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"sallow" poems
My thoughts are crabbed and sallow, My tears like vinegar, Or the bitter blinking yellow Of an acetic star. Tonight the caustic wind, love, Gossips late and soon, And I wear the wry-faced pucker of The sour lemon moon. While like an early summer plum, Puny, green, and **** Droops upon its wizened stem My lean, unripened heart.
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Jilted
Was it love? or was it an arrow? My heart, you took, left me in sorrow Your heart, may I borrow? Till death, I will keep, not returned by tomorrow My fortune is narrow That what left my heart hollow And my face sallow Your secret, I revealed, left me feeling shallow Running in agony in the furrow Towards the nearest tree, willow With no one fellow Sitting on the branch lonely with my shadow What a blue life! Thought it would be yellow! Memories of you are my softest pillow Such emotions, I shall not allow Your fingerprints, your footprints, your trail I will follow With all of my might, we become the lovers of the morrow The pill of hope, I will swallow --Hisham
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Jul 15, 2018
Jul 15, 2018 at 6:43 PM UTC
Was It Love? Or Was It An Arrow?
one April dusk the sallow street-lamps were turning snowy against a west of robin’s egg blue when i entered a mad street whose mouth dripped with slavver of spring chased two flights of squirrel-stairs into a mid-victorian attic which is known as O ΠΑΡΞΕΝΩΝ and having ordered yaoorti from Nicho’ settled my feet on the ceiling inhaling six divine inches of Haremina in the thick of the snick- er of cards and smack of back- gammon boards i was aware of an entirely ***** circle of habitués their faces like cigarettebutts, chewed with disdain, led by a Jumpy ***** who played each card as if it were a thunderbolt red- hot peeling off huge slabs of a fuzzy language with the aid of an exclamatory tooth-pick And who may that be i said exhaling into eternity as Nicho’ laid before me bread more downy than street-lamps upon an almostclean plate “Achilles” said Nicho’ “and did you perhaps wish also shishkabob?”
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One April Dusk The
Two girls there are : within the house One sits; the other, without. Daylong a duet of shade and light Plays between these. In her dark wainscoted room The first works problems on A mathematical machine. Dry ticks mark time As she calculates each sum. At this barren enterprise Rat-shrewd go her squint eyes, Root-pale her meager frame. Bronzed as earth, the second lies, Hearing ticks blown gold Like pollen on bright air. Lulled Near a bed of poppies, She sees how their red silk flare Of petaled blood Burns open to the sun's blade. On that green alter Freely become sun's bride, the latter Grows quick with seed. Grass-couched in her labor's pride, She bears a king. Turned bitter And sallow as any lemon, The other, wry ****** to the last, Goes graveward with flesh laid waste, Worm-husbanded, yet no woman.
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Two Sisters Of Persephone
(1) The day she visited the dissecting room They had four men laid out, black as burnt turkey, Already half unstrung. A vinegary fume Of the death vats clung to them; The white-smocked boys started working. The head of his cadaver had caved in, And she could scarcely make out anything In that rubble of skull plates and old leather. A sallow piece of string held it together. In their jars the snail-nosed babies moon and glow. He hands her the cut-out heart like a cracked heirloom. (2) In Brueghel's panorama of smoke and slaughter Two people only are blind to the carrion army: He, afloat in the sea of her blue satin Skirts, sings in the direction Of her bare shoulder, while she bends, Finger a leaflet of music, over him, Both of them deaf to the fiddle in the hands Of the death's-head shadowing their song. These Flemish lovers flourish;not for long. Yet desolation, stalled in paint, spares the little country Foolish, delicate, in the lower right hand corner.
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Two Views Of A Cadaver Room
drenched in blue moonlight  I admired her through the sheet of smoke in the gap between us Carefully I swayed and our arms greeted with a gentle graze "I tend to see the glass as half empty– sometimes completely." Sudden words drew me like water from a well A cigarette pinched by the uneven crescents of her lips pulsated, her sallow face awash in a delicious red glow "Either way, it's a beautiful glass, isn't it?" time nonexistent She fumbled another to a faintly open mouth I lit it in silence
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Jun 30, 2016
Jun 30, 2016 at 11:23 PM UTC
L.
My darling, will you marry me? Years of hints I decided to ask Is it wrong for a woman to ask first? Disbelieving His reaction His breath heavy and heaving Fidgeting in his chair My face, sallow in its seriousness Cast a cold shadow on his bones His body turning away The back of his head In my veins moved oxygen pure My breath calm and subdued Knowing the answer before it was asked Confirmation from his lips due What does one do after many years? Is it ok to force one into marriage? Am I giving myself up? Am I giving in? My darling. Will you marry me? You are the love of my life. Will you marry me? No, he said.
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Apr 29, 2022
Apr 29, 2022 at 8:06 AM UTC
Will You Marry Me? He Said No
I feel a little confused Like I have something to figure out A little twisted up and chewed My mind is racing on doubt. I'm trying to put my thoughts Into words in this writing My hand it jots The nails on my fingers I am biting. It's hard to say how I feel But I definitely know that I am feeling Everything inside is real I just have to find it by peeling. My skin it itches from nerves I look sallow and wrecked I've stretched myself thin and over all the curves I can no longer object. I had to cry today Because I drove myself up a wall Repressing things I've wanted to say Has somehow made the mountain I have, to climb, very tall. It's not like my problems are anything important But I guess they tend to wear me ragged It's sometimes because I can be expectant Of people and things that are jagged. I have some things I still need to learn But I'd rather be learning then at a stop Like how not to expect and sometimes not to yearn And when to skip, rather than to hop. I try to keep my heart open wide But that leaves it to be bruised I have to let some things subside And not let myself feel used. I'll learn to be compassionate But still protect myself Though somehow I feel like I'm in debt To all the dolls on the shelf. I conclude this work of emotion Still upside down and withered At least I've crossed further, the ocean But I have yet to meet the blizzard.
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Mar 24, 2011
Mar 24, 2011 at 9:29 PM UTC
"An Emotional Journey"
forced to ask 'is it all bullshit' this field of study just completed this path now flying feet fleet'd I, alumni all outwardly faux alacrity but instead really inside shades drawn hiding shame useless waiting for the sun's forebearant rays to pull dead drunk me off floor again still sick sinning spinning lies on nodal web patterns of activation just a narcissist sociopath-in-training (was I?) being taught how better to manipulate other's fate for personal gain great fat magnificent magnanimous beast loafing on liar's chair o'great victory-defeat doublespeak tho Orwell is long dead and we do mourn him so with eulogy eyes that weep crocodile tears of well hidden liars having long forgotten how to believe in anything aside from own ill-gotten gains, they mean nothing more than bloodstained verses anemic murmurs whispered great whisky hopes and sallow cheeked dreams
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Aug 13, 2014
Aug 13, 2014 at 11:04 AM UTC
eulogy eyes
I am the zombie of Tinkerbell Her living corpse Dress sparkles all faded Tinkling like a broken bell My fairy dust no longer brings children the gift of flight But endows my prey with the curse of second life That I may twice devour their Squirming, wriggling, Writhing, scriggiling Flesh Just the way I like it With a wide dark grin across my face Teeth stained with blood and broken into points Eyes dim, dull, and hallowed Skin sallow and torn by the fighters, Who battle for their death Combatting the loss of their dignity I lure them in with stale illusions and sickly sweet snares Torn wings are no match for swift feet, but I manage Pushed onwards, pulled forwards by a need, urge To devour, consume, and engorge myself Again with tender meat And imbibe upon the sharp lifeblood Of faerie. For I, am the zombie Tinkerbell, and I hunger. It's dinner time...
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Oct 15, 2012
Oct 15, 2012 at 9:08 PM UTC
Tinkerbell zombie
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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Aug 26, 2013
Aug 26, 2013 at 3:02 AM UTC
Opera Mask Pendant Yuwen Chengdu
Profile: Yuwen Chengdu is the son of Yuwen Huaji, who was a general of the Sui dynasty. He is a warrior of Sui, only secondary to Li Yuanba, who is naturally super powerful. As recorded, he was as tall as ten feet with strong waist and body. In the appearance of golden face, long beard and thick eyebrow, he often hold a weapon as heavy as 350 pounds. Introduction of ****** makeup: ****** makeup, or Lian Pu, refers to ****** designs for Jing and Chou roles. It originated from daily life experience, describing such changes of expression as white for fear, red for shyness, dark for suntan, and sallow for illness. Most ****** designs attach great importance to the eyes.  The ****** designs for the Jing roles are made by painting, powdering and coloring in the basic forms of Zheng Lian (keeping the basic face pattern), San Kuai Wa Lian (three-section face) and Sui Lian (fragmentary face). These types are widely used to represent generals, officials, heroes, gods and ghosts. The Chou actors can be recognized by the patch of white in various shapes painted around the eyes and nose. Sometimes these patches are outlined in black, hence the term Xiao Hua Lian (partly painted face). The Chou roles fall into the following two categories: Wen Chou and Wu Chou. Features: ****** makeup bears three main characteristics. Firstly, it is the unity and contradiction of beauty and ugliness. Secondly, it is closely related to the personality of the characters. Lastly, the patterns are stylized. Beijing opera is one of the most popular drama widely welcomed and loved, no matter home and abroad. It is now acknowledged as a sign of Chinese traditional culture. The photos of ****** mask can be found on large buildings, product packages, various porcelains and clothes. It has gone beyond the stage, from which we can see the deep influence of ****** makeup. More and more foreigners have interest in it and begin to explore the secret of ****** makeup. http://www.toywill.com
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1524 A faded Boy—in sallow Clothes Who drove a lonesome Cow To pastures of Oblivion— A statesman’s Embryo— The Boys that whistled are extinct— The Cows that fed and thanked Remanded to a Ballad’s Barn Or Clover’s Retrospect—
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A faded Boy—in sallow Clothes
And now, the sickness presents itself on my face. It arrives in the form of two dark circles, The color of a stranger’s shadow, Which linger beneath eyes That have seen too little of the world. It arrives in the form of skin so sallow, Of cheekbones so sunken, Of a mouth too tired to open And say all the words I wish held more meaning. And I long for sleep, I ache for sleep. As the hours pass, My limbs become as weak as my will. If I only had an enemy lesser than consciousness, I could have won by now. But every time I envision the sweet escape Of unconsciousness, My broken-record-mind violently hurls me back Into my abandoned realm of reality.
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Nov 2, 2012
Nov 2, 2012 at 8:23 PM UTC
Insomnia
Coffee on my breath, wearing a frown. Sunshine, my sweater, my soul turns brown. Lips slick with chapstick, chics' licking sack n' **** drag off a ******* *** n' lean, obscene in the sense, the ******* fags' a drag queen. Rival the bible, hell to sell any, whats worse, church bells smell ugly under my nose. I chose the shallow dirt road to death, even the tallest tales hail the same frail fate. Fill my urn to earn my fill, **** it. There is no still frame to capture the moment, fracture the film and leave it alone. Yellow toned, below me, sallow, cornered in color coordinates. Drenched cover but dry at the core of it; dazzled by **** dazzled by diction, you write the dirtiest fiction and I'm the ******* ***** in it. Leather bound, cable wound, leather bound. Black. Leather.
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Sep 18, 2010
Sep 18, 2010 at 7:30 PM UTC
Queen
With eyes bled red by oozing tears His sallow all-pleading visage wan Weeps my grandson at the dentist's Convinced the man is a dealer in pain The little boy inside of me weeps too What can I do, what must be must be Each boy must find out for himself
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Sep 6, 2016
Sep 6, 2016 at 5:49 AM UTC
My grandson at the Dentist's
Today my long tall tulip fell His pearl-pink bulb had dared to swell But blushen hung now like a bell His slim and slender stem once towering Arced to earth with posture cowering Burdened by his glory flowering How quickly he had seemed to climb To bask in sudden sunlit prime The longest flower, the shortest time His adolescent orb once closed With youthful promise, then exposed More beauty than we all supposed And eager straight he stretched to see The furtive squirrels’ revelry And blue jays jostling high in tree His handsome head became a hand Outstretched to welcome wide and grand We who’d pale beside him stand But now his palm points to the ground Where loyal subjects once were found A fallen king with withering crown I saw you flower – be sure of this Your scented cheeks I bent to kiss Nor did a day of beauty miss Though brief your waxing and your wane Your colours left the purest stain That in my mind’s eye does remain In all the world where flowers grow We sallow souls rush to and fro Preoccupied, we miss the show But when we pause to smell the blooms Held captive by arresting plumes Forget the sundry that consumes Thus precious harried minutes take Our reverie to gaily break I noticed you -- make no mistake I studied you that rare of gift You gave my care-worn spirit lift Then cut its soaring hopes adrift Today my long tall tulip fell Surrendering to Nature’s knell And left us where he deigned to dwell
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Feb 26, 2014
Feb 26, 2014 at 7:21 PM UTC
Tommy the Tulip
Willow herb floating on silent certainty ashes of sighs not fleeting, unvapoured on the blossom of the rain, I am too light to pull or push the swing of delight through this land. The rain left me for a while sun unshielding -a thousand widows more unyielding than the depths . . Once shadowed whisperers of delight,gossamer sparkling , descending their chains of necromantic hope. Lilith is no night owl she is mother, eve and my becoming: sweet earth spun at once , exhaling her . The see saw bumped gently on my chin it is a most gentle form of awakening. The silence bore no whispers till sinking through the quicksand -or was it quicksilver? -in any case I could smell little in my amniotic amnesia. I made ten thousand friends,till their soap made this place clean. Is this a seed or a dying hopefulness -is my sallow sowing beyond all shores of reproduction; a reflection of the child they dared not bear? Is my last breath like this a forgotton yielding will they catch me as I fall ? -(sweet earth)- This moth of my ending, a shallow recantation, my fears- their memories, mere testubes of stylish hope . I breathe the elegant stare you have forgotten . Once more free from such rememberance I need not , remained not , your imploded , wakefulness . A thousand pardons exhaled like silk entwining an unfinished race spider of a thousand eyes . One may say I was stared to death but surrogate air mocks childish pity. Taut refelexions bear salt echoes in silk convulsions fresh water a veneered hope . Easier in death than life is a child's sorrowed partings , the illusion of bouyancy rippled tides unfelt. The oceans have not enough salt for such shrunken sorrow. if we could but once have shared unbreathed aspersion . The room has come and gone the pillow quite undry unforgotten unremembered. A web untouched
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Sep 27, 2010
Sep 27, 2010 at 7:46 AM UTC
Sibilance
Willow herb floating on silent certainty ashes of sighs not fleeting, unvapoured on the blossom of the rain, I am too light to pull or push the swing of delight through this land. The rain left me for a while sun unshielding -a thousand widows more unyielding than the depths . . Once shadowed whisperers of delight,gossamer sparkling , descending their chains of necromantic hope. Lilith is no night owl she is mother, eve and my becoming: sweet earth spun at once , exhaling her . The see saw bumped gently on my chin it is a most gentle form of awakening. The silence bore no whispers till sinking through the quicksand -or was it quicksilver? -in any case I could smell little in my amniotic amnesia. I made ten thousand friends,till their soap made this place clean. Is this a seed or a dying hopefulness -is my sallow sowing beyond all shores of reproduction; a reflection of the child they dared not bear? Is my last breath like this a forgotton yielding will they catch me as I fall ? -(sweet earth)- This moth of my ending, a shallow recantation, my fears- their memories, mere testubes of stylish hope . I breathe the elegant stare you have forgotten . Once more free from such rememberance I need not , remained not , your imploded , wakefulness . A thousand pardons exhaled like silk entwining an unfinished race spider of a thousand eyes . One may say I was stared to death but surrogate air mocks childish pity. Taut refelexions bear salt echoes in silk convulsions fresh water a veneered hope . Easier in death than life is a child's sorrowed partings , the illusion of bouyancy rippled tides unfelt. The oceans have not enough salt for such shrunken sorrow. if we could but once have shared unbreathed aspersion . The room has come and gone the pillow quite undry unforgotten unremembered. A web untouched
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My pupils scatter and drag. I dream and eat the round, brown beads In fitful sleep, my tongue pale and sallow. This consciousness will not float. The lids clatter shut like a kettle drum cooker, A thing alive inside, more or less. There is an echo, Scuttle, and a cough. Strangers in the cellar. There is no rightness to this, only sacrilege. The unjust man chatters in my skull. "Go home, go home!", I cry. The sense of it all withers with the passing of the years.
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Apr 5, 2018
Apr 5, 2018 at 10:31 PM UTC
Cuckoo and Its Nest
All it took was three steps up Doors swung open before me I approached Him, who sat still and unmoving. unaffected by Time but ravaged by the pain of doubt and ignorance All it took was three steps forward Then, strength and courage left me Worn-down Beaten by life’s merciless hand My knees sank as Life’s hand grasped my shoulders and I felt his burden My whole being collapsed upon the marble floor The sound echoed and cruelly dealt a strike to my ears, My senses and my soul As if Moses struck the rock with his staff The water came forth Flowing freely from my soul against sallow, weary skin Hands trembling Body aching I closed my eyes I saw darkness but an image appeared ****** and bruised It took all my strength To utter three questions: Why (to the Father) Why does the grass grow, rich and fertile only to provide for those that destroy it? Why does my neighbor strip me bare and steal my coat To leave me unsheltered from the cold wind’s bitter punishment? Why must I walk this lonely and sullen earth While the black crow pecks violently at my flesh? Why? For I have loved but have been despised in return. Who (to the Son) Who is the snake that lies? The brother that prays and the brother that kills? The husband that beats and the wife that endures? And the ****** Mother that reigns over all, even you? Even me. Who? For I know none and all of them. Where (and to the Holy Spirit) Where does the sky end and the Earth begin? Is it where the body ceases to be and the soul takes over? Is it where I made my first steps And tumbled right after? The indeterminable line between sea and sand; Truth and lies Where? For I have looked and looked.   My lips, salted and mad, trembled Pain pierced my soul I felt it all And felt it again My body began to thrash I felt it upon me Misery, sadness, death, despair I became Samson, tearing down the pillars upon the accursed Philistines I raged and roared For hope, wisdom, strength, and faith I opened my eyes And Light filled me
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Nov 2, 2012
Nov 2, 2012 at 2:27 AM UTC
The Silent Trinity
All it took was three steps up Doors swung open before me I approached Him, who sat still and unmoving. unaffected by Time but ravaged by the pain of doubt and ignorance All it took was three steps forward Then, strength and courage left me Worn-down Beaten by life’s merciless hand My knees sank as Life’s hand grasped my shoulders and I felt his burden My whole being collapsed upon the marble floor The sound echoed and cruelly dealt a strike to my ears, My senses and my soul As if Moses struck the rock with his staff The water came forth Flowing freely from my soul against sallow, weary skin Hands trembling Body aching I closed my eyes I saw darkness but an image appeared ****** and bruised It took all my strength To utter three questions: Why (to the Father) Why does the grass grow, rich and fertile only to provide for those that destroy it? Why does my neighbor strip me bare and steal my coat To leave me unsheltered from the cold wind’s bitter punishment? Why must I walk this lonely and sullen earth While the black crow pecks violently at my flesh? Why? For I have loved but have been despised in return. Who (to the Son) Who is the snake that lies? The brother that prays and the brother that kills? The husband that beats and the wife that endures? And the ****** Mother that reigns over all, even you? Even me. Who? For I know none and all of them. Where (and to the Holy Spirit) Where does the sky end and the Earth begin? Is it where the body ceases to be and the soul takes over? Is it where I made my first steps And tumbled right after? The indeterminable line between sea and sand; Truth and lies Where? For I have looked and looked.   My lips, salted and mad, trembled Pain pierced my soul I felt it all And felt it again My body began to thrash I felt it upon me Misery, sadness, death, despair I became Samson, tearing down the pillars upon the accursed Philistines I raged and roared For hope, wisdom, strength, and faith I opened my eyes And Light filled me
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57
Friday, you smiled at me, as I made my way out of the wreckage Your smile was all I noticed, set in your soft face, teeth brighter than energy-savers Now I know why you still smoke And now it seems, every man clad in black or grey, a trench coat that buttons up to the neck, is you.. You are an effigy, of every man who masqueraded under the guise, of potential lover Who fumbled for their phones, requesting mobile numbers, Whose sallow hands have caressed me, unwanted But their teeth were unseen Yours are a badge, you proudly show off, in all those smiles, you give like gifts to me But I can not keep them, because they belong to the girl, whose swollen lips you kissed, not long ago There is always another, who expects your smile, and knows by heart, The number of teeth you keep
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Dec 4, 2014
Dec 4, 2014 at 4:10 PM UTC
TEETH
I don't know where, if it will end. Refuse to voice or recommend. To treat what ails us is pretend. Slips through fingers apprehend. To help more than to hurt, reflexive sunny disposition which can cradle sallow sleeping stoic pride. Distinguishing the dirt, collective run beside conviction; acting ladle heavy, heaping, terrified.   Leave things better than you found them Received our debtors stand; surround them. I wonder if to soothe what ail, under apprehension prevail. Therein lies each us, our grail - our demons sinking in each nail.
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Feb 5, 2015
Feb 5, 2015 at 10:20 PM UTC
Truckers
Vast, empty, midnight hour, hunchbacked lampposts glaring over parasitic black earth choking its host. A parking lot, an ecosystem’s blemish— hot tar seeping into the pores of the earth like a stubborn blackhead in a lip line. When no cars burrow into the blackened hide like lice the great absence of life is an atrocity. I imagine myself skateboarding across the tier as the small town cops watch languidly with vague interest— A skateboarder’s paradise where wheels and accomplice minds roll across celestial barriers blasting infinite pulses into the microcosm. What greasy punks have their mother’s van parked here, huddling by the heat vents and jerking off into a Pringle’s can? Empty parking lot looks like a cemetery filled to the brim where headstones meld over a mass grave— delineated by white lines, the apparitions of vehicles and their hosts haunt the frozen space. Another horrible excuse to waste land, a wasteland in and of itself where Tom Eliot saunters aimlessly and buries the dead. The saddest sight to behold, this vacuous parking lot littered with stray shopping carts, phantasmal plastic bags, gum splotches, ***** stains, candy wrappers, cigarette butts, used condoms, lonely cops and patient drug dealers, ambulant skaters, tired punks, bored teenagers, somnambulists, stumbling drunks, hunchbacked ***** lights prying for life beneath its sallow gaze— The air encapsulated within the perdition stifling, the pavement below stifling, a constriction only visible when emptied of its contents. A cop wakes from their choking nightmare gasping to find themselves trapped, ****** in this parking lot where the walkie-talkie buzzes with the weeping and gnashing of teeth. The warehouse store looming above the waiting room lifeless, silent, dark countenance— Big Brother sees all in the gaping maw. Cascading before me, stretching towards the highway passing by, waiting for the panorama to finish scrolling, the treadmill to cease its cycle— all the while lamenting life’s absence and reveling in the potentiality it possesses.
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Dec 28, 2016
Dec 28, 2016 at 10:18 PM UTC
Parking Lot Lament
Vast, empty, midnight hour, hunchbacked lampposts glaring over parasitic black earth choking its host. A parking lot, an ecosystem’s blemish— hot tar seeping into the pores of the earth like a stubborn blackhead in a lip line. When no cars burrow into the blackened hide like lice the great absence of life is an atrocity. I imagine myself skateboarding across the tier as the small town cops watch languidly with vague interest— A skateboarder’s paradise where wheels and accomplice minds roll across celestial barriers blasting infinite pulses into the microcosm. What greasy punks have their mother’s van parked here, huddling by the heat vents and jerking off into a Pringle’s can? Empty parking lot looks like a cemetery filled to the brim where headstones meld over a mass grave— delineated by white lines, the apparitions of vehicles and their hosts haunt the frozen space. Another horrible excuse to waste land, a wasteland in and of itself where Tom Eliot saunters aimlessly and buries the dead. The saddest sight to behold, this vacuous parking lot littered with stray shopping carts, phantasmal plastic bags, gum splotches, ***** stains, candy wrappers, cigarette butts, used condoms, lonely cops and patient drug dealers, ambulant skaters, tired punks, bored teenagers, somnambulists, stumbling drunks, hunchbacked ***** lights prying for life beneath its sallow gaze— The air encapsulated within the perdition stifling, the pavement below stifling, a constriction only visible when emptied of its contents. A cop wakes from their choking nightmare gasping to find themselves trapped, ****** in this parking lot where the walkie-talkie buzzes with the weeping and gnashing of teeth. The warehouse store looming above the waiting room lifeless, silent, dark countenance— Big Brother sees all in the gaping maw. Cascading before me, stretching towards the highway passing by, waiting for the panorama to finish scrolling, the treadmill to cease its cycle— all the while lamenting life’s absence and reveling in the potentiality it possesses.
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72
Flood the sallow walls, Calling forth the shadows, My soul in the hands of the knife, Deer in the headlights
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Nov 5, 2011
Nov 5, 2011 at 9:25 PM UTC
Deer In The Headlights
An hour passed beneath the willow Before we saw the sallow light, It slipped and slid between the depths Of dusk and clouds that own the night. Still we sat, watching streams That danced above the atmosphere Where gravity begins to fade Along with most of future’s fears And still we sit and wonder why We gild the lilies on the shore, And still we sit and wonder why We can’t say what we’re waiting for.
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Oct 21, 2012
Oct 21, 2012 at 10:50 PM UTC
gilding the lilies