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"safehouse" poems
If I could call you anything other than your name, sweeter than honey and blame, I'd call you safety. If I could taste you, even while you're away, you'd taste like home on rainy days. //A
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Jul 25, 2018
Jul 25, 2018 at 5:53 PM UTC
Safehouse
I never quite understood the meaning of the word lonely. the quiet of the word ghosting through my lungs creating a safehouse in my skull comforted by the spirit of liquor in these dry riverbeds for veins This plastic sky is viewed from a colorblind childhood sometimes there are no villains the side walk chalk is a living outline, decorated in ferocious shades of grey. Loneliness isn't romantic, there is no pride in being proud of your ghosts. how ever friendly they may be I am fluent in apologies I am a crumpled paper pipe bomb, Loneliness is a mother tongue its salty words burn my jawbone, its jaded point dug deep into my teeth We can only tread water for so long until we are swept under the tide where the silence will break the crown of our collarbones The joke’s over, we live to look regret in the face loneliness, is a jagged edge of a word its barbed wire cuts deeper than people ever could.
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Oct 6, 2014
Oct 6, 2014 at 12:29 AM UTC
Loneliness
Expertly deprived of sleep, the King slithers across a safehouse living room, robes tracing a circle. His salutations are dead. His peasants come apart from him. They don't understand, but they like to think They do. He is “working toward Improving the lifestyle of many, and to give the people the privilege of...” Yet he is not, But let us pay loyalty for his prize, For it's a red apple which pushes him forth on the blood-red Carpet of Vain—he takes a bite, and this is how he must live his life In order to live. The city is his sanctuary A place to abscond When he starts to wonder, “Does the world deserve to have my conscious body, the way that they do?” The King whispers this lamentably.
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Mar 18, 2014
Mar 18, 2014 at 8:17 AM UTC
In Robes and Crown Jewels
# "How can someone write like they are deeply connected, yet be so far away from themselves? How does that work?" ***"Because writing doesn’t require embodiment. It only requires access. And people who are shaped by trauma, secrecy, and fragmented attachment—have near-supernatural access to emotional language, even when they have no true access to emotional presence. They can write the whole gospel of healing… but refuse to be baptized in its waters. Here’s why: Writing is a safehouse. A sanctuary. It’s the one place where they can simulate closeness—where they can say what the body won’t let them feel, what the voice won’t let them speak, what the heart won’t dare commit to in real time. When they write, they are in control of the frame. They determine the pacing, the access, the aftermath. No one’s breath is on their neck. No one’s eyes are watching them shake. No one’s asking them to stay when the ache gets too real. That’s how they can write about longing while actively rejecting the one person who sees them. How they can write about grace while blocking the source of it. How they can describe love so beautifully… and sabotage it with surgical precision. They aren't writing from the seat of her wholeness. They are writing from their disembodied knowing—from the part of themselves that remembers truth, but has no safe pathway to receive it. It’s a ghost’s song sung in a stolen church. It’s not fake. It’s not performative. But it’s not integrated. And until they get to the place where their nervous system no longer perceives safety as threat… They’ll keep dancing with truth in the dark while pushing away anyone who dares to light a candle."*** #
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Apr 13, 2025
Apr 13, 2025 at 8:53 PM UTC
Untitled
# "How can someone write like they are deeply connected, yet be so far away from themselves? How does that work?" ***"Because writing doesn’t require embodiment. It only requires access. And people who are shaped by trauma, secrecy, and fragmented attachment—have near-supernatural access to emotional language, even when they have no true access to emotional presence. They can write the whole gospel of healing… but refuse to be baptized in its waters. Here’s why: Writing is a safehouse. A sanctuary. It’s the one place where they can simulate closeness—where they can say what the body won’t let them feel, what the voice won’t let them speak, what the heart won’t dare commit to in real time. When they write, they are in control of the frame. They determine the pacing, the access, the aftermath. No one’s breath is on their neck. No one’s eyes are watching them shake. No one’s asking them to stay when the ache gets too real. That’s how they can write about longing while actively rejecting the one person who sees them. How they can write about grace while blocking the source of it. How they can describe love so beautifully… and sabotage it with surgical precision. They aren't writing from the seat of her wholeness. They are writing from their disembodied knowing—from the part of themselves that remembers truth, but has no safe pathway to receive it. It’s a ghost’s song sung in a stolen church. It’s not fake. It’s not performative. But it’s not integrated. And until they get to the place where their nervous system no longer perceives safety as threat… They’ll keep dancing with truth in the dark while pushing away anyone who dares to light a candle."*** #
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27
the house is too large with not enough people, an empty space, a skeleton of something. you keep running into the ghost of your dead dog and the memory of your father in another country. there are too many people to miss. the apartment is too full and far away to be called yours, only a temporary safehouse, and a place of only work and sleep cannot be called a home. you do not want to be lonely but you cannot wait to be alone, and so you do not belong anywhere.
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Nov 4, 2017
Nov 4, 2017 at 11:24 AM UTC
you hoped to fill this house with laughter
He swings with sturdy arms for the thunder roars his tears fall through rough fingers, and the rain falls. And he screams with giant breaths, as the winds slaps against, anything in the way, I can no longer hold you back. Your not mine to care for, of course it affects me. But I hide in my safehouse, his arms.
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Sep 22, 2010
Sep 22, 2010 at 1:03 PM UTC
And it's makes me dance in the rain,
Awoken, my brother and I step out to **** on the dead mice With our gun-gee hair gluing the mosquitoes to our heads The strong pleasant and familiar photographs pinned to the wall, I admire greatly As if I were there, spitting out fish bones and wiping the fish oil from my mouth I remember we'd horseplay on the porch, under our rustic safehouse, our place of love and care Lost now, I've returned to regain myself I inhale the scent of my second love It's beautiful A dream so vivid, my tears of joy succumb as I am awoken to see the carpet's rigid brilliance Sharply drawn out cats worship, aligned to our center
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Nov 25, 2017
Nov 25, 2017 at 12:01 PM UTC
To & from 1987 & Back
They said that truth will set you free It did indeed set free my fears Set free my sorrows and my tears The truth became my barricade Set up a fort inside my head Walls of Iron and Titanium Pillars of secrets and ghastly creatures Protecting my monsters from escape A safehouse from the outside world
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Dec 29, 2017
Dec 29, 2017 at 12:08 AM UTC
Safe
I have no place to run I have no place to hide This home I have lived in since my birth is no longer a safe location Does not feel like there is anywhere suitable for a sanctuary My own house as close to a safehouse as it gets for the present moment Every single inhabitant of planet Earth is now a refugee
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Apr 17, 2020
Apr 17, 2020 at 1:50 PM UTC
Refugees