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Michael Siebert Mar 2013
Twenty-five pigeons are doing **** rips in my living room.
In the middle of my living room
twenty-five pigeons
are doing **** rips
of **** that they bought
off my next door neighbor
who just happened to have some lying around.
There are twenty-five pigeons
doing **** rips in my living room,
and they will not stop watching
Battlestar Galactica.
The twenty-five pigeons
doing **** rips in my living room
ate all of my Cheese Nips,
and they drank the last
of the RC Cola I bought.
I try to get
the twenty-five pigeons
doing **** rips in my living room
to leave,
because I hate it when they do this,
but they just coo at me
and that shuts me up.
One of the twenty-five pigeons
doing **** rips
in my living room
accidentally knocks over
the ****
and spills bongwater
all over my ******* carpet.
The **** cracks.
They start flapping their wings really hard
and ******* everywhere,
because they're pigeons
and they're mad.
But then,
one of the twenty-five pigeons
produces some hash wax
from under his wings,
and now there's twenty-five pigeons
doing knife hits
of hash wax
over my stove,
and quite frankly
I'm ******.
I run in
and start waving my arms
around,
and scream,
"Get the **** out of here,
who let you in anyway?"
And the head pigeon drops the knife on accident,
and they all fly out of my living room
and into the sky,
all really blazed,
leaving me here,
mad,
with a bunch of stains on my carpet.
David Walker Dec 2012
Origins
written and directed
by
David Walker

Inspired
by
the films of
Quentin Tarantino
David Lynch
&
Rob Zombie

There is method
To his madness

                                                        ­                                                                 ­                  January 2013              
                                              ­                                                                 ­                       first draft









1. EXT. Run down project apartment complex - 3:00 am

A dark, tall figure with long black hair and a trenchcoat opens the already cracked red door.

MAN:
I'm looking for love in all the wrong places.

                                                        ­                                                                 ­                                       CUT TO:
INT. Apartment 3

A typical roach infested apartment with a kitchen built into the living room. 3 GIRLS are on the kitchen floor. GIRL # 1 one has black hair with big lips and a curvy frame and she is wearing a pair of Tripp pants and a black bra barely covering her ample *****. She has a flesh colored rubber hose tied to her left arm. GIRL # 2 has dyed rainbow colored hair, a nice smile, and a skinny frame. She is wearing a pair of tore blue jeans with smiley faces and cute in jokes written on them, also not wearing a shirt with a lacy blue bra on. She has a spoon with water and black tar ****** inside it which she is heating up with a silver Zippo with the word "Skittles" engraved into it. GIRL # 3 Has long naturally red hair, glasses and an extremely voluptuous figure. She is wearing tight black pants and a black shirt with thin sleeves. She is inspecting a covered syringe with an unsure look in her eyes.

GIRL # 2:
So, do you wanna do it or not Jane?

Snatches the syringe out of JANE's hand.

JANE:
I'm not sure. How long have you been doing this ****?

Girl #2 takes the orange cap off the syringe revealing a small needle.

GIRL #2:
Since after I graduated. About 3 years. Liz you ready?

LIZ:
As ready as I am for dat sweet tang!

Girl #2 giggles. She sticks the needle into Liz's arm, blood mixes with the brown fluid inside, and she pushes the plunger down. Liz leans back into Girl #2's arms and Girl #2 gives her a kiss.

LIZ:
I love you, Julia.

JULIA:
Well, I love you too.

JANE:
You guys are so gay!

(OS):
Save that **** for the ******* customers!

                                                     ­                                                                 ­                                       CUT TO:
Other side of room. A greasy looking MAN with short faded black hair and a scar going from the corner of his mouth to the right ear is sitting in a beat up recliner cleaning his Uberti 1873 Cattleman revolver while smoking a fat blunt and watching some kind of high budget **** with Sasha Grey in it.

JULIA:
Sorry, Mike. It didn't stop you from leaving me and Liz unsatisfied and bored, did it?

LIZ and JULIA laugh. JANE has a nervous look in her eyes.

MIKE:
Very ******* funny you wore out trick! Am I gonna have to smack the sass out yo mouth?

MIKE gets up, puts out his blunt and walks over to the GIRLS gun in hand.

MIKE:
Or am I gonna have to give your little friend a scar like mine.

LIZ:
Mike don't!

MIKE SLAPS JULIA with the side of his UNLOADED revolver and grabs JANE by her hair.

MIKE:
Who the **** are you, anyways *****?

JANE:
(stuttering)
I was walking down the street earlier today and I ran into Julia and Liz. They went to school with my sister I think. Let me go!

MIKE:
So you're a young'n. Well you have some nice big *******!

MIKE RIPS off her shirt exposing her *******. He begins to squeeze the right one. JANE SLAPS MIKE HARD!

MIKE:
*****!

MIKE lets go of her hair. Jane runs to the other room grabbing her shirt. LIZ stumbles towards him and PUNCHES him in the nose.

MIKE:
That's it! You little *** dumpsters are dead!

MIKE picks up the REVOLVER, runs to the chair where the bullets are and tries to reload. JULIA wakes from her daze. We see him load 3 rounds. All of a sudden the DOOR gets broken down and the dark clad FIGURE from the scene before pulls out a BERETTA M9 with a silencer attachment. MIKE FIRES 2 shots at him haphazardly missing both. The MAN LAUGHS and FIRES one shot that MIKE's crotch catches.

                                                       ­                                                                 ­                                       CUT TO:
2. INT. Next door in Apartment 2.

A MAN and WOMAN in their early 40's are smoking a joint and seem disturbed by the gunfire.

MAN:
(coughing)
What the hell was that?

WOMAN:
Sounded like gunshots. Do you think we should call the cops?

MAN:
**** no! There is a pound of chronic in the bedroom closet! Just pray whoever it is doesn't come over here!

WOMAN:
Okay. Are you gonna pass that?

                                                          ­                                                                 ­                                     CUT TO:
3. INT. Apartment 3.

The smoke has cleared. MIKE is begging for death and BLEEDING out everywhere, JULIA is in a daze, dumbfounded by what she just witnessed, LIZ is cowering in fear, crying, and JANE just came out of the bedroom with her TORN SHIRT on and a terrified "Oh my God" expression. The unknown assailant has a devilish grin upon his face.

MIKE:
Godfuck! **** me you sunuvabitch! Godda--

The MAN obliges. He fires a single shot into his RIGHT EYE.

MAN:
Well, looks like I got here in the nick of time!

JULIA:
(blankly)
W-Who the **** are you?

MAN:
That is of little importance right now. Who are you foxy ladies?

JULIA:
M-My name's Julia. That girl over there (points to Liz) is Liz, and the ginger is Jane.

MAN:
What pretty names! Well, I have a question. Will you three lovely young ladies gather round that despicable looking chair and listen to what I have to say, or are you going to run? Keep in mind I have rope in my trenchcoat and the fact I mean you no harm. I am just a lonely man with a story to tell, and the way I see it, what with that bruise on your sweet face, you kinda owe me.

JULIA:
I think we can stay. I just wanna know your name.

MAN:
Ahh, but I am a man of many names. My christian name is Derek. You don't need the last for now.

DEREK walks to the chair and sits down. He waves the GIRLS over.

DEREK:
C'mon I just want to tell my tale. Look, I will put the gun under the chair as a sign of good faith that neither you girls or I will start shooting the place up again. Are we square ladies?

JULIA:
What do ya say guys?

They gather in the kitchen.

LIZ:
This guy has a ***** loose.

JULIA:
Yes, but he saved us from our ****. We should humor him.

JANE:
I think he is hot!

LIZ and JULIA just stare at JANE.

JANE:
Sorry, but he is.

JULIA:
So it's agreed. We will listen to his story, silently pray he doesn't **** us and leave afterwards.

The GIRLS walk to the chair. DEREK has lit the blunt.

DEREK:
Ahh, so you have decided to join me. Good. Do you guys wanna hit this?

LIZ and JULIA shake their heads no.

JANE:
I will.

DEREK:
Great. Now, where do I begin. I suppose everybody's roots stem from childhood, so lets go back, oh say, 20 years ago.

                                                           ­       FADE TO BLACK        
Against black, TITLE CARD

October 15th 1995.

                                                          ­                       CUT TO      
4. EXT. Suburbia circa 1995.

There are three boys between the ages of 6 and 9 playing in front of a grey HOUSE with a white MINIVAN in the driveway. Little DEREK is a scrawny 6 year old boy with short brown hair and a Teenage Mutant Ninja Turtles action figure in his hands. The 2 other BOYS ages 7 and 9 are picking on him and trying to take away DONATELLO.

DEREK:
Leave me alone or I will whoop your ****.

BOY #1:
Whatever! You are scrawny and lame. Give us your Ninja Turtle now or we will beat you up!

BOY #2 picks up a STICK and starts hitting DEREK with it.

BOY #2:
What are you going to do? Get your daddy? Oh, wait...that's right, you don't have one!

The 2 BULLIES start laughing. A look of hatred fills young DEREK's eyes. He catches the STICK and slaps BOY #2 in the face with it. He then tackles him and starts beating him mercilessly. BOY #1 runs towards the PORCH and knocks on the DOOR. DEREK'S MOM answers. She is in her mid 30's with brown hair and casual clothing on, smoking a cigarette and drinking a cup of "coffee."

BOY #2:
Derek's beating up Josh again!

DEREK'S MOM:
Well, good for him! Bet that little pecker snot deserved it too. Now, Brad...why don't you take you and your friend on home before I tell your dad you play with Barbies.

LATE 20'S DEREK:
(OS)
My mother was a sweet ol' broad!

BRAD:
(sighs)
Okay, Ms. Walters, but you do know you are going to have to pull him offa Josh right?

DEREK'S MOM:
(sighs like Brad)
I suppose.

DEREK'S MOM and BRAD walk to the front yard and GASP when they notice that DEREK has knocked out 2 of JOSH'S baby teeth, both in the front and broke his nose, which is bleeding profusely.

DEREK'S MOM:
Derek Charles Walters! Get the **** up offa him!

DEREK:
(crying)
He hit me with a stick!

DEREK'S MOM:
Well, now I'm about to!

She picks up the STICK and beats his *** with it several times.

DEREK:
******* *****!

DEREK'S MOM, infuriated throws the stick down and SLAPS him across the face. DEREK runs away.
He runs to a wooded area in the back yard as far as his legs can take him.

LATE 20'S DEREK:
(OS)
Do not weep, for on that day, I met God and Satan incarnate and it turns out they existed singularly in my head.
                                                           ­                                                                 ­                          CUT TO:

5. JANE:
Like a conscience?

DEREK:
Much more. These guys are in the room right now and only I can see him. Satan led me to you guys tonight! Who knows what kind of CRAZY hijinks are in store!

JULIA:
That's it I'm outta here! C'mon gu--

DEREK fires of his M9 1 time.

DEREK:
Now, listen to me you dykey, ****** *****. I have 3 more rounds in this ******* and one
of them is reserved for you if you don't sit your tight *** back down.

JULIA sits back down scared to death. DEREK regains his composure and is "all smiles" again.

DEREK:
Phew! I don't want to hurt anybody. I just want someone pretty to listen to my ******* story. ****, if you want, I will ask you guys about yourself later on, but for now I'm going to introduce you to my best friends.

JANE:
Who are they again?

DEREK:
Ah, you were trying to pay attention. I will remember that. They go by many names. One can be called "God", "Heroic Harry", "The White Knight", whatever you envision as good, this **** is it. He is the reason you guys are still alive.

LIZ:
And the other?

DEREK:
Ahh, him. He can go by "Satan", "The ******", "The Angel of Death." He's the reason ol' crusty here no longer bothers you.

LIZ:
So you're basically ape ****, right?

DEREK:
Pretty much! Now where was I? Ah...yes

                                                       ­                                                                 ­                                    CUT TO:

6. INT. Small wooded area behind the house --- Early evening.

DEREK has made himself a nice little HANGOUT in the woods! there is a trunk with tons of comics in it, an arsenal of sharpened sticks and rocks, Batman action figures, and a Game Boy Color. He is drawing a picture at the moment.

LATE 20'S DEREK:
(OS)
There I was in my element. ****** at my mother, then all of a sudden, a deep, angelic voice rang out.

VOICE #1:
(OS...of course)
You don't have to hate her, you know. She loves you.

LATE 20'S DEREK:
(OS)
And then another, this voice sounding more playful and mischievous then the other.

VOICE #2:
(OS)
But, for how long? Do you think she meant to have you?

DEREK:
Where are you guys?

LATE 20'S DEREK:
(OS)
And then they appeared.

A 13 YEAR OLD BOY with BROWN hair and a FLANNEL overshirt over a Nirvana T-SHIRT with baggy torn blue JEANS with stains on them appears.

BOY #1:
Don't hate your mom.

VOICE #2:
(OS)
But, watch her close.

DEREK turns his head. We see another BOY roughly the same age with slightly long BLACK hair and a TRENCHCOAT over a Nine Inch Nails T-SHIRT with tight black CHICK PANTS with a CHAIN leading from his pocket to his BELT. He has a lip piercing and he is smoking a cigarette.

DEREK:
Who are you guys?

BOY #1:
Just think of us as older brothers your mom can't see.

DEREK:
Wow! I should introduce you guys to my friends!

BOY #2:
No!

DEREK:
Why not?

BOY #2:
You are the only person that can see us. Don't go telling anyone and don't talk to us in front of anyone. People will think you are nuts!

BOY #1:
Think of us as two ghosts that give you advice. Don't listen to him though, he'll get you in trouble.

BOY #2:
Shut up! Or I will kick your *** again.

BOY #1:
Not in front of him. He doesn't need to see that ****. Not now

DEREK:
What are your names?

BOY #1:
That's up to you.

DEREK:
I'll call you Joe, and him Jerry.

JOE:
Works for me, for now. Call us whatever you feel like calling us whenever you like. If you wanna call me ******* and him poophead, go right ahead.

DEREK:
Okay, but for now you guys are Joe and Jerry.

JOE:
We are going to leave now. We will show up when we think the time is right. Sometimes you will see us others you won't, but we are always with you.

JERRY:
Even when you ****.

                                                          ­                                                                 ­                     CUT TO:
7. INT. Apartment 3.

LATE 20'S DEREK:
And then I went back home and they disappeared. I reconciled with my mom and for the next few weeks I didn't see them. Brad started hanging out with me again and school was good. The years go by and still no sight of them. 4 years pass by. It's 1999 and my tastes changed. Instead of Ninja Turtles and Batman it was KISS and Freddy Krueger. By this point me and Josh had made up and Brad was in middle school. And so we go to where me and the voices meet again.

8. INT. Taft Elementary
A class of roughly 25 children in your average 5th grade home room with a stout middle aged gentleman teaching. JOSH and DEREK are in the back row sitting side by side.

TEACHER:
...And that's how the metric system works.

JOSH:
(to Derek)
Dude, did you check out RAW last night? The Undertaker crucified Stone Cold!

DEREK:
**** I missed it. I was doing homework.

JOSH:
(loud)
****!!

TEACHER:
What did you say Mr. Jarvis?

JOSH:
Sorry Mr. Cannib. I forgot to do my homework.

MR. CANNIB:
Josh, Derek, outside!

LATE 20'S DEREK:
(OS)
The old man had taken kids out of the classroom before and they always came back with tears in their eyes. As we walked outside I heard a familiar voice.

JERRY:
(OS)
If he touches either of you, kick him in the nuts!

MR. CANNIB:
I told you boys too many times! None of this **** in my classroom! Josh get over here you little *****!

OL' TEACH GRABS JOSH by the NECK.

DEREK:
Hey ******* keep your hands to yourself!

CANNIB begins to throttle JOSH. DEREK pushes him off of JOSH and KICKS the TEACHER in the nuts with FURY about 3 times and jumps on top of him while JOSH watches holding his neck.

JERRY:
(OS) While we see Derek's mouth moving

Look here, *******. You think you can be called a teacher for drinking on a farm, ******* cattle and beating children so you can have Summer vacation every year? *******, you spiteful sad man.

DEREK SPITS in the *******'S face and begins to PUNCH him when JOSH pulls him off.

JOSH:
Dude, the door outta here is right there. Lets go to our lockers, get our **** and get outta here.

DEREK:
(Breathing heavily)
Did I just do that? What the ****? Let's get out of here...now!

                                                    ­                                                                 ­                                           CUT TO:
9. EXT. Taft Elementary
A bunch of playground equipment next to an alley with a fenced in field. JOSH and DEREK are walking down the alley. It is sunny outside but about to rain.

DEREK:
That wasn't me that did that.

JOSH:
If it wasn't you who was it?

DEREK:
It w...

JOSH:
(Interrupting)
It reall
A man rips
   apart my house
bite by bite

with teeth holding
   rotted wood chips
like toothpicks
after a meal of
   summer corn
roasted in spring green husks
and
strands of butter silk

A man rips
   apart my house
bite by bite

with brilliant teeth
   in a mouth that
speaks in tongues
that my heart knows even
   as it slips through my mind
slick as coconut oil
to pool in my wordless
mouth

A man rips
   apart my house
bite by bite

A man rips
   apart my house
lupine jowls slathering
as his chain saw teeth make
   dust of where I live
dust of what I've done and been
ashes of my name

A man rips
   apart my house
- From Picture of Yourself
Liv Catherine Mar 2015
Some people hate the smell of smoke
To me smoke meant early Thursday morning bongs rips
And the sun fighting it's way through the curtains
His 8 AM shirtless skin against mine and his face in my neck
The way our lips would play and tease each other, longing and smoke on our breath
Until we drifted back into dreams
Because we weren't about to let the morning win
To take that away from us
Haylin Apr 2018
The horror, the rain,
The misery, the pain.
The factors of teenagehood
And its ghostly being.

From nasty rivalry,
The silver teardrops quench the
Hunger of discaring boys.
They move on to their next victim.

Words like love, hate, *****,
Are thrown around and toyed with.
Teenage socialism is a witch,
Sweeping misery across the generation.

Heartbreaking, the look in their eyes,
Well up with tears, victims to lies.

Teenagehood, it grasps you
By its crooked claws.
From your peace, it rips apart
Your soul and leaves damage in its trail.

Why do we have to suffer?
Why can’t we return to the world?
The world we loved and cherished.
Toys and songs, now perished.

Puberty, hatred, fear,
They all add up to one phase in life.
With its treacherous fangs.
Hurt from distrust brings misery near.

With sympathy to all,
For a long journey ahead.
Hold on to your sanity,
For the reason you have previously read.
Umi Mar 2018
Endless nights are passing, shadows lurking upon one another, one of greater darkness than the other, just waiting for pray alike a spider,
Fingernails possessed by a woman, sharper than knifes, almost alike claws they are an ornament to her delicate looking sweet body,
Her ****** devotion, driving her mad in a moment of distraction from deep within her split mind, time stands still, meaning is lost,
What's left to hunt in a place in which a monster causes rampage ?
Wasting no time, she seeks her next victim, drenched in impurity.
Approaching it the girl pretends to be gentle, caring yet worried but in truth she had only one plan, to feed of its despair, its infinite pain,
With crimson tears of both joy and fear of what she had become, the gal greets it to the end of its already shortened life after she gained trust, respect, maybe even a little love in this blazing hell with no sun,
Knocking it over she ramms her nails into the flesh of his face, piercing through while making sure he is not able to gain any motion,
Softly, in a slow cruel yet elegant manner she rips off chunks of it,
A distorted scream fills the room, laughter accompanies it as she loses herself to this waving melody of pain, questioning wheter or not to be replaced by the transience they have named life, or wether to live on,
As soon as he stops screaming she cuts through his cheek, getting stuck, breaking away her nail to set her hand free once again,
Nine knifes remain in there after all, surely that would be enough,
Clapping her hands in glee her next motive was a skillful punch to knock him out after her satisfaction of ruining his face had reached its peak in a riot of unexplored, absolutely undefined emotions,
Awaiting the awakening of her pray the lunatic sharpens her nails once again, now they would go on to the second act of her crime,
Tortured with true or false of this action she decides to take a stand
*******, simply to draw on the blood drenched body with cutting marks of the finest lines in an art of lunacy, a nightmare,
Recurrance in emotions, recurrance in her actions, for her it's "fun",
Act 3 has come close, it was time to rip him open and reveal his treasure, for what she actually wanted was a heart she never had,
Straight cutting to the mans chest it had been done, all what was needed now would be to break his rips to fully expose his insides,
Ah, phantoms of a long past, as the present burns away with cuts,
The symbol of hatred had achieved her final destiny, at last that is,
Each ***** was either ripped off and thrown out in fury or devoured immediately in her hunger she felt whilst working,
Hanging him by his guts she takes everything out till he is hollow,
Lifeless she watches him rot a little, having crushed his bones,
What was left when time is moving once again in a realm of light ?
Her crime goes unrecorded, unnoticed as the corpse became fuel for the fire alike hell, until her twisted mind drags her to do this again

~ Umi
WistfulHope Nov 2014
Why is it we cure pain with pain?

A burn with utter incineration?

A cut with mortal stabs and fatal slices?

A tear with larger rips and further shredding?

A break with complete shatter and growing fractures?

A love with a deeper, truer, more honest and raw  love?
I think I'm getting worse at this poem thing.
I've basically stopped rhyming altogether it seems,
at least to me.
Tabitha Sullivan Sep 2013
I feel like a softball net

Nobody knows how my frame is supposed to go

So they build it up

Then decide it’s not right

They tear me down again

I’m a softball net held to my frame by my friends

But each friend that holds me is fragile

Like an over used rubber band

Their hooks scar me deeply

Friends come and move around

Some break and fall

A piece of me now gone from my frame

While others grow stronger

Hooks digging deeper

While I continue to fall and be refastened

Something else is thrown at me

Drama

Big, small, fast, slow, friends, home, school

They’re the softball that hit my net

Each new drama rips my net just a bit

Or knocks another piece loose

On and on the cycle goes

Frame changing

Net ripping

Hooks digging in and falling out

Rubber bands snapping
ryn Jan 2015
.
   Curious minds,
      splashing under
       moonlight
       With
      outstretched kisses
     pulsating yellow,
     Over the awestruck
      magical
       rainbow,
         Feverishly tracking each
         supernova
      on sight.


   Resting the moment
    on a
     cresting knoll,
    With
   an audience of several
   time-worn
     rocks.
      Whilst the
        whistling sirens
        in the winds do call...
          Wasting away
        the ticks of
     worldly
      clocks.


        Evading with class,
       all
       heart's turbulence,
        Craters of sadness
          congeal
           in thin air,
             Glamorous amnesia
             falls
          with cadence,
         Eyes wide shut,
         susurrating
          a
           lost prayer.


             Lifeless gazes
               yield
               only
             abrasive tears.
             As erratum
              catches up
                with its
                 gaping maw.
              Hurling
            its anguish
             in
             rips and shears,
              Bleeding out
                of
               singing wounds
             so raw.

             But...
              time carries confident,
                its stock of
                   soothing balm.
                   Latent doses
                 hidden
                within
                 invisible vials.
                  Welcoming vision
                    with its
                    sunlit palms,
                   Staving the longing
                    for the
                    fear of trials.


                      Now hushed
                         remain the remorseful
                        battle trenches,
                        Deprived of their own
                          victims
                           ­ save gaping wounds,
                            Only
                        ­     faint faith
                                commanding
                ­                   corroded limp
                                   forces,
                                 Stirring
                                light away
                               from
                                all
                        ­         agony
                                    and
                   ­                doom.



                              Moonskittles
           ­                 *ryn
.
This has been an amazing experience!!! Big thanks to Moonskittles for the opportunity to share a page with her captivating style of poetry!!!
.
Lydia Sep 2014
Whenever I start to worry
Or feel like life is a mess
or like I'm missing out on something
I pack a bowl
spark it
And
Start
To
Feel
Grateful
For
Everything
I do
Have
Instead
Of
Yearning
For
The things
I don't
I love mary
EJ Aghassi Jan 2014
paper-thin walls

for
composed of needles &
egg-shells

and in the middle of it all
gravity is its own
different creature

obscure
and ominous
with more weight
weighing
than usual
&mor;; so
demanding of attention

though so quick to
stay entirely intangible

the sweet scent
of weightless futures ahead
-although possible, not certain-
whisp in through the rips
where windows would be

suspended within a sunray
taunting the senses

this isn't a prison

it's a home

but one can't help but feel trapped

when everything ever known

feels so forcibly shown
Anatidaephobic para siesta,
on the park bench w/ the child molesters:

eyeballs eyevory as Arctic detergent,
amid shingle by De Beers are REMurgent.

Whitsands of some incroyable Bermuda
(white man even his own intruder,

upon cetocephalic theta depths,
that whistle crystal Dixie, seahorses for clefts).

'Peas have great individuality,'
but peristerite is this sea,

not peagreen.  A pickpoctopus of preag
(pre-peag more offshore than 64,000 leagues),

klepto Neptune mudlarks the silica,
into his limelylit hypothermia

sleeves shells, like the desirable hermitcrab Earth
of my astrally orarian self.

My gaze stolen by tealeaf tides:
samphire, sapphire, squid's suckereyed .

Under the sea, there is no CCTV.
But guilt is a silk meat to the nee-

dleeyed nostrils of PC Jaws;
feefifofumes slip faded scabs' pores.

He's not a panoptopus catching your tentacle in your mouth,
but squaloid cop whose own gob's a ganch.

Phaser intangible thru verdantique,
Policeshark! does davyjonestowns deek.

On a fishing expedition in shipwreck slums,
whose 19 new tenants are pinklewickers from Morecambe,

but they're innocent as God's goslings, so Policeshark!
capriciously octocuffed a gangster's mollusc

- by 'octocuffed', I meant crunched the suspect's stu-
diously nonevolved backbone in his beartrap bazoo.

After flossing the caries of noble cause corruption,
moody maccarelics had snubsnouted selachian

policesharkraid! an octopus's gardengate,
& half a McCalf, knee, did he confiscate

- minus the 'confisc'.
His beat is wide & his beat is deep, from Frisc-

o to Portalprints,
Constantlynubile  (Instantbeau) to Pawsmith,

from pertly lisped Perth to hellsmiled imorteen's
imaginary Miami, styrofoam unicorn shoreline.

& traversing isthmus now wasthmus, Lemuria,
where  the wreck of the Sargassoworks lies similar-

ly submerged, sunk by Cap'n Sanforisedbeard,
nautical vagabond who thought he'd blagged a pond,

but was wonking all the angles on the sextant,
till mainsail was mainly flailing like an introvert

among many reprikates of Rik Mayall. Policeshark! swam
thru turquoise ****** of amino acids, liquid farm-

yards of forms not yet strangely familiar enough,
where plankton are those new clear vitals' scurf,

or Creation's intelligent designer stubble.
& Creation's archeozoic goosepimples are bubbles.

For around Policeshark!, waves may turn time-
twiddlingly wavy: Zeit's gristle to the Sein-

shark, the Aardshark, the Wailsnark, the Sharchetype
worrying my liminal jugular like a vamp-

ire scarf. In the blink of the eye of the
Policesharknado!, Policeshark! the merciless mer-

monitor has done his bloodhound rounds,
reset his primordial aura dial, outswam Ground

Zerocean brane, that damp original,
even aquathreshed the 'bi.ven.' in that bilateral

venture 'tween surf 'n' turf, Sinbad the Flavour.
So as to spyhop above cursive of rips & rollers

to stake out this shorehugger, whose Shutter Island discs
sirenade not of Portalsmith, Bizzyhandyman or Frisc-

o, but of a more prosaic 'mare where sharks go quack.
So rage, Ol' Cuntsea, Thalassa you ****!

Big blue wobbly ****, Red Label Sea
of my unconscious! It is mens rea

for which Policesharks! frenze, pinprick of shame,
but the dreaming animal's meat is not game.

I am Ruestungminister in his Argentine cabana!
I am God in His Gondola!

& the Policesharkcage! is the cordon sanitaire
of my not really being there. Or here.

I'm Shore Ryder splittin' for a sun-Ken-
tucky, para siesta passing for a con-

tent Tuesday come to pass like the rainbands
that wore Ray Bans were disbanded by whitsands

fresh-CV-not-cream-scroll-brill, yet
inadmissible as Icarus giblets

or a mohican of gills' nullity.
O Policesharkbait! paltry

as dismembered Freudianism of carnal lagan!
Less catabasis & more embasan.

A dreampoet about to jump the Policeshark!,
awoke to the trope of a Savileville park.

Was it a dream within a dream within...
TL; DR, Policesharkfin!!
'embasan'  (Filipino)- to wear clothes in the bath
Iska Feb 2018
'Why is it so painful to grow?'

A seed.
Just a seed buried under the ground.
Under the pressure of the soil,
It fights to grow.

The seed cracks,
such a sturdy little seed,
opens with a painful snap.

A sprout coils out.
Out of the cracked little seed.
A sprout now crushed under,
Under the pressure of the unforgiving ground.

Yet still... It grows.

A little sprout,
Now reaches up.
Up and away from the little seed,
and up to the light of the sun.

Pushing and groaning it bursts out.
Out from the unforgiving ground.
Yet now new dangers are to be found.

Will it be trampled
Or eaten alive?
The possibilities are endless,
The ways it could die.

And still.. it grows.

The sprout toils endlessly,
always stretching and growing
Reaching for the crimson sun.

The rain falls down
beating upon the sprout.
Pelting it's skin and whipping it about.
It skin hardens painfully,
and sprout becomes stem.

And still It grows.
The stem keeps reaching,
Stretching to the sky.

The stem then splits
It rips in two a bud appears
A little bud,
With so much to do.

Then the bud breaks
A crack appears
a petal unfurls from within.

Then it's a bloom.
Such a sweet little thing.
Until the crack stretches
So the bloom can grow
In to the beautiful rose
We've all come to know.

And still.. it grows.

Thorns burst free
Breaking out of the stem
And petals billow and grow in the breeze.

Then you see me,
And my beauty delights you,
So you wish to see me every day.
And your scissors encircle me
To give you your way.

They cut me in half.
They slice me in two.
being a rose,
There was naught I could do.

You carry me with you,
Your hands coated in my blood,
I'm dying slowly,
All for your love.

And now... I can't grow.

So as I bleed and wither in pain,
You place me in a vase
Or press me in a book,
All to save the bloom for another day.

And as I gasp for air,
Among your dry pages,
You leech me of all life,
Perfectly preserved
just so I could last the ages.

Or else I am drowning
In glass and water
My beauty wasted
hour by hour
Day by day
All to satisfy your whimsical ways.

And now all I wish to know,
'Why is it so painful to grow?'
Derek Leavitt Aug 2016
When she's around... time slows down... almost to the point of complete nothingness... I look at her and think, is there truly anything more gorgeous?..

When She's around, I feel safe and that anywhere could be called home. Her eyes; a curious stare... my hand twitches, longing to touch her curlicious hair.

Our gaze's meet, and I find myself drifting... closer and closer to her feet. Her lips just within a leanings reach. Her dimples nearly touching my cheek... Her sent... 'Heavenly'.

I run my hand through her hair, and I hear her gasp, a sudden rush and a cool breeze changes the whole atmosphere. Her legs grab my waist and I stare into the pupils. She leans in, our eyes drift shut but our lips finally meet and I feel the grip of her legs tighten around my waist...

I walk forward until her chest presses against mine and her back makes love with the wall. I wrench her hair and kiss down her chest, real slow.

I mumble sweet nothingness into her ear whilst I caress her bare *******... Her legs decend and wrap around mine and I hear her begin to beg. The second my tongue makes contact with the nape of her neck her hips grind tight against mine.

This is not routine, she is trembling. Brewing like a steam pipe, compressed, ready to burst. I slip my tongue into her mouth and open it as I **** the air clean from her lungs.

It is at this point her legs curls inward and rips me back, causing me to fall and back crashes against the floor and she lands right on my lap. I grab her waist as she grips onto me.

The night is young, and ready to be explored. Our quest into each other will bring us beyond the star systems to a plane uncharted and unlike any other, ventured before. The night sky will bear witness to our event and the stars will weep out of sheer awe from beauty. Life, being made in a single dance of love and our moans, and wails and cries of ecstasy and desire, passion and Love...

and when it was all over.. we held one another.. and peeped into each others soul. It was love... Love.. Love of the Titans.
King Panda May 2016
this table in the
shade
these commune hippies
in the river
I wrote a poem
in my sleep
I looked at the mountains
and thought
rain
staccato
metronome
irrigation
and caps
melting
but enough of this
nature
let’s go back
to the concrete
mouth
where we walk
through the city
full of cake
bloated like
balloons
but rolling
because
cake doesn’t make
you float
no
cake only makes you
fat
the conversation turns
to the stench
there’s something dying
in the air
we leave
and roll joints
spot magnums
on tree branches
and think
only monkeys ****
in trees
and we would never
want to see
monkey ***
and ******?
no
we’d never try it
and the homeless man next to us
puts his spoon
away
but god
why do we sleep
when we just wake up?
why do we sleep
to dream
such ******-up
things
where celebrities
feed us salami in
back alleyways
and we see our mother
pooping on
world maps?
time rips of
lyrical grass
conductive smile
soap bubbles
these beautiful
dreamtime mornings
spent thinking of you
in playhouse mountains
like a child
you smile
like a friend
I offer you my hand
and we walk
to the white
together
bill withers is there
he is singing
in his yellow
turtleneck
Eric Martin Dec 2016
Stars in the sky exploding
Space and time folding
Bombs going off as the galaxy rips
Flashing lights fight to eclipse

Visions full of fluorescence
At the sacrifice of a solar systems essence
Shooting stars cry across the skies
Puncturing planets as they pulverize

Swirls of liberation
Celestial bodies melting in devastation
Swarms collect and deform
Exploding into storms as they transform  

The aura of the aurora bleeding like mascara
As if the planet is crying at the end of an era
Watching as black holes fight over vibrant sights
Pulling it apart as it ignites

What a wonderful curse
To befall the universe
It's so beautiful its cryptic
God bless a life so apocalyptic
Front Page!!! I hope to god this poem becomes more popular then "chorus of a love song" because that does not deserve to be my most popular poem.(Later) **** The Daily...Well that was my first wish that has ever came true and then some.
Hanna Jordan Mar 2014
She walks into school
      and it starts again
           the shaking,
               it rips through her like a wave
She hears the sound of the voices
      in the hallway
         yet she cant make out what they're saying
She thinks all eyes are on her,
     everything is just one big blur
She hears laughter and
     she automatically thinks its
        directed at her
She waits in the bathroom
     like she does every morning
        for the halls to be clear
She walks out
     and wipes away her tears
Melisa Bernards Feb 2017
Hiding the hurt, hiding the pain
Hiding the tears that fall like rain.
Saying I'm fine , when I'm anything but,
This ache In my soul rips at my gut.
My skin is on fire, I burn from within
The calm on my face is an ongoing sin.
The world must stay out, I've built up a wall
My fragile lie will collapse should it ever fall.
Loneliness consumes me, it eats away the years
Until my life is swallowed by unending fears.
Waiting for someone to see I wear a mask
And care enough to remove it, is that too much to ask?
Egaeus Thompson Dec 2012
Here.
Attempting to write something
To match your eyes.

Something that will make you see things
The way I see things.

Noticing.
Every mark.
Torn by  fences climbed
To get away from those who didn't take your hand
And fly.
They left intricate laddered rips in your jeans,
Though you try to hide the fact that you know,
That I know that is the case.

We play childish games of denial
Because all romance is to be transported to a time when we were innocent.

Back to a place where ‘I love you’ is what your parents said
When all the screaming, laughter
And the innocence of loud noises stop
And is replaced by silence.

‘I love you’ made that warm feeling
Growing and radiating out
Eventually finding the tips of your fingers and ends of your toes
And bursting out,
Moving through to the next person you touch.


Contrary to popular practice,
‘I love you’ is not just three words to be said
When you are trying to break the awkward silences
Left between two people who have simply gotten used to each other.



I love red licorice.
It gives me a warm feeling of sugary goodness.
Though artificial,
In the times when the weight of the world is the weight of your sheets
That lay a top of your body
Which you tell yourself over and over and over
It is not good enough for that person
Who gives you the inner warmth
That a campfire gives your shins;
I find that artificial red licorice warmth is good enough.
And sometimes good enough is the best we can get.

Here.
In the hope that the words that must be said
Stream from ink to page.
I hope my hand moves so fast over the page
That smoke starts flowing and my words mean something...



But no words come.
No letters.
No ink scratches the page.





*I just want you to see the way I do.
Elle Bogue May 2017
There´s a man in my life
who with one glance
becomes commander of my will
and master of my thoughts.
My heart yearns his care,
my curves crave his hands.

However an endless void
rips trough my dream:

He doesn’t love me.

I go to him whenever he calls;
no matter the time, even when night falls.
After untangling sheets, we embrace into each other
staring into each other's eyes
until we drift into our own minds.

But he doesn't want me.

We wake up next to each other.
His smile is my warm morning sun
Yet when I manage to break his spell
and make my mind my own again
he can't wait to try to lure me back in.

Yet he says wants to be alone.

He calls and worries,
making sure I'm shielded from harm.
He couldn't stand if fatality struck,
and can't wait for me to be back
in the safety of his blessed arms;

But he wants to not care.

His eyes are yelling with his stare
that his soul is in line with mine,
that his thoughts belong to me.
When he holds me, he doesn’t let go.
With every kiss, we are nowhere and everywhere.
I am his and he is mine.

However, an endless void
rips trough my dream:

He doesn’t know he loves me.
Willow Branche Mar 2014
Beautiful and hungry,
They proclaim my fears.
They scream out of the darkness,
They whisper into my ears.

"A moment on the lips,
Adds ten pounds to your hips."

It rips into my sides,
It makes my stomach churn.
I guess I'll always think this way.
I guess I'll never learn.
Jason Drury Feb 2019
If I gave you my soul,
would you read each page?
Scribble notes of interest
and know me.
Would you take the time,
to help tape the seams?
Would you mend,
the fragility of my soul?
It tears and rips,
easily, emotionally.
Ellie Belanger Nov 2015
late afternoon sunlight descends through the waving Palm and Oak branches
highlights the rips in the knees of my jeans, made not bought
and I feel like I'm seven years old again
waiting for everything
too young to know what's waiting for me on the other side of time
but then my next door neighbor comes outside and says
"Hello"
and it's welcome back to now,
to right now,
when I'm twenty four and sitting outside writing this poem,
hoping that you're proud of me,
hoping that I can still learn to love properly,
hoping that I always get rips in the knees of my jeans.
Von White Mar 2019
Crystal tears in beams of the ethereal triangle. (Moth)
Leave gleams of cosmic rays of colors new from all angles
Crying trying to hug a moth.  
As Crystal tears fall on sacred cloths.
Benighted Bug embraced in hugs
Wings are spread to hold one snug:
Deepens the sorrow,
smiles be smug
Deeply sad
happy songs sung
Deep so deep in altered states fun
Deep like your hole that was never dug.
For this is why thy is sobbing yet numb.
So missed, so loved
this head in dread hung.
Hysteric screams loud left ears that rung.
Mourning love on lavish lush.
Perhaps hard drugs
gleam in this rug.
Like Twinkle stars in eyes of lights bug.
Flutter now precious one.  
That moment has come.
For that cosmic lights in the night sky has shun.
Fly off now and thrive
Through Blessed skies twilight.  
Omega trifecta disjecta in white.
Disregard all  life’s ill lies
Project Past false folly worlds not wise.
Omega trifecta eternal cant die.  
Clothed in robes on moths back we ride
  Purple eyes On wings spread so wide.  
Protected With swords
worn on there sides
Giants enlightened
with violet sash tied
Guide these rides like blades on arm right
through chaos harmonized untwined.
be three inside when doors thy find.
Under cat pelt black mat
Crystal white key sleeps and  hides.  
Unlock bone carved door,
to obscure and pure life.
Flesh cold on *** gold,
Twist it like Pyrex pipes.  
Arived
Arived
Looks dead
Though alive
Triangle portals for immortals to rise.
  In bliss gnostic gifts of the purest of kind.
alive in parallel paths that have died.
Blind not the light,
as black sun in sky rise.
Omega trifecta disjecta drenched white.  

Insanity
123
Triangle eyes  
Upon moths wings.  
Insanity
123
How nice was it for you visiting.
Insanity
123
Lovely wings now wave to thee
Insanity
123
Love has come
Love will not leave.
Insanity
123
Of three
Triangles dance like seas.
Insanity
123
White it be
of love
of 3.

Burn forever has this flame.
Insane deranged the mental state.
Delirium comes
And is here to stay.
Now in the dark filthy room,
the schizoid hides away.
In Torment
in dormant
Destroy rituals save.
Healed by the hand
Upon masters embraced.
Purify soul
Preserve culture and race.
Clean blood the last goodness
left in this wretched place.
Yet still in stillness
stagnant turns blue in veins
Bloodletting not upsetting
Blades sway without pain.
As well as chop lines
Upon mirrors for days.
Twisting Pyrex orbs like a game
As well as starve self in sacred ways.
As well as smoke finest of *** never laced.
As well as this huffing to **** cells In brain.
The alcohol be it the final Intake.  
Rituals so official for healing in this hate.
Destroy
Create
Destroy
Create
Sleep deprived
for up to thee days.
Final hours
bring forth meat and champagne.
Replenish the ugly shell carbon based
Starved for many days
Sacrifices made done safe
Acts watering spirit
Sacred like this self inflicted pain
Be it in ethereal place
Where insane becomes sane.
Clean the mirrors like spirits slate.
Awaken here to rise.
Eyes alive appearing crazed
laughs upon the sad estates.
Fear all clear has disappeared
Nearly forgot the name
again please come play
like the sun does in may
Cloaked with veils soaked,
like the bed lovers lay.
Cloaked in veils soaked
With inhuman healing rain
Cloaked in veils soaked
Through shadows in thick smoke.
Abstract absurd croaks,
hang from yellow ropes.
Oh strange these roads
magicians go.
Zero fear crystal clear
With senses unknown
It is upon the humans where Paranoid confused madness cripples all life.
Where the eyes of the rubber skinned demons flutter like fast as hummingbird wings.
No logic or sense
reality has shattered.
Machanical animals glitch out like brains splattered
Oh the inner urge to stab synthetic creatures
Oh to destroy Gears and chips inside that “raccoon”
Oh to have oil drop off this sharpened knife
How the **** can one ****
That which is not even alive
Malevolent smiles on people on all sides
These are the things
these eyes have seen
Enough now on obsessing
on that which is now cleansed.
These are the reasons this obscure life be led.
These be the reasons these practices one tends.
These be the reasons for the drs meds
These be the reasons one ***** up this head.
These be the reasons that one is not dead
For these sacred acts in fact have fed spirit and flesh  

Dancing and laughing now through storming waves of chaos seas
Immortal threes ride storms through dark nights.

Until Timelessness be kind with bliss.
These moments will be missed
For the horror be done.
For the flesh be at rest.
Silk was a voice that little wings said.
For fabulous readings
Whispers to heart In chest.
Last lovingly gesture
face gently corresed
Kissing soft wings as the honored guest left.
Gracious be glorious gifts that were sent.
For a  radiant cosmic ray is shun
A Glowing beam bright as the sun.  
Open ethereal triangle windows up.
Fly far now back to lands you are from.
to gaze into ethereal triangular windows.
Free forever eternal have fun
be a triangular window.  
Oh how now to frolic.  
Within Crystal palace.
Oh how to drink from the purest of chalice.
Oh how now to frolic  
Do not stop it
Obnoxious
be not this calling.
Laugh and prans  
as if you have lost it
sheen as if polished.
Which  gleams like gold lockets
Soft the Royal purple carpets.  
Dance in trancemusic of inhuman artists
Terror tamed and disregarded.
of black and laced scarlet
Parallel white
Blackness falls.
Gone unto the sacred arts.
Beaming rays in callused  hearts.

Hard telepathic readings.
The physical health was releasing.
Now physical health is at full regeneration.
Regression
Regression
Regression
In threes
In these
Darkest light in vibrant scenes.
Walk the chaos fields
Laugh at this disease.
In threes
Your triangle
Your embrace please.
Speaking through the cosmic seas.
yes blood as flesh are with thee.
All moments of timeless times.
We both dismantled time and logic.
Witnesses of chronic tauntings.
Together cold hands at hops frolic.
Disability in the humans life
Keeping wits as sharp as knifes.
Laugh with thee
In three
Hahaha
Hahaha
Hahaha
Far to gone
Walking along with zero fear at all.
Within you now all distress is regressed.
You are immortal and free.
You speak through moths and trees.
Transcend the logic of all human beings.  
Beyond the sane and tamed.
Oh severely was such un heard of pain.
humans of hate and horror in black corners.
Chaos in eternal be harmony.
Through delusions
Through evil illusions.
Still immortals storm the insane vespers.
In m
Aquarius being of untouchable boundaries.
Virgo being of untouchable boundaries.
These moons

**** trying to word or logically read.
We’re born of the purest lights.
found in the darkest of seems.
Insane
In pain
In collapsed yet precious veins.
Insane
In pain
Happiness on earth not aloud.
Happiness in far away bliss.
Oh how the dread impails when such is missed.
Eternal
In white
In ligh in black
Laugh with thee as the wretched attack.
In purity
With purple sash on white robes
In light in darkness harness you will be loved and whole.
Still shovels crave to dig six foot holes.
Still death appears in the faces of the cold.
Love fortold in the hopelessness like mold.
Oh telepathic wanderer of true purity.
Eternaly
Your purity and loving being
Eternal shall your light be strong.
Your love in lungs as one rips bongs.
Of three you and thee
Of night
Of light
No more fright
For blackness has led them to might that is white.  
For love from the purest has held out inhuman hands.
Forever infinite beyond imagination of man.
Forever gnostic callings in not so human lands.
Crystal tears beam in ethereal triangle (moth)
that point inside
your veins
that rips you from
your mind
the one that takes
your soul

it leaves nothing
for you
it takes what it can making
you feel
that without it
you’re not real

it’s drowned
you out
for more than five years
it took away all
your fear
but it’s left you with
nothing more to bear
than a deep hole
inside your arm
that you can only see
with empty brown eyes

I can only say I’ve tried
more than a few times
to help you get it off your mind
but now now you’re only
crushing up more lines

with more lines comes
more tracks
which ends up with
less life and less tact
ESSAYS ON
LEADERSHIP FRONTIERS OF AFRICAN LITERATURE
By
Alexander   k   Opicho




Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

TABLE OF CONTENTS
Contents                                                                                                                Page
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE 4
THE CURRENT EAST AFRICA IS NOT A LITERARY DESERT 27
AFRICAN WRITERS HAVE CULTURAL RIGHTS TO FORMULATE AND CREATE ENGLISH WORDS 31
LIKE PUSHKIN, AFRICAN WRITERS MUST CREATE THEIR OWN PROFFESSION OF LITERATURE 35
THERE IS POWER IN THE NAME ‘ALEXANDER’ 40
KENYAN COURTS AND PARLIAMENT ARE BETRAYERS OF HUMANE GOVERNANCE 47
AFRO-CHRISTIAN RESPONSE TO RADICAL LITERATURE IS GOOD AND SWAGGERISH 50
YUNUS’S SOCIAL BANKING IS A GOOD BENCHCMARK FOR THIRD WORLD ENTREPRENEURS 54
HEROISM IS NOT GREATNESS BUT HUMILITY IN SERVICE TO HUMANITY 57
KENYAN STUDENTS; YOUR MOBILE INTERNET CULTURE IS ANTI- ACADEMICS 61
WHAT IS THE MAGIC IN THE WORD ‘DRINKARD’ OF AMOS TUTUOLA 63
SOCIETIES IN AFRICA HAVE TO MENTOR BUT NOT CONDEMN THE LIKES OF JULIUS MALEMA 66
AMERICA WILL NOT WIN THE WAR ON GLOBAL TERRORISM 69
AFRICA CAN OVERCOME A MENACE OF **** IN EVERY 30 MINUTES 71
COMPARATIVE ROLES OF AFRICAN-BRAZILIAN LITERATURE IN THE POLITICS OF RACIAL AND GENDER DEMOCRACY 76
NEO-COLONIALISM IS NOT THE MAIN VICE TO THE GAMBIAN POLITICS 85
RELATIVE MEDIA OBJECTIVITY IS ACHIEVEABLE IN AFRICA AGAINST POWER CULTURE AND TYRANNIES OF TASTE 89
READING CULTURE IS GOOD FOR BOTH THE POOR AND THE RICH 96
VIOLENT DEATH IS THE BANE OF AFRICAN WRITERS AND ARTISTS 100
AFRICAN WRITTERS AND ARTISTS MUST ASPIRE BEYOND A NOBEL PRIZE 104
WHAT ARE CULTURAL RIGHTS OF AFRICAN ENGLISH SPEAKERS? 109
WHY IMPRISONMENT OF WRITERS CONTRIBUTED MOST TO AFRICAN LITERATURE 113
DORIS LESSING: A FEMINIST, POET, NOVELIST, WHITE-AFRICANIST AND NOBELITE UN-TIMELY PASSES ON 121
Amilcar Cabral: Beacon of revolutionary literature and social democracy 127
How the State of Israel is brutally dealing with African refugees 131
Historical glimpses of language dilemma in Afro-Arabic literature 146
THIS YEAR 2013; IS THE YEAR OF GREAT DEATHS 153
AFRICAN LITERATURE WITHOUT POETRY IS LIKE LOVE WITHOUT VAGINAL *** 156



















PROLOGOMENA
BARRACK OBAMA READS MOBY ****
Barrack Obama is reading Moby ****
American president is reading Moby ****
Ja-kogello is reading Moby ****
Ja-siaya is reading Moby ****
Ja-merica is reading Moby ****
Jadello is reading Moby ****
Ja-buonji is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because untimely death took his father
Barrack Obama is reading Moby ****
Because untimely death took his mother
Barrack Obama is reading Moby ****
Because untimely death to his brother
Barrack Obama is reading Moby ****
Because untimely death took the grannies
His lovely Oeuvre of Melville Herman  
And what are you reading?

Barrack Obama is reading Moby ****
Baba Michelle is reading Moby ****
Baba Sasha is reading Moby ****
Baba Malia is reading Moby ****
Baba nya-dhin is reading Moby ****
Sarah’s sire is reading Moby ****
Ja-sharia is reading Moby ****
The ****** is reading Moby ****
His lovely Oeuvre of Melville Herman
And what are you reading?

Barrack Obama is reading Moby ****
Because here ekes audacity of hope
Barrack Obama is reading Moby ****
Because here ekes dreams of fathers
Barrack Obama is reading Moby ****
Because here ekes yes we can
Barrack Obama is reading Moby ****
Because here ekes American dream
His lovely Oeuvre of Melville Herman
And what are you readings?

Barrack Obama is reading Moby ****
Because American president is like whale hunting
Barrack Obama is reading Moby ****
Because Obama is a money making animal
Barrack Obama is reading Moby ****
Because hunting Osama is whale riding
Barrack Obama is reading Moby ****
Because hunting Gaddaffi is whale riding
Barrack Obama is reading Moby ****
Because coming to Kenya is whale riding
Barrack Obama is reading Moby ****
Because Guantanamo prison is a bay of whales
Barrack Obama is reading Moby ****
Because Snowden is a Russian whale
Because launching drones is whale riding
His lovely Oeuvre of Melville Herman
And what are you reading, Moby ****?














CHAPTER ONE
TABAN MAKITIYONG RENEKET LO LIYONG AND PREFECTURE OF AFRICAN LITERATURE

I am writing this article from Kenya on this day of 23 September 2013 when the Al shabab, an Arabo-Islamic arm of the global terrorist group the Al gaeda have lynched siege on the shopping mall in Nairobi known as the West Gate where an average of forty people have been killed and a hundreds are held hostage. The media is full of horrendous and terrifying images. They have made me to hate this day. I hate terrorism, I hate American foreign policy on Arabs, I hate philosophy behind formation of the state of Israel and I equally hate religious fundamentalism. Also on this date, all the media and public talks in Kenya are full of intellectual and literary tearing of one Kenyan by another plus a retort in the equal measure as a result of the ripples in the African literature pool whose epicenter is the Professor Taban Lo Liyong .He is an epicenter because he had initially decried literary mediocrity among the African scholars and University professors, Wherein under the same juncture he also quipped that Kenya’s doyen of literature Ngugi wa Thiong’o never deserved a Nobel prize. Liyong’s stand has provoked intellectual reasons and offalities to fly like fireworks in the East African literary atmosphere among which the most glittering is Chris Wanjala’s contrasting position that; who made Liyong the prefect and ombudsman of African literature? This calls for answers. Both good answers and controversial responses. Digging deeper into the flesh of literature as often displayed by Lo Liyong.
Liyong is not a fresher in the realm of literary witticism. He is a seasoned hand .Especially when contributions of Liyong to east African literary journal during his student days in the fifties of the last century during which he declared east Africa a literary desert. In addition to his fantastic titles; Another ****** Dead and The Un-even Rips of Frantz Fanon, Professor Taban Lo Liyong also humorously called Amos Tutuola the son of Zinjathropus, what a farcical literary joke? I also want to appreciate this Liyong’s artfulness of language in this capacity and identify him in a literary sense as Taban Matiyong Lo   Liyong the son of Eshu. He is an ideological and literature descended of the great West African Eshu. Eshu the god of trouble which was dramatized by Obutunde Ijimere in the imprisonment of Obadala and also recounted by Achebe in the classical essays; Morning Yet of Creation Day. I call him Eshu because of his intellectual and literary ability to trigger the East and West Africans into active altercation of literary, cultural and political exchanges every other time he visits these regions. Whether in Lagos, Accra or Nairobi.
Now, in relation to Ngugi and intellectual quality of Kenyan University literature professors was Liyong right or wrong?  Does Liyong’s stand-point on Ngugi’s incompetence for Nobel recognition and mediocrity in literary scholarship among Kenyan Universities hold water. Are Liyong’s accusations of East Africa in these perspectives factually watertight and devoid of a fallacy of self-aggrandizement to African literary prefecture as Professor Chris Wanjala laments. Active literary involvement by anyone would obviously uncover that ;It is not Liyong Alone who has this intellectual bent towards East Africa, any literary common sense can easily ask a question that; Does Ngugi’s literary work really deserve or merit for Nobel recognition or not ? The answers are both yes and no. There are very many of those in Kenya who will readily cow from the debate to say yes. Like especially the community of alumni of the University of Nairobi who were Ngugi’s students in the department of English in which Ngugi was a Faculty during the mid of the last century. Also the general Kenyan masses who have been conditioned by warped political culture which always and obviously confine the Kenyan poor into a cocoonery of chauvinistic thought that Ngugi should or must win because he is one of us or Obama must win because he is one of us or Kemboi must win because he is the son of the Kenyan soil. These must also be the emotional tid-bits upon which the Kenyan Media has been based to be catapulted into Publicity feat that Ngugi will win the Nobel Prize without reporting to the same Kenyan populace the actual truths about other likely winners in the quarters from the overseas. I am in that Kenyan school thought comprising of those who genuinely argue that Ngugi’s literary work does not befit, nor merit, nor deserve recognition of Nobel Prize for literature. This position is eked on global status of the Nobel Prize in relation to Ngugi’s Kikuyu literary and writing philosophy. It is a universal truth that any and all prizes are awarded on the basis of Particular efforts displayed with peculiarity. Nobel Prize for literature is similarly awarded in recognition of unique literary effort displayed by the winner. It is not an exception when it comes to the question of formidability in a particular effort. However, the most basic literary virtue to be displayed as an overture of the writer is conversion of theory into practice. This was called by Karl Marx, Hegel, Antonio Gramsci and Paulo Freire, especially in Freire’s  pedagogy of the oppressed as praxis.History of literature and politics in their respective homogenous and comparative capacities has it that ;There has been eminent level of praxis by previous Nobelites.Right away from Rabitranathe Tagore to Wole Soyinka, From Dorriss Lessing to Wangari Mathai.Similar to JM Coatze ,Gao Tziaping,Alexander Vasleyvitch Solzhenystisn and Baraka Obama.This ideological stand of praxis is the one that made Alfred Nobel himself to to stick to his gun of intellectual  values and deny Leo Tolstoy the prize in 1907 because there was no clear connection between rudimentary Tolstoy in the nihilism and Feasible Tolstoy in the possible manner  of the times .In a similar stretch Ngugi wa Thiongo’s literary works and his ideological choices are full of ideological theory but devoid of ideological praxis. Evidence for justification in relation to this position is found back in the 70’s and 80’s of the last century, When Ngugi was an active communist theoretician of Kenya. His stature as a Kenyan communist ideologue could only get a parallel in the likes of Leon Trotsky and Gramsci. This ideological stature was displayed in Ngugi’s adoration of the North Korean communism under the auspice of the Korean leader Kim Yun Sung. This is so bare when you read Ngugi’s writers in politics, a communist pamphlet he published with the African red family. By that time this pamphlet was treated equally as Mao tse Tung’s collected works by the Kenya government which means that they were both illegal publications and if in any case you were found with them you would obviously serve nine months in prison. And of course when the late Brigadier Augustine Odongo was found with them he was jailed for nine months at Kodhiak maximum prison in Kisumu ,Kenya .O.K, the story of Odongo is preserved for another day. But remember that, this was Ngugi only at his rudimentary stage. But when Ngugi got an opportunity to get an ideological asylum, he did not go to Russia, nor East Germany, Nor Tanzania, nor China but instead he went to the USA , a country whose ideological civilization is in sharp contradiction with communism; a religion which Ngugi proffessess.In relation to this choices of Ngugi one can easily share with me these reflections; is one intellectually  honest if he argues that he is a socialist revolutionary when his or her employer is an American institution like the university of California in Irvine ?
Ngugi was not the only endangered communist ideologue of the time. There were also several others. Both in Kenya and without Kenya. They were the likes of; Raila Odinga, George Moset Anyona, ***** Mutunga and very many others from Kenya. But in Africa some to be mentioned were Walter Rodney, Yoweri Museven,Isa Shivji,Jacob Tzuma ,Robert Mugabe and others. The difference between Ngugi and all of these socialist contemporaries of him is that; Ngugi went to America and began accumulating private property just like any other capitalist. But these others remained in Africa both in freedom and detention to ensure that powers of political darkness which had bedeviled Africa during the last century must go. And indeed the powers somehow went. Raila has  been in Kenya most of the times,Anyona died in Kenya while in the struggle for second liberation of Kenyan people from the devilish fangs of Moi’s dark reign of terror and tyrany.Walter Rodney worked in Tanzania at Dare salaam University where he wrote his land mark book; How Europe underdeveloped Africa. Later on he went back to his country of birth in Africa, Guyana where he was assassinated while in the revolutionary struggle for political good of the Guyanese people. Yoweri Museven practically implemented socialism by fighting politics of sham and nonsense out of Uganda of which as per today Uganda is somehow admirable. Isa Shivji has ever remained in Dare salaam University, inspite of poverty. He is now the chair of Mwalimu Julius Nyerere school of Pan African studies. Jacob Tsuma and Robert Mugabe they are current presidents of South Africa and Zimbabwe respectively. The gist of this reference to African socialist revolutionaries as contemporaries to Ngugi wa Thiong’o is that a socialist revolutionary must and should not run away from the oppressor in to a zone of comfort. But instead must remain and relentlessly fight, just like in the words of Fidel Castro; fight and die in the battle field as long as it is a struggle against the enemy of the revolution. This view by Castro is pertinent as it’s a Revolutionary praxis which actually is redolent of practice of an ideology that has to be held for ever above ideological cosmentics.Ngugi scores badly on this. So if the Nobel academy looks at Ngugi in terms of defending human rights then it must be reminded that Ngugi have no marks on the same because he only ran away from the practical struggle. Anyway, Politics and ideology has its own fate. But let us now come back to literature. Ngugi and his books. As at  this time of writing this essay  Ngugi has published the following works; Weep not Child, The River Between, A Grain of Wheat, Black Hermit, Petals of Blood, Devils on the Cross,Matigari,Homecoming,Decolonizing the Mind, Writers in Politics, Ngugi Detained, Pen Points and Gun Points, Wizard of the Crow,Globalectics,Remeembering Africa, Dreams in Times of War and I Will Marry When I Want as well as the Trial of Dedan Kimathi which he wrote along with Micere Githae Mugo.Out of this list the only works with literary depth that call for intellectualized attention are ;A Grain of wheat, Wizard of the crow and Globalectics. The Grain of wheat is simply a post colonial reflection of Kenyan politics. Its themes, plot, lessons and entire synechedoche is also found in Wole Soyinka’s Season of Anomie as well as Achebe’s Anthills of the savannah. My argument dove-tails with those of Liyong’s stand that rewarding Ngugi’s Grain of wheat and forgetting Achebe’s Anthills of the Savannah and A man of the people would be a literary ceremony devoid of literary justice. Wizard of the Crow is indeed a magnum opus. I am ready to call it Ngugi’s oeuv
Elise Jackson Sep 2017
crime, staring competitions, tears.

these small things that lead us further
into the fog, closer to the moths,
attached at the hip, nothing new.
nothing blue, always red.

your guitar rips through the
navy skyline, alerting the stars of war,
violet mornings creeping over the
trees as sleep envelops your eyes.
i've dreamed of something like
this, but i got more than i asked for.

i'd never go back.
i'd never go back to that place where you
don't exist, the dark, the damp, the treacherous.
becoming a threat, was the purple leaves and blinding snow.

but the next morning was lined with amnesia, we both forgave;

but we'll never forget.
jacob lebsanft Feb 2019
Never free
Under pressure of all that see
This weight
Rips and tortures me
In my struggling I just want to be set free
To tell you the true
I’m lost in my dreams
Of course, now you see you will
Never see the true me
its an acrostic poem
samasati Sep 2012
why is it so hard to see you?
i crumble and i croak
hopeful words dance at the back of my throat
now i’m hopeless
now i’m in a mess
of you or her or him or me
it’s like moving to a new country
and getting the hang of their weird plastic currency
and why the **** is talking to you so hard?
i tumble and i frizzle
a glass smashed into shards
aggravation takes me over because
anxiety takes me over because
suppression takes me over because
i want ******* control over ******* everything
i want to ******* know what i’m ******* doing
what i’m ******* thinking
i tremble and i palpitate
the thirst never sedates
like a lion ******* blood or a needle weaving thread
so much to go around
too much to go around
i’m not sure how to go about
underwater is where i wish i was
underwater, everything is muted
everything is calmer and resentments are diluted
i long to feel less polluted
i long to feel less consumed by
that and this and all the ******* frolicking ****
it pulls and tears and rips in shears
still standing there
i am still standing there
why the **** am i still standing there
here
like a fish suffocating in air
like a statue stands with a smile it can’t wipe off
i sweat under smiles
i want to wipe it off
i want to turn it off
why won’t i just ******* take it off?
why is it so hard to know who you are?
seeing a glimpse of a break down is making me stick around for you
do you still want me to stick around for you?
i crush and i tamper
with anything i can get my hands all over
it really doesn’t matter
what or who or how hard i hit
cause nothing is good enough for this ******* *****
majsrivas May 2015
Wish i am strong enough by this time.
Wish i had the courage to face him later.
Wish that i could hug him tight by the time that i saw him.
Wish i could kiss him again.
Wish i could reach out and grab him and feel his arms around me again.
Wish i could share another day with him and share the laughter again.
Wish i can smell his armpit and feet.
Wish i could say i love him endlessly.
Wish i am not craving for him anymore.
Wish i am not crying at night wanting him to just appear in front of me.
Wish i am not crying on the bathroom floor begging God to bring him back.
Wish that i had him not only in my dreams so that i would not want sleep so much cos i know that dream is the simplest way for me to feel him again.
Wish the gets-inside-you-and-rips-you-apart game is not that strong.
Wish i didn't wished these last Wednesday wishes.
©jenzybabyy
Thirty floors up, rifle in hand
windows blown out, a view of the land
she sighs... eight years of war, no end in sight
darkness prevails, gunshots in the night.
she's still there, provisions nearby
listening for the enemy's cry
she's cleaned her rifle a thousand times
two hundred tick marks, etched in fine lines
one down, an army to go.
she prayed to god that the flash wouldn't show.

this city's been dead for over a year
yet theres still so many who cower in fear
of her fifty cal blast in the dead of the night.
the enemy falls, no more need for fright
shes been here for nearly a year,
ten thousand rounds and an airdrop every moon
with a note that says the war could end soon
the food is bad but you hardly notice
the company's good, after all theyre the closest.
her spotter, a man, was all she had now
he swore he'd protect her no matter how
theyd been lovers, and friends even too
after all... it gave them something to do
a single shot rips through the night
tearing apart the enemy on the right
one more down, an army to go.
she prayed that the flash wouldn't show

she looked through the scope of her closest ally
the fifty cal's sights perfect to her eye
watching for movement, always alert.
as she felt his hand slip beneath her shirt.
she grinned a little as he crept towards her neck
shivering tingles made her a wreck
as she lie in prone, watching the town
glad to have this man around
"wait" she whispers, a target in sight
she lines up the shot and it echoes tonight.
one more down, an army to go.
she prayed that the flash wouldn't show.

she sigh's again, back to work.
watching wherever shadows lurk.
a flurry of shots rips through the air
straight past her face, singeing her hair
the flash gave him away, as he fired unaware
that he'd woken a ****** coaxed out of her lair
one more down, an army to go.
she prayed again that the flash wouldn't show.

the letters stopped coming, but the packages came
she knew what it meant, but everything's the same
this is life for her now, nothing will change
the war will go on, its nothing strange
theres five hundred marks on the .50 so far
theres more in their army, wherever they are
one more down, an army to go
she prays ever still that the flash wont show.

fifteen years later, its been days since a ****
everything was silent, all was still
instead of a package, a chopper came in
set down on the building with the ****** within
the rifle now had a thousand marks on its frame
almost all of them white, one red streak bright as a flame
she packed up her gear, the rifle and ammo
wiped off the dirt on her old urban camo
she made her way up, the general awaits
wondering what happened, her spotter's fate.
the one red streak, the mark of her friend
she was there, but he wasn't in the end.
driven insane by the constant fight
she'd put him out of his misery one night.
she said not a word as she boarded the ride
one single tear fell, with no attempt to hide the pain inside
one more down, no army to go
she prayed no more that the flash would show.
(epilogue)
her beloved fifty cal, now hung on her wall
rewarded to her for answering duty's call
that one red mark overshadowed the rest
he'd stuck with her so far, he'd done his best.
she was the best, the greatest marksman of all time
the dreams never ceased, the memories never ended
the death of her beloved, and the years she'd spent with
never left her, nor did she want them to
she got a call one day, she had a job to do.
the rifle came down from its spot on the wall
the time came again to answer the call
one more down, an army to go
she prayed once more that the flash wouldn't show
kirk Oct 2018
To impregnate a women, you have to feel the horn
Being soft is not much good, or if your ***** is worn
Many men they want a ****, but don't want babies born
It's best to avoid men like Boyd, because he's low on corn

If you have unprotected ***, and your cocktails on the prawn
Then pregnancy is immanent, unless a line is drawn
Wearing a sheaf is sensible, that's if it isn't torn
Make sure your rubbers in one piece, or watch some ******* ****

****** stimulation can be achieved, when there is a certain need
You soon had some excuses, when your rubber tore at speed
There's no need to lie, because it's just for your own greed
Suddenly your low on ***** after you had your ****** feed

You didn't mind your pleasure, when you layed and did the deed
Some consequences matter, when you know where things may lead
No mention of low ***** counts, you came and spread your seed
Pregnancies have happened, because low ***** counts can still breed

Hay now Boyd I wonder how, your ***** count is so low ?
It seems to me your capable, but you don't want to know
If you can break a ******, then it just goes to show
The only thing you can count, is a free cash money flow

Counting *****'s not easy, was it sitting in a row
Low ***** count is an excuse, for just another ***
Responsibility is not your thing, you want to ***** and go
You don't care you've had your ***, instead of going slow

Avoid Boyd because I think, his low count is a lie
It can get through rubber sheafs, and it doesn't even try
Destroying morning after pills, it looks like his counts sky high
His Low count cant be so low, to kiss pregnancy goodbye

He's implied the kids not his, its enough to make you cry
It didn't bother him before, when he layed in the pie
Now that pregnancies occurred, he's now done up his fly
Suddenly his ***** is low, and that's the reason why

Isn't Boyd just a boy, but with an added D
The laziness of proper names, at least to a degree
What's his parent's thinking of, are they completely of their tree
What's wrong with naming a boy, ben or pete or lee

Is it a bit like catchphrase, where you say what you see
Was there born a baby boy, holding brook bond tea
I don't think Boyd is a real name, but you may disagree
A better name I could supply, and I wouldn't charge a fee

Poor old Boyd his ***** is low, they must be quite annoyed
Their waiting for orders to go, but now there unemployed
Most of them are killed off, and the rest just get destroyed
Not one of those *****'s hanging high, unlike Harold Lloyd

He's claiming that his count is low, he must be paranoid
******* that rips rubber, that's some ***** you should avoid
Combating morning after pills, once his ***** has been deployed
If you value your own dignity, for **** sake avoid Boyd
Fah Jul 2013
**** this
**** that , **** it all , i am eloquent when i speak and when i write so why is profanity rude?
tell me , if i was a guy would this be different ? am i meant to stick to some code , of rules that dictate how i share myself ? how i share my words or my body or my mind or my soul or what , is it because i'm young? or is it because you think i'm trying to ****** you? did i write this peace for you? primarily , i wrote this peace for me , for me ages 7, 6 , 5 , 14, 16 , 67 , 56 , 43 , 23 , 22 , 89, 900, 10

the girl who grew into a woman not knowing a father , having to be her own , and from experience how hard that is , how alone you become , how closed i became , i become let me tell you , this is it :

I am my own , i trust , in myself enough to be able to make choices about who and what i want to ****

because , to me , it's not just a ****, or not just a kiss, or not just a lip synching , heart racing moment of pure unadulterated bliss because if i touch you like that , it means that this is some form of love , ****** attraction is energetic and why define the love that is bolder than the stars , why hide it?

i don't mean to be crude but it's true , i've ***** footed around the topic,
but this is the father i saw ,

and maybe i'm not so eloquent when it comes to feelings but let's be frank ,
nothing compares to the electric field created when we touch

we touch in the rips in space and the rips in time and rips in all the words that don't rhyme , the misses , the hits , the highs , the lows , the missing link , the found , the soft inside the hard and the lost inside the found - i can feel you , the wounded healer

undone

unsure how to heal own wounds , a wounded healer on the run , until eternity's sunset rises

fatherless , our collective society took on this crucial role but counter balanced by a mother who knows her stuff and is loving but tough and clear but clean and who showed me hurt so i needn't be hurt so much , yeah ,

that combination along with the cultural deluge in my veins
it ain't vain to take care of the emotional realm - sort through **** so one may move on ,

and yeah change takes time so peace , peace until the liner merges with the rest , patient child,

not everyone can feel like you do , it's too much sometimes
you'll be fine , just breathe and do what you want to , you can't go wrong your heart is too strong

rest easy , you've done nothing wrong , it's all on the way
shhh , sleep now , sleep and when you wake the world will still be here , bright to greet you again , the love doesn't have to end - and when the time comes he won't let you go , watch for the look
it's in the body but manifests as

a wink
Credits to Harlon Rivers for the lines "the soft inside the hard and the lost inside the found" - Thankyou :3
M Sargent Mar 2013
The artist is the one who is up all night,
The artist is the one who looks lost,
The artist is the one who fears no tyrant,
Because it just becomes the next piece.

The artist is the one who cries out with a pen,
The artist is the one who finds safety in a brush,
The artist is the one whose enemy is the blank spaces,
Because that's where there is uniformity and potential.

The artist is the one who retorts injustice,
The artist is the one who rips at the seams,
The artist is the one who screams at the world,
Because it seems no one will listen.

But never does that stop the artist,
For the artist is one of persistence,
A never ending fire that burns inside,
A passion that will never die.

Without the artist our world will crumble,
Without the artist our life will go gray,
Without the artist our days would be lonely,
Because that's when the blank spaces win.

It's the color that bursts from the mind,
It's the thought that paints the sky,
It's the music that gives us hope,
Because it's only with the artist we see reason to be alive.

— The End —