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Leydis Jul 2017
May your saliva,
be holy water,
to the infernal desire,
my body feels,
when you touch me!
////////////////////////////////////////////////////////////////////////////////////////////////
Que sea tu saliva,
Como agua bendita,
Para el infernal deseo,
que siente mi cuerpo, cuando me tocas!
LeydisProse
zebra Sep 2018
have you ever seen beauty in a silky nightmare
have you  ever seen the monster of deprivation in heavens promise?

we speak of private things
we should never talk about
about vailed women
and their terrible secrets
and about myself who remains no longer a secret to myself

somewhere i went off the track
like a  daisy chain saw of honesty
to ensure you knew i was sick
a sick **** with a trick
as if i ate some ****** up hallucinogenic' s
making me spill my obsessions all over you
like some weird perfumed *****
down a swirling rainbow toilet
that turns out to be only jelly and whipped cream
wrapped in colored ribbons on cellophane tampons

i feel like  having *** or going to the toilet in public
while waving my hands up in the air
screaming yahoo i'm free
to blow to kingdom come
the temple of normalcy
you know
the church of rose gardens, cemeteries and deprivations
except of course for the sneers, smears
and self loathing vanilla demons
who wear long see through dresses and crosses
like dash board plastic virgins
with bobbing heads
that make hissing sounds about sin

i confess
i'm attracted to the darkest women
strange *******
and  ******
the stranger the better
who shake their butts
like hoodoo enchanted show girls
doing what they shouldn't do
crying and scrying like cooing moons calling
"drink me like ****** Mary
daddy **** lollypop"
all inky tats and razorblade ouchies

or
you can join those
covered in white collared black as death habits
begging the invisible *** cake in paradise
waiting for mercy and a little ****
that never comes
stuck in an empty
loveless bar of crucifixes that only serves up theology

oh baby
***** dreams do come true
pink ****** ***** gladly widen their haunches
like **** without boots
not caring if they go to hell
playin
like a joy ride of fiddle **** sticks
all freaky tongues and tingling licks
thick saliva multi lingual blow jobs
lathering flashing lipped saliva for the squirt  
with fiery wet hypodermic kisses
that make screams
like creamed upleaping lava and ash
for a million hungry sexed up twisting tongues
in occult ecstasy
fecundating shrouds of steamy clouds
in stained red black lighted rooms
with cherub crowned *****
and their drooling snatches buttered ****

eat quivering
like fowl mouthed piranhas
crying more raw meat please
while you drag your perfect person visage
into hollow caves of despair
cold and lonely

so you forlorn love struck weeping
horney pathetic scarecrow
socially engineered robots
if you want love
like heated buttery waffles with sweet jam
just give your self away like slutty putty
to lust criminals and *** addicted pervs  
until
you feel someone swallow you whole
soul and all
and lick their lips
like your their cherry pie

then look passed your
rats nest of pride and exhaustive approval list
and love them back
like free beer
bang their brains out
be their slave and make them yours
in the mad house of love
of warped shimmering mirrors, straight jackets, and squeezy insertions

and if one day they don't appreciate your imperfect perfection
if they weaponize like critic's
teach them respect
shove it where they breathe
lick your wounds
be brave
throw them in the trash bin of history
and move on

Eros and Venus
take a million forms

look around
your swimming in a giant bowl of broken hearts
hungry mouths, drenched ***** and hard *****

you whimpering little beasts
dress to ****
undress to live

its a movable feast
advice to the lovelorn young
thank you to Lora Lee for the line
" swirling toilet rainbows"
Miss Entropy Nov 2010
I am the crushed cereal at the bottom of the box
Your last clean pair of underwear you only wear on laundry day
The popped balloon left in the balloon seller’s hand at
The end of the day when he goes back to his
One bedroom apartment and warms up soup in the microwave

I am the last thing you want to watch on TV
An infomercial or a re-run re-run of a show you don’t like
I am the bit of soda left in the can
That’s mixed with saliva and has no taste
And most times you don’t drink it, so
You just toss away the can with me still inside

I am the wallpaper in a dentist office
That no one buys except to paper dentist offices
I am the crumbs you sweep under the rug
I am that thing on craigslist that would be
Perfect except for that one little thing wrong

I am all those lonely things.
Brandon Davis Dec 2012
A friend of mine walked up to me and asked me: "What is a good woman?"
I replied "you would know if you were a good man"
He said "Stop joking I really wanna know"
"There is no definite answer, but when you meet one, it will show"
There are many characteristics  that make a good woman, but it would take days to speak them all
Since my friend brought this to mind, I thought I would list a few for y'all
A woman who is proud of what she brings
and won't complain over petty things
A woman who is well spoken and not opposed to listening
because communication is key from the beginning
A woman who is wise and able to realize
the pit you are in doesn't matter because she will help your rise
A woman who wouldn't try to control her man but also wouldn't be a doormat
And when trouble comes up, her feet won't be flat (she's ready to go)
A woman who never stops believing in the man that you are and the man you can become
So much confidence in you, it almost makes her seem dumb
A virtuous woman who prays for you more than she prays for herself
Remembering God is number one above all else
A woman who tries to pay for herself before you can offer
Knowing the difference between selfless and selfish is something you should prefer
A woman with the power of forgiveness
But don't abuse it
Because a good woman is not stupid
She will lose it
You will lose her and have no one to blame when your heart takes the hit
If you hurt a good woman, in my eyes, you aren't worth the saliva I spit
The ice cream no one would lick
The one that gets thrown down in hope ants would leave a picnic
To pick apart your existence
Use your common sense
Realize what's in front of you and cherish it
Woman is the title a female receives at a certain age
But it takes a good man to realize a good woman is on the next page
I'm not saying a good woman needs to have this quote for quote
I don't think any woman does, if so, let me know
I haven't met any besides my family, but I don't go down that road
I'm being patient, waiting for my good woman is giving me time to grow
So I can give her the best Brandon Everett Davis, the world doesn't know
To not be on their level, would be a sin
Let's become better men for these good women
They have spent their
content of simpering,
holding their lips this
and that way, winding
the lines between
their brows. Old folks
allow their bellies to jiggle like slow
tamborines.
The hollers
rise up and spill
over any way they want.
When old folks laugh, they free the world.
They turn slowly, slyly knowing
the best and the worst
of remembering.
Saliva glistens in
the corners of their mouths,
their heads wobble
on brittle necks, but
their laps
are filled with memories.
When old folks laugh, they consider the promise
of dear painless death, and generously
forgive life for happening
to them.
Lucy Tonic Nov 2012
The universe embraces
As the world spits you out
The earth it braces
As society knits you out

“Please bleed for me,”
We know you have a disease”
Shouts the eyes of twelve cobras
Leaning in their courtroom seats

Volcanic
Androgynous
Raunchy
Delicate
Torment
Ecstasy
Free
Brad Lambert Oct 2013
(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(
And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.
zebra Jun 2016
she came to me one day
the *****
beautiful like a girls choir
singing Latina L'Amour
moving her bottom
like a metronome

her ******* a cascade of kindness
that break the hearts of men
they die
for those
blouse muffins
her smooth legs and feet
made for *** art
lickity splits and ****** contortions
while her wiggly *** and ****
tell you
what heaven would be like
hips that sway  traffic
causing pile ups
and fender benders
and make good boys
hopeful about being chosen
perhaps anointed
and judged worthy
but alas  
turn good boys into
chronic *******-rs
in dim midnight closets
or trawling *** criminals

at the very sight of her
my soul buckled
i wanted her
like darkness
needs a lantern
like blood
needs cells

she looked at me
with ****** in her eyes
it would make my **** wet to hurt you
she said with a soft tremor
ill **** yours for hours
tongue toy
losange
gullets prey
girl food

will you earn your suffering
adore my goddess ***
and lick it **** and span
kiss my beautiful feet
with tender devotion
pray for cruel ***** abuse
be consumed
by ******* jaws
thrill me
love me
flood me
with blood
and ****
die for me
my love

as i looked into
her hollowed
desperate soul
so eager
and felt deeply her need
and loved her to tears
to broken hearts mend

to struggle with
the dark angle
unrequited love
to expunge
years of vacant stares
of nameless women
and empty beds
to forget foreboding
bath cabinets bereft
of girly things
like
lolly pop pink lipstick
cherry sherbet nail polish
lacquered hardened coats  
aerated perfumed clouds
of vanilla candies
and fashionable
demonic party masks
over black brooding mascara
on almond eyes
hiding hot embers
cool and staring hungry

while wrenched obsessive
for the feminine
that drag my soul
through long coffin
hollow gullies
that drive me
to invocations
of Hecate
sacrificial blood rituals
voodoo trances
god forms
and black art astrologers
who have the power
to move planets
through space
and change fates

oh so wrong
yet i must
for loves sake
say yes to her
yes to her for pleasures sake
even if in the end
i am left to moan
to howl at a blood moon
with in the confines
of her dark edged
appetite
ascending in sin
as she ***** me
like she hates me

yes my beloved
to vanquish numbness

she consoles
my willingness  
excites
i felt her adoration

be brave for me
she murmured
sadists are cowards
teach me surrender
you are glorious
in my clutches

i made my self ready
positioned my self
as per her instructions
face down
legs apart
on a bed of nails
happy in my pit
as she played
a whole lotta love
by led zeppelin
blood swollen ****
oozy
for her tender kisses
and brutal schemes

the masochists tao

to denigrate oneself
to kiss your goddess feet
to lick your perfect ****
to adore your prim rose ****
to taste your lips of fire
to tangle in your silky locks
to see your eyes a blaze
to drink your saliva nectar
to eat your crumbs
to lick your *** clean
to be beaten
to your satisfaction
to drown in your *******
to hold you close
to take pleasure
in your cruelty
to suffer for your delight
to be
the sacrificial lamb
to be a victim
in an ****** dream
with jaws and teeth

she took me inside
smiled  like a feral
lust twisted child
took out a
scalped handled knife
brushed it across
my tummy and *****
terror brewed
excitement struck
my **** got so hard
she grinned
and salivated
like a Satanic Cheshire
in bloom

she devoured ***** warm butter
as it poured in waves
into her black lipsticked
pink wet mouth temple

oh she said
i like it a lot
do you mind a small incision
my darling

mommy needs
a little taste of hell

her face shape shifted
into a warbled shadow
as she licked her lips
and tickled
her *******
with gooed fingers

cut me i implore
im in the mood
you sweet savage

she opened me slow
o o o o ooow
ooh the sting
don't stop i begged
loving her
voluptuous greed
as she covered me
with heavens kisses
eyes desperate
devouring
drenched through ******
and bestowed
upon me
eager  licks
that swoon
and savage wounds

she took charge
with curvilinear cutlery
she gave it to me hard
oooofff
then good again
aaahhh
then deep and threw
like a spoon through Crisco
a surgeon from hell house
oh so fun she said
she licked my ****
fingered my ***
****** my *****
frenetic
then stuck me with a fork
giggling
not done yet she mused
and then
required of me
that my tongue
obediently pay homage
to her naked mouth ****

i was the pig for slaughter
needles and knives
burned *******
bruised ****
a bleeding torn
pin cushion
eyes teared
back arched
torso writhing
cherry cheeks
blood gusher
her *******
and belly ****
soaked in my blood
commanded me to lick
my own pools
of red plush
for her amusement

a couple at play
in Satan's temple of lust
her face turned to mischief
in a demons trance
her soul
like hyenas
and clawed weasels
all trapped villeins

im done ****** around
with you she quipped
her **** on fire
like a burning house
she plunged a blade deep in my gut
her eyes wide and glaring
like blazing head lights
possessed by hell bats

oh my goddess
for you
over the summit
as i shuddered
arching in torment
curling into a ball
squirming
like a severed worm

her face contorted
with horrors fun
her **** pored forth
tremulous quivers
and hells
brimstone gasms
ecstatic

oh she drank my blood
****** my ****
with kaleidoscopic tongue
like a devils bride banshee
licked my *** clean
filthy *****
defaced me with a drooling ****
and brooding ****
strangled me with nylons
until my lips ran numb
until my tongue dragged
like a corpse in a car wreck
she  whimpered and cooed
suffocated me with her **** ***

stepped on my face
with feet i adore
chewed off my *****
a black mambas kisses
filled my mouth
with hot rocks
that melted my skull
oh cry to heaven
wheres Jesus
as i scummed
up-leaping

the  last words
i ever heard
*** you sure to kick a lot
im cu cu cu cu cu cu *******
for you blood boy
dead dead dead
floppy floppy head
**** like cherry pie
Hank Van Well Jr Oct 2014
My lips stroll along sultry soft skin
I close my eyes , and see your curves with my kisses,
fingers caressing your belly in infante swirls as if polishing the porcelain surface of a statue,
You lay entranced beneath my gentle stroking , your tummy stimulating the rest if your senses, ******* yearning for attention ,
Strings of a harp waiting to make music, my canvas , your desirable body,
****** finger painting
I meet your lips with mine , for your stamp of approval, my hands answer the call ,
My warm breath ,
Brushes your neck with the stroking of ****** feathers ,
Intensifying the raging desire within your ***** ,
Remnants saliva painted with my tongue evaporates into more of a magnetism, you open yourself to me,
The weight of my passion envelops you
Our tongues dance to the rhythm of our beating hearts
Blood flows through our veins at an increasing temperature
Ignited only by the meeting of our lips.
Intensified
My hands continue to brush your body ,
Answering all the yearning calls ,
I watch you lose yourself in the heat of the moment,
And I continue to stoke the fire
And with a burning wave of passion,
Enfolded bodies
I simply love you off to sleep .......
Telling a story without saying a word
zebra Aug 2018
the witches
they don't take no ****

feminists with a wand
made from a femur
wrapped in ***** hair,
fingernails, and spit

no
not good little passive girls
although amused by a good spanking
for laughs that titillate
from a red wicked dicked old man
with slippery fireballs
like a spicy cherry pepper
that slurps filths coves
through a black tongue
and open-mawed bite

******'s queens
oiled torsos and bond fires
drenched ornaments for laughing snakes
that spread like spider webs
while the whips flash licks
hells tender blood kiss

insatiable prayers
and
******* rituals
mixed like bones in broth
with intricate sigils and saliva red
menstruum her holy sacrament
that shapeshift crones into young girls prancing
and bind water to stones

her spell can crack your skull
like a mules kick
and melt your eyes
like nuclear skies

no
the witches
they don't take no ****
I was at the doctors,
in the waiting room,
when the man next to me started to make out with his hand.
He lathered his hand in saliva,
to the point were it was dripping onto his lap.
He slowly rubbed his tongue up and down his wet, juicy hand.
He seemed to find much pleasure in making out with his hand.
So I joined him.
I liked it.
So did my hand.
Copyright Barry Pietrantonio
A Lily Dec 2015
use
spit
into my mouth

strings of saliva
connecting our tongues

drool
dripping to chin

the scent of you
on this skin

choke
me hard

tight grip
around the throat

leave a mark
turn it red

blood
rushing to head

bite
into my flesh

sinking teeth
pressing in

pierce the surface
clench down tight

imprint
your appetite

spank
me without relent

open palm
against soft cheeks

lift
the tiny skirt

harder now
make it hurt

tease
my aching body

it’s yours
to defile

wet
with intense desire

**** me
until i tire
Arlo Disarray Jan 2016
My tongue is covered in paper cuts from the many letters I've written you, today
But each time I seal one up, I end up throwing it away
My blood and saliva mixed in with the envelope glue
My trash can is filled with pathetic thoughts of you...

Woeful words traced from my tongue and out onto the page
Affection that I've reached in and ripped out through my ribcage
Wrinkles on the paper from the tears that I have dropped
Heartache and obsession that cannot seem to be stopped

I wrote you this poem, but I'll throw it away
Your ears are closed, your heart is shut,
and I'm out of clever things to say
Eleni Jul 2019
Lately,
I think of words as air
That chant sparks into flames.

Violent pyres- if you abuse.
Or a tamed Medusa- if you peruse.

Surely,
It would put the mind at ease
To expire and water these flames.

A warning, nay comes with a beacon
Intuition with your saliva may weaken.
the dead bird Feb 2016
the frustration I had
after failing
to bring myself to ******
for the
tenth
time this past week
makes me more
furious
than depressed

seriously
my *** drive
has always been high

as soon as I
got over
the shame
society places on women
for enjoying
their sexuality
I have always used
*******
as a release
relieves
stress
leaves me
relaxed
and
content

or should I say,
left me
feeling that way

usually
it was once a day
fairly frequent
but, it
matched
my *** drive's
needs

what the **** is wrong with me

I have tried
imagining,
watching,
reading,
looking at
every form
of erotica
that exists

I have searched
through everything
I can find
from
****,
******,
stories,
comics

and my search history
will let you know
that I've searched
everything
from
****
to
******
to
interracial lesbian forced *******
and things
worse
than that

e v e r y t h i n g

used to take me,
oh, I dunno
maybe three minutes
with my *******?

after
around an hour
is when I give up
now
I even bought
a different
*******
NO
RELEASE
NO
PASSION
GONE
what is
WRONG
WITH
ME

oh yeah -
depression

I mean
I knew it was bad
when video games
no longer
had appeal
that was enough

games
have been a passion
and a hobby of mine
since I was five

the other hobby
I started a bit older than five
but
you stole that one, too

after depression
beat the **** out of me
on Tuesday
I thought that was it
thought
since the next morning
I awoke
without the urge
to **** myself
it was over

nope

you have robbed me
of the simplest
things
in my life
that give me pleasure

no more
wriggling
moaning
spasming
the tingling
sensation
that starts in my toes
and makes its way
up
the length of my body
the warmness
that follows
with it
the
satisfaction
slight smile
snuggly
sleepy
post ****** me

I miss her
give her
back

I miss my life
give it
back

this isn't
ME
for ***** sake!

I am a ******
witty
humorous creature
full of passion
looking
for opportunities
to get myself off!
not this
depressed
apathetic
vessel
without soul.

you won't stop
until you have
everything
in my life

you won't stop
until you
put
my soul in your mouth
chew
grind
crush it

your saliva
breaks me down

spit me out
please
I am fighting
for you to cough me up
regurgitate
the essence
of me
let me put myself
back inside this body
please
please

no
you won't stop
you will eat my soul
until
ever fiber
protein
ounce of health
I had
is now
inside of you,
depression

cold-hearted *****
I know it is a tough topic. Not a poetic topic. Not a topic that easy to talk about.
But I don't ******* care.
This *****.
zebra Sep 2018
it's the management
here to inform you
your lust has been hacked

we know what your thinking
what you hide
we are all up in your business
like cyber terrorist's

don't ruin your life with to much self respect
we are all watching you *******
to mamma mia meets a hundred shades of crimson
and fight club blood ****
while you ***
screaming
ooooooooh god
licking
holes and poles
like a pig at a trough
praying to be handcuffed and on your knees
sweating and hysterical, a red moon struck **** face
high on drugs
in a dream better then this life has to offer

life is full of yogas
***** pony position
bouncy bouncy

i'm the light in your darkness
i know what you do
i want pieces of you, you wont show anyone else
your sickness, is my own
you are my love slave
turning me *******
who loves to hurt you

who's the *****
who's the switch

your flawless

now
cry me a river
move a little bit faster and to the left
your **** is a cartoon
**** grinning emoji
bleeding shrieking
fu fu fu fu *******
your brains running out of your eyes

gimmie all your venom
***** movie poem's
*** tongue and *****
your mouth like hemoglobin jewelry
saliva diamonds

kiss that
you'll never go back
squealing smooth heat
breathing winds of perfume
love and pain
united by
tragedy and desire
by
the grotesque and the beautiful
like thirst holds stones

stop crying

you know baby
you look your best on the toilet bowl
shameless
a delicious little *******
that holds me close to life
like a baby to the womb

please
stop banging on the door
i'm using this stall
Thank you
The Management
neo surrealism/ surveillance state ***
Marsha Lynn Nov 2013
i want to be the woman they fall in love with
at a single glance
waltzing down the street
the one that
casts luminous shadows
creating paradoxes as she turns the corner
the one that winks an eye
at the mad old man
with no shoes
whom sits on the pavement
drooling
i want to be the one that kisses you goodnight
gives you butterflies
in every ***** of your body
paints your skin with my saliva
gives you looks of admiration
connects the stars with crayon lines
bends time with ionic minds
the one that keeps you up
day and night
the one that over takes your gray matter
i want to be the one
you call yours
NARMONSEA Jan 2015
I love it when you use me.

Lighting the fire in my soul,
A slave at your bidding.

My clothes; a veil to hide
Your canvas:

The marks, the bruises,
The bite on my lip,
The saliva on my neck,
The rope burns on my wrists.

Signs of love that I wear proudly.

And while I retreat back
To the working life, with suit & tie,
As a professional working man,
Your voice chains me in place.

"I'm not done with you."*

With each layer falling to the floor,
In their rightful place,
Again,

I gladly offer every inch of my body to your personal satisfaction.
There's something intriguing about one 'owning' the other.
‘Good morning’ the big toothbrush greets the little toothbrush.
There is no sign of there being an answer or even a glance.
‘Whats wrong with you ?’

“I’m ill” says little toothbrush, “too many foreign objects in my yellow hairs. evil saliva of a person got stuck last night. my owner is drunk again”

Big tooth brush approaches with pity : ‘In fact I also dont feel well. My owner didn’t use me  last night, but when he was in front of me washing a whorl of brown hair roots growing on the crown of his head, my eyes were glued to the red scratch around his face, neck and chest. He tossed around all night gasing at the mirror all the time-smiling and rolling his eyes, it can be assured that he is almost crazy’.

“That matter-you’ve often spoke of it to me. Your owner is not crazy, there is a spark of love trying to orbit the wrong planet.  Imagine, what would happen if my owner knew what lay beneath your owner’s pockets. There would be  furious hair pulling flinging here slinging there stabbing here. After which, your owner would become gossip for my owner’s friends”.

‘How would you know ?’ responds the big toothbrush.’ you’re perched here all day-how would you know your owner’s boasting ?’

“What I uttered before is almost definite analysis. My owner often talks to me when she has finished with all her insults and abuse. Satisfying her hunger seeing your owner’s newly wounded heart” the little toothbrush’s breath begins to clear the fog on the bathroom mirror. Its handle becomes drowsy.

‘No use, no use’ says big toothbrush disparaging., ‘ never another new wound because his peck has long rotten and the rot has long stuck out. As a result, it is those  distractions with a self-set-price that he chases almost every second. There is a third woman between them. This is secret’ the big toothbrush recoils its blue hairs.
(little toothbrush is prepared)

“After what you’ve pronounced-what do secret mean? who’s keeping secrets from who ? my owner also has two men. they meet at the cafeteria in the heart of the city. Problem is, I smell double –dalliance. This is a dangerous startegy”


‘You’re right. this irony is leading to a point of chaos. we must run before flames start leaping’, says big toothbrush. ‘ before my owner and your owner purge the flicker of their hearts and begin pulling hairs’

“ But i’m afraid” whispers little toothbrush, “ and I’m also sick. why is there another man’s saliva in my yellow hairs. I’m embarrassed”

‘I’m also tired. There’s no other way but to run looking for other heads that perhaps contain consciousness. Listen, I say CONSCIOUSNESS – not a shaped object but function’

Big toothbrush ushers his friend down from the bathroom running
for the fence of the wide courtyard that is bigger than 1 hectare.
An hour later the explosion of a derringer is followed by the shriek of an AK-47 and sirens sing accompanying the toothbrush owners to the emergency ward.

(Two toothbrushes spy from
the road median
under the queen –of-the-night)

In total there are four deadbeat generals-
their bodies shriveled smelling of soot
“Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons.”
                                                    ­ George Orwell, 1984* (published in 1949)

Which brings us, of course, to the subject of torture since 1949.
Come with me to the Casbah, Babaloo.
We begin in the 1950s with the French in North Africa,
****** baguettes in Algeria,
Couilles frits, anyone?
Electrodes wired to Mustapha’s *****.
And "Bigeard's Shrimps,” as the bodies were called,
Dumped over the Mediterranean from aircraft,
All things considered a je ne sais quoi,
Though Camus and Sartre gave it a whack.

Then the 1960s: the CIA dabbling in mind-control and LSD.
Later, a Phoenix Program,
Very secretive, sympathies with the Cong required,
Various elders selected,
The village disinfected,
**, **, ** and a bowl of Pho.

Apartheid anyone?
Thirty years of South African terror & torture.
Torment in the townships,
Shaka Zulu gold and diamonds,
De Beers in Swaziland swing.

1971: riots at Attica,
Prisoners abused and tortured,
Rockefeller’s overcrowded slammer,
An upstate New York katzenjammer,
Nelson’s finger on the trigger,
39 dead and counting,
But who’s counting?

The CIA, back in the news in 1973,
Torture chambers under Chilean soccer stadiums,
And the Khmer Rouge:
Those Wacky Cambodians with skull racks.  
And let us not forget the British,
With centuries of colonial experience behind them,
Occupy six counties in Northern Ireland.
Finally codify the imperial process,
The Five Techniques:
Sounds like a Motown group,
Satin smooth colored boys,
But more method than music:
(1) Wall-standing,
(2) Hooding,
(3) Subjection to noise,
(4) Sleep deprivation,
(5) No food and drink.

And there’s a bunch of horrible ****,
We still don’t know about the Argentine ***** War,
And other Mai Lai-like,
****-fest massacres in Vietnam.

How about torture since 1984?
Abu Ghraib and Guantanamo,
Come quickly,
(www.prematureejaculatorsanonymous.com)
To mind,
As do US-sponsored rendition facilities,
Spread throughout the NATO alliance.
And closer to home, it’s never a dull moment in the 5 Boroughs:
Brooklyn, Queens, Staten Island, The Bronx and Manhattan.
Take your pick from Giuliani’s Greatest Hits,
Rudy Kazootie’s campaign of law and order,
Not necessarily in that order.
More awful than lawful,
A bathroom plunger rammed up,
The Haitian voodoo ****** of Abner Louima,
While he be handcuffed at a Brooklyn station house.
Or, the NYPD partying like it was 1999.
When in fact, it was1999,
And a curious death it was for Amadou Diallo,
Would-be American citizen from The Republic of Guinea,
(No connection to Italy or Italians),
Abner & Amadou: a pair of cautionary tales,
Either/or reflecting standard procedure for the Po-Po,
Time and time again from coast to coast.
Either/or: poor Abner, no Haitian Papa Doc.
Poor Amadou, on his way home from night school,
When police squeeze off 41 rounds,
Most of them in his direction,
Hitting him 19 times.
Just the facts, ma’am:
Diallo had reached into his jacket.
A trigger-happy police officer yells “Gun.”
A jungle warfare quartet springs into action:
Shenzi, Banzai, Ed & Zazu,
Four equally trigger-happy colleagues,
Empty their weapons.
No gun was found on Diallo,
Only the wallet he tried to pull out,
Containing his Green Card,
4 U.S. dollar bills;
And a laminated,
Credit card-sized copy of the U.S. Bill of Rights.
(I just didn’t know when to quit, did I?
The wallet was there with Green Card and the bucks,
But I made up the part about the Bill of Rights,
Trying to add poetry to tragedy, as usual.)

I don’t have to say much about Rodney King (RIP).
You watched it on TV a hundred times,
And a picture’s worth a thousand words.
Or ten thousand or a million, I suppose.
“Can’t we all just get along?” asked Rodney Glen King.

Last but not least there’s Kelly Thomas (RIP),
Another incidence of police insanity,
It was July of 2011 in Fullerton, California.
Thomas, a 37-year-old homeless man,
Schizophrenic, but unarmed,
Beaten to death at a bus depot,
During an altercation with six Fullerton police officers.
Read more: http://www.dailymail.co.uk/news/article-2019225/Kelly-Thomas-Poli­­ce-beat-taser-gentle-mentally-ill-homeless-man­-death.html#ixzz1e­3­4QnHtr

Mervyn Lazarus | Attorney | (www.mervlazarus.com) Police Brutality, Excessive Force and Jail Injury cases | California . . . Albuquerque

Jackie Chiles perfect attorney -YouTube, (www.youtube.com/watch?v=jpcEietIoxk) Nov 17, 2010 - 13 min - Uploaded by Kroeger22 All the scenes with Jackie Chiles from Seinfeld."Chiles is a parody of famed attorney Johnnie Cochran; both ... www.seinfeld.com

Perhaps the greatest torture of all,
Is that which artists subject us to.
Let us examine the case of Roberto Bolaño:
Roberto Bolaño, the great Chilean writer,
Tells a fabulous World War II story,
About a Spaniard--an Andalusian--
Fighting for the Germans against the Russians.
Captured by the Russians,
He is tortured for information.
The Spaniard speaks no Russian,
He knows only four words of German.
The Russian interrogators strap him into a chair,
Attach electrodes to his *****,
Attach pincers to his tongue.
The pain makes his eyes water.
He said--or rather shouts--the word coño.
It is Spanish for ****.
The pincers in his mouth,
Distort the expletive,
Which in his howling voice comes out as KUNST.
The Russian who knows German looks at him in puzzlement.
The Andalusian was yelling KUNST,
Yelling KUNST and crying in pain.
KUNST in German means art,
And that was what the bilingual Russian heard, KUNST.
“This ******* must be an artist or something.”
The torturers remove the pincers,
Along with a little piece of tongue,
And wait, momentarily hypnotized by the revelation:
The word ART had soothed the savage beasts.
So soothed, the savage beasts take a breather,
Waiting for some kind of signal.
Meanwhile, the Andalusian bleeds from the mouth,
Swallows his blood liberally mixed with saliva, and chokes.
The word coño,
Transformed into the word *KUNST,

Had saved his life.
It was dusk when he came out of the building.
Light stabbed at his eyes like midday sun.

So, it’s a fact that I love,
Truly love the simple blunt Anglo-Saxon expletive ****,
****: I pray that while I am being tortured some day,
I have the dignity to scream the word out loud.
And if I am screaming **** at the very end,
When my nervous system finally fails,
When I **** my pants,
When my pulmonic heart and lungs collapse,
Is that so bad?
Is that so wrong?

Do you realize that 1984 came--
Came and went, without any significant cultural hoopla?
The networks ignored it.
As did the cable pundits.
No significant comparative analysis between,
Orwell’s book 1984 and the year 1984,
Was broadcast electronically or publicized in print.
Steve Jobs got it, but as usual no one else did.
Mr. Jobs (RIP) did his best,
To mainstream its profound cultural relevance,
But ultimately failed,
Despite the $1.5 million he paid one of the networks,
To air a one minute nation-wide commercial,
During the 3rd Quarter,
Of Super Bowl XVIII,
January 22, 1984.
Despite Ridley Scott’s astonishing spell-binder,
His 60-second spot for The Macintosh 128K--
Still considered a watershed event,
And an advertising industry masterpiece,
…YouTube it and watch it.  (www.youtube.com/watch?v=Z8ji0B98IMo).
See the hammer throwing athlete chick,
See her fling the sledge,
That huge sledgehammer,
Smash into Big Brother’s flat screen face.
Despite Jobs’ global presence,
Despite Steverino’s unfettered microphone access,
Whenever he felt an oraculation coming on,
Despite everything,
He was unable to move the powers that be,
To either hype the book or the prophecy come true.

So, what’s my point? I have two.
First, in April 1984 the estate of George Orwell,
And the television rights holder to the novel 1984,
Considered the edgy Jobs/Scott commercial to be,
A flagrant copyright infringement,
Sending a cease-and-desist letter to Apple Inc.
And the advertising agency that produced the spot: Chiat/Day Inc.
The commercial was never televised as a commercial after that.  
Score: Lawyers 1, Artists 0.

My second point is that in November 2011,
The U.S. government argued before the U. S. Supreme Court,
That it wants to continue utilizing GPS tracking of individuals,
Without first seeking a warrant.
In response, Justice Stephen Breyer (one of the sane ones),
Questioned what this means for a democratic society.
Referencing Nineteen Eighty-Four, Justice Breyer asked:
"If you win this case, then there is nothing,
To prevent the police or the government from monitoring 24/7,
The public movement of every citizen of the United States.
So if you win, you suddenly produce what sounds like 1984 . . .”*

My third point,
(Yeah, I know I said two, but *******.)
My third point is that I’m just so ******* angry,
All the time, late and soon like Wordsworth,
(Was anyone more aptly named?)
I am angry about so many different things,
And every day that goes by I relate more and more,
To the thousands of Americans that occupied,
Zuccotti Park and Oakland,
And countless other venues,
Out into the streets.
Across the country.
Around the world.  
I am humbled by their courage and perseverance.
Yet, I am afraid for them.
I am made paranoid by the scope and power,
Of the government,
Of the ruling class that controls it,
And the technology they allow us to embrace,
Technology’s sinister potential,
Now that more and more knowledge and information,
Has been digitized,
Existing only in cyberspace.                                                      ­                                                 
What frightens most is the realization,
That anyone with a word processor,
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.
The scary part is—
Repeating myself for emphasis—
That anyone with a word processor
And access to the database could rewrite,
Any historical or legal document,
To fit the needs of a current agenda.

Does anyone out there give a ****?
Does anyone out there share my nightmare?
Do it to Julia.
Do it to Julia.
Alev Jul 2014
Toco tu boca, con un dedo toco el borde de tu boca, voy dibujándola como si saliera de mi mano, como si por primera vez tu boca se entreabriera, y me basta cerrar los ojos para deshacerlo todo y recomenzar, hago nacer cada vez la boca que deseo, la boca que mi mano elige y te dibuja en la cara, una boca elegida entre todas, con soberana libertad elegida por mí para dibujarla con mi mano por tu cara, y que por un azar que no busco comprender coincide exactamente con tu boca que sonríe por debajo de la que mi mano te dibuja.

Me miras, de cerca me miras, cada vez más de cerca y entonces jugamos al cíclope, nos miramos cada vez más de cerca y nuestros ojos se agrandan, se acercan entre sí, se superponen y los cíclopes se miran, respirando confundidos, las bocas se encuentran y luchan tibiamente, mordiéndose con los labios, apoyando apenas la lengua en los dientes, jugando en sus recintos donde un aire pesado va y viene con un perfume viejo y un silencio. Entonces mis manos buscan hundirse en tu pelo, acariciar lentamente la profundidad de tu pelo mientras nos besamos como si tuviéramos la boca llena de flores o de peces, de movimientos vivos, de fragancia oscura. Y si nos mordemos el dolor es dulce, y si nos ahogamos en un breve y terrible absorber simultáneo del aliento, esa instantánea muerte es bella. Y hay una sola saliva y un solo sabor a fruta madura, y yo te siento temblar contra mí como una luna en el agua.

Julio Cortázar.
Shadow Dragon Sep 2018
Three orange lights
waiting in a cue.
Warm, pudgy and sweating.
Squeezing the last drop
of pure sweetener
down your throat.

Delicious syrup
growing and spreading
on the finger tips.
Feeding the eager.
Melting bright nectar
dropping down the thighs.

Saliva sprinkels
on the piano lips.
Playing chants
of lust and thirst.
Lavish liberation
buzzing for more bees.
Lora Lee Jun 2018
Lick the words
from my lips
let them slide down
your throat
like fruited jewels,
   dark, hard candies
   that melt into cream
a healing liquid  
oozing into my
               ventricles,
pumping milky beats
out through
           your cells
permeating the deep
of my wild
  
My syllables will
   wrap themselves
      around your syntax
frothy hybrids
of buttered silk
                and irony
heart-to-heart
conversations that
flow into the ether,
as heaven's night
endlessly begins

We twirl our tongues
into guttural utterings,
lustful verse
that glides from
slick-fervored ice
to an outpour
                    of lava
We feed each other
dreams
our saliva like honey
dripping with dawn's
tender glow
as we open up
like baby birds,
begging to be nourished
at all costs

Here,
in this lingual forest
Your breath finds a home
on my tastebuds,
my tongue
in your
          cheek
            
In between the tumults
of our
exploding oceans
This
     is how we
  love
Birdy Thyne Oct 2012
As I brush my teeth in the bathroom, a young woman enters- tooth brush and face wash in hand.  I watch her reflection in the large mirror a front the sinks, I put an over-sized glob of tooth paste on my brush.
******* it Danielle, she sees this mistake you’ve made.

I turn the water on and attempt to wash away some of the toothpaste. We start brush at the same time, I smile to myself because these synchronized flukes, such as speaking in unison or laughing simultaneously, make me feel briefly connected to someone. Sounds a little silly, but don’t all ways of relieving loneliness?

My anxiety stirs again as I realize the volume of bristle to tooth.* Can you hear this? Is is disgusting to you? That sound of saliva and paste being ground into my teeth.
I lean forward to spit, inspecting the rusted faucet. I see my face in it’s metal stem, it convoluted my face.

I’d rather be disfigured, so that I’d no longer have to guess and worry about whether people were eying me. I would know. They could clearly see my faults if I had a missing jaw, drooping eye and liver spots mapped across my grey skin. I wouldn’t have to worry about the possibility of being seen in a favorable light.

The possibility of fooling anybody into thinking I’m not repulsive. I would know it.  I stare into the metal, I spit. Blood is all over the sink. I spit again and more blood. Again, blood. It’s pouring out of my mouth. I turn the water on high, panicked that the girl beside me will see. But she leaves, “goodnight” she says as she walks by. I try to say something but I’m choking on the blood. Where the **** is this blood coming from?

I glance up to the mirror, there is no blood in my mouth. Back to the sick- no blood. I am so confused, just moments ago Armageddon was spilling from my mouth; and now it’s vanished?
I stumble back wards into a stall.

“I saw that.”

A voice whispers from within the stall, or was it outside?   I open the door, but nobody is there.
Okay, Danny, calm down. Nobody is here, you’re imagining things.

“No, you heard.”

Confused, the voice, that voice- it’s coming from the stall door. No, doors can’t speak, I open the door but still, I am alone.

I run, bladder still full. Sundries still on the counter, I need to get out of there.
_______________________________
Paranoid Schizophrenia- A mental disorder characterized by a disintegration of the process of thinking and of emotional responsiveness. It most commonly manifests as auditory hallucinations, paranoid or bizarre delusions, or disorganized speech and thinking, and it is accompanied by significant social or occupational dysfunction.*
___________

Within two weeks of my first experience of hallucinations, I was in the Summit Valley Institution for Mental Disorders. Highly medicated, with stitches along my chin and staples in my head.
I’d lost all control, they found me at the bottom of a stairwell after falling 3 stories.

Nurses told me that when I’d been taken in, they found more that one hundred scraps of paper in my pockets, on them were different snipets of conversation I’d heard throughout the day. It was a compulsion, I was told, associated with Schizophrenia.
zebra Jul 2018
come sit on my words
dear reader
like outdoor furniture
for thin hips

while spooky poets peer up under gaudy umbrellas
nervous about making a good impression

all of your hosts
snuffed candles burning-out
for metaphors and alliterations

begging
one poem at a time
for a light
that we will never see

go ahead
antagonize me
you, who live in an idealized passed
fear the future
and ignore the present
while i hide like a little girl  
behind the bare legs of poetry

that will show you!

my head a hanging web
that feels words like cosmic storms
tumbling stone heads
onto boulders of terracotta shards

my ink smells like stinky saliva
a dragging wet tongue of ambiguity
a kabuki fight to the death
unwinding paper machete viscera
and plucking out make-believe hearts
while gobbling fortune cookies containing  
jokes, platitudes, and fortunes
that never come true
in a dreamland of *******'s

i'm trying to break something in you!
armon Jun 2014
raw ******* thumbs drawing open the canvas of cavities
hot stink, tangles of pink wrinkles, ground turkey and beef
pulse of the earth in the groan of the springs as the sequence of spirits inhabits a lopsided carpet of blood, cardiovascular, creation, crawling
pineapple sweat, *******, neck licking saliva stains, flesh slapping, teeth jousting, chins grinding
explosions, eruptions, screaming, biting, clutching the rim, apocalypse, APOCALYPSE, the guilty apocalypse
Felix Sladal Apr 2017
Yawning mouth of the city beckons
Glittering jagged teeth tearing into
Passing souls
Walking on slick black tounges
Sand beaten breath fogs windowed eyes
The beast we come to love
Even as we live incased in it's cavities
The plaque in the grime of eroding gums

When did you last brush your teeth
Your buildings, starting to turn gray
Your tongue a tad flavorless
Do you grow old, fat, and tired?
Or is that just us?

Changes float on the breeze so subtle
You'd never see them unless you left
People slowly turning to dust
Blowing away
But everything still stands
As if nothing ever happened
We live our lives in nooks and crannies
Ghosts pressed between the glass
Tiptoeing enamel streets

Plush gold chairs and minty fresh
Oh peppermint fresh
Rain trickled saliva slips over your
swinging silk face
Breath, taunting tints of lavender
Your back is straight
Stressed crowsfeet pupils shine
Wake up tomorrow to find today
Your eyes are brown but green
Your mouth is wide but tight
Your grin not as cheap as the others

Everyone starts to bleed together
All traits the same
So very different
You weren't drinking mint
Nor lavender
Freeze frame in memory
Pick and choose what we see today
Who to be yesterday
Next week pickle plum I'll jump through a fire just to feel me, feel you

We're running from something
Day to day
Feels like time, might be ourselves
Your shoulders are curved, the slightest of slouches
Your eyes are oh so green and teeth so straight
Thin lips and a long face
Once opon a time I almost knew you
But not today not ever
Self chained straining towards freedom
But happiness wrinkles you cheeks
Self imprisonment won't bruise the will
Don't listen to me, your far more free than I'll ever be
Whistle to the stars
Shrug your shoulder at life's questions
Look it in the eyes with your peridot irises, tell it you've got this
I wish I know what you were drinking
Rainwater and honey

Your eyes are weary brown
Rosy cheeks blush on bronze
Hair shifts to straw spun gold
You haven't aged but I feel so old
Going places while I stand still
Doesn't feel the reverse though that's the truth, if only in theory
You paint life, I paint paper
I maybe younger but I'm wilting faster.
Is it wrong that I wanted to kiss you
For a millisecond and no more
Atune to a time warp lost in free space

Green eyes Brown
Rigged lines graceful limbs
I'm a overcooked noodle
With a halfcooked plot
And everyone seem so put together
I'll poor the pesto on myself and call
me done.
Eugene OR some time near me birthday 2016
Kat Jul 2012
the bittersweet taste

of a last kiss

will always be fresh on my lips

the press of mouth on mouth

the battling of tongues

using saliva and passion

to say goodbye
zebra Mar 2019
Cuckqueen
in a kink clutch
breaking a twisted angel
on the rack of
onward Christian solders
in ecstatic flagellations
for ***** saliva  cliterature
with a mouth black window widows bite
in a white lie light  
of cruel dark night
while jazz ****
layonaise spatters
where its soft and hurts good  
and fossil **** *******
drive down the armageddon highway
in a bright burn
with ***** feet on clean sheets
and drooling tongues
lickalotapuss
Anthony Williams Oct 2014
You strayed independent across my unlaid path
impressing me with a hideaway around the thistles
where inlay thigh flints spark like butterfly wings
fused to outstretched but still flimsy present glinting
loose eyes a smoky incense close to gleam igniting
potent tinder sax on a beneficent Burns' night portent
whispering wick lit slivers of be live next to me glen scent
fluttering and roaming through saliva kissed gloaming
a light shaved window opening a misty eyed gap
opportune as a mysterious space between maps

crossed with aye formations and melted highlands
I slide into a bonnie loch when you return my glance
smooth as a swan stroking shallow into deep meeters
the swirl of bagpipes barely rippling the surface meters

a proud union betwixt us found expression
unflagging love notes ** streamed passion
red into sky blue twitchy nerves lend fingers
fondling unfurled clouds into catchy dance rings
retracing steps into tempestuous hearts I rose
so dryads can black watch temptation intertwine
painted inside as I woad your Pictish tartan

only now the pedestal wobbles a little
but you don't fall to my arms
brave destiny's turn is fickle
and straight on without being toppled
you hesitate but give no nod to lead
no quick look behind you as I hoped
shying awry to continue walking
the hot moment runs past cold
safe as before inhibitions land
like icicles on my fanciful back

upstanding Meissen men often talk
of perfection showing no cracks
and chuckled as they left their mark
in crossed swords kilned with clay ores
giving a porcelain lion soft pause
for thought about a heart out clause
and about lifting any kilt or unstuck thought
to keep established ruling embarrassment
but is that parley risking nought?
the mane's trimmed short
too correct to tip the hat
to a potential welcome
down falls harassment
south of the borderline
sad that no one can put
that man lass
yes
moment together again
but ever slow drifting apart
the dream mist
goes on
by Anthony Williams
what a waste Nov 2015
Whirlpool of insanity
the beast stands coy
bound to humanity
A sadist and her toy
Fear its brutality

Our fists churn like
tides of a blood-lusted sea
Saliva soaked spite
rhapsodizing over gluttony

It's never enough
we wan't it all
The world we corrupt
a sadist and her rag doll
Matriarch of the puppets
By the East River and the Bronx
boys sang, stripped to the waist,
along with the wheels, oil, leather and hammers.
Ninety thousand miners working silver from rock
and the children drawing stairways and perspectives.

But none of them slumbered,
none of them wished to be river,
none loved the vast leaves,
none the blue tongue of the shore.

By East River and the Queensboro
boys battled with Industry,
and Jews sold the river faun
the rose of circumcision
and the sky poured, through bridges and rooftops,
herds of bison driven by the wind.

But none would stop,
none of them longed to be cloud,
none searched for ferns
or the tambourine's yellow circuit.

When the moon sails out
pulleys will turn to trouble the sky;
a boundary of needles will fence in memory
and coffins will carry off those who don't work.

New York of mud,
New York of wire and death.
What angel lies hidden in your cheek?
What perfect voice will speak the truth of wheat?
Who the terrible dream of your stained anemones?

Not for a single moment, Walt Whitman, lovely old man,
have I ceased to see your beard filled with butterflies,
nor your corduroy shoulders frayed by the moon,
nor your thighs of ****** Apollo,
nor your voice like a column of ash;
ancient beautiful as the mist,
who moaned as a bird does
its *** pierced by a nedle.
Enemy of the satyr,
enemy of the vine
and lover of the body under rough cloth.

Not for a single moment, virile beauty
who in mountains of coal, billboards, railroads,
dreamed of being a river of slumbering like a river
with that comrade who would set in your breast
the small grief of an ignorant leopard.

Not for a single moment, Adam of blood, Male,
man alone on the sea, Walt Whitman, lovely old man,
because on penthouse roofs,
and gathered together in bars,
emerging in squads from the sewers,
trembling between the legs of chauffeurs
or spinning on dance-floors of absinthe,
the maricas, Walt Whitman, point to you.

Him too! He's one! And they hurl themselves
at your beard luminous and chaste,
blonds from the north, blacks from the sands,
multitudes with howls and gestures,
like cats and like snakes
the maricas, Walt Whitman, maricas,
disordered with tears, flesh for the whip,
for the boot, or the tamer's bite.

Him too! He's one! Stained fingers
point to the shore of your dream,
when a friend eats your apple,
with its slight tang of petrol,
and the sun sings in the navels
of the boys at play beneath bridges.

But you never sough scratched eyes,
nor the darkest swamp where they drown the children,
nor the frozen saliva,
nor the curved wounds like a toad's belly
that maricas bear, in cars and on terraces,
while the moon whips them on terror's street-corners.

You sought a nakedness like a river.
Bull and dream taht would join the wheel to the seaweed,
father of  your agony, camellia of your death,
and moan in the flames of your hidden equator.

For it's right that a man not seek his delight
in the ****** jungle of approaching morning.
The sky has shores where life is avoided
and bodies that should not be echoed by dawn.

Agony, agony, dream, ferment and dream.
This is the world, my friend, agony, agony.
Bodies dissolve beneath city clocks,
war passes weeping with a million grey rats,
the rich give their darlings
little bright dying things,
and life is not noble, or sarcred, or good.

Man can, if he wishes, lead his desire
through a vein of coral or a heavenly ****.
Tomorrow loves will be stones and Time
a breeze that comes slumbering through the branches.

That's why I don't raise my voice, old Walt Whitman,
against the boy who inscribes
the name of a ******* his pillow,
nor the lad who dresses as a bride
in the shadow of the wardrobe,
nor the solitary men in clubs
who drink with disgust prostitution's waters,
nor against the men with the green glance
who love men and burn their lips in silence.
But yes, against you, city maricas,
of tumescent flesh and unclean thought.
Mothers of mud. Harpies. Unsleeping enemies
of Love  that bestows garlands of joy.

Against you forever, you who give boys
drops of foul death with bitter poison.
Against you forever,
Fairies of North America,
Párajos of Havana,
Jotos of Mexico,
Sarasas of Cádiz,
Apios of Seville,
Cancos of Madrid,
Floras of Alicante,
Adelaidas of Portugal.

Maricas of all the world, muderers of doves!
Slaves to women. Their boudoir *******.
Spread in public squares like fevered fans
or ambushed in stiff landscapes of hemlock.

No quarter! Death
flows from your eyes
and heaps grey flowers at the swamp's edge.
No quarter! Look out!!
Let the perplexed, the pure,
the classical, noted, the supplicants
close the gates of the bacchanal to you.

And you, lovely Walt Whitman, sleep on the banks of the Hudson
with your beard towards the pole and your hands open.
Bland clay or snow, your tongue is calling
for comrades to guard your disembodied gazelle.

Sleep: nothing remains.
A dance of walls stirs the praries
and America drown itself in machines and lament.
I long for a fierce wind that from deepest night
shall blow the flowers and letters from the vault where you sleep
and a ***** boy to tell the whites and their gold
that the kingdom of wheat has arrived.
zebra Aug 2017
in a taut black dress
you brush by me  

you are
dark summer fruit simmering hot
a sopping estuary  
i gather you into me  
you cascade like an undulating cat
giggles like trembling gelatin

cherry kiss lips  
agile muscle shifting  
pleating like soft furs
against my thunderous chest
your tremulous tongue rupturing
like spiced chrysanthemums from heaven  

i inhale your lavender breath  
your saliva melts stormy mouth up-leaping

i eat your soul
and paradise *******
licking honey rainbows
filling my mouth a thousand times  
and a thousand more

its never enough when some one has your heart

suffocate me in your drooling mouth
your body is my aviary
and hot house of man eating plants

i run to your teeth
beautiful cleavers gleaming
shivering with excitement  
from your dragging bites
my blood languishing at your feet

have no regard for me
eat my love  
i live to be swallowed by you  

i hold you through the night
all dire raptures
dark in mystic paradise  
tangled in your hair

may mourning never find us
torrid scorched from flames infernal
black candles uncrossing pasts
devils **** your adoring toy  
kisses never ceasing
hot weather nostrils steaming
your flexed body writhes
a royal contortion  
your heart cleaving
so that i may like a sun  
consume your darkest edges
bitter chocolate so sweet  
to fill griefs mouth with ecstasy
my heart aches like a siren of echoes  
calling to you  
shaking your gates down  

you are a titanic gravity  
and i'm forever tumbling  
like eternal burning ashes through cobalt night
it is a steep decent into heavens arms
as i crumble
all smashing diamonds
and hissing flames
into open wounds weeping glitter

your chin jutting
throat stretched
while pulling the roots of your hair
exposing arteries pulsing
stuffing myself on your marrow
you plume like a volcanic moon
showering me with spooling stars
and butter **** kisses

ill turn you into my glistening little *****
all swollen tears for more  
rituals of adoration
kisses like monsoon rains
i look up at your supple form
your haunches my temple  
worshiping you
smothered in heavens jaws
you cascading ******-less  
in a taut black dress
brandon nagley Aug 2015
Filipino immortal of time
I'm courting thee now;
And making thou mine

We both kneweth
This day wouldst arrive;
Now taketh mine hand, stand by mine side.

I hadst amour'
For thee, for so long;
Now let's maketh, the sweetest amare song.

Ourn affection, tis obvious
For all to see;
We art the real deal, not some farce dream.

As tis we shalt meet,
As thou shalt get that engineering degree;
I'll taketh a trip, or we'll meet in between.

I'm courting thee now,
Tribal of tropic's;
I'll get ****** in thy saliva, bodie's close, bliss the main topic.

None material's needed
As ourn belief's state;
Ourn devotedness, not some internet kiss, everlasting mate's.

So now thou shalt knoweth
Thou hath been courted;
To showeth thee mine love, and to me thou art more important.

Other's shalt judge
As other wilt mock;
Yet we shalt be happy, in romantic cot's

Even if we art poor
With none food on the table;
Ourn love shalt speaketh loudly, none words needed, nor label's.

We shalt write poetry
As it becometh true;
Sweetest earl Jane, just wanted to sayeth, I loveth thou more to.

Tagalog language, thou shalt teacheth me better
Queen earl Jane;
This is thine courting letter.

I'm not all the other's
As thou doth see;
I am thy Hari, thou art mine Reyna, in whom I believe.

As I knoweth thou don't feeleth
Good enough for man, nor God;
Just wanted to telleth thee, thou art mine, and God's all.

I just wanted to let thee knoweth
I looketh up to thine light;
Thou inspireth me so much, as to other's, thou art vital to life.

So when thou feeleth down
And wanting to leap out of thy brawn;
Remember tommorrow ill be here, as well as ourn own god.

This is mine courtship letter
As now I'm courting thee;
We both want it and need it, mine best friend, life, and queen...

I loveth thee so much
We both none more canst hide;
Thou art mine Earl Jane, thou art mine life....



To thee; dearest Earl Jane..................




©Brsndon nagley
©Lonesome poet's poetry
©Earl Jane dedication/あある じぇえん
We both knew this was coming queen..... Now is real... Not as some dream... I love you Reyna..  Mine Filipino rose... As you know I don't love u outta lonesomeness. Anyone can do that... We both know this has been coming... Lol love u more queen Jane...sweet Jane... We can't hide if no more love... I love u.. And not scared to be open no more ...
vircapio gale Oct 2012
Haiku:

hiking new forests
mountain homes of moss and dew
more roots deepen


berries ripe
dot taiga heath--
alien planet


yellow blazing sun
'packin'rocks'
from maine to georgia


pain born hero
in oven boots of blood and pus--
summit breeze


barefoot hiker
calls herself 'FearNot'--
toes enjoy same mud


snake rises up
fangs gleam at water lair
cold spring quenches all


***** at each view--
water comes in and goes out
like a filter


at waterfalls, swans
alighting air-- noble poise
on the way to sea


gunas intertwine
my sweet mountain hunger paths
bitter taste of bark


sour grass
garnish of an earthen tract
saliva honeyed


strands of spider flight --
i too catch myself making
web after web


"nature loves to hide"
hidden hermit roars of all
strife and fire flux


spider bite at dusk
afterswing of scenting food
shoo the meal away


change becomes the same--
people streams talking pixels
aging static web

symbols set in light
speed of optic living nodes;
clicking finger fibers


websites spin and stick
plastic tropical alphabets
ant waves clean the keys


fueling in process,
living fossils already
drilling seas--on earth


give or take six months,
happy birthday!
two seasons gone


Haibun:*

A mountain poet has come to the city, blisters pushing up his toenails. His smile spans 15 blocks of concrete and rebar. Strangers coo to see his sunshine gait but cough at his aroma. Hospitality is found after all, in parks and in the drunken streams from clubs gregarious for midnight novelties.

poet's apology--
not exactly 'myself' to
license gratitude
when time gifts symbols distance--
terror war towers still fall

Emergencies of all sorts force their way into my mind, as I live, sometimes as I write. Ambiguities serve as fulcrum nooks for meanings incompossible to hide, not being ready to share what can't be shared, obscurity offers the ineffable reprieve to be spoken nonetheless.

peering in the word--
sound signs meta symbol
witty sea of *****

property stings
abstract fights to earth
mixing labor

i found a haiku
on my coworker's desk--
where is the frog pond?

dad drinks alone--
photo recalls sunlit leaf
and beer can stare

opining fire false
freezing hearts with argument--
cold spring, winters warm

It is with the love of a child that I write, wincing harder into that self-given 'Indian-Burn' of cathartic fetish and psychological indulge. Where is maturity, and what use is it when faced with endless ground-zeros? Still open to answers, still unwilling to speak plainly or straight about the blanket crookedness and blissful meander that colors life most vividly. I imagine dacrygelosis understood.

thawing pond
creaks in headstand calm--
autumn air released

night's insight pierce
heralds migraine's ease--
gong of moon or sun

on dead wood, against
live trees, hours of *** by
mycelia blooms--
fragrant rot and sweat collide
skin spotted with forest sun

love signs everywhere--
two trunks spiraled
in a yellow wood

vocal awe resung
this is love! this is love!
deep summer fruit

rub of bark                      
vast forest sways across skin
                        naked expanse
Stanley Wilkin Sep 2016
I watched the fox, rat held firmly in its jaw,
Trot across the street, lithely avoiding the cars,
Ears pricked up.

It slithered under a fence and weaved through the undergrowth,
Not once acknowledging my presence.
Disappearing in the night, it yelped out its echoes in the wood
Licking out worms.

The shadowed moon slung down its light
Like weak silver bristles from the back of a carved out hedgehog
Covered with newly deposited fox saliva.
It had screamed as it was consumed-unable to die!

The crow stabbed at a newly dead rock pigeon
As the stalking cat pounced......
Death mingled!

Joe, who lived near me, waved:
I waved back, wondering why he saw nothing.
CLStewart Mar 2016
Scraping by on pennies added to dimes with 25 cent pieces in the           laundry mat- sure to make fine dining at a cost of some old sailor who’s early retirement was all but his own

Killed in the heart but @ the mercy of men and fielded in newspapers swept under the cold damp dank swell of emotion- and (I) enjoi the cafe immensely

Candles burned and tuna can saliva made for glossed over window sills
Picture it: a lie were blue if the truth were red.
A lie is always cool, and the truth is always
Angry.

Compare it as well to ****** fluids: lies spew from our oral cavities like saliva,
when blood, the banality of our existence,
courses ferociously through the veins of every woman, child and man.

Both blood and saliva encompass being on levels past the physical and certainly beyond the secular.
But,
Sexuality is truth is red is anger.
Angry men are ****** men are truthful,
men.
Consider it, for
to be happy is to be
the epitome
of virginity.

— The End —