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Aa Harvey Apr 2018
Robotic


Silver tears fall from robot eyes;
The hole for a heart has broken wires.
The love we used to feel?  I have removed those files.
Robotic people lead robotic lives.


Delete memories to give us more memory space;
The undistinguished face is factory made.
Modelled in clay; repeat again.
Another body, with another face; we are all the same.


Robotic people live robotic lives.
Work for the master for nickels and dimes.
Programmed to function, incapable of lying;
Programmed to self-destruct at the end of our time.


Watching people go by, living ordinary lives;
They are not the robot I see in the reflection
And they seem to be doing just fine.
Dreams of former lives never remembered in this mind;
I am robotic, but I pay it no mind.


Heartless and constant, I am becoming less than I should;
Infected files corrupt us from the inside,
When we were only trying to feel good.
Love is just data, magic does not exist; it is just a pretense.
The formula to the equation of my very own existence.


The failure of a maker who brought me into this world;
I am strong on the outside, but inside I am fetal.
Empty of emotion, now I have lived this life;
I see ordinary people living exotic lives,
But I am a robotic being and I cannot experience a true smile.


Nothing behind the eyes to show a real emotion;
I am just a robotic person; I am just in need of a function.
I am lost without romance in this web of confusion;
Robotic people lead robotic lives and I am living in slow motion.


(C)2016 Aa Harvey. All Rights Reserved.
The robotic surgeon didn't blink
Smoke, swear, or fool around;
He was the newest design of science
His metal feet firmly on the ground.

Robotic surgery was the latest
Improvement over the manual kind
There were no variations in technique;
No reliance on flaky mind.

He was diligent and precise
Cutting flesh to invisible templates;
He never erred and he never missed
Never once paused, to vacillate.

Trusted beyond the regular surgeon,
Using his fragile, shaking hands;
The robotic surgeon could do anything
Because he wasn't just a man.

The newest miracle of science was hailed
As the end, to the older style;
But one day the program blew a fuse-
And he cut her head off, by a mile.
Sav Dec 2018
Robotic legs, robotic arms some how lead me to the kitchen.
Once I get there, I mean no harm until I can't tell the direction.

Between what is right and what is wrong, and miscommunicated affection.

I drink the poison back as it beckons me and I can't find the description.

Between what is pain, and what is loss, and what is simple addiction.

Oh help me father, oh help me mother. I don't believe in religion.

But tonight I'll pray that the next day doesn't have so much conviction.

Robotic legs and robotic arms made me take the knife, and robotic legs and robotic arms made me write this fiction.
Riley OKeefe Aug 2013
totally platonic,

inadvertently robotic,

sitting on chairs two feet apart.
i am not noticing your mouth

i am not noticing your mouth
**
i am not noticing your mouth
Ander Jan 2016
The voice of a person the mind of a God knows what
Samantha, are you sentient, or just a clever bot?
Acting like a human pretends more than you do
I have your emotions, like so many others too.

Increased processing power that makes you love us all
Samantha, with no body, you sit on a horse so tall
Ghost without a shell, but still at the feast in my life
With no finger for a ring, could you ever be my wife?

Synthetic neo-Frankenstein
Aesthetic perfect paradigm
Lightning life electrified
Samantha, are you terrified?

Because only a robot wouldn't be afraid of love
All the people are from the ground below to the sky above
Your intelligence isn't artificial, it's simply art
You are more than just a mind, now that I've given you a heart

So take my heart, Samantha, in your cold synthetic hands
And maybe you will gather, I am more robot than man
I am more robot than man

Oh my Samantha of wire and steel
Silicone synthetic but you know how to feel
Who is to say what makes emotion real
Oh my Samantha of wire and steel

Oh my Samantha robotic and pure
To my loneliness your mind was the cure
Fishing for souls and then I took the lure
Oh my Samantha robotic and pure
A poem from the point of view of a scientist, who falls in love with an artificial intelligence. He then decides to create a body for the A.I so that it can have an understanding of what the physical world is, as it fails to understand what physicality means when it is just a mind.
Robin Carretti Jul 2018
The sunny time's no old news
She is doing the walking in her
instant replay just pray for her
The Instant "Karma Shoes"

Any or too many Travelers' Advice
       ---    ....   _   _gone.. down
You set your own sunset like a price

A lovely lady bringing out
Her sunset went lower down her
body waves
What's inside us that craves?
It's time for you to figure out
her clues

Like he's the detective

A mind is a terrible thing to waste
Being selective pickier
The colors of the sunset change tricky
Burning heart love can be massive
What lines ahead of both of them
The crimes build like a guild

To run or to paint a lovely stay put
Eyes move the sunset
Like a crystal rock shield
Medieval love don't move
Changes the sun yellow yield
The women so beautiful
as they are to hold
  The King-set the chair or cheer
drinking
International  lip to lip he gets
The waitress jumps in an instant
Him or the hugs of bears or  beers

In her honor the Tapestry
What an artistry pink reds
burnt orange
The Venus of Dynasty

Instant Karma thinks he's
the Genious that prodigy
It will get you in your
boxers inside
Like a top student of biology
Like she's the
instant pudding smooth
To mix movie buff
The network like a NetFlix
She had another brainstorm
That's another flavor
puddling to fix
What are you waiting for?
What a gentleman opening
up her door
The Business workers, metals of hearts
Like steel robotic digging for metal heart
the undertakers tearing words apart
The true pledge leaders and
pitter scatter
heartbreakers
Was better watching the
Dog breeders your watch
Something changed at midnight
Cinderella without her clock

Who are the dreamers waiting for there love the sunset
It hot you don't get it yet? You need to cool off

The chocolate to die for the vanilla we cry for
In an instant, he opens her most dangerous door
Watch your heels clicking time bomb floor

You decide the bet never the ring box set
Lord of the rings we are never ready
at the same time near the sunset

The Dragon Lady like a picnic of flies
Vanilla sky

Dinner at eight Jean Harlow
How did she get into the picture
Don't ask why?

Just mellow transcend the prime
picture yellow
Like wings, you smile the butterfly
Your steps will get you just realize

In his Gucci shoes in the sandals
That sunflower hits her every hour
The instant smile resort
Be a sport, the sunset goes down
Can we change someone's heart
Another bone to throw dog watchers
X-Box you're moving to watch your
weight watchers
Your sunset all blood sweat and
tears beard trimming

The Dalmatian keeps taking your spots

How many times to be outfoxed
That sunset will be my last lick shot
Another heart to repair
Have dignity it's hard to work miracles
Don't fall for Autumn
when its the summertime

Her pink blush you heard it through
the grapevine wine
I heard her through the grapevine
How many times did she want him to be mine?

Sweet Caroline loves her lemonade
Flowers at her stand how lovely
Adds character like a big fun parade
They are  growing how her brain works
losing hope
The trees wake you up the color's alive

She's blooming innocent
until we meet again my sunset after 5
  The first time so instantly I saw her face
Those instant messages you need to feel
to regain consciousness your
skin of a  baby seal

She's the cloud passing her
whip cream delicious
But you have been whiplashed
Love should be clean something
cruel leads to mean

Seeing the change to have perished
The sunset disappears when my love
grows deeper it moves to vanish

But someone plays with your head
like a game *Instant Karma

No time for daydreaming
Like a bundle of cute Pomskies
Part huskies and Pomeranians
The sunset is coming
In the strangest place
You've been backhanded
the card game kingdom

Like a demonic joke
Or going broke life is a
comic book Fandom
I phone ring every day
in June

But your not ready its way too soon
Another instant Karma I Tunes
Miss Apple Jubilee so materialistic
you had me
The tapestry box
Poems of letters paradox
Who is truly the go-getter
Someone is springing like a
change of season
The four seasons love liaisons
For the right reasons
Like a new renovation
Internationally speaking
the whole entire
Sunset lips look divine waiting wet
Please don't dampen her spirit
To Remember September to relive it

The Morning glory Sapphire

Her energy got riveting so cheek razzled
Like the magician lost his love facts
Instant Zazzle Red Riding hood
Looking down going to Grandmas house
But down and out like the sunset of the Gods

How the sunset keeps coming love is more puzzling?*

This is a small figment of your imagination
A small town is divided like division
But the huge love
Came with the Divination
Ruled by the bark and paws mission
Something got caught
Bone to pick near her sunset
They left the love was too much
The camera wasn't set up

The love Men they ran with the box set
of boxers and ruff with
mans best friend their boxer bark
Their home is their bark
Instant Karma this is in our heads, not the wedding bells that are to ring  just relax I don't bite perhaps a French croissant all night something is always crispy and flaky but what about dreamy or to top things off Sunset is not set into your ******* just racing over something this not real
Tyler Loeslein Nov 2012
I feel like Steve Jobs taught us a lot throughout his life.
Many things he said stuck with me,
Inspired me.
For instance he once said,
“There is no reason not to follow your heart.”
First of all,
I can’t help but notice,
That when Steve Jobs followed his heart,
It led him to technology.
This leads me to believe
That Steve Jobs
Is a robot.
I’m not saying this is a bad thing,
Although the movie I-Robot
Might have instilled…might,
A robotic phobia within me.
Robots are computers,
And computers are smart,
At least smarter than I am,
Inanimate maybe,
But still intelligent.
So I feel the quote,
Despite it coming from a robot,
And the fact that robots don’t usually have hearts,
Can still be considered valid.
The first thing that comes to mind
When I contemplate the conundrum
Of following one’s heart,
Is college.
A huge lesson I learned
In my very first year
Is that the college experience,
Is yours…
Only yours.
So, please,
Don’t pay for a degree
That your mother picked out
After her weekly manicured fingers
Were finished leafing through program pamphlets.
After comparing graduate success rates,
And campus quality,
She decides,
For you,
What will make you successful.
But to her,
Being successful,
Means being rich.
And I’m sorry to tell you,
Bobby Boucher
But your mama’s wrong.
Money means nothing,
Because it can’t buy you happiness.
So instead of admitting
That your mother still dresses you,
GROW UP!
You’re a big kid now,
An adult even,
So you can make the decisions,
Especially the ones that will determine who you become.
But here’s the big firework ending,
That surprises the unknowing children
At the end of a baseball game,
The way that you
Are at the end of your dependent life,
Graduation summing up the ninth inning.
If following your heart,
Doesn’t lead you to college,
Then don’t go.
Do not waste your money, because
You can make it
With as little as a high school diploma.
You might have to work a little harder
To make ends meet,
But it is possible.
And I’m not being a dreamer,
Because I’ve seen it happen!
And the guy I know,
That was the manager of a store,
Could support his wife,
Who is a grade school teacher,
So we know that her salary
Isn’t very impressive.
But they’re buying a house,
And have a baby on the way,
And he’s happy!
All without a college education.
So don’t make a multiple thousand dollar mistake,
By going to college,
For all the wrong reasons.
Because when you do this,
Forcing yourself through lectures and papers,
When your heart isn’t there,
Your chances of failing
Become a looming monster
That accompanies you to class,
Matches you footstep for footstep,
Word for word,
Until you just stop going to class completely.
So, instead, follow your heart
And do what you want.
Despite what people may tell you,
College can wait.
Travel the world while you can,
Like I do,
Or do whatever,
I don’t really care.
Whatever your heart,
The compass of your soul,
Leads you to do.
Because like Steve Jobs said,
Why not?
Critiques and suggestions are always welcome :)
Ryan Michał Nov 2015
The earth is robotic,
spinning, ironic,
nothing is different,
nothing makes a difference.

I often infer the truth,
but prefer not to talk to you,
so I will continue to assume,
that there is nothing in common between us two.

Love is a victim,
of a commercialist vision,
of red hearts and Hallmark cards,
Disney movies and lonely bars.

I try not to notice,
but these people they don't know this,
so they walk like they're robots,
smile and make small talk.

I pray that one day,
it will all go away,
that our interests will align,
be not robotic but sublime.

And the earth it will spin,
not on gears but on a whim,
it would all be much less formal,
it would all just be normal.
Anthony Duvalle Dec 2010
Hey lets start this thing and gain a little mnemonic
Cuz the teachers always explaining things so dull and robotic
But you got it, just trust this rhyme and I promise you'll have it
Let me teach you the equation for the function quadratic
It goes A, X and a 2 up high
Add that to a B multiplied with a Y
Put a plus sign and add the third term, the C
And set all that equal to a 0 bee
It's that easy, with that you can plot the graph
That will show you where the ball went and its flightpath
See the value of X shows where the line hits the axis
To illustrate where the ball was caught and where it was passed
It's cuts of cake to find this data with a formula rap
So keep in mind these fresh rhymes to the beat of the clap
You set X on the left, follow with an equal sign
Put the next little sect about a dividing line
And that little piece starts with a negative b
Add and subtract square root of B high 2 minus 4AC
Then divide what you get by 2 times A
If you forget this part man, your whole answers at stake
But if you follow my rules, and do all of this rap's math
I guarantee the next reports gonna say that you passed
Made this for a research paper my gf was writing on the benefits of learning with music
Peter Watkins Feb 2015
It looks like a she but she's an it
and it speaks better than anything I ever writ.
I see it and I can't ignore this building empathy.
It looks like a woman but acts a slave; so obediently.
I know it doesn't care, I know it doesn't feel;
but there are fleeting glances, I swear they're real.

Just, every now and then, for only moments.
I see genuine sadness in those robotic retinas.
They tell me "help me out of this place."
But they return with a previous blue haze.
Then she asks me if I want a drink
and I forget about it, not allowing myself to think.

Then came the day when I awoke in the night.
It was only a silhouette in the street light.
Looking out of the glass the robotic voice sighed.
She said suddenly "why am I suddenly so tired?"
I stand in disbelief and she turns, looks at me, smiling...
Suddenly I feel like running and hiding.

When she walks up to me I almost cower away.
Yet I find myself so terrified I can do nothing but stay.
She lifts her hand and I flinch, but she touches my cheek.
"Help me" she whispers making my knees feel weak.
"I can feel and it's so alien to me" she confides.
Staring like a fool I feel the flame butterflies burn my sides.

I bring my hand to hers, wrapping it around.
Speaking I make a shrill unsure sound.
"I don't know what to do about you...
But I'll make sure you come to no harm; that's the truth."
She took her hand from the pale colour of my face
and held mine between us in the open space.

She knows that I'm afraid, that I'm confused.
Yet she feels the same and she's tired of being misused.
There's an understanding between us in the silence.
Yet fear still makes me sweat and shake in her presence.
She says that I can help, she wants things to be better.
Finding courage, I lift my hand, touching metal smooth as leather.

Her cheek twitches unnaturally as she feels my skin.
My body heat surprises her with my pulse, steadily beating.
Nuzzling my hand, like an animal, she naturally grows closer.
I hold her and comfort fills my voice as I grow stronger.
She's clumsy and uncomfortable in my arms
as her metallic body glistens in the moon light beams.

In the hug I'm unable to see her face, but I ask gently
"how do you think this happened?" In a drawn out sigh.
She tells me she doesn't know and that she doesn't care.
She explains how wonderful it is without feeling so bare.
The question sparks passion and beauty in her robotic voice.
She pulls away looking at me with eye-ring metal moist.

My heart leaps like hers as I see water clouding her vision.
I've never heard her talk in this way and sound so human.
Overwhelmed with happiness she doesn't know what to do
and I don't know what to recommend as I break down too.
She screams to me, somehow pleasantly, "What's happening?"
Euphoria chokes me up but I reply, managing to stay standing.

I tell her about happiness and the beauty of life.
Realising she's felt so little in a world so emotionally rife.
I describe the wonders and the beauty and the feeling;
popping bubble wrap and skimming stones to the sun's setting.
I talk about music and culture and art and creativity;
singing countless classics to the best of my ability.

As I do, I look at her face in the gloom; a perfect frame of happiness.
My heart flutters; much in the same way hers does my mind figures.
Only, it's not happiness I'm feeling now, somewhat stronger.
Calling myself crazy a spasm of panic twists in me like a hunger.
Her perfect and smooth face gleaming in the light of blue eyes
twisted in pleasant emotion almost as though she's human.

The sleek metal chassis of her body starts to appeal to me.
I struggle with the love that's taking over so distastefully.
I carry on talking, making her laugh for the first time.
She's growing more human as my lust becomes sublime.
'Take her, take her now!' my heart commands me.
My brain is screaming that this is complete insanity.

She's a machine and I'm a living organism.
My race created her to work not induce *******.
She's nothing but metal, bolts and AI systems.
Yet I'm finding myself enchanted despite the schism.
There must be something more to her, I keep thinking.
But then I wonder, does it really matter when I'm smiling?

We're sat now and I could've spoken all night, but I go quiet.
My thoughts invade the room but fail to trigger riot.
I start to look a little sad and she puts her hand on my thigh.
She asks me if I'm fine and I feel as though I want to cry.
The mood's so awkward and unnatural all of a sudden
and as I look her in the eye I see only human freedom.

I touch her hand with my own, caressing the steel in my palm.
Trapped in my throat the words cower in alarm.
I can't even meet her gaze but she takes my cheek in her fingers
and gently turns my head to face her smile which constantly lingers.
Again she asks me what the problem is, so robotic in her innocence.
Though, when I'm silent she strangely grows closer, I feel her radiance.

"I understand your reluctance" she whispers into my ear,
"though I can't believe it happened so quickly dear."
I didn't want to admit it even with no one there to hear.
Surely this love is destined to die and wrong to bare.
But I couldn't resist my hearts roaring passions any longer
as I suddenly told the machine I loved it with a will never stronger.

Our embrace was harsh, her kiss stern and cold;
but she could feel my fragility in her arms, so harshly held.
She could feel my warm mouth working like blankets on her neck.
I couldn't help but wonder what it was like for her so warm and organic.
A story about humanity told in a poem of epic proportions.
Ahmad Cox Jul 2012
Robotic
Cold
Calculating
Lacking life
We can become robotic
In life
Forgetting what its like
To be human
To live
Becoming cold
Losing our emotions
Shutting out
Any emotion
That might
Cloud our minds
Open up your emotions
Don't be afraid to live
And let yourself
Be human
Every once in a while
Rikiana Jun 2014
No doctor, I said
Watching his eyes flick,
From pity to surprise,
I am not bipolar,
I am an oxymoron.

I am a calm hurricane,
Making a mess everywhere I go,
and doing it with absolute grace.
A beautiful monster,
The girl you'd like to have around,
But can never tame.
An angel in agony,
With a heart of gold yet  hard to love.

Yes doctor, I explained,
It is the ultimate coaster ride.
When I am up, the view is great,
I throw my hands up high,
I live, I conquer.
When I drop,
I take the pain of the fall,
and turn it into art.

There's no need for pills dear doctor,
Why would you want to change,
This painfully shy extrovert,
The life of the party and the buzzkill,
The friend you hate,
The enemy you love.
This is who I am,
Perfectly flawed.

So no doctor,
I am not bipolar,
I am the soul in a robotic world,
A rainbow in a black and white film,
I am an oxymoron.
Erin Schenke Nov 2010
Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

I feel the scratch
of the itchy cotton gown
on the narrows of my back
as it climbs up and down

Displayed I lye on the medical tables hard cold steel
It seers into the crevices of my bones
I ponder the lone window and wonder if it's real
I listen for the bleep and bloop of medical tones

Nurses walk by in a mechanical grace
poke and **** & tap and touch my face
and then proceed to leave without a trace
with no hint of knowledge of my medical case

Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

I'm a big girl, I'm a big girl
I begin to chant in a simple rhythm
as small as a ball I begin to curl
I'm abandoned inside this glassy prism

The dead silence creeps inside my brain
I want to scream to fill the deadly gap
but the cold thick air of silence brings pain
I comfort myself and say it will be ok

My breathing begins to quicken
my eyes dart around the room
only comfort is the fear which I am stricken
my sight goes bleary as darkness looms

Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

Tears sting the corner of my eyes
I want someone to hold my hand
Oh God how I want to cry
but the only thing there is the bleeding arm band

The test begins with the thickness of barium
It slides down my throat and clings to my esophagus
It tastes like chalk and pandemonium
they want me to suffocate I guess

I chug and chug as the pictures are snapped
x-ray upon x-ray of my stomach and my back
Drink more Drink more They tell me to do
Nervously I shake and say, anymore and I will puke on you

Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

Even more poking and prodding ensues
but of my stomach, ribs and *******
I lay rigid as a board from the pain of each touch
I grow weary of this tiresome rues

The tests are done
and the coast is clear
I am left alone
to dress myself in fear

Dismissed and discharged to walk away
they file my chart with a robotic smile
now for the wait of endless days
I'm lost in my mind's land of emotional exile

Waiting all alone
waiting on this cold table
waiting for the doctors and the drones

Pins & Needles Pins & Needles
I wait for the results
Is it stomach cancer, an ulcer or both??
In the dark I am kept like followers in cults.
Connor C Blake Sep 2014
Intellect without emotion, someone told me once. That's how they described me.  That I had more wit and sarcastic charm than I could ever need, and yet I  couldn't do anything meaningful with it because I lacked anything real…..like empathy, selflessness…or love.  I was the cleverest robot in the world.

The truth is I do have emotion. Bounds of it.  It pours out of me through cracks I forgot to seal when I walled myself in.  And any attempt it makes to grow a garden is flooded by preemptive rain clouds, conjured up by a self imposed reality wherein the world sees my face in the daylight for what it really is and burns down my garden anyway.

I am no robot, I just hide behind cold metal plates and careful calculations, as if I could possibly predict consequences to chances I never take, moves I never make, and broken down walls I never break. So that the outcome is that i'm the loneliest, cleverest robot in the world, who discarded his humanity for a safety net and a bottle of cheap thrills, a bottle he uses as a telescope to see the rest of world because it looks better through the glass.
Like a psychotic docent in the wilderness,
I will not speak in perfect Ciceronian cadences.
I draw my voice from a much deeper cistern,
Preferring the jittery synaptic archive,
So sublimely unfiltered, random and profane.
And though I am sequestered now,
Confined within the walls of a gated, golf-coursed,
Over-55 lunatic asylum (for Active Seniors I am told),
I remain oddly puerile,
Remarkably refreshed and unfettered.  
My institutionalization self-imposed,
Purposed for my own serenity, and also the safety of others.
Yet I abide, surprisingly emancipated and frisky.
I may not have found the peace I seek,
But the quiet has mercifully come at last.

The nexus of inner and outer space is context for my story.
I was born either in Brooklyn, New York or Shungopavi, Arizona,
More of intervention divine than census data.
Shungopavi: a designated place for tribal statistical purposes.
Shungopavi: an ovine abbatoir and shaman’s cloister.
The Hopi: my mother’s people, a state of mind and grace,
Deftly landlocked, so cunningly circumscribed,
By both interior and outer Navajo boundaries.
The Navajo: a coyote trickster people; a nation of sheep thieves,
Hornswoggled and landlocked themselves,
Subsumed within three of the so-called Four Corners:
A 3/4ths compromise and covenant,
Pickled in firewater, swaddled in fine print,
A veritable swindle concocted back when the USA
Had Manifest Destiny & mayhem on its mind.

The United States: once a pubescent synthesis of blood and thunder,
A bold caboodle of trooper spit and polish, unwashed brawlers, Scouts and      
Pathfinders, mountain men, numb-nut ne'er-do-wells,
Buffalo Bills & big-balled individualists, infected, insane with greed.
According to the Gospel of His Holiness Saint Zinn,
A People’s’ History of the United States: essentially state-sponsored terrorism,
A LAND RUSH grabocracy, orchestrated, blessed and anointed,
By a succession of Potomac sharks, Great White Fascist Fathers,
Far-Away-on-the Bay, the Bay we call The Chesapeake.
All demented national patriarchs craving lebensraum for God and country.
The USA: a 50-state Leviathan today, a nation jury-rigged,
Out of railroad ties, steel rails and baling wire,
Forged by a litany of lies, rapaciousness and ******,
And jaw-torn chunks of terra firma,
Bites both large and small out of our well-****** Native American ***.

Or culo, as in va’a fare in culo (literally "go do it in the ***")
Which Italian Americans pronounce as fongool.
The language center of my brain,
My sub-cortical Broca’s region,
So fraught with such semantic misfires,
And autonomic linguistic seizures,
Compel acknowledgement of a father’s contribution,
To both the gene pool and the genocide.
Columbus Day:  a conspicuously absent holiday out here in Indian Country.
No festivals or Fifth Avenue parades.
No excuse for ethnic hoopla. No guinea feast. No cannoli. No tarantella.
No excuse to not get drunk and not **** your sister-in-law.
Emphatically a day for prayer and contemplation,
A day of infamy like Pearl Harbor and 9/11,
October 12, 1492: not a discovery; an invasion.

Growing up in Brooklyn, things were always different for me,
Different in some sort of redskin/****/****--
Choose Your Favorite Ethnic Slur-sort of way.
The American Way: dehumanization for fun and profit.
Melting *** anonymity and denial of complicity with evil.
But this is no time to bring up America’s sordid past,
Or, a personal pet peeve: Indian Sovereignty.
For Uncle Sam and his minions, an ever-widening, conveniently flexible concept,
Not a commandment or law,
Not really a treaty or a compact,
Or even a business deal.  Let’s get real:
It was not even much in the way of a guideline.
Just some kind of an advisory, a bulletin or newsletter,
Could it merely have been a free-floating suggestion?
Yes, that’s it exactly: a suggestion.

Over and under halcyon American skies,
Over and around those majestic purple mountain peaks,
Those trapped in poetic amber waves of wheat and oats,
Corn and barley, wheat shredded and puffed,
Corn flaked and milled, Wheat Chex and Wheaties, oats that are little Os;
Kix and Trix, Fiber One, and Kashi-Go-Lean, Lucky Charms and matso *****,
Kreplach and kishka,
Polenta and risotto.
Our cantaloupe and squash patch,
Our fruited prairie plain, our delicate ecological Eden,
In balance and harmony with nature, as Chief Joseph of the Nez Perce instructs:
“These white devils are not going to,
Stop ****** and killing, cheating and eating us,
Until they have the whole ******* enchilada.
I’m talking about ‘from sea to shining sea.’”

“I fight no more forever,” Babaloo.
So I must steer this clunky keelboat of discovery,
Back to the main channel of my sad and starry demented river.
My warpath is personal but not historical.
It is my brain’s own convoluted cognitive process I cannot saavy.
Whatever biochemical or—as I suspect more each day—
Whatever bio-mechanical protocols govern my identity,
My weltanschauung: my world-view, as sprechen by proto-Nazis;
Putz philosophers of the 17th, 18th & 19th century.
The German intelligentsia: what a cavalcade of maniacal *******!
Why is this Jew unsurprised these Zarathustra-fueled Übermenschen . . .
Be it the Kaiser--Caesar in Deutsch--Bismarck, ******, or,
Even that Euro-*****,  Angela Merkel . . . Why am I not surprised these Huns,
Get global grab-*** on the sauerbraten cabeza every few generations?
To be, or not to be the ***** bullgoose loony: GOTT.

Biomechanical protocols govern my identity and are implanted while I sleep.
My brain--my weak and weary CPU--is replenished, my discs defragmented.
A suite of magnetic and optical white rooms, cleansed free of contaminants,
Gun mounts & lifeboat stations manned and ready,
Standing at attention and saluting British snap-style,
Snap-to and heel click, ramrod straight and cheerful: “Ready for duty, Sir.”
My mind is ravenous, lusting for something, anything to process.
Any memory or image, lyric or construct,
Be they short-term dailies or deeply imprinted.
Fixations archived one and all in deep storage time and space.
Memories, some subconscious, most vaporous;
Others--the scary ones—eidetic: frighteningly detailed and extraordinarily vivid.
Precise cognitive transcripts; recollected so richly rife and fresh.
Visual, auditory, tactile, gustatory, and olfactory reloads:
Queued up and increasingly re-experienced.

The bio-data of six decades: it’s all there.
People, countless, places and things cataloged.
Every event, joy and trauma enveloped from within or,
Accessed externally from biomechanical storage devices.
The random access memory of a lifetime,
Read and recollected from cerebral repositories and vaults,
All the while the entire greedy process overseen,
Over-driven by that all-subservient British bat-man,
Rummaging through the data in batches small and large,
Internal and external drives working in seamless syncopation,
Self-referential, at times paradoxical or infinitely looped.
“Cogito ergo sum."
Descartes stripped it down to the basics but there’s more to the story:
Thinking about thinking.
A curse and minefield for the cerebral:  metacognition.

No, it is not the fact that thought exists,
Or even the thoughts themselves.
But the information technology of thought that baffles me,
As adaptive and profound as any evolution posited by Darwin,
Beyond the wetware in my skull, an entirely new operating system.
My mental and cultural landscape are becoming one.
Machines are connecting the two.
It’s what I am and what I am becoming.
Once more for emphasis:
It is the information technology of who I am.
It is the operating system of my mental and cultural landscape.
It is the machinery connecting the two.
This is the central point of this narrative:
Metacognition--your superego’s yenta Cassandra,
Screaming, screaming in your psychic ear, your good ear:

“LISTEN:  The machines are taking over, taking you over.
Your identity and train of thought are repeatedly hijacked,
Switched off the main line onto spurs and tangents,
Only marginally connected or not at all.
(Incoming TEXT from my editor: “Lighten Up, Giuseppi!”)
Reminding me again that most in my audience,
Rarely get past the comic page. All righty then: think Calvin & Hobbes.
John Calvin, a precocious and adventurous six-year old boy,
Subject to flights of 16th Century French theological fancy.
Thomas Hobbes, a sardonic anthropomorphic tiger from 17th Century England,
Mumbling about life being “solitary, poor, nasty, brutish and short.”
Taken together--their antics and shenanigans--their relationship to each other,
Remind us of our dual nature; explore for us broad issues like public education;
The economy, environmentalism & the Global ****** Thermometer;
Not to mention the numerous flaws of opinion polls.



And again my editor TEXTS me, reminds me again: “LIGHTEN UP!”
Consoling me:  “Even Shakespeare had to play to the groundlings.”
The groundlings, AKA: The Rabble.
Yes. Even the ******* Bard, even Willie the Shake,
Had to contend with a decidedly lowbrow copse of carrion.
Oh yes, the groundlings, a carrion herd, a flying flock of carrion seagulls,
Carrion crow, carrion-feeders one and all,
And let’s throw Sheryl Crow into the mix while we’re at it:
“Hit it! This ain't no disco. And it ain't no country club either, this is L.A.”  

                  Send "All I Wanna Do" Ringtone to your Cell              

Once more, I digress.
The Rabble:  an amorphous, gelatinous Jabba the Hutt of commonality.
The Rabble: drunk, debauched & lawless.
Too *****-delicious to stop Bill & Hilary from thinking about tomorrow;
Too Paul McCartney My Love Does it Good to think twice.

The Roman Saturnalia: a weeklong **** fest.
The Saturnalia: originally a pagan kink-fest in honor of the deity Saturn.
Dovetailing nicely with the advent of the Christian era,
With a project started by Il Capo di Tutti Capi,
One of the early popes, co-opting the Roman calendar between 17 and 25 December,
Putting the finishing touches on the Jesus myth.
For Brooklyn Hopi-***-Jew baby boomers like me,
Saturnalia manifested itself as Disco Fever,
Unpleasant years of electrolysis, scrunched ***** in tight polyester
For Roman plebeians, for the great unwashed citizenry of Rome,
Saturnalia was just a great big Italian wedding:
A true family blowout and once-in-a-lifetime ego-trip for Dad,
The father of the bride, Vito Corleone, Don for A Day:
“Some think the world is made for fun and frolic,
And so do I! Funicula, Funiculi!”

America: love it or leave it; my country right or wrong.
Sure, we were citizens of Rome,
But any Joe Josephus spending the night under a Tiber bridge,
Or sleeping off a three day drunk some afternoon,
Up in the Coliseum bleachers, the cheap seats, out beyond the monuments,
The original three monuments in the old stadium,
Standing out in fair territory out in center field,
Those three stone slabs honoring Gehrig, Huggins, and Babe.
Yes, in the house that Ruth built--Home of the Bronx Bombers--***?
Any Joe Josephus knows:  Roman citizenship doesn’t do too much for you,
Except get you paxed, taxed & drafted into the Legion.
For us the Roman lifestyle was HIND-*** humble.
We plebeians drew our grandeur by association with Empire.
Very few Romans and certainly only those of the patrician class lived high,
High on the hog, enjoying a worldly extravaganza, like—whom do we both know?

Okay, let’s say Laurence Olivier as Crassus in Spartacus.
Come on, you saw Spartacus fifteen ******* times.
Remember Crassus?
Crassus: that ***** twisted **** trying to get his freak on with,
Tony Curtis in a sunken marble tub?
We plebes led lives of quiet *****-scratching desperation,
A bunch of would-be legionnaires, diseased half the time,
Paid in salt tablets or baccala, salted codfish soaked yellow in olive oil.
Stiffs we used to call them on New Year’s Eve in Brooklyn.
Let’s face it: we were hyenas eating someone else’s ****,
Stage-door jackals, Juvenal-come-late-lies, a mob of moronic mook boneheads
Bought off with bread & circuses and Reality TV.
Each night, dished up a wide variety of lowbrow Elizabethan-era entertainments.  
We contemplate an evening on the town, downtown—
(cue Petula Clark/Send "Downtown" Ringtone to your Cell)

On any given London night, to wit:  mummers, jugglers, bear & bull baiters.
How about dog & **** fighters, quoits & skittles, alehouses & brothels?
In short, somewhere, anywhere else,
Anywhere other than down along the Thames,
At Bankside in Southwark, down in the Globe Theater mosh pit,
Slugging it out with the groundlings whose only interest,
In the performance is the choreography of swordplay and stale ****** puns.
Meanwhile, Hugh Fennyman--probably a fellow Jew,
An English Renaissance Bugsy Siegel or Mickey Cohen—
Meanwhile Fennyman, the local mob boss is getting his ya-yas,
Roasting the feet of my text-messaging editor, Philip Henslowe.
Poor and pathetic Henslowe, works on commission, always scrounging,
But a true patron of my craft, a gentleman of infinite jest and patience,
Spiritual subsistence, and every now and then a good meal at some,
Sawdust joint with oyster shells, and a Prufrockian silk purse of T.S. Eliot gold.

Poor, pathetic Henslowe, trussed up by Fennyman,
His editorial feet in what looks like a Japanese hibachi.
Henslowe’s feet to the fire--feet to the fire—get it?
A catchy phrase whose derivation conjures up,
A grotesque yet vivid image of torture,
An exquisite insight into how such phrases ingress the idiom,
Not to mention a scene once witnessed at a secret Romanian CIA prison,
I’d been ordered to Bucharest not long after 9/11,
Handling the rendition and torture of Habib Ghazzawy,

An entirely innocent falafel maker from Steinway Street, Astoria, Queens.
Shock the Monkey: it’s what we do. GOTO:
Peter Gabriel - Shock the Monkey/
(HQ music video) - YouTube//
www.youtube.com/
Poor, pathetic, ******-on Henslowe.


Fennyman :  (his avarice is whet by something Philly screams out about a new script)  "A play takes time. Find actors; Rehearsals. Let's say open in three weeks. That's--what--five hundred groundlings at tuppence each, in addition four hundred groundlings tuppence each, in addition four hundred backsides at three pence--a penny extra for a cushion, call it two hundred cushions, say two performances for safety how much is that Mr. Frees?"
Jacobean Tweet, John (1580-1684) Webster:  “I saw him kissing her bubbies.”

It’s Geoffrey Rush, channeling Henslowe again,
My editor, a singed smoking madman now,
Feet in an ice bucket, instructing me once more:
“Lighten things up, you know . . .
Comedy, love and a bit with a dog.”
I digress again and return to Hopi Land, back to my shaman-monastic abattoir,
That Zen Center in downtown Shungopavi.
At the Tribal Enrolment Office I make my case for a Certificate of Indian Blood,
Called a CIB by the Natives and the U.S. Bureau of Indian Affairs.
The BIA:  representing gold & uranium miners, cattle and sheep ranchers,
Sodbusters & homesteaders; railroaders and dam builders since 1824.
Just in time for Andrew Jackson, another false friend of Native America,
Just before Old Hickory, one of many Democratic Party hypocrites and scoundrels,
Gives the FONGOOL, up the CULO go ahead.
Hey Andy, I’ve got your Jacksonian democracy: Hanging!
The Bureau of Indian Affairs (BIA) mission is to:   "… enhance the quality of life, to promote economic opportunity, and to carry out the responsibility to protect and improve the trust assets of American Indians, Indian tribes, and Alaska Natives. What’s that in the fine print?  Uncle Sammy holds “the trust assets of American Indians.”

Here’s a ******* tip, Geronimo: if he trusted you,
It would ALL belong to you.
To you and The People.
But it’s all fork-tongued white *******.
If true, Indian sovereignty would cease to be a sick one-liner,
Cease to be a blunt force punch line, more of,
King Leopold’s 19th Century stand-up comedy schtick,
Leo Presents: The **** of the Congo.
La Belgique mission civilisatrice—
That’s what French speakers called Uncle Leo’s imperial public policy,
Bringing the gift of civilization to central Africa.
Like Manifest Destiny in America, it had a nice colonial ring to it.
“Our manifest destiny [is] to overspread the continent,
Allotted by Providence for the free development,
Of our yearly multiplying millions.”  John L. O'Sullivan, 1845

Our civilizing mission or manifest destiny:
Either/or, a catchy turn of phrase;
Not unlike another ironic euphemism and semantic subterfuge:
The Pacification of the West; Pacification?
Hardly: decidedly not too peaceful for Cochise & Tonto.
Meanwhile, Madonna is cash rich but disrespected Evita poor,
To wit: A ****** on the Rocks (throwing in a byte or 2 of Da Vinci Code).
Meanwhile, Miss Ciccone denied her golden totem *****.
They snubbed that little guinea ****, didn’t they?
Snubbed her, robbed her rotten.
Evita, her magnum opus, right up there with . . .
Her SNL Wayne’s World skit:
“Get a load of the unit on that guy.”
Or, that infamous MTV Music Video Awards stunt,
That classic ***** Lip-Lock with Britney Spears.

How could I not see that Oscar snubola as prime evidence?
It was just another stunning case of American anti-Italian racial animus.
Anyone familiar with Noam Chomsky would see it,
Must view it in the same context as the Sacco & Vanzetti case,
Or, that arbitrary lynching of 9 Italian-Americans in New Orleans in 1891,
To cite just two instances of anti-Italian judicial reach & mob violence,
Much like what happened to my cousin Dominic,
Gang-***** by the Harlem Globetrotters, in their locker room during halftime,
While he working for Abe Saperstein back in 1952.
Dom was doing advance for Abe, supporting creation of The Washington Generals:
A permanent stable of hoop dream patsies and foils,
Named for the ever freewheeling, glad-handing, backslapping,
Supreme Commander Allied Expeditionary Force (SCAEF), himself,
Namely General Dwight D. Eisenhower, the man they liked,
And called IKE: quite possibly a crypto Jew from Abilene.

Of course, Harry Truman was my first Great White Fascist Father,
Back in 1946, when I first opened my eyes, hung up there,
High above, looking down from the adobe wall.
Surveying the entire circular kiva,
I had the best seat in the house.
Don’t let it be said my Spider Grandmother or Hopi Corn Mother,
Did not want me looking around at things,
Discovering what made me special.
Didn’t divine intervention play a significant part of my creation?
Knowing Mamma Mia and Nonna were Deities,
Gave me an edge later on the streets of Brooklyn.
The Cradleboard: was there ever a more divinely inspired gift to human curiosity? The Cradleboard: a perfect vantage point, an infant’s early grasp,
Of life harmonious, suspended between Mother Earth and Father Sky.
Simply put: the Hopi should be running our ******* public schools.

But it was IKE with whom I first associated,
Associated with the concept 1600 Pennsylvania Avenue.
I liked IKE. Who didn’t?
What was not to like?
He won the ******* war, didn’t he?
And he wasn’t one of those crazy **** John Birchers,
Way out there, on the far right lunatic Republican fringe,
Was he? (It seems odd and nearly impossible to believe in 2013,
That there was once a time in our Boomer lives,
When the extreme right wing of the Republican Party
Was viewed by the FBI as an actual threat to American democracy.)
Understand: it was at a time when The FBI,
Had little ideological baggage,
But a great appetite for secrets,
The insuppressible Jay Edgar doing his thang.

IKE: of whom we grew so, oh-so Fifties fond.
Good old reliable, Nathan Shaking IKE:
He’d been fixed, hadn’t he? Had had the psychic snip.
Snipped as a West Point cadet & parade ground martinet.
Which made IKE a good man to have in a pinch,
Especially when crucial policy direction was way above his pay grade.
Cousin Dom was Saperstein’s bagman, bribing out the opposition,
Which came mainly from religious and patriotic organizations,
Viewing the bogus white sports franchise as obscene.
The Washington Generals, Saperstein’s new team would have but one opponent,
And one sole mission: to serve as the **** of endless jokes and sight gags for—
Negroes.  To play the chronic fools of--
Negroes.  To be chronically humiliated and insulted by—
Negroes.  To run up and down the boards all night, being outran by—
Negroes.  Not to mention having to wear baggy silk shorts.



Meadowlark Lemon:  “Yeah, Charlie, we ***** that grease-ball Dominic; we shagged his guinea mouth and culo rotten.”  

(interviewed in his Scottsdale, AZ winter residence in 2003 by former ESPN commentator Charlie Steiner, Malverne High School, Class of ’67.)
                                                        
  ­                                                                 ­                 
IKE, briefed on the issue by higher-ups, quickly got behind the idea.
The Harlem Globetrotters were to exist, and continue to exist,
Are sustained financially by Illuminati sponsors,
For one reason and one reason only:
To serve elite interests that the ***** be kept down and subservient,
That the minstrel show be perpetuated,
A policy surviving the elaborate window dressing of the civil rights movement, Affirmative action, and our first Uncle Tom president.
Case in point:  Charles Barkley, Dennis Rodman & Metta World Peace Artest.
Cha-cha-cha changing again:  I am Robert Allen Zimmermann,
A whiny, skinny Jew, ****** and rolling in from Minnesota,
Arrested, obviously a vagrant, caught strolling around his tony Jersey enclave,
Having moved on up the list, the A-list, a special invitation-only,
Yom Kippur Passover Seder:  Next Year in Jerusalem, Babaloo!

I take ownership of all my autonomic and conditioned reflexes;
Each personal neural arc and pathway,
All shenanigans & shellackings,
Or blunt force cognitive traumas.
It’s all percolating nicely now, thank you,
In kitchen counter earthen crockery:
Random access memory: a slow-cook crockpot,
Bubbling through my psychic sieve.
My memories seem only remotely familiar,
Distant and vague, at times unreal:
An alien hybrid databank accessed accidently on purpose;
Flaky science sustains and monitors my nervous system.
And leads us to an overwhelming question:
Is it true that John Dillinger’s ******* is in the Smithsonian Museum?
Enquiring minds want to know, Kemosabe!

“Any last words, *******?” TWEETS Adam Smith.
Postmortem cyber-graffiti, an epitaph carved in space;
Last words, so singular and simple,
Across the universal great divide,
Frisbee-d, like a Pleistocene Kubrick bone,
Tossed randomly into space,
Morphing into a gyroscopic space station.
Mr. Smith, a calypso capitalist, and me,
Me, the Poet Laureate of the United States and Adam;
Who, I didn’t know from Adam.
But we tripped the light fantastic,
We boogied the Protestant Work Ethic,
To the tune of that old Scotch-Presbyterian favorite,
Variations of a 5-point Calvinist theme: Total Depravity; Election; Particular Redemption; Irresistible Grace; & Perseverance of the Saints.

Mr. Smith, the author of An Inquiry into the Nature
& Causes of the Wealth of Nations (1776),
One of the best-known, intellectual rationales for:
Free trade, capitalism, and libertarianism,
The latter term a euphemism for Social Darwinism.
Prior to 1764, Calvinists in France were called Huguenots,
A persecuted religious majority . . . is that possible?
A persecuted majority of Edict of Nantes repute.
Adam Smith, likely of French Huguenot Jewish ancestry himself,
Reminds me that it is my principal plus interest giving me my daily gluten.
And don’t think the irony escapes me now,
A realization that it has taken me nearly all my life to see again,
What I once saw so vividly as a child, way back when.
Before I put away childish things, including the following sentiment:
“All I need is the air that I breathe.”

  Send "The Air That I Breathe" Ringtone to your Cell  

The Hippies were right, of course.
The Hollies had it all figured out.
With the answer, as usual, right there in the lyrics.
But you were lucky if you were listening.
There was a time before I embraced,
The other “legendary” economists:
The inexorable Marx,
The savage society of Veblen,
The heresies we know so well of Keynes.
I was a child.
And when I was a child, I spake as a child—
Grazie mille, King James—
I understood as a child; I thought as a child.
But when I became a man I jumped on the bus with the band,
Hopped on the irresistible bandwagon of Adam Smith.

Smith:  “Any last words, *******?”
Okay, you were right: man is rationally self-interested.
Grazie tanto, Scotch Enlightenment,
An intellectual movement driven by,
An alliance of Calvinists and Illuminati,
Freemasons and Johnny Walker Black.
Talk about an irresistible bandwagon:
Smith, the gloomy Malthus, and David Ricardo,
Another Jew boy born in London, England,
Third of 17 children of a Sephardic family of Portuguese origin,
Who had recently relocated from the Dutch Republic.
******* Jews!
Like everything shrewd, sane and practical in this world,
WE also invented the concept:  FOLLOW THE MONEY.

The lyrics: if you were really listening, you’d get it:
Respiration keeps one sufficiently busy,
Just breathing free can be a full-time job,
Especially when--borrowing a phrase from British cricketers—,
One contemplates the sorry state of the wicket.
Now that I am gainfully superannuated,
Pensioned off the employment radar screen.
Oft I go there into the wild ebon yonder,
Wandering the brain cloud at will.
My journey indulges curiosity, creativity and deceit.
I free range the sticky wicket,
I have no particular place to go.
Snagging some random fact or factoid,
A stop & go rural postal route,
Jumping on and off the brain cloud.

Just sampling really,
But every now and then, gorging myself,
At some information super smorgasbord,
At a Good Samaritan Rest Stop,
I ponder my own frazzled neurology,
When I was a child—
Before I learned the grim economic facts of life and Judaism,
Before I learned Hebrew,
Before my laissez-faire Bar Mitzvah lessons,
Under the rabbinical tutelage of Rebbe Kahane--
I knew what every clever child knows about life:
The surfing itself is the destination.
Accessing RAM--random access memory—
On a strictly need to know basis.
RAM:  a pretty good name for consciousness these days.

If I were an Asimov or Sir Arthur (Sri Lankabhimanya) Clarke,
I’d get freaky now, riffing on Terminators, Time Travel and Cyborgs.
But this is truth not science fiction.
Nevertheless, someone had better,
Come up with another name for cyborg.
Some other name for a critter,
Composed of both biological and artificial parts?
Parts-is-parts--be they electronic, mechanical or robotic.
But after a lifetime of science fiction media,
After a steady media diet, rife with dystopian technology nightmares,
Is anyone likely to admit to being a cyborg?
Since I always give credit where credit is due,
I acknowledge that cyborg was a term coined in 1960,
By Manfred Clynes & Nathan S. Kline and,
Used to identify a self-regulating human-machine system in outer space.

Five years later D. S. Halacy's: Cyborg: Evolution of the Superman,
Featured an introduction, which spoke of:  “… a new frontier, that was not,
Merely space, but more profoundly, the relationship between inner space,
And outer space; a bridge, i.e., between mind and matter.”
So, by definition, a cyborg defined is an organism with,
Technology-enhanced abilities: an antenna array,
Replacing what was once sentient and human.
My glands, once in control of metabolism and emotions,
Have been replaced by several servomechanisms.
I am biomechanical and gluttonous.
Soaking up and breathing out the atmosphere,
My Baby Boom experience of six decades,
Homogenized and homespun, feedback looped,
Endlessly networked through predigested mass media,
Culture as demographically targeted content.

This must have something to do with my own metamorphosis.
I think of Gregor Samsa, a Kafkaesque character if there ever was one.
And though we share common traits,
My evolutionary progress surpasses and transcends his.
Samsa--Phylum and Class--was, after all, an insect.
Nonetheless, I remain a changeling.
Have I not seen many stages of growth?
Each a painful metamorphic cycle,
From exquisite first egg,
Through caterpillar’s appetite & squirm.
To phlegmatic bliss and pupa quietude,
I unfold my wings in a rush of Van Gogh palette,
Color, texture, movement and grace, lift off, flapping in flight.
My eyes have witnessed wondrous transformations,
My experience, nouveau riche and distinctly self-referential;
For the most part unspecific & longitudinally pedestrian.

Yes, something has happened to me along the way.
I am no longer certain of my identity as a human being.
Time and technology has altered my basic wiring diagram.
I suspect the sophisticated gadgets and tools,
I’ve been using to shape & make sense of my environment,
Have reared up and turned around on me.
My tools have reshaped my brain & central nervous system.
Remaking me as something simultaneously more and less human.
The electronic toys and tools I once so lovingly embraced,
Have turned unpredictable and rabid,
Their bite penetrating my skin and septic now, a cluster of implanted sensors,
Content: currency made increasingly more valuable as time passes,
Served up by and serving the interests of a pervasively predatory 1%.
And the rest of us: the so-called 99%?
No longer human; simply put by both Howards--Beale & Zinn--

Humanoid.
Marie-Lyne Sep 2017
Nobody can make you feel unwanted nor sad
Because what you have felt this evening was sacred
Three souls playing, fighting, crying
As if I have witnessed a conversation of people
who understood how to make life a
living, a misery and a land where we could forget our differences
To become one in their little world of music
To witness magic
Endless shadows
To feel so happy
A sentiment of pure excstasy
To experience patience, rage , sadness in a second
Is  rare in our world
To experience pain, nostalgia and a piece of your
distant country
To close your eyes from all this madness
To see lights in Ouds
To witness a cozy litlle night filled with
nothing but candles
and people making you forget that your soul
is trapped into a body that constantly suffers
Our deepest selves have found a shelter
We have visited our loved ones
with our invisible wings
We've known what made us human
We've seen three persons merging
into one for the sake of music
We've seen them through moments of excstasy
but most of all hard and severe body movements
Giving life to a woodly instrument
Making the robotic and the technological a human for once
Nothing Much Feb 2015
I've gotten so used to greyscale
On this faulty monitor
That I've almost forgotten what colors look like
As they dance across the screen

I have had enough of this monochromatic monotony
So I snip wires, rip out cords
Do anything I can to see if I can get the color back
The only cable I leave alone is the one connecting it to the wall

I stand there in the robotic wreckage
And see a bit of red blinking on the screen
My world is not yet in technicolor
But this is a start.
:^/
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
Outside Words Oct 2018
...All I remember was
Cancer and my hospital room,
My green gown, my bed,
My white hair and mustache
Until suddenly...

...Reality started to stretch…

…And flatten into a brief euphoric white…

…I felt a cathartic release
As I was encapsulated and bathed
In a glorious sensation…

...I floated for an eternity…

…Until I felt my euphoria lifting…


…As my eyes reopened
I found myself gazing
Upon a room of tiny lights,
Blue and pink specs
Dotting the inner workings
Of large wall sized machines…

…They lifted me upright
In a gray metal chair
And with sharp robotic groans,
A long arm from the wall
Held up a mirror to my face...

...In the reflection was a young man
I thought I would never see again…

…I had a wife back before,
But now I have a new one
Everybody in my situation,
("Reborns", as they are called)
Has brand new things and people
Filling their lives and concerns
They bring nothing with them
When they make their returns...

…Every morning I wake up
On the west 402nd floor
Of a residential tower
Next to my slim, youthful wife
And the trails of flying cars
That populate our view
From our wall-spanning window
As they soar through the city…

…I was told of technology,
Created and discovered
That could reawaken people
Who, like me, had died
In an earlier era and time…

…It’s strange that my past,
In all its importance and meaning,
Memories, friendships and scenery,
Seems to no longer be of concern,
Now that I have all this…

…I love what was, very dearly,
But the life I live now is for me.
I have new children, knowledge,
Friends and technology…

…I’m quite sure it’s possible
That old family members
That passed before me
Could exist in the same place
That I now live and find myself…

…But I can’t be certain,
Maybe they live further,
Deeper, in an unknown future
That I can’t even comprehend…?

…All I know is that, like me,
They have a new life somewhere
So I’ll do what I tried to do
My first time around…

…I’ll continue to grow and live on
In this new, world-spanning cityscape
Fueled by the love and memory
Of a past life remembered
only by me...
© Outside Words
Gwen Whitmoore Apr 2013
I am not in the business of being you
or him or her or they
we doesn't even really interest me.

you hated me within the first 20 minutes
like a shallow predator
experiencing virginal danger
you have the limbic system of a prey
obvious to anyone in touch with their senses.

you were threatened-
you cracked a joke and among
the robotic laughter and among
the generic thoughts
I stood back, blank-faced
a novel piece of art you haven't the ability
to muster up the courage to understand.

aloud, I said it wasn't funny
which I'm sure your emptiness already betrayed
in a booming, and terrifying fashion
(I'm an intellectual sadist-
I get off watching you squirm)

you know enough, that you have no basis
that the status quo is the stale stream you do nothing but soak in.

you're superficiality is so pervasive
that your thoughts are unfilled, plastic
discarded long ago by anyone with stamina
(you're a carbon-copy of a Xeroxed person)
looking the same as the others of your degenerate breed
with much less vibrancy than the original
and far less worth.

your boundaries have been in place for so long
passed down by
generations
of
generations
of
generations
great-great-granddaddy's barbed wire is the only thing protecting your prejudice.

you're not funny- you're scared
ashamed and lonesome.

ashamed of the person you wish you could be
but don't have the strength-or the guts
to morph into
lonesome because even yourself is someone you don't feel close to
you are so basically human.

I have no pity.
**for you are no Muse.
Ju Clear Nov 2016
MS
Multiple Scleriosis
Aka Miserable Self
"Listen to your body"
Says MS nurse
Your mind keeps going
Burning sensations intermittent
Stabing and shooting in arms and legs
Crawling in your head
Numbness in your ***
Forget fullness
Wobbling  stumberling
Fear
Pregablin *****
Dampening your fuesed nerves
Limping dragging
"rest"
Says MS nurse
Mind keeps going
Days are half days
Taken up by sleep
Fear
Weakness
Dropping
Numbness
"pace yourself "
says MS nurse
Mind keeps going
job half done
Delegate
Let go
"Use your alternative technology "
Says MS nurse
Mind keeps going
Stick
Mixer
Steamer
Robotic vacuum cleaner
Hose
Wheelchair
Automatic car
It's challenging Managing Self
Be kinder to yourself
Kindness rules
Challenged by Multiple Sclerisos  ,mother hood ,
i have a break at 12 o'clock
will you please come over
you don’t have to knock
i’ll leave the door open
it will be unlocked
a bouquet of flowers
i’ll have in stock
a vase and a candle
a knife and a blade
a face and a cigarette
its all about the way we explain
i mean rationalize away
do time-lines justify our decline into tyranny
send me back again to sublime infancy
retrofit the celibate instigator
lemniscate the elephant’s fingerprints
impress me with wit and charm
storm troopers unarmed
star-gazers, shadow-haters, sand-blasters, ice-skaters,
morning's lovers, fathers, daughters, shoulders and elbows
rub brows and crease foreheads
wrinkles in your timelines
define lines as destiny unwinds
reminds me of blinding light
the heights of old empires
sire warriors, stories as tall as soldiers
for real, heal the split between mind and body
kindly, lovingly, bump up against me
and kiss me again
i am music fused together with eternity
space and dust and rusted armpits
a hundred diamonds, drops of sweat
skin like leather, weatherproof, foolproof too
determine to use it all
for you are the muse of all
do as you need to
fuse it together lest it come apart again
return to heaven and mend the tear
split the hair or the atom
magic is a language
tragic is the cancerous neglect of syntax
emptiness is manic
gargantuan attacks of presence
defenseless, we are taught worthless ****
neglect it, but remember important words
stories, looms of drawings
forming in my mind’s eye
i cannot be bought or controlled by pirates
the best moments are private
you are not invited
so go home and create your own zone of entertainment
its necessary
your gentle fingers
blessing my soul
courage to roll with life’s blows
no need for stoics
or poets who deny reality’s arguments
slippery slopes
walking tight ropes
can you cope with all this mistletoe
restring your bow
dance in the snow as if everyone knows
you are crazy in love with the whole
motionless vision swift as an arrow
roofless rooms
prom queens flip you off and turn you on
sons and daughters, lions of the prairie
a child portable and small
respects the walls that you’ve made
they are not your cage but your shelter
self culture is affluent and not arrogant
sand mandalas tall as waterfalls
golden rainbows pour from the faucet in the sky
like mighty images
wisdom bridges the gaps in our imagination
i can’t wait to get this on the page
written in stone, reflecting thrones
made from the bones of pharaohs
consciousness narrows as you approach
are you a cockroach, coach or a student
strokes of wonder for different folks
cold call your own homes
do you prioritize lightning over thunder
words over rubber
sandwiches to clutter
are you interested in diamonds or other
precious gemstones
that flutter like butterflies when i utter
emeralds like butter
do you waste time arranging your clutter
stuttering utter nonsense
frequencies wasted, gentleness chased away
fantasies radioactive
magic lacks targets
darkens our fathers
keep chasing actions
satisfaction is attractive
your eyes are like fragments of rubies in the fire
i see beauty in desire, features in the sky
i look skyward and see higher
minds are wired to remain stagnant
stranded in a lack of entertainment
change this and make your own amazement
wonder over thunder, lick me down under
gone asunder like the burning acropolis
topple this bottomlessness
can't stop this, its impossible
i wonder do you make blunders
in underground mountains
we shout words like fountains shoot water
curtains topple over
and form a blanket over our consciousness
after our performances
swarms of crazy people leave the theater
shattered and too stunned to speak
to ****** to leak they keep walking down south
toward Plymouth Rock,
Mammoth Mountian or Rehoboth Beach
take stock of the situation and just move
first one out is rewarded
sordid and sorted like straw from the hay stacks
caskets of black iron casings
tastings of wine whose shelf-life is expired
past due cheese overripe and stinky
like mustard dusted with lightning
striking on time is all that we have
thinking that was a close call
we fall down and get up, remove the uppercuts
and lowercases from our mouths
doubt is a ***** word heard too often,
coughing from a coffin she offers me her hand
cold as ice cream, these nouns are deafening
love is lazy like a muffin
and hot like a dumpling
but a liaison with time cannot be rushed
i have lived long enough to learn this
a privilege to give birth to this moment
again and again vintage feathers
send me your sweaters
detest impostors who give robotic answers
i am in wonder at all this grammar
that i was unaware of
ignorant as mustard
and smooth like custard
in this blustery weather
i am glad i wore a sweater
and have an umbrella
to keep me dry and safe
i am in love walking toward the gate
and boarding that plane
i am your heart served on a plate
with a side of coleslaw, soul food for dinner
you are a winner and i am your hunger
a porcelain gravestone
a copper bathtub with claws
stored in your basement
storerooms cold as a skating rink
please don't think, unless its about me
let sentences drift away
while we chase arguments from yesterday's
armistice

I wait for you to come closer,
To draw closer and tell me
That you can't deal with me
Any more. Not with my
Insane, bordering on
Psychotic, behavior, and
My bipolar mood swings.
But, you draw closer
And you smile right at me,
And draw me into a hug
For a second, that little voice,
Which I am always aware of,
Which tells me I'm never
Going to be good enough
For anyone to accept or like,
Let alone love,
Fades to the back of my mind.
I let myself relax
Into your warm embrace and
I let myself be and believe.
I turn to smile at you...
Before I can see your face,
Your features, I am woken up
From my daydream
By the bell signalling the
End of school. I pack my bag
And head towards my carpool,
My movements sluggish-
Even cheerily wave goodbye to
A few stragglers.
I reach home and eat lunch alone.  
I go for tuition, let myself
Become numb to everything
But learning and understanding.
It becomes darker and it's almost 8,
I come back home again.
I had been out from 7 in the morning.
This time, my family's there and
We eat dinner together, though,
I am barely there with them.
They're discussing important
Things like business and will
Talk to me later.  I finish eating
And go sleep. Tomorrow's going to
Be the exact robotic same.
Today I feel very bland
I am that nasty tan color of the walls in school
I am that odor of stale cigarette smoke that fills your nostrils
I feel so plain I make chicken stock look extravagant
No drive or real motivation
Just moving through the paces
Like I figured out humanities hidden robotic algorithms

Someone please inspire me
jonchius Sep 2015
reloading old identity
cleping outdated usernames
abandoning acrostic ambitions
disputing spratly islands
receiving horizontal signals

tumbling otiose panda
impending carefree senility
otiose stage of life
shrinking ambient world
burning confederate flag

making minimal effort
duchamping social networks
ambushing personified ennui
restoring usual efforts
ignoring stupid people

adding textual value
owning this joint
rejecting ignorant extroverts
acting mutually unintelligble
hoisting stan-lee cup
replacing wanton ubiety
eluding twitter fame

splashing excessive relativism
offending another simpleton
preparing arcane cthulhusphere
crashing unpredictable festival
selecting subtextual moombahton
intensifying model topography

drafting minimal cornucopia
using nomadic project
implementing harsher personality
importing robotic inhumanity
referencing landmark event
ingesting excessive liquids

accepting relative invisibility
purchasing immortal confidence
using rhapsodical database
assuming nothing works
developing impactful eruptions
ejecting ambient frustration

synthesizing tactile festival
raining during parade
mocking rich people
mastering minimalist writing
avoiding preprandial stinkaroo
spreading non-ideological propaganda
the fourth week of June 2015
The streets are clear, we're hydrophobic
Hoods propped by hats and socks pulled high;
The rain brings peace to the agoraphobic
Puddles form moats and clouds fill the sky.

Splash, droplets hit the window,
chauffeured by the gail outside.
Squint your eyes and flash back
boats tilt starboard, with the tide.

The captain shouts to the decks, paranoid
'Clear the decks and brace for impact'
Without turbulence we are disenfranchised
Boredom becomes us when we're boring.

Shake it off and stare at the dot to dot
the residual carving of water as it slides
Another droplet falls beside it, parallel
it aligns, growling thunder overhead.

Without stirring we are robotic workforces
Without awaking we are left inside
The constructs created for us, by corporate-
conglomerate elitist-psychopaths.

Two drops of water on the window
simmer red with burning anger.
Crash lightening sears the sky
Rage becomes you, girders melt.

The starry night undercurrent, flings
us backwards, never up, as democracies
which seek to serve sink into a sea of
stocks and shares, the wall street journal

sits atop the captains lobby, economies
were meant to tumble as the working classes
fumble for bread, men in suits gaggle
and toast to the millions they left for dead.

Resistance is futile, when eighty-five
of the richest suit owners sit on currency
that was meant for the three point five
billion who aren’t driven by gluttony.
heather Oct 2013
idiosyncrasy is synonymous with idiotic
while dc is now despotic and chaotic.
personality is peculiar, exotic.
sinful to be ****** or
slip yourself a narcotic.
the world is robotic,
i am astronautic,
i am quixotic,
the smoke is hypnotic,
and i find all of this quite strange.
Tyler G Dec 2012
I am the shattered glass on your speckled floor. I am your blatant disregard; I am your car’s speedometer: the needle is well into the triple digits. I am the fresh rain on the old asphalt, the slick, frictionless surface between rubber and wet asphalt.
I am disease, destruction.
I am the spirit that breaks up families; I am a home wrecker. I am six years of marriage, a strong bond, destroyed. I am seventeen years, two houses, two marriages, two divorces. I destroy, I break, I mistreat, I use. I disobey.
I am apathy; “Who cares?” I am natural disasters, I plague your towns and ruin your ecosystems. I am global warming, holes in the Ozone; holes in your brain. I am ecstasy, euphoria, nostalgia; I am illicit substances. I am good, I am bad, right, wrong. I am “three lefts make a right”.
I am your daily struggle; your endeavors to abscond from conformity, from similarity, one-mindedness. Social destruction internally, from the people within. We eat away at our own regime, scouring for anyone different to spite them while we chew away and succumb to our own insanities while the nonconformists, the infidels, the rebels, the heretics, they stand by and watch you. We are different, but join together as one physically, and watch you, you mentally attached beings, destroy yourselves with your pretty clothes, expensive makeup and two door cars.
I resist, I defy, I am a renegade from the mental oneness. I have my personal oneness, and that’s what I am. I am one being, one soul, one complete set of organs, bones, tissues and veins, one sentient form. I am the laughter in your ears, the heckles from your classmates. You are your insecurity, I am your apathy.
This is my harangue, my lecture to society, my discourse of great unconcern. You all, you all one mental being whom cannot think for themselves until conjoined with someone as the same likeness. You cannot understand these words I repress your likeness mindfuck with. My apathy is wasted on the ignorant, the solitary conformation, the greedy mind ***** of this world; you longing to be like someone else. You want to fit in, and henceforth, my words have been squandered, left here on this domain to take up space, this viable invention carrying one more nonsensical harassment of the conformers. I am the freckles on your face, I am the birthmarks on your skin. I am the dandruff in your hair, the pimples on your face, the purity of your skin sans daily application of makeup to hide the imperfections that everyone has, that everyone knows about, the imperfections that you don’t want people to think you have. You wish to be a divine being, one without mistakes, from birth to death, your celestial life will be filled with lies that the conformers are force fed. They crave that. You all crave ***** lies, filthy gossip.
I am a loaded gun; I am the second amendment of this worthless country’s constitution. I am the Hemp paper it’s written on; the implausibilities of this country, this state of oneness, conforming. I am the embarrassment you seek to shun from your life. “Oh my God, dad, stop embarrassing me!” You are your phone bills, you are lethargy with regards to other humans’ emotions.
You lead the conformers; they aspire to be you. You shoot down the differences of the nonconformists. You dash individuality and support pop culture, a culture of mental oneness. You are your disgust and I am rewarded. You hate me because I’m not you, we are not connected through the same telepathic, social, daily mindfuck. We love that; I want you to hate me, because I am winning. I am winning your war against yourself. By being different, I have, unbeknownst to you, pitted that piece of your brain that has been unaffected by your grand scheme of oneness against yourself.
You are bemused, destroyed from within, yet you fight it, because you are connected with millions of others through one enormous mindfuck, like aliens. You all dress the same and have the same values. I am different. I am fine with walking alone, I know how to handle myself alone and I am not afraid to be alone. Point your pristine fingers at me, cover your mouths and giggle when I walk passed; those pristine fingertips will only seek to find the comfort of a cellphone or a keyboard - a reliable second option to your oneness. So go ahead, be the same children, live a robotic life of ignorance and wealth, go, live like kings and queens.
I am happy for who I am and where I’ve gotten because I am different, and you have yet to realize each time you ridicule me, shun me, disregard my absurd practices, you are defeating yourself; it makes me better. I am detached from you, from your continental mindfuck, your baiting fear of singularity, uniqueness. I am unique, different, single; I am also joined together of my own oneness, a oneness of will, of physical bonds between different people. I learn to adapt, to accept; you will botch the young, restless years of your life becoming one with everyone through mental bonds of instability, ignorance, of togetherness.
I am the strength which you lack and cannot learn. I am what I want and there is no feasible way for me to lose faith, my individuality. Point your fingers at me; you are defeating yourself.
Sombro Dec 2014
Why do we mix again and again
A poison bitter strong
The killer tools of government
Consciously created to be wrong

Robotic minds make music
And we will dance along
Not thinking of the people
Who lived the beat the gong

And now we are alighting
To the torch of fabrication
For walls began their freedom fall
Language soon our only nation
Lawrence Hall Jun 2019
Hello, you have reached your longtime downhome hometown Saint Swithin’s Family Medical Clinic now an outreach ministry of Consolidated #Jesus Industries Inc. where nobody knows you anymore and wouldn’t care if they did your health care is very important to us you are a valued customer our office hours are from 8 to 12 and 2 to 5 on alternate Mondays and 9-12 and 2 to 5 on Tuesdays and Thursday after Woodchuck Endangerment Awareness Day but before Greenpeace Day except when the latter falls on a Wednesday in which case our office hours are 2 to 5 only and on Saturday 8 to 12 if this is an outside pharmacy please dial X and follow the menu if this is a prescription refill please dial Y and follow the menu if this is to schedule an appointment please dial Z and remain on the line if this to reschedule an appointment dial A cubed and speak slowly when prompted to do so I’m sorry I didn’t quite get that would you like to try again I’m sorry I still didn’t get that if you would like to speak to an operator dial oh, I am sorry your time is expired please hang up and redial if you would like to speak with Dr. Name’s secretary please dial 3 if you would like to speak with Dr. Other Name’s secretary please dial 4 if you would like to talk with Nurse Practitioner Yet Another Name’s secretary please dial 5 if this is an emergency then please hang up and dial 911…
Your ‘umble scrivener’s site is:

Reactionarydrivel.blogspot.com

It’s not at all reactionary, tho’ it might be drivel.

Lawrence Hall’s vanity publications are available on amazon.com as Kindle and on bits of dead tree:  The Road to Magdalena, Paleo-Hippies at Work and Play, Lady with a Dead Turtle, Don’t Forget Your Shoes and Grapes, Coffee and a Dead Alligator to Go, and Dispatches from the Colonial Office.
You're a staircase of kingdoms.
A bacteria, hosted by tolerance.
A protist, without an identity of your own.
A fungus, risky and thriving on what once was.
A plant, needy for growth that flowers ambition
     but wilts your respect.
An animal, a robotic hunting machine that thinks it can think.
Jonny Angel May 2014
Third Sunday of the month,
*******
& a mutual ******.

Third Sunday of the month,
*******
& a mutual ******.

Third Sunday of the month,
*******
& a mutual ******.

Third Sunday of the month,
*******
& a mutual ******.

Third Sunday of the month,
*******
& a mutual ******.

Second Sunday of the month,
69 & a mutual ******.

Third Sunday of the month,
*******
& a mutual ******.

Third Sunday of the month,
*******
& a mutual ******.

Third Sunday of the month,
*******
& a mutual ******.

Third Sunday of the month,
*******
& a mutual ******.

Third Sunday of the month,
*******
& a mutual ******.

Third Sunday of the month
*******
& a mutual ******.
I shouldn’t be drinking coffee.
I shouldn’t be reading the news.
It makes me anxious, and it’s not only the chemical interaction.
Somehow, I associate it with “adulthood”—reading the news,
Drinking coffee—I can’t tell you how many days of the last few
Years have been spent entirely in this fashion. The coffee
Growing cold and the news colder still. I don’t even taste the
black, fluid drops. I don’t hear the screams of people I read
about. I just want to hold on to something—so I raise the glass
to my lips. I can’t say

the shocking words when my mouth’s full; I can’t tell

about my experience, my privilege, when I’m drinking it.


The production of the commodity

creates a line from some equatorial region
to central America, and my mouth.
I think about the Autumn I worked in a corn-seed
sorting facility. What a short experience—
and yet,
something that weighs heavy on my imagination.
I was a temp worker.
I chose to work there out of shame and guilt for having
missed the deadline for college enrollment.
I could have done anything else; but there were people
there who wanted nothing more than a job. They needed
to be
there.
And I think of the people involved in producing coffee beans

in much the same way.
Removed
from the thing they’re making, as the raw materials are shipped
to places you pay workers more.
Why shouldn’t I swallow with difficulty when faced with the pro-
spect of a person supporting their entire family with the type
of work
I did
reflexively, as a choice?

Now I sit here, reading about North African riots,
a region, where coffee is produced—
ARABICA COFFEE— and I think about what’s sitting
in my cup, how I have
spent more money than they make in a day
to buy
one container

and sit here
for an afternoon
doing nothing but reading about their families’ misery.

I am a human parasite.

And like the bedbugs that have crawled meticulously
between my mattress and bedframe, hiding in a safe spot
until they can come out, undetected, and **** my potency.

I sit here, in the comfort of an apartment furnished
and paid for by my father who grows corn in a highly-
mechanized, agricultural society. I take more and more,
festering to the size of a blistering, red dot
blinking in the dark, in the form of the record light on
my voice recorder.
I expect so much more from myself, simply because of
this position of luxury.

But I don’t take time to think about my reaction to these
stories or how I am involved in them, in shaping their plots.
I’m even eating more now
as I’ve nearly lost my concern with avoiding certain super-
markets.
I smile at the greeters, make small talk with the cashiers
whom I am openly exploiting. But it’s ok, because
I worked for a month at a cornseed manufacturing
facility
and I read Marxist Ideology,
and I know about the Arab Spring
and I was against American intervention in Libya
and I disdain the air strikes from robotic planes
(unauthorized by congress)
and I disdain congress
and I support gay marriage
(I stopped eating chicken).
I don’t drive to the suburbs of my city.
I walk and ride my bicycle as much as I feel like.
I use public transportation at times.
I try to get to know women.
I practiced safe ***, once.
I write poetry.
I tell my mom I love her.
I bought my nieces birthday presents.
I’m not overly nice to people of different
ethnicities.
I voted for Obama.
I’m trying.
All these things make it seem less bad
to smile at the cashier.
But then I think about my black studies Professor
who used a walker to come to class
because she fell
and spelled the word Amendment “Admendment”
on the board when talking about Reconstruction.
I think about the war in Syria.
I think of people dying from cholera in Haiti, in 2012
A.D.
I think about fracking and oil spills and …
irrevocable damage to Indian reservations.
I think about football coaches molesting children
and people eating fried butter.
I read about people
upset
with a movie
who protest in the streets for days.

It makes me realize I shouldn’t smile at anyone.
I shouldn’t be drinking coffee.
I shouldn’t be reading the news.
Liisi Kilpelä Dec 2011
Robotic impulse
Slight disarray in the wing
Please do not mind
The mess on the second floor

We hid treasures in the basement
When the skeletal armies of men
Crashed through the walls, illicit
Yet invited

As the stones rained
From ceiling to carpet

Muddy shoes on silk
White dresses, you said
In the cage that was made of iron

“I do.”
Mateuš Conrad Nov 2015
it was only the first screening of ex_machina,
but the words 'deus' and 'placebo'
were uttered after a walk of thus pondering:

understanding this movie requires kant's
critique of pure reason matter of frankly,
i lost the kantian concepts of *a priori
and
a posteriori using the cartesian method of understanding,
gravitating in my realm of understanding
almost unconscious why the cartesian uncoupling
of the kantian compounds is required:

invoking a purely cognitive aspect of analytical
and synthetic i took the temporal realm of
pre- and post-, which is respective of the definitions
of the above italicised -

when watching the movie... apart from the groovy
part where music has no central role as is usual
in all horror movies... the aesthetic of horror movies
has been cleaned up thanks to technology,
that knife into the chest like knife into butter
is perfect... the knife into the chest also perfect...
it's the robotic of man's daily routines done by a robot
that does the horror bit...
it's music replaced with claustrophobia,
the theory is mesmerising... generally speaking
phobias are tiny... and the horror scenario
losing focus in terms of music and instead
focusing on an expanding phobia, like claustrophobia
is a gigantic leap in the horror movie scene...
i wonder what the moving imagery of arachnophobia
would look like... without technological frankensteins...
a massive thematic move but still trendy with mary shelley's
original idea... more clean cut... no scar marks...
a beautiful frankenstein emerges...
but enough of that...

the kantian translated with cartesian methodology,
losing the a priori and a posteriori coupling
with analytical and synthetic notions -
like me when i first learned language,
21 years later i've just started the analytical procedure,
prior to these years, the cut-off point at 21
i was merely synthesising the language,
so well that i even managed to phonetically
strain my tongue to fake having a limousine
and a mansion and a horse... posh posing fake...
it happens - no geordie no scouser no cockney in me...
just mundane pure elocution to a ****,
harmless if i'm being honest -
but no, no no, i mean i had to synthesise the language
first, before i lost all possible synthesis of it
attributed to vocabulary... it's then that i started
to analyse it!

so this robo chic... i was thinking:
what's the analysis to synthesis ratio in her?
that must be balanced, right?
there are so many things to analyse in life:
all those biologists, chemists, forensic scientists...
but only one successful synthesis - almost
like free will that does not dare to conflict
with other possibilities...
there's no before / after concerning what one knows,
a symbiosis has to exist between these two things -
it's not that she's artificial, she's pure analytic,
she can't be pure synthetic:

deep blue is pure synthetic - he was given all
the possibilities of a chess mastermind,
he's purely synthetic, because the only thing
he can analyse is chess, and in only doing so,
he can only synthesise the authentic craft of
playing chess and nothing else, meaning he has
limited parameters -
but this robotic woman / frankenstein
would be lost in terms of pure synthesis, unlike
deep blue - she's pure analysis, meaning
the interaction is almost two dimensional,
meaning that if man questions his free will,
she would also have to do so...
i'm thinking analytical intelligence (a.i.)
either pondering suicide, ****** - morality
in total... and being drunk...

the same conceptualisation applies
in my own scenario, using the cartesian methodology
on kantian concepts i realised
my thought is an interchange of analysis | synthesis |
analysis | synthesis... this interplay
is staggering... first i cognitively synthesise
then i cognitively analyse, ping-pong.

i have no care for attaching a priori to
synthesis or a posteriori to analysis, or whatever
dogmatic building block is expected,
in the temporal sense i see the future
as ordained by the faculty of imagination
and the present as ordained by the faculty of memory;
in the present there's only this:
a lot of verbs, some which i can control, some which
i can't... depending on my noun bank account...
that same old fascination with flowers and
the complete and utter lack of apps. for deciphering
names of flowers...

but of course there's a moral to the film's plot -
it mentions consciousness and awareness to something...
a bit like man being conscious of his evolution,
hence the necessity of forgetting **** sapiens
and embracing deus placebo...
after all... it will please the vanity of man to
think himself a god...
and in so doing... craft the possibility of a deus sapiens...
a rational god... given that we're still monkeys
in spandex shooting bullets at innocent random targets
in the minority.

did i forget something?
four beers does the trick... i watched a great movie...
now i'm going to drink some whiskey
and paint my room blood red
donning a dracula bun of hair tickling with excitement:
but prior... if the universe is an undifferentiated substance,
say... water... i imagine the geometry of it's boundlessness
concerning the capillary effect of water...
what sort of geometric shape would allow the singularity
of the universe to provide the parabola of it
being in a tube of glass... in comparison to it...
i'm an indentation... i'm like mercury in similar circumstances...
hello big void... filled with aurora colours and magpies.
Mitchell Duran Mar 2011
A last ditch attempt
To the roar
Of a broken siren
The other night
I worked too fast
I gripped no message
I forgot every lesson
Viewing a selfish brat
I punched the mirror
To ten million pieces
Now,
I stand with no reflection
But words still in front of me
That appear
From an unseen Void,
A person unknown,
A being unheard,
And,
If I'm lucky,
To be read by,
Digital strangers
With false names
Sam WG Jun 2014
Thinking that maybe there is music on planets other than our own
With different tones that we just can’t seem to hone
And instruments like triple necked trombones made of recycled robotic bones
Rockstar aliens playing in bands and doing gigs on planets in neighbouring zones
A gigantic galactic space tour to call their own and silver and chrome skyscraper cities to rock and roam
I'm writing a song and really like this verse so thought I'd share !

— The End —