"sagging" poems
Eyes of pale celadon
refulgent in the dusk
lips of skin so thin they grin
around the tips of tusk
Jagged saw-like teeth
beneath a sagging beastly jaw
the putrid reek of flesh and cheek
he's gobbled - nights before
His pointed nose will point his toes
when he snuffs you shuffling by
the fright enough will be so tough
your legs will lignify!
And once he's done he'll click his tongue
his mood enhanced by food
he'll walk home late and ululate
his deepest gratitude
May 18, 2013
May 18, 2013 at 11:05 AM UTC
Why did you eat that?
Don't you know
You're already fat?
Everyone is staring,
At the way your skin
Is swelled and sagging.
No one wants you,
With all that extra cargo
You look 200 pounds.
Put the food down
And go for a run --
You look disgusting.
Why did you eat that?
Don't you know
You're already fat?
Jan 5, 2015
Jan 5, 2015 at 9:30 PM UTC
Based on a painting, "Nuclear Puppies", by Julie Nagel, 2001
You’re a mutant, you know—
got funny dog babies sprouting
out of your head like they were
ears. Those copies of your face
look up at a sky of ashy gray,
perked and tense. Are you listening
to yourself? What choir
of dog-eared deformities
sings to you? Maybe they should have
howled louder before we dropped The Bomb.
Maybe the yellow caterwaul of their
melting butter bodies would have stayed our hand.
I doubt it though.
This is what we do. We burn things.
We tinker, adding and subtracting until
what’s left is blasphemy—until what’s left is
you. A yellow almost-dog, a sagging
body with melted flesh where there should
be fur. Sad monster; beg your alms
from the atomic Frankensteins who made you.
Your skyward eyes are bright, still happy
anywhere but here. But your abominable
body lies here staring into gray space with
Alpo still sticky on your nose, wet, brown snow.
May 8, 2014
May 8, 2014 at 12:11 AM UTC
When Technology died,
some of us merely shrugged and
Tried to go back to before...
Only it wasn't the same...
So many hard-wirings gone,
So many places where we used to go,
So many thoughts we used to know,
Forgotten in an ethereal swirl...
Internetted and forgotten.
Power plants done, and no more juice
To feed along the sagging wires.
Once the Internet went down,
(Without so much as a diminishing blip
Of dying light (cathodes were gone)),
Ah, Lord, we missed the ethereal glow...
Screens now dead and flat,
Unable even to reminisce
The comfort-glow of former irritants,
The fuzziness 0f electronic snow....
And telephones! My Lord!
To think of how we used to talk!
Electronic prayers, each other we implored...
So much connected,
We forgot the depths of face to face,
Now cellular paperweights lie dormant,
Longing for at least a little life,
Reminding us those days are gone.
We pass our little news
Word of mouth now,
Word of mouth to ear,
Only if the ones
We want to know are near.
May 19, 2013
May 19, 2013 at 11:41 PM UTC
the rotten bananas remain on the hook,
browning and sagging,
dispensing a putrid odor into the room
of spoiled sweetness.
the small patches of burnt yellow
become overtaken with dark brown,
like a disease, spreading faster and faster
the tough, impenatrable skin slowly
decays into a soft, mushy clump
that although, is penetrable, is undesirable.
Apr 6, 2014
Apr 6, 2014 at 10:52 PM UTC
What She Look Like?
…Like one
tenderly hushing
water in her lap
Elemental peace
No place to go
No more to be
…Like the ocean
in the background
of a photo on a warm spring day
belying
rage
and the random possible
thrash--
out!
at all guilty ******** in her path
Toss in the next sentient soul
who should happen to pass
within range
who should have seen
who should have known
what a storm could do….
Moody in the aftermath
and sorrier than rain
With the tide in retreat
grumbling excuses
Hiding out waist-deep in dusk’s Merlot
Waiting for night to sleep it off
to heal the rifts
cleanse the shame
Rising
yellow, bright— and
“What the hell happened, here?!”
_______________
Her hair
a winter’s tragedy of trees
upside down—
No wait— the wind has put her right
to ragged random branches
swaying, wet with intermittent hues
of dark and silver
caught in collar, flying inelegant and free
at the shoulders of the levee
tossed and softening shyly
sagging jaw and nose a stump of tree
All perspective changes…
if you watch a while—
She’ll raise her eyes
into the sunset
to catch an eagle
entering
flight
…and then you might…
______________
She looks like—
a pudgy robin
querying grass
mud soaked
that hides the fire of her breast
tugging at a worm
more than half her length
“I will feed them, **** you!
Give it up, you son of a snake!”
_______________
...Don’t miss her hour of music though
for anything
Encroaching darkness
from the rooftops
she listens to the hearts she breaks
Remember this in winter
she can give but she will take
it out on February
when you’re longing
for her
Nov 7, 2017
Nov 7, 2017 at 7:57 PM UTC
From the cultured hood of Beverly Hills
Young rich white kid rapping
Blonde hair perfectly combed and trimmed
Blue eyes shaded from California sun
Spitting ghetto slang about unfair pain,
Affirmative action, cultural injustices
Daddy’s allowance, racial profiling
Pimp[le] mobile and spinning rims
Gold plated teeth over pearly whites
Slinging 401k’s and time shares
Baggy pants sagging down past his ***
Tugging at his crotch
His hand permanently attached
To his little white flaccid ****
Trying to keep from tripping
While he’s running from the police
Wanted for questioning
On insider trading
And insurance scams
Apr 28, 2012
Apr 28, 2012 at 8:48 PM UTC
Sag my corpse
in 32 degree weather
through the city of God
where paraplegics dream of running.
“Oh Rhodesian mercenary,”
humble my soul again
like in C(hi)(ca)ongo.
But remember
The revolution starts
on my mama’s bed
at half past six.
So excuse me while I smoke my drink like a Brooklyn Leftist from the 40’s tramples
burning cigarettes on cold pavements where codeine and Sprite
make any Tuesday fabulous because we already suffered from (and for) the goods of mankind.
But before you read me the history of Hatchepsut;
I learned the art of man within the confines of FCC regulations after my ‘Pa threw ******* out the window and made life in the cell not mundane by telephoning philosophical-entendres
that tomorrow never happened.
He too was from the blood of the ancestors whose bodies were charred on as goods—
whose children now char their bodies with the goods of the goddess of Victory—
the official trademark for the lost Exodus—the blood and blue moribund—
sagging pyrrhic victories in 32 degree weather as homage to their charred ghost (fore)fathers
who preyed to the city of God for bread
Jun 10, 2013
Jun 10, 2013 at 8:35 PM UTC
It will never tell its secrets
Old boards, an audible moan
Holding up the sagging roof
A crumbling foundation of stone
The years have done their damage
The summers of scorching sun
All the wet and icy winters
A battle with nothing won
An old harness in the corner
Wearing its coat of dust
A plow no longer plowing
Growing a harvest of rust
If we would only listen
Oh, the stories it would tell
Of barefoot kids in the barnyard
Mama ringing the dinner bell
Tonight will be the last night
That it shadows in the sun
Tomorrow it’s gone forever
The old barns race is done
Jun 16, 2016
Jun 16, 2016 at 3:15 PM UTC
Here early looking through the news:
the mountain plane crash,
the arabic voodoo,
the red and blue men saluting arguments.
What is missing that is new?
New spring leaves on flowering scented pear tree,
new age spot on sagging skin.
What is truly old?
Things grievous falling from sky;
alarming cries about civilization's ruin;
plunging sharp items into people
to squirt blood in boyish delight;
roots of spry pear tree
summoning life into sky.
Apr 23, 2015
Apr 23, 2015 at 9:50 AM UTC
August, the Red Line,
connected tanks
of bolted plastic vertebrae.
Every seat gone except
five rows up, where a sea lion
sprawls across two,
stuffed backpack, yellow jacket
spread out like caution tape.
His grunt a wet bark
at the glow of his screen.
Middle-school deer slip into the aisle,
chatter clipped when the sheriff drifts past,
their ears flicking, smiles bitten shut.
Not a predator- just a gelded ox,
chest puffed, badge sagging, glass-eyed,
chest rig clattering with blanks.
Two lemur-children cling to their tortoise elder,
her shell steady against the sway of the car.
She shepherds them from the surge of riders:
loud Dodger blue parrots in cholo socks,
moth-women with plumed lashes beating the stale air,
a stray dog, gutter musk dragging at its haunches.
And one gray bear
muttering alone,
arguing with her reflection.
Between Koreatown and MacArthur Park,
somewhere the sea begins to breathe again,
then, feathers forcing through my skin-
an alley gull knifing into this clamour,
scavenging inside its exhaust.
The car rattles, its ribs plated with blistered posters:
museum wings open to no one,
‘register to vote’ fading into graffiti script,
flu shots promised by smiling ghosts.
A bruised hatchling staring out beside the words
See something, say something.
The warning lights glow
like eyes hunting in the dark.
From its flanks the train
unfurls iron claws.
They rake
the tunnel walls,
the city’s bones,
the dark itself.
Sep 29, 2025
Sep 29, 2025 at 10:00 PM UTC
I'm too despressed to notice I'm stressed out
Suppressed emotions inside, shouldn't let out
Seeing is believing but what I see isn't real
I am forced to accept these "realities" and ignore the way I feel
I don't mean to sadden, entertain, bore, or aggravate,
For a decade I find that this is how I communicate
The only way I can precisely speak out on the unhealthy pleasures
As the chemicals of my brain, they fornicate
These levels of relationships aren't supposed to be
It'll **** me sometime later, look at how it has ruined my personality
Seeing is believing, but you won't believe what I see
How can I act 'normal' when you won't acknowledge I can't do 'human being'
My animalistic compulsions are fuelled by my failing brain functions
Don't get too close cause I'll try to bite, I sympathise for your flesh when I malfuntion
Don't be scared, I'm not canibalistic, I just like to use my teeth
Humans scare me, I must defend myself, uh, I mean, to smile and eat
I'm not afraid to say it, but I'm scared when I'm saying it, I have to say
I have been observing your mundane human actions, I really don't want to be put away
I always feel foreign, alienated, out-of-place
But because I'm "considerate," I have to bite my tongue to save me some face
I'm too stressed out to notice that I'm depressed
Wanting mental soundessnes, yes, peace, my hallucinations don't give me rest
My taughts speed down their highway, my delusions are always a-fest
They inflict beneath my exterior, but for the public eye, I wear a crest
"I wear my skin well, don't you think?" I lie, becuase it ill-fits
I am totally normal, "I'm fine." Can't change the fact I'm a misfit.
The beams that bear my bag of meat rust and thus begin to weaken
The lethal sagging's caused by the mental luggage, I'm not heard, even though I'm speaking
Many persons think that I'm overly paranoid, I must admit, that I am
You would be the same way too, if about your health, no one ever gives a ****
Help doesn't come, because their 'laters' always becomes 'nevers'
I am not that superhuman, can't keep myself together, forever
They claim that they would help me, some way, somehow, but their actions never initiate
Someday, sometime, it would all be over, through a thorough death physical or mental
Oh yes, I'm still believing, you can't accuse me of not having faith.
I look forward to my healing, but all the while, my brain chemicals fornicate.
Oct 10, 2018
Oct 10, 2018 at 7:18 PM UTC
Crooked frame on a white wall
with its squared edge on all four sides
sagging to its left, lifting it right up
exposing its crookedness for all to see
Crooked frame on a white wall
why wasn't you adjusted?
wasn't your crooked stand exposed to every foreign eye?
or was your content so beautiful
that it captured the stare of all who glanced?
If so, it must have been content of pure gold
to have kept hungry eyes blindfold
Jan 3, 2019
Jan 3, 2019 at 1:25 AM UTC
OLD HOUSE
They retain precious memories,
intimate feelings of inhabitants
passing through its sagging doors.
Romantic are seekers of forgotten times
memories encased in hard wood floors;
as lath plastered walls ooze remnants of a
history while we; when inclined listen.
We don't go very often, to abandon houses,
perhaps on a dare, or at Halloween.
Are we passed enjoying extremes into this
another world, musty energy a curious child.
That was the yesterday
which now waits behind
musty, dusty, derelict halls.
I stand I stand at paint chipped banister,
a faded worn carpet once carried dancing feet,
children playing before they sleep. The
broken coat tree on the floor.
From the third floor murmuring,
a wind storm jars
loose fears, of time
once lost to dreams.
Echos billow from
each room, curtains hanging
yellowed by a sun where
dancing light through holes in damask lace.
Mice gremlin's artful droppings,
tracks of nature on dirt strewn floor.
Broken shards from window
panes, confetti after New Years day.
Branches scratched
etched paths, tracks like graffiti
on sill its unread words, a glif
eerily cast shadows trigger echos from the past.
Jagged memories protrude from every corner
mixing with new, enriching our fantasies
bringing us closer renewed;
these musty memories long forgotten.
Like waves rushing back;
flooding a mind like broken
dikes they crash into our world,
Rembrandt's paintings on canvas fading.
Silent footsteps outside a door,
we hear laughter from bedroom walls;
a smell a whiff of hot butter *** silent
conversation coming our way.
Old Doc Masters listened at my chest, as
I read all by candle light, Sherlock detective stories
or the Tell Tale Heart of Poe or
Othello; all masters in the past.
A Grandfather clock
stands silent, keeping time,
lost its tick yet still striking,
it stands tall, upon a clueless floor.
Knowledge lost to a past
in a house so worn,
births, deaths, wars, wrapped
forgotten, encased by neglect,
I visited a house besotted,
neglected waiting to be
remodeled into another century
moving it to present times.
Ajerry
Archival Jan 5, 2011
Nov 1, 2013
Nov 1, 2013 at 2:46 PM UTC
Free concerts
are full of potheads,
they get all in your ear
and start talking about
the land of milk and honey,
DENVER ******* COLORADO.
The beers cost
15 bucks
for pisswater
and barely a pint.
The girls
all wear pink spaghetti straps
sagging acid-wash jeans,
and a smell like
old milk.
The old people
dance.
the old people dance;
there wrinkly
pterodactyl arms
flapping as they swirl the air
with bad knuckles.
The air smells,
like sweat.
Sweat smells like
toilet water.
Free concerts are usually outside,
so hope to ******* Gaia that it doesn't rain,
because you're stuck there,
drunk and yelling
dancing and laughing
******* and falling.
Matt, Dang and Me.
We spent our summer going to free concerts,
because the girls that go to free concerts
think tattoos and ************* and toilet humor
is more ****
than money.
The old people dance with you
performing some type of necromancy
in the air
that brings dead things inside of you
back to life.
And the bud,
it's so ******* sticky,
and it causes a hacking
paroxysm of coughing
to the point that you can
taste the blood in your mouth,
because those people from
DENVER ******* COLORADO,
really know their ****
Nov 20, 2011
Nov 20, 2011 at 12:05 AM UTC
I sing of life at state expense
a state devoid of common sense
addicted to obesity
impolitic in body weight
yet headed for austerity
as other people’s money ends
plebeian class-revolt transcends
our bureaucratic history.
They stack the monthly welfare decks
complain the service second-rate
those sullen clients, thankless louts
pajama-clad with tattooed pouts
whose girlfriends swell while babies cry;
the fathers mumble, sagging high
and wait in lines. The women try
to fool the lunar period
conceptions waxing myriad
while teenage dads discover ***
and social workers cash the checks
the daily urban nightmare is
enough to scare a nation broke
in clouds of marijuana smoke:
the cashless global mystery.
The breeders born in tropic lands
are tempted till they take the bait
no baby-momma understands
what family means, what life demands
Your undertakers overstate
in order to remunerate
your Democratic history:
a bankrupt urban mystery
the not-so-Great Society.
The ghetto sperm-donation ploy
makes babies but maintains the boy
to run around from mom to mom
slow-motion population bomb
as if to merely demonstrate
that social program funders wait
till number-crunchers aggravate
the urban teenage welfare state.
Apr 18, 2016
Apr 18, 2016 at 4:36 PM UTC
Where had I heard this wind before
Change like this to a deeper roar?
What would it take my standing there for,
Holding open a restive door,
Looking down hill to a frothy shore?
Summer was past and the day was past.
Sombre clouds in the west were massed.
Out on the porch’s sagging floor,
Leaves got up in a coil and hissed,
Blindly striking at my knee and missed.
Something sinister in the tone
Told me my secret my be known:
Word I was in the house alone
Somehow must have gotten abroad,
Word I was in my life alone,
Word I had no one left but God.
3.7k
Now, moving in, cartons on the floor,
the radio playing to bare walls,
picture hooks left stranded
in the unsoiled squares where paintings were,
and something reminding us
this is like all other moving days;
finding the ***** ends of someone else's life,
hair fallen in the sink, a peach pit,
and burned-out matches in the corner;
things not preserved, yet never swept away
like fragments of disturbing dreams
we stumble on all day. . .
in ordering our lives, we will discard them,
scrub clean the floorboards of this our home
lest refuse from the lives we did not lead
become, in some strange, frightening way, our own.
And we have plans that will not tolerate
our fears-- a year laid out like rooms
in a new house--the dusty wine glasses
rinsed off, the vases filled, and bookshelves
sagging with heavy winter books.
Seeing the room always as it will be,
we are content to dust and wait.
We will return here from the dark and silent
streets, arms full of books and food,
anxious as we always are in winter,
and looking for the Good Life we have made.
I see myself then: tense, solemn,
in high-heeled shoes that pinch,
not basking in the light of goals fulfilled,
but looking back to now and seeing
a lazy, sunburned, sandaled girl
in a bare room, full of promise
and feeling envious.
Now we plan, postponing, pushing our lives forward
into the future--as if, when the room
contains us and all our treasured junk
we will have filled whatever gap it is
that makes us wander, discontented
from ourselves.
The room will not change:
a rug, or armchair, or new coat of paint
won't make much difference;
our eyes are fickle
but we remain the same beneath our suntans,
pale, frightened,
dreaming ourselves backward and forward in time,
dreaming our dreaming selves.
I look forward and see myself looking back.
3.8k
Bang! Bang!
The sounds of gun shots mid-day on Thursday,
Sirens getting closer to the crime scene,
Just two weeks ago a man's life was terminated for a cellphone,
More thugs and more gun fires,
the tragedy so bad it even appeared in the news.
But today i can feel fear creeping in my vains,
Another man shot dead today,
why do i have to live in this community?
For i am afraid.
Few months ago
it was just like an action movie,
people running and rolling
while the loud sounds from the police guns aiming over my
roof top kept on going
Bang! Bang!
I see the police patroling the streets by day,
having picnics in the park
while they watch their horses eroid away the soil.
They feast to some take away outlets
filling their sagging bellies by night.
While they letting the just go unpunished all year long,
Oh! It hurts.
I feel a bullet on my chest,
Oh! It hurts
for i cannot look through the dark
night anymore.
I sit on the side of this wide classroom window,
And i wonder,
What if one bullet comes straight to me. (God forbid)
Oh this township that i loved,
you are not safe anymore.
Where can i run to for i called you home?
There is no distance further gone without any loud sounds;
Bang! Bang!
Oh mam' ngiyalil'
ngililel' labo abangasek'
ikakhulukaz' imphil' yam'
umphefumul' ongenacal'
kungab' sewabayin' wena dolobh' lami.
I called your name,
with so much pride and bragging,
but now i cannot even say your name
for you have groomed thugs,
gangsters,
vindals,
drug addicts and drug dealers,
harlots... And what else that we do not know?
Could it be blood sacrificies,
are these the 'EndTimes' proclaimed in the book of Revelations,
Why should i bother trying to think when all i hear in my head are ecoing sounds
Bang! Bang!
All i need to do is to find a way out,
Nyawozam' ngibeleth' !
Ngob' inhliziy' ayisahlalisekang'
qobo
when will that day be,
when crime will be stopped for good,
and police do justice to the community?
Jul 28, 2015
Jul 28, 2015 at 8:32 AM UTC
Pinky promises
and praying to goddesses
a picture of your friends on the sagging shelf
and I know I love you
so much more than you could ever,
ever love yourself.
We plucked wild bluebells
and got sick in the winter-time breeze
I'll pick you up
when you fall down
I'll patch up the scrapes on your knees.
Sugar coated candy
turned into your mother's brandy
still overindulged
but I will be here
year after year
you'll always have someone to hold.
Takeout boxes,
a key in your locks and
always a place for me in your coral sheets
we roam the city in outfits too tight
we hold hands in the streets.
Only a fool
when I'm in your room, lose our cool
laughing as our middles concave
with your hand in mine
I've always felt so brave.
We were girls together
and that will never change.
Oct 24, 2023
Oct 24, 2023 at 12:29 AM UTC
First, I spotted the gaggle sagging innocently enough,
One might say blissfully reflected in the laptop screen.
Then out of nowhere came the phrase, "whodunit?”
And from the hanging sag, a sly, silky, voice whispered,
"Ahhh, don't stop before the good part."
Clearly a few clues were left behind, wispy hair strands,
Scattered age spots, skin tags, a few moles, posed upon a
Pale listless, crinkly, lightly pimpled, surface, and from a
Wrinkly, shallow crevasse a voice teased,
"Ahhh, don't stop before the good part."
Totally hooked, curiosity piqued, southward I spied,
A once upon a time perky, treasure chest, half hidden,
Now two solemn, empty grain sacks laid east to west,
And close to death but not quite, lazily they muttered,
"Ahhh, don't stop before the good part."
The final chapter, an ancient, untold mystery solved,
No crime, no villain, nothing stolen, only flesh alchemy,
Where a plateau of supple, touchable, skin once resided,
A lumpy, bumpy, flabby flesh pillow lolled, and it murmured,
“Ahhh, Boston cream pie, a quick nap, that's the ticket."
Apr 13, 2014
Apr 13, 2014 at 5:45 PM UTC
A drugstore pallid in waning light, always illuminated in halogen halos.
I am earless with music.
Black metal loud in clanging sets and blows-
foreshadowing the smell of cleaning solution,
air freshener and the outside
sweet at my back
all steeped deep in the rip roaring undertone torrent of cigarette smoke
blended with cheap perfume until I cannot tell the difference.
There is a limp familiarity to the underlying odor
born partially of personal encounter and-
nestled in the hive mind of social experience.
A distillation of regret and remorse,
of lonely,
of irrelevance;
this black hole swallows my voice the way of my ears,
eaten by rust.
Four cans of beans,
kidneys,
in cans squeezed without any power against sagging swells
melting into other curves
and I swerve close and around guiltily,
noting you only as the source of this pungent spring.
You are smiling apologies
ignorant of my apparent inhumanity-
blind to my selfish hands..
Pinioning belly flesh,
flattening,
reaching
and gaining attendance from a better man
retrieving every dropped can.
I’m retreating,
shaken,
tense to alternatively slacken.
My sweat slippery palms with whitened red sharp fingers feel foreign
and I am surrounded by razors then shaving cream,
moving from shampoo to conditioner,
the whole store is infected with smell.
Staring at nail clippers/snipers clipping touch smooth sooth my tense mind-
don’t look
**don’t
look**
I can sense little else but dread
drawing closer
you are now crouched so close I’m gagging,
taken forcefully-swept away in an olfactory flood
roiling in rot,
currents of solitude exude from your smiling sullen appearance when I turn to you
fumbling
with my electric ears,
surfacing
in a breath of Amish silence
broken with simple request
and I want to scream at you that I am not a man to ask opinions of
that it does not matter what fake nails she glues to her body
that she is excluded and I don’t know why.
I choose swirls of cream suspended within watery milk,
over childish lady bugs framed by yellow
or dots of red alternating to black,
an epitaph to a lifelike effigy.
Dec 10, 2010
Dec 10, 2010 at 1:42 AM UTC
the earth will always be there for you.
although sometimes it shakes, for now, it is still and you may sit or stand or lay on it for as long as you'd like. and if you stay there long enough you may feel gravity gently tugging you lower, lower,
lower into the earths core to rot
for we are all simple satellites orbiting the earth; born high in arms and strollers we slowly learn to crawl, walk, run, limp, walk again, hunch over in age -- and no matter how many airplanes we ride high in the sky, everyday we are dragged a little more, sagging a little bit more, into death of the earth and of the bones. gravity is a constant reminder that one day our parents put us down and never picked us up again, and that soon enough the earth will drag our bones into the soil and earth from whence we came.
for it was there, in you, in birth; and soon you will be there, in it, in death.
Apr 12, 2016
Apr 12, 2016 at 1:02 AM UTC
The Butler Model of Tourism
I come back year after year
cracked black valise, busted zipper
spring-shot lobby divans drained of color,
to press crisp bills into Monte’s hand
come up for air from the tortoise shell
of his thread bare uniform, ease myself
down on a sagging mattress
wait for the clatter of ancient bones
his creaking cart and shuffling feet
to recede into absolute silence down
the dimly lit hall, broken only by a spate
of conversation between the couple
I can just make out in the water
stained fresco above the bed
two of them lost in a heated row
as if I couldn’t hear their bald appraisals
shockingly frank in this flocked walled room
with musty corners and milky windows
disagreeing only on the degree of my
progression through the dismal stages of
“The Butler Model of Tourism”
him making a half-hearted case for
Rejuvenation, the woman straddling
the thin line between Stagnation and Decline.
Sep 24, 2016
Sep 24, 2016 at 9:47 AM UTC
On the pier of life I sit,
dangling in my thoughts.
Days past I'd be fishing
for the stars,
happy in my thoughts.
A small fish here,
a small fish there,
it mattered.
I had something.
Now my eyes close
to the horizon,
to my reflection of the sea,
and to life.
Birds flock to the skies,
in harmony,
with the wind,
with each other,
over singing trees
and ryhming seas,
in communal and in chorus.
My dark eyes look up,
mournful.
For how I thirst the album of life,
fervent and epic.
Resigned I sit,
my shoulders sagging,
my closing feet dangling
at the end of the pier.
I close my eyes
and think of my pallbearers,
laughing.
I imagine their lips,
curt little whispers,
my epithaph,
he did get his feet wet in life.
Logan Robertson
3/30/2018
Mar 30, 2018
Mar 30, 2018 at 11:37 PM UTC