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"seances" poems
Sa pamamagitan ng kabutihan ng Kanyang Kabutihan ~~~ *the message arrive by private telegraph line, "write," she behests, more than a mortal's requests, an authoritative pleading, an urgent prompting with an element of divinity attached, almost a command by virtue of her virtue, who am I to refuse, though the writing gene/genie, somnolent, suppressed, quiescent, melatonined by the pills the life force feeds us from a bottle lonely labeled, "whether you like it or not" reckless explore the venues you would prefer to never venture, so, this poem becomes her, this poem be comes her, this poem be comely for and because of her unbare chambers that have rusted shut, be unafraid, she seances me telepathically, in the poet's way, a crying smile accentuated with "write of the titles you have confessed to the body's mind inquisitor that be stored in the warehouses of thy heart" this irrecusable, willing bidding, sneaks in the back door, so easy oiled opened by virtue of her virtue seven years of grain Pharaoh stored in preparatory for the lean ones that inevitable come yes, have so many would be's gestated, but not fully formed, none adequate to honor sufficient her comely behest thus commissioned, my purposeful mission, to honor her once more, with a simple honorific, her wish, no matter how couched, t'is my duty to fulfill so here, full and filled I grant her wishes, with impoverished verses inadequate, for you know her too, as she full and fills us all* ***by virtue of her virtue***
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Mar 19, 2016
Mar 19, 2016 at 4:54 PM UTC
Behest: By Virtue of Her Virtue
Sa pamamagitan ng kabutihan ng Kanyang Kabutihan ~~~ *the message arrive by private telegraph line, "write," she behests, more than a mortal's requests, an authoritative pleading, an urgent prompting with an element of divinity attached, almost a command by virtue of her virtue, who am I to refuse, though the writing gene/genie, somnolent, suppressed, quiescent, melatonined by the pills the life force feeds us from a bottle lonely labeled, "whether you like it or not" reckless explore the venues you would prefer to never venture, so, this poem becomes her, this poem be comes her, this poem be comely for and because of her unbare chambers that have rusted shut, be unafraid, she seances me telepathically, in the poet's way, a crying smile accentuated with "write of the titles you have confessed to the body's mind inquisitor that be stored in the warehouses of thy heart" this irrecusable, willing bidding, sneaks in the back door, so easy oiled opened by virtue of her virtue seven years of grain Pharaoh stored in preparatory for the lean ones that inevitable come yes, have so many would be's gestated, but not fully formed, none adequate to honor sufficient her comely behest thus commissioned, my purposeful mission, to honor her once more, with a simple honorific, her wish, no matter how couched, t'is my duty to fulfill so here, full and filled I grant her wishes, with impoverished verses inadequate, for you know her too, as she full and fills us all* ***by virtue of her virtue***
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64
I look at the clock and i just want to craw under a rock but all i can here is tick tock. i get up from my seat all i can see is my feet. i go to school in fear as you can see my tear.i walk around the room waiting for my teacher to come to his seances and do his job.
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Apr 1, 2015
Apr 1, 2015 at 12:16 AM UTC
WHEN YOUR IN SCHOOL
How to Write a Poem: ***** your finger and bleed directly onto the page. Buy a typewriter from a thrift store and poetically sit in a coffee shop until your muse walks in. Sleep with your professor and let her write your poems for you. Hold private seances at the cemetery. Read your high school yearbook until your poems seethe with forgotten teenage angst. Specifically berate your current lover but then assure him the words aren’t about him. Drink yourself into oblivion but blame your inner artist for your demons. List all the sins of your mother and conveniently forget those of your father. Clutch your pen until a stigmata appears in your hands. Speak your truth, but tell your friends your poems aren’t from your own point-of-view.
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Sep 23, 2018
Sep 23, 2018 at 8:35 PM UTC
How to Write a Poem
For all was tame and quiet, Pin drop symphonies rang the bells of my attention As sound seemed very absence But in the presence of movement over known Emitting silent ****** My seances only were aroused When all the limbs came round the bend To tumble over interruption While passive in their flail A lonely lady frail soon moved from in the dark Lent to the tilt of my eyes a gentlemen Then floating out of balance So near to me in absence of the sun Lips divided slowly Seeping breath of the flowing pale Such absence clustered, subtle glowing Painted figures from shadows as she stretched the crooked hand To ***** my collar with uneasiness While nameless forces bloomed To guid her fingers to my breast plate Envy shook within her eyes That tasted visions of a heart beat Never pulsing in her ribs That soon unhinged and spread around me But in i dove before the grasp So she would not consume my soul My body landed in a room That was the same as such before I left its confines while floating Never greeting who soon came Around the corner, solid form A figure with my name and face His heart was absent Waiting, always waiting To extend a hand to lonely wonderers.
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Aug 21, 2014
Aug 21, 2014 at 8:41 PM UTC
"One Level To The Next"
The room's misted, I can hear voices I think; shrouded cries and muffled screams. But the smog consumes us all. I hear my name in the distance, disembodied and murky like they try to reach me through their sick seances. They all melt into one loud trill. There's only moments left but as I walk this invented distance, I feel a pull; magnetic almost, away from the oppressive subterranean smoke. There! A light that shines, and the ringing ever clearer now, so loud and harsh like a sick child's scream; perennial and pained. The veil of mist billows out as I step on the ledge; and the blackest of skies invites me, along with the winks of dying stars. The incessant noises and chaos and distraction evanesce, as the asphalt below beckons; blinking lights and enticing winds either predict or force my hand. With one lapse in thought; my foot slips and all there is to think is calm. I let the stream of air take me and consume me.
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Dec 14, 2016
Dec 14, 2016 at 2:49 PM UTC
illness
voice is breath dressed in sound with rusted waves of heaviness denser than a fiction an indefinite amount of suspense my fingers bled and i am led back to you home is in my head i always knew that you were truthful you are numinous, that is duly noted i was promoted for fortitude and temperance i am deliverance sending tolerance back to you droopy eyes remind the skies of fire give me sunlight and i’ll show you desire for love is a burning flame and dreams are escapades i see the name written in your flesh bless this existence with governing harmony those drill sergeants aren’t bothering you so part the waters from east to west lest we fester forever in the morning’s seances you dance like blossoms upon hundreds of leaves red eyes cast fingerprints upon these trees i see you dancing amongst the flowers i hear you chanting every single hour invoking plumbs and apricots the shiny parts that we disassociate we hesitate to ready our shadows then we go and wear them to bed but first we must brush our teeth while deep asleep i feel your feet rubbing mine and lions in the dawn dream our longing into song
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Nov 8, 2018
Nov 8, 2018 at 12:32 PM UTC
lions in the dawn dream our longing into song
the first time tristan tzara put his hand into a bag with clippings from newspapers of individual words and started rapping at the cabaret voltaire, after william burroughs extended this method and instead jumbled up paragraphs and even sentences rather than single words to avoid being poetically terse: and later proclaimed that writing is 50 years behind painting... you can still get it wrong in terms of defining the mood of an era of a method... preceding them was piet mondrian - with that new york grid depiction in the vein of minimalistic cubism... just squares and lines... what tristan tzara stumbled upon was how to translate a jackson ******* or a kandinsky with words into words - the chaotic splatter of colour into ink monochrome; it really isn't that easy to write out a jackson ******* it requires a sort of automation, a knowing automation, it's primarily intuitive - you don't know what the exact content will be in each case, but you do know that you're writing in a context of translating your very own kandinsky - even though you're not necessarily looking at an example of kandinsky's work; but let's be pedantic, first tzara, then mandrian, then burroughs, the painters retreated into mathematics and a theory of colour, putting them on equal footing with plato's theory of forms, but to get the setting, poets scout, poets are scouts, writers of fiction are the actual army, who come with bulging sentences, clear depictions (clearly blood will be shed, the uproar of two sides clashing and the sharpening of swords and the swift swooning down of sharpened pin-like arrows with hussar wings to frighten even more), poets scout the new territories - the plateau is never jumbled in fiction, such writers set out with clear vision and aim at running for miles without anything changing, but scouts enter difficult terrain... many twists, many turns, such obstructions as trees, mountains, bees butterflies and seances of witches, not to mention gnarling wolves - for these scouts are obstructed by images, and because of that, some of them report very little for the army of paragraph hunters... but some join rank with them, after all the scouting is done - they too take up a weapon and stand shoulder to shoulder with the giants like tolstoy - although lessening the narrator's role a little.
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Dec 18, 2015
Dec 18, 2015 at 12:14 PM UTC
theory of colour
the first time tristan tzara put his hand into a bag with clippings from newspapers of individual words and started rapping at the cabaret voltaire, after william burroughs extended this method and instead jumbled up paragraphs and even sentences rather than single words to avoid being poetically terse: and later proclaimed that writing is 50 years behind painting... you can still get it wrong in terms of defining the mood of an era of a method... preceding them was piet mondrian - with that new york grid depiction in the vein of minimalistic cubism... just squares and lines... what tristan tzara stumbled upon was how to translate a jackson ******* or a kandinsky with words into words - the chaotic splatter of colour into ink monochrome; it really isn't that easy to write out a jackson ******* it requires a sort of automation, a knowing automation, it's primarily intuitive - you don't know what the exact content will be in each case, but you do know that you're writing in a context of translating your very own kandinsky - even though you're not necessarily looking at an example of kandinsky's work; but let's be pedantic, first tzara, then mandrian, then burroughs, the painters retreated into mathematics and a theory of colour, putting them on equal footing with plato's theory of forms, but to get the setting, poets scout, poets are scouts, writers of fiction are the actual army, who come with bulging sentences, clear depictions (clearly blood will be shed, the uproar of two sides clashing and the sharpening of swords and the swift swooning down of sharpened pin-like arrows with hussar wings to frighten even more), poets scout the new territories - the plateau is never jumbled in fiction, such writers set out with clear vision and aim at running for miles without anything changing, but scouts enter difficult terrain... many twists, many turns, such obstructions as trees, mountains, bees butterflies and seances of witches, not to mention gnarling wolves - for these scouts are obstructed by images, and because of that, some of them report very little for the army of paragraph hunters... but some join rank with them, after all the scouting is done - they too take up a weapon and stand shoulder to shoulder with the giants like tolstoy - although lessening the narrator's role a little.
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51
I want to be the alm the faithful glorier a day in a mind that keeps center about a truth memory a kept kiss secret in days of pink sky seances and the solemn remembrances that people cry for sob break bread for have tea in dresses best dress around fine china, though I never had any, altered states where I might find fine the silken robes those kings adjust as they eye me suspicious for I aim to change away the blood rights judiciary and make plain pollen eye-watering. Some things are just better left unsaid.
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May 19, 2018
May 19, 2018 at 11:49 PM UTC
change
Cool ocean breeze, Salty air washed against my brighten -blushed- cheeks. Waves crash and crumbled deep in the sand. Early spring morning -fresh- of the toxic airs of an urban life. The soft green grass -unforgettable- beautiful. Long and flowing. Twisted trees, Wicked limbs reaching curling -but- beautiful, elegant. Reds, greens, and blues on the backs of fluff coated Sheep in the meadows. Stone trails leading out, off into the distance, out site. Miraculously tall buildings of stone. Seeming to touch the highest of clouds. Looking down upon so many as they pass by. Scurrying quickly to their next destination. Not noticing the blessing, the excitement the -beauty-. No time to stop and lay in moist -soft- green grass, To gaze upon the work, That looks to be have done by giants. Truly -lovely-. Statues looking over the hills, Of where so much labor has been taken by the land. Dirt on hands, sores on feet. Love in hearts, food in bellies. Dancing in the far range of what you can see, The lights as you enter the small towns. The smells swirl through the long allies. The sweet and sour fragrance of boiling soups Filling my seances. The music as you pass the bouncing pubs, Packed full of irish men and women dancing. Complete -happiness-, With smiles the size of the Ring of Kerry.
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May 15, 2014
May 15, 2014 at 3:58 PM UTC
Untitled
A Gil in the docks As always the flock Becomes a stampede of mindless Youthism Like old newspapers I think of words Like unequivocal Or enterprise And find the omission Of interest Constant and timid Like paper bins Or rootball images of day and night Someday the seances of youth will fade away Like films full of hatred and lives full of war Or seething castes of poor old folk Wishing deaths hymn sing aghast them and benign
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Jun 23, 2015
Jun 23, 2015 at 4:39 PM UTC
Being a ship mate
Spheres and nuances seances discordant melodies played in the atmosphere hear chords that seemed wrong without the balance he shared Ludwig my long lost genius hero I listen now
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Feb 14, 2015
Feb 14, 2015 at 11:36 PM UTC
Moonlight Sonata
I don't know when or who bought it, old worn, battered, richly patinated, ill-fitting our modern room. Addressed with reverence dur to age and tradition, setting for many meals, seances and squeals. I was the noble Arthur for a time, with a kingdom to protect, a faith to defend and my comrades to command.
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Oct 14, 2017
Oct 14, 2017 at 1:58 PM UTC
The Table
Now that I'm settled into another night of this unsavory gloom, impending doom, well-marinated in the bitter songs my ex wrote about me I can start thinking of all the little ghosts of men I've washed off of myself in the powder room, some of which still linger in my sheets and in messages, in empty whiskey bottles and cups of sour wine, and some of which I keep around to remind myself how lonely I've managed to remain. My ex-lover's voice is straining now, but in spite of the comfortable familiar sound of his wailing, I only miss the parts about him I've made up with silver lining. And I'm deadly close to making up solid bodies to those little ghosts, too. Most of whom should stay swirling deep in the toilet, or covered in latex in the dustbin. But I take a pill every day and ignore the many messages. I hug a soft loneliness and hold seances on the weekends, bury my dead feelings in a pillow as I scream their several names, swallow them whole but dribble and fill lines at night only to cleanse myself of their remnants in the morning.
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Apr 9, 2018
Apr 9, 2018 at 10:50 PM UTC
Lilin
in musical seances the medium plays guitar drums a bit maybe a sax or a lick on a piano or chord from a far out zylophone a bit of cymbals touch of magical trombones a siren sings in her svelte gorgeousness sways side to side and belts out things from another side takes me back into a dream again a mercury rising thing
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May 12, 2017
May 12, 2017 at 1:15 AM UTC
mercury rises
for which theirs is no liturgical everyday urge in the cycles we moon flow tides desire then escape the meanings the influences while the blood rushes  in periods can we make haste or deny the seasons and seances and the ****** a destination urges the first day comes like a  sunrise new bold nature all natural subconscious asexually normal a day any other tall warm
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Jul 4, 2017
Jul 4, 2017 at 8:24 PM UTC
normal
Silence and shapeless images Dancing naked on the edge of a sword We are spinning our breath into meager sediments And what’s left are my only relationships Is this my retaliation against the blades of oblivion Why must I always be eliminated right before illumination Or the combustion of concrete symbols like carbon atoms As if my soul was undergoing oxidation It's unconscious really that the instant we need to be aware We take a break from concentration and fall into silent reverie A shining monotony as the moon Lights the way to our observation towers We are heavy as daylight and lonely as an empty windowsill   Whenever the sunlight shines luxuriously upon it We are human beings doing but just barely used to using Our unlimited and never-ending powers of imagination If it's not elation that makes us escape our innocent privations Then must we be immaculately nascent Or veritably complacent and understated In our jogging shoes and self effacement strategies You have the blues and the reds too The vibrations echo and they become your only decoration Mellow and sedated we escape our approximations By just getting a little more naked and familiar with our shadows We shake our shoulders and shift our weight back towards the basics As we get a little older we fold our best napkins in our pockets And reposition the sockets and the clocks by our nightstands To tell time just how we would like it to be Exactly the way it was right before we died to ourselves Are you understanding my odd way of speaking Listening to the rhyming water as humid arias fall short of permutations We are negotiating with contemplation’s namesake Underlying visitations from our highest escalators Concentrate and digest, we move forward And caress the feathery fingers you have bared too often We are clever and undefinable formulations Monkeying around with the substrate of our eradication I speak elated seances and fancy equations Which underlie our negated vituperations A Motley array of monkey business Fizzles in the vaporous mist It's an evaporative way of saying i love you We are tender and tangential We are offended by the examples you forget to administer In your haste you restate the laziness of a piece of paper towel To reply to your confessions Underneath the premonitions you make Is something that tastes quite a bit like logic
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Nov 9, 2019
Nov 9, 2019 at 8:55 PM UTC
intuitive indecision
Silence and shapeless images Dancing naked on the edge of a sword We are spinning our breath into meager sediments And what’s left are my only relationships Is this my retaliation against the blades of oblivion Why must I always be eliminated right before illumination Or the combustion of concrete symbols like carbon atoms As if my soul was undergoing oxidation It's unconscious really that the instant we need to be aware We take a break from concentration and fall into silent reverie A shining monotony as the moon Lights the way to our observation towers We are heavy as daylight and lonely as an empty windowsill   Whenever the sunlight shines luxuriously upon it We are human beings doing but just barely used to using Our unlimited and never-ending powers of imagination If it's not elation that makes us escape our innocent privations Then must we be immaculately nascent Or veritably complacent and understated In our jogging shoes and self effacement strategies You have the blues and the reds too The vibrations echo and they become your only decoration Mellow and sedated we escape our approximations By just getting a little more naked and familiar with our shadows We shake our shoulders and shift our weight back towards the basics As we get a little older we fold our best napkins in our pockets And reposition the sockets and the clocks by our nightstands To tell time just how we would like it to be Exactly the way it was right before we died to ourselves Are you understanding my odd way of speaking Listening to the rhyming water as humid arias fall short of permutations We are negotiating with contemplation’s namesake Underlying visitations from our highest escalators Concentrate and digest, we move forward And caress the feathery fingers you have bared too often We are clever and undefinable formulations Monkeying around with the substrate of our eradication I speak elated seances and fancy equations Which underlie our negated vituperations A Motley array of monkey business Fizzles in the vaporous mist It's an evaporative way of saying i love you We are tender and tangential We are offended by the examples you forget to administer In your haste you restate the laziness of a piece of paper towel To reply to your confessions Underneath the premonitions you make Is something that tastes quite a bit like logic
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48
Indecent incandescence The ineluctable insentient Transcendance That inevitably transcends All our sentience Our intransient ascendants Are evidently intransigent Irreverents descended From irrelevant past tenses Of evanescent innocents In essence I recently Have my reasons To resent my senses That sent me again Into decadance Their essence Remains essentially Interdependent and unaffected By your effective decrees Of decreased independence Demands for the deceased Senators may be reached Through seances and signatures Designed to desensitize Pieces of our peaceful Resistance to allegedly Intelligent reservations With admirable indignation These indigenous Geniuses display divinity With dignity and ingenuity And indubitably Deserve our immediate And utmost designation Of authority and self-determination Signed on time And delivered by Intelligible design
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Feb 28, 2018
Feb 28, 2018 at 9:26 PM UTC
Homonymphs on acid-dance (or asinine assomancy and a-litter-ration)
there are characters in romance in wit in seances that try to pull wool over your blind eyes smarter fools than I catch their games their playfulness I believe in them or want for I am star struck and earthbound wanting more to life I sit and hope for aliens to visit conjure up visions of ghostly visitors on full moon nights werewolves daredevils tight walking Imagineers peering into an abyss with thoughts from the realm of make believed childhood innocence fairy tailed I love stories and dreams and romance I love tripping over my two big clodhopper feet and falling through my ******* nearly breaking my ****** neck again
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Jul 25, 2017
Jul 25, 2017 at 9:52 PM UTC
ah