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Bad Luck Feb 2013
Inside the machine, the mechanism turns --
Spokes and gears, built from lessons learned.
But the gears are rusting, not turning so smooth.
So the product they yearned;
Would be one the thing they would lose.

                                                          ­                                 The gears still rusting, not turning so smooth.

Placed inside were the finest reactants --
Ordered specific for the upper-class faction.
But the gears are rusting, not turning so smooth.
So the machine produced no more than a fraction...
Far from proficient for the hunger to be soothed.

                                                       ­                                     The gears still rusting, not turning so smooth.

Inside they found some things unexpected.
The outside was fine – yet, the inside dejected.
They found the gears rusting, not turning so smooth.
So they closed her back up, left the rusting neglected.
And maybe for the best, for the machine had been abused.

                                                        ­                                    The gears still rusting, not turning so smooth.

But the rust bore down, wearing the gears.
Until the machine had seen her final years.
The gears still rusting, had stopped turning smooth.
She closed her eyes and her ears, to free her from her fears.
For they learned from the machinist, and chose simply to lose.

                                                          ­                        The gears still rusting; not turning, however smooth.

So they fixed her up inside, with some tape and some lies.
But she refused to move -- for the machine was now wise.
The gears were no longer rusting, yet not turning smooth.
The diagnosis unclear, they said “Everything dies."
But the machine had learned the ability to choose.

                                                        ­                    And her gears no longer rusted, yet never turned smooth.

This path showed her poise -- her new eyes, ears and voice.
To exclaim that her gears had stopped turning by choice.
Outside they found shine, but inside laid the rust,
Festering, growing, and being taught to mistrust.
Until the machine could no longer function --
Though the catalyst was no more than a simple deduction:

                                                     ­                          The gears no longer turned, regardless of how smooth,
                                                         ­                  But that's simply the product of a machine left to choose.
Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
Newdigate prize poem recited in the Sheldonian Theatre
Oxford June 26th, 1878.

To my friend George Fleming author of ‘The Nile Novel’
and ‘Mirage’

I.

A year ago I breathed the Italian air,—
And yet, methinks this northern Spring is fair,—
These fields made golden with the flower of March,
The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet’s gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.
Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.
A year ago!—it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.
Full Spring it was—and by rich flowering vines,
Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse’s feet,
And musing on Ravenna’s ancient name,
I watched the day till, marked with wounds of flame,
The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers!—On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna’s walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter’s rain and snow,
And have no thought of sorrow;—here, indeed,
Are Lethe’s waters, and that fatal ****
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.
For though thy brood of warrior sons hath ceased,
Thy noble dead are with thee!—they at least
Are faithful to thine honour:—guard them well,
O childless city! for a mighty spell,
To wake men’s hearts to dreams of things sublime,
Are the lone tombs where rest the Great of Time.

III.


Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain,—
The Prince of chivalry, the Lord of war,
Gaston de Foix:  for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.
Taken from life while life and love were new,
He lies beneath God’s seamless veil of blue;
Tall lance-like reeds wave sadly o’er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,—
There, prisoned now within a lordly tomb
Raised by a daughter’s hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.
Time hath not spared his ruin,—wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed their glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.
His gilded shrine lies open to the air;
And cunning sculptor’s hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante;—to this day,
Here in his place of resting, far away
From Arno’s yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives,—the exile’s galling chain,
How steep the stairs within kings’ houses are,
And all the petty miseries which mar
Man’s nobler nature with the sense of wrong.
Yet this dull world is grateful for thy song;
Our nations do thee homage,—even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes:  sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.
The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.
Byron dwelt here in love and revelry
For two long years—a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
’Neath any wiles of an Egyptian queen.
For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna:  never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas!  Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain:
O Salamis!  O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well—ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.
No longer now shall Slander’s venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner’s face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea,—
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee,
In hidden glades by lonely Castaly;
The laurels wait thy coming:  all are thine,
And round thy head one perfect wreath will twine.

V.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright;—
I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet,
Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.
O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i’ the quickening veins, while once again
The woods are filled with gods we fancied slain.
Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face
Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart!  O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent’s vesper bell,
Struck on mine ears amid the amorous flowers.
Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see
Caesar ride forth to royal victory.
Mighty thy name when Rome’s lean eagles flew
From Britain’s isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and *** were seen.
Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float,
The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria’s purple waters used to flow.

O fair!  O sad!  O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia’s royal warrior hath passed
Rome’s lordliest entrance, and hath worn his crown
In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant!  Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante’s dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour:  far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa’s waters, by the mountain-side
Of Aspromonte, on Novara’s plain,—
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine
From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.
Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well,
Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows,—rest thee there,
To mock all human greatness:  who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings’ ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria’s stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now—thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.
O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter’s cold;
As from the storm-rack comes a perfect star!

O much-loved city!  I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna’s way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth’s hill go down,
And marked the ‘myriad laughter’ of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet’s city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn’s livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory;—poor indeed
Is the low murmur of the shepherd’s reed,
Where the loud clarion’s blast should shake the sky,
And flame across the heavens! and to try
Such lofty themes were folly:  yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse’s feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer’s lordly bloom;
And soon the grass with brighter flowers will blow,
And send up lilies for some boy to mow.
Then before long the Summer’s conqueror,
Rich Autumn-time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.
So runs the perfect cycle of the year.
And so from youth to manhood do we go,
And fall to weary days and locks of snow.
Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu!  Adieu! yon silent evening star,
The night’s ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.
Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet’s laurel crown.

Adieu!  Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.
Andre Baez Mar 2014
The seductress on my mind
Lives in full on expression
Laced in the free confines
And platitudes of direction

The sequential confessions
A private march of signs
Lead aggressive regression
A spinal tap of times

Timid forms of prose
Do not impose, much
In the way of speech
Or the ways of preach

A dandelion blossoms
Fully under direction
Of gunfire and hellfire
Made in mans *****

A milk which is colored
A dark, rusting, crimson
For this is the gift adorned
An antiquated prison

A dream once flowed upon
The rivers that line my arms
Texts of pharaohs charmed
With distant songs sung  

Yet, not distant enough
Into a further realm of
Steak, salmon, wine, and
Pontification, a type sublime

Cardiac and stop and frisk arrests
Psychedelics and prophylactics
Insomniacs and chipper morn birds
Courage and numbing fear tactics

Topics are churned forward
As thoughts are yearned for
But are seldom rewarded
Without snide comments

Even if contorted to fit
Daily textbook definitions
A raindrop is precipitation
Not tears from eyes of perdition

Said a jeering member of an alley
A gatekeeper for all of Hades
A living reminder of what shape
Controls societies minions a plenty

I believe you are a queen lost in time
You are the seductress on my mind
The boom-bap of 90s street art hop
A collection of lives birthed caught

You are the desire of my epicenter
The freezing of my two lips together
A culture of desire and of fortune
A soft room with croons in tunes

I believe you are not pink matter
You are the color scheme in the sun
A serpent slithering within disaster
A tale of victory and woe as one

Tears sting the edges of my eyes
As shadows are cast upon my soul
A tree in mourning for it's seeds
As oil desecrates, dry, shallow soil

When did this become a love poem?
Atop the raft my dreams have flowed
Wordsmiths fashion sturdy homes  
To heal the word and to help growth

Inside one of these I fled and bled
In it I found fish, water, and bread
Self-hate and despair had spread
Until it was fully excreted in death

The seductress on my mind brought:
Dandelions with smoke from gunfire
Milk which was crimson in color
Pharaohs songs of golden charm
A conversation in full, and open arms
Arms that held my dreams with calm

Constructs of love and poetic meals
Heal the surface of darkness scorn
Feeding the soul of it's sullen needs
A return to an innocence unborn
TigerEyes May 2014
I was once an old '36 Ford truck driven by a very well loved man
who's face lit up so brightly carrying his tackle box of bate n' hooks
with his grandchildren by his side, and fishing poles in his hand
I loved the sound of their sweet voices when they'd climb onto my back
I carried them safely home, along with the salmon held inside their sacks
I'm very old and rusty now, but I think of them on summer days
as the sun glimmers in the distance on familiar seashore bays,
while listening to great grandchildren laughing so happily at play.
Dedicated to my Grandpa & that old 1936 Ford truck

© 2014
Jim Sularz Jul 2012
© 2009 (Jim Sularz)

Quiet mounds of yellowed tailings and dead weeds whisper low.
And proud rusting relics telling tales of striking gold.
The rush from East, from North and South, by wagon, train or foot.
Days not all that long ago, in tall ships made of wood.

“A gold rush struck in’49, all quite by accident.
A burning fever that cut men to bone, in a sea of dingy tents.
Day and night, they toiled and tolled, many headed home without a cent.
But some packed out bags of glistening gold, and made a stop at "Buzzard’s Breath."

"The town’s mud logged street, deep with horse manure, bubbled like a shallow grave.
With a Sheriff’s office, a livery stable, and a church for souls to save.
And a fancy house, on a grassy knoll – sign read, “Madam Lil la ****.”
With soft, curvaceous ladies who mined for hearts – and gold of a different sort.

Didn’t take long before easy gold, was extremely hard to find.
And burly miners, tough as steel, moved in to hard rock mine.
With bloodied knuckles, dented hats, they blasted at a furious pace.
To find the gold, called the Mother Lode, yellow blood coursing through their veins!

The mine they worked was called “Long Shot”, the men thought that name a curse.
But the miners hankered for the handle, "Buzzard’s Breath”, and the mine’s name was reversed.
As luck would say, they held a royal flush, when they hit that horse-wide vein.
Of the purest gold, yet to be found, this side of the Pearly Gates.

Eyes wide as saucers, they were all in awe, everyone was filthy rich.
The miners should have all retired and should have cashed in all their chips.
But a man’s hard to figure, when his blood is yellow, and he’s stricken with a gold fever.
“Eureka! Boys, *** the dynamite and a whole lot more mining timbers!”

They mined that vein to the bowels of the Earth, and the heat increased by day.
"Buzzard’s Breath" became the hottest place, to Hell – the shortest way.
And then one day, the men never came back. – Hell must have jumped that claim.
Of the purest gold, yet to be found – that’s where the Devil mines today!”

Quiet mounds of yellowed tailings and dead weeds whisper low.
And proud rusting relics telling tales of striking gold.
The rush from East, from North and South, died a slow and quiet death.
Along with days of tall wooden ships, and the ghosts of Buzzard’s Breath.
Where I live in Colorado, there are still old rusting mining relics all along the mountain roads.   What tale could these relics tell about the Gold Rush days during the mid to late 1800's?   The "Ghosts of Buzzard's Breath" is one of those tales.   By the way  -  "Buzzard's Breath" is a real town in Wyoming (no kidding).      Jim Sularz
Lawrence Hall Dec 2017
An Empty, Rusting Boxcar

This day will be just like so many others
An empty rusting boxcar creaking and grinding
Along behind other rusting boxcars
And followed by yet more rusting boxcars

Along a railway line from nowhere to nowhere
Across far plains, dry, featureless, and void
Dreams ride the rails like hoboes from the past
But they never seem to arrive anywhere

An empty rusting boxcar creaking and grinding
This night will be just like so many others
Brian O'blivion Oct 2013
where solar lips are parted
and crescent ******* hardened
cobalt fire licks your name off its oldest breath
this ****** hollow bends its neck through thermal skies and sand
scarlet waves of heat off your (sweet ancestral) hand
come inside, the door is open. the answer's always yes

Medusa’s gaze would turn to sand
if she knew the stony glories spanned
within rock candy walls ablaze
flood plains carry hydrogen freight
from your abyss' collapsing weight
the broken ***** flowers rusting in the haze

long stem bows in the cut orchestral
steal blood from the times ancestral
the ink has spilled and left a stain
under folded layers of skin
that the mirror reflects from views within
your eyes are naked lights, innumerable and plain.
retrofitted, edited and repurposed...like, simultaneously...
Alec Boardman Mar 2017
A wind chime old and rusting on your grandmother’s porch
The song not as clear as it once was
The new tune so softly eerie that to a passerby it seems just fine

Waking up five minutes before your alarm
Sitting on your bed, wide awake
Just watching the time tick pass, minutes of your life
Until you’re past the time to go

In the idle of traffic, you become aware
Of all the movement around you
Babies whine, horns honk, people sing
Yet here you are
What are you doing?
Are you doing anything at all?

Your bed is a coffin, dusty from the days you don’t open it at all
The sunlight is foreign to your eyes
People prance around you, basking in its glory
They don’t even blink at your inability to see the light.

In the cemetery,
Gravestones surround you,
Bodies of the lost and souls of the ******
You can’t help but resonate somewhere deep inside your soul.
Not that you wish to be dead, no.
Just that it seems you already are.
October 2016
Kyle Kulseth Sep 2014
Late night. Footsteps.
Crane necks and girders.
Fog lifts. The wind cries.
Steel bones in moonlight

                        I'm out
                      so late now
and it's Sunday night and Summer's ending
                         soon.
I'm aging
                                          with questions
fermenting in my mouth
ignored for years

Fenced off. Unfinished
project shelved and waiting
                     for next Spring.

Cool night eclipsing
years spent indexing,
answers mislaid and
blueprints unrolling

Components rusting,
crane necks and girders.
Steel bones in moonlight.
Tight lipped and staring.

                             Fall comes
                             construction
halts now and the walls stand half
                            complete
And outside
                                     the chain link
shrugging off the cold and
still wondering when

Step through unfinished
building. Get home. Shelved
                      until next Spring.
it was warm
for a winters eve
unusually warm
but damp very damp
birthing a persistent
midnight mist that
crawled over everything

avenging
halogen angels
flitted down from
streetlight perches
skidding through
bare limb bars
of broken trees
roped in by sagging
telephone wires

skulking
seraphs
joined
ebullient
neon auroras
laughingly
brake dancing,
jittering away on the
pock marked rims
of hip hop streets

the fine drizzle
descending from the
black urban heavens
splayed holy water
over the bodies
of anything
that moved; and
layered mounds
of transparent beads
on all inert things
chiding those yolked
to weighty burdens
to seek relief of
a much needed
breaking point

our
slouching city
mired in a cycle
of a prolonged
historical rut
beavers away
to lift the lid
on tomorrows
tipping point
in a desperate
labor to stop
tripping over
itself...

a dinged up
Sentra’s
flashing spinners
twisted round
our dark corner
nearly clipping
our troop

inside the
yakking low-riders
scuttled along,
their hidden ***** eyes
cruising the stoops
and cyclone alleys
scoping opportunities
for the next
jolly hustle
to feed
a growing
angry fix

tonight
Mother Nature was
running a *****
to the wall third shift,
manufacturing a
stationary low
of gagging precip
churning volumes
of Vulcan smoke
conjuring
convective spirits
from all the
dim places

emanations lit
the balmy January air
rising from
stubborn gray patches
of despoiled snow
and rancid ponds
organic gutter water
composting
in distilled pools
awaiting leakage
through flotsam
clogged sewage grids

Paterson’s
litter police
could close the
city’s budget deficit
if all infractions
were properly cited
and paid in this
neighborhood

this queer elixir of
rising vapors from
evaporating snow
escaping the cracks
lining the bowels of
mordant streets
joining descending
screens of billowing mists
blurs boundaries of light,
diffusing temporal time

people and things
lose precise definition
reducing sentient beings
to moving silhouettes of gray
photographic negatives
framed in dribbling palettes
of pastel hues

our
5th Ward mission
planted in the
hub of a neighborhood
still holding on...

Old WASP’s
of St. Paul’s
long ago
winged away
from this
princely
Episcopate
principality

the abandoned
conical nest, its
chambers filled with
the mud of 50 dead rectors
precariously clings
to its shivering
boulevard corner

its endowment depleted
its earthly treasure rusting
grandiose Tiffany windows
remain the last legacy of an
opulent faith now
shamefully rattling away
in moth eaten frames

once icons of
adulatory reverence
the final sparkling asset
of a distressed religion
begs to be monetized
by flummoxed vestrymen
yearning to extend
a stewardship
over a dissipating
ESL flock

distress in the hood
parades down Broadway
in all directions

a few blocks east
a shuttered
Barnert Hospital
transfigured into an
urban enterprise zone
for health-care privateers
working overtime to
extract federal
corporate welfare
rent subsidies
dutifully fulfilling
fine print obligations of
Obamacare legislation

Old Mayor Barnert’s
namesake synagogue
once hard by
City Hall
is long gone
its absent footprint
now centered by
a thriving
White Castle

near Broadway’s end
on the outskirts
of Eastside Park
Art Deco Emanuel Temple
the last anchor
for the city’s Judaism
lies vacant
awaiting a renewed
purpose

fraught with irony
a thriving Islamic Center
stands juxtaposed
across the street
from the old
Hebrew Temple

we wonder what
will emerge
from the
hallowed chrysalis
of decommissioned
Emanuel?

rumors of a
Great Falls Art Center
trickle like a leaking faucet
failure to secure a mortgage
in the post credit
bubble pop economy
dams the possibly
of a new centers
coming to fruition

will
the city’s
changing
demography of
reverent Muslim’s
genuflecting
across the street
take time away
from prayer to
patronize a venue
offering decadent
bourgeois jazz and
risqué reviews
of retro Borscht Belt
vaudeville?

when Constantinople
became Istanbul they
converted the Christian
churches into mosques

when the Inquisitioners
drove the Moors from
Granada they converted
the Grand Mosque to
the Cathedral of the
Incarnation

what incarnations
will this city’s
twilight bring?

As Byzantine
begets
Constantinople
begets
Istanbul
the links
in the Silk Road
spanned west
to the new world
of mechanized looms
powered by
Great Falls
raceway water
and a distribution
and procurement
chain anchored
by the Morris Canal

Capitalist
modernity
begets
our Silk City
it also bespeaks
its demise

in the courtyard
of St. Paul’s
a muffled chorus
trawls the thick air

a posse of pimps
done wrangling
their stables
of $5 ******
sing reveries to
the evening haul

midnight lullabies
of corner crooners
lift a Capella hosannas
from the dark armpit
of an alley behind
the Autozone

“i said
you say
what can make
me feel this way
my girl”

juiced pimps
cashin in
livin large on
a skanks
50 cent haul

the trade in flesh
of distressed
human capital
remains a
growth industry

Music Selection:  
Temptations, My Girl

jbm
3/1/13
Oakland
Part 1 of extended poem Silk City PIT.  PIT is an acronym for Point In Time.  PIT is an annual census American cities conduct to count the homeless population.  Paterson NJ is nick named The Silk City.
chrissy who Nov 2012
She struts through her town
Chin up
Hair down.
Trying to hide
Her skinned knees.
She doesn’t want the world to see
The only evidence she bears
Of when she finally fell.
Tripped, stumbled, whatever you want to call it.
She could hold herself up no more.
Gravity overcame her
Truth overcame her
Life overcame her.
Her back bent
Her knees buckled
She tried to scream
But no sound came out.
Her one moment of weakness
Left her with scars
Unseen
And ****** knees.
How do you come back from a fall like that?
She built herself up for years
Like a mountain ever growing,
A trophy never rusting.
She shined her shoes,
She brushed her hair
She straightened her blouse
Every day
Trying with all her might
To maintain her image
Of perfection.
She should’ve realized sooner
No one is perfect.
Not a one of us
Not Ghandi
Not Martin Luther King
Not Eleanor Roosevelt
Not even Dr. Suess.
They weren’t perfect
So why was she?
Who is she, that gets to achieve the dream
That the majority of people are treading water just to get a glance of?
A better question would be
Why did she get to do such a good job
Of hiding her imperfection.
She walked everywhere with a bottle inside
Holding everything in
Nice and tucked away
Like a child at bedtime
Hidden
Safe and snug
Where no one could see it.
She pulled it out only in the wee hours of the morning
While sitting by herself
At the top of her mountain
Where she sat
And wept
Silently.
When the rays of dawn would peep over the distant horizon,
She would wrap the vial up
And swallow it again
Down into the depths of her soul
To remain hidden
To keep her secrets safe
To keep herself upright and a-okay in everyone else’s sight.
This went on
And on
And on.
Until one night
When the moon shone bright
And the stars and constellations shone around her head.
She went to examine the newly expanded contents of her secret container
When she realized the stars weren’t shining solely on her soft
Perfectly parted hair.
Someone else was there with her
But it was too late to put the ampoule away
It was already out, see
And in plain sight.
She fumbled,
Caught off guard, she dropped her flask.
She jumped to catch it but it was already rolling
She chased it.
Down the mountain they went
A bottle
And a girl
Moving in tandem
One no faster then the other.
She tried to slow herself down as they approached the base
But it was too late
The momentum was too great
She tumbled headfirst
Her knees hit the ground
At this speed
Grass feels like concrete.
Green stains on her elbows,
Blood on her knees.
Water marks down her cheeks.
The higher you build yourself up
The longer you have to fall
As she discovered the night the constellations revealed her façade to another.
No one’s perfect
No matter what they seem
You never know
Who, at nightfall, screams.
This young girl learned her lesson
It’s better not to hide
And now she struts around
Showing skinned knees
With pride.
Aashna Unadkat Jan 2015
She was always
Simply
           A
              Lock
                      Away; all they needed was the
Key.
Those who found it
Lost it soon enough too.
But those who fashioned it,
themselves
Without deterring from the task
Without trying to replicate a lost key
With nothing but a
egami euqinu
In their minds
Of what the lock looked like
And what the key should look like
Only those few,
Few, very few
Wizards
who toiled to work their magic
Succeeded.
And they never lost their key
They necklaced it around their heart
A symbol that was now etched into
their existence
Entangled in the life of the veins
That this heart so solely depended on
Becoming one with them

Those were the lucky ones

The others, the ones she wished mattered
Were still only searching
Searching
Meandering
Probing
Ferreting
Still only looking for
A key that had once been used
And whose lock was now
Rust rusting rusted
With time.

Still searching
But never creating, of course
Always only searching
Until they found it



        And then lost it again.
douglas chesa Feb 2012
I have been drinking wine
To douse the burning tip of my mind
Worries chewing at my nerves
Like the filter end of a rich Havana cigar
Woes of this world turn my whiskers
Into drab willows of misery
My nights into endless nightmares
And my thoughts rattling and jarring
Like the business end of a mechanical hammer.

Dreams clad in limp loincloth
Revisit me from the dark
Urns of history
The salad days of our beings
And their neauseating euphoria
When in drunken trance we siezed
Conscience by her arms
And threw her on her back
Splayed her legs
And smacked our lips
As blood spurt out...
I wipe my mind with the back of my hand
Trying
To brush away the dregs of the sordid rituals
We once enshrined.

A plump shiny green bottle
Buzzes around my mind irritating
Reminding me of Death
Hanging mockingly
Like a pendulum over my mind seducing
''O Sweet Carrion
You are food for the elders!''
And my sins in their hordes shimmer
A deathly pale round the nooze
Suspended from blushing heaven's bottom
My mind's eyes shed crystal tears
Giving away bucketfuls of Chiyadzwa diamonds to regain
Long gone and lost innocence.

I shared a bottle of wine
With my new-found friend, Today
Clinking glasses and minds
Then a greenbottle in full flight
Was caught between the grinding bellies
Of our glasses and minds
Bloodied fleshrot bespattered our intelligence
And our minds rushed to the wash basins retching
A brush with the fetid breath of the past
Left the gums of my mind barren and obscene
And together with newfound friend, Today
We covered our private parts with our hands
Ashamed
At the ****** of our thoughts.

She knocked at the door of my mind
Eyes shadowed in wet grey paint
Lips smudged in scarlet smiled at me
A Good Morning
My palm hiding the discoloured teeth
Of my inner-self
I muffled a Good Mourning to her, but
I felt a warmth spreading
At the base of my belly
Her milky-white mouthful was inviting
A milkyway blaze trailing into deep future
''I will flirt with her'' my mind whispered
But then the rasping sandpaper touch of her lips
Bruised and bloodied my thoughts
And I saw red at the future.

I must have swooned
From the First Lady's fistkisses of philanthropy
Doling out sweet nothings and promises
At a ceremony sheathed in royal pomp and dignity
Where the guests dressed like Harlequins
Mesmerised us with the crablike dance
And flummoxed O poor we
With democratic mumbo-jumbo and lingo
And the Povo touched with feeling
Donated oceanfuls of diamond tears
And their sincere prayers a mutter flutter
Into the heavens for beloved leaders.

I broke Biltong , my past, into the ***
To give life to ailing friend, Today
With my fingernail I peeled off
The tomatoe's tough ruddy jacket
To make sauce
And I heard a rumble of objection
From the August House
And the Mujibhas and Chimbwidos' angry yawn
Gave a chilli spice to the dish
And the food touching Today 's lips
He sneezed and broke wind
Startling ghosts of old nostalgic memories
That had took seats at the kitchen table
To wing away to the scrapyard
Their home beyond the rusting horizon.

Perched on the anthill of anticipation
I roll my thoughts
Into a big joint of mbanje
I **** and grey fading puffs
Of wishes spiral into the bored sky
Each a crippled dream
That was bulldozed at Churu Farm
An ambitious dream that was displaced
By the Operation Murambatsvina
A dream that lost an eye and limb in the food riots
A dream that lost its ***** at university
A dream that fell from the 11th floor at the Towers
Into the Taxman's hat
A dream that drowned in the opaque beer tank
At the Uhuru celebrations
A dream that lost its breath
On top of another man's wife in Mbare
A dream dumped and disowned
Only to find home at the bottom of the Blair toilet...
To find home in the sympathetic clicks
Of poets who have lost their voices.

The stub is burning my fingers
Minds run out of fuel and fire
The angry verbal lash
Of the emotionally wounded
Is a stub licking back at the wielder
To be snuffed out and discarded
On the ash tray of hopelessness
The grave yard that houses all
Once active minds.

-dougwa-
Keegan Oct 2014
“i haven’t seen her in years,”
said the hospital bed,
“though i’ve seen many others,
who sobbed violently like her,
who sunk into me like a young, rusting anchor.
who could not get comfortable in one position or
one mindset or
one truth.
i have felt them dig in their heels
and try to ache and and fight and
scream, just quietly enough not to wake their roommate.”

“i remember their shapes,”
said the hospital bed,
“how their voices rose slowly like a far-off ambulance siren,
how their faces fell when they remembered the emergency
was right here.
i have been kicked, punched,
clung to, held on to,
as if gravity switched suddenly and they feared
yet another aspect of the universe was against them.
i’ve seen ***** sheets and i’ve seen clean ones. i’ve
seen boys with tattoos on their faces and
razor marks on their arms. i’ve seen pain.
i’ve seen girls who wouldn’t turn off the lights,
girls who couldn’t turn off the lights,
girls who had turned a light off once and never wanted
to do anything else. i’ve seen pain.

i’ve felt love before
more often than the lovers thought they loved,
more strongly than the fighters thought
they could fight.
in shaky hands folding down blankets
more carefully than they have all week
in heads that flop ungracefully onto
pillows, securely,
fulfilled.
in the slow turn of a hospital bracelet
around a pale wrist,
in large, golden brown hands,
inspected through tear-blurred eyes,
through scratched glasses,
picked up off the floor after discovering
force won’t carry a ring of thin plastic
as far as you thought.

i hear change in whispers,
good night, good luck,
in hushed acceptance, in ‘yes,
i really am here’. in
screams that send nurses in panic only to find
you were laughing. in numbers,
in ‘five hundred milligrams,’
in ‘three gained pounds’, in
‘one more day’.

i hear shock, i hear fear,
in echoes of parents’ voices,
‘why here? why now?’
i have heard and seen and felt all of them.

but she,”
continued the hospital bed,
“hasn’t been in here in a while.
i haven’t heard her whisper
to her roommate about what she did
‘that night’, i haven’t seen her
sneak away from her pile of pajamas
as if she didn’t just hide something there,
i haven’t heard her empathize
with a pencil sharpener.

it’s been so long,
it’s hard to imagine,”
said the hospital bed,
‘i hardly remember  her'.
if only the hospital bed knew
that she could hardly remember
herself from then either,
if only it knew she hadn't stopped
fighting once she left
if only it knew
how she felt when they said
she only needed to go to therapy
every other week.
it felt like progress,
and it felt like hope,
and no one better than
a hospital bed
could understand that.
no this is not a true story what haha um
Robin MacCuish Feb 2018
You may call me a Snowflake,
        But I will not melt.
You may call me a Snowflake,
        But we will blanket the ground
You may call me a Snowflake
        But my fist will remain
        In the air, emboldened
        And Inflamed
You may call me a Snowflake,
But my chapped lips will Breathe
Warm Winter air
You may call me a Snowflake,
     But remember
             you are nothing but an old tin can
     Rusting away in the cold of
             Our Snowflake sand
             for we are everywhere you will stand
You may call me a Snowflake,
Cause I will be back again
        And again and again
        Waiting here on the ground
        For you to come join me
        under this blanket
And be a friend.
Brycical Jan 2012
I allow my face to become a jungle.
No longer barren—
or devoid of fuzzy foliage.
The manmade steel that shredded  
and sliced the whisker trees
lays abandoned, somewhere
in a porcelain graveyard
rusting and eroding into ash--
slowly becoming one with nature
again.
The day you died I went into the dirt,
Into the lightless hibernaculum
Where bees, striped black and gold, sleep out the blizzard
Like hieratic stones, and the ground is hard.
It was good for twenty years, that wintering --
As if you never existed, as if I came
God-fathered into the world from my mother's belly:
Her wide bed wore the stain of divinity.
I had nothing to do with guilt or anything
When I wormed back under my mother's heart.

Small as a doll in my dress of innocence
I lay dreaming your epic, image by image.
Nobody died or withered on that stage.
Everything took place in a durable whiteness.
The day I woke, I woke on Churchyard Hill.
I found your name, I found your bones and all
Enlisted in a cramped necropolis
your speckled stone skewed by an iron fence.

In this charity ward, this poorhouse, where the dead
Crowd foot to foot, head to head, no flower
Breaks the soil. This is Azalea path.
A field of burdock opens to the south.
Six feet of yellow gravel cover you.
The artificial red sage does not stir
In the basket of plastic evergreens they put
At the headstone next to yours, nor does it rot,
Although the rains dissolve a ****** dye:
The ersatz petals drip, and they drip red.

Another kind of redness bothers me:
The day your slack sail drank my sister's breath
The flat sea purpled like that evil cloth
My mother unrolled at your last homecoming.
I borrow the silts of an old tragedy.
The truth is, one late October, at my birth-cry
A scorpion stung its head, an ill-starred thing;
My mother dreamed you face down in the sea.

The stony actors poise and pause for breath.
I brought my love to bear, and then you died.
It was the gangrene ate you to the bone
My mother said: you died like any man.
How shall I age into that state of mind?
I am the ghost of an infamous suicide,
My own blue razor rusting at my throat.
O pardon the one who knocks for pardon at
Your gate, father -- your hound-*****, daughter, friend.
It was my love that did us both to death.
sweatshop jam Jan 2014
when you are three you will bring home your first tracks of mud from the garden when you sneak out of the door to play. i will wash the grass stains off your socks and tell you to wait for mummy to come out next time too.

when you are four you will bring home your first macaroni necklace from nursery school and try to eat it raw. i will put it around your neck and we will make pasta together, minus the glue.

when you are five you will bring home tears and your first bleeding knee after falling off your tricycle. i will clean up the wound with antiseptic, put on a smiley face band aid and tell you it is okay to cry.

when you are six you will bring home your first finger painting from kindergarten and a white tee shirt that is streaked with a myriad of colour. i will place it on the laundry pile and we will stain canvas with paint coated fingers for the rest of the afternoon.

when you are seven you will bring home your first report card and babble excitedly about the A you got in art class. i will tell you i knew your teacher would love the tiger you drew that had too many teeth.

when you are eight you will bring home your first best friend and you will ask if you can have a sleepover. i will bake you cookies and put up a tent in the backyard so you can fall asleep under the blanket of stars.

when you are nine you will bring home your first 100 on a test and ask me if perfect is a good score. i will hug you and say that no score can be more perfect than you are.

when you are ten you will bring home your first girl guide badge and tell me you need it sewn on your uniform. i will teach you how to use a needle and thread and see your pride at accomplishing the task on your own.  

when you are eleven you will bring home your first medal from a junior fencing competition and tell me you love the foil but you are scared of the older ones who use epees and sabres (even though one day you will be one of them, too). i will hang the medal on your bedpost and show you my rusting sabre in the storeroom and tell you my stories.

when you are twelve you will bring home your first case of chickenpox from the girl who sits next to you in class. i will make you chicken soup and we will make bad puns about poultry for the next two weeks of quarantine.

when you are thirteen you will bring home your first failure on a test paper. i will sit with you in your room and go through your mistakes and we will learn together, because you are more than a number and i never want you to forget that

when you are fourteen you will bring home your first questions about why the girls in school giggle about boys when the name you doodle in your jotter book is the one of your hauntingly beautiful social studies teacher. i will tell you that love is whatever you believe it to be and who you love is less important than why you love them.

when you are fifteen you will bring home your first can of beer in an effort of rebellion and try to hide it in your room. i will get out the wine and we will share it and i will teach you all there is to know about alcohol and being careful around it, and regale you with stories about the fact that i am a happy drunk.

when you are sixteen you will bring home your first attempts at a resumé and tell me you want to find an internship. i will watch you with pride as you make your own way as part of the working crowd for the very first time and learn more than i could ever teach you on my own.

when you are seventeen you will bring home your first girlfriend and introduce her to me, blushing and stammering. i will smile and ask her if she wants any orange juice from the fridge, and watch you give me a grateful grin.

when you are eighteen you will bring home your first college application and all the relevant documents. we will sit down over the kitchen table and discuss the pros and cons of local and international schools.

when you are nineteen you will bring home a suitcase and some assignments when you come back home during break. i will watch you tuck in to local fare ravenously and listen to you dreamily talk about the girl you share your dormitory with.

when you are twenty you will bring home your first paycheck from a part-time job you’re holding while studying for your degree. i will joke with you on what blue chip stocks to invest it in and we will go out for dinner at a swanky restaurant together.

when you are twenty one you will bring home an engagement ring and ask me if it is too young to ask your dormmate turned lover forever. i will remind you that love has no age and preconceptions have no place in devotion.

when you are twenty two you will bring home everything you need to propose to the love of your life. i will watch her stare at you in shock and fall into your arms and cry, and i will smile at the way your breath leaves your lungs, and you cry along with her.

when you are twenty three you will bring home your first pre-wedding jitters and be fretting about tomorrow’s ceremony. i will reassure you that everything will be perfect- even if it isn’t.

when you are twenty four you will bring home your first spare key to your new place and entrust it to me. i will bring over the dishes you and your wife love every sunday and we will have dinner together, talking, teasing, and laughing till we cry.

when you are twenty five you will bring home your first daughter you have adopted from the orphanage.

and daughter, i hope you will tell her the things i have told you.
Kyle Kulseth Feb 2015
An animal shriek
in the snowiest silence
is swallowed by eyes deep and brown,
                        not like mine.
Which're shallow and icy and
                                clouded with Sundays
                                shrugged off of shoulders
from peak down to plain.

These mornings are silent,
constructed from cinder blocks;
skeletal, rusting--yet inwardly
                                     wailing.
Why in the world can't I set those shouts free
when the achiest Mondays release
all their caltrops
               and I stagger through work weeks
on sore, shredded feet?

It's because of the way
      that your shrieks echo off
      of my wrought iron eyelids
      when frost fills your veins.

It's because of the way
      that I melt every Thursday
      and wash down the side
      of the night in cold sheets.

I can't shout out loud
and I can't melt the quiet
that screams from the mountains
to snow on the prairie below.
Ayelle Garcia Jul 2014
As days jitter by gleamed with such sheer and merry,
Then comes the memoriam-filled allegory;
Called the times of meditation and redemption,
Purple-shrouded cloth with blood has brought salvation.

40 days to drop down and be poured on ashes,
40 nights to commemorate for such dashes;
A memoir to be sung, flinging an elegy,
Sacrifice of the Son tuned to a eulogy.

But have no disheartened faith heard on stricken grief,
For a promise of sacrifice is worth that brief;
It’s the moment to recall, repent, and renew,
Making a mark not turn to long the past askew.

Lenten season speaks of turning from the darkness,
Losing a part to share with Him pure happiness;
Just as Christ suffered for the shortcomings of men,
His Church must respect and join for the time given.

So do not grieve for his loss, or that of your own,
It will be worth such a gain and it shall be sown;
For that choice, a short-time loss is a long-time gain,
With God, He provides us courage to surpass pain.

Such as to come thwart on our midst His forthcoming,
Prepare not only now but till life deems rusting;
But until time hovers to an eternal halt,
Apprehend, amend on such light and grave faults.
I made this for Lent 2012, as a resolution to start posting written literature for the Lord.
L B Sep 2018
My friend and I talk about it
Neighborhood got decimated this year
One after another the corners of community are gone
We touch the elder memories
as one might touch a head in blessing
as loved ones pass

We linger longest over John

Found dead after ten hot days
by other-worldly hazmat crew
flanked by cruisers
with their special, yellow truck
and zipper bags

...found 'im
glasses folded neatly on the night stand
in his jammies
all tucked into bed

No one thought it strange
that strange young guy would die
already decomposing in his head
Lost
among his personal effects
his fleet of rusting cars
and half-assed projects
Deck tacked to garage
his herds of “pets”

Easy to pretend he wasn't really there
between jail stints or some imagined threat or theft
of crap
haunted by the shadows of his persecutors
caught in motion lights
and cameras' blinding evidence of
jungle-jumble and malfunctioning alarms
going off in the wind
Everyone's out to get his stuff
We could dismiss him--

mostly
sorta

...except for times
he mowed his grass at night
or hand-built “the lunatic tower”
just for mom
from scavenged scraps and
hammered hours
power-sawed
through the housing codes
and horror
of the neighbors...
...Such a special spectacle...

******* crazy-- John!

He was enough for one day at a time
like when

he flung that threatening bolder
on bilco doors
for percussive effect

"Get off my ******' property!”
(not using his “inside voice")
“Next time, that'll be your head!!

He announces his intent
to not get mad, behave himself
to call the cops on me instead
Fake-dialing
While his mother screams in dread
“John is off his meds!”

My phone is set to speed dial
911
__

“How did we miss this?
How did we not miss him those quiet days?”

How we miss him now
How quiet
Every neighborhood has one,  and I do miss him.  John provided endless daily entertainment and angst.  Sometimes he was a truly friendly neighbor; sometimes, truly scary.  We had many long conversations.  My beloved cat, Bailey adored him.  I took that as a good sign.  John cried when Bailey was found dead.  I have entrusted them to each other's care in heaven.

Jesus, forgive John his failures and his torments.  I take his place dutifully as the local crazy.  :)
Tom Spencer Jul 2015
I had not been born yet.
Still, I can see you at your labor -
alone, scouring the meadows
for the stones -
lifting their gray shoulders
from the moist earth -
pulling them from the
green grasp of briars,
goldenrod, and
Queen Anne’s Lace.

The smell of the earth
must have filled you with
your own childhood memories -
of plowing fields
and cold mornings
trudging across barn yards
mud thick on your boots -
promising yourself
that someday you would leave
and never return.

I can hear the pick axe -
the sharp strikes
against the stones,
and the dull thud
when the earth
swallowed the blade -
and the deep exhalations
when the stones tumbled into
the old wheelbarrow – new then -
that now leans rusting
against my garden shed.

Some of the stones were so large -
far too large for one man –
how did you move them?
I look at the old photographs
and you seem so young –
so much younger
than I am today - and so thin –
staring off-frame beyond the camera.
What were you looking for
in those fields?

I can see you sorting the stones,
stacking them -
building and unbuilding
and rebuilding the walls
and  terraces
until the walls were true
and the terraces level
and planted with dogwood,
birches, soft grass for bare feet,
and bordered with roses.

Did you know
that you were building my castle?
That the highest terrace
would be my tower and keep?
I remember calling out to my
knights, my legionnaires,
and tribesmen –
rallying them in defense
of the citadel –  ready for
the coming siege.

I also remember looking out
across that verdant kingdom
for the last time -
no longer a king or a boy –
and miles away, across the river
to the west, I imagined
the new home that awaited us.
I couldn’t know
how far away it would be
or what it meant to leave.

This morning,
as I looked out across
the garden that I have built,
I felt the weightlessness of time
and its gravity
settling me into place.
For a brief moment I had
the sensation that I was standing
on the shoulders of
gathered stones.

(for my father, Guy Spencer.)
Tom Spencer © 2015
Shane Oct 2012
I skip rope with mortality
We play hide and seek at least once a week
My favorite hiding spot is the bottom of a pill bottle
Or a carbon monoxide quartet played in b minor
Though She always finds me
I’m chastised for being weak
I always say She because She has me intrigued
But who is She to deny me the ease of eternal sleep
When in time I’ll see for myself that it’s a corrupted dream

In the sun I bloom in thralls of ecstasy
And a splendor unseen unless your eyes are on the childish setting
In this light I toil over a slowly rusting slinky
I marvel at its ebb and flow
Unbeknownst to its proper meaning
On the box reads “Life and Death” but to this it has no means to me
But the sun doesn’t shine forever
And soon its warmth will leave me to wither
Then that rusting slinky takes hold of me
Extreme with avarice so bitter
And no thoughts of ever leaving
To combat this I reach into my box of cigarette kisses
To extract a couple of sweetlings
A long draw of articulate death
While I listen to the tobacco weeping
Their cries against a moonlit sky
Marks the stay of a frivolous execution
Though I am not without disillusion
I can feel it in every breath
Just as a child believes they’ll always be free
I’ve acquiesced to a not so slow, slow death
"The Three Kisses

The Kiss Of Hello
The Kiss That Is Never Just A Kiss

The Kiss That Spikes Vein With Precision Orchestra
The Kiss That Heals In Entirety

The Kiss That Hides The Relent Of Vex
The Kiss That Suffocates Rusting Man

The Kiss Without Detail/Ed System)
The Kiss That Pounds Each Pore To State Of ******

The Kiss That Hiroshimates Euphoria
The Kiss That Approximates/Parallels Living

The Kiss Only
The Kiss, The Kiss

The Kiss Of Neither Hello Nor Goodbye
The Kiss For The Sake

The Kiss To Save Face
The Distracted Kiss For/Of Domestic Bliss

The Kiss To Bathe Mania In Generic ******, The Kiss Of The Motions
The Kiss Of Searing Content, Hindering Suffocation And Blasé Defection

The Default Kiss, The Efficient Kiss, The Alteria (Motive) Kiss
The Kiss That Makes Sense

The New Language Of Kiss
Le Kiss, Le Kiss

The Kiss Of Goodbye

The Kiss That Is Never Just A Kiss
The Kiss That Spikes Vein With Precision Orchestra

The Kiss That Deals In Hypocrisy
The Kiss That Begins And Ends Each Second

Job, Health, Kiss, Marriage, Car, Security, Kiss,
Yearn, Enjoyment, Loss, Holiday, Kiss, Loss Holiday Kiss

The Kiss That Hiroshimates Plague
The Kiss That Parallels Living/Approximates Rage

The Memory Of Kiss Acidifies Brain
The Kiss, The Kiss, The End.
David Hutton Dec 2018
Just imagine if I disappeared,
Would your memory of me be blurred?
Rusting away in your mind,
Leaving me behind.
A face you had known, a name you had heard.
Sean Critchfield Jun 2013
My Father used to buy cars. A lot of cars. Broken down, busted up, P.O.S. cars. Usually VW's. Always on the door of the great rusting field in the sky. He'd park them on the side of the house in a long row. This area was technically off limits, but rest assured that many battles were fought against mythical beasts and imagined armies.

It was a fort, a hideout, a giant clubhouse, and where I saw the inside of my first ***** magazine.

But the landscape was always changing. Evolving. This time line of rust and oxidized paint.

The cars would move forward one by one into the future like plate tectonics and more cars would be added to the past. And each one would make it's way into the garage. The land of curse words and flying tools. It was in the gladiator arena that smelled less like sand and more like grease,  that I learned to be a man.

Busted knuckles and loud music. And these cars would raise up on stands, and my father, like a surgeon would open their insides and make them whole again. Slowly. With the time that he had. And the cars would heal and eventually purr to life. And then, one day, they'd be gone.

Some would stay longer than others. Some would be displayed like show ponies. But eventually, they all left. And all the while, I would watch from my graveyard of cars on the side of the house.

It wasn't until I was older that we talked about it. Those cars. I always thought that this was just my dads hobby. Fixing things. It made sense. Anytime I needed something fixed from a toy to an angry heart, I'd take it to my father. And, I suppose, in a way it was.

I asked him about those cars once. Why he did it? Did he miss it? Why didn't he keep them?

He told me that he never intended to keep them. That in his eyes, they were not cars. They were insurance policies. Rent. Food. Emergency house repairs. Peace of mind for my mother.

And it all became clear. My family struggled in my youth. A young couple. A hairdresser and an airforce airplane mechanic. With two kids. Trying to make ends meet.

It was this line of rusted cars that made those ends meet.

It was ****** knuckles, loud music, curse words, and air heavy with sweat and grease that made those ends meet.

And any time the ends would not... quite.. touch...

One of the cars would go.

My father doesn't work on cars anymore. He doesn't have to. He and my mom are successful. Comfortable. They worked hard to become so.

And I am proud of them.

He has traded in his wrenches for other hobbies. Traveling. Collecting military memorabilia on ebay. Watching movies.

But that row of cars will always live in my heart as the example of what it means to be a good man.

My father loves his wife. He loves his family. His knuckles have healed. And the cars have gone.

And he is still my hero.

My dad is a husband, a fighter, a survivor, a mountain man, a war hero, a father and grandfather to dozens who didn't have one of their own, a firefighter, a medic, a collector, a wicked good shot, a teacher, and a friend.

He is also a mechanic.

And he is a good man.
You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
***** and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds.
III Jun 2015
The truth is, I’m not really sure who I am.  She told us to draw ourselves and then to draw our souls; so I drew my face scratched and uneven, just as I’ve always seen it, and frowned at the result both in the mirror and on the paper.  The only soul I’ve ever really known was the one that shone through the strokes of the keys I punched, the scrawling of ink on paper in mismatched arrays of awkward thoughts, disorientated and unorganized, shaded different spews of emotion and rearranged through the lens of ever last viewer’s eye.  Even so, this soul that is composed of words that defined me painted a picture vivid in its contrast, though blurry from both afar and close enough to squint, no details able to be made out.  These words that have wrapped around my soul rubbed raw from the time my skin first flinched at the cool March air cannot be deciphered by their author, though I know somehow that their letters flowing into one another say more than any curve of my face ever could.  These words are black and white, two extremes crafted in the pallet of the Universe’s toolshed, and perhaps that’s exactly what I am.  Black or white.  I’m dark and lost and scrounging for some rusting wall or tree branch to cling to as to ensure the shimmering waves, onyx and charcoal in their nature with the flow of blood in its spine, do not flood into my mouth at a rate in which is too quick to balance myself upon them, or, I’m white, drifting snow from a cloud scraping the vast expanse of brilliant blue gazing as a sky above all the world, pure, innocent, unscathed with the potential for creation in vibrancies yet unknown, or to be ripped to bits, scattered amongst piles of cream and autumn leaves drained of their color beneath months of shivering frost.  And so, perhaps any physical representation of my being would be all wrong, because that’s not what I am.  Myself, my soul, it resides in the murky depths of heights I’ve yet to discover, tethered endlessly and uncertain among the caverns of my inners, pink and mushy, stirred and ******, untouched from the harsh light of a world encased in brevity.
Savio Feb 2013
a porcelain grizzly bear is on my desk table
I stole it from a gas station in Oklahoma
driving 100 miles per hour
in the hope for something hopeful
a tiny minuet grasp of freedom of the road
of the cigarette endlessly burning
endlessly producing knowledge
imagination
little scroll stories that flash through the mind like rain drops or
shooting stars at night
or the clock on the microwave turning from 4:00
to 4:01

A subconscious journey
a path
a walkway
a minor walkway into the many hallway'd mind
perhaps there are no doors
no official room or building
simply hallways binding into one another like ******* eye lashes on a woman of 47
and in these hallways there are rats that like to chew on the soles of your high heeled boots
leaving you
bare foot
then the hallway floors turn into your stomach
flabby
filled with chicken skin and peanuts
A subconscious dilemma
dementia
the dogs got loose
I'll trace them by the foot prints left in the desert like snow

“Ah” my money brother told me
a snow storm
I cover my eyes only to see that I am starving from the wind
and food is scarce in my belly
everyone is dying of hunger
but the poet eats on his fingernails and the poems he abortions through the vaginal mind imagination that creates in his skull made up of glue metal objects and pizza boxes left out on side streets for hounds cats and old serial killer'd military men have left the war only to find trash on the side street and windows with yellow lanterns flaming up in the night like a forest fire
or a **** girl of 16 running through the city streets high on methamphetamines
I called the doctor he's drunk on something I made up in my mind
and Beethoven is on the bathroom shooting up ****** which isn't mine
where is the poem heading
only the humming bird and and ant on the wall will because they do not care
I am hiding something beneath the crevasses of my fingernails of 5
of 10
of 20
of 15
“there's nothing to whisper about” I told her sleeping ear in the midst of drunk A.M. night with nothing to do but make love smoke cigarettes and comment on the noises outside city of sirens that do not attract but chase the negros of criminal car thieves and the drug dealers of KCMO

she took off her dress
something glowed in her eyes
on her belly
in her *******
her legs that grew like plants in a swamp
or in a pond where the deer feed and drink
I kissed her lightly
I saw the moon shake in jealousy
so I left the room through the window
I crawled on my highheeled knees onto the roof and sang
I sang
I sang a song that didn't make sense  and I puked up tiny words of
misleading information to the past of my life
van
desert city Michigan land of
rusting
rusted
old broken toyed up frozen over
antiques
the pond is frozen over
winter won't leave me alone
poking at my eyes
the wind plays a sad song
I miss the tree of life
I want to taste the forbidden apple
but I burnt my tongue on a hot iron
or was it boiling whiskey that I drank from the oven

I took a step into a hole
the subconscious mind began the breath like a young man that crashed in a blue volvo in 1963 on a street next to a ***** house and the lights were loud and the women were thin with
thin
thin
thin
thin
and their ******* pointed
and there eyes shifted only to God
only to 1 dollar bills and the 1 whiskey and 1 more pill of the serene night
of that
hope of finding beauty in a high
but the Trees burn
and the soil is over used
bare no child dirt
the children are deaf and blind and cant run up a mountain
reach the stars
reach the ravens
reach for the
violin
that corrodes the mind like lice
like bleach on the bathroom floor
like termites in the basement
chewing on a sound
gnawing on the night's temple
this may be a problem
painting you
I'm out of oils
and the fridge is warm
that is where I keep my pistol
turn the heat on
turn the water off
lets go out dancing
lets make love
lets ****
lets kiss
lets talk about the sky
as we sit
on our bellies
drinking wine
drinking the dogs breath
drinking the hands sweat
drinking the intellectual thoughts of a book
the book is dead
Savio stands with a sword and cuts his own throat
yet nothing pours out
what is next
where does the Van go from here
where is the next highway thought
the next Used Car Dealer Ship
where is aluminium bathroom
the dishwasher with no dishes
the light bulb that dangles like a child's loose tooth in his molding to man mouth

Look over there
child
mother
indian man with no hair
old?
80?
50 probably
look over there God
look over there
look over there
behind those strange purple white blue trees
I think I see myself
standing in water
with toes
with fingers and fish circling my ankles
look over there
a deer spine
a dogs leash
an unwashed sweater that cost 50 dollars

all my pants have holes in them
all the paintings in my house are fake

her bodied was patina'd
by a kiss of lipstick

soothing
the ride back home
a swig of alcohol
as the city night ***** dominated
quietly burns
where is the loud jazz?
bursting like ******* through windows
where is the passion?
where is the drooling for a womans touch?
where is the television with a baseball in it's skull?

where is the wisdom?
I can only hold onto this rope for so long
my hands are soft
and sore
and this hole is deep
this hole smells like New Mexico
this place stinks of dog and a man who cannot wake up from a dream
because the woman he loves
is in an ocean
and he's chasing her
his eyes are strong and wide
his mouth is full of salt water
and as he looks up
there is snow
there is snow and the water freezes over
and his lover is far
she is on the other side of the shore
she is beautiful in the snow
and his eyes grasp onto that beauty
before he is frozen still


a seagull in winter flies with the crows
what a beautiful sight
I once met an ant
on a leaf of a tomato garden
the ant didn't say much
I complemented him on his life span of a day
I asked him if he ever contemplated suicide
but I guess he never got the chance
the garden dies
the tomatoes grew ill colored
and the stems
that were once straight
like young women in sun dresses
now bends
like an old man reaching for his glasses on the pavement in a sand storm of pain
he hollers out in his used up antique washed out voice of time and too many cigarettes too many women's lips and too much coffee at 5 Am
cursing death
to come
cursing god
to reveal himself
like *******
and the Garden begins to decompose
like that of a squirrel in a suburb street
or a mouse in the cats feline belly
the garden descends bent-wardly to death
to the ground
to the origin of life
of  seed.

A journey into a subconscious mind
or maybe the glance through a dying man's eye glasses.
This poem is meant to be a vantage point of the subconscious mind.
I wrote this continuously for 30 minutes. No stopping. No thinking. only writing.
Michal Shilor Jan 2014
my polygamous relationship with you distances me from the monotony of monogamy and makes me feel lonelier than the loneliest mundane monogamist. my mere apologies for my misendeavors, the malnutritious morals of my miseducation propose metal mirrors and castaways controlled by cutting carvers, craving crazy letters and loyalty from lengthy lies and lonely lives. lethargy overtakes and vowels reign, raining drops like rainbows and rocks in rivers, rusting relationships, rusty railroads at intense intersections entwined in everything inside and nothing on the outside anymore except these
muscles. we are back at the beginning.

my mind marvels in the magic of the memories, the madness of the morbidity and the hesitations of your reaction. his, I take, is misunderstood as my misfortune, but it is not a miss, my fortune: it is a fox in feathers colorful like friendships 'fore their forfeited and feigned approval, forced for fear of polygamy tho' it promises the purest pleasure, the most personal independence and precious pearls of princes, princesses, powerful, plight-less

poetry.  peace surrenders,

souls surprise themselves, surprise their cells, call for curious catastrophes to take place. colorful and calm they coincide with cooperation that can not contain the context of truth, of teases, of teasers and targets and tonal dualities and we endeavor, we endear you, we dare destroy the darkness of the devil in its disguised diamonds.

words lie at my feet like pebbles of poetry and I promise personal demise, deterioration and ridiculous obsessions- there's madness to be had and fragments to be written and I play with silly alliteration instead!

serious and serene you stare as if my sanity has slowly faded and I sternly helplessly smile shyly.  I suppose you are sincerely offering me your blessing before parting, so stumbling slightly I surrender…


if this is the prevailing promise of mere mortality, I'm graciously aware I was worthy of words.
Sparrow Oct 2012
I once left my heart in the pocket of a saint
blinded by sunset light, drunk from midnight madness,
and falling into the monotony of broken dandelion stems and lost eyelash wishes-
I didn’t think I would need it much longer
The burden of rebirthing beats continuously
stamping out the keys
Of my empty piano chest –
As I held onto the breaths of broken warriors
Sponging the blood off their slashed

double
layered
skin

And praying
they could keep their fight for just

One
More
night

He never noticed the extra beat
added to the twitches of his time-ticking body
deaf from the ringing calls to heroism
only on the odd hours he didn’t have muffled
by the recipes of the women he’d saved
buying out bravery like it could shield his soft tongued love
leaving nothing but the clothes on his back
woven from stardusted bomb shelters
And
left over hopes
selling the silver lining of every breath he took
just to buy the next broken-bar girl a drink

He was a saint after all --

born from the innocent hopes I wish I still had,
tucked in the corners of sun-freckled smiles
and
Mothering seatbealt arms
and
Careless Carnival Food
the kind I know some of my soldiers withered against
writhing their souls from the bodies they had been straight jacketed too
prisoners of war stuck in the memory
of just how many calories a sugared funnel cake could have
did have
will have
add up to the self worth shot out of their chest
from last nights uncontrolled binge
of two apples and a cheerio promise ring

No,
he had never been in the middle of the war
never known the taste of blood
rusting in the rain of covered up skin
drenched in the salt water stings of failure
peeling away the scabs of
addictive adrenaline disadvantages
and mapping the battle plan of tomorrows attack
against an enemy so close
it was breathing the same air your lungs had not finished purifying

No,
his hands had never held the dyeing breaths of a comrade in arms
as they shook from the fears riding up their spine
praying the poison won’t take
praying the stolen bottles didn’t break
and that violent vomiting viguals
might burn just enough of the alcohol mistake
so their blood won’t have to curdle

No,
he had never heard the desperation
of sobbing secretes suddenly swindled
from between the lips of a girl who never wanted to remember
the night that never happened
one year, five months, fourteen days --
and three hours ago
her father had asked her why she never wore skirts anymore
and why she never brought boys over anymore
and why she never left her room anymore
and why her silent cheekbone cry for help never smiled anymore

No.

A saint is never found on the battlefield
never scared by the everlasting burns
of war paint psychiatric wards
and gun powder therapy sessions
sprinkled with the hope against hope moments that maybe
we’ll have a break through --

Like the ****** morning sun rebirthing the beats
of duck taped dreams
and
medicated eyes
and
catatonic lips --

I left my heart in the pocket of a saint
confessing the sins of the hopeless hospital it fueled
between our silent lipped kisses
squeezing out the stories of unnamed soldiers
between our woven fingers
and betraying my fear
in the tremble of my body against his –
I left my heart with him on the one-night-stand whim
that I would grow deaf to the sound
of TAPS played on my piano rib keys
and
blind to the specks of blown dandelion wishes

But I still hear the echoes of them
rattling against the stitching
of his bomb shelter pockets

and I wonder if he’s still searching for me
between the crumpled recites of midnight mass mixers
and
open cathedral whispers

because I still think of him sometimes
absent mindedly pick pocketing saints for smiles
but I’ve only found lint and regret
tucked in the corners of their heroic attempt
to protect the bruised hearts of the saviors
who haven’t quite yet found salvation
jamie Oct 2013
titled: The True Confessions Of A Heartless Girl

this is not an apology letter and i will not apologize about my words that reek of *****, neither will i express my heartfelt woeful regret for burying what was left of your love under black wilted roses. in September we spent four hours under a tree attempting to bind our hearts and minds but i crumpled them together with the fallen autumn leaves, leaving you staring at the exposed bits of yellow xanthophylls and orange beta-carotene blended with the beautifully bruised muscle. i’m not sorry that your flowers ended in the trashcan with the weeds, but they were crooked and fading. i’m not sorry that the love poem you requested from me was written in the cemetery on the back of your father’s obituary, and i’m definitely not sorry that the first tree i felled in my backyard was the one with our initials carved in your pinned dead heart. call me heartless, but this will clear up everything you were ever baffled about. i am heartless. no, not that type of heartless. i am literally heartless. in my chest there lies a chest of drawers which used to be unlocked and filled with human traits but somehow along the way i think the key to them ended up rusting in my bottomless pit of a stomach. i won’t ask if you still feel that tingle in your spine when my name is mentioned, but did the letters from her burn prettier than the ones from me? did your last name fit her better than it did with me? did the last petal you plucked ended with “she loves me”? i know she smells like honey and roses but i’m not sorry that i smell like roadkill and expired cheese. now it’s December and i’ve changed my name to Hollow then repainted my skin with cut out pieces of eulogies. once upon a time i was actually a teen girl with hummingbird heart beats and red apples for cheeks, but as of today i am completely out of touch with this world, painting nail varnish on cigarettes and tucking in tulips with the weeds. her sad words may be written on textured paper but mine will stand up and punch you in the eye. most of the time we learn that you have choices in life, but all i ever know is that for every big leap you take you’ll end up with a splintered bone and it’s just like writing your life story in permanent ink. maybe one day the ocean will freeze and you’ll find the hidden message in your coffee, but this is not an apology letter and i’m still not sorry for scalding your skin with a hot iron rod when we were twelve years old. see you in the pool of regret; i won’t be there, since i’m lacking a heart.
Kaye B Anderson Apr 2014
Could it have been the self concious views?
The lack of choice- No room to choose?

Could it have been the need for emotion?
The outbursts? The commotion?
Were the cogs rusting? A lack of motion

The cogs of time rusting...
Time not moving with the speed of light?
Could it have been that one was moving faster, then other-
Timing not right?

Like a Cheetah and a Deer holdings hands,
Could it have been tempting chance?
The chance to be amazed at the beauty of this picture,
Then not be surprised with the outcome- An act of nature.

Mesmerized with lies that are there to charm.
Cheating fate, Causing harm.

Could it have been...
That you left me because I was no more an object of your desire?
Or- Could it had been that all along,
I was *playing with fire?
Owen Phillips May 2013
This trail leads to the animal crossing
It fails to accommodate intrepid adventurers,
Bushy tailed explorers, mountain climbers,
Talkers to squirrels and chewers of pine pitch.
The divine medicine denies us the headspace to believe we're really dead,
The reclined estrogen felt good against twenty million years of insecurity
Golden-layered, factually flawed
It lay exposed for decades
Rusting innards and misfiring sparks
None of the heavy equipment does what it says
Robot arms move with intensity
No programmer yet programs tenderness
The limiting factor has always attracted the acting crowd
Always desperate for theatrical work they magically appear
When it's clear that they're needed
But heed the warnings, they're known to be cheaters; the people who say so could also be wife-beaters
No need to wait for a stereotype
Follow the one you haven't lost touch with
Well I actually wrote it at 1:21 AM but I was in bed about to sleep so it is more appropriately grouped with the other PM poems than the AM ones... Maybe I should come up with another way to designate them, since I'm so often writing after midnight.
A Thomas Hawkins May 2010
The city skyline
so far removed from home
chimney pots and aerials replaced by
redbrick buildings amidst fume stained concrete towers
rooftops infested with rusting air condensers
clematis and virginia creeper replaced by
conduit and cables, the ivy of the city clings to every facade

country life contrast
urban decay cannot last
function over form
My first ever Haibun, prose + haiku = haibun, right?
Surbhi Dadhich Jan 2018
My rusting cries reached a deserted destination
Far infinite in the infinite universe
Neither assurity nor dimensions
Rusting cries tore into hell curse
Glorious stars were ashamed of disgrace
The moon bore the fire of hate
Sensitive planets turned insane
Rusting cries cried and turned pale
Reflected and are now again flowing in my veins.

— The End —