smear ointment on its wings and maybe i’ll tell you about how i feel

and it isn’t a good one, it isn’t a love i towed beyond fathoms of seawater and across miles of irradiated coastlines, it isn’t me, count the distance and end up with infinity in one sitting, infinity with end, infinity to beg you of love

beg me of a message unclear, home sweet home

it’s better than nothing. the woozy way i walk into the ocean with a pocket full of rocks and a mind full of bitter sloshing around, is better than nothing, love

it’s better than everything love

because it’s something i still wish to keep, wish on a nebulae cluster that doesn’t exist the second you force yourself to breathe out, screams

no comforting the choir, i’ll drape mine around your bruised shoulders and shake both of them softly until i’ve killed half the universe with my hubris, until we’ve killed off every erstwhile incandescence just to look a little off-kilter, early morning, i’ve never felt better despite never finding out what repose meant

the sky is red at sunrise and then what

and then we, and then we

feel fine

you are love at the end of the world, and i am ready to struggle for survival. invite me into your rose-tinted apocalypse and allow me to decide a fate which was never mine to rewrite

it’s nothing

it’s better than nothing love
Connor C Blake Sep 2014
I once set sail to a shipwreck and no one’s heard back from me yet.

Whether or not this storm can be weathered, my torn sails and bruised masts will be seen fighting the futile.
And whether or not I can come back from this, I won’t dock at familiar shores for a while.

This salty shame-filled seawater may as well be the blood that flows so reluctantly through my veins because inside it all feels the same and at least then I could give the ocean some of this blame.

I’m still made of rotten wood and rusted nails,
I just got better at sinking.

But I’m tired of throwing buckets of salt water over my head hoping I don’t slip,
So maybe I’ll take a break from going down with the ship.

So maybe I can take note from the tide and change.
Because I'm so ******* tired of trying to figure out how I wound up on this page.

Blame it on bad luck, blame it on love, blame it on god,  blame it on the price of a new heart, blame it on a bad start, blame it on the ******* weather,
But even as the water rises, I can still hear the echoing lament of a would-be sailor,
“I swear I can be better.”
Live performance: https://soundcloud.com/connor-c-blake/sail
robin Mar 2013
that should be the name of a song
or a poem
or a memoir of a man who remembers nothing but
danger that passed him by,
ruffling his hair as it passed,
ignoring his pleas:
stay please stay please stay
i just want to mean something,
he would say
(that could be the subtitle
or the blurb,
something to draw the reader in; if floating bodies aren’t enough)
i just want to mean something,
and near-death experiences are the flavor of the day.
i’m not brave enough to do it myself,
i’m not a hero
or a villain,
just a lonely boy, undefined individual,
and your 350 teeth can help me mean
so much more,
350 individual teeth that float above my head,
falling out one by one as you bloat with seawater
(and here the first chapter would end,
here we would break for intermission,
audience smiling over martinis.
only 32 teeth, did some fall out?
too many maraschino cherries will do that to you.
too much sugar on the rim of that glass)
dead sharks in the current and none glance twice
i keep yelling but they just
deflect my bubbles,
and the surface swallows them like the heartless ***** she is
i keep yelling but they just move farther
i keep yelling but stay please stay please stay
i just want to mean something.
i just want some blood on my hands
is that so much to ask?
i just want some of my blood in the water,
to be a survivor
or a victim
(whichever gets more press coverage;
who cares about a memoir that nobody reads?
who cares about a memoir where nobody gets hurt?)
i just want shark teeth in my heart,
he would say,
i don’t want to make a mark on the world,
i want the world to make a mark on me.
that should be the name of a song
or a poem
or the eulogy of a boring man.
Mary Mar 2013
you are sitting next to the boy who drove you
to the fast food restaurant, who drove you to
prom, who drives you crazy,
the one tapping his fingers
down the swell of your forearm,
the one you love in pictures, in postcards,
in senior photographs with his tie askew.

you love him the only way you know how,
call him crying and ask for help
but desperation is not reciprocal,
and needing someone will not
make them need you.
it has taken you much of a lifetime to
learn this.

in the passenger seat,
in the plastic bucket chair,
in the doorway as you convince them to stay open.
you are sending dark globes flying down a polished lane,
all flashing lights and glossy surfaces,
stale breath and obscenities.
you bowl a gutter ball.
you bowl a strike.
this will be the night you realize
he fits you no better than the lurid shoes
cramping your toes.

at his house, at his kitchen table,
in the chair he eats breakfast in every morning,
you are staring down the fist-shaped
hole in his wall, jagged edges
and dark spaces,
it keeps showing up in your poems.

on the artificial green of the mini golf place
down the street,
on the metal bench with the arms
too cold to hold you,
on the luminescent dance floor as he says your name,
watching him heal from heart surgery
wondering what you’d have to do
to make him love you as much
as his body loves catastrophe.

in the backseat with the broken subwoofer.

under the fluorescent lights, your hands unintelligible,

you are crying but you don’t know it yet.

here I am leaving you warnings, here I am
singing you to sleep,
here I am bookmarking your memories
with the words you should have heard.

when he speaks, listen to his words but do not
picture him speaking, do not crinkle with the creases
beside his eyes. do not fall.

he will not catch you.
he will not care.

do not call him next week, on your birthday.
do not tell him about how your father made you cry
or how you feel alone at night.

he will not love you for it.

here you are reading the pages you’ve written about him. don’t cry.
wrap the ribbon from the bouquet he gave you
around the handle of your dresser.
do not think he’ll give you anything else.

on the sand glazed with seawater,
on the overstuffed couch with the cool kiss of a cell phone
against your ear,
in the arching concert hall with the chapped wooden seats,
you are saying his name.
he is there and there and there, laced through your life
like a child’s frayed ribbon, unraveled and imperfect and beloved.

he is beautiful and he is broken
and you love him for the scars he leaves
but you can’t will people back together.
you cannot fix this.

he is telling you he’s leaving and he means it.

he is not yours to miss.
Nigel Morgan Feb 2013
You visit this place
You do not stay long
There’s nothing here
that speaks of settlement
Everything you do has an edge
of intensity wet by the weather
sharpened by the clock

If you try to be still
in what passes for shelter
the wind will find you
seek you out

So with the camera your primary tool
begin to collect - image after image after image
Point and click : view and share

Eventually the mark-making begins
though fraught with difficulty
it seems just hopeless this testing out
of the body’s response to what passes
before the scanning eye
Blink
and the image shifts

There is this fierce and on-going campaign
between the near : between the far
What lies at your feet :  what decorates the horizon.

After a few hours wrapped round in nature’s vortex
the eye and brain are exhausted by the profusion of it all
wearied by the press of wind, the touch of rain, the glare of sun

Always the problem of what you do
with what you’ve seen
and touched with cold hands
pulling out metal objects from the sand
whose rusted and distressed forms
will lie exposed on the studio table

The place marks you Rain and wind on the face
raise new freckles there’s a salty veneer to the skin
the rub of sand  :  a wash of seawater
the grasp of pebbles : wood’s chiromatic grain
The lexicon of texture expands under your fingers
changes of temperature : degrees of saturation
and further uncompromising perspectives
unimaginable yet in two dimensions
Beyond beachcombing this is seacoast surgery

Away from it all (and out of the wind)
your memory stretches to the corners of recall
Wandering through a home-centred day
as in a waking dream
knowing you’ve already gathered
all manner of sensory matter
held and stored in the pineal gland
flowing free in Meissner’s corpuscles

Even absorbed in conversation’s company
as you turn away to fill the kettle
you are on the beach back in the wind
scanning the memory tin : priming the future.
Spurn Head is a narrow sand spit on the tip of the coast of the East Riding of Yorkshire, England that reaches into the North Sea and forms the north bank of the mouth of the Humber estuary. It is over 3 miles (4.8 km) long, almost half the width of the estuary at that point, and as little as 50 yards (46 m) wide in places. The southernmost tip is known as Spurn Head or Spurn Point and is the home to an RNLI lifeboat station and disused lighthouse. To find out more about this place and the poem go to http://spurnpointartistinresidence.blogspot.co.uk
Lora Lee Oct 2016
On the outer
carapace of it,
     all seems ok
I am held
together by
single dry thre
                        a ds
like wire
and strips of
sinews
they keep me
tightly-wrapped,
a package of
molten powders
secret dynamite
waiting to
    e x p l o d e  in
exotic ticks
      of clockwork
but one scratch
beneath the surface
reveals my
inner truth:
How I wish,
by those
whorled and spiraled
powers above,
for the gently fluted
forces of my being
to be parted
like sacred seawater
with my psyche
   f l o a t i n g
just beyond
the zing of
       my brain,
no rational
           understanding
required
yes. I long
to be ever-slowly
           unraveled,
layer by layer
cell by cell
until all that is left
are the platelets
pulsating between
this heart
           and yours
each beat
betraying an
acute intensity
of how
I felt it,
      this tender
electricity
that crackled
        through and
                 between
            our bones
          from the
        very
      beginning
of
    our quiet blaze
our pinnacle
our quirky
metallic
     textures
our breath
mingling over
airwaves
         in heated
                 fluidity
   hotly drenched
in the iridescent
  dust of our
     star-marked
                     time
https://www.youtube.com/watch?v=3yDP9MKVhZc
Meryl Wisner May 2011
Every story I write
has a quiet boy who loves words
and a girl he doesn’t quite understand.
She has a laugh that ricochets
and she makes the quiet boy smile.
She looks like algebra but is more like calculus.
She is deceptively hard to solve.
You don’t see her fault lines until you think you already know her,
but her plate tectonics only cause aftershocks,
never full earthquakes.

I always thought she was me,
always thought I wanted to be
that kind of captivating.
Enough to make the quiet boy happy.
But then I met you
and your quarter moon smile.

I always thought the girl was from some coast
but the first time I saw you in a bikini
I realized you don’t have to be from California
to have drops of seawater glow like individual suns on your skin.
I want you to drip dry
on my clothesline arms.
I’ll hold you up to the sunlight,
let your bare legs dangle in the wind.
I want to straddle your fault lines
and hold you through the tremors.

I always thought I wanted the spotlight
but I’m content
being the quiet one beside you.
I thought I loved the boy who loved words
and I wanted to be enough to inspire him to write
but you make me want to get published just to share you
with the world because
something so beautiful should not be kept secret.
You said you wanted to make the history books
and you will, but for now
I hope my poems are enough.
You are rainy day inspiration.
I thought I was the girl
but it turns out I’m just a quiet boy
who needed someone to
inspire me.

— The End —