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Ryan P Kinney Nov 2017
I am scared!
Scared of this world

Robert Godwin Sr
Alyssa Elsman

How many more have to die?
By my kind,
By their kind,
Because they blame some other kind
What ever happened to just being
kind?

Daniel Parmertor, Russell King, Jr., Demetrius Hewlin

Where were you when the World Trade Center went down?
It’s something everyone alive then will always remember
Never Forget! was our brand motto for American Pride

Krystle Marie Campbell, Lü Lingzi, Martin William Richard, Sean A. Collier, Dennis Simmonds

And now, the death of another is so commonplace
That we forget what and where.
It’s no longer personal enough to register where in our lives that it struck us
Only note that another life has been struck down
Add another tally to the equation
And still it does not add up

Trayvon Martin
Tamir Rice
Samuel DuBose
Delrawn Small
Philando Castile
Terence Crutcher
Heather Heyer

We are completely desensitized
And decentralized
We keep ourselves disconnected
(because we just can’t absorb,
Take,
Process it all)
It’s not us
It’s not me
It’s somebody else
Somewhere else.
Until it is
Then we care
How much can we take, before we break

Cynthia Marie Graham Hurd, Susie Jackson, Ethel Lee Lance, Depayne Middleton Doctor, Clementa C. Pinckney, Tywanza Sanders, Daniel Simmons, Sharonda Coleman Singleton, Myra Thompson

The tragedy is the comedy
We laugh so we don’t cry
Sakia Gunn
Richie Phillips
Nireah Johnson, Brandie Coleman
Glenn Kopitske
Scotty Joe Weaver
Jason Gage
Michael Sandy
Sean William Kennedy
Duanna Johnson
Lawrence "Larry" King
Angie Zapata
Lateisha Green
****** August Provost, III
Mark Carson

I can’t say I’ve never thought of committing violence.
Hell, when my ex-wife cheated, it occurred to me
And I can’t say that I have never hit another
I’ve been a kid
My whole life is designed just to grow up
But, I’ve thought of killing myself far more often than the thought to harm anyone else have ever occurred to me
Because my problems are mine;
My fault,
And I am not seeking some scapegoat

Keenya Cook, Jerry Taylor, Million A. Woldemariam, Claudine Parker, Hong Im Ballenge, James Martin, James L. Buchanan, Premkumar Walekar, Sarah Ramos, Lori Ann Lewis-Rivera, Pascal Charlot, Dean Harold Meyers, Kenneth Bridges, Linda Franklin née Moore, Jeffrey Hopper, Conrad Johnson, 1 unnamed victim

I am not going to deny that being a white male hasn’t allowed me to sidestep a whole level of *******
One day, angry white males will be the minority
And we’ll have no one left to blame, but ourselves.
If we don’t **** everyone first
If we don’t **** ourselves first

Michael Arnold, Martin Bodrog, Arthur Daniels, Sylvia Frasier, Kathy Gaarde, John Roger Johnson, Mary Francis Knight, Frank Kohler, Vishnu Pandit, Kenneth Bernard Proctor, Gerald Read, Richard Michael Ridgell

Jonathan Blunk, Alexander J. Boik , Jesse Childress, Gordon Cowden,
Jessica Ghawi, John Larimer, Matt McQuinn, Micayla Medek, Veronica Moser Sullivan, Alex Sullivan, Alexander C. Teves, Rebecca Wingo

The earth has already decided that we are a plague upon it
Maybe climate change is the natural response to the abuse of our gifts

Nancy Lanza, Rachel D'Avino, Dawn Hochsprung, Anne Marie Murphy,
Lauren Rousseau, Mary Sherlach, Victoria Leigh Soto, Charlotte Bacon, Daniel Barden, Olivia Engel, Josephine Gay, Dylan Hockley, Madeleine Hsu, Catherine Hubbard, Chase Kowalski, Jesse Lewis, Ana Márquez Greene, James Mattioli, Grace McDonnell, Emilie Parker, Jack Pinto, Noah Pozner, Caroline Previdi, Jessica Rekos, Avielle Richman, Benjamin Wheeler, Allison Wyatt

What is this world going to teach my son?
That he’s better because of how he looks?
Or what I’ve taught him:
You make yourself better.

Jamie Bishop, Jocelyne Couture Nowak, Kevin Granata, Liviu Librescu,  P
G. V. Loganathan, Ross Alameddine, Brian Bluhm, Ryan Clark, Austin Cloyd, Daniel Perez Cueva, Matthew Gwaltney, Caitlin Hammaren, Jeremy Herbstritt, Rachael Hill, Emily Hilscher, Matthew La Porte, Jarrett Lane, Henry Lee, Partahi Lumbantoruan, Lauren McCain, Daniel O'Neil, Juan Ortiz, Minal Panchal, Erin Peterson, Michael Pohle Jr., Julia Pryde, Mary Karen Read, Reema Samaha, Waleed Shaalan, Leslie Sherman, Maxine Turner, Nicole White

I work as a data analyst
So, I ran the numbers
But, these are more than numbers
These are people: sons, daughters, sisters, brothers, mothers, fathers, husbands, wives, friends, lovers.

Stanley Almodovar III, Amanda Alvear, Oscar A. Aracena Montero, Rodolfo Ayala Ayala, Alejandro Barrios Martinez, Martin Benitez Torres, Antonio D. Brown, Darryl R. Burt II, Jonathan A. Camuy Vega, Angel L. Candelario Padro, Simon A. Carrillo Fernandez, Juan Chevez Martinez, Luis D. Conde, Cory J. Connell, Tevin E. Crosby, Franky J. DeJesus Velazquez, Deonka D. Drayton, Mercedez M. Flores, Juan R. Guerrero, Peter O. Gonzalez Cruz, Paul T. Henry, Frank Hernandez, Miguel A. Honorato, Javier Jorge Reyes, Jason B. Josaphat, Eddie J. Justice, Anthony L. Laureano Disla, Christopher A. Leinonen, Brenda L. Marquez McCool, Jean C. Mendez Perez, Akyra Monet Murray, Kimberly Morris, Jean C. Nives Rodriguez, Luis O. Ocasio Capo, Geraldo A. Ortiz Jimenez, Eric I. Ortiz Rivera, Joel Rayon Paniagua, Enrique L. Rios Jr., Juan P. Rivera Velazquez, Yilmary Rodriguez Solivan, Christopher J. Sanfeliz, Xavier E. Serrano Rosado, Gilberto R. Silva Menendez, Edward Sotomayor Jr., Shane E. Tomlinson, Leroy Valentin Fernandez, Luis S. Vielma, Luis D. Wilson Leon, Jerald A. Wright

I did research to try to find all the victims since I became abruptly aware 16 years ago
There are too many
I could not discover a single database that contained a comprehensive record
No one can keep track of it anymore
I know I’ve missed people
I know there are 1000’s of people now missing people
Even 1 was too much

Hannah Ahlers, Heather Alvarado, Dorene Anderson, Carrie Barnette, Jack Beaton, Steve Berger, Candice Bowers, Denise Salmon Burditus, Sandra Casey, Andrea Castilla, Denise Cohen, Austin Davis, Virginia Day Jr, Christiana Duarte, Stacee Etcheber, Brian Fraser, Keri Galvan,  Dana Gardner, Angela Gomez, Rocio Guillen Rocha, Charleston Hartfield,  Chris Hazencomb, Jennifer Irvine, Nicol Kimura, Jessica Klymchuk, Carly Kreibaum, Rhonda LeRocque, Victor Link, Jordan McIldoon, Kelsey Meadows, Calla Medig, James ‘Sonny’ Melton, Pati Mestas, Austin Meyer, Adrian Murfitt, Rachael Parker, Jennifer Parks, Carrie Parsons, Lisa Patterson,  John Phippen, Melissa Ramirez, Jordyn Rivera, Quinton Robbins, Cameron Robinson, Lisa Romero Muniz, Christopher Roybal, Brett Schwanbeck, Bailey Schweitzer, Laura Shipp, Erick Silva, Susan Smith, Tara Roe Smith, Brennan Stewart, Derrick ‘Bo’ Taylor, Neysa Tonks, Michelle Vo, Kurt Von Tillow, Bill Wolfe Jr.

and NOW I’ve run out of lines and time to read off all 2,977 people who died in 9-11
Isn’t that a tragedy?
judy smith Jul 2016
Meeting a renowned Pinoy designer, Michael Cinco, was the highlight of my nth trip to Dubai last month. He is so unassuming that I almost forgot how famous he is. Some of his A-list Hollywood clientele include Lady Gaga, Beyoncé, Jennifer Lopez, Kylie Minogue, Mila Kunis, Paris Hilton, Tyra Banks, Rihanna, Toni Braxton, Fergie, Nicole Scherzinger and Christina Aguilera.

Michael’s regular clients are Anne Curtis, Marian Rivera-Dantes, Kathryn

Bernardo, Liza Soberano, Ruffa Gutierrez and Bea Alonzo.

Miriam Quiambao and I immensely enjoyed bonding with Michael. He treated us to an authentic Lebanese dinner at the resto below his plush condominium right across the world’s tallest building, Burj Khalifa. Kudos to Michael for being the only Filipino designer who was invited to present his collection at the Paris Haute Couture Fashion Week’s “Couturissimo,” held last July 3.

He’s world-class yet down-to-earth. That makes him all the more remarkable. Pinoy Pride is something Michael wears so well. CincOoh la la! (Visit michaelcinco.com.)

Here’s my chat (via Facebook) with Michael:

What was the Paris Fashion week experience like?

About 15 years ago I was strolling along the beautiful Jardin des Tuileries. I was so in love with the place that I had a vision and a dream… I said to myself, one of these days I’ll have my show in this stunning garden. So when Asian Couture Federation approached me to have a show in Paris, I immediately begged to hold it in Jardin des Tuileries. Showing my collection in Paris Haute Couture Fashion Week has always been my ultimate dream. Seeing your collection on the runway of your dream garden is one of the greatest achievements in my life.

Among local celebs, who are the five best-dressed on your list?

Marian Rivera, Anne Curtis, Cherie Gil, Kathryn Bernardo and Liza Soberano. They all wore my couture dresses and they all looked amazing.

Any memorable moment with the celebs?

To be honest, I never met any of them. I dressed up some of the most beautiful Filipino Celebrities and Hollywood celebrities wore my clothes on the red carpet and in their music videos. When the producers of the movie “Jupiter Ascending” asked me to go to London to meet Mila Kunis and Channing Tatum, I declined because I was too shy to meet them. The stylist of Jennifer Lopez asked me to meet her backstage. Also, the manager of Kylie Minogue asked me to go to her room for fitting but I just sent my assistant because I was scared and shy.

Who is the easiest celeb to dress up?

Most of them are easy to dress up because they all look fabulous in my couture dresses.

What are your three fashion do’s and don’t’s?

Do’s: Be yourself; create your own style; wear something that will make you feel confident.

Don’t’s: Don’t wear a dress two sizes smaller than your body; don’t follow someone else’s style; don’t try to achieve what you see in glossy magazines—they are all photoshopped!

If you were asked to design an outfit for President Duterte, what would it be like?

A bullet-proof couture barong.

What’s your advice to aspiring designers?

Young designers of today should realize that fashion is not all about glamour. The fashion world is very cruel. You will be judged, criticized and rejected.

It takes hard work, patience and strong determination to achieve your goals. Create clothes that people will wear. If you want to create art on clothes, make sure they will sell.

Lastly, be humble and never give up. Believe that anything in this world is possible. Believe in your dreams and if you have faith and confidence in God, all of your impalpable dreams will come true.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/long-formal-dresses
judy smith Aug 2016
TO PUT the art and talent of Mindanaoan fashion design into the spotlight, Kagay’anon fashion designers put their hands together to organize the 5th Mindanao Fashion Summit at the Limketkai Center Rotunda from August 4 to 6, every 4 p.m.

“Being a core event of the Higalaay festival, the opening salvo, the Mindanao Fashion Summit can really highlight fashion designers here in Cagayan de Oro and also in different points of Mindanao to let everyone see what they can do in the world of fashion design especially now that there are only so few opportunities for these designers to show off their works to the public. This is why we have the Mindanao fashion Summit because Kagay-anon designers believe that even if they join national fashion shows like the Philippine Fashion week, most of them still aren't getting the right encouragement as a fashion designer.” said Robbie Pamisa, the overall organizer of the event.

The Fashion Summit is a three-day event composed of seven sub-categories such as the Mindanaoan collection, the Menswear collection, and the Ororama orange collection for the first day, the Guest Designers’ collection, the Fashion Institute of the Philippines collection and the Loop Lifestyle Fashion Show for the second day, and the Holiday Grand collection for the third day which will serve as the culmination of the fashion event.

Mindanaoan Fashion designers from Cagayan de Oro as well as Davao, Butuan, Iligan, and Bukidnon have come to showcase their talents. Some of the fashion geniuses of the event include Alma Mae Roa, Angela Soriano, Ann Semblante, Benjie Manuel, Boogie Musni Rivera, Gil Macaibay III, John Mark Magellan’s, Joshua Guibone, Juniel Doring, Kiko Domo, Mark Christopher Yaranon, and Mavy Cooper de Leon.

One of the highlights of the event is the Oro Fashion Designers’ Guild and the Designers Assembly featuring a collection of clothes using Mindanao material such as the Mindanao silk. Sponsors such as Ororama and The Loop Towers will also be showcasing their products in the fashion event.

“Even student fashion designers from the Fashion Institute of the Philippines have been encouraged to participate so that they will be able to experience how a fashion show works. This is also a way for us to fulfill our mission to be another avenue for fashion designers to show what they have,” Paisa said.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/long-formal-dresses
The human sacrifices begin at noon. I must hurry to prepare the ruins.

Good: The pyramids retain their purity of line; the hieroglyphs balance out the skulls, more or less. Let us say, oh, two to one.

A Diego Rivera mural stretches from wall to wall of the Mayan ball court. (Are those blues really from nature?)

Heads will roll! I predict.

I need more coffee — any style. Bring me the big, steaming bowls of France that you must slurp two-handedly. Bring me the tiny espresso shots of Italy, bitter and inadequate, always calling for another cup.

Bring me café in an ornamental Mexican jar painted in bright ochres and reds. Set it on a geometrically designed serape with just a hint of purple on the fringe.

I will sop up the last drop of caffeine with my tortilla, while dining room tables multiply like serpents.

I must hurry. The sacrifices begin at noon.

Already, the humidity clings to my skin like a cheap cologne.

How stupid of me not to have worn a white linen suit, huaraches, and a Panama hat  (straw, of course).

In any case, I am the expert. My art criticism begins now.

Rivera’s human figures roll in a wave of revolutionary fervor: too rounded, too cherubic, too pastel. Industry, agriculture, fraternity, socialism. Hand me the hammer. But no bare *******, as in Delacroix’s Liberty Leading the People.

A careless oversight. ****** always adds a pleasant focal point to a painting.

Suddenly, bad news breaks. The sacrifices have been called off; the ballplayers  have converted to Communism. Viva la revolución!

                                                 + + +

Frida Kahlo twirls her mustache to match the flair of Salvador Dali’s.

Her heart flutters for the Spanish surrealist, who has bug-eyes only for Gala.

Kahlo deigns to paint his portrait, which turns out to be another of her
 self-portraits. So many selves. So many portraits.

This one sports ample ****** hair and a monkey on her shoulder, who leans across to eat the gardenia behind her right ear. Or is it a carnation? Ah, carnations only calcify into clichés. Let us call it a hibiscus, and be done with it.

(Still, are those lurid colors from nature?)

I must hurry. The exhibition will begin at 2 a.m., the hour when all the wine shops close, and the retablos disappear from the churches. No respect for authority after la revolución. Only the self, the self. Always the self.

Kahlo twists her mustache into a braid for her next self-portrait: Liberty Leading the Mexican People. She squeezes into an orthopedic corset, bare-breasted.

I pull out my droopy Dali watch to eye the time. The hands cross at midnight.

I must hurry. Yet Kahlo insists I sit.

She paints my portrait with a spike through my spine, a shattered pelvis, and partial paralysis of the legs. I can no longer walk a straight line.

She thinks I am she, in trousers. The self, the self. Always the self.

My moustache grows heavier than hers, however, and I painstakingly pluck out the unibrow.

But I adore her monkey, with his close-set eyes. He eats a carnation for penance each morning, then primps before the mirror. The self, the self. The primate self.

More bad news: Dali cancels the exhibition. He has been demoralized by the retablos, which radiate beauty in six dimensions: height, breadth, length and the omnipresence of the Holy Trinity.

A genuine milagro: The streets fill with gardenias and hibiscus. The Mayan ballplayers convert to Catholicism.

A white skeleton dances with Kahlo in the moonlight. He wears her leather-and-steel braces.

No matter. I am the art critic, and I declare all Mexican colors indigenous, naturalistic, and caffeinated. Then I turn out the dining room lights.

A starry, starry night. The humidity sinks into the cenote.

Tomorrow, I shall buy a monkey and teach it to paint. All colors from nature, of course.
This is an imaginative riff based on a trip to the Yucatan Peninsula. It's also a poem where the reader has to judge whether the speaker of the poem, the "I", is the author. I'll leave the answer to you. It helps to know the works and ****** portraits of Mexican muralist Diego Rivera, Mexican self-portraitist Frida Kahlo, who was impaled and had her pelvis shattered in a bus accident, and the Spanish Surrealist painter Salvador Dali. You can Google all of them.
1975 Art Institute is tactic for Odysseus to put off dealing with real world also investigate range of visual techniques gay instructor fruitlessly endeavors to ****** him he enjoys several affairs with beautiful girls yet Bayli haunts him main building of school is connected behind Art Institute of Chicago Odysseus spends lots of time looking at paintings Edward Hopper’s “Nighthawks” Gustave Caillebotte’s “Paris Street Rainy Day” Ivan Albright’s “Portrait of Dorian Gray” Jackson *******’s “Greyed Rainbow” Georgia O’Keeffe’s “Black Cross New Mexico” Francis Bacon’s “Figure with Meat” Pablo Picasso’s “The Old Guitarist” Balthus’s “Solitaire” Claude Monet’s “Stacks of Wheat” Paul Cezanne’s “The Bathers” Vincent Van Gogh’s “Self-Portrait” Edouard Manet’s “The Mocking of Christ” Henri Toulouse-Lautrec’s “At the Moulin Rouge” Robert Rauschenberg’s “Photograph” Mary Cassatt’s “The Child’s Bath” Peter Blume’s “The Rock” Ed Paschke’s “Mid America” Grant Wood’s “American Gothic” Jasper John’s “Near the Lagoon” and John Singer Sargent James McNeill Whistler Diego Rivera Marsden Hartley Thomas Eakins Winslow Homer his 2nd year at Art Institute involves student teaching during day then at night working as waiter at Ivanhoe Restaurant and Theater gay managers teach him to make Caesar salad tableside and other flamboyant tasks wait staff are all gay men once more Odysseus experiences bias from homosexual regime he is assigned restaurant’s slowest sections it bothers him the way some gay men venomously condescend women and their bodies Odysseus loves women especially their bodies he thinks about how much easier his life would be if he was gay in 1976 the art world is managed by gay curators gay art dealers he wonders if he could be gay yet not realize it can a person be gay but not attracted to one’s own ***? Ivanhoe hires variety of night club acts one night he watches Tom Waits perform on piano in lounge Odysseus feels inspired in 1977 he graduates with teacher’s certification he considers all the sacrifices teachers make and humiliating salaries they put up with he does not want to teach candidly he feels he has nothing yet to teach teaching degree was Mom’s idea Odysseus wants to learn grow paint after Art Institute he flip-flops between styles his artwork suffers from too much schooling and scholastic practice it takes years to find his own voice he has tendency to be self-effacing put himself down often he will declare what do i know? i’m just a stupid painter one topic artists do not like talking about is their failures how much money they cost creation requires resource paint and canvas can be expensive how much money is spent on harebrained ideas that never pan out? most artists resort to cheap or used materials few can afford their dreams he gets job selling encyclopedias that job lasts about 5 weeks then he finds job selling posters at framing store on Broadway between Barry and Wellington Salvador Dali Escher Claude Monet prints are the rage his manager accuse him of lacking initiative being spacey after several months he gets laid off he finds job waiting tables during lunch shift at busy downtown restaurant other waiters are mostly old men from Europe they play cards with each other in between shifts teach Odysseus how to carry 6 hot plates on one arm and 2 in his other hand the job is hectic but money is good experience educates differently than books and college a university degree cannot teach what working in the real world confronts people learn most when they are nobodies he reads Sartre’s “Being And Nothingness” he wants to discover who he is by finding out who he is not often he rides bicycle along lakefront taking different routes sometimes following behind an anonymous bicyclist possibly to come across new way he does not know or to marvel at another person’s interest

truth is this life is too difficult for me the violence hatred turf wars tribalism laws judgments practices rules permits history i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world i’m sorry am i repeating myself i apologize i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world god please protect teach me strength courage fairness compassion wisdom love i’m not prepared emotionally to withstand the realities of this world not equipped psychologically to deal with the stresses of this world

buy divinity purchase devotion earn reward points own 4 bedroom loft with roof garden deck porch pool parking in paradise’s gated community pay for exclusive membership into sainthood become part of inner circle influence determine fate destiny of everything step up to the plate sign on the line immortalize yourself feel the privileges of eternal holiness i’m living inside a nightmare inside a nightmare inside a nightmare hello? i am dizzy in my own self-deceptions lost in my own self-deceptions alone in my own self-deceptions there was a time once but that time is gone there was a place once but that place has vanished there was a life once but that life is spent remember when things were different truth is i’m weak skittish anxious alienated paranoid scared to death pagan idiot stop

breath deeply push stale air out imagine kinder more respectful loving world please god do your stuff angels throw your weight around clean up this mess planets align stars shine ancient spirits raise your voices magic work there are words when spoken can change everything words rooted to spiritual nerves if voiced in  particular order secret passwords capable of setting off persuasions in the mind threads to the heart if a person can figure out which words what order tone of voice rate of pronunciation time of day then that person can summon powers of the supernatural Isis goddess of celestial sway of words whisper secret earth water fire air reveal your alchemy winter spring summer autumn teach about passages patterns sublime eastern western sun fickle moody moon unveil your heavenly equation north south east west  beat the drums blow winds show the path to healing path of the heart blood dirt hair *** bare the mystery of your trance dance the ghost dance sacred woman with ovaries cycles flow smell beautiful girl eyes sweetness strange awkward skinny scruffy boy great bear spirit bird jumping fish wise turtle where are you why is there no one to back me? jean paul sartre what was your last thought before you died? was it nausea? nothingness? or a wish?
Hayley Simpson Oct 2012
Dear Hot Straight Actresses,

Stop playing perfect lesbian characters on TV that cause me to become wet on lonely Thursday nights.

It’s the equivalent of waving double chocolate fudge cake in front of a menstruating woman who has just been diagnosed with type 2 diabetes.

To name a few,

Jennifer Beals as Bette Porter on The L Word.
Stop it!

Naya Rivera as the sassy Santana Lopez on Glee.
Stop it!

Angie Harmon as butch goddess Detective Jane Rizzoli on Rizzoli & Isles.
You may be in the closet but you are gay and stop!

And Sara Ramirez and Jessica Capshaw as the married ****** Dr. Cali Torrez and Dr. Arizona Robbins of Grey’s Anatomy.
You…you keep going. You two give me hope.

Hope that someday my insanely high expectations will be met when my hot art collecting, sassy mouthed Doctor with handcuffs in her back pocket jumps from the screen and onto my sweatpants covered lap.
In this crazy assumption that I’ll end up falling out of an apple tree letting gravity push me into the arms of a woman who fixes my broken sense of reality with a amazing great hair and a wedding proposal.

Missing out on the

Hot barista who gives me an extra large when I ask for a small

or the

Budding **** artist who invites me to her galleries only to realize her muse has oddly the same hips as me.

or the

Best friend who is still stuck in the shadows of my closet.

Nope…didn’t see any of those.
I’m too busy watching the **** tube to see what low cut tops they can get away with before they leave the set and back to their husband and 2.5 kids.

All I’m asking is…

…when is it coming out on DVD?
Performed at The Bowery Poetry Club (2012)

Author: Being a closet about my Grey's Anatomy addiction I wrote this because I LOVE Cali and Arizona. Probably one of the best couples (straight or gay) on TV right now. When I performed this at the Bowery in New York this sweet lesbian couple came up, hugged me, took some pictures, and then told me they felt the same. UNITY!!!!
tap Aug 2016
Please do not hate me
when I fail to say hello.
I am still learning
how to interact with you
without resorting to
my usual, self-deprecating humour.

If there comes a day
when you are finally fed up
with my emotional instability,
please, for the love of God,
let me know.
I do not want to have to think
that everything is okay.
I am already blind enough.

You always kiss me
and tell me that you're fine
with everything I do.
I do not want that all the time.
I do not want to be spoiled,
indolent,
unaware.

I want to grow with you.
I know you are not the answer
to my nail-biting anxiety,
but you are my pillar,
my brown-eyed support system.
I do not want to have to
give you my stress.
I am happy enough
knowing you're still there
willingly.
i forgot how to write.
Angie Rai Jun 2020
She sleeps by day,
wakes at night.

Falls under the waves,
fertile by sand.

Sun my child,
I only have one.

Earth my lover,
soon will have none.

My mommy rivera,
good question, my son.

I never hear her,
From continents she's forgotten.
Anguish mommy, anguish.
Santiago Nov 2015
no le des espacio a lo negativo
aunque pronostiquen días de mal tiempo
se escucha un polluelo que calló del nido
expande hoy tus alas y remonta el vuelo
tu naciste para ver las cosas desde arriba
conquista las alturas piensa positivo
renueva hoy tu mente, pues

coro
La sangre de Cristo es vida
hay victoria segura en él
estudiando y guardando su palabra
lo esperaras y todo te saldrá bien.

II
Procura no mirar ese panorama
que hacen que tus sueños sean como desvelos
no escuches voces incierta y extrañas
que solo ponen peso sobre tus espaldas
Tú naciste para ver las cosas desde arriba
conquista las alturas piensa positivo
renueva hoy tu mente pues.

coro
La sangre de Cristo es vida
hay victoria segura en él
estudiando y guardando su palabra
lo esperaras y todo te saldrá bien.

La sangre de Cristo es vida
hay victoria segura en él
estudiando y guardando su palabra
lo esperaras y todo te saldrá bien.

La sangre de Cristo es vida.
Nat Lipstadt Jun 2023
Leave if You Can II


I live in the house of poetry.
I ascend her stairs slowly
and leap back down.
I sit in the chair of poetry,
sleep in her bed, eat from her plate.
Poetry has windows
through which mornings and afternoons
fall, and how well she suspends a teardrop
how well she blows until I tumble / With this
I mean to say that
one basket brings
both wounds and bandages.  
I love poetry so much that sometimes I think
I don’t love her / She looks at me,
inclines her head and keeps knitting
poetry.
As always, I’ll be the bigger person.
But how to say it / How to tell her
I want to leave / honestly I want to
fry my asparagus…
I see her coming near
with her bottle of oil
and crazed skillet.
I see her,
her little bundle of asparagus
slipping out her sleeve.
Ah her freshness / her chaotic glint
and the way she approaches with relentless meter.  
I surrender / I surrender always because I live
in the house of poetry / because I ascend
the stairs of poetry
and also because
I come back down.

    — Translated by Lisa Allen Ortiz & Sara Daniele Rivera
Rossella Di Paolo

Rossella Di Paolo was born in Lima, Peru in 1960. She studied literature at the Pontifical Catholic University of Peru. She made her first publications in the student literary magazine Calandria, and worked as a journalist for several years for the alternative current affairs magazine La Tortuga. Her books include Prueba de Galera (1985 and 2017), Continuidad de Los Cuadros (1988 and 2018), Raised skin (1993 and 2019), Tablets of San Lázaro (2001 and 2020), and The chair in the sea (2016), which received the Lights of the Readers Award for the El Comercio Best Book of Poetry of 2016. In 2020, she won the Casa de la Literatura Peruana Prize and was distinguished as a Personalidad Meritoria de la Cultura (Admirable Cultural Personality) by the Peruvian Ministry of Culture.

She is a university professor and directs poetry workshops. Her poems have appeared in anthologies of Peruvian and Latin American poetry. She takes part in exhibitions of poetry, painting, and photography, and edits multidisciplinary editions of poetry.
How strange it seems! These Hebrews in their graves,
    Close by the street of this fair seaport town,
Silent beside the never-silent waves,
    At rest in all this moving up and down!

The trees are white with dust, that o’er their sleep
    Wave their broad curtains in the south-wind’s breath,
While underneath these leafy tents they keep
    The long, mysterious Exodus of Death.

And these sepulchral stones, so old and brown,
    That pave with level flags their burial-place,
Seem like the tablets of the Law, thrown down
    And broken by Moses at the mountain’s base.

The very names recorded here are strange,
    Of foreign accent, and of different climes;
Alvares and Rivera interchange
    With Abraham and Jacob of old times.

“Blessed be God! for he created Death!”
    The mourners said, “and Death is rest and peace;”
Then added, in the certainty of faith,
    “And giveth Life that nevermore shall cease.”

Closed are the portals of their Synagogue,
    No Psalms of David now the silence break,
No Rabbi reads the ancient Decalogue
    In the grand dialect the Prophets spake.

Gone are the living, but the dead remain,
    And not neglected; for a hand unseen,
Scattering its bounty, like a summer rain,
    Still keeps their graves and their remembrance green.

How came they here? What burst of Christian hate,
    What persecution, merciless and blind,
Drove o’er the sea—that desert desolate—    These Ishmaels and Hagars of mankind?

They lived in narrow streets and lanes obscure,
    Ghetto and Judenstrass, in mirk and mire;
Taught in the school of patience to endure
    The life of anguish and the death of fire.

All their lives long, with the unleavened bread
    And bitter herbs of exile and its fears,
The wasting famine of the heart they fed,
    And slaked its thirst with marah of their tears.

Anathema maranatha! was the cry
    That rang from town to town, from street to street;
At every gate the accursed Mordecai
    Was mocked and jeered, and spurned by Christian feet.

Pride and humiliation hand in hand
    Walked with them through the world where’er they went;
Trampled and beaten were they as the sand,
    And yet unshaken as the continent.

For in the background figures vague and vast
    Of patriarchs and of prophets rose sublime,
And all the great traditions of the Past
    They saw reflected in the coming time.

And thus forever with reverted look
    The mystic volume of the world they read,
Spelling it backward, like a Hebrew book,
    Till life became a Legend of the Dead.

But ah! what once has been shall be no more!
    The groaning earth in travail and in pain
Brings forth its races, but does not restore,
    And the dead nations never rise again.
today we visit graveyards
turning over the wormy soil
to uncover the exquisite corpse

though we were told to
let the dead bury the dead

on this day we unbury
the dearly departed

relishing transcendent
embraces and cool
cervezas with jolly
amigos and la
familia who have
gone on before

we wrap ourselves
in graveblankets
to complete warm
circles of love

embracing our
beloved companeros;
gleaning netherworld
heavenly rest wisdom,
sharing the laughter
of trite earthly concerns

we’ll roll speckled tortillas
on smooth tombstone mesas
to feast on Mariachi tacos
brimming with spicy queso,
chased with another cool sip

waltzing with the holy bones
to the candle lit reveries
of this evenings
flowing melodies

Mercedes Sosa & Joan Baez
Gracias a la Vida

Dia De Muertos
Diego Rivera

Oakland
11/1/13
jbm
John F McCullagh Dec 2013
Father Time stood undefeated.
Bonds came close, but Barry Cheated.
Roger Clemens had a career for the ages
but oft fell prey to roid based rages.
Mariano Rivera was a more worthy foe
No pharmacological freak was Mo.
He threw one pitch, his control well learned,
and he chose to leave on his own terms.
I stood up and joined the cheers
the day Rivera last appeared
and, though I wept to see him go,
Time would never lay him low.
Mo Struck out Time, he had it cooking
A called third strike that left Time looking
like Beltran caught in the bright lights
good morning, good Evening and Good NIGHT!
Actually Mo Rivera's last batter popped out to second and was the second out of the top of the ninth at Yankee stadium when Andy Pettite and Derek Jeter were sent out to remove him from a game that the Yankees lost to the Rays 4-0. this is a metaphorical expression of the fact that Mariano Rivera left the game on his own terms when he still could play at a very high level. Certainly among the greatest Yankees of the modern era.
Jack Saintjohn Nov 2013
Detroit
Lying in ruins like Ancient Rome
The gods of Detroit looking down
Ford wondering
Why cars are now made in china  
Ty Cobb sobbing
Over the loss of his sandlot
Diego Rivera
Putting his hand down saying
Don't touch my **** mural
Eminem's eight mile vanishing
Joe Louis' palace tumbling down
Bell Isle being sold to the highest bidder
Who killed Detroit?
Let the finger pointing begin
DP Younginger Nov 2014
How many Someone’s lay planked on their waist and stare aimlessly at the candle’s flame?

Who of You is daring enough to close Your eyes and in space alone, simply drive- drive away?

The same Someone’s and Who’s-of-Who’s, on occasion holler at the moon with expectation of a bark back; or is God but a prestige to fools that We allow to wear Normal on Their crummy ******* name tags?

Sometime around Christmas there is a salivating peace, sifting downward on ordinary people, whom really don’t feel like being cold, you know?

This is me, rotting away on the carpet, a blanket’s blanky for the floor, just staring through the shutters on the vent below my brow; in the reality of it, I should probably schedule a spring cleaning…not for the vent folks.

You see- and I’m trying to be as casual as I can- I’m about to ******* pass out, you know what I’m saying?

This is that incredible moment where I’m the Bob Feller of dozing off, 9 innings of shut-eye talent, but at 2 or 3 in the morning…it looks as though I’m bringing in Mariano Rivera to close it out,

I can almost smell the scraps of mowed grass, kicking up from his cleats as he jogs closer to where home is; I never really find out if he makes it to the mound…
You will love
And it will hurt sometimes
Your frijoles will burn sometimes
And sometimes you’ll put too much salt or not enough
An insult or two
But mijo don’t ever let him hit you
And leave before you hit him back

You will love
And it will **** sometimes
Cocine en olla de barro
Persígnese en la mañana
Use condones y lubricante
Y guarde un cuchillo debajo de la cama

You will love
And it will feel good sometimes
No le eche tanta sal a la carne
Póngale un vaso de agua a sus muertos
Take lots of pictures
And in times of trial, don’t forget about the good memories
Invoke them, que esas lo van a sacar de dudas

You will love
And it will get intense sometimes
Límpiese con un ramo de flores blancas
Hágase un baño de agua florida con cascarilla
Get tested at least twice a year,
Y coma bien, no se malpase

You will love
And it will be sad sometimes
Use grape seed oil instead of mazola
Chia seeds on your water, pa’ la diabetis
Honey instead of refined sugars
******* once a day o las veces que quiera
And never let your ****** desire depend on a man
For all men despite their beauty can be damaged

You will love
And you will be on top of the world sometimes
Don’t eat so many tortillas,
Soda is not good for your kidneys, drink water or brew your own ice tea o hagase su juguito natural
Sea humilde y buena gente
No need to be mean and creido
Crease de su identidad y su lenguage
Ya lo material va y viene
Pero eso sí, que no se lo hagan pendejo que por ahí hay mucho cabron abusivo

You will love
And you will break up sometimes
Don’t overdo it with the drinking
Write a lot of poetry
Listen to a lot of Jenni Rivera
Go out and enjoy your singlehood
Que es bien bonito no rendirle cuentas a nadie

You will love
Pero no se olvide de uste’ mismo
Love yourself
Quiérase musho
Pa’ que ningún cabrón le vea la cara de pendejo
Pero antes de que llore por cualquier wey
Acuérdese de su ama
De su guelita
Y de su familia
Y piense que un hombre por más rico que coja no es todo en la vida

Acuérdese que venimos de una raza de gente fuerte y hermosa
Pero que eso no nos quita lo hijos de la chingada
Y de eso también hay que estar orgullosos
Porque lo hijos de la chingada es lo que nos ayuda a sobrevivir
Nomas no hay que ser hijos de la chingada con la gente que como nosotros sufre y lucha
Sea hijo de la chingada con la gente que nos quiere chingar

You will love,
And love is the only thing that will bring you happiness
Beauty and health
Love pues y cuando le digan que no puede amar a otro hombre
Mándelos a la chingada y dígales con palabras de profeta: YOU WILL LOVE.
Natalia Rivera Nov 2014
Exijo que alguien me diga en donde está escrito que una mujer solo puede tener **** con una persona y si pasa de ese número automáticamente es puta. Si, este pensamiento es algo machista pero lo peor de todo es que es utilizado más en las mujeres que en los mismos hombres, me explico.

Las mujeres ven una mujer la cual se viste mostrando lo que le da la gana y rápido piensan en la palabra puta, cuando ven a otra mujer besándose con uno hoy y otro mañana piensan en que es una puta sin valores, cuando otra mujer tiene **** con más de 5 personas en dos meses lo que piensan es una puta que no se respeta. ¿Acaso creen que esta no es una actitud machista?
Mujeres que exigen igualdad entre hombres y mujeres pero critican a mujeres que se atreven a ser quienes son mientras que ellas están sentadas soplándose el culo y criticando. ¿Este pensamiento es tan poco prudente y es tan común hoy día, cual es el problema con que una persona, sea mujer u hombre, se sienta bien consigo mismo y decida tener una vida ****** plena? Son libres de hacer lo que quieran. Ellos escogen: con quien, con cuantos y en que lapso de tiempo lo hacen.

Pero como esta acusación estúpida radica más en las mujeres quiero concluir con esto. Mujer que me lees:
Si deseas vestirte con un traje corto y un escote en las tetas hazlo.
Si te gustan tres personas y tienes la oportunidad de besarlos a los tres hazlo.
Si quieres tener **** hoy con uno y mañana con tres hazlo.
Hazlo, olvídate del que dirán las personas porque seas casta, virgen y pura o puta, atrevida y coqueta hablaran de ti.

Natalia Rivera.
Ottis Blades Apr 2012
August 22, 2003

Contractions
retractions
regrets
every twenty seconds apart
now counting ten
write them down
lets retrace these steps again
he is bustin' to get out
and needs more room to stretch
I know you are in pain
just take a deep breath
we already made it this far
we need to finish this race
because you are a cradle of life
and a vessel that holds my own
it was only nine months ago
that we decided to conceive
flesh and blood
that binds you and me
and ties us like a rope
in a sweet afternoon
on a nest without a tree
we ceased to be two
and went on to be three.
Now that we finally made it here
just breathe easy my dear
the worst is almost done
and the best is yet to come
I'll watch you like an angel
while God delivers our son
while my princess tries to sleep
and my little devil is to be born.
"is he crowning yet?"
She would ask
time and time again
I try not to be terrified
at the sight of what's taking place
liquids steps
careful measures
not enough space
push until you brake
as you turn into a grape
still beautiful as the day we met
when I came to your table
and waited for something you would say
so I could conjugate your name
in adjectives and verbs
words of love
sonnets of grace
when our puzzle fell into place
and it spelled:
I
will
forever
love
you
miss
Rivera.
From the end to beginning
from the algae to the fishes
like your kisses
like the long waits
like the eternal months
whether it rained or snowed
like our futile fights
like our happy cries
I heard you through the grapevine
I always heard you both
you have made me proud
and I hope the same I have done
my queen without a crown
here's your present
here's your child
welcome to the world
our baby boy Josh.
John F McCullagh Sep 2013
On that crisp September night
I heard the music play.
I will not hear those notes again
for Sandman’s gone away.

With one out still left in the ninth
Two men approached the mound.
Jeter said “It’s time to go.”
The ballpark roared with sound.

Was there a dry eye in the house
when even Hall of Famers weep?
That night, Mo’s opponents cheered,
for the man who spelled relief..

For when a game was on the line-
Foes threatening to score;
One man, one pitch was all it took
as Rivera barred the door.

On that crisp September night
I heard the music play.
They will not play his song again
for Sandman’s gone away.
A tribute to number 42, Mariano Rivera
Thousand years ago, the world somewhere began
an escape, a thousand years later still trying to get to the end, but my body becomes a decorative piece, becomes of a number one digital romano ... that turns into flames cinch and dressing this base disencounter ; that is my physical, on an all, regardless of who will manage and the rule ... "

... I find it hard to breathe ... i do not know if i can continue what i have proposed ....
there is so much to say. i never wanted to write about it. and now i am here, changing the paper by words.
   better...... so nobody will remember anything, thanks to the evanescence. I have nothing to leave, no one for whom to stay here. i just hope to leave my soul in peace ...
   ... tonight i die.

**** dreamer who i am! i never got anywhere by myself. i never got to be what it was if it had not been for someone else.
   my days, my whole life governed by feelings ... they left me?
  
Inserts 1 - full moon in three shooting lights threshold pierced window shades sea view. there were three golden stingrays. they went to his room versailles, with some electricity that flowed from their bodies corps plans were roots electro-magnetic. upon entering threshold, their bodies pressed proportion to the input capability, but yes, each tidily came one after other. snipf believed to be asleep yet, but ***** it finding that was very real., many thought to pray, the saint who heard his confession had derived dimensional elsewhere.

Each stood before him. they looked with your eyes ldeep blue, relighted one in your iris reddish tint. your long antennas your heads caressed her room like recognizing them. snifp raised his arms as if embracing them, but put them over his head like imitating them, so began to turn, as if he were at the bottom of the ocean. this way, began to rowing with his arms in the room. the four members looked at each other, until snifp stood in between them, restarting your memories and confession to your new species of visitors. - no doubt their gods were they who visited because they were the ones that helped him in difficult and conflicting tasks. they must be highlighted; no le imposed a religiousness, only you your matches proposed delayed stages,

Four together, sit finally, focus on one thought as he took him to snipf arm for lease gate reality. aso these blankets emit a high-pitched noise that made snipf his new travelers to dream where would be the master sea and land beside them.

Romanticism is only rain emotions between winter skies sweetened; it is the cessation of rain from storms deaf. those deaf people who never believed in sentiment. Perhaps they have died without discovering it, and so poor and eager to continue living. instead i say goodbye to my land, my things, my memories. i'm so overjoyed without missing anything because what i miss is dead.

Insert 2 - feel distant sounds thunders and lightnings - some cats stumbled after feeling loud noise.

   I was born in 1832, dressed in beautiful costumes me, but i was on saturday mornings bathe with my blankets friends, all that leave very soon because every day stuttered more, and i found it hard to beat in my talk. They moved me with all my belongings to higher school, even only place to hear the bells of the cathedral, filled me with hearing loss and mortuary pain inside me was a place that then fled, over time i graduated from journalist, without anyone in my family believed in me. they never could understand my lack of realism. some call me naive, not without reason, i must admit.

   It's curious. whatever it is that one wants in life, always have obstacles from the people closest. from them comes the pain of misunderstanding and apathy. of them come from the larger wounds heals any ointment. Until i met a fisherman near a marina rivera long in a bar, then he told me his adventures and i became the eager boy children's stories. that night made me drink and drink until you drop at the side of a fishing terminal on the deck of a great ship.

Insert 3 - sleep - my in between growth stingrays, they were flying at night over my house, and sometimes brought me messages about the new season climate. interrupted my homework prepared, and most important, including, the most important; me included among the best, to sail with them. some among their ranks, me and took me taught to fly, although i always kept my body cold, completely oblivious to provide me own will enough heat. they gave me when stuttered or epileptic seizures, they did me your riding world where no disturbance physics i was afraid. But my blankets, me covering, me had in his pilgrimages slitting sea, sea to own and only, just for me. noises in them moderated my ears oversensitive, and for the first time vi from the sea depth rain fell as planting the ocean, as vast brightening the room he shared alongside them.

Insert end -

my life was empty without a firm helm, but ... god!
   she was several years younger than me. a beautiful creature in sight and confined to good feelings. i met a rainy night. she was with hat, with umbrella. we were heading to the same place where there was no one, because the activity had been suspended. after waiting and exchanging timid and nervous words we decided that we would be together forever.

   I do not mean it was love at first sight. rather, it was like finding my soul mate. and although we knew that the road would be hard and painful, we launched into a destination built by us and our struggles.

it's beautiful outside, with the moon through the trees can they see me sitting here or your mind round inside me?
   All of me are gone, even the children we never had. they left me in the cold. she will not sit in front of my fire more, because now she is snow.
    Is dark outside, trees writhe can they wait or live without me?
   but his fingerprints are still marked, marked in the snow left in me. everything is so white that hides the traces of tears that you never saw. everything is a blanket of snow falling on the memories you used to have. But even heart aches as before, i can not help feeling that someday come back from the dead to take your hand.
  
it's warm outside; the trees are gone. my soul took another turn. he never appeared someone like her. if your fingerprints are still, and i can see them in the snow! Everything is so white that covers the trails that she was not allowed to continue. everything is nothing, that clouds the movements that made me.
   But my heart is still suffering as he did. you followed the path that never again will bring.

I am confined to my bed in a dark room. i have a window overlooking the sea from the east, and another that puts me in front of the forest. i left on my bed a wooden box with yellowed leaves are the letters we sent her and i for so many years. yet i keep them all ... no, it's not true, many were lost in the fire flash - she will walk through the park until a curtain falls separating both. - pauses then your thinking and strongly bites pencil in her mouth was.

But no matter, i have the words engraved in my memory. and that will continue.The branches of the tree, which adjoins east window of small ones are ways to my walking, like war heroes. further, on stretchers, bring my faithful subjects in about trust management mi. but to raise my head like a big diving, they come see some maimed, come without it, come without his presence, bring only pieces of his body.
    
Our whole life, a very short time we were together, and not that we would not be, but there was always something that separated us. first the family, then the distance. We were separated and had to go in your search. at that time i was studying and trips were long, tedious and very damaging to my career, by the way, my family did not look favorably upon our union, rather than being recognized by men had communed in the sky ...
  
How i detest this ancient time! it is not day nor night, and i am not a man more educated to think more than this ... i hate to see the sun when i pray to the west, but someday she will take my dreams where the stars shine, where all they talk with their hands, without anguish nor grief, where all secretly want to go where the beauty sing constantly.

[ellipsis n 1]  

Adulthood - in the municipal choir - snifp came with his briefcase wondering if had kept all their material header, then trying to put his hand to pocket inner his coat, pulls out a key, this will be falling from his hands, and could realize there was a leaf on the floor, announcing a performance coral group in the premises of the municipality.
[end ellipsis 1]

[ellipsis 2]

Children age - in the conservatory - this brings another memory your memory with air fire, a dense air, movement of people, unable to help each other. it was toward the end of his second childhood, with his mother ran near a school where she thought enroll for classes theater.  mourn strongly but his mother, asking what was wrong? she said nothing for you not to worry. small but was snifp intuited by the uncertainty of their economic resources. he hugs her and says he has talent, that will come after all. snifp for a moment lets his mother and a photo seen in someone like his father, leaving the building and walks cobblestones wetted by the ***** of a vil exploited horse, and suddenly caresses their hands caress end the cabinet of the lord of the book store. and see i was like his father, but this time had the pipe on the left hand and lenses in the right hand. then, scare away horse and scared snifp trying to crossing the street leading the news to his mother. Her, i had signed up for next season.

[end ellipsis 2]  

After his assistant will take a reactant concoction snipf felt memories of those rejuvenated, making faces on the wall of his room. some of them were very funny and some not. but suddenly crossing the fingers tightening strongly and fix your clothes. buckle his belt. to sing is arranged, to shout and satiated to see if it really true the spirit that motivated him aires to be acquired new life. gets, fell knee, runs open window. try to touch everything with his hands, then kick chair to sit down and write. for each paragraph writing was setting and take off  lenses. for every paragraph, she took a sip of boiling concoction that was with him at that time

   Many of these letters were written thought in poetry. some might object letters "form", but the content, our feelings ... they can not be judged by anyone. I can not symbolize things. for me a bottle is a bottle. i need to reach a level of abstraction, because i recognize that everything beautiful i've seen i remember; because i know that to forget, everything will fly in the wind. so i can not symbolize anything. on the other hand, i know that everything that meant something to me, i could never do completely reach your heart. i hope to be wrong.
- get your consultant with tray in his hands unite.
snipf lord, your medicine. remember that leave this excerpt stingray than recommended by your doctor. You and your advisor and the look before opening the door thinking it would the last time i'd see him, then snipf recommences his speech ._
... i consider myself a failure fledged. some of those past failures are transmuted into fertilizers for ephemeral successes, lost in the sound of the wind beneath me accommodating my feet to tie them to my chair inquisitor.  TO  BE CONTINUED
SCREENPLAY ONIRIC POEMS - MAIN CHARACTER SNIFP  THE STINGRAY - under edition
Hannah Leaker Jul 2015
We were heading to the aurora borealis with tic-tacs in our pockets and mossy footprints in our pasts,
I was finding wrinkles on your face and tucking them under your pillow cases,
Filling up on cherry vanilla coke and you,
Laughing at your jokes, but breathing for your laughs.
Goodbyes became “see you soon”, but we regressed faster than we reached the bases,
I was left asking my heart where you went and all I received was,
“Come again later” or “Maybe next time” like a monotonous 8 ball.
I checked for Pabst Blue and trophies, but I got acquainted with the empty cases.
You always told me not to get my hopes up, to keep the ends of my strings clean.
You heeded a warning as if you had an expiration date,
But I think I forgot to listen for bombs ticking over the sound of heartbeats.
They always told me that if it comes in like a lion, it goes out like a lamb.
Well, if that was true then why did you set my life on fire, treated me like Diego Rivera,
Like Frieda Kahlo, this love hit me like a tram.
Can you really violate a person’s privacy,
Once they’ve pushed you naked, into a crowd?
Because finding your diary yesterday was bittersweet, but the only sugar was reading it aloud.
“I’m coming home, but instead of doorbells to signal return, the singing of her pulse is my only melody.
The only thing to resemble a welcome sign was your hair dripping on your chest.
My only blankets were your nimble hands and your hollow breaths,
My favorite song is a compilation of every word you’ve said to me.”
But now you’re hosting tea parties, but you’re sipping chardonnay,
No recollection of my address because you’re occupied by your high-class party,
Spending hours upon hours discussing La Primavera,
When you’ve not listened to classical music in over a decade.
Now I’m left wondering what song rattled in the back of your head when you sped off in a high-speed chase.
I could tell you who won, but again,
Don’t think I can keep up with your pace.
It doesn’t matter much now that I didn’t love you like a happy ending,
Nor did we resemble a love song,
But our love was like traffic signs: cautious yet reassuring.
It was like avoiding cracks in the side-walk, without any rhyme or reason.
But it turns out; humans are not able to see all on-coming traffic,
Swerving away from an on-coming object is no longer effective once you’ve hit it like a brick wall.
You filled my head with pages of filler paper, allowing me to scratch the surface,
Never truly knowing you, claiming, “It’s easy, it’s simple like this”.
I never knew simplicity to hurt like hell.
Now you’re hosting tea parties,
But you’re chugging the last of the Rose,
Being with you was like La Primavera,
It has been excessively over-played.
Midnight Confession to Stingray  III  

And suddenly awake. i think i heard the phone ring, but long ago that no stingray called me; it would be absurd. who call a forgotten man, yearny of themselves?. And suddenly awake and crying i wonder what i have done to live this. why i can not die? what's stopping me? god kills for pleasure, i would do it out of necessity. i end with my life and the importance of being earnest.
    
Outside roars the sea. the waves claim my life, my life claim it and head on a silver platter the almighty, responsible to no justice. ha! justice. Consign it everything to god is to add an extra shadow existence. whenever i get depressed i confirmed the existence of nowhere. already said my old friend Andrei, "the soul craves harmony, while the world, reality, life, are full of dissonance".
    god! i do not want any harm to feed my humor. and i tell you because i know that fate is but the unilateral decision of a supreme being, without the intervention of the creature that falls. you and your **** decisions!
  
I must then settle the illusory permanence of my bad steps taken. after all, the man has not been done to exemplify rebelliousness.
Insert - cans carrier some catching film and rolls a finger cuts / , looking at his finger and begins to move circularly, leaving his palace versailles topic decorated, full of blood stigma. then  an arm and his shadow the succor envelops faucet cracked.

insert final -
you always give back things to their original order, no matter what man does or does not do. when the world ends, will only continue the deserted streets where consummating the drama of solitude, loneliness of man. solitude, that awe you feel your son, more powerful even than the fear of death. loneliness, ontophanicus element of childhood fears and unrecognized face of the adult human animal.


Insert - Snifp    opens window, moist your hands with rain, seals his hands, making a drinking vessel of your hands. someone you back then close was noting his eyelids his old love visiting him - Snifp shudders take turns and trafficking in their eyes hands that image. followed gets humming a ditty ... continuing with your thought the song of your song - only the first two lines sing, the rest is with musical pacing phraseology showing on time images:

  "  maybe everything is reduced to ideas. the great wars and the huge advances in the history of mankind are due to them... what is most important for the soul to believe in change? the flowering of ideas! proclaim them the wind and see how they are trampled, but when they die, they will be remembered by them.
    yes, i know, when my turn comes, or not taking into account what you have said, i must kneel before you. "

Insert - Snifp - in your room like versailles, kneeling before the accompanying idol behind his cabin. it was a huge torrent cans with film rolls. some were leaving your movies its packaging. on the upper part of torrent was an eye that turn that also glinted colors and eye on pared scenes showed pictures romance film and expressionist cinema.

  " something happened with spring and winter, only took one night to erase my life. everything i've done, everything i am has been solely because of my insecurity even look at my letter, is confused, irregular, insecure, unfinished, unfinished, ugly to my way of translating the letters on paper it is unsafe. That's why i am where i am. it may not be the best, but it's comfortable. i should not deal with anyone but my ghosts. "

Composition: the whole song - this song in passive voice - before each pause they call Snipf, her father, her mother, she the same calling it self doing choir with letter of the song telling you enter is late and that not early to work everyday continuing - voice feels off, but the darkness appears immensity of arms in clothes ragged and *****, treating him to speak. every aspect of song be supported by allusive as a documentary imagine.

[insert images]: Mr Snifp. this in a paramo isolated, everything smells rancid stink and essence with her mouth glottis churned a finger as mayor, the three items that were deposited in calderon reddened by flare. Their beards 90 cm, crisscrossed end of pointed shape. mr. Snipf it took out glottis your hands together his cross to remove the book and the lenses pipe. While he continued impetuously making this movement of his arms, lashed out on the top step your home room your nearest death, and if it was confused casket 60 cm or a 2 mts. such was the fan accession that uttering which carried from the limbo of house untouchable pantheon, but it was not, all the servants threw it out of doors sliding down the cobblestones, while Snifp kicking as if to take revenge until the last priest perpetuity oblation gave to your existence non tyranny.Still getting off cobblestones, planters keep falling, cornices. carnations falling on follow your body wood caged.

Removing Snifp appears in Calderon lenses, pipe and the book, but this time he has in his hand left the book, and pipe right. but when child, walk the avenue where would buy tidbits, seeing through the showcase  the owner of the commercial always had in his right hand a book and left a pipe.

Snifp lying on his altar Calderon churned with thousands of books, lenses and pipes, falling to tiring and suddenly the ground with his right hand possessing a book of phrenology and left a pipe smoky reddish. it was so faint Snipf and only with boiling essences smelly around.

[insert end].

Zooantropomorphic Basic Kinetic Theory:

In the room, three and a hommo sapiens stingrays. Located facing each other. how to illustrate and in between them appearance with animals, and acting daily activities.

Every stingray, is an object and subject to time, the eyes of Snifp, but more remarkable is that each of them can auto refer, as having instincts and feelings, which alternately men intimidate and used in a extended range of possessions and physical, and electromagnetic powers psychic. "

Snipf in the room seemed feeling redeemed, because they came to help him, came to the town of his abode. A hold a escape. but to think and think and read what rugs you wrote on the wall concerning this theory, he reminded inescapably on fatigue years of thinking, to nearly multiply your ideas on every beat of your heart as an avalanche in your own heart

And they continued typing:

... Thousands of years sail the seas for fixing without ours where our dreams console conditions. we have seen many events, births islands, shipwrecks _ at that time Snifp, he takes the head and can not believe what you tell manta rays, being very shock and sorrow.

He told ...: as you, enjoyed the freedom to grow and believe in my labors happiness. up next to toasted you hiding the sun my skin. trying to follow them confine of the seas as well wishing one day be as you but i saw growing up and that my gaps growth .
interrupts writing one of them on the wall:

... Birds and we seem confused in the sky and the sea. its movement is a great similar  infinitely ours. by instance. for reproduce places and we are in very favorable temperatures. Our food to go for a  tractile  movements resort in places, where our hunger and thirst unite to hunt our prey. There are certain movements, seemed birds river near the sea; with love that in a small ball enjoying our offspring thousands of kilometers from hunting place chosen.

My father strand a day in the pacific sea rivera, seeing some odd birds in groups, moving choreography of side to side, changing their appearance or disordering composition, rare birds when they reached another species, but enough with birds are you were visiting for them with their move to, they give the spectator the camouflage invisibility, violated them to be your space.

Snifp: but the move with air allays tour and return either in any direction. and when i feel abandoned by my wishes of faith or of love, which will be the right move?. One of them says: the movement may not porte nothing, or also something ruined, importantly possessing energy for all be alive call the highest levels rising to pay for that move your body energy; something like love for fuel survive, perhaps not frustrating not to have to turn disoriented when we storms at sea with boats and we want trap, without relying on a moment to pray, to save our destinations. Snifp, think that as you suffer, it happens to us. the blankets impassive, floating on the piece and brought them to Snifp the miles genealogies and exhausted by origins of existence.The cornerstone of movement, time division yours and mine, separated by both affected synchronicity things for immense currents.

Snifp replY: if, if you !!. but both to animals we  vanished others because you have eyes for men only see your interests.
Snifp as if you are thinking _ ourselves the told, what confusion ... not !!.

Then  in men, animals are invisible visible and motion forms. But yes, each generation of movements different article, since each margin regarding your drive specific functions  changing the man, what you plenty of activity what to generate be blinded  no recalling the advancement finally  to not to repeat their mistakes. Snipf words in good men living in a house of fears caused by collective and not totally bad habits subjugations evolved animals. An animal, a being who owned and self contained and do nothing  not self  supply materiality.

We do not pray to  God, just keep your policy creation and preservation, just keep your commands as a whole to vibrate, knowing and ignoring sometimes. This is our Creator. Stingrays sailing in my Mind  and in  the spreading architectural dreaming.
FINAL  MIDNIGHT CONFESSION TO STINGRAY-  Under edition
Natalia Rivera Nov 2014
Estoy perdida en este mundo.
He perdido mi paz, mi alma, mi ser.
Ya el cantar de mi madre no me levanta en las mañanas.
El llamado de las ninfas no recorre mi piel.
Mi alrededor es un augurio el cual me tiene desorientada, atrapada.
Prisionera de cuatro paredes donde el ruido me vuelve pequeña
Aún sigo aquí, muy dentro de mi; pero estoy a la deriva en esta barcaza , que poco a poco va llegando a la orilla.
El camino se hace largo y mis ganas por reencontrarme fieles. He perdido la noción del tiempo y de paso se ha jodido mi compostura.
No puedo mas, quiero volver a ser yo.
Y en el más profundo de los sentido, esta tormenta que sacude mi alma, lentamente grita "libérame".

Natalia Rivera.
Mi niña Alejandra me ha ayudado con una de las estrofas así que quiero darle las gracias.
Leydis Jun 2017
Te invoco a ti Frida,
creo que entiendes mi padecer.
Tengo el moderno Diego Rivera como mi amor!
La mitad del tiempo vivo en sosiego,
más sin él, la vida no la entiendo.

Él es todas las greguerías habidas y por haber.
Me enciende y me apaga en el mismo instante.
Me habla pero su silencio es como el calor,
lo sientes, pero, no lo puedes ver.

Me habla de amor,
y me trata como como si estuviésemos en un campo de batalla.
Habla de una eternidad junto a mí,
más en sus planes del futuro, no figuro en ninguna parte.

Lo amo y lo odio paralelamente.
Amo cuando me ama,
Y odio la idiota, que por él, me convierto.
Si me toma de repente, surco los cinco continentes.
Veo el amor retoñar.
Lo veo revivir en sonrisas de jóvenes ilusos.
Los puentes se fortalecen de felicidad.
La mugre y el lodo se convierten en arte.
El agua sucia es tan cristalina como la misma pureza.
Cuando me olvida, cuando me ignora, es la más cruel crucifixión.
Es relamer la sangre coagulada.
Llueve contantemente, y los relámpagos truenan mis huesos.
La harmonía se entrega dócilmente a la desolación.
Se debilita el universo.
Me seco.
Yaga mi cuerpo en Seol..
porque amarlo a él como lo amo, es mi gran pecado!

Dime Frida,
¿cómo hiciste para soportar tanto amor?
¿para amarlo más que a ti misma?
¿Para desangrar el alma y sentirte plena con él, aunque por dentro estés vacía?

No me respondas. Me obligaría a tomar una decisión.
Lo amo, aunque me mate hacerlo!

LeydisProse
6/2/2017
https://m.facebook.com/LeydisProse/
Bob B Jun 2019
On a night three years ago this week
Forty-nine people died
In a mass shooting that once again
Left the country horrified.

The Pulse nightclub, Orlando, Florida,
A place of nighttime revelry,
Became the target where a hater
Carried out his shooting spree.

Maybe among the victims' names
Are none that you can now recall.
Nevertheless, the incident
Is one that affects us all.

It's sad when conditions are such
That mass shootings become the norm.
It's equally sad when lawmakers
Shy away from gun-law reform.

And sad, too, it is when hate-filled
Bigots boldly advocate
That the deaths of forty-nine clubbers
Should be a cause to celebrate!

Shame on them who take religion
And shape it into deadly words
That they sling at innocent victims
While stirring up hatred among their herds.

The path to truth is a winding path;
It's easy to stumble, easy to stray.
Some start out with good intentions
But then get lost along the way.

So many anniversaries
Of mass shootings to recognize!
Will the light break through the clouds
Of ignorance? We can only surmise.

-by Bob B (6-14-19)

Remembering the victims of the Pulse nightclub shooting:

Stanley Almodovar III, 23
Amanda Alvear, 25
Oscar A. Aracena-Montero, 26
Rodolfo Ayala-Ayala, 33
Alejandro Barrios Martinez, 21
Martin Benitez Torres, 33
Antonio D. Brown, 30
Darryl R. Burt II, 29
Jonathan A. Camuy Vega, 24
Angel L. Candelario-Padro, 28
Simon A. Carrillo Fernandez, 31
Juan Chevez-Martinez, 25
Luis D. Conde, 39
Cory J. Connell, 21
Tevin E. Crosby, 25
Franky J. Dejesus Velazquez, 50
Deonka D. Drayton, 32
Mercedez M. Flores, 26
Peter O. Gonzalez-Cruz, 22
Juan R. Guerrero, 22
Paul T. Henry, 41
Frank Hernandez, 27
Miguel A. Honorato, 30
Javier Jorge-Reyes, 40
Jason B. Josaphat, 19
Eddie J. Justice, 30
Anthony L. Laureano Disla, 25
Christopher A. Leinonen, 32
Brenda L. Marquez McCool, 49
Jean C. Mendez Perez, 35
Akyra Monet Murray, 18
Kimberly Morris, 37
Jean C. Nieves Rodriguez, 27
Luis O. Ocasio-Capo, 20
Geraldo A. Ortiz-Jimenez, 25
Eric Ivan Ortiz-Rivera, 36
Joel Rayon Paniagua, 32
Enrique L. Rios Jr., 25
Juan P. Rivera Velazquez, 37
Yilmary Rodriguez Solivan, 24
Christopher J. Sanfeliz, 24
Xavier Emmanuel Serrano Rosado, 35
Gilberto Ramon Silva Menendez, 25
Edward Sotomayor Jr., 34
Shane E. Tomlinson, 33
Leroy Valentin Fernandez, 25
Luis S. Vielma, 22
Luis Daniel Wilson-Leon, 37
Jerald A. Wright, 31

— The End —