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Lyn-Purcell Aug 2018
'Oh, when will you return, my love?' wondered Kourê,
   as she lays on the daybed, in the cradle of                        
          Spring's clime; how the nights and days make                        
her so weary, as the yellowed flames sway idle              
So many flowers sent,                                            
each rich with memory.      
Violets coiling around the triumphal arch;              
His smile after their first kiss under
the flushing dawn.
Starlings who sing ever so sweet;                              
the song of him preaching of her being
                       a bright glory before others.
Crystal chandeliar that hangs from the ceiling;
                            Her on a small bench, his hands massaging
                              warm oils between her fae-sculpted
      feet and toes.
The roses; a rouge kiss in the light of the shade
          The harp; a white daybed draped
                            with a scarlet sheet.
She yearns for a hug from him, bathing ****
          in light, as their hearts beat in sync
                              and reach the sky.
All she wants is a sweet rest, his hand on her
fine head;                                                
            stroking, sighing, eyes shining,              
                  water that trembles between fingers,
happiness linger!
A feather drifts earnest, the glittering of stars,
And now she cools, recalling their sweet        
goodbye as he rides his mare,
            snow cloak shines eternally.
'Yours is a beauty that will never wilt,' he cooes,
placing a rose in her hair.                  
A rose.                      
A rose...        
Her eyes falls on the white rose in the vase,
              lonesome, thornless proud...                  
We marvel its beauty, its earthbound performance                       
 She holds the rose in her hand, staring at its                    
its crowning glory; petalled virtue
By her ivory velveteen fingers                                          
long finger,
               slim thumb-
She plucks petal by petal by petal by petal
as she looks to the day-sky
                      with a dreaming mind
And when the crown is gone,                            
                       her face is touched by a frown                        
                and the naked stem,
                                    marred by her sensitivity-
                                            ***** of its own beauty-
                                                    for her hand's sake,
her yearning for her lionesque lover,              
                                         and aurorian prayers?          
The stem falls, naked and bald on the ground
    as she closes her eyes, saddened...
She cannot bear the sight of snow-kissed            
flowered bays without the sun,
                   her hymn-
                                  her shield-
Know the true secret behind the red, red rose  
As none know of its venomous mantle    
this Rose lingered in the vase only to be
defiled.
Taken advantage of only to
                            be dumped-
A laughing stock as another more beautiful
                            flower will take its place
Boiling with vengeance, the stem is hale,
jade with envy-
                                               barbed with thorns, a poisoned desire
                      to shield its body,
Its pride, its crown stolen-
                                     From snow to blood-
                                                    its pain turned crimson,
No longer will tears of dew fall!
'It matters not,' Kourê thinks, 'another rose will bud.'
For they, like many perennials and sentient life,
                          are conscious of its limited beauty!
'Mine own beauty and his will last forever.'
From the light beyond,
she sees him.
                                       Her sun that rides the mare!
She runs into his embrace- a pair of happy doves
Her fingers in his gold curls
as he bends the knee,
The air lovingly cold at this display!                  
Ever so content!
                                          Blessings upon the lily in the snow!
Upon her hands, the blood of a rose,
that swears vengeance upon her
for it will be the catalyst!
Blood for blood!
                                  The rose will rise and curse
them with pain ten-fold...
Final part of the free-verse!
Hope you enjoyed it!
I came up with a little sad myth behind why the rose has thorns. Why the white roses are truly red. What did you think? I have roses in my garden but I don't pick the petals, they're too pretty!
What did you think of Kourê? Do let me know!
Love you guys! Thanks so much!
Lyn ***'
One4u2nv Feb 2012

I'm thoughtfully watching joyous pupils viciously coming across girlish phantoms.

Meanwhile you are watching me satanically bounding through fields of flaming stimulations, while riding on hope that depends on productivity. I won't ever find it. Productivity that is. 

Satisfaction might never be prioritized above facts. This is FACT-

The unknown needlessly attracts poetry.

Our reality abraded and unjust can be uncomfortable if it’s entangled with education. 

Moving at your own pace is a fountain of materialism and greedy lusts. 

Psychic ability favors pressure, and a random act of silliness can somehow mold in to self reform. 

Magic has been brought to you by Nikola Tesla and of course Prince...He is the true King, save Bowie of course. 

Sexology turns boring things into The American Dream.

Suggestively inter-dimensional paintings as a punch line to a tasteless joke for tasteless people. ----> See blog for details. Http://www.tasteforthetasteless.tumblr.com

Swiftly opulent inspectors for future generations leave no getaways for past generations. Thank your god for this..I certainly do. 

Feminist eruptions and Malibu Barbie are inexpensive expectations with crazed, maniacal plans for world *******. We fed the Illuminate to the space pirates and now we are the people. 

Enclosed in this excessively long mixture of nonesenical words are meanings of life like surgically altered violins fueled by bitterness and rage are the way to the Sneaker Pimps six-Underground. 

Our politicians are galavanting with over paid under appreciated butchers. 

Comfort is the leading cause of heroism and cancer. 

Electricity is a side-effect of greed. Greed fuels each and every home. 

Activism is another form of stigmata and self-confidence rests upon your soul's desire to be better. 

A perfect moment is ruined by mythology. Throw it away along with your **** of an ego. Learn what bogs you down and what helps to keep you afloat. 

****** tension can trigger an avalanche of vengeance and self loathing destruction 

Your energy can transcend in to a rouge wave larger than life and larger than Jesus Christ fanatics followed by Anti-Christ hopefuls.

Laughter gravitates towards ravenously healthy men and women. Follow that pack and you will find health awaiting your arrival with open arms. 


russets ides adorned
the fall branches
mellow were their tones
bespeaking of a rich vintage
of a summer past
warmest did come
thence it did depart
in fields and avenues  
where Rembrandt's
brush colored
the canvas in ruddy hues
autumn tones
did on a November wind
bring its rouge
Derek Yohn Sep 2013
Our lives are a Jenga masterpiece,
a collage of self-interpreted
debauchery that we have been
told is the work of R.F.

Is it necessary to destroy ourselves
for the things that we desire?

Why do I have to be symbolic
of an Irish dome of the rock?
     (have you ever touched the rock?)
     (has anyone?)

I am tarot prophetic in my
loathing of our distorted level.

I am chronic mime gestures
on the West Banks of the Jordan.

We are rouge lipstick
smeared across blue collars
and twisted pretzels lounging
citrus grove clean and sad.

I am just a man.
We are just people.
The buildings are just Lego's we have
crushed and spent combating azure tides
to stand ourselves straight against that
last wall...
but I love you still,
despite.
Just Alex Aug 2018
No poison as venomous
Nor insidious a rouge
No piercing an arrow
Can compare to love

A disease like no other
Like no virus or spore
It rides the breezes of Autumn
With the leaves as they fall

In the laughter of lovers
As they gaze into their eyes
Their company they cherish
As the world, it turns blank

Such subterfuge is legend
As warning you it does not
And in chains of steel unbreaking
Your heart will be wrought

Your walls will crumble
Your discipline, for naught
You crave their happiness
And then you are lost...
as it tears you asunder
and rips you apart from within

Oh, such a malady has no cure!
You can only give in...

When will you arrive my love?
Please, come to me
Cool this fever of passion
This fire that rages within
Swiftly my darling!
Life from my fingers it slips
I can´t bear to see them smiling...
In sadness I wallow in...
yet, maybe this is what I deserve
For turning my back on my heart
The pain, the agony, it feels...
like the cut of a thousand knives...
Nora Agha Oct 2014
I remove my face
though I know full well
then when morning comes
I'll have to put it on again;
paint on a smile
look myself in the mirror,
in the eye,
somehow convince myself
that it's all worthwhile
and I'll believe my own lie
for another day
as I walk the same path
I did yesterday
but today is the day,
Dr. Seuss said so.
"98 & 3/4 % guaranteed!"
I'll be the change I want to see in this world!
But how can that be?
No matter what I paint on,
I'm stuck being me.
So when you pass me on the path
we both walk every day,
don't forget to greet me
with a smile and a wave.
You may not see
what I know to be true:
My bright, vibrant smile
and love-life-attitude
are the result of an hour
of pep-talks and rouge.
Aaron LaLux Oct 2017
If you don’t have patience,
that weight might get you 4 to 8,
if you don’t pace it,
that weight might make your loved ones have to wait,

but I guess that’s better than a 9 to 5,
from 20 to life,
rather be a free man locked up inside,
than in prison on the out side every day of my life,

run away slaves still runnin,

we were once kings,
they turned us into pawns,
how we’re just corporate meat,
for sausages from Uncle John’s farm,

how quickly one can go from,
being Father King to an Uncle Tom,
these cities were never meant for us,
that’s why we’re restless and never feel at home,

anxious yes but if you don’t have patience,
that weight might get you 4 to 8,
if you don’t pace it,
that weight might make your loved ones have to wait,

the whole farm’s for sale,
there’s much more at stake than just steak,
Holy Cow where are we now,
somewhere between Chance and Fate,

somewhere between total failure and absolutely great,

not a rapper not a chance,
at least not anymore,
not here to sing and dance,
I am not anybody’s *****,

this is Capitalism gone wrong,
Consumerism gone rouge,
where every new idea seems so passe,
that it’s out of Style before it’s even En Vogue,

Yo,

yo yo yo,
Yo MTV Raps got you to dance,
but all those black faces dancing got the white pockets paid and,
most of all the One Hit Wonders didn’t even get a 2nd chance,

gave all our time to Time Warner,
but we all know Warner Brothers is anything but a brother,
from the corner office right back to that corner,
from the lime light right back to those street lights,

better get right,
better save and invest,
we could get an island for what we spend on these diamonds,
know when to hold ‘em know when to fold ‘em well you know the rest,

if you don’t have patience,
that weight might get you 4 to 8,
if you don’t pace it,
that weight might make your loved ones have to wait,

but I guess that’s better than a 9 to 5,
from 20 to life,
rather be a free man locked up,
than in prison on the out side every day of my life,

run away slaves still runnin…

∆ Aaron LA Lux ∆

author of multiple bestselling poetry books.
1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?
Lora Lee Jan 2018
There is a storm
gathering in
            my womb
soon to explode
into a thousand
crimson stars
lighting up
my veins with fire
and unraveling
deep-set,
          knotted scars
and the gentle rage
outside my window
presses on, inside my head
as I lie here,
my thoughts twisted
in a cozy, yet empty bed
my thoughts unfurl
in misty haze
           curl into
                      smoky
                 rouge
as nightsky thunder rolls
into creamed saxophone
                          deluge
the snare drum beats
in firelight
ripple sheets
in silky flutter
as my fingers strum
my womanly instruments
into loamy, primal butter
my voice in quiet utterance
as the heavens open
           to heavy rains
                    that liquefy
                           my desert
                 hydrate my
           bare-soul caves
so I electrify my echoes
into fruited, crystal drips
frothing up my
cherry wine
upon these moistened,
hungry lips
All these emotions move in waves
https://www.youtube.com/watch?v=v6TP-M3dKcY
Kason Durham Apr 2014
With the sunrise: emerges a world of cruelty,
Though natural like a running stream, and a flower’s beauty,
We see it when fires rage on and volcanoes erupt;
Even more when animals are maimed and poisons corrupt.
Yet none I would venture,
Can compare with human horror,
Who spilt rouge over lust, greed, prose and power,
They would gladly raze cities, massacre families and abhor,
In cold blood or warm, killing more makes man dour,
And Whether to catalyze or antagonize we’ve made time; seconds and hours,
But are we a product of the world’s cruelty or is the world a product of ours?
Perhaps it is our own; after all it is our curse,
To evolve is to make great, even evil,
So making greater our hearse.
ryn Dec 2014
My last few hours,
In the land of a week's refuge.
Bade goodbye to water towers,
Away with sunsets made of rouge.

Ready to fulfil a previous standing pact
To a life I left and put on hold.
I'll leave you in memories of retrospect.
An experience worth weight in gold.

As always I find myself in the driveway .
Standing all alone, in the dark.
Looking up at what does lay.
Spellbound as usual as the distant dogs bark.

I'm sending wishes into space,
Kisses to the dots in the sky.
Going to miss this place...
As the coming year would go by.

I'd long for you,
My twinkling lovelies in my nights.
Following hours would be through
You'd be replaced by city lights.

For now allow me to drink you to a stupor.
A feast I can't get enough of.
Let these minutes extend into forever...
Goodbye Darwin stars, you have all my love.
Time to go home.
lX0st Dec 2015
We waste expensive lipstick
On cigarette butts
That are thrown out the window
And somehow ignore
That we do the same
With our lovers
Poppy Jul 2014
In time, I hope to rid myself of the feeling of inadequacy.
But for now I'm secure in the knowledge that love is not only blind, but foolish also.
Mateuš Conrad Dec 2015
psychologism, i.e. neo-racism, neo- due to it being without any collective ethnic collectivisation, best insinuated by marijuana users, grouping alcoholics with ****** sharp shooters; they think they have the moral high ground, but they talk jack sh-: medicinal marijuana is synthetic marijuana / ore without casual-use effects, it's not the sh- you put in your ****! have a *** change and tell me about children suffering from cancer while you're at it: because those starving children of africa adverts... are really really working... knowing that the man in control of such charities earns over half a million a year - post-colonialism only really works while you have former colonial indigenous peoples nearby, then you can milk that ***** cow from the locals... make sure you think the nairobi international airport has a dirt runway and you'll feel all ******* fuzzy giving money to these companies... post-colonialism only works like that... import some former colonials to milk the former colonial whites into coughing up money & guilt... then watch the irish get leery with sarcasm at almost anything... and the scots gear up pride and become politically malignant... the good friday agreement? tony blair did as much as / avoiding-tax cigarettes smuggled from eastern europe west of the ural mountains exchanged in belfast... but geographic borders were never used in rhetoric in politics... because ireland was always further west than iceland: as oaths go... it was a neighbour of liberty iseland... with the true statue of liberty in a moulin rouge cancan attire, skirt up, flame extinguished - although ***** as hell: and in koranic reality, requiring a harem for her three holes.
JB Mar 2015
Karaoke night on Tuesdays was, until recently,
My only release
The half-hour drive across Lake Ponchartrain
And into New Orleans
Has become at least a weekly ritual for me
Last time I went, I saw a friend there
One who I made a few months earlier

I sang a song, and then sat down to talk to her
Catching most of what she said, but not all
My mind wanders as it always does

Somehow we start talking about dating
And soon I'm planning with her a trip to Baton Rouge
To meet her single friend
Asking her to be my "wing-woman"

But then I realize she is a little incoherent
And I have to repeat things to her, and she seems confused
She says, "They made my drink a little too strong"
And soon she is in a drunken haze
A few tears come down her face, and I sit silently for a minute
Unsure of how to comfort her
I ask if she needs to step outside; she nods

She follows me out the door, arm in mine
I slowly move outside, making sure she doesn't trip
And then we sit, and she cries
And soon I find out she is mourning the distance between
Herself and her boyfriend

I tell her about my closest experience with a long-distance relationship
About my Brazilian friend who could've been more
But then she moved, and we fell out of touch
This friend seems humored through her tears at the story

"She moved to Hawaii?" she says. "Yeah", I reply.

"Hawaii?"

I nod. We talk some more, our conversation moving into
Our mutual love of stargazing
She looks up at the cloudy sky and mentions the light pollution
And the lack of stars in New Orleans

"Hawaii?"

I tell her about the stars across the lake, where I live
And how, far enough north, you can see all the stars on a clear night
And then the DJ for the night calls her up to sing
And we go back in, into the loudness and enclosed chaos of the bar

She sings, nervous, stumbling through the songs and holding onto
The stripper pole in the middle of the little stage
She finishes the song, steps down, and we go back outside
And we sit down and talk a little while

"Hawaii?"

An acquaintance comes out and says he ordered onion rings for us
I ask if she needs a ride home, even though I work the next day
And she does too
The acquaintance says he can give her a ride
Since he's unemployed for the time being
So we go back inside and wait for our onion rings

I get my acquaintance's phone number, and ask him to text me
When he gets her home
And then I tell her to text me the next morning
To let me know she made it to work alright
She says she will

On my way back home, the acquaintance texts me: "She's home."
And the next day, at work, I get a text from my friend
Thanking me for listening to her
I replied back that it was no problem
And then I go back to finishing my closing shift
Mateuš Conrad Sep 2018
.there are only two aspects of forgiveness worthwhile, kept in anticipatory slumber, (1) is watching the masses congregate within the confines of your thinking, but (2)... watching how individuals in said massing of resources... seem to be akin to: someone walking on tip-toe on a bed  egg-shells... i'm met a few crazies... and i've prescribed myself investigating a few normal-folk, who are seemingly petrified, "thinking" than such: negations of ease, akin to depression, have an epidemic ontology.... that they are contagious... more or less.... like a sick ego, that bribes one's thinking and sows a false duality between what constitutes a body, consumed, with what otherwise, constitutes a mind... i've seen a few crazies... they seemed to like me, even when i suggested that we only just met...  the most senile people in the world... thus, to be frank... i'm more concerned with the sanity projects... with their emotional intelligence worth less than the emotional relativism of a gnat to a bear, which begs the reason os arguing: none... who... are so barren... they'd prefer the status of a pawn, in a game of chess, akin to Jimmy Savile...so much for the Saxon logic of: innocent until proven guilty... more like: innocent proven by death, after which... there is no case for either innocence, or guilt... i'm of the conviction... that... i'd rather see an innocent man claim redemption in life... than a guilty man laugh at a redemption in death; sorry... but i don't share the sort of sentiment that argues otherwise... better an innocent man claim redemption while alive... than a guilty man "claim innocence" while dead... part-and-parcel of the legality of the death penalty... the former argument: guilty until proven innocent makes a whole lot of sense without a death penalty... and the latter? no logic behind it... it makes no sense... then again... i am drunk, and i do not delve into sober issues or: serious circumstance... i allow sober people to meddle in such affairs... after all... sober people... make... the most... compelling arguments and, to boot, the most convincing opinions for up-coming affairs! why become a thief in their ordinances?! please! let the mice play, while the cat is away!  i need no bargain with ****-stormers and ******-buggery!

oh i've been to a few psychiatric interviews
over the past 10+ years...
always wondering: what am i doing
here? psychoanalyzing the psychiatrists?

you do know what a psychiatrist is
a poor man's psychologist -
with the added branch of pharmacological
applicability?
  a psychologist will just talk,
perhaps serve you camomile tea...
but prescribe zero drugs...

the talking, the endless talking,
the talking
of a west London psychologist...
who ends the relationship when
you mention:
i've had a dream of Allah...
god he's grotesque...
but, point: there was
someone with him...

  i thought that Allah had no
companions, or rather: he took none?
oops...

i remember analyzing this
situation once,
a ****** psychiatrist brought in
aa medicine student
who wanted to specialize in
psychiatry...
   apparently he concluded that
i was sane...
nice... being the subject
of learning curvature
surrounding a medicine student...

next came the allotment plant
to mind the crazies
while mingling them with the physical
retards...
stole a lot of potatoes that day...
the retards slurred,
exposed their genitals...
and were huddled together like
cattle by the social workers...

******* marvelous!
couldn't expect a lesser
Moulin Rouge reinterpretation
if i wasn't watching harlots
dance the: flinging
of the undergarments on show
that warm July afternoon!

but always, whenever i visited
a psychiatrist in a clinic:
always...
  why am i here?

you know what scares psychiatrists?
EM-PA-THY...
scares the living life out of them...
empathy is what psychiatrists
apprehend the most...
   so you're neither a psychopath
or a sociopath?
what are you then? comes the auto-suggestive
interpretation
of the ****** expression that
comes with suggesting,
even the slightest lack of contempt
for a basic human emotion...

scared, ****-less!
as if on a diet of ****** ruling
over Sudan, or similar ****...
famine after famine,
scared, but unable to soil their underwear,
given... well... the ******* famine...

oh i love psychoanalyzing
psychiatrists,
they have a shorthand blistering
beneath their appreciation for
listening...
their pharmacology branch...
caught one psychiatrist off guard...
he says, out loud,
that... i was abused as a child...

and?
  perhaps i was, perhaps i wasn't...
better that than being treated like
the modern Humpty-Dumpty...
walking on egg-shells typo,
rather than type, of what constitutes
the ontology of individualism...

i had to retort  with / resort to seeking
the opinion of a Polish neurologist
who, with a basic question
'doctor, am i mentally ill?'
replied
  'whoever said you're mentally ill,
is mentally ill themselves!'
case closed...
    
hence the statistics are believable
surround the death of Ellie...
teenage suicide rose in England
by 67% between 2010 and 2017...
    
so you do know the difference between
a psychologist, and a psychiatrist?
camomile tea...
   a psychologist is a humanist,
a psychiatrist is a physician...

if you're rich enough...
you see a humanist...
  poor? shorry...
   the pharmaceutical branch
of the practice is coming into practice...
but don't worry...
chances are...
    you talk what they want to hear
for a while, and then you start
talking what: they don't want you to hear...

hell...
  with this type of medication
and the whiskey...
i could turn into a semi-variant of a
hibernating bear!
i don't mind...
           i found that the glorification
pompous camp of cancer "survivors"
had their stab in the dark...
   because can we only regress
to glorifying surviving one type of
disease, while making stigma of
another kind?

the mentally ill are less of my concern....
i'm worried about the dim-wits
who abuse antibiotics!
   and i am... ******* numb-skulls...
taking antibiotics like
free-prescription vitamins!
creating the perfect niche for
super-bugs!
                      dim-wits!
         numb-skulls!
  and i thought that head-banging was
a source for erasing brain cells!
Zut alors, si le soleil quitte ces bords !
Fuis, clair déluge ! Voici l'ombre des routes.
Dans les saules, dans la vieille cour d'honneur,
L'orage d'abord jette ses larges gouttes.

Ô cent agneaux, de l'idylle soldats blonds,
Des aqueducs, des bruyères amaigries,
Fuyez ! plaine, déserts, prairie, horizons
Sont à la toilette rouge de l'orage !

Chien noir, brun pasteur dont le manteau s'engouffre,
Fuyez l'heure des éclairs supérieurs ;
Blond troupeau, quand voici nager ombre et soufre,
Tâchez de descendre à des retraits meilleurs.

Mais moi, Seigneur ! voici que mon esprit vole,
Après les cieux glacés de rouge, sous les
Nuages célestes qui courent et volent
Sur cent Solognes longues comme un railway.

Voilà mille loups, mille graines sauvages
Qu'emporte, non sans aimer les liserons,
Cette religieuse après-midi d'orage
Sur l'Europe ancienne où cent hordes iront !

Après, le clair de lune ! partout la lande,
Rougis et leurs fronts aux cieux noirs, les guerriers
Chevauchent lentement leurs pâles coursiers !
Les cailloux sonnent sous cette fière bande !

- Et verrai-je le bois jaune et le val clair,
L'Epouse aux yeux bleus, l'homme au front rouge, ô Gaule,
Et le blanc Agneau Pascal, à leurs pieds chers,
- Michel et Christine, - et Christ ! - fin de l'Idylle.
Dust flowers up from the Chilton County dusk
Rust is flaking off the pickup that has a skunk musk

Bullet , the blue tick hound from your sleeve pulls it
Could it be another hot day in August , would it ?

Peaches have last month gone to fill the niches
Beaches at the river are low , full of leeches

Summertime in Alabama is a long ******
Funnier than that song , swing low number

Gathering distant dark blue clouds that are a mattering
Battering thunder rolling , lightning shattering

Huge drops splattering on clay so Rouge
Deluge now soaking , coming down like a luge

Passing with one loud Crack blasting
Massing clouds now are just in a fasting
Ghazal Nov 2012
The reason I don't wear makeup
Is that I don't want there to be
Anything on my face
That distracts you from Me.
And no, I don't look pretty
Buried beneath the layer
Of foundation and gloss.
Because then, I'm barely there.
Only when unadulterated, untouched,
Does my skin look perfect,
Adorned with the best rouge there is-
Which is, my Self.
Vous connaissez ce quai nommé de la Ferraille,
Où l'on vend des oiseaux, des hommes et des fleurs.
A mes fables souvent c'est là que je travaille ;
J'y vois des animaux, et j'observe leurs moeurs.
Un jour de mardi gras j'étais à la fenêtre
D'un oiseleur de mes amis,
Quand sur le quai je vis paraître
Un petit arlequin leste, bien fait, bien mis,
Qui, la batte à la main, d'une grâce légère,
Courait après un masque en habit de bergère.
Le peuple applaudissait par des ris, par des cris.
Tout près de moi, dans une cage,
Trois oiseaux étrangers, de différent plumage,
Perruche, cardinal, serin,
Regardaient aussi l'arlequin.
La perruche disait : " J'aime peu son visage,
Mais son charmant habit n'eut jamais son égal.
Il est d'un si beau vert ! - Vert ! dit le cardinal ;
Vous n'y voyez donc pas, ma chère ?
L'habit est rouge assurément :
Voilà ce qui le rend charmant.
- Oh ! pour celui-là, mon compère,
Répondit le serin, vous n'avez pas raison,
Car l'habit est jaune-citron ;
Et c'est ce jaune-là qui fait tout son mérite.
- Il est vert. - Il est jaune. - Il est rouge morbleu ! "
Interrompt chacun avec feu ;
Et déjà le trio s'irrite.
" Amis, apaisez-vous, leur crie un bon pivert ;
L'habit est jaune, rouge et vert.
Cela vous surprend fort ; voici tout le mystère :
Ainsi que bien des gens d'esprit et de savoir,
Mais qui d'un seul côté regardent une affaire,
Chacun de vous ne veut y voir
Que la couleur qui sait lui plaire. "
Kayden T Widmer Feb 2015
The Demon inside my heart,
Running through my veins and my mind
You damaged me without showing  your face
Yes I am Stronger,
Than I would be if you were here.
I would thank you
But the thought of it makes me ill.
The thought of seeing your worthless face alone will make me want to *****.

You could have been worse.
Could have stuck my mother.
Molested my siblings and I.
But to leave five young children
With an Ill mother,
To me, Is unforgivable.

If you had beaten us,
I would have a real reason to curse your rechid soul as I do.
Perhaps the rage and hatred is all in my mind.
But I care not.
For you now hold no breath, and no claim to me.
originally written January 18th 2015
Silence, beautiful voice!
Be hard and still, for thou only troublest the mind,
And within such a joy I cannot rejoice,
a glory I shall not find.

Catch not my breath, o clamorous heart;
for thou art more horrendous than the horrendous,
and thy mourning over this heavy breath is far too hard,
but sounding alternately irresolute and pretentious.
Thou needst not be my ultimate, though doleful, present;
thou art wicked and frail as the serpent;
I shall let thy tongue be a thrall to my eye,
but vex thee greedily 'till thou benevolently saith goodbye.
I shall makest thee angry and giveth in to anger and lie
and let thee search about within my soul, and die.

Ah! Still, I shall listen to thee once more,
But move, I entreat; to the meadow and fall before
Thy feet on the meadow grass and adore
Bring my heart to thy heat but not make it sore
Not thine, which are neither courtly nor kind;
not mine, for thy youth still, makest me sweet and blind.
Oh, if only thou couldst be so sweet,
and thy smile all the worldliness I dreamt,
For it all wouldst no longer be stormy and pale,
or threatened be, to vanish amongst such winds or ghastly gales;
Ah, yon fairness wouldst be fair,
and scented as sweetly as thy hair.

Whom but thee, again, I should meet
Whenst at stormy nights sunset burneth
At the end of the head village street,
Whom I should meet behind the red ferns?
For I believest, in such boundlessness of fate
Fate that worlds cannot deny, and grudge cannot hate.
And, I believest indeed, my darling shall be there,
to touch he, shall my hand so sweet,
He bowest to me and utterest holy amends
To his future lover, but less than meekly hesitant; friend.

What if with his sunny hair
He connivest for me a snare
Who wouldst hath thought locks of gold so fair
Huddled and curved cozily by hands of care
Immersed in silver, tailored in gold
Even darker than toil, but sharper than words
Wouldst throw in my way pranks and deceit
As to his expectations I couldst not meet?
Wouldst he expect me to stand in the snow that couldst bite
and criest for and cursest him, in the middle of furious nights?

And what if with his sunny smile
Which he refineth with sweetness all the while
And with such an ostentatious remorse
That makest truthful delight even worse
He stealest my heart and makest me swear
So for any other I ought not to care
And my tears shall again be conceived in between
In the eternal mirror of revelling seasons, unseen
Knowing not what it hath done, or where it hath been
What if seas and clouds turnest just they are, so mean?

And imprisoned up and above
I shall hearest beloved Lord talk of the futility of love
And He shall oftentimes stop and mirthlessly laugh
Ruining the castles and puzzles and stories I dreamt of
If distances are not too far to walk to
I shall darest to cross my sphere and get over you
But sins hath perhaps forbidden my courteous intentions
As their meanness swayest me around with no destination-
ah, look at how their vile, grinning eyes temptest me!
They itchest my veins, they throttlest my knees;
and how uncivilly their ****** teeth hauntest me!
Indeedst, indeedst-they are far more horrendous than these living eyes canst see!

Perhaps his smile and tender tone
Were all that I imagined alone
Now that all spells hath grimly gone
Am I truly left on my own?
Ah, prone, prone is truly my soul
But I am distant here, lonely and cold
I am also strong but this solitude is too bold
I hath always been awake with truth, but this I cannot fold
And hovering dancing leaves are grotesquely thrown
About their echoing chambers opened wide
Until more rueful gravity has grown;
and hilarity fades wholly from my side

Once we came to the bench by the rouge church
And sat for hours by the wooden pillar alone
We sang along with the singing white birds
And those strangely blushing red thorns
'Till we fought everything burdened and curtly torn
As how the moon hurriedly cried 'till it found the morn
'Till suddenly, sweetly my heart beat stronger
And thicker, 'till I almost heard it no longer
But I realised, and fast mused and sighed
'No, it cannot stayest long, it cannot be pride.'

T'en we walked a mile-
Just a mile from the moors,
Circling about to find some exile
Away from noises and banging of doors.
We both pleaded, pleaded to our dear Lord
T'at genuine love our hearts couldst afford
But time grew envious and cut our walk short
As night approached and we suddenly had to resort.

And he too, he too was mad
And frowned and twitched that so made me sad
Endlessly alone he wouldst blame me and more fret
Sending myself down and brimmed with regrets
Like a parrot shuffling about its offspring's dying bed
My eyes grew warm and hurtful and red
Anger betrothed him to its indignant powers
Corrupted his cheers and drank away his laughters
I was furious, I cursed and kicked frantically at fate
How it grossly tainted and strained my tenuous date
For it was tenuous and I struggled to makest it strong;
but fate shamefully ripped it and all the triumph I'd woven, all along.

And losing him was indeedst everything,
nothing distracted me and kept my jostled self going.
I feelest lethargic even in my sleep,
I keepest falling from rocks in my dreams-ah, too leafy and steep!
I dreamest of suburbs that are rich with divine foliage,
I rejoicest in whose tranquil, though transient, merriment.
And as morn retreatest, I shall be again filled with rage,
I refusest to eat and enjoy even a slice of everyday's enjoyment.
I am now wholly conquered by worry; I was torn and lost in my own battlefield,
I hath no more guard that shall lift me upwards and grant me his shield.
Ah, I hath now been turned, to a whole nonentity;
at my wounds people shall turn away, with a foolish laugh and mock sorry.

O, love, and I am now vainly stuck in the night,
The night that refusest to leave my tired sight.
The night that keepest returning the dark
with no more hope of reflective sight,
and no more signs pertinent burning light,
and sick I'th become, of this jealous dread.
But am I really sick now? Utterly sick of this lonesome envy?
Ah, still I better refusest to know. My dreams are bad.
The shapes in there are far too inglorious and mad.
Just like those-ah! Do not let them harm me!
Where are my eyes? My very heart, my own blood,
and perhaps, my thorough sense of humanity?
One second back they were all still with me,
but they are all now ruined phantoms and shapes,
whenever I am fast asleep,
he turnest them out like obedient sheep
and handest them to the unseen to be *****.
He was neither sincere nor tactful,
and believed too heartly in his odious and ill-coloured soul.
Ah, but duly shall I even call this season harmful,
sorrows rule our hands, whilst distaste reign our men.
Disgrace ownest its peaks, within gratuitous handfuls,
men knowest not their lovers, speakest not of us as friends.
Ah, this is a bitter spring indeed, of anger and fear;
With thousands of evil tongues and evil ears,
For lovers are at war with their lovers,
and makest each others' eyes unseeing and blind.
Even God, our lovely God himself, is at war with his heavens,
for whose minds are lost, as real conscience shall never ever find.

Where is my love? Ah, perhaps staggering under the woods,
And I, who else, shall be with him,
Gathering woodland lilies,
Prosperously blooming under the trees.
Where is my heart? Ah, it is carried again within him,
as we layest about the green grass on our limbs,
with oiled lamps at our feet,
and tellest stories as our loving eyes lean closer and meet.

Ah, beauty! That is the picture in my mind,
not him, not him, that has sent me blind.
Still the image of him makes me sick,
his image that is as stony and greedy as a brick.

He has no feelings, he has no emotion,
he has no endurance and twists of natural passion.
He has all the strength and virility the world ever wanted,
but his mind remainst cold, his heart his own self once entered.
He is as unjust as a statue,
he knowest not wrong and right, nor false from true.
For whilst I tried to praise his being so comely,
he took all my remarks sedately,
he gazed at me with an arrogant face snarling,
and praised the gentleness of his own darling.

He is unthinking, savage, and unfeeling,
his face a human, his heart a brute.
He might be all the way comely and charming,
too pitiful he is inhuman and acts like a crude.
My fancy was sometimes real overbold,
for whenst I was to coo and hold, he was but to scream and scold.
Scorned, to be scorned by one that I not scorn,
whenst all this passion my shoulder had borne?
It is unfair and ignominiously hateful,
gross and unjust, horrid and spiteful.
A fool I am, to be unvexed with his pride!
And once, during repetitive daylight,
I past him, one day I was crossing his lands,
I did look at him not as a gentleman,
He was laughing at his own tediousness,
I dreaded him for that, but as I came home
later, I cried again, over his picture with madness.

Ah! How couldst I ever forget him,
whenst he is but the one I love?
No matter how strange this may seem,
he was the one I real dreamt of;
I want to love him not in a dream,
I want to touch him in his flesh.
I want to smell that scent of him,
and breathe onto his lap and his chest.
I want to sit in his oak-room,
and tellest him of stories of glad and gloom,
before the ocean-waves afar laid
next to quiet storms, amidst our private delight.
I want to have him selfishly!
Have him laugh endlessly with me,
and all the way love him madly;
with a heart so dearly but greedy.

What, if he fastened himself to this fool dame,
and bask in her infamous joy, and fame
Should I love him so well, if he
gave her heart to a thing so low?
Should I let him again smile at me
If we are bound to see each other tomorrow?
His smile, at times can be full of spite
Yet in spite of spite, he is all but comely and white;
I miss him, I miss him as just how I miss my dream,
He is, though marred, is just as sweet as I remember him,
I insist sorrow coming up to me,
To consolest and hearest here, my deepest plea
And ****** the most painful pain to he and she
And restore then, his innocent self to me.

I hearest no sound from where I am standing
But the rivulets and tiny drops of rain
Are starting to send moonlight to my whining
As I twitch and swirl and whirl about in the rain.
I watch people flock in and out the evening train;
their thoughts hidden, like all the mimicry in a quiet play.
Hearts full of glowing love, and at the same time, of disdain;
all pass by gates and bars and entrances with nothing serious to say.
Ah, perhaps I am the only one too melancholy,
for even at this busy hour think doth I, of such poetry.
Yet melancholy but real, for if I ever be dear to someone else,
then I decide that should I be, to myself, far dearer.
For I believe not tales another creature tells,
they can be lies, they can be unfairer.
Like a nutshell too hard for the very poor shell itself,
I do feel pity for him and his ignorant self.
Unlucky him, for I carest more for every puff of his breath,
no matter how eerie-and she, rejoices over
the bashful lapse, of his death.

My life hath crept so long on a broken wing
Through cells of madness, horror, and fear;
Fear that is brutal and insidious, though inviting
and lies that eyes cannot see nor ears hear;
My mood hath changed, at least at this time of year
As I'th stayed more about and dwelled mostly here
And my previous grief hath outgrown itself like a butterfly
Too I witnessed as It fluttered and flickered madly,
and at the very last moment, died silently 'midst its own fury;
All weeks long, I hath listened and learned tactfully more
Lessons that I hath never heard of, never before.

But still, hate I this severely clashing world;
too much torpor hath we all borne, and burning, virile hurt.
O down, down with laborious ambition and ******
Kiss this earth's silent layers and fold down our knees
Ah, darling, put down thy passion that makest thee Hell!
To all madness of thine thou should sayest, farewell-
Hesitate not, and leave thy curious, and agile state
Be honest and precise, be courteous and moderate.
Crush and demolish and burn all demonic hate
Thus instead cherish and welcome thy realistic fate.
Entertain thy love; with dozens and dozens of new, novelty!
Brush up thy pride, but leavest away, o, leavest away thy old vanity-
Ah, and profess thy love only to me, for it brings me delight
It returns my hope, and turns all my dissolutions to light.

And tease, tease me, and my frenetic, personal song
Though I but be a wounded thing-with a rancorous cry,
I am wretched and wretched, as thou hath hurt me all along
Sick, sick to the heart of this entire life, am I.
Many one hath preached my poor little heart down,
Neither any merriment is mine, 'mongst this serene county town.
My only friend is my oak-room bible, and its dear God
Who mockest frenetic riches rich at diamonds but poor at heart
With cries that rulest turning minds from each other apart;
and with wealth running away to selfishly savest their spoilt, cruel hearts-
o, how I am lucky-for I am destroyed, but not by my dear Lord;
I am healed and charmed by His generous frank words.

All seemest like a vague dream, but still a dear insight
For he, above all, taught me to see which one was right
I still miss him, and dearly hope that he canst somehow be my future poem
And together we shall fliest towards joy and escapest such unblessed doom;
His musical mouth is indeedst my song,
a song that I'th been singing intimately with, all along!
For this then shall I shall continue my pursuit,
with a grateful heart and so a considerate wit,
for I am sure now-that he is mine, and only mine,
and duly certain of these promising, though long, signs;
But now I feel my heart grow easier;
as it now embraces days in ways lovelier;
for I hath now awakened again, to a better mind,
so that everything is now to me just fine;
Still he bears all my love and intuitive goodwill,
yet how to waken my love, God knowest better still.
Mateuš Conrad Dec 2016
you know what i find funny? the phrase: i could eat you. juxtaposing vide cor meum against... this is the part where punctuation marks are never collision prone diacritical marks... but then again, there's that dietary joke... i could eat you... dependence on your bones not being properly disavowed within a langoustine broth... and there you are: a grey area mindful of Stalin... *****! i'm trying to humanise ******, stop interrupting! where once a moths' flutter, later a rainbow in the nacht! mind that niqab... nicht would mean nothing. some insinuated cappuchino, some cackles... some said cutie-pies invoking rouge cheeks... every time i watch these culinary shows i get thinking about cannibalism to counter veganism... and then i laugh... i don't want to find stinking socks and political correctness as "my way, did it to suit Lascaux cavern graffiti"... i preferred wanking than keeping up with women... it's the song i heard before lambs stiffened and muslims became muslims, and falafel was mince... ******, get under the hosepipe and you're there, all freely gagging for the fizz... a touch of tinsel... vide cor meum... return of policy... as half-heartfelt kaleidoscope returning to define a rainbow... i love that phrase given the palette opportunity... i could eat you. it's the demonic encouragement that solidifies the stench into what's to be seasoned properly... i don't know.. the phrasing: i could eat you sounds more formidable in delayed practice than: i can **** you... plus the gazpacho... which means: Batman ate cold cauliflower soup and slurred to slurp the question: but it's cold? Baldwin replied: it's supposed to be! they said orthography as a rigidness of aesthetic, i said... that's questionable whether any is applicable, given we're talking about graffiti.

i got tired of sensing other people's jealousy,
and tried to love them,
which ended up to be as much as a matrimony
toward one woman, ambition-bound
to incarnate the matrimony of swans...
  and the poor old ******, left to fantasy in
his days as a widower...
   every time i look at a lonely swans
i try to duck-quack the thing into existence...
            but there are variation of marriage...
a west london accountant can speak terrible
crap against an ethnicity i try to not identify with...
but i am courageously borne from,
    and therefore have to express some affiliation...
as a matter of principle...
  i rather not, but iu must, even though i sprechen
a host tongue... and am, therefore,
embedded with claims of socialite elitism...
                 but then i compare...
and these these comparisons are the due phrase...
Marilyn Manson's *a minute of decay

is a chance to hear the bass guitar overpower
           the drums... a bit like a culinary pistachio
moment in a risotto...
   i want room to breathe in!
     i want vaughan williams' fantasia on a theme
by thomas tallis... i sanctify the need
   for prokofiev's lieutenant kíjé's suite...
(dots are optional, the syllables aren't,
a classical dot above the iota might revel in
being the defining moment of tonguing /
dissecting a word... but it doesn't have to be so)
i need air to breath in, a moment to whimper...
why do the **** love Chopin and not Liszt?
   a bid ******* odd... i don't like either Chopin
or Liszt... because as Kaiser Yoseph said
in amadeus... to many notes...
and i agree... vivaldi made violins into cherub
       pumpernickle sparrows -
you danced, you joyed, you came across St. Vitus' dance...
   you were doing arithmetic as concord speed
within a framework of even (white) and odd (black)
numbers... once you played the nocturnal Fabergé -
someone suggested you move the ******
  goose to the Hermitage, and frame it!
why are the Japanese are the only Europeans in Asia...
      never mind, they just are,
hence they compete for playing Chopin like they consider
sushi to be a culinary exception of the tartar -
minus the influence, obviously, hence the stress to
impose Chopin... but never Liszt... odd...
          template virtuoso and you think of Liszt
than you might conjure Chopin...
           better than that... conjure champagne
bottles blundering to the volcano's worth of fizz...
still... the Japanese are a curiosity...
first of all: they abide by Chopin and chopsticks
not being utilised when gobbling sushi...
   they have the ambassadors of kimono,
samurai, origami, karaoke, bonßai (zye, rye),
          Fukushima... Hiroshima... yep, that place
were stanley lee derived the concept of x-men...
          still, they have permanent ambassadors in
opur midsts... words that can't be "translated" due
to etymological puritanism...
       finally the Portuguese sailed away, and founded
Brazil on the promise of an infinite supply of toothpicks
from the Amazon -
or? hai sensei!           hatch that with the catchphrase:
     kajagoogoo: shy-shy, hush-hush, eye-to-eye.
          we're storming the labyrinth right not,
and i still can't believe that poetry revolves around
the rhythm of rhyme... play any ping-pong, lately?
     no wonder poetry is a peacocking dollop
of clogged-up cow dung... it's just asking
for a *****-slap in a playground.
           but why Chopin and not Liszt?
the **** are what Napoleon was to the Duchy of
Warsaw... they love that arithmetic of
a pebble-dasher's *******...
       wet dreams... some authentic curiosities of
civilisation still have them... i wouldn't recommend
listening to them recounting the fables, personally...
i'd listen in on the succubus jerking them off...
  and just recently i was walking the deaf streets at
night with a bottle of beer and felt the bottle
of beer almost being tugged from my hand...
  and some say that eating a woman's umbilical-chord
is what's necessary to live as a man to later
sing some aria; or like drinking a pregnant woman's
**** will ensure you don't become myopic...
             i don't like Chopin,
i don't like Liszt either... i want a room, and a chance
to breathe... at the end of the classical expression
summarising the wind, we had a return
to the rooting in Africa... earthly delights
and a grumbling stomach in need of feeding,
  jazz did the work for us, jazz still had
an orchestral element to add a Lacan of all things
worthy of deconstruction...
       but then the French came along and shoved
fondue into our ears... and we said
alight with an eureka moment... pop!
             n'ah... the moment when the bass overpowers
the drums... i really have this wild fascination
with the bass guitar...
                 because i don't get Mozart,
and i do think that Handel did much more than
even the sacrificial lamb that Beethoven is...
                  listen... poetry doesn't have to be
music... rhyming is ping-pong anyway...
but as long as you feel in debt concerning music,
the music will come on its own accord...
today i was rattled by a mix of dub (without a step)
and beck's odelay... cruise-missile dylan...
give or take...
      well, given the italicised pr.s. (pre scriptum) -
much later an aged blonde boasted about snorkeling
******* and young ****... and missing out
when she teased me coming back to her abode...
           moth steals from a butterfly,
butterfly never turns into a daisy...
                       you're still a **** and i'm about
half of the total worth of being a ****...
which makes as equal... or queue more.
           variably condoned to be synonym with
mosque...  but i said mannequin...
     it's this **** with the five a day....
Christendom mentioned fruit & veg...
Islam mentioned variations of a murmur...
   is prayer classified as fruit, or vegetable?
you're as bewildered as i am...
   i too thought tomato is a fruit...
turns out it's a vegetable...
primarily due to basil, feta, and the mediterranean.
               herring belong in the baltic,
******* attempting that sort of ballistics...
ask about the relationship between
              a. yan sobieski
         b. ******
                    c. window on arabia (vienna,
counter st. petersburg) -
     oh you'll get many thanks...
sure... you'll end up becoming assured
that dogs don't need petting, but training,
and that you have to make all friends bound
to be kenneled, because they won't learn otherwise;
it's a bit sad...
          for about a minute...
                   you tried being peace-abiding,
peace-mindful...
   you wanted to state compassion...
  in the end people need a slap... or as 2000 years of
history proved... a crucifix.
Universe Poems Oct 2022
Patch
your pumpkin seeds,
given at a time of year,
when the seasons know,
bronze, brown and yellow
are crunching as you go
Damp and wet
Colours alive,
eyes and mind revive
Vines seeds and pumpkin rhymes
Look at me
Rouge Vif d'Etampes
Elegance coolest city,
and towns names around
1600's
French version of the,
Cinderella pumpkin coach created
Even today,
United States seed growers say,
Cinderella pumpkin,
you won't squash at twelve o'clock,
come what may
Rouge Vif d'Etampes
colour, shape and beauty,
Autumn cutie

© 2022 Carol Natasha Diviney
cher Aug 2018
acting on a stage,
she builds with each step,
step,
    step,
        stepping,
the floorboards trail behind her feet.
they form from the soil,
the earth breathing beneath,
wooden planks sprouting between her toes.

she sings in a voice strained and trained,
her diaphragm strong and core
rumbling in single breaths.

her skin brushed with pigment,
cheeks tinted rouge and lips scrubbed till pain,
gold-dusted on her bones
rays reflecting and blinding from her beauty.

stomach she ***** in,
twenty-four
seven,
always prim and proper,
a perfect specimen of femininity,
her blood flows in a viscosity unique
only to the elite.

fingers down
but she lacks words to throw up,
she's silent,
an empty vessel,
her lips meant to be a two-way gate
but nothing flows either way.

her skin sunkissed turmeric,
her irises tapioca pearls,
hair flowing and falling from her face
toasted nori on the white rice her dress.

daily rehearsals of sixteen
odd years practicing lines;
memorizing them, repeating internally,
the stage she builds like a church
her loves oppose to the act,
but she builds an antidisestablishment
forcing her audience of parishioners
away from her.
[ T R I G G E R    W A R N I N G ]
my friend challenged me to use the words viscosity and antidisestablishmentarianism and so i made this boi
ariellelynn Jul 2018
Our men are heroes, of course.

They protect us, gun in hand,
against enemies plastered on posters
vandalizing once-beautiful stone storefronts.
More every day.
Stapled on top of one another
until words blend.

"But now,"
the overly made-up woman at the podium says,
"women can do our part."

They’ve gathered other pretty blondes
with symmetrical features measured
by a myriad of devices.

          Beautiful,

              demure

                   women

with

          beautiful,

              Aryan

                    genes
to breed with our handsome heroes.

Because women,
and the children we bear,
are the key to Germany’s future.  

I glance at the woman to my right,
eyes skiing down the ***** of her nose
to rest on smiling lips.
Is the blush on her cheeks genuine,
or set by rouge?

It suits her.

She catches me staring.
My breath hitches in my throat.
I throw my attention back to the woman
glorifying human broodmares.

Heat assaults my cheeks.

“Your rouge is lovely.”
Her whisper warms me.
“Can you believe this?
Us, with war heroes?”

She sighs.
I can practically see the dream
play through the air.

A husband coming home in uniform,
splaying a hand on her swollen belly
and kissing her forehead.

A fantasy.

These men…
they’ll come,
take what they want from us for granted
and claim they did us a favor
when they leave us alone
with child.

But my fingers would dance
never-ending pirouettes
across that porcelain skin.
Swirl intricate patterns
through golden hair,
all for that sigh
to carry a dream with me in it.
this is a fiction poem set in **** Germany. In this poem we start to explore two controversial sides of ****** that aren't spoken about near enough: the Lebensborn women and homosexuality in **** Germany.

The former was a program meant to find the 'perfect' Aryan women and have them breed with **** soldiers and officials. This would keep the blood pool 'clean'. It replaced the social stigma of an unmarried woman being pregnant with something to be celebrated, and the fathers were, most often, not a part of the child's life.

The latter is self explanatory. Homosexuality was just as much a crime as any of the other ridiculous parameters set by **** Germany.

***DISCLOSURE***
This was in no way shape or form meant to promote, encourage, or even tolerate genocide. Unfortunately this is a part of history that DID happen, and affects me personally. My grandmother was a Lebensborn child and this is a story based off of her mother. The Lebensborn project is a disgusting part of history so forgotten. Women all but had their rights stripped away to be broodmares for ******'s army.

Bringing light to that, and educating people on the way propaganda coerced these people is extremely relevant in the political climate right now
Passover Moon's
****** hue
eclipses
the ordinary
in veils of
miraculousness

obscure
rouge
halos
illume
elliptical arcs
guiding
footsteps in
a righteous
exodus
across
troubling
waters

forsaking
hovels
with
painted
doorjambs
dripping
lambs blood

Mezuzahs
bleat
memories

holy
murmurs
bespeaking
lamentations
of ancient
hosannas

our
desperate
supplications
flesh out a
distressed
humanity

seeking
deliverance
from the
vengeance
is mine
Elohim

may it
be nigh

we wait
watching for
an always faithful
Good Deliverer
to honor the
covenant

to lift
despair
with a
liberating
yoke

lugging
leaden
burdens
Oh Holy
of
Holies

banished
in the wisp
of a bitter herb

our
distended
bellies
fill with
unleavened
grace

sweet
droplets
of manna
consumed
with extreme
gratitude

arriving
at journeys
end to
promised
lands
fully
satiated
and free
to rest in
sanctuaries
of radical
hospitality
luxuriating
in an infinite
abundance
for all
sojourners

Selah

Music Selection:
Big Mama Thornton
Go Down Moses

Oakland
4/15/14
jbm
Ryan O'Leary Jan 2022
Notre Dame Burns

Dm
Emman-u-elle was Quasi’s bell
Am
without her chimes time can’t tell
E
Gargoyles clinging on for life
Am
Notre Dame Burns 'not the Bard’s wife’

C
Town criers holler in the street
G
communion wine for those they meet
D
All for one and one for all
E
"last of the toasted eucharists call”

              Chorus.

G
From Eiffel Tower, I looked on
Em
A 1,000 years of history gone
C
It’s looking like a Moulin Rouge
D
Was this Allah’s subterfuge

Dm
Cinderella was at the pyre
Am
collecting embers for her squire
E
Ashen crosses on the head
Am
remind us of our glorious dead

C
No acts of god in a secular state
G
but no doubt t'was a crime of hate
D
Rosary beads out of reach
E
no one here, at us to preach

            Chorus.

G
From Eiffel Tower, I looked on
Em
A 1,000 years of history gone
C
It’s looking like a Moulin Rouge
D
Was this Allah’s subterfuge

Dm
Statues icons steeples fall
Am
sanctimonious people call
E
But-tresses begin to bend
Am
yellow vests they’ll appre(hend)

C
Roasted pigeons on the spit
G
Victor Hugo’s fire was a lit
D
People coming form Rive Gauche
E
par-ce-que, c'est la plus proche

                Chorus.

G
From Eiffel Tower, I looked on
Em
A 1,000 years of history gone
C
It’s looking like a Moulin Rouge
D
Was this Allah’s subterfuge

Dm
That’s not far from San Michel
Am
it's 'where do you go to my lovely’s' dwell
E
Shakespeare & Co will sell more books
Am
almost in Seine, from where it looks

C
Notre Dame Burns you shouldn’t smoke
G
are cigarette warnings just a joke
D
Gauloises Gitanes, roll your own
E
turned you into another Joan

               Chorus.

G
From Eiffel Tower, I looked on
Em
A 1,000 years of history gone
C
It’s looking like a Moulin Rouge
D
Was this Allah’s subterfuge

Repeat.

C
Notre Dame Burns, you shouldn't smoke
D
are cigarette warnings just a joke
G
Gauloises Gitanes, roll your own
E
turned you into another Joan*.

                 Chorus.

G
From Eiffel Tower, I looked on
Em
A 1,000 years of history gone
C
It’s looking like a Moulin Rouge
D
Was this Allah’s subterfuge

                 Repeat
G
From Eiffel Tower, I looked on
Em
A 1,000 years of history gone
C
It’s looking like a Moulin Rouge
D
Was this Allah’s subterfuge





Finn Mac Eoin ©
April 16th 2019
Paris.



References in song explained.

The main bell at Notre Dame is
called Emmanuelle.

There is a famous Scottish poet/bard
called Robert Burns.

Joan is a reference to Joan of Arc
also burned at the stake.
Brittany Wynn Nov 2014
I am a dramatized china doll,
but I never rouge my knees.
The MC introduces me as Scarlett.
Lulu embraces me as we saunter
off the platform.  Whistles follow my footsteps
digging into my brain, fermenting,
to strong wine.

Gentlemen enter the club to leer
at cabaret girls dancing in lace.
Some are drawn to the boys of the club,
the ones in the dark corners with kohl-rimmed
eyes and eager kisses.
From their seats in the dimness, the audience
fails to notice rips in my blouse, cigarette
butts smudged out in the wings.  No one
sees the ***** face powder spread out
among the lighted mirrors, overused,
my own makeup dried out.
Their giggles and applause keep
the club alive, filled with dead
grins from dinner to dawn.
Drum roll—my turn.  
We rid them of their troubles.
Queso Jun 2012
‘Twas but a rare, snowy day in Paris,
a January day, as all the lights of the city
rested, as dancers of the Moulin Rouge
fixed their make up during the intermission

And in the graveyard of Père Lachaise
there stood a solitary figure of an old man,
his hands gathered together politely,
in front, clenching on to a tattered flat cap

The man stood in front of a grey wall,
“a tomb without a cross or chapel,
or golden lilies, or sky-blue church windows,”
but with an equally lonesome little plaque
that read, ‘Aux mort de la commune,
21 28 Mai 1871’

He lit a cigarette, from which he took just one puff,
stuck it upside-down on a patch of dirt,
then notwithstanding the thunderstorm
of camera flashes from Japanese tourists,
he started to sing, with a hoarse yet firm voice,
“Debout, les damnés de la terre,
Debout, les forçats de la faim…”

As the wrinkle on his forehead began to stretch,
the dusty particles of ice piled higher and higher
on neighboring graves commemorating
French members of the International Brigades
and Spanish maquis of the French Resistance
-apparently the 3,400 meters height of Pyrenees
was merely a backyard *****
for ideas and fates to tread over barefooted-

His song was a ballad of unrequited passion;
when he got to the chorus about some final struggle
and the unity of human race in a silly hymn,
a song that was never played on a radio,
for which no cool kid would ever
spend $0.99 on iTunes store,
his voice started cracking in amorous choke

The old man was a lifetime lover
in the truest spirit of a Frenchman,
spent all his life trying to charm a girl named Emma Ries,
and whenever he dreamed of holding
the eloquently bruised hands of that sixteen years old seamstress,
his eyes swelled of nostalgic heart,

And he used to cry joyfully,
dropping tears of bullets back in the days,
whether by the guillotine in Place de la Concorde,
behind the barricades of Belleville amidst the cannonballs,
******* in front of the Gestapo firing squads,
or under the truncheons of gendarme in Quartier Latin

As the expired old ******* moaned wet dreams,
hallucinogic delusions of his bygone youth, however,
the chilly, soggy winter of 20th arrodissement piled on,
the ashen slums of Ménilmontant depressingly ugly as always
with brownish-grey molten snow spattered all over
the streets trotted by drug dealers and wife beaters,
and neither the fiery oratory of Maurice Thorez
nor the sanguine grenade of Colonel Fabien
was around to arson the frost into the proletarian spring

In the same winter that the old man sang
the first, only, and last lovesong of his life,
it had been more than two decades already
since the Berlin Wall had tumbled down
and the ruling parties in Greece and Spain,
both socialists,
had just driven 500,000 workers out of their jobs

-J.P. Proudhon, Marx and Engels, Jean Jaures, V.I. Lenin,
Leon Trotsky, Antonio Gramsci, Leon Blum, Abbie Hoffman-
by the time the old man muttered an old pop-song nobody cared for,
all of those names were as relevant as some Medieval knights,
characters from an obscure chronicle centuries ago,
who died by charging horseback into windmills,
mistaking them for giants that held whom they thought as
a princess of an ugly peasant woman,

Eventually, right before his voice cracked
into an embarrassing fuddle of choked-up tears,
impressive for a seventy something years old,
the man finished the song from his memory,
all the way up to the sixth stanza;
yet the curvaceously splintered palm of a seamstress,
it was still so far away from his hands that’s been pleading
since 1871 for that glorious *******
which once stood so proudly in the face of a Czernowitz magistrate

When the cigarette he stuck upside down on the dirt
burned all the way down, he reached into his coat,
took out a rose, laid it softly, like his own infant child,
in front of the plaque which golden inscriptions
turned grey from unwashed grimes of ages
and as the old fool walked away,
his back turned away from the solemn wall,
there was but one little patch of dirt in the whole of Paris
uncovered by snow, still hoping for the spring to come.
invisible isotopes
gently rain down
onto the chins
of infants

we whisk
them
away with
soft kisses

tiny
irradiated
dust flakes
float onto
boutonniereless
lapels

we brush them
off with fresh
carnations

Oak leaves
blown from
denuding limbs
by soft puffs of
radioactive
plumes

are shaken
from our
door mats

green grass
sprinkled with
Strontium 90

is mowed
and mixed
into our
compost piles

the pristine
waters
of March
are laced with
uranium
tainted
iodine

it coolly
slakes
our
piqued
thirst

the rouge rose
gilded with
a golden plush
of soft plutonium

is plucked
to adorn late
evening
dinner tables
and exchanged
by sweethearts
as amorous
gestures
of resignation
between
condemned
lovers


Oakland
3/28/11
jbm
LS Aug 2014
"Love? Most of all I believe in love. Love is like oxygen, it lifts you up where you belong! All you need is love."

"A life without love? Why, that's horrible! A life without love is no life at all!"

"Freedom, beauty, trust, and love."

"Come what may, I will love you till the end of time."

"I hope you don't mind that I put down in words, how wonderful life is now you're in the world."

"I was made for loving you baby you were made for loving me."
Tilly Dec 2012
Her blush becomes him.
Streaming through shutters;
Wide open, within walls of waking dreams.
He desires, her darkest night.
Door 3,
of the Advent
for Yule-Tired Man x
Aaron Kerman Jan 2010
We met in the Red Square at Midnight. Sitting on the austere steps of the Kremlin We drank Stolichnaya in silence; listened to St. Basil’s Bells stoic ringing until Our sun rose pale over Moscow  

Beauty is created when I press your mulatto skin to mine.
We shift. You move, and as you’re moved you move me.
Our motion akin to your mother’s in a gentle breeze or a dancer;
Some Elise pirouetting et fouetter and falling over graceful infinities.    

I am deliberate during this ballet. Subdominant.
Una corda e sostenuto, and as you request so do you respond; relaxed,
Sustaining single notes; soft into that ethereal Moonlight…
Blurred and blunted, your perfect meter dampened by my learned cadence.
    
As you sound off forte I rock slightly forward, coming into you harder.
We breathe sharp together; my fingertips caressing you legato;
My Ana Magdalena. Andantino; rolling into flurries of crescendos
presto allegro climaxing; Capitulating again before we rest…
Before lento diminuendo.                                                      ­                

We courted at the Konig Von Ungarn in Vienna. It was classical and   romantic. Baroque. We fell in love. At Figaro’s wedding we tasted sangria as the stars Set, pastel, over Seville. Our first kiss was the Holy Roman Empire fading; A footnote under bass cleft.

We were married in the Rhineland, a single Canon announcing our nuptial.
You a Riesling and I your lattice. I stood firm, resolute, as you grew in, around, and from me. But the lords, they taint you, they **** me of your fruits; oblivious, they invoke their subtle prima nocta.                            

From the rooftops and the gutters they hear you. A virtue is lost between us. We shift. They are unwelcome eavesdroppers’ playing ******.  
They come and gather round us and I grow nervous, stiff; sweat falling from my brow to your ebony and ivory.
They move provocative, but they do not care; they do not notice us.                            

I stop as they begin. They’re discourteous during this Can-can. Their  praise and kind words may arouse the pimps and ****** wandering Montmartre into Paris’s red-light,  “Hear,” they fall on deaf ears.
This is no Moulin Rouge. We are not meant to be exhibitionists and yet
we yield to their flat appeals.                                                         ­                           

I put my clothes back on, Rags is all they are, and you, you’ve become stark.
I project my discontent through your string and hammer heart;
I slap your toothy face and stomp your sterling feet without relent.
I-De-tach-My-self-From-You. Staccato. They call me Inventive and as they sip their whiskey, their bourbons and their Texas Tea they tell us that
we have Entertained.        

We build our home from the precious stones of foreign countries.
We traverse ages to reach the mines and the rock fields, finding rough Diamonds and sapphires. Naked, we wash them in ether; they luster.
The noblemen come. They smile and applaud as they peep through the Windows and knock at the doors, but We shall not  be moved.
Mike Hauser Mar 2016
The night time went rouge
Wouldn't you know
Stepped out of the dark
Hitting the road
Finding out how
To weave in and out
From the still of itself
Without any doubt

I took a-hold of the night
Read it its Rights
Don't come again
Till after day light
This sneaking you do
Round about noon
Really is not
Very becoming of you

Where upon the night said to me
I can do as I please
Be who I want
This country is free
You're wasting your time
If you're trying to find
Some way or another
Of controlling my life

So that's why we are
Now all where we are
As the night took a bite
Instead of just bark
Knocked the daylight
Right out of the park
Where now we remain
All in the dark...

— The End —