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"scotch" poems
“What’s your favourite drink? Really old scotch or champagne.” “Nah! Her wet lips.”
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Jun 22, 2015
Jun 22, 2015 at 1:31 PM UTC
Her Wet Lips
It’s not funny, you know It’s not a joke You laugh at me Until you choke I wish you did, I’d gladly watch You swallow your words Like you swallow your Scotch It’s not something That you can use For people to like you It’s verbal abuse You’re mocking me My everything How would you like it if I did the same thing? But I wouldn’t dare Because I know how it feels I’ll patiently wait Life is a rolling wheel Maybe one day soon You’ll be treated the same I’ll be long gone by then You’re the only one to blame.
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Sep 7, 2015
Sep 7, 2015 at 11:57 PM UTC
Verbal Abuse
in Just- spring when the world is mud- luscious the little lame baloonman whistles far and wee and eddieandbill come running from marbles and piracies and it’s spring when the world is puddle-wonderful the queer old baloonman whistles far and wee and bettyandisbel come dancing from hop-scotch and jump-rope and it’s spring and the goat-footed baloonMan whistles far and wee
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16k
In Just-
I look at my purple and yellow flesh. Smile at the memory of where you have been. The harsh and heavy marks of our love. I bite my bottom lip and press my thighs tight. Stifle moans from the ache it brings. Explosions raddle my brain and i wish to be with you again. I trace the indention of rope along my wrists. The thin line between pain and pleasure. How we crossed it; played hop-scotch with it. I giggle to the excitement of my battered soul. The snap and crack of a flogger on my back. Spiders crawl down my spine with the words, "You are mine."
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Aug 18, 2017
Aug 18, 2017 at 5:09 PM UTC
Marks on my heart.
Loving me with my shoes off means loving my long brown legs, sweet dears, as good as spoons; and my feet, those two children let out to play naked. Intricate nubs, my toes. No longer bound. And what's more, see toenails and all ten stages, root by root. All spirited and wild, this little piggy went to market and this little piggy stayed. Long brown legs and long brown toes. Further up, my darling, the woman is calling her secrets, little houses, little tongues that tell you. There is no one else but us in this house on the land spit. The sea wears a bell in its navel. And I'm your barefoot ***** for a whole week. Do you care for salami? No. You'd rather not have a scotch? No. You don't really drink. You do drink me. The gulls **** fish, crying out like three-year-olds. The surf's a narcotic, calling out, I am, I am, I am all night long. Barefoot, I drum up and down your back. In the morning I run from door to door of the cabin playing chase me. Now you grab me by the ankles. Now you work your way up the legs and come to pierce me at my hunger mark
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13.4k
Barefoot
You are my dear, decadent desert, My summer-thyme delight; Starlight. Tonight’s your night, for you I write. Radiant glow, fuzzed herbal hue. My dear butterscotch icecream. Sore arms churn thick, slick froth - Sauterne butter. Gentle spread melts, dowsed in sweet, sugared innocence, rich scents, then sits. 6 years pass quickly, youthhood gone; My black swan, a third complete. You, sauterne butter, mix with scotch - Fermented, demented, invented to inebriate. Golden brew dissociates reality - Spinny, fuzzy, dizzy, funny… gone. Go on again, dear fawn, 6 years pass, Pant for the water, two-thirds complete. 12 years as toll to adolescence; Icy, creamy, dreamy, element prepared. Scoops of soft serve mix with years past - Angsty era. Seductive spirits, beautiful brew. At last, my summer-thyme delight dances with rhyme. The lime-light shines; ten and eight. Todays the date, stuff immaturity away. Make room for the adulthoods’ good, Scooped generously into a bowl Shuttled and entrapped by me, Melting, streaming, gleaming and freezing. You awesome angel! My pleasure supreme - My dear butterscotch icecream.
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Apr 22, 2017
Apr 22, 2017 at 6:43 PM UTC
Butterscotch Icecream
Whisky, I neglected you For mushrooms and amphetamines. For ket and **** and LSD, And Mandy too, to name a few. Needn’t I have looked so far To be the greatest of cliches. The drugs and raves led me astray. For writers, scotch is more on par. Half your bottle drank away, Half full in my state of mind. Every sip; sublime and kind, Every **** a harshened spray. Now I’m stuck, a drunken haze Has washed and swept the ways of rhyme. In its tide is also time, As by the sun, the night decays. Whisky, polished, final sip. Like the bottle, I am dry. So, I tried, to write not high. This poem ***** I’m off to trip.
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Aug 21, 2018
Aug 21, 2018 at 9:07 AM UTC
Amber is the colour of my energy
The man at the bar He is a young **** He's got years on his slate Double my own A bottle of scotch He swishes away The British way Born in London Now a Southerner Touring the country With his Wife, Elene Not missing a thing Quite the engineer Laughing away With each glass The bartender brings Flapping his yap At the pretty young miss Residing at the bar Enjoying her dinner No longer feeling a part From the crowd
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Oct 21, 2011
Oct 21, 2011 at 8:58 PM UTC
Young ****
“I remember the bed just floating there” is how Phil Kaye started his ‘repetition’ poem.   I remember pausing the youtube video after the poem ended. I remember burying my feelings under 3 blankets and 4 hours of binge watching spoken word poetry. I do not remember the dreams I could have had. I remember the set of nightmares that visited religiously like the downstairs neighbor tired of how loud my heart pounds at late evenings. I remember, very clearly, how they went. I do not remember if I have written them down. Dream one: he peels my freckles off my skin; he says he needs them because his coffee is too light. I scream while he calmly adds pints of the cheeks to his cup. He says I can never be as quiet as the girl who managed to sneak into his ribcage and build herself a bedroom. Dream two: We are standing in the great library of Alexandria. He pulls the sea from underneath my feet and stuffs it into his back pocket. He says he needs it because he is tired of drowning himself in uncertainty. I start to cry and he says: Aries is the god of war, and women born under this sign confuse war for love. I remember the mole on his left ear growing bigger in my nightmares without me ever watering it. I remember he smelled of tangerine trees and broken records. I do not remember if his face looked like the man I almost fell in love with last winter, or my father. I remember the first time I saw my father after he came back from Ukraine. I remember his brown leather shoes that oozed of old spice cologne and neat scotch. I remember his hardly worn pair of glasses and the pieces of me they never cared to read. I remember the wrinkles that seemed newer than his glasses slowly colonizing his hands... the hands that never held me as tight as the dress I wore to my school prom hoping it would catch my ex’s attention. I remember that dress. I remember it had a floral print reminiscent of the season that I was named after hoping maybe it would remind him I’m part him. I remember realizing he will never remember. And now, I sit on a carpet of autumnal leafs as crisp as my tied tongue and as dead as my fears, trying to turn my love for him into more than just a memory.
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Aug 8, 2018
Aug 8, 2018 at 4:00 PM UTC
A Memory
“I remember the bed just floating there” is how Phil Kaye started his ‘repetition’ poem.   I remember pausing the youtube video after the poem ended. I remember burying my feelings under 3 blankets and 4 hours of binge watching spoken word poetry. I do not remember the dreams I could have had. I remember the set of nightmares that visited religiously like the downstairs neighbor tired of how loud my heart pounds at late evenings. I remember, very clearly, how they went. I do not remember if I have written them down. Dream one: he peels my freckles off my skin; he says he needs them because his coffee is too light. I scream while he calmly adds pints of the cheeks to his cup. He says I can never be as quiet as the girl who managed to sneak into his ribcage and build herself a bedroom. Dream two: We are standing in the great library of Alexandria. He pulls the sea from underneath my feet and stuffs it into his back pocket. He says he needs it because he is tired of drowning himself in uncertainty. I start to cry and he says: Aries is the god of war, and women born under this sign confuse war for love. I remember the mole on his left ear growing bigger in my nightmares without me ever watering it. I remember he smelled of tangerine trees and broken records. I do not remember if his face looked like the man I almost fell in love with last winter, or my father. I remember the first time I saw my father after he came back from Ukraine. I remember his brown leather shoes that oozed of old spice cologne and neat scotch. I remember his hardly worn pair of glasses and the pieces of me they never cared to read. I remember the wrinkles that seemed newer than his glasses slowly colonizing his hands... the hands that never held me as tight as the dress I wore to my school prom hoping it would catch my ex’s attention. I remember that dress. I remember it had a floral print reminiscent of the season that I was named after hoping maybe it would remind him I’m part him. I remember realizing he will never remember. And now, I sit on a carpet of autumnal leafs as crisp as my tied tongue and as dead as my fears, trying to turn my love for him into more than just a memory.
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20
she was hot, she was so hot I didn't want anybody else to have her, and if I didn't get home on time she'd be gone, and I couldn't bear that- I'd go mad. . . it was foolish I know, childish, but I was caught in it, I was caught. I delivered all the mail and then Henderson put me on the night pickup run in an old army truck, the **** thing began to heat halfway through the run and the night went on me thinking about my hot Miriam and jumping in and out of the truck filling mailsacks the engine continuing to heat up the temperature needle was at the top HOT HOT like Miriam. leaped in and out 3 more pickups and into the station I'd be, my car waiting to get me to Miriam who sat on my blue couch with scotch on the rocks crossing her legs and swinging her ankles like she did, 2 more stops. . . the truck stalled at a traffic light, it was hell kicking it over again. . . I had to be home by 8,8 was the deadline for Miriam. I made the last pickup and the truck stalled at a signal 1/2 block from the station. . . it wouldn't start, it couldn't start. . . I locked the doors, pulled the key and ran down to the station. . . I threw the keys down. . .signed out. . . your ********* truck is stalled at the signal, I shouted, Pico and Western. . . . . .I ran down the hall,put the key into the door, opened it. . .her drinking glass was there, and a note: sun of a ***** I waited until 5 after ate you don't love me you sun of a ***** somebody will love me I been wateing all day Miriam I poured a drink and let the water run into the tub there were 5,000 bars in town and I'd make 25 of them looking for Miriam her purple teddy bear held the note as he leaned against a pillow I gave the bear a drink, myself a drink and got into the hot water.
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6.3k
Hot
she was hot, she was so hot I didn't want anybody else to have her, and if I didn't get home on time she'd be gone, and I couldn't bear that- I'd go mad. . . it was foolish I know, childish, but I was caught in it, I was caught. I delivered all the mail and then Henderson put me on the night pickup run in an old army truck, the **** thing began to heat halfway through the run and the night went on me thinking about my hot Miriam and jumping in and out of the truck filling mailsacks the engine continuing to heat up the temperature needle was at the top HOT HOT like Miriam. leaped in and out 3 more pickups and into the station I'd be, my car waiting to get me to Miriam who sat on my blue couch with scotch on the rocks crossing her legs and swinging her ankles like she did, 2 more stops. . . the truck stalled at a traffic light, it was hell kicking it over again. . . I had to be home by 8,8 was the deadline for Miriam. I made the last pickup and the truck stalled at a signal 1/2 block from the station. . . it wouldn't start, it couldn't start. . . I locked the doors, pulled the key and ran down to the station. . . I threw the keys down. . .signed out. . . your ********* truck is stalled at the signal, I shouted, Pico and Western. . . . . .I ran down the hall,put the key into the door, opened it. . .her drinking glass was there, and a note: sun of a ***** I waited until 5 after ate you don't love me you sun of a ***** somebody will love me I been wateing all day Miriam I poured a drink and let the water run into the tub there were 5,000 bars in town and I'd make 25 of them looking for Miriam her purple teddy bear held the note as he leaned against a pillow I gave the bear a drink, myself a drink and got into the hot water.
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59
“Play it cool,” they said to me one afternoon. Five years later, people drop me in their drinks. Scotch on the rocks. The glass speaks to them from behind drunken eyes. “I am the Twist", the twist that accompanies the elixir you crave so fervently.
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Sep 25, 2012
Sep 25, 2012 at 8:16 AM UTC
I am the Twist
A Workplace Rendezvous My eyes Always found hers. Mischief, The dangling host. She was one Of my workplace peers. If it went any further I could be toast. Those cinnamon eyes Of hers. Butterscotch candy Peers back at me, I feel so dandy Shoot me some brandy. I see the loneliness In hers. Her cleavage Cuts to the chase. Happenstance now in place. Our eyes did dance a duet. Her words are the coquette. Mine is a cadet. We grabbed a ruse. A pail and mop with a muse. When we reached The men's restroom The coast was clear. The sun shining above, Holding a frown. Say hello to the clown. We fast break the court, I dribble up and down. She passes back and forth, I shoot for the town. We score at the bell, That breaks the spell. Our lunch break Rendezvous Was a first. And last. We filled our thirst With better scotch we toast. Logan Robertson 10/6/2018
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Oct 6, 2018
Oct 6, 2018 at 2:16 AM UTC
A Workplace Rendezvous
*“As for Charles – he likes girls. If he’s drunk, I’ll do. But – just when I’ve managed to harden my heart, he’ll turn around and be so sweet. “ “You like him a lot, don’t you?”* The night crumbles to dust as I trace every single crease, every nook, every edge of you. I drink you in, you drink cheap wine: you only kiss me with alcohol in your blood, you cannot stomach me without the drugs. A pile of cigarette ash on the floor, broken glass. Shattered ice cubes and cigarette butts. It’s a scene of decay; you and I could only survive if you whispered sweet nothings and I let you gut me. You lead me on and I always slip, and touch you and believe this time will be the time you stay, this time will be the time you remember last night morning come, this time will be the time I am the one. It rains the first time and there’s a bottle of scotch; we play cards; you’re drunk: I strip you off; tonight you smile; tonight you will not mind if I touch your jaw your lips your waist and below and your heart no – never your heart. Then it’s a matter of time. You always come when you need me and I can never refuse to be the one who lets your tongue explore my mouth if only drunk if only for a while if only for the night. I’m there. I will do. For now. I kiss your lips your throat your neck your collarbones and down – way down – below and your heart no – never your hear. You twist me round your little finger and I would die and die and **** and die a thousand times to have you look at me and say I’ll stay tonight. My Charles. No – never mine.
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Mar 4, 2015
Mar 4, 2015 at 9:25 AM UTC
Fragile Bones
*“As for Charles – he likes girls. If he’s drunk, I’ll do. But – just when I’ve managed to harden my heart, he’ll turn around and be so sweet. “ “You like him a lot, don’t you?”* The night crumbles to dust as I trace every single crease, every nook, every edge of you. I drink you in, you drink cheap wine: you only kiss me with alcohol in your blood, you cannot stomach me without the drugs. A pile of cigarette ash on the floor, broken glass. Shattered ice cubes and cigarette butts. It’s a scene of decay; you and I could only survive if you whispered sweet nothings and I let you gut me. You lead me on and I always slip, and touch you and believe this time will be the time you stay, this time will be the time you remember last night morning come, this time will be the time I am the one. It rains the first time and there’s a bottle of scotch; we play cards; you’re drunk: I strip you off; tonight you smile; tonight you will not mind if I touch your jaw your lips your waist and below and your heart no – never your heart. Then it’s a matter of time. You always come when you need me and I can never refuse to be the one who lets your tongue explore my mouth if only drunk if only for a while if only for the night. I’m there. I will do. For now. I kiss your lips your throat your neck your collarbones and down – way down – below and your heart no – never your hear. You twist me round your little finger and I would die and die and **** and die a thousand times to have you look at me and say I’ll stay tonight. My Charles. No – never mine.
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58
My body steeps in this hot sarcophagus, Coated in fake butter topping. I watch trollops quaffing hoppy-scotch, Flipping wristwatches for moves to jump rope two-and-two. Like when I was 10, and I saw this ***** white trash can of a man, Fly out of a grocery store with a 40oz like he was Peter Pan. But I knew deep down, in my swashbuckling soul of souls, That Peter Pan got Wendy by being a gentleman. So this fever, that has my mobile phone not shaking in my pocket, I keep staring at every five seconds for you to call. Is just another moment in my life to cherish, because if we should be married, And I want to talk. I'll just need to walk down the hall.
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Apr 13, 2014
Apr 13, 2014 at 9:29 PM UTC
Phone Calls
at high noon at a small college near the beach sober the sweat running down my arms a spot of sweat on the table I flatten it with my finger blood money blood money my god they must think I love this like the others but it's for bread and beer and rent blood money I'm tense lousy feel bad poor people I'm failing I'm failing a woman gets up walks out slams the door a ***** poem somebody told me not to read ***** poems here it's too late. my eyes can't see some lines I read it out- desperate trembling lousy they can't hear my voice and I say, I quit, that's it, I'm finished. and later in my room there's scotch and beer: the blood of a coward. this then will be my destiny: scrabbling for pennies in tiny dark halls reading poems I have long since beome tired of. and I used to think that men who drove buses or cleaned out latrines or murdered men in alleys were fools.
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5.4k
The Poetry Reading
drunk on the dark streets of some city, it's night, you're lost, where's your room? you enter a bar to find yourself, order scotch and water. ****** bar's sloppy wet, it soaks part of one of your shirt sleeves. It's a clip joint-the scotch is weak. you order a bottle of beer. Madame Death walks up to you wearing a dress. she sits down, you buy her a beer, she stinks of swamps, presses a leg against you. the bar tender sneers. you've got him worried, he doesn't know if you're a cop, a killer, a madman or an Idiot. you ask for a ***** you pour the ***** into the top of the beer bottle. It's one a.m. In a dead cow world. you ask her how much for head, drink everything down, it tastes like machine oil. you leave Madame Death there, you leave the sneering bartender there. you have remembered where your room is. the room with the full bottle of wine on the dresser. the room with the dance of the roaches. Perfection in the Star **** where love died laughing.
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5.3k
Big Night On The Town
Forlorn beauty-child Living in my night Crying in your dream. Sounds of sorrow Linger in the morning mist Of subdued consciousness. Troubled water falls From awakened red eyes That searched inside loneliness   Only to find more. Now... Behind my faceted face Your countenance lingers... I glance quickly within, You disappear! Your gaze lit my shadowed mind. Your presence was there waiting For me… A Sonata… A Fantasy   A Major key bright-shining Singing sunbeams to lift me. After the music... Shards of shattered dreams Scattered like felled icicles lying in the sun, melting into mulch       They dawned bright green Pipers on Scottish dew. The mourning moon is Catchlight in your eyes Bright Bird... Captivating sailors Reaching down evoking vulnerable Aspects held so long secret...
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Nov 25, 2015
Nov 25, 2015 at 2:38 AM UTC
Scotch sonata - Piper's dream
We cover illness with flowers and flowers die The inside of my mouth tastes like it is decaying I hope I lose all of my teeth first Maybe its just the scotch and ***** But there is a burning in my throat Maybe it is Satan just making his way out
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May 14, 2014
May 14, 2014 at 7:27 AM UTC
Satan
New Year's Eve party. With the popular kids. That you don't know well. But your boyfriend's going, and you need to go too. (for a New Year's kiss, of course.) Your favorite pair of jeans because they are easy to dance in. Your best floral tank top because it's brand new (and it's cold out, so you can have an excuse to wear his jacket.) Coral blush because it looks good with your skintone. Purple eyeliner because it makes your eyes pop. And french manicure, (your very first one!) Done by your older sister, aided with scotch tape for the tips. (It makes your hands look pretty, and official, like your best friends mom.)
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Jan 1, 2012
Jan 1, 2012 at 9:17 PM UTC
The Homemade Manicure
It’s early Friday afternoon and, over plates of greasy spoon dinner, the musician and the businessman repeat their weekly ritual. The businessman has his problems at home and spills his guts to his musician friend. “It’s been a real long time coming, but she’s still been such a bitter ***** They’ve met this way since their college days and nights spent studying the bottoms of whiskey bottles. And, as usual, the businessman’s hair sits sprawled on his head like a rag, and his tie is loosened. The musician doesn’t understand divorce: “You look like hell. You know, if you need a place to stay, Helen and I and the boy can always make some room for you.” They light a pair of cigarettes and wait for a waitress to kick them out. Into the haze of a Lower East Side crowd the musician and his band play his newest pieces, riffs on the happy swagger of the Duke. His critics— and he has many— write that his jazz sings the inescapable *********** of suffering through the life of every oblivious body, which makes the musician’s music sound more like the blues than jazz. But it’s jazz all the same and perhaps it was the intensity of the growling bass that shot spirits down the throats in the audience, reeling drunk in time to the beat of the musical suffering. The weekdays die and it is Friday again. He has a big view of midtown, the businessman, and though the window the falling sun horizons over his socked toes, parked on his desk in triumph over all those stockholders. It’s a pain to lose your family, but the businessman puts on a good face, and drinks. This Friday, the musician and the businessman are not in the mood for talking. But a scotch thrown down, and the two are tighter than thieves. The businessman complains of life at home and the musician’s eyes cross. That night, the musician skips his performance. His wife cries in their bed, shuddering with worry and asking him what makes him so distant? she asks— it’s a mystery even to himself. He is sweating whiskey— which suits him fine— and he spends his night on the bridge. One week later and it is Friday, finally. Today, the businessman will see his children at his former home for the last time for a handful of months at best. The musician has not been home for three days. He stays at a friend’s apartment, puts on his ***** blazer and a record of the Duke’s before he throws himself down the airshaft. The businessman jumps on the 5:44 out of town and calls his friend the musician to cancel their usual Friday meeting, but his phone keeps ringing, ringing, ringing, ringing, ringing.
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Apr 12, 2010
Apr 12, 2010 at 10:01 PM UTC
The Musician and the Businessman
It’s early Friday afternoon and, over plates of greasy spoon dinner, the musician and the businessman repeat their weekly ritual. The businessman has his problems at home and spills his guts to his musician friend. “It’s been a real long time coming, but she’s still been such a bitter ***** They’ve met this way since their college days and nights spent studying the bottoms of whiskey bottles. And, as usual, the businessman’s hair sits sprawled on his head like a rag, and his tie is loosened. The musician doesn’t understand divorce: “You look like hell. You know, if you need a place to stay, Helen and I and the boy can always make some room for you.” They light a pair of cigarettes and wait for a waitress to kick them out. Into the haze of a Lower East Side crowd the musician and his band play his newest pieces, riffs on the happy swagger of the Duke. His critics— and he has many— write that his jazz sings the inescapable *********** of suffering through the life of every oblivious body, which makes the musician’s music sound more like the blues than jazz. But it’s jazz all the same and perhaps it was the intensity of the growling bass that shot spirits down the throats in the audience, reeling drunk in time to the beat of the musical suffering. The weekdays die and it is Friday again. He has a big view of midtown, the businessman, and though the window the falling sun horizons over his socked toes, parked on his desk in triumph over all those stockholders. It’s a pain to lose your family, but the businessman puts on a good face, and drinks. This Friday, the musician and the businessman are not in the mood for talking. But a scotch thrown down, and the two are tighter than thieves. The businessman complains of life at home and the musician’s eyes cross. That night, the musician skips his performance. His wife cries in their bed, shuddering with worry and asking him what makes him so distant? she asks— it’s a mystery even to himself. He is sweating whiskey— which suits him fine— and he spends his night on the bridge. One week later and it is Friday, finally. Today, the businessman will see his children at his former home for the last time for a handful of months at best. The musician has not been home for three days. He stays at a friend’s apartment, puts on his ***** blazer and a record of the Duke’s before he throws himself down the airshaft. The businessman jumps on the 5:44 out of town and calls his friend the musician to cancel their usual Friday meeting, but his phone keeps ringing, ringing, ringing, ringing, ringing.
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75
a bottle of scotch had bad dreams. bullets twitch, junk sick in 3 inch thick mustard **** toe nails clipped from yeti lay strewn about the **** stained corpse of a motel six dixie cup - root canal trophy, next to a black fez with scab tassel upended. down in it. belching apnea propaganda and belladonna waiting for curious george to find a shotgun and a yellow hat and a brick banana. blowflies inhale the rank damp of a fresh **** the odd dog whines like a clown in - a blender. [ the ] house wins with a marked card; jabbing fat fingers into acned rosacea bloated with sleep lack and mortgage back stab chasing twenty ****** with a hollow point pull from an acid flask while hailing a black cab. tinsel sutures stitch eyelids as a mercy shattered bone knit hand-grenade cozies old glory, at half mast half wasted fifty stars, no light dragging on the grounds of immunity to do a line of coke stock with a basset hounds' finesse. your taxes at work in columbia, hiding from a lost farm in Idaho your american dream turning tricks in shanghai for a counterfeit egga roll your meme, devoid like an ice cube tombstone your freedom, parking cars for italian escorts smoking skin flutes for ferraris and white teeth. your integrity, sold to a hedge fund for astroglide and a pez dispenser packed with prozac pressed by ' Jose the butcher' s abuela in a narco slum that ain't seen radio since cinder blocks had wings.
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Dec 26, 2012
Dec 26, 2012 at 2:40 PM UTC
Black Cab Charybdis
partying got old in a hurry. it aged like milk that was bought a few days before expiration. and I'm lactose intolerant anyway, why the **** am I drinking this? I'm looking for something more mature, that becomes ripe with the passage of time, like 50 year old scotch. and I'm an alcoholic anyway, why isn't there a bottle in my hand? overwhelmed with the thought of you drinking anything with anyone else while I sit here alone and sip another cup of coffee, with only the wind to keep me company. and even he doesn't stay for long.
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Nov 11, 2014
Nov 11, 2014 at 2:46 AM UTC
stay
Witchcraft and wine it comes so naturally, and now that you’re mine I’m going to actually try my best not to lose it. If there’s a bomb then I will defuse it. If there’s an offer I’ll just refuse it. If there’s a card to play I’m going to use it. Because you’ve got me under Your blanket of stars and mysteries, connecting our scars and histories. In parked cars both sighing mystically and back to the park where I was to shy to try anything. Sorcery and scotch you put me in a trance. If you took it down a notch, I just might stand a chance that I’m not going to lose my head, even with my cheeks burning red getting brighter as you quietly said “I’ll meet you tonight in our bed.” Depriving me of slumber With your healing touch and cosmic skin, I’m within your clutch and freely giving in. It’s too much and you have yet to begin, removing my crutch and cleansing me of each sin. I was warned of street magicians and cautioned with tales of gateway drugs. To not take my eyes off no matter the conditions, because that’s when they tend to pull rugs. “If you fall for one, you’ll fall for them all.” But this time I’m done, I think it’s last call. With your witchcraft and wine, you make it look so divine.
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Aug 15, 2025
Aug 15, 2025 at 7:11 PM UTC
Witchcraft & Wine
We sense it because it comes inexorably, this is the beginning  of good-bye. Her eyes avert his, a touch with no feeling, a caress more cautious than caring, a kiss when lips do not meet, this the beginning of good-bye. A perfunctory placement of the hand, a conversation moribund, sipping scotch and sodas in silence, a call that never comes, memories that have grown opaque, this is the beginning of good-bye. TOD HOWARD HAWKS
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Jun 17, 2019
Jun 17, 2019 at 2:37 PM UTC
THE BEGINNING OF GOOD-BYE
The redneck got arrested last night. The ******* was barking back at dogs and belting shots of scotch well-before sundown. You could say he and the sun were collectively sinking. Nights like these breed pregnant silences between the outbursts. I sit poised for the next eruption as a child cloistered under covers for fear of thunderclaps-- Another howl, (presumably bellowing for beer) then he's batting his live-in lap-straddler around the apartment beneath me. With every strike the drywall learns a lesson this ignorant ***** can't get a grip on: some things never change. The world will change around them like tissue growing around a bullet fragment. The cops come, the cuffs go on, and the problem is put on pause for an evening-- but he'll ascend the stairs with the sunrise. They'll reconcile,             because misery does want for company. He'll promise he'll be different. She'll actually believe him. They'll be back to battering their plaster with the reverberations of ******* and arguments. She can't see that a drunkard's apologies         are counterfeit currency. I took it for common knowledge. Perhaps it is... Perhaps, like living in tornado alley, they cope with ceaseless shit-storms because they're just too lazy to move.
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Sep 20, 2012
Sep 20, 2012 at 12:36 AM UTC
No Place Like Home