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Trees in groves,
Kine in droves,
In ocean sport the scaly herds,
Wedge-like cleave the air the birds,
To northern lakes fly wind-borne ducks,
Browse the mountain sheep in flocks,
Men consort in camp and town,
But the poet dwells alone.

God who gave to him the lyre,
Of all mortals the desire,
For all breathing men's behoof,
Straitly charged him, "Sit aloof;"
Annexed a warning, poets say,
To the bright premium,—
Ever when twain together play,
Shall the harp be dumb.
Many may come,
But one shall sing;
Two touch the string,
The harp is dumb.
Though there come a million
Wise Saadi dwells alone.

Yet Saadi loved the race of men,—
No churl immured in cave or den,—
In bower and hall
He wants them all,
Nor can dispense
With Persia for his audience;
They must give ear,
Grow red with joy, and white with fear,
Yet he has no companion,
Come ten, or come a million,
Good Saadi dwells alone.

Be thou ware where Saadi dwells.
Gladly round that golden lamp
Sylvan deities encamp,
And simple maids and noble youth
Are welcome to the man of truth.
Most welcome they who need him most,
They feed the spring which they exhaust:
For greater need
Draws better deed:
But, critic, spare thy vanity,
Nor show thy pompous parts,
To vex with odious subtlety
The cheerer of men's hearts.

Sad-eyed Fakirs swiftly say
Endless dirges to decay;
Never in the blaze of light
Lose the shudder of midnight;
And at overflowing noon,
Hear wolves barking at the moon;
In the bower of dalliance sweet
Hear the far Avenger's feet;
And shake before those awful Powers
Who in their pride forgive not ours.
Thus the sad-eyed Fakirs preach;
"Bard, when thee would Allah teach,
And lift thee to his holy mount,
He sends thee from his bitter fount,
Wormwood; saying, Go thy ways,
Drink not the Malaga of praise,
But do the deed thy fellows hate,
And compromise thy peaceful state.
Smite the white ******* which thee fed,
Stuff sharp thorns beneath the head
Of them thou shouldst have comforted.
For out of woe and out of crime
Draws the heart a lore sublime."
And yet it seemeth not to me
That the high gods love tragedy;
For Saadi sat in the sun,
And thanks was his contrition;
For haircloth and for ****** whips,
Had active hands and smiling lips;
And yet his runes he rightly read,
And to his folk his message sped.
Sunshine in his heart transferred
Lighted each transparent word;
And well could honoring Persia learn
What Saadi wished to say;
For Saadi's nightly stars did burn
Brighter than Dschami's day.

Whispered the muse in Saadi's cot;
O gentle Saadi, listen not,
Tempted by thy praise of wit,
Or by thirst and appetite
For the talents not thine own,
To sons of contradiction.
Never, sun of eastern morning,
Follow falsehood, follow scorning,
Denounce who will, who will, deny,
And pile the hills to scale the sky;
Let theist, atheist, pantheist,
Define and wrangle how they list,—
Fierce conserver, fierce destroyer,
But thou joy-giver and enjoyer,
Unknowing war, unknowing crime,
Gentle Saadi, mind thy rhyme.
Heed not what the brawlers say,
Heed thou only Saadi's lay.

Let the great world bustle on
With war and trade, with camp and town.
A thousand men shall dig and eat,
At forge and furnace thousands sweat,
And thousands sail the purple sea,
And give or take the stroke of war,
Or crowd the market and bazaar.
Oft shall war end, and peace return,
And cities rise where cities burn,
Ere one man my hill shall climb,
Who can turn the golden rhyme;
Let them manage how they may,
Heed thou only Saadi's lay.
Seek the living among the dead:
Man in man is imprisoned.
Barefooted Dervish is not poor,
If fate unlock his *****'s door.
So that what his eye hath seen
His tongue can paint, as bright, as keen,
And what his tender heart hath felt,
With equal fire thy heart shall melt.
For, whom the muses shine upon,
And touch with soft persuasion,
His words like a storm-wind can bring
Terror and beauty on their wing;
In his every syllable
Lurketh nature veritable;
And though he speak in midnight dark,
In heaven, no star; on earth, no spark;
Yet before the listener's eye
Swims the world in ecstasy,
The forest waves, the morning breaks,
The pastures sleep, ripple the lakes,
Leaves twinkle, flowers like persons be,
And life pulsates in rock or tree.
Saadi! so far thy words shall reach;
Suns rise and set in Saadi's speech.

And thus to Saadi said the muse;
Eat thou the bread which men refuse;
Flee from the goods which from thee flee;
Seek nothing; Fortune seeketh thee.
Nor mount, nor dive; all good things keep
The midway of the eternal deep;
Wish not to fill the isles with eyes
To fetch thee birds of paradise;
On thine orchard's edge belong
All the brass of plume and song;
Wise Ali's sunbright sayings pass
For proverbs in the market-place;
Through mountains bored by regal art
Toil whistles as he drives his cart.
Nor scour the seas, nor sift mankind,
A poet or a friend to find;
Behold, he watches at the door,
Behold his shadow on the floor.
Open innumerable doors,
The heaven where unveiled Allah pours
The flood of truth, the flood of good,
The seraph's and the cherub's food;
Those doors are men; the pariah kind
Admits thee to the perfect Mind.
Seek not beyond thy cottage wall
Redeemer that can yield thee all.
While thou sittest at thy door,
On the desert's yellow floor,
Listening to the gray-haired crones,
Foolish gossips, ancient drones,—
Saadi, see, they rise in stature
To the height of mighty nature,
And the secret stands revealed
Fraudulent Time in vain concealed,
That blessed gods in servile masks
Plied for thee thy household tasks.
Vineeta rai Apr 2019
Ek ldki apne pure jeevan Me kya kya sehti hai ish kavita ke madhyam se batana cahti hu....

Waise to Laxmi, durga, saraswati kaha jata hai ladkiyo ko..
To kyu uske janm par mara jata hai ush masum ko....
Ladka hai to hamara chirag hamara vans aur ladki hai to sir ka bojh...
Jara yaad kro aise soch walo ladki na rahe to kahan se laao tum apna vans apna chirag...
Jo tmhe har khusiya De uski jra izzat ni krte....
Samjhte pair ki jutti **...
Are suno bewakufo...
Bina aurat aage ni badh sakte **....

Ladki ka to pura jeevan hi aisa hota hai... Ladki kabhi apna nahi soch sakti suru se maa baap Ka kaha manana aur fhir pati aur saas sasur ka... Apni khusiyo se jada pariwar ka sochna khud ki khwahiso ka Gala ghot sabki baat Manana....girls don't have life of there own... Chaliy aage dekhte hai.... Jb ldki ki saadi ** jati hai...

Ladki ko to suru se paraya dhan samjha jata hai....
Kyuki ushe vida hokr dusre ka ghar swarana hota hai...
Apni maa ka anchal chod...
Kai nae rista nibhana hota hai...
Kisi ki bahu kisi ki biwi kisi ki cachi 1000 riste bn jate hai...
Un sbko pyar se nibhana hota hai...
Ladki ka to naam hi tyag hai...
Kyuki suru se usne apni khusiyo ko tyagna sikha hai...
Kabhi maa baap ke majburi ke karan..
Kabhi society ke karan...
Aur fhir apne maa baap ko chod sasural jana hota hai...

Jara puchna cahti hu un ldko se... Kya tum apne maa ka saya chod reh skte **... Nahi na... To socho ek ldki kaise rehti hogi.... Wo tumhare liy apna har kuch chod skti hai... To kya tumhara farz ni ki uske khusiyo ka khyal rkho... Itna hi to ek ldki mangti hai.. Aur afsos tum log ushe wo bhi Ni de skte... Ldke bus apni jimmedari saupte hai apne faisle thopte hai... Ldki ke saadi ke baad to ushe apne mayke tk jane ka haq ni hota jbtk pati raazi na **... Kya ldki ki koi life hi  nahi...
Hum niyam to nahi badal sakte par itna to kar sakte hai na ki uske khusiyo ka bhi dhyan rakh ske...Kabhi socha hai ek ldki ke andar kitna kuch chlta hai par itne risto Me wo bandh kar kuch nahi keh pati.... Jara samjho ushe jo tumhe ache se samjh jati hai...
Tum kya khate **... Kya pasand hai... Kya kaam kb krte **... Tumhare kapde se lekar jutte tk har cheez ka khyal rkhti hai... Aur tum uska bhi khyal nahi rakh Pate...

Waqt chlta hai ldki maa banti hai....
9 mahine kya kuch seh ke ek bache ko janam deti hai....
Ush 9 mahine wo kis daur se gujarti hai wo wahi janti hai...
Sb kuch Sehti hai par chu tk ki aawaz nahi nikalti...
Aur ladki ka dard koi samjh ni pata...
Ek bache ko achi parwaris deti hai ushe Bada karti hai...
Ek ladki ki puri lyf ek battle field se kam nahi hoti...
Ladki janam se maut tak bahut kuch jhelti hai...
To apka bhi farz banta hai ushe samjhna....
Uski khusiyo ka khyal rkhna...
Ajj jada nahi ek baar Akele baith kr socha what a Girl do for uhh...
As a mother, sister, wife even ur girlfriend...just think ND try to understand her....
Ek khusi ushe bhi dekr dekhiy... Sach Me ldki ishse jada kuch nahi cahti...

Last Me itna hi kahungi...ladki dusro ke liy jeete jeete apna antim saans leti hai....
Pls I request to all boys and men.... Stop to hurt ur wife sister mother or gf just respect what they do for you.... And app bhi kuch krna sikho... Unke liy...
Harshit Jain Apr 2017
Seetaro mai akela chaand si thi wo
Foolon ka mehekta guldan si thi wo
Thi nadi jaisi aviral,chanchal
mere dil ka haal si thi wo

Ghani dhoop mai chav si thi wo
Kisi geet ki addaon si thi wo
Thi hava si mehekti, komal
Mere dil ka bhav si thi wo

Beech majhdhaar mai nav si thi wo
Khusian ka pura gaon si thi wo
Thi koyal si meethi,nishchal
Mere man ka abhiman si thi wo

Paido par wo patto waali hari bhari koi daal si thi wo
Holi ke rango mai sabse saadi ek akeli gulaal si thi wo
Thi wadi kasmiri koi
Mere geeton ka sur aur taal si thi wo

Mandir mai wo shankhnaad si,pooja ka prasad si thi wo
Baarish mai mitti ki khushboo,badal ka dharti se sanvaad si thi wo
Thi meri wo beti pyari,usse hi ghar 'harshit' tha
Mere ghar mai sooraj si,Mere ghar ki shaan si thi wo

Thi ab wo jo nahi rahi,aakhir khata kya thi ki usne
mana hi to kia tha na beta shaadi se,
Par dosti ka haath bhi to badhaya tha
Teri Bezatti toh nahi thi ki usne
Fir kyun tune usko har ghar badnaam kia
Dushman na kare,dost hokar tune aisa kaam kia
Chali gayi ab chhod ke mujhko,wo akele jeevan ki saanjh mai
Meri khushiyan,meri duniya,meri pyari jaan si thi wo
Meri pyari jaan si thi wo
Vineeta rai Dec 2018
Kethte hai log pyar aur jung me sab jayas hai...
To kyu do dilo ko milne par itni jhanjhat hai...
Kehte hai log pyar aur jung me sb jayas hai...
To kyu majhab ke naam par pyar ko alag krne ki Ibadat hai....
Kehte hai log pyar aur jung me sb jayas hai...
To kyu do **** ek jaan hone par sabko sikayat hai...
Kehte hai log pyar aur jung me sb jayas hai...
To kyu pyar krne walo ko milne par itni siyasat hai...
Kehte hai log pyar aur jung me sab jayas hai...
To kyu do dilo ko dur karne ki sabko ijjazat hai...
Kehte hai log pyar jung me sab jayas hai...
To kyu pyar krne walo ko saadi ki itni tension hai...
Kehte hai log pyar aur jung me sab jayas hai...
To kyu jamane me pyar krna galat hai...
Kehte hai log pyar aur jung me sab jayas hai..
To kyu pyar karne wale itne badnaam hai...
Kehte hai log pyar aur jung me sb jayas hai...
To kyu do dilo ko alag kiy jate hai...
Kyu pyar karne wale sath jeene ke bajae marne ko chunte hai...
Log kehte hai pyar aur jung me sab jayas hai...
To pyar ko majhab ke naam par, jaat ke naam par, alag karna kahan ki insaniyat hai...
Log kehte hai pyar aur jung me sab jayas hai...
Sahab pyar karne walo ko alag karna jayas nahi...unhe milana milne dena jayas hai...
Ajj se mat kahiy ki pyar aur jung me sb jayas hai...sb Jayas hai
I felt it... Its my observation...pyar ko kv juda nahi krna cahiy kv ni
High on a mountain of enamell’d head—
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter’d “hope to be forgiven”
What time the moon is quadrated in Heaven—
Of rosy head, that towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve—at noon of night,
While the moon danc’d with the fair stranger light—
Uprear’d upon such height arose a pile
Of gorgeous columns on th’ uuburthen’d air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro’ the ebon air, besilvering the pall
Of their own dissolution, while they die—
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown—
A window of one circular diamond, there,
Look’d out above into the purple air
And rays from God shot down that meteor chain
And hallow’d all the beauty twice again,
Save when, between th’ Empyrean and that ring,
Some eager spirit flapp’d his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that grayish green
That Nature loves the best for Beauty’s grave
Lurk’d in each cornice, round each architrave—
And every sculptured cherub thereabout
That from his marble dwelling peered out,
Seem’d earthly in the shadow of his niche—
Achaian statues in a world so rich?
Friezes from Tadmor and Persepolis—
From Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! Oh, the wave
Is now upon thee—but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the gray twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago—
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud—
Is not its form—its voice—most palpable and loud?
But what is this?—it cometh—and it brings
A music with it—’tis the rush of wings—
A pause—and then a sweeping, falling strain,
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
The zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe
She paus’d and panted, Zanthe! all beneath,
The fairy light that kiss’d her golden hair
And long’d to rest, yet could but sparkle there!

Young flowers were whispering in melody
To happy flowers that night—and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-light dell;
Yet silence came upon material things—
Fair flowers, bright waterfalls and angel wings—
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:

  “Neath blue-bell or streamer—
    Or tufted wild spray
  That keeps, from the dreamer,
    The moonbeam away—
  Bright beings! that ponder,
    With half-closing eyes,
  On the stars which your wonder
    Hath drawn from the skies,
  Till they glance thro’ the shade, and
    Come down to your brow
  Like—eyes of the maiden
    Who calls on you now—
  Arise! from your dreaming
    In violet bowers,
  To duty beseeming
    These star-litten hours—
  And shake from your tresses
    Encumber’d with dew

  The breath of those kisses
    That cumber them too—
  (O! how, without you, Love!
    Could angels be blest?)
  Those kisses of true love
    That lull’d ye to rest!
  Up! shake from your wing
    Each hindering thing:
  The dew of the night—
    It would weigh down your flight;
  And true love caresses—
    O! leave them apart!
  They are light on the tresses,
    But lead on the heart.

  Ligeia! Ligeia!
    My beautiful one!
  Whose harshest idea
    Will to melody run,
  O! is it thy will
    On the breezes to toss?
  Or, capriciously still,
    Like the lone Albatross,
  Incumbent on night
    (As she on the air)
  To keep watch with delight
    On the harmony there?

  Ligeia! wherever
    Thy image may be,
  No magic shall sever
    Thy music from thee.
  Thou hast bound many eyes
    In a dreamy sleep—
  But the strains still arise
    Which thy vigilance keep—

  The sound of the rain
    Which leaps down to the flower,
  And dances again
    In the rhythm of the shower—
  The murmur that springs
    From the growing of grass
  Are the music of things—
    But are modell’d, alas!
  Away, then, my dearest,
    O! hie thee away
  To springs that lie clearest
    Beneath the moon-ray—
  To lone lake that smiles,
    In its dream of deep rest,
  At the many star-isles
  That enjewel its breast—
  Where wild flowers, creeping,
    Have mingled their shade,
  On its margin is sleeping
    Full many a maid—
  Some have left the cool glade, and
    Have slept with the bee—
  Arouse them, my maiden,
    On moorland and lea—

  Go! breathe on their slumber,
    All softly in ear,
  The musical number
    They slumber’d to hear—
  For what can awaken
    An angel so soon
  Whose sleep hath been taken
    Beneath the cold moon,
  As the spell which no slumber
    Of witchery may test,
  The rhythmical number
    Which lull’d him to rest?”

Spirits in wing, and angels to the view,
A thousand seraphs burst th’ Empyrean thro’,
Young dreams still hovering on their drowsy flight—
Seraphs in all but “Knowledge,” the keen light
That fell, refracted, thro’ thy bounds afar,
O death! from eye of God upon that star;
Sweet was that error—sweeter still that death—
Sweet was that error—ev’n with us the breath
Of Science dims the mirror of our joy—
To them ’twere the Simoom, and would destroy—
For what (to them) availeth it to know
That Truth is Falsehood—or that Bliss is Woe?
Sweet was their death—with them to die was rife
With the last ecstasy of satiate life—
Beyond that death no immortality—
But sleep that pondereth and is not “to be”—
And there—oh! may my weary spirit dwell—
Apart from Heaven’s Eternity—and yet how far from Hell!

What guilty spirit, in what shrubbery dim
Heard not the stirring summons of that hymn?
But two: they fell: for heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover—
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen—’mid “tears of perfect moan.”

He was a goodly spirit—he who fell:
A wanderer by mossy-mantled well—
A gazer on the lights that shine above—
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty’s hair—
And they, and ev’ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo—
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love—his dark eye bent
With eagle gaze along the firmament:
Now turn’d it upon her—but ever then
It trembled to the orb of EARTH again.

“Ianthe, dearest, see! how dim that ray!
How lovely ’tis to look so far away!
She seemed not thus upon that autumn eve
I left her gorgeous halls—nor mourned to leave,
That eve—that eve—I should remember well—
The sun-ray dropped, in Lemnos with a spell
On th’ Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall—
And on my eyelids—O, the heavy light!
How drowsily it weighed them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O, that light!—I slumbered—Death, the while,
Stole o’er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept—or knew that he was there.

“The last spot of Earth’******I trod upon
Was a proud temple called the Parthenon;
More beauty clung around her columned wall
Then even thy glowing ***** beats withal,
And when old Time my wing did disenthral
Thence sprang I—as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my view—
Tenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wished to be again of men.”

“My Angelo! and why of them to be?
A brighter dwelling-place is here for thee—
And greener fields than in yon world above,
And woman’s loveliness—and passionate love.”
“But list, Ianthe! when the air so soft
Failed, as my pennoned spirit leapt aloft,
Perhaps my brain grew dizzy—but the world
I left so late was into chaos hurled,
Sprang from her station, on the winds apart,
And rolled a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar,
And fell—not swiftly as I rose before,
But with a downward, tremulous motion thro’
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to ours—
Dread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.”

“We came—and to thy Earth—but not to us
Be given our lady’s bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us as granted by her God—
But, Angelo, than thine gray Time unfurled
Never his fairy wing o’er fairer world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o’er the starry sea—
But when its glory swelled upon the sky,
As glowing Beauty’s bust beneath man’s eye,
We paused before the heritage of men,
And thy star trembled—as doth Beauty then!”

Thus in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.
Mystic904 Nov 2017
Khudi ko kar buland itna ke har taqdeer sai pehlay
Khuda banday sai khud poochay bta teri raza kya hai

Raise yourself to such heights so before every destined act
God Himself asks His creation, what is it your desire

Kee Muhammad (S.A.W) sai wafa toonay to hum tairay hain
Ye jahan cheez hai kya loh o kalam tairay hain

If you are loyal to Muhammad (S.A.W) we are yours 
This universe is nothing, the Tablet and the Pen are yours

(Allama Iqbal)

May it be Saadi
Or may it be Sherazi
Mansur or Sachal Sarmast
May it be Rumi or Shams
Rabia Basri or Ganj Bakhsh
Bhatai or Baba Rehman
Ghani Khan or Allama Iqbal
All these God-gifted saints
went by giving the same message
Spreading the same thought
The one and unique
The message of the Truth
Under a million veils lie
Behold,
The one and only
Allah...
Grace Haak Apr 2021
Les Roses de Saadi by Marceline Desbordes-Valmore

J'ai voulu ce matin te rapporter des roses;
Mais j'en avais tant pris dans mes ceintures closes
Que les noeuds trop serrés n'ont pu les contenir.

Les noeuds ont éclaté. Les roses envolées
Dans le vent, à la mer s'en sont toutes allées.
Elles ont suivi l'eau pour ne plus revenir.

La vague en a paru rouge et comme enflammée.
Ce soir, ma robe encore en est toute embaumée . . .
Respires-en sur moi l'odorant souvenir

The Roses of Saadi by Marceline Desbordes-Valmore

I wanted to bring you roses this morning;
But I had closed so many in my sash
That the knots were too tight to contain
them.

The knots split.
The roses blew away.
All blew off to the sea,
borne by the wind,
Carried to the water, never to return.

The waves looked red as if inflamed.
Tonight, my dress is still perfumed.
Breathe in the fragrant memory.









Eau de parfum: mémoire en bouteille
by Grace Haak

The remembrance reverberates.

I see a silk sash stuffed with splendor
Trinkets collected from a local vendor
Knots ******* as if a form of art
Thorns pressed up against my heart
But for you, I’d pierce my soul.

The recollection resonates.

I feel wind entangle my hair in twists
Matted and messy from soft sea mist
Dripping and damp from a walk too far
Only thought is getting to where you are
But for you, I’d run forever.

The reminiscence resounds.

I smell a sweet scent of rose
The kind that always tickles my nose
Stuck in an overpowering haze
A sickly aroma drags me into a daze
But for you, I’d plant a garden.

Sometimes, when I forget to forget you
I leave the sea with crushed petals
and stained hands.
The blood on my hands
is yours.

I’ll wither and wilt,
wondering why
you left all your flowers
when you said goodbye.

When I knock back my own perfume,
the roses re-echo
he loves me he loves me not he loves me he loves me not

Poor girl. He doesn’t even give you a thought.
J'ai voulu ce matin te rapporter des roses ;
Mais j'en avais tant pris dans mes ceintures closes
Que les nœuds trop serrés n'ont pu les contenir.

Les nœuds ont éclaté. Les roses, envolées
Dans le vent, à la mer s'en sont toutes allées.
Elles ont suivi l'eau pour ne plus revenir ;

La vague en a paru rouge et comme enflammée.
Ce soir, ma robe encore en est tout embaumée...
Respires-en sur moi l'odorant souvenir.
« Je lui dis : La rose du jardin, comme tu sais, dure peu ;
Et la saison des roses est bien vite écoulée. »

Saadi (Gulistan ou Le jardin des roses.)


Quand l'Automne, abrégeant les jours qu'elle dévore,
Éteint leurs soirs de flamme et glace leur aurore,
Quand Novembre de brume inonde le ciel bleu,
Que le bois tourbillonne et qu'il neige des feuilles,
Ô ma muse ! en mon âme alors tu te recueilles,
Comme un enfant transi qui s'approche du feu.

Devant le sombre hiver de Paris qui bourdonne,
Ton soleil d'orient s'éclipse, et t'abandonne,
Ton beau rêve d'Asie avorte, et tu ne vois
Sous tes yeux que la rue au bruit accoutumée,
Brouillard à ta fenêtre, et longs flots de fumée
Qui baignent en fuyant l'angle noirci des toits.

Alors s'en vont en foule et sultans et sultanes,
Pyramides, palmiers, galères capitanes,
Et le tigre vorace et le chameau frugal,
Djinns au vol furieux, danses des bayadères,
L'Arabe qui se penche au cou des dromadaires,
Et la fauve girafe au galop inégal !

Alors, éléphants blancs chargés de femmes brunes,
Cités aux dômes d'or où les mois sont des lunes,
Imans de Mahomet, mages, prêtres de Bel,
Tout fuit, tout disparaît : - plus de minaret maure,
Plus de sérail fleuri, plus d'ardente Gomorrhe
Qui jette un reflet rouge au front noir de Babel !

C'est Paris, c'est l'hiver. - À ta chanson confuse
Odalisques, émirs, pachas, tout se refuse.
Dans ce vaste Paris le klephte est à l'étroit ;
Le Nil déborderait ; les roses du Bengale
Frissonnent dans ces champs où se tait la cigale ;
A ce soleil brumeux les Péris auraient froid.

Pleurant ton Orient, alors, muse ingénue,
Tu viens à moi, honteuse, et seule, et presque nue.
- N'as-tu pas, me dis-tu, dans ton coeur jeune encor
Quelque chose à chanter, ami ? car je m'ennuie
A voir ta blanche vitre où ruisselle la pluie,
Moi qui dans mes vitraux avais un soleil d'or !

Puis, tu prends mes deux mains dans tes mains diaphanes ;
Et nous nous asseyons, et, **** des yeux profanes,
Entre mes souvenirs je t'offre les plus doux,
Mon jeune âge, et ses jeux, et l'école mutine,
Et les serments sans fin de la vierge enfantine,
Aujourd'hui mère heureuse aux bras d'un autre époux.

Je te raconte aussi comment, aux Feuillantines,
Jadis tintaient pour moi les cloches argentines ;
Comment, jeune et sauvage, errait ma liberté,
Et qu'à dix ans, parfois, resté seul à la brune,
Rêveur, mes yeux cherchaient les deux yeux de la lune,
Comme la fleur qui s'ouvre aux tièdes nuits d'été.

Puis tu me vois du pied pressant l'escarpolette
Qui d'un vieux marronnier fait crier le squelette,
Et vole, de ma mère éternelle terreur !
Puis je te dis les noms de mes amis d'Espagne,
Madrid, et son collège où l'ennui t'accompagne,
Et nos combats d'enfants pour le grand Empereur !

Puis encor mon bon père, ou quelque jeune fille
Morte à quinze ans, à l'âge où l'oeil s'allume et brille.
Mais surtout tu te plais aux premières amours,
Frais papillons dont l'aile, en fuyant rajeunie,
Sous le doigt qui la fixe est si vite ternie,
Essaim doré qui n'a qu'un jour dans tous nos jours.

Le 15 novembre 1828.

— The End —