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Gladys P May 2014
An upscale lounge well known,
For its ambiance and specialty cocktail,
Which includes live entertainment dancers,
On stage, in fine detail.

While a  glamorous female stood in front of the bar,
With a deep sea blue martini, in her right hand,
In an ice cold oversized snifter, dipped in sugar upon the rim,
Where she leisurely stands.

With a pink orchid,
And blue twisted glow stick, placed inside her drink,
Taking rhythmical steps,
Side by side, in sync.

Dressed in a strapless dress, slightly above her knee,
Nicely fitted, in shades of purple, green and teal,
Displaying a genuine soft look,
With such great appeal.

When a young man walked in,
And gazed into her seductive dark brown eyes,
Reaching out his hand,
Asking her to dance, as he passed by.

She was absolutely stunning,
With fair complexion, short black hair, a beautiful silhouette,
And a radiant smile, reliving her early days,
An unbelievable night, quite difficult to forget.

She appeared divine,
Upon the dance floor, mainly surrounded by youth,
Dancing salsa throughout the night,
And mixed melodies, near the DJ booth.
RW Dennen Aug 2014
The great New York metropolitan
stretching its  vibrancy
trafficking its wears.
Car horns combating in contemptuous arguments
habituated eardrums unwittingly pulsating

Great buildings upward; towering behemoths in grandiose splendor
This great asphalt jungle sprawling its electricity for blocks,
for miles
The jazz of the city continues the chanting; the sounds of bass and the blowing of the **** sax, the horn, the piano
and the drums drumming on its rhythmical beat

Beating hearts feeling the vibrancy; the shock waves of nuances echoing the great hustle
Multitude of voices singing praise to the different tongues;
vibrant in diverse rejoicing, the poetry of men and women
Metropolitans claiming the world condensing into small
blocks and listening to its RHAPSODY.
Nigel Morgan Dec 2012
When the engine rattled itself to a stop he opened the driver’s door letting the damp afternoon displace the snug of travel. He was home after a long day watching the half hours pass and his students come and go. And now they had gone until next year leaving cards and little gifts.
 
The cats appeared. The pigeons flapped woodenly. A dog barked down the lane. The post van passed.
 
The house from the yard was gaunt and cold in its terracotta red. Only the adjacent cottage with its backdoor, bottles filling the window ledges, and tiled roof, seemed to invite him in. It was not his house, but temporarily his home. He loved to wander into the garden and approach the house from the front, purposefully. He would then take in the disordered flowerbeds and the encroaching apple trees where his cats played tag falling in spectacular fashion through the branches. He liked to stand back from the house and see it entire, its fine chimneys, the 16C brickwork, the grey-shuttered living room, and his bedroom studio from whose window he could stretch out and touch the elderberries.
 
Inside, the storage heaters giving out a provisional warmth, he left the lights be and placed the kettle on the stove, laid out on the scrubbed table a tea ***, milk jug, a china mug, a cake tin, On the wall, above the vast fireplace, hung a painting of the fields beyond the house dusty in a harvest sunset, the stubble crackling under foot, under his sockless sandals, walking, walking as he so often felt compelled to do, criss-crossing the unploughed fields of the chalk escarpment.
 
Now a week before St Lucy’s Day he sat in Tim’s chair and watched the night unmask itself, the twilight owl glimmer past the window, a cat on his knee, a cat on the window ledge, porcelain-still.
 
He let his thoughts steal themselves across the table to an empty chair, imagining her holding a mug in both hands, her long graceful legs crossed under her flowing skirt. When she lay in bed she crossed her legs, lying on her back like the pre-Raphaelite model she had shown him once, Ruskin’s ****** wife, Effie. ‘I was in a pub with some friends and I looked out of the window and there he was, painting the church walls’, she said musingly, ‘I knew I would marry him’. He was older of course; with a warm voice that brought forth a childhood in the 1930s spent at a private schools, a wartime naval career (still in his teens), then Oxford and the Slade. He owned nothing except a bag of necessary clothes, his paints of course and an ever-present portfolio of sketches. Tim lived simply and could (and did) work anywhere. Then there was Alison, then a passion that nearly drowned him before her Quaker family took him to themselves, adoring his quiet grace, his love of music, his ability to cook, to make and mend, to garden like a God.
 
Sitting in her husband’s chair he constantly replayed his first meeting with her. Out in the yard, they had arrived together, it was Palm Sunday and returning from Mass he gave her his palm as a greeting. He loved her smile, her awkwardness, her passion for the violin, and her beautiful children. He felt he had always known her, known her in another life . . . then she had touched his hand as he ascended the kitchen stairs in her London home, and he was lost in guilt.
 
Tonight he would eat mackerel with vicious mustard and a colcannon of vegetables. He would imagine he was Tim alone after a day in his studio, take himself upstairs to his bedroom space where on his drawing board lay this work for solo violin, his Tapisserie, seven studies and Chaconne. For her of course; of the previous summer in Pembrokeshire; of a moment in the early morning sailing gently across Dale sound, the water glass-like and the reflections, the intense mirroring of light on water  . . . so these studies became mirrors too, palindromes in fact.
 
The cats slept on his sagging quilted bed where he knew she had often slept, where he often felt her presence as he woke in the early hours to sit at his desk with tea to drag his music little by little into sense and reason.
 
When Jenny came she slept fitfully, in this bed, in his arms, always worried by her fear of rejection, always hoping he would never let her go, envelope her with love she had never had, leave his music be, be with her totally, rest with her, own her, take her outside into the night and make love to her under the apple trees. She had suggested it once and he had looked at her curiously, as though he couldn’t fathom why bed was not sufficient unto itself, why the gentleness he always felt with her had to become hurt and discomfort.
 
He had acquired a drawing board because Elizabeth Lutyens had one in her studio, a very large one, at which she stood to compose. He liked pushing sketches and manuscript paper around into different configurations. He would write the same passage in different rhythmical values, different transpositions, and compare and contrast. After a few hours his hearing became so acute that he rarely had to go downstairs to check a phrase at the piano.
 
Later, when he was too tired to stand he would go into the cold sitting room, light some candles, wrap himself in a blanket and read. He would make coffee and write to Jenny, telling her the minutiae of the place she loved to come to but didn’t understand. She loved the natural world of this remote corner of Essex. Even in winter he would find her walking the field paths in skirt and t-shirt insensible of the cold, in sandals, even bare feet, oblivious of the mud. He would guide her home and wash her with a gentleness that first would arouse her, then send her to sleep. He knew she was still repairing herself.
 
One evening, after a concert he had conducted, Jenny and Alison found themselves at the same table in the bar. Jenny had grasped his hand, drawing it onto her lap, suddenly knowing that in Alison’s presence he was not hers. And that night, after phoning her sister to say she would not be home, she had pulled herself to him, her mass of chestnut hair flowing across her shoulders and down his chest as she kissed his hands and his arms, those moving appendages she had watched as he had stood in front of this student orchestra playing the score she had played, once, before this passion had taken hold. At those first rehearsals she had blushed deeply whenever he spoke to her, always encouraging, gentle with her, wondering at her gauche but wondrous beauty, her pear-shaped green eyes, her small hands.
 
He threw the cats out into the chill December air. He closed the door, extinguished the lights and climbed the stairs to his bedroom. In bed, in the sheer darkness of this Ember night, the house creaked like an old sailing ship moored in a tide race. For a few moments he lay examining the soundscape, listening for anything new and different. With the nearest occupied house a good mile away there had been scares, heart-thumping moments when at three in the morning a knock at the door and people in the yard shouting. He carried Tim’s shotgun downstairs turning on every light he could find on the way, shouting bravely ‘Who’s there?’. Flinging open the door, there was nothing, no one. A disorientated blackbird sang from the lower garden . . .

He turned his head into the pillow and settled into mind-images of an afternoon in Dr Marling’s house in Booth Bay. In his little bedroom he had listened to the bell buoy clanging too and fro out in the sea mist, the steady swish, swash of the tide turning above the mussled beach.
Neha Tabassum Oct 2018
He who has yet some and his vision
Unification as his main objective
For he who possessed the depths of forsight Masters his mind by the strength of the truth

The fields of his vision becomes clear
His instincts reflect the magenta colours
His dreams filled with ettitude of radiance His works blinded without no fear

Touching the heartstrings of Unity
He delivers the message of rhythemic harmony
The light within in his hands
Left an immensely powerful presence in one's  heart

A new poetry posting site from God's own country, Kerala in India

Poetry dates all the way back to the beginnings of Humanity. People have always been questioning nature, and the day-to-day existence of themselves and other humans love, death, survival, war, injustice, and the universe are all examples of things that have been questioned by men and woman since the roots of human existence. Whether in nursery rhyme, ballad, jingle, rhyme, anthem, or music, people have found poetry to be an outlet for expressing these questions, sensations, and experiences

People often associate it with strict rhyming patterns, complicated vocabulary, hidden iconic meanings, and difficult rhythmical conventions. Poetry is even taught in school to be an intricate, complicated, inexplicable puzzle. True, poetry is difficult. Sure, it can be harder to understand than prose. However, that is only because sometimes it is involved with your inescapable complexities
and uncertainties of your existence.

In this era when the soul wants to go on a spree, imagination and creativity are all merged to serve and let you fulfill your wish to express. The pen, mightier than the sword, is free and can conquer hearts all over the world. So here is a site which allows unity in diversity and considers not cultural and racial barriers. It welcomes professionals and amateurs equally as poetry believe not in prejudice. Human beings are free to write their feelings and emotions. We therefore invite here people from all over the world to celebrate under the ipoetree. Feel at home here under the shade of this tree which
pines to have as fruits your poems.

Williamsji Maveli (Williams George Maveli) is an enthusiastic and solid writer. He is a sincere, resourceful and diligent in his poetic work. He is very well connected and networked within the literary community and is willing to take up projects even in his tight schedules. His writings reflect the amount of research on the current events that has gone into it along with his knowledge and expertise in the field. However, Williamsji’s many poems are simple to read, interpret, and understand. His latest book, titled “ARAMVIRALTHUMBATHU…” (On the tip of the sixth finger), is now published and released by H & C Books,Trichur, Kerala in India, which is a collection of lyrics.

If anyone is interested, please email to williamsji@yahoo.com or write to

WILLIAMSJI MAVELI
PO BOX 3
ANGAMALY
ERNAKULAM DISTRICT,
KERALA - INDIA

www.ipoetree.in
Where Poets grow and glow !
If anyone is interest in the above poetry site, Please write to williamsji@yahoo.com
Sally A Bayan Oct 2017
Past midnight...
apart from a nocturne playing
i hear a symphony of peaceful breathing
and snoring...rhythmical, this quiet evening,
it sends me soaring up my own universe,
with eyes closed, it grows more immense
creates some kind of a calm, in the silence
surrounding me, and my muse's presence.
stardust and moon provide me a crown
while i float...and probe around,
seeking something i don't know about,

in this journey,
i feel the absence of souls, slumbering deeply,
dreaming their simple, or strange fairy tales.
the firmament, wears a navy blue veil
stars are dots, they glow and scintillate,
like a warmth in the cold....emancipates
my invisible wings flap and fold,
a door ****...my hands take hold,
my destination...bright, resplendent,
"Cosmic Coffee Shop," a place, transcendent,
brewing a blend
-the dark, the positive
-the sweet, and the negative
a sign says, "write....there's pen and paper
in every corner..."
an invite, for people to create prose and poetry
where coffee is free, smells...tastes heavenly
a place to share...with brethren, in poetry.
::::::::
(an old poem)
1:01 AM


☕️ Sally ☕️



Copyright November 21, 2016
rrab
on a sleepless night,
  ...a plane roars
     ...breaks the silence-
Robert Guerrero Jul 2013
It's a picture of you
Smiling toward a camera
That captured only your perfection
You asked me why I called it a poem
It's only because you're never ending
Like similes and metaphors
Your body a rhyme to nature
Hair so fluid it's rhythmical
Heart a gate way to alliterations
Covered in bouquets of assonance
You're my wallet poem
Always there when I'm paying
For the movie we just watched
And the dinner we are going to
Everyday I open my wallet
To find the picture worth a thousand words
Written to absolute beauty
Not a moment goes by
When you're not with me
I'm grateful my wallet holds
Such a magnificent well taken poem
I literally found this in my wallet.
Dustin Matthews Sep 2015
I know your heart,
I've felt it from the start.
© All Rights Reserved - Dustin Matthews
High on a mountain of enamell’d head—
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter’d “hope to be forgiven”
What time the moon is quadrated in Heaven—
Of rosy head, that towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve—at noon of night,
While the moon danc’d with the fair stranger light—
Uprear’d upon such height arose a pile
Of gorgeous columns on th’ uuburthen’d air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro’ the ebon air, besilvering the pall
Of their own dissolution, while they die—
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown—
A window of one circular diamond, there,
Look’d out above into the purple air
And rays from God shot down that meteor chain
And hallow’d all the beauty twice again,
Save when, between th’ Empyrean and that ring,
Some eager spirit flapp’d his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that grayish green
That Nature loves the best for Beauty’s grave
Lurk’d in each cornice, round each architrave—
And every sculptured cherub thereabout
That from his marble dwelling peered out,
Seem’d earthly in the shadow of his niche—
Achaian statues in a world so rich?
Friezes from Tadmor and Persepolis—
From Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! Oh, the wave
Is now upon thee—but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the gray twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago—
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud—
Is not its form—its voice—most palpable and loud?
But what is this?—it cometh—and it brings
A music with it—’tis the rush of wings—
A pause—and then a sweeping, falling strain,
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
The zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe
She paus’d and panted, Zanthe! all beneath,
The fairy light that kiss’d her golden hair
And long’d to rest, yet could but sparkle there!

Young flowers were whispering in melody
To happy flowers that night—and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-light dell;
Yet silence came upon material things—
Fair flowers, bright waterfalls and angel wings—
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:

  “Neath blue-bell or streamer—
    Or tufted wild spray
  That keeps, from the dreamer,
    The moonbeam away—
  Bright beings! that ponder,
    With half-closing eyes,
  On the stars which your wonder
    Hath drawn from the skies,
  Till they glance thro’ the shade, and
    Come down to your brow
  Like—eyes of the maiden
    Who calls on you now—
  Arise! from your dreaming
    In violet bowers,
  To duty beseeming
    These star-litten hours—
  And shake from your tresses
    Encumber’d with dew

  The breath of those kisses
    That cumber them too—
  (O! how, without you, Love!
    Could angels be blest?)
  Those kisses of true love
    That lull’d ye to rest!
  Up! shake from your wing
    Each hindering thing:
  The dew of the night—
    It would weigh down your flight;
  And true love caresses—
    O! leave them apart!
  They are light on the tresses,
    But lead on the heart.

  Ligeia! Ligeia!
    My beautiful one!
  Whose harshest idea
    Will to melody run,
  O! is it thy will
    On the breezes to toss?
  Or, capriciously still,
    Like the lone Albatross,
  Incumbent on night
    (As she on the air)
  To keep watch with delight
    On the harmony there?

  Ligeia! wherever
    Thy image may be,
  No magic shall sever
    Thy music from thee.
  Thou hast bound many eyes
    In a dreamy sleep—
  But the strains still arise
    Which thy vigilance keep—

  The sound of the rain
    Which leaps down to the flower,
  And dances again
    In the rhythm of the shower—
  The murmur that springs
    From the growing of grass
  Are the music of things—
    But are modell’d, alas!
  Away, then, my dearest,
    O! hie thee away
  To springs that lie clearest
    Beneath the moon-ray—
  To lone lake that smiles,
    In its dream of deep rest,
  At the many star-isles
  That enjewel its breast—
  Where wild flowers, creeping,
    Have mingled their shade,
  On its margin is sleeping
    Full many a maid—
  Some have left the cool glade, and
    Have slept with the bee—
  Arouse them, my maiden,
    On moorland and lea—

  Go! breathe on their slumber,
    All softly in ear,
  The musical number
    They slumber’d to hear—
  For what can awaken
    An angel so soon
  Whose sleep hath been taken
    Beneath the cold moon,
  As the spell which no slumber
    Of witchery may test,
  The rhythmical number
    Which lull’d him to rest?”

Spirits in wing, and angels to the view,
A thousand seraphs burst th’ Empyrean thro’,
Young dreams still hovering on their drowsy flight—
Seraphs in all but “Knowledge,” the keen light
That fell, refracted, thro’ thy bounds afar,
O death! from eye of God upon that star;
Sweet was that error—sweeter still that death—
Sweet was that error—ev’n with us the breath
Of Science dims the mirror of our joy—
To them ’twere the Simoom, and would destroy—
For what (to them) availeth it to know
That Truth is Falsehood—or that Bliss is Woe?
Sweet was their death—with them to die was rife
With the last ecstasy of satiate life—
Beyond that death no immortality—
But sleep that pondereth and is not “to be”—
And there—oh! may my weary spirit dwell—
Apart from Heaven’s Eternity—and yet how far from Hell!

What guilty spirit, in what shrubbery dim
Heard not the stirring summons of that hymn?
But two: they fell: for heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover—
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen—’mid “tears of perfect moan.”

He was a goodly spirit—he who fell:
A wanderer by mossy-mantled well—
A gazer on the lights that shine above—
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty’s hair—
And they, and ev’ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo—
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love—his dark eye bent
With eagle gaze along the firmament:
Now turn’d it upon her—but ever then
It trembled to the orb of EARTH again.

“Ianthe, dearest, see! how dim that ray!
How lovely ’tis to look so far away!
She seemed not thus upon that autumn eve
I left her gorgeous halls—nor mourned to leave,
That eve—that eve—I should remember well—
The sun-ray dropped, in Lemnos with a spell
On th’ Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall—
And on my eyelids—O, the heavy light!
How drowsily it weighed them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O, that light!—I slumbered—Death, the while,
Stole o’er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept—or knew that he was there.

“The last spot of Earth’******I trod upon
Was a proud temple called the Parthenon;
More beauty clung around her columned wall
Then even thy glowing ***** beats withal,
And when old Time my wing did disenthral
Thence sprang I—as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my view—
Tenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wished to be again of men.”

“My Angelo! and why of them to be?
A brighter dwelling-place is here for thee—
And greener fields than in yon world above,
And woman’s loveliness—and passionate love.”
“But list, Ianthe! when the air so soft
Failed, as my pennoned spirit leapt aloft,
Perhaps my brain grew dizzy—but the world
I left so late was into chaos hurled,
Sprang from her station, on the winds apart,
And rolled a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar,
And fell—not swiftly as I rose before,
But with a downward, tremulous motion thro’
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to ours—
Dread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.”

“We came—and to thy Earth—but not to us
Be given our lady’s bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us as granted by her God—
But, Angelo, than thine gray Time unfurled
Never his fairy wing o’er fairer world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o’er the starry sea—
But when its glory swelled upon the sky,
As glowing Beauty’s bust beneath man’s eye,
We paused before the heritage of men,
And thy star trembled—as doth Beauty then!”

Thus in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.
louis rams Jul 2013
Lovers Passions (explicit)


We were lying naked in bed, covered in sweat
From feet to head.
The ******* we shared
Was far beyond compare.
Our bodies had become as one
In a fast rhythmical beat
Sending waves of passion
Ever so sweet.
Like the sky meeting the ocean
And you can’t see where one begins
And the other one ends.
For we became lovers
After becoming friends.
We was exhausted, and our minds
Became as blank as can be.
But our souls was released
And our hearts set free.
We never knew how beautiful
******* could be
Till I found you, and you found me.
It had created a passion deep inside
A passion that we couldn’t hide.
And as I laid on top of you
I knew just what I had to do.
I kissed your lips once again
As I caressed your face
I felt you tighten your warm embrace.
If I wanted to be inside of you
Then I would have to marry you
For we was meant to be
Living together eternally.

louis rams
A MYRIAD curious fishes,
Tiny and pink and pale,
All swimming north together
With rhythmical fin and tail--

A mountain surges among them,
They dart and startle and float,
Mere wiggling minutes of terror,
Into that mountain's throat.
Cure me within the seize
     of artistic rapture
capturing human spirit in
      boundless creativity,
lay 'pon my ******* a sonata
    written of affection's simpatico,
whisper me a sonnet
        scripted 'neath my skin,
  soar me to limitless grandeur
     elevated beyond cloud vapors,
beckoning rhythmical renditions of
    abstract layers in love, splendor & art,
amidst the harmony and lavish
            poetry of a soulful heart
Graff1980 Dec 2015
Corporations **** the core
Cuts the soul to ribbons
Takes all the labor
And pays back in paltry paychecks
That barely covers our debts
Whilst doling out pain and exhaustion

But the people are good
Hardworking and smiling
Straining to maintain
That spark of heart
That remains
While paying their bills
And feeding their family

The shift starts
And tired bodies
Stumble in
Factory already
Rumbling
Like last night’s thunder
People laughing and chatting

Lebanese dude calls me Habibie
Grinning and patting me on the back
Brown brother give me a knuckle bust
As he passes by with a playful gleam in his eyes
One guy doesn’t high five but bumps elbows
The Congo girls speak another language
Beautiful flowing and musically rhythmical
The Janitor sings Motown
In this factory town these are good people

The generators hum
The machine sings
Doing their thing
Hoses circulate water
Like life’s blood
Taking in the heat
And sending it away
Bringing back more cool water
That does the same
Cooling the loud and hot equipment

While the employees are stressed and sweating
Wearing muscle fatigue and sleep deprivation
Like it’s their second skin

The machines drums ch, ch, crack
Ch, ch crack like a musical number

While the workers hustle
A smoke break and a popsicle
Then back to work
A lunch break and a conversation
Then back to work
Last smoke break and a phone call
Then back to work
Leaving the factory body hurting
But still coming off
The assembly line a good person
Classy J Feb 2016
Walking contradiction that has lost his validation, so now he sits alone in condemnation. Frustration seeps in, demons live in his head, praying to God that if he could just be dead.

Contradiction is his addiction, worthless to this affliction, hypocritical cynical pessimist that has lost the will to hold affection. Stressing on frivolous things, don't know what voices to believe in, so he does his own thing which in some peoples eyes is a sin.

Believe in a deity as the scream at him, on the picket fence, feels like he has no purpose, his fate seems dim. Labelled by humans, no better than a pig getting sent to the slaughter, or a innocent man sent to prison on the charges of man slaughter.

Walking contradiction, wants to do more for society because he no longer wants to play the victim. Held back by himself and by others, scolded as inhuman by racists that define everything about him just based on his colour.

Left with an illusion that he has a voice, that he has a choice, that he can be himself, that he can live happy and rejoice, that he doesn't have to live in chaos. Fading out and fading in, wanting to give in, but he is stubborn, he won't be easily seduced to be part of society's whim.

Isolated, so complicated, lost in monotony, people say he has a purpose, but he feels like he an anomaly. A mistake, a freak of nature, he know's it's not good to keep in anger, but how else could one act if all their life they have been deemed a stranger. People say he doesn't have scars but they don't look on the inside, they just see his outward appearance, no wonder he always confide's with thoughts of suicide.

Convictions that depict him as a nobody, restricted from playing with others because he isn't a somebody. Walking contradiction thats causes friction with everybody, flooding over misconceptions as if he were a tsunami. They tried to break him, they tried to make him into something else, but if they think he will conform they are mistaken.

Walking contradiction, hypocritical and honest, doesn't care about making a profit, he just wants to demolish and astonish people's thinking like he's a rhythmical prophet.

How do I know all of this?  Well to be frank the man i'm talking about is me, but don't worry I have come along way as you can see. I have become better and healthier than the kid I used to be, more mature than the teen with insecurities, I have become a man that has fortified his integrity.
Maha Salman Nov 2015
I charm easily with the elegance of my words,
creating a rhythmical movement of lust around your tender heart.
Perhaps I may use the trick of deceit and fill your mind with the endless
thoughts of our love being compared to the effulgence of a dying star,
or I could lace sweet kisses derived from my broken soul upon your unmarked skin.
Maybe then you shall let down your defences for the only thing I can do, in your mind, is write poetry about how much my adoration for you encapsulates the essence of a bleeding rose.
And when you start to dance to the melody of my voice dripped within your love,
**I shall slowly break your heart as you have broken mine.
With elegance,
A Wordsmith interprets
In the exquisite,
Timeless language
Of poetry,

Delicately composing
Beautiful words
Into elaborate sonatas,
Each rendition A graceful,
Classical symphony.

With beauty and intensity,
Full of raw emotions,

Each wordsmith
Extracts their most inner-feelings
And intricately converts them
Into rhythmical compositions.

And this
Is the only fluent language
Their soul is able to speak...

Each sonata they release,
With wings,
Is individually mastered,
Impeccable, and unique.

May each Wordsmith
Never miss a beat,

And continue writing,
With poetic justice,
Their heart's rhythm
On every sheet.

***

By Lady R.F. (C)2017
Dedicated to the Wordsmiths of our world;
May you never miss a beat and continue writing your heart's rhythm on your sheet.

***
Ayn Feb 2020
With my chin upon my hand
And my countenance bearing
An unintentional scowl of boredom,
I realize that my hand is beating
Just as my heart would.

I feel the pulsations
As my blood continues
With its rhythmical circulations.
I’m bored so I guess I’ll play Minecraft. A bunch of new updates have come since like 2015 so I kinda wanna check it out.
Oscar Mann Mar 2016
It took me 1 year to make it happen
To utter the words inside my head
And present myself as a must to be read

It took me 12 months to get my act together
To turn potential into evidence
Of my poetic competence

It took me 52 weeks to have and to hold
To give myself to the rhythmical art
And become a master of the heart

It took me 365 days to tame the passions
And use them however I please
To cure heartache with lyrical remedies

It took me 8760 hours to go up and down
And invite feelings of hesitation
To thwart my blooming resignation

It took me 525.6000 minutes to realise
That admiration will never suffice
As long as I ignore my own advice

That it might take 31.536.000 seconds to make a big change
But that sometimes all it takes is a second or five
To make a difference in someone’s life
louis rams Sep 2014
l
We were lying naked in bed, covered in sweat
From feet to head.
The ******* we shared
Was far beyond compare.
Our bodies had become as one
In a fast rhythmical beat
Sending waves of passion
Ever so sweet.
Like the sky meeting the ocean
And you can’t see where one begins
And the other one ends.
For we became lovers
After becoming friends.
We was exhausted, and our minds
Became as blank as can be.
But our souls was released
And our hearts set free.
We never knew how beautiful
******* could be
Till I found you, and you found me.
It had created a passion deep inside
A passion that we couldn’t hide.
And as I laid on top of you
I knew just what I had to do.
I kissed your lips once again
As I caressed your face
I felt you tighten your warm embrace.
If I wanted to be inside of you
Then I would have to marry you
For we was meant to be
Living together eternally.

louis rams
cherry rose Jan 2015
Closing my eyes, getting lost in daydreams of what I longed for all my life . Fantasizing about my unquenched thirst just to be loved. Without realizing each time we spoke what was right in front of me. Was it the fear of letting someone enter into my heart,of believing that what I was dreaming was your déjàvu . That warmth that surged into me like electricity, leaving me trembling, was the flame of your Majestical touch . Your voice echoed into where I dared not to let anyone enter. The musical symphony of both are hearts beat  and souls songs in a rhythmical eternal dance was created as you whispered those  three words , gently brushing your lips upon my skin left my mind hypnotized; seduced. Now that I have tasted your love I sit here dreaming with the hunger to feel you again. I await for my insatiable thirst and desire of you to leave me elated lost in euphoria of your  loving touch. Till then my heart returns to our déjàvu .

© copy write ~ cherry rose 2015
Katzenberg Jul 2014
From far away has come
what lies beneath Dreamworld~
Inimical insomnia rises from below.
Lyrical temperance painted on walls,
walls of wonder, walls of gold.

Perseverance seizes my dryness
written alone with kitten ink~
And steals these sentiments of shyness
Speaking with an internal imp,
Rhythmical synthesis, words suddenly cringe.

And slowly we become rivers,
we become photographs without sun~
I release my eyes on your throat,
Reflections without borders,
******* behind God.

My decadence prayed for madness,
and knock on thine heavenly doors~
But what are we but just a lonely song?
A little music lost, a melody untold
But all and by all, we were just like tracks in the snow.

The first time, we looked at each other,
Like strangers at the lonely sandy shore,
For many seconds, minutes, and hours
Long and delicious, flamed both our emotions;
Our love and passion were in depths of desires;
A seductive, innocent  inner feelings steeped in;
Later, unknowingly you held me so tight;
an inspiration that I felt only when you left.
Then miles apart you stayed back in dark;
And I still wonder when you will be back !
*
BY
WILLIAMSJI MAVELI
williamsji@yahoo.com
www.williamsji.com
www.williammaveli.­com
www.williamsgeorge.com

__________

Poe­try dates all the way back to the beginnings of Humanity. People have always been questioning nature, and the day-to-day existence of themselves and other humans love, death, survival, war, injustice, and the universe are all examples of things that have been questioned by men and woman since the roots of human existence. Whether in nursery rhyme, ballad, jingle, rhyme, anthem, or music, people have found poetry to be an outlet for expressing these questions, sensations, and experiences
People often associate it with strict rhyming patterns, complicated vocabulary, hidden iconic meanings, and difficult rhythmical conventions. Poetry is even taught in school to be an intricate, complicated, inexplicable puzzle. True, poetry is difficult. Sure, it can be harder to understand than prose.
However, that is only because sometimes it is involved
with your inescapable complexities and uncertainties of your existence.
Williamsji Maveli (Williams George) is an enthusiastic and solid writer. He is a sincere, resourceful and diligent in his poetic work. He is very well connected and networked within the literary community and is willing to take up projects even in his tight schedules. His writings reflect the amount of research on the current events that has gone into it along with his knowledge and expertise in the field. However, Williamsji’s many poems are simple to read, interpret, and understand. His latest book, titled “ARAMVIRALTHUMBATHU…” (On the tip of the sixth finger), is now published and released
by H & C Books,Trichur which is a collection of lyrics.
From MICROTHEMES, a collection of short poems,  written by
WILLIAMSJI MAVELI
_____________________________________________________
Anastasia Oct 2022
The sky is a dull grey-azure
But you shimmer like tear-filled eyes
Gauze flowing around your ankles
Feet barely touching the dewy grass below you
Twirling as the storm ascends above
Your bones are cold
But you dance as if there's fire lit beneath you
Your lips don't move
But poetry seeps from your mouth
Pasting to your body
Flowing into the sky
Lightning strikes with every other step
The pouring words wrap around you
Until you are bound with your own rhythmical tourniquet
David R May 2021
I am the very model of a modern poet laureate,
I've information rhythmical, poetical and lexical,
I know the poets of our land and quote their plays historical,
From Macbeth to Much Ado, in order categorical;

I'm very well acquainted, too, with rhythm hendecasyllable,
I understand assonance and refrain octosyllable,
About pentameter theory I'm teeming with a lot o' news,
With many cheerful facts about the style of poet Edward Hughes.

I'm very good at couplets and at blank verse very fabulous;
I know the seventy-one plays ascribed to Aeschylus:
In short, in matters rhymical, poetical, and lexical,
I am the very model of a modern poet laureate.

I know our poem-history, Caedmon's Hymn to Chaucer's works;
I can cite bards' acrostics with volatility in my vocal box,
I quote in elegiacs all the crimes of Heliogabalus,
In dialect ionic I can cite Semonides of Amorgos;

I can tell undoubted Aratus from Aristeus and Sophocles,
I know the croaking chorus from The Frogs of Aristophanes!
Then I can hum a fugue of which I've heard the music's din afore,
And whistle all the airs from that infernal nonsense Pinafore.

Then I can write a decasyllable as a dactyl or tetrameter,
And tell you ev'ry detail of soliloquies in Shakespeare:
In short, in matters rhythmical, poetical, to elloquate,
I am the very model of a modern poet laureate.

In fact, when I know what is meant by a "septet" and a "sestet",
When I can tell at sight a literary from a prose effect,
When such affairs as odic and idyllic I'm more wary at,
And when I know precisely 'to be or not to be' by Dane "Hamlet".

When I have learnt what progress has been made in modern rhymery,
When I know more iambic than a novice in a nunnery
In short, when I'm audacious, vexatious and dilatory
You'll say a poet laureate has ne'er been so conciliatory.

For my alliteration knowledge, though I'm plucky and adventury,
Has only been brought down to the beginning of the century;
But still, in matters rhythmical, poetical and etiquette,
I am the very model of a modern poet laureate.
BLT's Merriam-Webster Word of The Day Challenge
#conciliatory, lexical
[To the tune of 'I am the very model of a modern major general', H.M.S. PINAFORE (W. S. GILBERT) ]
Marshal Gebbie Mar 2013
That beautiful Wind as it howls from the pass
Blowing tussock in waves across hillocks of grass,
Causing red leaves to billow in curtains of fall
To gather in windrows beneath the stone wall,
Where the zephyrs play mischief in colour and swirl
And cascades of leafage fly skyward and whirl.

And the hawthorns sway in that beautiful way
And the reeds all bend in the lake
Where the concentric rings caused by raindrops and things
Cause the surface to shimmer and shake.

That beautiful Wind as it streams through the trees
Brings a tear to my eyes, makes me weak at the knees,
For the patterns of movement, the rhythmical sway
And the roar of the torrent in leafage at play.
And the impact of raindrops, so fresh on my face,
Make me laugh at the wonder of this special place.

And the starlings all heel with immaculate feel
As in thousands, they flock to the trees,
Where with cochophanous joy in full voice they employ
A concierto of birdsong to please

That beautiful Wind when it plays with the clouds
Where the mares tails extend in such glorious shrouds,
Then in furious plight, usually just before night,
Nimbo cumulous flashes electrify bright,
Where the lightening bolt snakes, from on high, where it makes
A most thunderous roar through the sky as it breaks.

With the wind in my hair and without single care
I celebrate Wind with delight
With the sound of the breeze blowing cottonwood trees
And my day turning beautifully night.

Marshalg
Inspired by "The Last Winds" a poem by K, Daniel Little Paw McCreight
@ the Pukehana Paradise
Epsom
23 March 2013
Jenny Pearl Nov 2013
Am I supposed to write a silly little love poem when I feel like this?
Are the words just meant to flow from my fingers to form a rhythmical melody of praise?
I don’t think so…
Not when I feel like this…

I’m torn between two worlds;
One light and inspiring where I’m floating on a cloud.
Where your smile ignites a fire in my heart,
Where your eyes are the fountain of youth,
The birthplace of hope and desire…

That’s when my world changes;
When I want to hide under a rock,
When I realize that my dream of us will crash,
Because plain ordinary me, with my frizzy hair, thunder thighs and freckles
Know that I am not enough.

I’m standing at a crossroad,
Terrified to make a decision.
I could forget you, shut you out, silence my heart and numb my mind…
Or, even worse, I could take the risk…
But what if I AM enough? What then?
Written 1 May 2009
Allyse Bégin Oct 2013
To all that is beautiful, not always pure;
To beauty divine, and all the obscured;
To rhythmical rhymes, and those who lack tune;
To stunning sea shores, and tumbling dunes;
To those who strike you as pleasantly sweet;
To grace and glamour with delicate feet;
To those who are left with nothing to say;
To pleasantly pink, to presently grey;
To sizes at large, and those who stand tall;
To sizes that count as nothing at all;
You can not imagine the beauty divine,
The imperfectly pure you leave trailing behind.
You can not imagine what truth can unfold
With beauty that’s deeper than one can behold.
From my poetry book "The Reception: Black, White, and Grey"
I'm too reserved for samba but I can see it's fun,
some of your band look happy though some look rather glum.
There's some of us can do that stuff
and some of us who can't;
however much we'd wish it, rhythmical we aren't.
If you make me stand up and exhort me to dance,
you won't like what you'll see chum
so don't give me the chance.
I never felt such Hunger
As when I looked at you Tonight

Your eyes burnt Bright
Two shining beacons promising me the Delights
Of a Lifetime with You

But in this one Instant
Instantaneous Fleeting Gratification
Of pleasure-pumping Limbs

I will memorise Each Scar
Each Blemish
Each Story
That is told in the rhythmical Waves of your Love
Rolling over me, Under me
Like a piece of Glass smoothed and Rounded by You

Your touch Consoles and Desolates
Morgan Feb 2015
i am

i am underneath

melted slices of moon that mark lost time
and steal away the last flakes of sun

you left a void
that pulled me
once swimming through rhythmical currents
into stillness

i am

as the colors change
through golden glows to ashen grays
again and again and

i am underneath

dreaming of a quickening pulse
we once shared
a time
in the distance
where i could better map this
tilting sky

or forget it altogether
new version of an old poem for  song cycle
RA Feb 2014
There was a time when words
would gallop through my head like
herds of horses, leaving me gasping
and trampled in the muck

of my emotions. Their hoof prints, scars,
on my mind, on my heart,
marking me as “writer,” though I felt
I did not deserve such a title.
How could I, when horses break free

of their own volition? As weeks
passed, I
began to
learn the ways
of the herds
of my mind,

the strangely
rhythmical
cadence of
their hooves on
the insides

of my skull.
Though I could
never run
with them, I
learned to ride

fast; I learned
to decide
which would run
today; I
learned to guide

their forceful
direction,
while clinging
tightly to
the first horse

I wanted
to work to
a lather.
Sometimes, when
I am weakened, we fight

for control of my pen, my horses
and I, but they
are always
just that- my
horses. Now,

though I am
only starting,
I feel I
can somehow
finally

lay claim to
the title
of “poet.”
February 11, 2014
12:30 PM
     edited February 16, 2014
     I tried to play with the beat here. I don't know how well it worked.

— The End —