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saranade Jul 2014
A favorite color, too bright for my eyes,  a
  favorite food.

A fruit left longing for a rhythm
   a rhyme.

Sit down and ***** with rinds under nails
  smelly.

Citrus acid and sweet juicyness drips down
   my hands.
Orange
Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpeck'd cherries,
Melons and raspberries,
Bloom-down-cheek'd peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries;--
All ripe together
In summer weather,--
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy.-"

               Evening by evening
Among the brookside rushes,
Laura bow'd her head to hear,
Lizzie veil'd her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger tips.
"Lie close,-" Laura said,
Pricking up her golden head:
"We must not look at goblin men,
Who knows upon what soil they fed
Their hungry thirsty roots?-"
"Come buy,-" call the goblins
Hobbling down the glen.

"Oh,-" cried Lizzie, "Laura, Laura,
You should not peep at goblin men.-"
Lizzie cover'd up her eyes,
Cover'd close lest they should look;
Laura rear'd her glossy head,
And whisper'd like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes.-"
"No,-" said Lizzie, "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.-"
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One whisk'd a tail,
One *****'d at a rat's pace,
One crawl'd like a snail,
One like a wombat prowl'd obtuse and furry,
One like a ratel tumbled hurry skurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

               Laura stretch'd her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
When its last restraint is gone.

               Backwards up the mossy glen
Turn'd and troop'd the goblin men,
With their shrill repeated cry,
"Come buy, come buy.-"
When they reach'd where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heav'd the golden weight
Of dish and fruit to offer her:
"Come buy, come buy,-" was still their cry.
Laura stared but did not stir,
Long'd but had no money:
The whisk-tail'd merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-faced spoke a word
Of welcome, and the snail-paced even was heard;
Cried "Pretty Goblin-" still for "Pretty Polly;-"--
One whistled like a bird.

               But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather.-"
"You have much gold upon your head,-"
They answer'd all together:
"Buy from us with a golden curl.-"
She clipp'd a precious golden lock,
She dropp'd a tear more rare than pearl,
Then ****'d their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flow'd that juice;
She never tasted such before,
How should it cloy with length of use?
She ****'d and ****'d and ****'d the more
Fruits which that unknown orchard bore;
She ****'d until her lips were sore;
Then flung the emptied rinds away
But gather'd up one kernel stone,
And knew not was it night or day
As she turn'd home alone.

               Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Pluck'd from bowers
Where summer ripens at all hours?
But ever in the noonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew grey;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so.-"
"Nay, hush,-" said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more;-" and kiss'd her:
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap.-"

               Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtain'd bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipp'd with gold for awful kings.
Moon and stars gaz'd in at them,
Wind sang to them lullaby,
Not a bat flapp'd to and fro
Round their rest:
Cheek to cheek and breast to breast
Lock'd together in one nest.

               Early in the morning
When the first **** crow'd his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetch'd in honey, milk'd the cows,
Air'd and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churn'd butter, whipp'd up cream,
Fed their poultry, sat and sew'd;
Talk'd as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

               At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep;
Lizzie pluck'd purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.-"
But Laura loiter'd still among the rushes
And said the bank was steep.

               And said the hour was early still
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,-"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

               Till Lizzie urged, "O Laura, come;
I hear the fruit-call but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glowworm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?-"

               Laura turn'd cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy.-"
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life droop'd from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, nought discerning,
Trudg'd home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnash'd her teeth for baulk'd desire, and wept
As if her heart would break.

               Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy;-"--
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon wax'd bright
Her hair grew thin and grey;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

               One day remembering her kernel-stone
She set it by a wall that faced the south;
Dew'd it with tears, hoped for a root,
Watch'd for a waxing shoot,
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dream'd of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crown'd trees,
And burns the thirstier in the sandful breeze.

               She no more swept the house,
Tended the fowls or cows,
Fetch'd honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook

               Tender Lizzie could not bear
To watch her sister's cankerous care
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy;-"--
Beside the brook, along the glen,
She heard the ***** of goblin men,
The yoke and stir
Poor Laura could not hear;
Long'd to buy fruit to comfort her,
But fear'd to pay too dear.
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time
With the first glazing rime,
With the first snow-fall of crisp winter time.

               Till Laura dwindling
Seem'd knocking at Death's door:
Then Lizzie weigh'd no more
Better and worse;
But put a silver penny in her purse,
Kiss'd Laura, cross'd the heath with clumps of furze.
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

               Laugh'd every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes,--
Hugg'd her and kiss'd her:
Squeez'd and caress'd her:
Stretch'd up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs.-"--

               "Good folk,-" said Lizzie,
Mindful of Jeanie:
"Give me much and many: --
Held out her apron,
Toss'd them her penny.
"Nay, take a seat with us,
Honour and eat with us,-"
They answer'd grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry:
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us.-"--
"Thank you,-" said Lizzie: "But one waits
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I toss'd you for a fee.-"--
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One call'd her proud,
Cross-grain'd, uncivil;
Their tones wax'd loud,
Their looks were evil.
Lashing their tails
Elbow'd and jostled her,
Claw'd with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soil'd her stocking,
Twitch'd her hair out by the roots,
Stamp'd upon her tender feet,
Held her hands and squeez'd their fruits
Against her mouth to make her eat.

               White and golden Lizzie stood,
Like a lily in a flood,--
Like a rock of blue-vein'd stone
Lash'd by tides obstreperously,--
In a hoary roaring sea,
Sending up a golden fire,--
Like a fruit-crown'd orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee,--
Like a royal ****** town
Topp'd with gilded dome and spire
Close beleaguer'd by a fleet
Mad to tug her standard down.

               One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuff'd and caught her,
Bullied and besought her,
Scratch'd her, pinch'd her black as ink,
Kick'd and knock'd her,
Maul'd and mock'd her,
Lizzie utter'd not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laugh'd in heart to feel the drip
Of juice that syrupp'd all her face,
And lodg'd in dimples of her chin,
And streak'd her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kick'd their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writh'd into the ground,
Some ***'d into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanish'd in the distance.

               In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse,--
Its bounce was music to her ear.
She ran and ran
As if she fear'd some goblin man
Dogg'd her with gibe or curse
Or something worse:
But not one goblin scurried after,
Nor was she *****'d by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

               She cried, "Laura,-" up the garden,
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeez'd from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men.-"

               Laura started from her chair,
Flung her arms up in the air,
Clutch'd her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruin'd in my ruin,
Thirsty, canker'd, goblin-ridden?-"--
She clung about her sister,
Kiss'd and kiss'd and kiss'd her:
Tears once again
Refresh'd her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kiss'd and kiss'd her with a hungry mouth.

     &nb
Sand Aug 2014
Orange rinds and coffee grinds
Take me back to easy Sunday afternoons
Playing chess with former churchgoers in your tiny café.

I met a man who didn't believe in God
But instead put his faith into the Queen
"She protects" he'd say after ousting another piece of mine
"He forgets" he'd mumble as an afterthought, directed at no one.

But as it goes one fateful day
Student surpassed teacher
And didn't think twice about killing the Queen.

As if a bomb detonated just within the cappuccino brown walls
The chessboard flung against the wall
Causalities flying in all directions
A porcelain blood bath.

He left in a hurried huff
All owl eyes all snapped in my direction
I sat frozen -- shocked.

You broke the trance
Kneeled down to pick up the fallen Queen
Placed Her Royal Majesty in my right hand
Placed a free coffee on my table.

The café resumed it's normal character
Scattered chatter and newspaper shuffling
I took a sip of the burnished brown liquid
Tasted a hint of bitter citrus
And came to conclude that there exists a distinct conflict between
Power and Empathy.
Mike Hauser Mar 2013
Pork Rind, Oh Pork Rind
As I reach in your bag
I am truly amazed
At the flavor you have

I know where you come from
Just don't know where you've been
After all the truth is
You are a pigs skin

You often come with a bonus
I am seldom at loss
The piece with the hair
Which in the end I can floss
See what I mean about my humor?
Robin Carretti May 2018
So grace me through
my colors
Let's Start

God Grace me

Someone was smart
To raise me
But the blaze
came and love
pursued me
He pushed me
Into his hot blaze

His ***** of fire
A big part of the script
Another lift in his
desire
But my lips
Got raised up
But couldn't.sustain
the fire
The glossy shimmer
Sky hug
He Aint nothing but
a hound dog goodbye
Raised me Orange
Red Robin fly

But how you
face me
Never to
disgrace me

You pick me up with
all my goods
Odds with the bad
Honorable Gods
And so many facets
of my moods
Watch out!!
Starburst

Or a war curse

We  evaporate
In fragments

Orange segments
Sliced and eaten

Love forbidden fruit
One hidden

Embrace the warm solitude

all over your face,
Someone is rude
Fresh Orange
told you
It's Fate

That brought us
together
Orange juicier sun

So many love forms
Whose terms? Just run
This world full of
germs
But to juice things up


How the colors of your
eyes came to an epical stop

But nursed me
orange juice hip hop

He dazed into me
After-life
They named her
Saucy before-life
See ablaze
orange zest
See me and fly me
At my very best

My breast was
so nicely raised


Lips so fruitful
he cannot
resist you know
the rest??

In the mix of orange
things
Pink rings
Butterfly eyes
winged

Was set so privately-----*

The red tail hawk
Was the talk of the 
 Orangey words flowy
Popsicle poppy eye town
No time to refresh
my colors

Free bird orange up
The ramp no lady
and tramps
Just (Gypsies Orange Vamp)
The rocks fall to thump
Trump orange fixtures
Towers Forestal Gump

The soothing smile of lights
He came to you pop features
All over my place
So cultural to the race
The colors of
Orange mellow
oh! no
Here comes yellow----

Creaming into his
creamsicle
Gelato
popsicle
My feeling divided
like politics

Been sliced by
the orange Super bowl
Erotics
Sunny California Kist
Rodeo drive what a
list
Satanic red
Orange Christ
But that orange
She Shh_ sheets
Had the most vibrant
juicy beats
Tomato vines Rome
Lend me your orange
No ears no other
color of tears

Villians of vineyards
Orange bowl of fruit
No Junkyards
The owl started to hoot
Towards the bad apple

My heart was galloping
Shrimp and scallop
Right in my western charm
boot he takes off

Another mix of paint
Orange isn't carrots and
pumpkins
Austin Power Mini-me
Munchkins

Or goblins spooked
Mandarin Orange lovely
Divinely licked
Gingerly lovely Cayenne
Sweet Pepper he looked at her
Lucky 7 Orange ring karat

Whats up Doc
_


Any cracks of his cravat
Orange Key-West lock
Doesn't turn get off
my block
I am going to
Bangkok
With Chuck

Having Orange Tang
He was holding me
777 karat ring
The  Mediterranian
party
Why so dead sea
Pink Smarty
Orange blosson tea
Orange Marquis
Louis and Diamonds
All clockwork
Orange movies

In the lounge of
Raymonds of ring
junkies
Pour OJ for me
**** a doodle doo

Flash of orange came at me
Do you want to?

The operation of heartless
surgery
The Showstopper emergency
Revived refreshing lady
of purity but no orange
The
((Orange Marquis))
Off to see the Wizardly
Orange field gorgeous
WC fields raise

Writer with the
lucky pen praise
Her editor was
the perfect color
ten

Miss coralline with
her coral rock
The mixed infusion

Next color comes up
Raise your brow reaction

Needing a follow-up

Orange rinds
Another call-up
Giddy Apps up
Orange glittering
passion fruit
paintbrush
Soap Opera beauty
and the beast
Another gulp the
pulp pretty in pink
psst
_

Orange-pink tropical
girl orange whirl
The orange-red ringlets
She curled inside him
Glass raise you cup trim
In your villa stucco orange
You were breastfeeding
his orange suited juice

No time to see another
color
Orangey wiz showbiz
Arabian sky sunset
burnt orange
The caramel bump
of the camel
Her favorite one
mural

Lips of tang so foreign
She is flaming like a
flamingo bed

Get his color out of
Cotton picking head
Your shampoo
The
"Orange Oddysey"

Hey, what do you say?

Just open your
eyeshadows
He shadows her in

Or a site for sore eyes got
puffy war of
orange bubbles begin

Feather me
orange wings
The fringe orange
suede
flops
you happy

The A+ diet of fruit
he was the
hotshot
Glass
You're at the
bake me
What do you know
he passed

The spa refreshing
orange peel
mystique

Long lace-lit
Unique
He was coming on too
bossy orangey burst
cheeks were falling
Rise up not down
Orange Julius raise
his price
Fed Ex orange truck
got closer to
Her alluring butterfly
Orange U glad
To catch her
To court her
Fast Orange perfume
She Sha shala
femme
Orange flames came
from his cleft

Still no time for your
spouse whoa he left
_

Now please let me know

what I left out
Orange you glad

this is the only color love
him madly
Orange so vibrant masterpiece the butterfly changes
like a wedding centerpiece
Polar Feb 2016
Goblin Market
by Christina Rossetti

Morning and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherries,
Melons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries; -
All ripe together
In summer weather, -
Morns that pass by,
Fair eves that fly;
Come buy, come buy:
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye;
Come buy, come buy."

Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
"We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"Oh," cried Lizzie, "Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes,
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen ***** little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie: "No, no, no;
Their offers should not charm us,
Their evil gifts would harm us.'
She ****** a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry scurry.
She heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.

Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.

Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
'Come buy, come buy.'
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money.
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.

But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered all together:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then ****** their fruit globes fair or red.
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She ****** and ****** and ****** the more
Fruits which that unknown orchard bore;
She ****** until her lips were sore;
Then flung the emptied rinds away
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.

Lizzie met her at the gate
Full of wise upbraidings:
'Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
That never blow.
You should not loiter so."
"Nay, hush," said Laura:
"Nay, hush, my sister:
I ate and ate my fill,
Yet my mouth waters still:
Tomorrow night I will
Buy more;' and kissed her:
"Have done with sorrow;
I'll bring you plums tomorrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink
With lilies at the brink,
And sugar-sweet their sap."

Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fall'n snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars gazed in at them,
Wind sang to them lullaby,
Lumbering owls forebore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one rest.

Early in the morning
When the first **** crowed his warning,
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should:
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.

At length slow evening came:
They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep.
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags.
No wilful squirrel wags,
The beasts and birds are fast asleep.'
But Laura loitered still among the rushes,
And said the bank was steep.

And said the hour was early still,
The dew not fall'n, the wind not chill;
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling -
Let alone the herds
That used to ***** along the glen,
In groups or single,
Of brisk fruit-merchant men.

Till Lizzie urged, "O Laura, come;
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark:
For clouds may gather
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"

Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache:
But peering thro' the dimness, nought discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent till Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for baulked desire, and wept
As if her heart would break.

Day after day, night after night,
Laura kept watch in vain
In sullen silence of exceeding pain.
She never caught again the goblin cry,
"Come buy, come buy"; -
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay and burn
Her fire away.

One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none.
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.

She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.

Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy:" -
Beside the brook, along the glen,
She heard the ***** of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter time,
With the first glazing rime,
With the first snow-fall of crisp winter time.

Till Laura dwindling
Seemed knocking at Death's door.
Then Lizzie weighed no more
Better and worse;
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook:
And for the first time in her life
Began to listen and look.

Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel- and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -
Hugged her and kissed her:
Squeezed and caressed her:
Stretched up their dishes,
Panniers, and plates:
"Look at our apples
Russet and dun,
Bob at our cherries,
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and **** them,
Pomegranates, figs." -

"Good folk," said Lizzie,
Mindful of Jeanie:
"Give me much and many:" -
Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honour and eat with us,"
They answered grinning:
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavour would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us." -
"Thank you," said Lizzie: "But one waits
At home alone for me:
So without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee." -
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.

White and golden Lizzie stood,
Like a lily in a flood, -
Like a rock of blue-veined stone
Lashed by tides obstreperously, -
Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -
Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -
Like a royal ****** town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tug her standard down.

One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in:
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot;
Some writhed into the ground,
Some dived into the brook
With ring and ripple,
Some scudded on the gale without a sound,
Some vanished in the distance.

In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore thro' the furze,
Threaded copse and ******,
And heard her penny jingle
Bouncing in her purse, -
Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.

She cried, "Laura," up the garden.
"Did you miss me?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, **** my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me;
For your sake I have braved the glen
And had to do with goblin merchant men."

Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin,
Thirsty, cankered, goblin-ridden?" -
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.

Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.

Swift fire spread through her veins,
knocked at her heart
Met the fire smouldering there
And overbore its lesser flame;
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
Spun about,
Like a foam-topped waterspout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life?

Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
ok it's long but in my opinion it will always be one of the most awesome poems ever!
Liz Apr 2014
The braches of the faint oak were bewitched to a dark gold under
the orange, thick silk sunset. 
The wood, as the sun lowered, changed from apple green
to golden billow
which swept foamy,
rose clouds along a now cucumber, blurry horizon.
Plump plums and fruit rinds
litter ripe walkways alongside the flower beds who's tickled buds
are closing slightly as the fickle sky, gone nine, turns to a majestic
Indian blue and the June monastery's milky swirls are lit by the sugar lump stars.
Just love writing about trees and sunsets!
Westley Barnes Apr 2017
Though you've barely had a ramble
are no wayward canine daddy of note
that brief encounter in our brambles
has left the experts fearing a cancerous growth

So we starve you of your pine nuts and bacon rinds
so we can feed you anaesthetic
and betray you to the thief of time
only to make you, I imagine, feel pathetic
And you often so full of life's exasperate scurry

I worry
will the shine stray from your eyes
those hazel pools of so much of
my feeling mature, just for
pertaining to a creature's care

 we all seem in too much of a hurry
to stifle what little spirit
that surrounds us
to wear
down on every minor aspect
of childish delight
in this silent sacrament
of the aging process
and with arguably years
of your fatherhood left
in the very ***** some dry eyed savant
decides it correct we should tamper with

Tomorrow I will snuggle you in favoured, bouncy eiderdowns
that will blanket your unknowing
and treat you as if
you were an eastering child
on cured hams and other saltiness
after you awaken
from those strangest enforcements of sleep
and through our eyes we will trade more secrets to keep

And we will hope, as we only can, that it was for the best
For you, Yorkshire's son, or Sheringham's
And consider with all of your
exhuming breath
That we meddled, stilling over life
To cheat a slightly delayed death.
This poem was written on the occasion of the final night of my Yorkshire Terrier's non-emasculated, non-nuetured  era. Even in his soon to be state of infertility, I doubt we will ever see his like again, as you can't recreate perfection.
Mike Hauser Dec 2013
Pork rind, Oh pork Rind
As I reach in your bag
I am truly amazed
At the flavor you have

I know where you come from
Just don't want to know where you've been
After all, the truth is
You are a pigs skin

Often the bag holds that bonus
I am seldom at loss
The piece with the hair
Which in the end I can floss
Terry Collett May 2015
Give these bacon rinds
to the dog
Auntie said

so I took the bacon rinds
from her hand
and took them out

on the black iron balcony
and holding one
of the bacon rinds up

over the reclining dog
I said
sit Dancer

and he sat up
eyeing the bacon rind
with his head tilted

to a degree
gently now
he took the bacon rind

gently between his teeth
and I let go my end
and he tossed it up

and caught it
in his mouth
and before he'd

swallowed it
he was sitting there again
with head tilted

looking at me
as I raised
another bacon rind up

and said
gentler Dancer
and he gently took

the bacon rind
between his teeth
and removed it

with the grace of a butterfly
then tossed it again
and swallowed it  

then sat again
and I held up
another bacon rind

and then put it
between my own
four year old teeth

and said
out of the corner
of my mouth

gently Gancer
and Dancer looked at me
and at the task ahead

and taking the bacon rind
between his teeth
he ever so gently

tugged at it
but I held onto my end
and there we were

each holding
the bacon rind
like two opposing dogs

he eyed me
and I eyed him
then I let go

and he tossed it up
and swallowed it
eyeing me

for the last piece of rind
I held it between
my small fingers

then tossed it
over the two storey balcony
to the ground beneath us

go get it Dancer
I said
and he raced off

down the black metal stairs
to fetch the last rind
did you give the dog

the bacon rind Benedict?
Auntie asked from inside
the apartment

yes Auntie I did
I said
in the gentlest voice

I could employ
good Benedict
good boy.
A BOY AND HIS AUNTIE'S DOG IN ALDERSHOT 1952.
B Young Aug 2015
watermelon rinds
and
osprey eyes
float down from a pink and blue sky

kiwi peels
and
albatross heels
surface around a pink and blue wheel

walk, run, turn, keel
the colors bleed and it's hard to see what's real

olive pits
and
garbage spit
chugging liquor in an attempt to feel

white washed
blank walls
seeing pink
seeing blue
coating the barriers down iris halls

watermelon rinds
and
osprey eyes
floating down from a pink and blue sky

*I look up and feel alive hoping these colors never run bleed or
dry
"Mother of heaven, regina of the clouds,
O sceptre of the sun, crown of the moon,
There is not nothing, no, no, never nothing,
Like the clashed edges of two words that ****."
And so I mocked her in magnificent measure.
Or was it that I mocked myself alone?
I wish that I might be a thinking stone.
The sea of spuming thought foists up again
The radiant bubble that she was. And then
A deep up-pouring from some saltier well
Within me, bursts its watery syllable.

II

A red bird flies across the golden floor.
It is a red bird that seeks out his choir
Among the choirs of wind and wet and wing.
A torrent will fall from him when he finds.
Shall I uncrumple this much-crumpled thing?
I am a man of fortune greeting heirs;
For it has come that thus I greet the spring.
These choirs of welcome choir for me farewell.
No spring can follow past meridian.
Yet you persist with anecdotal bliss
To make believe a starry connaissance.

III

Is it for nothing, then, that old Chinese
Sat tittivating by their mountain pools
Or in the Yangtse studied out their beards?
I shall not play the flat historic scale.
You know how Utamaro's beauties sought
The end of love in their all-speaking braids.
You know the mountainous coiffures of Bath.
Alas! Have all the barbers lived in vain
That not one curl in nature has survived?
Why, without pity on these studious ghosts,
Do you come dripping in your hair from sleep?

IV

This luscious and impeccable fruit of life
Falls, it appears, of its own weight to earth.
When you were Eve, its acrid juice was sweet,
Untasted, in its heavenly, orchard air.
An apple serves as well as any skull
To be the book in which to read a round,
And is as excellent, in that it is composed
Of what, like skulls, comes rotting back to ground.
But it excels in this, that as the fruit
Of love, it is a book too mad to read
Before one merely reads to pass the time.

V

In the high west there burns a furious star.
It is for fiery boys that star was set
And for sweet-smelling virgins close to them.
The measure of the intensity of love
Is measure, also, of the verve of earth.
For me, the firefly's quick, electric stroke
Ticks tediously the time of one more year.
And you? Remember how the crickets came
Out of their mother grass, like little kin,
In the pale nights, when your first imagery
Found inklings of your bond to all that dust.

VI

If men at forty will be painting lakes
The ephemeral blues must merge for them in one,
There is a substance in us that prevails.
But in our amours amorists discern
Such fluctuations that their scrivening
Is breathless to attend each quirky turn.
When amorists grow bald, then amours shrink
Into the compass and curriculum
Of introspective exiles, lecturing.
It is a theme for Hyacinth alone.

VII

The mules that angels ride come slowly down
The blazing passes, from beyond the sun.
Descensions of their tinkling bells arrive.
These muleteers are dainty of their way.
Meantime, centurions guffaw and beat
Their shrilling tankards on the table-boards.
This parable, in sense, amounts to this:
The honey of heaven may or may not come,
But that of earth both comes and goes at once.
Suppose these couriers brought amid their train
A damsel heightened by eternal bloom.

VIII

Like a dull scholar, I behold, in love,
An ancient aspect touching a new mind.
It comes, it blooms, it bears its fruit and dies.
This trivial trope reveals a way of truth.
Our bloom is gone. We are the fruit thereof.
Two golden gourds distended on our vines,
Into the autumn weather, splashed with frost,
Distorted by hale fatness, turned grotesque.
We hang like warty squashes, streaked and rayed,
The laughing sky will see the two of us
Washed into rinds by rotting winter rains.

IX

In verses wild with motion, full of din,
Loudened by cries, by clashes, quick and sure
As the deadly thought of men accomplishing
Their curious fates in war, come, celebrate
The faith of forty, ward of Cupido.
Most venerable heart, the lustiest conceit
Is not too ***** for your broadening.
I quiz all sounds, all thoughts, all everything
For the music and manner of the paladins
To make oblation fit. Where shall I find
Bravura adequate to this great hymn?

X

The fops of fancy in their poems leave
Memorabilia of the mystic spouts,
Spontaneously watering their gritty soils.
I am a yeoman, as such fellows go.
I know no magic trees, no balmy boughs,
No silver-ruddy, gold-vermilion fruits.
But, after all, I know a tree that bears
A semblance to the thing I have in mind.
It stands gigantic, with a certain tip
To which all birds come sometime in their time.
But when they go that tip still tips the tree.

XI

If *** were all, then every trembling hand
Could make us squeak, like dolls, the wished-for words.
But note the unconscionable treachery of fate,
That makes us weep, laugh, grunt and groan, and shout
Doleful heroics, pinching gestures forth
From madness or delight, without regard
To that first, foremost law. Anguishing hour!
Clippered with lilies scudding the bright chromes,
Keen to the point of starlight, while a frog
Boomed from his very belly odious chords.

XII

A blue pigeon it is, that circles the blue sky,
On sidelong wing, around and round and round.
A white pigeon it is, that flutters to the ground,
Grown tired of flight. Like a dark rabbi, I
Observed, when young, the nature of mankind,
In lordly study. Every day, I found
Man proved a gobbet in my mincing world.
Like a rose rabbi, later, I pursued,
And still pursue, the origin and course
Of love, but until now I never knew
That fluttering things have so distinct a shade.
Janette Oct 2012
It is nothing,
a mordant of the soul,

an elixir, a panacea, a placebo
for my lesions, there in the thistle, grows
our drastic garden of red posies and hyacinths,

such little things, on the verge,
lilting as the decorum begins to bobble
and slump sideways, and murmur,

on Mondays I can swallow the octave
of your absence, tendrils and all,
red quince limbs parting from the deluge

and in its wake, the wreckage
of black pumpkins and purple corn, hanging
pendulum at our door,

the Autumn lights summon a lavish song to harvest,
thirty seven colours in the brocade you gift me,
tangled and heavy the years upon my bones

begin to spur and flower
into cunning disruptions,
and stratify upon my body like rinds of ricepaper,

vellum for another wish
in the complacent burial of mango flesh,
listen,

as my song liquefies,
drowns you, inundates
each alveoli, and our love

in the swallowing gush, perched,
begins to shudder,
devoured by its symmetry,

stem cells all akimbo
in the shallow pitch of days
bound in a nostrum of wine and liquorice

it is nothing, really,
a mordant for the soul, a tulle filament
twitching in a raincoat of lightning....
Rebecca Gismondi Sep 2015
based on the painting “Prince Pig and The Second Sister” by Paula Rego

my hooves meant nothing

to her. She sat in my lap and stroked my chest
as if she was the

prince. It took everything in her power to reassure me
that I wouldn’t be slaughtered in the morning, but she looked
past me – an empty

gaze. Come dinnertime tomorrow I would sit on a platter and
she would feed off of me with an apple stuffed in my mouth
and a knife in

my shoulder. On some level, I cannot blame her – her hair is
caught between my hooves when we make love, and my grunting
keeps her up at night. She is worthy of soft fur

and slender fingers. I am desired, but only until I am fat enough to eat.
Her legs tighten on my hips but she is cold, like the chamber where
my blood will drain.
Nishu Mathur Sep 2016
Yoke smiles
And twinkles from the eyes
Blend them together
Whisk, whisk, whisk
Till it all bubbles to
A perfect frothy fluffiness -

Heat some love
And tender words
Add fruit of human kindness
Mix, mix, mix
Some rinds of laughter
Blend it all well, in folds

Cup this
Into lightly buttered hands
Of giving

Then warm the heart
And put it in to bake

See happiness rise to a perfect gold

A simple recipe - the soufflé of life

Crisp outside
Molten and soft happiness within
Alexa Sep 2012
Ushers clad in white rush the masses to their seats.
Talk dulls to whispers as the queue outside depletes.
A black suit waves his wand at centre stage.
“It looks just like they said it would on this week’s news’ front page,”
             they say.

The tuxedo raised its hands, to quell the audience,
His stonewall face daunting, demanding perfect silence.
As the ushers move in tandem, down the aisles to the stage,
The curtain breaks, the glasses shake, as the lights begin to fade.

Hooded figures appear, wheeling metal tables
Bearing cobalt cadavers, held fast with jumper cables.
They are brought to centre stage, to three white-clad physicians.
Tools are passed into the hands of each the meat-magicians.
“Thank you. You’ve arrived very much on time,” says tuxedo,
       and he snaps a shot of bourbon.

Curtains billow ‘round the stage like clouds of clotted blood.
The lights dim and the show begins, the audience waiting, rabid.
And through the obscurity,
Through the gloom of the room,
They see the white-coat men lift their arms in unison,
As the tuxedo points his wand about like a handgun.
He waves his stick at the white-coat men
And they lower their hands to the bodies in front of them.
They hold tools with blades short and long,
    and dig into their subjects.
They pick through pith and pulp,
     casting flecks of flesh into the audience.
Their white coats blush deeper and deeper
   the farther they dig with their knives and their peepers.
The tuxedo thrashes his wand astir, directing the dissection with little discretion.
The audience gasps and murmurs a disturbed digression
   but watch with wide eyes in disgusting obsession.
“Someone’s got to teach these ******* a lesson,” says a white-coated man, digging deeper depressions.
All the while the corpses lay, until the tuxedo man bends in plie.
And the cadavers awaken and scream upon seeing their entrails laid out for display.
“What a horribly carnal ballet!”
             they say.

The audience clamours, simply enamoured,
Erupting with tears, and applause, and laughter.
They clap at the bodies exploding in seizure
While the white-coats rip and cut to their leisure,
The subjects watch in horror as they are filleted,
Their own pelts and rinds are stars on Broadway.

Suddenly the tuxedo man stops,
Signaling the white-coats to stop in mid-chop.
The mangled bodies see on the floor themselves in pieces like the dried needles of pines.
And they curl and writhe on the metal tables, hugging tightly to their own spines.
“Thank you. But it seems we’ve run out of time,” the tuxedo man says with a bow,
As he wipes the sweat and blood from his brow.
And the ushers rush the audience out,
While the hooded men return to collect the waste
While the audience leaves feeling nothing close to disgraced.
“I’ve never once seen a better display,”
             they say.
Robin Carretti May 2018
What happens
_ to space_
between us
This is the
human race
Ah, Vey?
Just pray

Overly smitten
But not seeing
  clearly picture-prey
He or she runs!!
Little darlings
here comes the sun

The lime doing the time
Falling trees of coconut
Feeling- overloved
Deviant artist
splat coconut milk

No Security Cat
comfort box
So out of recession
Killer fox__

Chocolatey coconut
Cleanse my mind detox
Almond Joy concession
Rise up Face Botox

He cannot
read you
Haywire always
wired up his words
Hurried Hazelnut
coffee if you mind
Over-sugared
Increased brain
functions bitter rinds
So commercialized
The Cocoa Puffs
Going bananas
monkey ***
Lexie Vamp Vex

Mr. Ed overload
of Oz colors baboon
Going up Air Balloon
So many airheads
The  Rainforest
GQ  he's gone IQ
((Quarterly Neck of the woods))
Not orderly Outback
Steakhouse
Dinosaurs
******
Vicarious

No shortcut
The nervous system
The fast have a drink
furious
Cracking a coconut
Her Safe__
*
6-6-6 combinations
Could crack her
Coconut oil neck her
City Girl call her

Intellectual brain
Singing
Gene Kelly
umbrella
Raining coconuts

(On Overload)
Strawberry Fields
This will be short
Yeah right forever
shortcake, not any sort

The trend of
coconut
Nearer because
of you I am
further
She was the
Brazilian Nut
With her
blind gut

((Coconut Houdini))
Island of Bali
Beauty of Judy
Somewhere so over it
rainbow

King Kong
Hairy chest banging
coconut drink slurping
Of girl talk
Strong New Jersey
Stamina


***** of Venezuela
Overload of
Prima, Donna's
Instant Karma
going to get them
Knocked them off
there feet
Where is my
John Lennon
He has the best beat
You will be tasting my coconut drinks every line your on to read
So take this trip please don't ask him for a sip you have the best drinks
with men of GQ what divine coconut  winks
v V v Oct 2011
Fat footed
two ton tessies
tattooed with
tigers, growling
under bulging hips,
bustin' out shocks
on Datsuns K cars
Le Sabres, 1998
primer gray bondo
and duct tape,
taking up two spots
with a smile.

Streaky squeaky 
automatic doors
bump your nose
to make em go
1972 linoleum
grab a cart
hope you don’t
catch death
from the handle
or worse
feces.

last weeks ads
mixed with new,
who buys 10
of anything?
except beers
and smokes
fried chicken
and maybe
frozen burritos.

“Hey why’s that chicken smell like fish?
How old is that grease anyway?
Ooh there’s a ten-fer on a two-fer pack
of coconut orange sno-*****!”


Mr. I love
Jeff Gordon
matching
mesh hat
and shirt
wants to know

“Does that ten-fer on those two-fers
mean I have to buy 20?”


I don’t know sir,
but Go! Go! Go!
Jeff Gordon #24
hours a day,
always open

“Is that the chicken-fish I smell?
Or am I smellin’ the guy in flippy flops?”


bunions and
scabby hammers
mister please
cover that **** up
asks his wife
or daughter
not sure which

“Are them white bag bar code
cheesey puffs any good? too bad
they aint got a ten-fer!”


Texarkana
back woods
Missilouis
swamp

“mama can we get ice cream?”

red neck
united nations
mullets
macaroni and
cheesey tank tops
 
“Why cain’t we go barefoots in here?”

pork rinds
stew meat
chicken parts
nothing tender
never lean and
never ever 
from New York.
 
Big beer belly
buying beer
gotta count
coin careful
cart carries
cases of Miller
not Lite
not Genuine Draft
Hi-Life and ‘Ol Roy,

“**** mister, you must have a big dog!”
 
Two tone
skunk hair
holds the Tussin
grabs a
people
mag
 
“what page is my Taurus-scope on?”

power carts
powered down

“why cain’t they keep these thangs juiced up?”
 
basket bulging
ten-fers
that’s why,
two-liter Tab
Twinkies and
tator-tots.

Time to
check out
10 items
or less
12?
don’t matter,
checker has
checked out
bagger brags
more than bags
 
“I sees you folks got a kitty cat! My kitties
just love the leftover chicken-fish!”

 
big deal lady
we have 4 cats too
my pajama bottoms
have been worn
3 times
my hair was
washed yesterday
and yes I am
wearing slippers
but at least
they are
closed- toe.
 
pay the bill
 
ring the bell

load the car

drive away

mutter under breath,

I am so much better than these people…
I apologize in advance to my friends across the pond, and to to my American friends in the North, these visions I share may be misunderstood and/or unrecognized....As for my friends who live south of the Mason-Dixon line, enjoy...
There were two balloons
and a vinyl kite wedged
in the branches of the lemon tree
and I ate a sandwich
with cheddar cheese
and watched a little girl
cry.

She was sweet, weak, sad,
she had a lemon scented sigh.
I imagined how and why
and when she would stop
to dry her eyes.

But those tears that flowed
will wash away the tears
that flowed down yesterday.
It eased the weight of thought
off my mind and rent
the lemons from their
rinds.

And each new lemon seed
grew another lemon tree,
and each new lemon tree
grew fresh new lemons innumerable.
And each balloon and vinyl kite
that floated in the breeze were caught
and held for ransom for little girls' tears.

And each little girl with years
and years and years will be a little woman
that has no time for kites,
between the money spent
replacing them for
crying little girls.
Ren Jan 2015
All these lemons appear in my life
yellow is always so pleasing to the eye
like sunshine
How many can I juggle before I slip and die
Bitter to the taste
Rinds are a waste
I'll squeeze them all
throw the juice in your face
I hate lemonade
Karen Newell Aug 2014
I throw my words to the compost heap
with the rinds of so many others.
The poetry that has been deciphered
til there is no surprise left.
I ***** them in to incubate
and fertilize the fields of my heart.
Then I shall glean them
to harvest the poems of my Soul.
Northern Poet Oct 2017
You'll eat meat
And love a bacon sarnie
When you're ******
You'll smash a biryani
But when it comes to
Chopped pork, rinds and ham
No one wants to eat spam

In the Great War
We survived on rations
And beat zee Germans
With ******* passion
The lads didn't complain
About what they had to eat
Whether it was a le carte
Or mashed-up meat
But these days
That's not your jam
And no one wants to eat spam

It's great in a fry up
And ******* lovely in a butty
Get the kettle on
And get comfy
And enjoy
A cup of ******* tea
And eat your spam
Perfect with ketchup or HP
And don't complain
That it ain't real meat
Just get it in your gob
And enjoy this tasty treat

But most of you
Are to blame
And like the majority
Don't think it's the same
You're into avocados
Poached eggs and all that
And can't stand the thought
Of a chopped pig in a can
When you were young
You should've listened to your nan
Now it's a ******* shame
No one wants to eat spam
wordvango Nov 2014
crazy means hell or not
I see rain as falling rainbows
and clouds as eyebrows
and black and white as
mixtures
of grey of peach pie and mustard greens and
oysters and pork rinds
to be eaten devoured
tasted a palette I suppose
of obstacles seen as challenges
as hills as things to  climb
as  dark as sight is in the night
with dawn on the horizon.
All suns are bright all pies sweet
all taste is keenly inspired,
I write to expand the palette
demand that all taste
the differences.
FecalCranium Apr 2014
When I peel my body from yours;
I'm left with a feeling
That I shouldn't..
But still I am leaving.
You, and my heart;
To which I depart.
Left with a feeling
I burned at the start.
Sawyer Feb 2021
Summer friends share watermelon slices
while the water laps the shore,
while sea-salt air dries on their lips.

And both of them think that “Days
like these, with salt and sugar on our lips,
make for the best kinds of kisses.”

So summer friends share watermelon slices
while they dance in the sand, and
around each other just enough, and too much.

And both of them think that “this day is almost
perfect - and it would be if she were
holding me.”

When summer friends run out of watermelon slices,
they lay on the beach,
quietly wishing and wanting.

And both of them think that “I wish
she looked at me the way she’s looking at those clouds.”
With their fingertips inches apart.

Summer friends lay amongst watermelon rinds
while water laps the shore,
while sea-salt air dries on their lips

And both of them think that-

Both of them say that
“I love you.”
I'm just a Big Ol Lesbian, ok? :)
Andrew Rymill Mar 2015
For if the world
is a bell
ringing
in the emptiness
of a letter.

Words
Are the
rinds of
otherworldly fruit
swollen
in my throat.

Then what
creature, sprite
or, phantom?
rings the doorbell
and is gone.

when  i come
to scribble
the crumbs
of poems
upon an
empty porch
drinking moonlight.
Mitchell Jan 2014
At night the trees
Move of their own accord.
Control for me is not
A real thing, but something
Of a fantasy.

A fallacy.
A lie.
White in its innocent,
But poisonous by its touch.
One can never be loved
Too much.

I wake with the morning.
Sun over my scarlet covered eyes.
Her breathing like that of
The wind; effortless and a mystery.
She says she is nothing but happy,
But I can sense her misery.

Calluses line my hands and as
The dawn turns to morning. I put
The coffee and tea on for boiling.
Creatures of habit spinning with the Earth
For all eternity until death do us part.

In my reflection, I see glimpses of my younger self.
Tools rusted neon orange and dark brown.
He hands me the hatchet that rests heavy in my hands.
He says something as he puts down his Budweiser can.
I bring the metal head down.

Are we not split like two pieces of wood?
Do we not have two opposites within us?
One wants what the other does not?
I inch out of bed and put on my socks.
There is a new day outside and just like the rest.

The thick pine branches adjust themselves to the sun.
I hold my hatchet and tea.
She stays sleeping, gentle like a bullet less gun.
I put my tea down and listen to the lack of sound.
A riddle so complex, yet so simple.

Opposites.

Blue drops of the sky fall on my face and I blink.
Sometimes the minds too busy to even think.
I bring the hatchet down again and again,
Wondering what time my lady will wake today.
I turn to look at our home, our shrine, our castle.
The logs are cherry brown, pound for pound.

The river trickles near me.
It sounds like diamonds rattling in someone's pockets.
A crow calls from above me.
I look up and see nothing there.
Must have scared it off.

Dead pine needles snap and crack under my boot.
My throat feels like a chimney clogged with soot.
We used to use a broom to clean everything back then:
The roof, the kitchen floor, even the oven.
When we had no money is when we were the happiest.

Time stands still for no one, except for people in love.
Father was left alone because mama said she had to go.
A pistol and a weak heart took him away a year later.
No one but my two sisters and I left behind.
I take out an orange, peel it, and throw away the rinds.

Misology hovers near my ears, inviting despair
A cradle cracks in the back of my mind.
Hours pass and I've got a block four feet wide and four feet high.
She - my lady - is up now and I turn to wave at her on the porch.
A wave to me and a smile too.
She promises a back rub later as well as rabbit stew.

I plant my axe into the soft, cool ground and go inside.
Two eggs, a piece of toast, and a class of water greets me.
A full heart has no need for appeasement.
Only a worried mind needs to give itself a reason.
Breakfast is finished and the sun is perched at high noon,
So I take my gun from its shelf and walk outside.

Rabbits don't just jump
Into pots of boiling water

All by themselves.
Chris Saitta Jun 2019
Fall is an empty street in Rome,
Of byways of dry-leaf stone and moth-haunted hours,
Of market stalls with their over-haggled and fingered rinds,
And melons moiled over and palmed and bruised.
The light blows like once-told ripeness from the basket of fruit.
Laura Jane Mar 2015
My Father, who means well, makes me lunch
A man who’s sandwiches could never be
trusted, who used the mossy breadends cause
thats how they did it on the farm but
I am the cry baby who rejects the
deadened bread, dark wilted lettuce spines
lettuce rinds, inedible, unclean
Perspiring, lovingly wrapped in cellophane
And now I’m old enough I must
so carefully control what’s
between my full, whole, mid-loaf slices,
Fret about gluten.
Jesus help me I’m so afraid of
invisible moulds and the taste of iron
in those glossy cylinders of upended campbells
tomato: quivering naked, vermillion in the pan,
like chilled organs they appeared hepatic
I’m sure the milk he adds is soured he
cannot be trusted, my father, but
forgive him he knows not what he does, I
know they didn't have much on the farm I
am spoiled like the milk, too sensitive, I
wilt, because I have become too hard to feed,
we didn't know what to do with this kind of love.
Nathan Squiers Aug 2015
I know I'm not an orange, but I feel like one at times.
My heart feels encased until someone peels the rinds.
Now I'm open for the tasting, but something in me dies--
I'll be left as bits of scraps; left to feed the flies.

Yea, I know I'm not an orange, but I'm rhymeless all the same.
To most wanderers I won't fit anywhere; I just can't be framed,
Though, perhaps, some may see challenge for another day...
At least that's the way I think everyone feels, anyway.

Look, I know I'm not an orange, but I feel acidic just like one.
The farmer's hand can't leave me be; the chaos is never done.
So I'm stripped and sectioned off for all the world to own.
I know I'm not an orange; I'm just a citrus fruit with bones.
My soon-to-be wife made a point that any poem called "I'm not an Orange" probably wouldn't do well with any sort of rhyme scheme. Because I'm me (and not an orange :-p ) I took this as a challenge and made the **** thing work ;-)

Enjoy ^_^
Francie Lynch Dec 2014
This ride I'm on
Leads to the dump.
I, refuse that I am,
Refuse to jump.
I ride with
Peels of poor me,
Rinds of regret,
Scraps of resentment,
Empty bottles
Of pain
And emptiness.
I, Drunk.
I drank
For forgetfulness,
In misery and anger.
Refusing questions,
Not giving answers.
I don't need
To hitch a ride
To the human dump,
The soppy landfill.
At any stop
I can jump.
Jump,
And walk.
It's all in the choices we make.
Tommy Johnson May 2014
Step right up just come inside
We've got food, attractions and rickety rides
It's only ten cents to lose your mind
It's the carnival-circus of Cedric and Clyde

The magic man cuts the conjoined twins in half with giant shears
Then makes them instantly disappear
Then shows you your card as he chugs a beer
"Who's next?" "How about you my dear?"

Something isn't quite right with this side show
You sense there's something going on but you don't know
You need to get out of here but you still won't go

The sword sallower has something to say
But can't for hes devouring a flame
He tells the audience to try and imitate
He has them **** themselves then goes on his way

The snake charmer plays his tune
Down at the midway people lose
They throw the ***** but the bottle are glued
And the bearded lady and amazon women have decided to get ****

Something isn't quite right with this side show
You sense there's something going on but you don't know
You need to get out of here but you still won't go

The fortune teller looks into her crystal ball
And predicts society's failure and fall
And insists that you put up a wall
She gives you the number of a contractor to call

The muscle man and ****** are doing lines
As the lion tamer ***** on lemon rinds
You ask if everything's fine
They answer you in some sort of coded rhyme

Something isn't quite right with this side show
You sense there's something going on but you don't know
You need to get out of here but you still won't go

The clowns ****** each other for a laugh
They use exploding pies and poison gas
You see the fully loaded clown car crash
And they all lay lifeless and gashed

The merry-go-round is going mach five
The freaks and weirdos come out to say hi
The geek takes you on the Ferris wheel and get you high
And shows you the spot where they put those who have died

Something isn't quite right with this side show
You sense there's something going on but you don't know
You need to get out of here but you still won't go

The fun house mirrors are all cracked
Except for the one that makes you look fat
The roller coaster has run off the track
Those who went on can never come back

The contortionist talks backwards
The acrobats are up in the rafters
One is pregnant and plans on seeing the back alley abortionist after
She just needs to knock and give him the password

Something isn't quite right with this side show
You sense there's something going on but you don't know
You need to get out of here but you still won't go

The rabid animals come out from the petting zoo and under the tent
The elephants tear up in lament
The tigers eat the trainer and smile with content
And the escape artists swims with shoes of cement

The ringmaster walks out with his top hat and cane
And says "thank you all for coming, we'll return again"
With his handle bar mustache, hes looks absolutely insane
The whistle blows and they all board the train

Something isn't quite right with this side show
You sense there's something going on but you don't know
You need to get out of here but you still won't go

The jugglers and unicycle bears all have gone
The illusionists and tight rope walkers pass on
As have the knife thrower and human cannonball
The haunted house comes down, the brass band plays a good bye song

So there you are surrounded by dead bodies and horse ****
Stale popcorn and some kind of hit list
Of souls and cities they plan to visit
It's the Cedric and Clyde Carnival-Circus

All proceeds go to Mr. Jacques
Shayla Jade May 2013
The moon is on the rise.
All the stars have filled the skies.
But the wolf ignored your cries.
Messages get lost, sometimes.
On his evening meal he dines,
then he's gnawing on the rinds.
They say that good things come in nines
and even lows will have their highs.
For the eagle in the skies
questions not what fate decides
and though the fox wears a disguise,
you must not care to hear his lies.
Although you think, he never tries;
he's ******* eggs while he confides
and you've already heard his lines.
You know you're leaving just in time.
Deep in your eyes, my heart still lies,
forever changing with the tides.
For every story has two sides
but who is it who will decide?
PK Wakefield Jan 2011
all lips and spit
rinds glittering pleasure
i'm lean sinew knotting heavy gasps
at nails and texture rawly rumples
     the divine shale
your pertinent flavor strums a tattoo polished on my back upper
      sprouted feathers
how contracting desperate talons
                      grapple cotton bedding
shouting mumbles of lipbiting  
         sweat
                         in tremulous arcs
of ***** lint
                         i gravitas  surreptitiously
  the cradle of your spark spitting electric engine gloved
in black hard fuzz
                                  tickling the moist
       tremor of
                          my rose petals splitting
tongue delivers
                              screeching        love
Conor Letham Apr 2014
Looking out to the sea,
there is art in the white,
frothing rinds like billows
of chalk softly skimming
each wave, or in the dark
blue of a day-old swelling
stretched across jelly skin
like spread blueberry jam,
or maybe in the bright red
jacket you wear, your hair
held to your face as you
grin like an absolute twit,
small fingers gripping on
to the rails as you peer over,
and in my grin is my reply
because I love you for it.

— The End —