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MJL Feb 2019
A choice
Do what they do
Fight the ***** fight
Do it to them
Take it from them
Lie about them
Wage war on them
Their righteous greed controls
They have the moral high ground
In the name of their "God", they dream
Of keeping us down
We must
Fear them
Patriate them
Oppress them
Malcolmize their pain
Invert their rain
Watch it flow back up
Up to the clouds
Crack on them
Break on them
Smash them to the ground
Return everything to dust
Let the sun shine through
Move what stands in our way
Shed all that cast a silky shadow
Your freedom lives
Arch back and feel the sun rain down your face
Follow the sacred Caucasus Mountain Pass
Your right to the human dream
Your sacred seasoned skin
Tarred brown by party soot
Feel the warmth of the  Queen, King, and Mother Luna
As you fall from grace
For what is Right
Your mumble in the jungle is heard
You cry
Tasting the drops
Those delicate drops...
Of Freedom


© 2019 MJL
Chapter Two

“I think of art, at its most significant, as a DEW line, a Distant Early Warning System that can always be relied on to tell the old culture what is beginning to happen to it.”                Marshall McLuhan  
  
I attended Bucknell University in Lewisburg, Pennsylvania because my father was incarcerated at the prison located in the same town.  My tuition subsidized to a large extent by G.I. Bill, still a significant means of financing an education for generations of emotionally wasted war veterans. “The United States Penitentiary (USP Lewisburg)” is a high-security federal prison for male inmates. An adjacent satellite prison camp houses minimum-security male offenders. My father was strictly high-security, convicted of various crimes against humanity, unindicted for sundry others. My father liked having me close by, someone on the outside he trusted, who also happened to be on his approved Visitor List. As instructed, I became his conduit for substances both illicit, like drugs, and the purely contraband, a variety of Italian cheeses, salamis, prepared baked casseroles of eggplant parmesan, cannoli, Baci chocolate from Perugia, in Tuscany, south of Florence, and numerous bottles of Italian wine, pungent aperitifs, Grappa, digestive stimulants and sweet liquors. I remained the good son until the day he died, the source of most of the mess I got myself into later on, and specifically the main caper at the heart of this story.

I must confess: my father scared the **** out of me.  Particularly during those years when he was not in jail, those years he spent at home, years coinciding roughly with my early adolescence.  These were my molding clay years, what the amateur psychologists write off with the term: “impressionable years hypothesis.” In his own twisted, grease-ball theory of child rearing, my father may have been applying the “guinea padrone hypothesis,” in his mind, nothing more certain would toughen me up for whatever he and/or Life had planned for me. Actually, his aspirations for me-given my peculiar pedigree--were non-existent as far as the family business went. He knew I’d never be either a Don or a Capo di Tutti Capi, or an Underboss or Sotto Capo.)  A Caporegime—mid-management to be sure, with as many as ten crews of soldiers reporting to him-- was also, for me, out of the question. Dad was a soldier in and of the Lucchese Family, strictly a blue-collar, knock-around kind of guy. But even soldier status—which would have meant no rise in Mafioso caste for him—was completely out of the question, never going to happen for me.

A little background: the Lucchese Family originated in the early 1920s with Gaetano “Tommy” Reina, born in 1889 in Corleone, Sicily. You know the town and its environs well. Fran Coppola did an above average job cinematizing the place in his Godfather films.  Coppola: I am a strict critic when it comes to my goombah, would-be French New Wave auteur Francis Ford Coppola.  Ever since “One From the Heart, 1982”--one of the biggest Hollywood box office flops & financial disasters of all time--he’s been a bit thin-skinned when it comes to criticism.  So, I like to zing him when I can. Actually, “One From the Heart” is worth seeing again, not just for Tom Waits soundtrack--the film’s one Academy Award nomination—but also Natasha Kinski’s ***: always Oscar-worthy in my book. My book? Interesting expression, and factually correct for once, given what you are reading right now.

Tommy Reina was the first Lucchese Capo di Tutti Capi, the first Boss of All the Bosses. By the 1930s the Luccheses pretty much controlled all criminal activity in the Bronx and East Harlem. And Reina begat Pinzolo who begat Gagliano who begat Tommy Three Finger Brown Lucchese (who I once believed, moonlighted as a knuckle ball relief pitcher for Yankees.)
Three Finger Brown gave the Lucchese Family its name. And Tommy begat Carmine Tramunti, who begat Anthony Tony Ducks Corallo. From there the succession gets a bit crazy. Tony Ducks, convicted of Rico charges, goes to prison, sentenced to life.  From behind bars he presides through a pair of candidates most deserving the title of boss: enter Vittorio Little Vic Amuso and Anthony Gaspipe Casso.  Although Little Vic becomes Boss after being nominated by Casso, it is Gaspipe really calling the shots, at least until he joins Little Vic behind bars.
Amuso-Casso begat Louis Louie Bagels Daidone, who begat the current official boss, Stephen Wonderboy Crea.  According to legend, Boss Crea got his nickname from Bernard Malamud’s The Natural, a certain part of his prodigious anatomy resembling the baseball bat hand-carved by Roy Hobbs. To me this sounds a bit too literary, given the family’s SRI Lexile/Reading Performance Scores, but who am I to mock my peoples’ lack of liberal arts education?

Begat begat Begato. (I goof on you, kind reader. Always liked the name Begato in the context of Bible-flavored genealogy. Mille grazie, King James.)

Lewisburg Penitentiary has many distinguished alumni: Whitey Bulger (1963-1965), Jimmy Hoffa (1967-1971) and John Gotti (1969-1972), for example.  And fictionally, you can add Paulie Cicero played by Paul Scorvino in Martin Scorsese’s Goodfellas, not to be confused with Paulie Walnuts Gualtieri played by Tony Sirico from the HBO TV series The Sopranos. Nor, do I refer to Paulie Gatto, the punk who ratted out Sonny Corleone in Coppola’s The Godfather, you know: “You won’t see Paulie no more,” according to fat Clemenza, played by the late Richard “Leave the gun, take my career” Castellano, who insisted to the end that he wasn’t bitter about his underwhelming post-Godfather film career. I know this for a fact from one of my cousins in the Gambino Family. I also know that the one thing the actor Castellano would never comment on was a rumor that he had connections to organized crime, specifically that he was a nephew to Paulie Castellano, the Gambino crime family boss who was assassinated in 1985, outside Midtown New York’s Sparks Steak House, an abrupt corporate takeover commissioned by John Teflon Don Gotti. But I’m really starting to digress here, although I am reminded of another interesting historical personage, namely Joseph Crazy Joe Gallo, who was also terminated “with extreme prejudice” while eating dinner at a restaurant.  Confused? And finally--not to be confused with Paul Muldoon, poetry gatekeeper at The New Yorker magazine, that Irish **** scumbag who consistently rejects publication of my work. About two years ago I started including the following comment in my on-line Contact Us, poetry submission:  “Hey Paulie, Eat a Bag of ****!”

This may come as a surprise, Gentle Reader, but I am a poet, not a Wise Guy.  For reasons to be explained, I never had access to the family business. I am also handicapped by the Liberal Arts education I received, infected by a deluge, a veritable Katrina ****** of classic literature.  That stuff in books rubs off after awhile, and I suppose it was inevitable. I couldn’t help evolving for the most part into a warm-blooded creature, unlike the reptiles and frogs I grew up with.

Again, I am a poet not a wise guy. And, first and foremost, I am a human being. Cold-blooded, I am not. I generate my own heat, which is the best definition I know for how a poet operates. But what the hell do I know? Paulie “Eat a Bag of ****” Muldoon doesn’t think much of my work. And he’s the ******* troll guarding the New Yorker’s poetry gate. Nevertheless, I’m a Poet, not a Wise Guy.  I repeat myself, I know, but it is important to establish this point right from the start of this narrative, because, if you don’t get that you’re never going to get my story.

Maybe the best way to explain my predicament—And I mean PREDICAMENT in the sense of George Santayana: "Life is not a spectacle or a feast; it is a predicament." (www.brainyquote.com), not to be confused with George’s son Carlos, the Mexican-American rock star: Oye Como Va, Babaloo!

www.youtube.com/watch?v...YouTube Dec 20, 2011 - Uploaded by a106kirk1, The Best of Santana. This song is owned by Santana and Columbia Records.

Maybe the best way for me to explain my predicament is with a poem, one of my early works, unpublished, of course, by Paulie “Eat a Bag of ****” Muldoon:

“CRAZY JOE REVISITED”  
        
by Benjamin Disraeli Sekaquaptewa-Buonaiuto

We WOPs respect criminality,
Particularly when it’s organized,
Which explains why any of us
Concerned with the purity of our bloodline
Have such a difficult time
Navigating the river of respectability.

To wit: JOEY GALLO.
WEB-BIO: (According to Bob Dylan)
“Born in Red Hook, Brooklyn in the year of who knows when,
Opened up his eyes to the tune of accordion.

“Joey” Lyrics/Send "Joey" Ringtone to your Cell
Joseph Gallo, AKA: "Joey the Blond."
He was a celebrated New York City gangster,
A made member of the Profaci crime family,
Later known as the Colombo crime family,

That’s right, CRAZY JOE!
One time toward the end of a 10-year stretch,
At three different state prisons,
Including Attica Correctional Facility in Attica, New York,
Joey was interviewed in his prison cell
By a famous NY Daily News reporter named Joe McGinnis.
The first thing the reporter sees?
One complete wall of the cell is lined with books, a
Green leather bound wall of Harvard Classics.
After a few hours mainly listening to Joey
Wax eloquently about his life,
A narrative spiced up with elegant summaries,
Of classic Greek theory, Roman history,
Nietzsche and other 19th Century German philosophers,
McGinnis is completely blown away by Inmate Gallo,
Both Joey’s erudition and the power of his intellect,
The reporter asks a question right outta
The Discrete Charm of the Bourgeoisie:
“Mr. Gallo, I must say,
The power of your erudition and intellect
Is simply overwhelming.
You are a brilliant man.
You could have been anything,
Your heart or ambition desired:
A doctor, a lawyer, an architect . . .
Yet you became a criminal. Why?”

Joey Gallo: (turning his head sideways like Peter Falk or Vincent Donofrio, with a look on his face like Go Back to Nebraska, You ******* Momo!)

“Understand something, Sonny:
Those kids who grew up to be,
Doctors and lawyers and architects . . .

They couldn’t make it on the street.”

Gallo later initiated one of the bloodiest mob conflicts,
Since the 1931 Castellammare War,
And was murdered as a result of it,
While quietly enjoying,
A plate of linguini with clam sauce,
At a table--normally a serene table--
At Umberto’s Clam House.

Italian Restaurant Little Italy - Umberto's Clam House (www.umbertosclamhouse.com)
In Little Italy New York City 132 Mulberry Street, New York City | 212-431-7545.

Whose current manager --in response to all restaurant critics--
Has this to say:
“They keep coming back, don’t they?
The joint is a holy shrine, for chrissakes!
I never claimed it was the food or the service.
Gimme a ******* break, you momo!
I should ask my paisan, Joe Pesci
To put your ******* head in a vise.”

(Again, Martin Scorsese getting it exactly right, This time in  . . . Casino (1995) - IMDb www.imdb.com/title/tt0112641/Internet Movie Database Rating: 8.2/10 - ‎241,478 votes Directed by Martin Scorsese. With Robert De Niro, Sharon Stone, Joe Pesci, James Woods. Greed, deception, money, power, and ****** occur between two  . . . Full Cast & Crew - ‎Trivia - ‎Awards - ‎(1995) - IMDb)

Given my lifelong, serious exposure to and interest in German philosophy, I subscribe to the same weltanschauung--pronounced: veltˌänˌSHouəNG—that governed Joey Gallo’s behavior.  My point and Mr. Gallo’s are exactly the same:  a man’s ability to make it on the street is the true measure of his worth.  This ethos was a prominent one in the Bronx where and when I grew up, where I came of age during the 1950s and 60s.  Italian organized crime was always an option, actually one of the preferred options--like playing for the Yankees or being a movie star—until, that is, reality set in.  And reality came in many forms. For 100% Italian kids it came in a moment of crystal adolescent clarity and self-evaluation:  Am I tough enough to make it on the street?  Am I ever going to be tough enough to make it on the street? Will I be eaten alive by more cunning, more violent predators on the street?

For me, the setting in of reality took an entirely different form.  I knew I had what it takes, i.e., the requisite ferocity for street life. I had it in spades, as they say. In fact, I’d been blessed with the gift of hyper-volatility—traced back to my great-grandfather, Pietro of the village of Moschiano, in the province of Avellino, in the region of Campania, Italia Sud. Having visited Moschiano in my early 20s and again in my late 50s, I know the place well. The village square sits “down in the holler,” like in West Virginia; the Apennine terrain, like the Appalachians, rugged and thick. Rugged and thick like the people, at least in part my people. And volatile, I am, gifted with a primitive disposition when it comes to what our good friend Abraham Maslow would call lower order needs. And please, don’t ask me to explain myself now; just keep reading, *******.  All your questions will be answered.

Great Grandfather Pietro once, at point blank range, blew a man’s head off with a lumpara, or sawed-off shotgun. It was during an argument over—get this--a penny’s worth of pumpkin seeds--one of many stories I never learned in childhood. He served 10 years in a Neapolitan penitentiary before being paroled and forced to immigrate to America.  The government of the relatively new nation--The Kingdom of Italy (1861)--came up with a unique eugenic solution for the hunger and misery down south, south of Rome, the long shin bone, ankle, foot, toes & kickball that are the remote regions of the Mezzogiorno, Southern Italy: Campania, Basilicata, Calabria, Puglia & Sicilia. Northern politicians asked themselves: how do we flush these skeevy southerners, these crooks and assassins down South, how do we flush the skifosos down the toilet—the flush toilet, a Roman invention, I report proudly and accept the gratitude on behalf of my people. Immigration to America: Fidel Castro did the same thing in the 1980s, hosing out his jails and mental hospitals with that Marielista boatlift/Emma Lazarus Remix: “Give us your tired and poor, your lunatics, thieves and murderers.” But I digress. I’ll give you my entire take on the history of Italy including Berlusconi and the “Bunga Bunga” parties with 14-year old Moroccan pole dancers . . . go ahead, skip ahead.

Yes, genetically speaking, I was sufficiently ferocious to make it on the street, and it took very little spark to light my fuse. Moreover, I’ve always been good at figuring out the angles--call it street smarts--also learned early in life. Likewise, for knowing the territory: The Bronx was my habitat. I was rapacious and predacious by nature, and if there was a loose buck out there, and legs to be broken, I knew where to go.
Yet, alas, despite all my natural talents & acquired skills, I remained persona-non-grata for the Lucchese Family. To my great misfortune, I fell into a category of human being largely shunned by Italian organized crime: Mestizo-Italiano, a diluted form of full strength 100% Italian blood. It’s one of those voodoo blood-brotherhood things practiced by Southern European, Mediterranean tribal people, only in part my people.  Growing up, my predicament was always tricky, always somewhat bizarre. Simply put: I was of a totally different tribe. Blame my exotic mother, a genuine Hopi Corn Maiden from Shungopavi, high up on Second Mesa of the Hopi Reservation, way out in northern Arizona. And if this is not sufficiently, ******* nuts enough for you, add to the child-rearing minestrone that she raised me Jewish in The Bronx.  I **** you not. I took my Bar Mitzvah Hebrew instruction from the infamous Rabbi Meir Kahane, that’s right, Meir “Crazy Rebbe” Kahane himself--pronounced kɑː'hɑːna--if you grok the phonetics.

In light of the previously addressed “impressionable years hypothesis,” I wrote a poem about my early years. It follows in the next chapter. It is an epic tale, a biographical magnum opus, a veritable creation myth, conceived one night several years ago while squatting in a sweat lodge, tripping on peyote. I
Àŧùl Nov 2013
It's been long said in ancient Sanskrit texts,
"Yatha twam karasi,
Tatha twam bhogasi."

This roughly translates as 'As you sow, so you reap.'

This is true to the core but it's neither unconditional nor is it surely possible for you or me to be happy tomorrow even if we do good today. You might also have observed that sometimes you don't get exactly what you desired and yearned for when putting all your efforts. I will explain in the text that follows.

I am not Superman or a Godman blessed with super powers. I just believe in humanitarian virtues of course for all my life. And I don't despise the idea of theism. As some other people among the readers and their respective circles even I tame the same ideology about God having created the universe and then let us take charge.

I don't get involved in worshipping the creator, but I do thank that creator for having created us all. But how do I keep myself away from the various types of evils? The answer lies within.

What I identify as evil or deleterious to anyone or anything else, I don't do that and I totally despise all of it. Doing so I am aware that what I have been taking to and what I should get into. Whether it's my career or my love life, it almost totally depends on me and my Karma. The remaining few bits also depend on time and third parties who can affect my life greatly or maybe a little.

I don't know about what they quote other "Spiritual" people about and I feel that each of us can have our own views about time. I don't feel the urge to read about spiritual issues written by some well-publicised so called "Spiritual Gurus or Dharmatmas" who talk about out of the body experience.

The next time you think about some problem posed to you, your relative or a close friend, do try the following:
Just get out of your own mindset, think about the issue from a neutral point of view with your sixth sense (common sense) in right place. You're bound to find out the best way for solving it; let it be life or let it be any matter related to it.
This is not a poem or a debatable matter, but just my perspective on the aforesaid matter. I don't look for any suggestions for some improvements in my virtues.
Audrey Maday Apr 2015
As Hozier says,
"Take me to church,"
Oh God, please do,
Place me inside that beautiful metal tube,
Gliding through blue skies,
Put me in an airplane,
So I can be renewed,
Please, don't leave me stranded here on the ground,
All I crave it to touch the clouds,
I'll sacrifice my entire being,
If I'm only allowed to fly.
GGA Dec 2014
Crawling, slowly, firmly, effortless towards me.
Billowing from sea over hills,
the blue sky is envious of its charm.
What can it offer but a backdrop of blue?

Its ever morphing silhouette captures our gaze and fascinates.
Not to be revisited, once witnessed, suddenly changed.
Forever, only in memory it plays.

Lie back, enjoy it's visions,
for it is past, as quickly as it came.
We call it “peacock hill”
I love this misty humidity that hangs here
sunlight barely peeking through; lovely mossy ground and wet leaves
turning to mulch under our tramping feet, we hear the peacocks call
in their unique tone - musical, alluring and promising
of a rare treat to the eyes,  I’m only six years old, walking by your side,
and I don’t realize that in my excitement to collect peacock feathers-
i’m missing the peacocks for the feathers
and
I’m missing your company for the peacocks

and somehow if I could turn back time, i’d like to make that right
pay more attention to you, than to silly feathers or birds, beautiful though they are
just soak in the moment, and be with you completely
so that years later, when we live so far away
i’d look back on this moment with a lot less regret
and be glad, that we father and daughter
had some great times together

-Vijayalakshmi Harish

Copyright © Vijayalakshmi Harish
When I was a young girl, my father would take me to a place that we liked to call "peacock hill", since peacocks could be spotted there. I remember very little of it unfortunately :(
My parents and I live in different cites now, and I really miss them sometimes..like today!
Don't worry it's not what you think
Another tale of woe
Of Tiny Tim and all the rest
And the ending we all know
Scrooge and ghosts and la de da
They do it in one night
But, that was Charles Dickens way
It's time we got it right
Nobody works the way they did
The poorhouses done and dusted
If Scrooge was here and lived today
You know he would be busted

So, I'll bring you up to date on this
And Scrooge can come on too
It's been a couple hundred years
Let's make this carol new

Scrooge had let Bob Cratchit go
Due to labour laws and stuff
He didn't have a union
But old Scrooge had heard enough
Every year the same old thing
And every year he cries
It's only for one day each year
At least till his kid dies
So, Scrooge was sitting home alone
Checking files on his screen
Debtors owing money and
Re runs of Mister Bean
Scrooge kept his accounts on line
So he could work on them at home
He got more done here anyway
He felt more comfortable  alone
While surfing through his evict notes
A pop up screen appeared
It said "I am The Marley Virus"
And Sir Scooge, I should be feared
Scrooge cursed the interruption
He thought the virus was a joke
But, when he tried to clear the screen
A face appeared and spoke
Right there before his rheumy eyes
His partner showed his face
Ebeneezer hit delete
But Marley held his place
I'm not a ghost like olden days
I'm a virus now you see
I've moved into the future
And Scrooge you must hear me
You will not get a visit
From three ghost like stories old
We've gone hi tech, it's apps you'll get
And your story will be told
Three icons will be on your screen
Once I have told my tale
You'll click on each of them in turn
And you'll ignore all your mail
Each application will come forth
And will take you back in time
Remember Scrooge, the end result
Could be the same as mine
But, Jacob, I'll delete them
I'll run a scan and then reboot
The reason for your being here
Will then be surely moot
Marley let a piercing howl
And he left Scrooge with his screen
The were just three icons there
Where his desktop once had been
Scrooge clicked one, it opened up
It was Christmas past for sure
A video of Scrooges life
Was playing now, and more
The background everchanging
Showing Scrooge in younger days
When greed and avarice were not
The ruler of his ways
Remember now, we're modernized
No ghosts, so all went well
Scrooge remembered all the good times
As far as I can tell
The video ran on and on
It showed Scooge when he was nice
He thought you know when all is done
I might just watch this twice
The screen went black, the music stopped
And two icons took their place
He clicked on icon number two
And he opened up it's case
Donation links appeared at first
To charities galore
But Scrooge just passed on over them
In fact he showed them to the door
He saw the files of eviction notes
And of receivables and charts
He knew that he would lose one day
And the next, would need to start
To work on all this quickly
Year end would be here soon
He'd evict all of the deadbeats
And then they'd sing a different tune
He saw pictures of Bob Cratchit
Of his family and his brood
Of their meager Christmas Dinner
And the apparent lack of food
He saw how they were happy
How just together meant so much
And beside their electric fire
He saw a tiny crutch
He watched the clip and saw the pics
And in the end it warmed his heart
But there was still another icon
And this app must play it's part
You know where this is going
So, I would drag out the tale
But, in the end all his possessions
Went on line for a huge sale
He clicked upon the icon
And all his files reappeared
And then ...right before him
Each account slowly disappeared
Written off, deleted gone
No money did they owe
The ledger had been vanquished
No balance did it show
This took almost two hours
Each entry in the wind
All accounts forgotten
All eviction notes were binned
Scrooge, we know was changed then
We heard he was a better man
But, in truth he only changed one thing
A new virus protection plan
Remember, it's the future
And corporate greed is still around
And no accounts will be forgotten
Till Scrooge is six feet in the ground
I know you know the story
You want him nicer in the end
But, if that's the way you want it
Go watch the movie once again!!!
Traveler Mar 2014
The pendulum swings at a steady speed
Inevitably life upon me feeds
I dreamt of real in my illusion
Destiny like free-will a mere delusion
Today’s all but gone, am I still intact
To pull love’s knife out of my back
Brilliantly dim this light of mine
I strain to glimpse the bottom line
These nights do linger pain becomes art
The Cut that Never Heals still bleeds my heart
Traveler Tim

re to 3-19
Hayleigh Dec 2014
How captivating it is
To watch the sun who was told she must love the sky, to fearlessly defy,
To fall to her knees,
Ignoring others pleas and
With all in sight
Kiss the earth goodnight.
Jack Trainer Feb 2015
The oak tree revisited
It’s been twenty eight years since I visited the oak
Still majestic in the over growth
Towering above its brothers
Hours spent gazing in your eyes
Arms out stretched, calling me to your *****
The last time was after she left
And I thought of dying at your feet
But you gave me hope, old oak
Ageless in your foundation
And my many woes have you endured
I call you friend, ancient oak
AROUND me the images of thirty years:
An ambush; pilgrims at the water-side;
Casement upon trial, half hidden by the bars,
Guarded; Griffith staring in hysterical pride;
Kevin O'Higgins' countenance that wears
A gentle questioning look that cannot hide
A soul incapable of remorse or rest;
A revolutionary soldier kneeling to be blessed;
An Abbot or Archbishop with an upraised hand
Blessing the Tricolour.  "This is not,' I say,
"The dead Ireland of my youth, but an Ireland
The poets have imagined, terrible and gay.'
Before a woman's portrait suddenly I stand,
Beautiful and gentle in her Venetian way.
I met her all but fifty years ago
For twenty minutes in some studio.

III
Heart-smitten with emotion I Sink down,
My heart recovering with covered eyes;
Wherever I had looked I had looked upon
My permanent or impermanent images:
Augusta Gregory's son; her sister's son,
Hugh Lane, "onlie begetter' of all these;
Hazel Lavery living and dying, that tale
As though some ballad-singer had sung it all;
Mancini's portrait of Augusta Gregory,
"Greatest since Rembrandt,' according to John Synge;
A great ebullient portrait certainly;
But where is the brush that could show anything
Of all that pride and that humility?
And I am in despair that time may bring
Approved patterns of women or of men
But not that selfsame excellence again.
My mediaeval knees lack health until they bend,
But in that woman, in that household where
Honour had lived so long, all lacking found.
Childless I thought, "My children may find here
Deep-rooted things,' but never foresaw its end,
And now that end has come I have not wept;
No fox can foul the lair the badger swept --

VI
(An image out of Spenser and the common tongue).
John Synge, I and Augusta Gregory, thought
All that we did, all that we said or sang
Must come from contact with the soil, from that
Contact everything Antaeus-like grew strong.
We three alone in modern times had brought
Everything down to that sole test again,
Dream of the noble and the beggar-man.

VII
And here's John Synge himself, that rooted man,
"Forgetting human words,' a grave deep face.
You that would judge me, do not judge alone
This book or that, come to this hallowed place
Where my friends' portraits hang and look thereon;
Ireland's history in their lineaments trace;
Think where man's glory most begins and ends,
And say my glory was I had such friends.
i.

impressionist,
where the grey
clouds and the blue
ice of winter
gather their ghosts,

winter, too cold,
too white, the
woodland hollows
dent,
summer love

discarded in
the frost,

the sky oaken,
the moon’s forget-me-knots
silvery dream.

ii.

clouds like wintery steel,
sunken, in a night pool,
the golds of my heart,

the lodestar gathers
moss and rook,
glimmers in a sky
of woven cloth,
her leaves, the trees
of winter,
her leaves, the dark
breath of the storm.


iii.

winter and quiet stars
brooding emperor
sleeping in the twilight
hour,
winter dreams of
strange ice caverns
where ice ghosts
dance with twisting
hair.

iv.

pond of ice,
snow bear,
snow dream,

sleep unwraps

wide avenues of
trees,

sleep, the dark girl,
the falling tide.

v.

twig breaks under foot,
earth’s thrones
settle in the lizardy light

the moon rises in the sky,
soft centuries of sky.
i should add that this is waterlilies in winter the original poem was autumn inspired. i'd like to do spring and summer at some point as well!
Dae Staebell Aug 2016
My Dearest Black Dahlia
Stumbling in these neon streets
Waiting to be torn in two
Be my carrion pin up model
Adorned in imprinted diamonds
With porcelain skin icy stale
Murderous glamor
Gleaming and serene
Posing like a minx
Half here and half there
A hauntingly mesmerizing woman
Should I be fearful
Or should I be in love
I suppose this is maddening
But I am smiling all the while
Bright and all Irish
Welcome to Hollywood
My Dearest Black Dahlia
Revised an old work
Brody Blue Aug 2017
I’m no troubadour
Who sketches and scores
A playwright’s lovely romance
But thru the valves of my heart
Song swiftly departs
As time releases its sand
The cracks in cement
I’ve tried to repent
But the rain and cold continue their rants
Till I’m slowly calmed
By the manicured palm
Of the one who has my hand

I’ve traveled down roads
Of dirt and of stone

I fell on when I left the nest
Though the metaphor used
Is often abused
I figured that it was what’s best
Though I’ve often feared
One will never be dear,
I’ll only be under arrest
I’ve finally been freed,
Chains are what I need,
Of mail, my heart they protect

The ocean is vast
So I stuck to the mast,
Handcuffed, overboard I won’t fall
But my crew was in shock
As I picked thru the lock
At the sound of your siren call
Your voice, although pleasing
Was mighty deceiving
For my fate was not why you bawled
You were above the abyss
Hoping I could assist
You, and you’re submerge I could stall

Thru the forest we walked
As you blindly balked
Your grin and the squint of your eyes
Until the leaves were billed
Of their chlorophyl
And the shroud of green withered and died
And a rumbling stampede
Of a single black steed
Proved your wrists were still bound with twine
And the faceless champion
Carved out a canyon
In my heart and my soul was fined

’Neath the street-lamp that glows
As dim as my woes,
My mind won’t allow me to sulk
Under it I have pondered
And learned nothing is softer
Than your lips the gods had to sculpt
I’ve done nothing but croon
Thru cycles of moons
That your touch was one to exalt
But I refuse to desire
A fuel-less fire
So your mem'ry's shut in the vault

Thru midnights of bliss
With restriction dismissed
I cheered and clanked my glass of ale
And though the red in my cheeks
Proved my health was not weak
My heart was green and pale
And I battled demons
With horns and in sequins
And they seemed to always prevail
As conquistadors
Till I stood before
A mana-filled holy grail

A lonely brass chorus
Throughout ev'ry forest
And desert and sea all alike
Played the song of hope
You wrote and composed
When I came back into your sight
Though I was still weary,
Your memory dreary,
A haze in the past moonlight
I was soon convinced
By what you commenced
And my lamp was soon burning bright
A song about my mistress' eyebrow
Where is it ye Scallywag?
Have ye hidden in it ye bag?
Don't ye look at me as brass as bold
Give me back me *** o' gold

I will put a curse on ye, no surprise
Make ye eat spiders and flies
I always make ye feel sick
Ye thieving little Shabby ****

I want it back! It's all mine!
I know ye got it, I saw the sign
So I will grind your bones for me tea
I will make ye live in eternal misery

Don't ye run! Don't ye dare!
I will hunt ye down, track ye everywhere
Bury ye under this earth filled clump
I will snap ye spine when I jump

Well! ******* down with a wee feather
Look at that! Well I never!
I must have moved me crock only yesterday
So ye canna steal it away

I placed it safe and sound
Buried it there, hidden in the ground
So I now will be on me way
Doth me hat, wish ye a good day
copyright Chris Smith 2010
CH Gorrie Aug 2014
1.
Before I knew he had.
His flight trailed off into a Utah
Sunrise. He left behind a little strand
Of thought, and, in a cramped, amber room that saw
Long talks of topics that soon thinned grey,
A set of dog-eared books has been put down.
Books that brought nearer to my thought his own,
While Interstate-5 grated the ground.

2.
He must have, as the plane touched the runway,
Felt the dawn’s shudder fracture his young bones,
His thoughts turning to those dog-eared days;
The seemingly endless months full of groans,
As they should have been, being spent alone;
And that set of books, at least it would seem,
Ignited the wick on which our passions gleam.

3.
These six years past since they took him away
Held minutes like a needle in plied dust.
There’s something in the spring that brings decay:
The outward beauty of the world just
Clouds the mind’s loss within the spinning gust
That all the blooming flowers usher in.
Then the rain comes...

4.
As the 5’s scratch cracks up the drying earth,
I recall Nietzsche, Guevara, Burgess:
Men who’d not anticipated births
Inside my brother and I like cypress
Trees, evergreen and coniferous, we
Drop seeds year-round. The setting Utah sun,
Barely audible, gasps in the copse.
He’s with me now. What’s done is done.
The gallant Youth, who may have gained,
    Or seeks, a “winsome Marrow,”
Was but an Infant in the lap
    When first I looked on Yarrow;
Once more, by Newark’s Castle-gate
    Long left without a warder,
I stood, looked, listened, and with Thee,
    Great Minstrel of the Border!

Grave thoughts ruled wide on that sweet day,
    Their dignity installing
In gentle bosoms, while sere leaves
    Were on the bough, or falling;
But breezes played, and sunshine gleamed—
    The forest to embolden;
Reddened the fiery hues, and shot
    Transparence through the golden.

For busy thoughts the Stream flowed on
    In foamy agitation;
And slept in many a crystal pool
    For quiet contemplation:
No public and no private care
    The freeborn mind enthralling,
We made a day of happy hours,
    Our happy days recalling.

Brisk Youth appeared, the Morn of youth,
    With freaks of graceful folly,—
Life’s temperate Noon, her sober Eve,
    Her Night not melancholy;
Past, present, future, all appeared
    In harmony united,
Like guests that meet, and some from far,
    By cordial love invited.

And if, as Yarrow, through the woods
    And down the meadow ranging,
Did meet us with unaltered face,
    Though we were changed and changing;
If, then, some natural shadows spread
    Our inward prospect over,
The soul’s deep valley was not slow
    Its brightness to recover.

Eternal blessings on the Muse,
    And her divine employment!
The blameless Muse, who trains her Sons
    For hope and calm enjoyment;
Albeit sickness, lingering yet,
    Has o’er their pillow brooded;
And Care waylays their steps—a Sprite
    Not easily eluded.

For thee, O Scott! compelled to change
    Green Eildon—hill and Cheviot
For warm Vesuvio’s vine-clad slopes;
    And leave thy Tweed and Tiviot
For mild Sorrento’s breezy waves;
    May classic Fancy, linking
With native Fancy her fresh aid,
    Preserve thy heart from sinking!

Oh! while they minister to thee,
    Each vying with the other,
May Health return to mellow Age
    With Strength, her venturous brother;
And Tiber, and each brook and rill
    Renowned in song and story,
With unimagined beauty shine,
    Nor lose one ray of glory!

For Thou, upon a hundred streams,
    By tales of love and sorrow,
Of faithful love, undaunted truth
    Hast shed the power of Yarrow;
And streams unknown, hills yet unseen,
    Wherever they invite Thee,
At parent Nature’s grateful call,
    With gladness must requite Thee.

A gracious welcome shall be thine,
    Such looks of love and honour
As thy own Yarrow gave to me
    When first I gazed upon her;
Beheld what I had feared to see,
    Unwilling to surrender
Dreams treasured up from early days,
    The holy and the tender.

And what, for this frail world, were all
    That mortals do or suffer,
Did no responsive harp, no pen,
    Memorial tribute offer?
Yea, what were mighty Nature’s self?
    Her features, could they win us,
Unhelped by the poetic voice
    That hourly speaks within us?

Nor deem that localized Romance
    Plays false with our affections;
Unsanctifies our tears-made sport
    For fanciful dejections:
Ah, no! the visions of the past
    Sustain the heart in feeling
Life as she is-our changeful Life,
    With friends and kindred dealing.

Bear witness, Ye, whose thoughts that day
    In Yarrow’s groves were centred;
Who through the silent portal arch
    Of mouldering Newark entered;
And clomb the winding stair that once
    Too timidly was mounted
By the “last Minstrel,”(not the last!)
    Ere he his Tale recounted.

Flow on for ever, Yarrow Stream!
    Fulfil thy pensive duty,
Well pleased that future Bards should chant
    For simple hearts thy beauty;
To dream-light dear while yet unseen,
    Dear to the common sunshine,
And dearer still, as now I feel,
    To memory’s shadowy moonshine!
Maddy Van Buren Oct 2015
you are the headache
and the heart attack
the one I wrote about long ago
back then
I didn't really think
all I felt
it flooded every document
every letter a feeling
now
the hurricane is over
the pain doused
and I'm left wondering
how were all those things
the good memories
left out about you?
I didn't think I'd need
or crave, even
another pain in my brain
and shock to my heart
Dawn of Lighten Jan 2014
Ilion Gray:
http://hellopoetry.com/-ilion-gray/
my personal call sign, Kronos/Cronus
Obviously the Titan among the writers of the Hello Poetry,
He has probably the highest viewership, and most commented amongst the poets.
It becomes very evident after reading his work why he is the Titan of poets,
And reading his poem is like historical masters revisited among mortals.

Harlon Rivers:
http://hellopoetry.com/-harlon-rivers/
my personal call sign, Poseidon
Poseidon was very fitting with Harlon River,
due to the symbolic nature of the water in their names.
I have only read few of this gentleman's work,
But I can assure you his work is very much a gift to the audience,
And like Poseidon that gift is fire to humanity.

K Balachandran:
http://hellopoetry.com/-k-balachandran/
my personal call sign, Zues
After thinking and pondering,
K Balachandran is the Zues of hello poetry.
His work is always top notch,
And it has so much layer of meaning in his ink.
I admire his compassion in his work,
And his generous response.

Nat Lipstadt:
http://hellopoetry.com/-nat-lipstadt/
my personal call sign, Apollo
Nat is this exciting charismatic youthful writer like Apollo,
And his vigor is unmatched with his writing.  
His writing is passionate,
And has such strength.
It is so hard not to notice his work,
But when you do read his work,
You will know why I had him as Apollo of Hello Poetry.

Soul in Torment:
http://hellopoetry.com/-soul-in-torment/
my personal call sign, Hermes
His work is like a trickery,
When you think you got it,
You see another layer in his work.
To read his 10w poem,
As simple as it may seem,
You will do double take to see more meaning  in 10w.

Timothy:
http://hellopoetry.com/-timothy/
my personal call sign, Dionysus
Probably the most festive,
and warm poems you will ever read.
Timothy not only write awesome poems,
But also gives lot of positive feed back to many.
More I thought about Timothy's work,
It just made sense to have him as Dionysus.

KMae:
http://hellopoetry.com/-kmae/
my personal call sign, Gaia
Another Titan among the Hello Poetry,
And like Gaia, KMae is like the Mother Earth of poets.
Her wisdom and knowledge is vast,
And her writings are warm and very expressive.

Shaqila:
http://hellopoetry.com/-shaqila/
my personal call sign, Athena
Her 10w is so amazing,
I became Dumbfounded by her work,
Because it's so thought provoking.
She has vast repertoire of her style,
and it is unmatched by many I have read.
I can only wonder now a days how she is doing,
Since she has been Mia for awhile now.

Olivia Kent:
http://hellopoetry.com/-olivia-kent/
my personal call sign, Hestia
Very down to earth,
And calm resting of poets.
If you want a ink with purity,
Check her work out!

Sally A Bryan:
http://hellopoetry.com/-sally-a-bayan/
my personal call sign, Hera
Her work has so much strength,
And love with thoughtfulness,
It felt only right to align her with Hera.
Highly recommend to those who seek love and warmth,
And very hospitable response as well.

CA Guilfoyle :
http://hellopoetry.com/-ca-guilfoyle/
my personal call sign, Artemis
Just like Artemis,
And her work is untamed beauty.
Graceful and amazing to read,
Her work is innocent,
But very strong.
Try to catch her work,
But beware, her newer inks are harder to come.

Jasmine:
http://hellopoetry.com/-jasmine-9/
my personal call sign, Aphrodite
Her work is elegant,
And quite beautiful.
Has a perfect feminine quality about her writing,
And gives lovely expression that empowers love!

Noose:
http://hellopoetry.com/-the-noose/
my personal call sign, Hade
Always great with darkness,
And convey disparity like no other,
Hade perfectly convey Noose's work.
If you ever want to read decay at it fullest glory,
Noose has this covered for you.

Atul 'Drona' Kaushal
http://hellopoetry.com/-atul-drona-kaushal-1/
My personal call sign, Cupid
Probably one with most profound love poetry I've read
And his work is dedicated love poems.
His work are marvel to gaze upon,
And strong display of Eros.
Highly recommend for those who like to read love poems,
If not, check his best poem of all "Angel?"

Pradip Chattopadhyay
http://hellopoetry.com/-pradip-chattopadhyay/
My personal call sign, Helios
In my eyes poet Pradip seem to be the sun of the poets,
Always filled with bright energy.
Very mystical in this poet's ink of ray.
If you want a poem that will brighten your day,
I recommend Pradip's poems!
Please don't take it too personally to my call signs, just wanted to add dimension to my writings with individual characters, and by adding a layers to convey the best description with gods and goddesses metaphor.  Some were really hard to distinguish with the characters, and some were already taken by others.   With limited 12 gods, it wasn't perfect, while some were dead on!

This is to recognize some of the best poets I have met and read, and while everyone is good in their own rights, these few people really stood out for me as the pantheons of Hello Poetry.

This may change after 2014 review in 2015, and make a completely different list when the time comes.  Who knows, I might just stop after this one!

This isn't completely finished, but for now this will do.  If I want to add more stuff I maybe inclined to do so, but with limited times as of late due to work we shall see where my attention spanned will take me.
Gaius Normanyo Jun 2016
My parents left our homeland for me
More than five thousand, five hundred miles
To travel to a land ripe with opportunity

But at times the ripest fruit tended to spoil
However, they always counted God's blessings and moved on
My parents have endlessly toiled

With their younger son on the way
And four years of American experience
They strived at greater lengths each and every day

It is difficult to set aside one's own will
To tend to a family
To pay an immigration agency's bills

Yet they have done it, tried and true
Citizenship, I pray
Is coming soon

One day, I will properly honor them
Meanwhile,
This country will learn to accept others, but only with Him as its precious gem
6/12/16
I decided to revisit an previous poem of mine, “Sacrifice", after remembering William Blake's approach to former works in his collection “Songs of Innocence and of Experience"... Definitely not as polished.
Build in a very humble way
Its architecture redolent of Europe,
Plain and honest in structure,
The vestibule at the entrance
Replete with old hardbound books
Dust covering the jackets
In their agony of human oblivion,
Every section has shelves under lock
Only to be open on permitted access.

Located in the desert like an oases,
But the desert of readers not waters,
But like any other oasis, it is useful,
At most to the genuine users.

There are books and books all over,
Windows only open after adjustment,
You start at the door step with classics,
Indian, European, American and global classics,
I pumped into Leo Tolstoy at the first glance,
Finely juxtaposed; Anne Karenina after War and peace.

I opened war and peace and I chanced on Napoleon
Then thrill of intellect and bliss of art
Began flowing into my guts like a river
I kept on wandering why Leo Tolstoy
Never became a Christian sub religion,
To be added to the two testaments,
For it to begat the post-modern holy Bible.

My physical peregrination of the hand
Led me to a vase of rosy wine
Its intellectual whiff surpassing all,
The psalms of David and songs of songs
This was nothing but precious discovery;
A thousand Rubiyats of Omar Khayyam
The shoulder of wisdom and love of God
The hero of Sufism and demystifier of heaven,
When in fact I came unto his 69th Rubiyat;
I have heard people say
that those who love wine are ******.
That can't be true, that clearly is a lie.
For if lovers of wine and love are bound for hell,
heaven would be quite empty!

I chewed and chewed fortune out of Rubiyats,
I went through all the thousand Rubiyats,
Only hot Sun and desert sand storms of Lodwar
Are my witnesses among the myriads of bystanders
As life of a reader is similar to the life a writer,
They both derive energy from solitude’s power.

I moved on again to Alfred Jarren
The son of France, the father of mystery;
Pataphysics the science of fantasy
It has the realm beyond metaphysics,
His survey of pataphorical world
Has remained witchcraft
Beyond my simple soul’s grasp.

Paradox is one other worldwide wonder
As I look at an illiterate Turkana Man,
Guarding the library, club in his hand,
His ever week from stubborn hunger,
His sires never go to school, perhaps culture
I looked at him often in my pause for muse,
Why guard knowledge that you can’t use?

I again came upon the Quran
I read it voraciously over and again,
In expectation of great knowledge
Always making Muslims to be noisy,
I have found nothing great in the Quran,
Only regular subversions of Biblical grammar,
Let Muslims sober up to respect Jesus Christ,
His sermon on the Mountain is perfectly enough
as an impeachment to crazed pataphoricals
That Muslims often dare the world with.

I read the Bible again in repetition
Of what I had did ten years ago,
I read psalms, Job and Isaiah,
Gospels and epistles are more nice,
Chronicles and Habakkuk are so dull,
Lamentations are somber poems,
Revelations are esoteric lies,
Kings and Samuel full of chauvinism,
Proverbs and Ecclesiastes are mere clichés
My idea is; mankind can fear God
Minus Jewish intervention.

Now I chanced upon The synagogue of Satan,
A book written by one other crazy American,
His name is Andrew Hitchcock Crichton,
The book is long and spellbinding,
Having historical facts from early centuries,
Chronicling mysterious growth of Jewish empire,
Arranging facts one after another
Dismissing Bush’s anger against Arabs,
Over the bombing of the twin towers
When they are the Jews who Bombed America
As a decoy to induce American wrath,
Thus twin towers bombing was Jewish war ploy
To put Arabs into a rat’s corner.

I came across one funny book
Written by a Indian sage
Its title was Secrets of ***
From male perspective,
I don’t liked the book
For its prurient content,
But to my sad chagrin it was the most read
Its leaves were dog eared and use worn
I spied into the rumour about its tearing,
T it was a hot cake among nuns and priests
Presently living at Lodwar cathedral.

You could also wonder my dear brother
Why a Christian library has works of Marx?
This was my muse as I read Karl Marx,
I mean everything written by Karl Marx,
From Das Kapita to Germany Philosophy,
Selected works to Poverty of philosophy,
18th Brumaire to Integral calculus,
The Manifesto to the letters,
I read Karl Marx as if I was in Russia,
I wondered why Catholics are Liberal
They fear not those who contradict them.

The Holy Grail is visibly placed
In fact at right hand corner,
At the far end on your entrance
I chose to read it
Because of its voluminousity,
The book is about ****** life
Of Jesus Christ and Mary Magdalene,
This book shares out that;
One time Jesus was found hiding,
Kissing Mary Magdalene, the Grail
In the most affectionate manner ever.

The catholic Library at Lodwar is bad news
It swallowed me like waters of Indian Ocean,
It is located at place called Lokiriama,
It was established by Bishop Mahoni
One other man deserving my respect
He was humble and catholically wise,
Very intelligent and consciously bookish,
His mission was to make the Turkana people
A modern community, but he failed,
He was so disappointed to his hilt
He transferred to the Archdioceses of New-York
Where he began facing problems of the law
On allegations of him being a *******,
I curse the devil for such temptations.

I did meet Yan Martel in this dome of books
His famous book; Life of Mr. Pi
It was my eye opener?
It transformed me from a village bumpkin
To a modern reader of global literature,
I read this book amid my fear of Tigre
But I was thrilled, to my bone marrow
When the main character drunk the blood,
Warm salty blood of the sea turtle.

I got another book with folded pages,
At its mid was the red book marker
Baring the name of the respected priest,
The book was entitled; How to excel as
A ****-******, chapter one focused on gays
Chapter two  focused on lesbians,
But the rest of the book was all homosexuality,
In nothing else, but rosiest terms.

On such encounters I once again went back,
To re-read 89th Rubiyat of Omar Khayyam
It has the following quatrain to echo;
Looking for peace on earth? Foolishness.
Believing in eternal calm? Foolishness.
Once dead your sleep will be short. You may
be reborn as a clump of weeds that will be
trodden underfoot, or as a flower that
will wither in the sun's heat.

African writers were stuffed on one shelve
Labeled African books of English expressions,
But on my request to the project manager,
His name was Peter Kebo, he was Flamboyant
And physically indifferent to Turkana poverty,
We agreed with him to rename the shelves
As; African literature in English Language,
Nobel Laureates are in this section;
Soyinka, Lessing, Coatze and Gordimer
Not forgetting the Egyptian literary tiger
In the name of Mahfouz or Maguiz
I clearly don’t know,
Sembene Ousmane is also here
I read him again for the fourth time,
It’s when I found out the simple truth,
That God’s bits of wood, translates as;
The wretched of the earth,
I read Lessing’s Grass is singing,
She likes ***,
I read Gordimer’s July’s people,
She likes menstrual blood,
I read everything here
As published by James Currey
In his Africa writes back,
I also read the White African Nobelite
Joshua Maxwell Coetzee
He is a wizard of Narrative literature,
I read his life of Mr. K.
I found amusing plots and amusing themes,
I also read Ngugi’s Wizard of the Crow
It is nice; Ngugi is still fighting dictatorship,
Not physically but in a metaphysical manner.

I was again lucky enough
To chance on Caribbean literature,
Is when I read Vitian S Naipaul
The humourist Marxist of Marxists,
I read his Mr. Biswas’s house,
With avidness of an aphrodisiac cur,
His characters like taking a long time
In the toilets, Naipaul is good,
I again chanced on George Flamming
In the Castle of my skin
Caribbean literature stinks of slavery
And counter-slavery.

My landing to the shelve of Latin America,
Was a total blessing; Gabriel Garcia Marquez
Stood out like tor of literature among others,
I began with his Big Maria’s Funeral,
Then I moved on to Love in Times of Cholera,
And then You Can’t Write to the Colonel,
As I spiced my intellect with Melancholic *****,
Then finally I revisited his Stories from Africa
And the Hundred Years of Solitude,
The following morning when I came back,
I read in the newspaper that;
Gabriel Garcia Marquez is dead!
It was sad and poor of me, I mourned him
With long essays and somber poetry,
Then I fell in love with the literatures
of Spanish origin in language sense,
I read Octavio Paz and Pablo Neruda
From Octavio I enjoyed coda,
Between Coming and Going and so on,
Neruda thrilled me with his sense of Marx
Especially his poem; on burying the dog.

European classics section arrested me
I never easily moved out of there,
I chanced on ****** and annals of Goebbels,
Reading Russians like Tolstoy,Chenkov,
Gorky, Gogol and Shelynetsyn was lively,
Chewing Shakespeare from cover to cover
Not spearing Pushkin nor Homer,
Victor Hugo was a relish. Emile Zola
And Maugham, I too enjoyed…

Then my holiday in Lodwar was finally over,
But I am soon going back for my Xmas,
I will directly go back to the European section,
I also remember having come by;
The Satanic Verses of Salman Rushdie,
I will have to  re-read it with passion,
It is my prayer that this time comes
For I to resume my holy duty
In the Catholic Library at Lokiriama
In Lodwar Dioceses of Turkana County
In the Savannah desert in North West
Regions of my country Kenya.
Grace McDonough Nov 2020
I realized something.
Tenderness gets you nowhere in the face of apathy.
Apathy is ruling us.
It is ruling me in my heart and in its grotesque reflections.
I cower at it and forget myself and whimper and say all the wrong things.
Hateful things, as my heart is on fire.
There is an anger in me, a blood red rage and then there is calm, cool, unaffected apathy.
It does not rear its head like the bull of my anger, but sinks like a stone.
Makes cool my bones.
I would rather spit fire, I’d rather let it wreck my lungs.
I wish I could scream it out or fight it out or **** it out or maybe just forget it exists.
But it remains frozen ice throughout me that weighs me to the ground.
The magnet that pulls me down down down.
Maybe this is the doomed, inevitable thing I’m feeling, the fear that my apathy will never melt away.
That I’ll never see the brighter days.
The stars in me keep choosing the wrong things and i’m lost in a galaxy of apathy.
Tenderness would melt me.

A case for apathy-- maybe I would get some sleep.
cousin to a poem i wrote about a year ago this month, 'apathy'
Jason Harris Nov 2012
In my darkest hour, the veil was lifted,
Showing me a face I had long known drifted.
She talked and gazed for hours on end,
Ripping the heart that others helped mend.
I can not lie when I say what my feelings are,
I can not say what is in my heart.
Only pain and sorrow lie ahead from here,
Pain that can only make me shed a tear.
I know I should run and flee away,
But why should I not stay where I lay?
Am I wrong for wanting this feeling to live within?
Or should I send it back to the darkness of sin?
Being as I am is not the way it should be,
To be with love is what my soul should see.
To follow this feeling is ill and demented,
But for healing within, old wounds should be revisited.
Zulu Samperfas Aug 2013
Nearly four decades ago, nearly half a century
I walked Freedom Boulevard from
a lonely bus stop and as I drove there
the other day I saw a girl standing at one who could have been
me, in memory -- frozen

Would it still be there? One of my treasured childhood memories
Still living, not someone's brand new home, or a bunch of Villas in a gated community, lost
The land bleeds in California, but has started to scar over and forget the apple orchards
across the street from The Barn, where I used to ride, and now the houses are at least
covered in trees as nature tries to overtake the foreign, like in Cherenobyl

The big red barn sitting atop a small hill, crammed with horse paddocks now that
the little barns turned to condos.  But it is still there. Like magic, frozen in time.
The red barn, I walk in, it looks smaller than I remember
but the ***** brown cobwebs still cover the cieling and I am
nine years old again

Before I knew the boundaries of my gender
When I felt powerful, if neglected, strong and in charge
Before I knew the bindings of my ***
The limitations
I felt strong, and as I stand here,
I may as well be nine again, a single digit
And my fear melts away, and the lessons learned about my place
in the world evaporate
I stand, and look around at the barn nearly unchanged
and reclaim myself
On a shore where the waves embrace the sand
Lies the hug land.
“No words, please, we only hug and kiss”
is all you will find,
speaking there is only with mind!
They were not late
To know words only complicate,
Make a mess
Of what the heart says.
Rotten clichéd stale
They more often fail
To make the desired sense,
More potent is silence.
Lover, sister, brother
Each hugs the other
In this faraway retreat,
They hug anyone they meet.
Repost
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
The grey gulls drift across the bay
Softly and still as flakes of snow
Against the thinning fog. All day
I sat and watched them come and go;
And now at last the sun was set,
Filling the waves with colored fire
Till each seemed like a jewelled spire
****** up from some drowned city. Soon
From peak and cliff and minaret
The city's lights began to wink,
Each like a friendly word. The moon
Began to broaden out her shield,
Spurting with silver. Straight before
The brown hills lay like quiet beasts
Stretched out beside a well-loved door,
And filling earth and sky and field
With the calm heaving of their *******.

Nothing was gone, nothing was changed,
The smallest wave was unestranged
By all the long ache of the years
Since last I saw them, blind with tears.
Their welcome like the hills stood fast:
And I, I had come home at last.

So I laughed out with them aloud
To think that now the sun was broad,
And climbing up the iron sky,
Where the raw streets stretched sullenly
About another room I knew,
In a mean house -- and soon there, too,
The smith would burst the flimsy door
And find me lying on the floor.
Just where I fell the other night,
After that breaking wave of pain. --
How they will storm and rage and fight,
Servants and mistress, one and all,
"No money for the funeral!"

I broke my life there. Let it stand
At that.
The waters are a plain,
Heaving and bright on either hand,
A tremulous and lustral peace
Which shall endure though all things cease,
Filling my heart as water fills
A cup. There stand the quiet hills.
So, waiting for my wings to grow,
I watch the gulls sail to and fro,
Rising and falling, soft and swift,
Drifting along as bubbles drift.
And, though I see the face of God
Hereafter -- this day have I trod
Nearer to Him than I shall tread
Ever again. The night is dead.
And there's the dawn, poured out like wine
Along the dim horizon-line.
And from the city comes the chimes --

We have our heaven on earth -- sometimes!
Carlo C Gomez Jun 2023
Technological giants

We learned early

How to command our angels

To ascend higher than our sins

They offered us immortality

In exchange for our planet's wealth

And naturally

We signed on the dotted line

Like spies selling

Secrets to the enemy

But here we are now

With the well run dry...
Samuel Apr 2013
dreams as validation for smooth
     rhythmic notions cascading like
              fingers, waterfalls slipped from
          tongues laced with crisp sheets
  
  (the ivory ladders fallen sideways and
    forgotten in the wake of racing hearts)

            slow down, reconvene behind mirrored
          aspiration, compose stars that pulse with each
             ache for your company, flicker to the pace of
                   water running, an escapee from the space of
                 world around you conformed, blanketed
                        sleep like a waterwheel
Just Me Sep 2016
You were like a natural disaster to our lives.

While we played in a field.

No warning.

You appeared...

You struck and we lay scattered on that field...

In tears.

Confused.

In pain.

Broken inside out.

No longer just children.

Victims to young to understand that we were forever changed.

To young to understand why we felt ***** and guilty.

The threats and fear, made us silent...

Fear and interrogation made me lie.

You left us in that open space forever, no matter where we went.

And our lives were taken...

Our parents were broken, because parents break when thier children are hurt.

And my lie...

My lie forever changed my protectors life.

My fear made me hurt another.

We were so young...

Some not old enough for school.

Our fear allowed the disaster to strike others...

Now as adults we know a new guilt.

But we were so young.

This very unnatural disaster still walks the earth...

Somebody gives this pervert comfort...

But we are forever changed.

Stronger today, yes...

But never again as free as before he stole our innocence.

This disaster turned our world upside down, and revisited us for years taking more of us each time he put his disgusting hands on us.

I'm not to religious, but I believe in God.

I have yet to know the reason for this, except that we are great protective parents...

And as I believe there's a God...

I know there is also a hell.

And while God tells us to forgive...

I have yet to forgive even myself for being so full of fear, because it allowed him to walk free and hurt us again and again, and others through time.

There is no part of us sacred or untouched by that evil...

No matter who knows our story, there's no person not even eachother who understands the depth of our individual torment.

The unfair torture of feeling an isolated, unexplainable, personal  taste of evil.

Like a natural disaster, he struck us down...

Children at play made victims of a child molester.

Survivor's!

Of a sick family member's distgusting taste for extremely young children.

We can't say we are ok.

We refuse to say you are anything more then a creature that has not yet met God's wrath.

And dare not say, you to know abuse...

Dare not say you found God...

God and abuse will find you when your six feet under.

I know I sin as I write this...

But to forgive...

As a mother myself...

Well that's it's not in me.

Do unto others...

Do unto others, that's how I live.
I apologize to anyone who can relate to this write in any way...
This is something undescribable and the pain is something no innocent person should experience in any way.
Ina's pregnant, I am bored
Grace and Eric mute behind me
On the street two floors below us
Standing water, hissing tyres.

Two more hours of this, I'm thankful.
Endless meetings, glassy eyes
Homeward bound on lighted transport
Rain-streaked windows, dark outside.

Weekend coming, confused feelings
Clean the flat and iron the shirts
Talk to no-one, poolside vigil
TV meal and early night.

Is this it? The final curtain
Did I know this at that time?
Regardless of the closing sentence
No repeating, only rhyme.
Nolan Willett Oct 2021
A lovely tree, so carefree,
In serene tranquility
With it I would spend my night,
And let come whatever might

Red-yellow leaves, sparsely wreathed,
Life into the air it breathes
Dying breaths, it pays a price
Gives its solemn sacrifice

It’s not fair, you’ll soon be bare,
Most will not even care,
At least for now, your leaves so bright
Make for such an enviable sight.
Lazy lines for a lazy day, 2019
Jeff Stier Nov 2016
Gunpowder blue sky
yet no blue, really
except for the blue
wrapped into the spectrum
of black to grey to white

A storm blows in
the sea in an uproar
no holds barred
no remorse for the cormorant
or the gull
in these fierce swells

We know nothing of power
until we know the sea.
We know nothing of journeys
until we journey upon waters
as wild as these.

Odysseus would have shied
from this salt caldron
from these wind-tossed waves
stayed on some pleasant rock
imbibing the lotus.

And who would blame him?
Only a fool
or a sailor without hope
would venture into the teeth
of this tempest.

And that sailor would have cause
to regret his choice
would understand the depths
of his folly
as he slipped into darkness
and clasped hands
with the legions of the drowned
asleep in the swirl of the sea.
thomas gabriel Dec 2011
We found a new world,
                          yesterday.

Ordained with holy numbers
and d-a-s-h-e-s-
by modern priests in

blanket
white
cloth.

Pious, singularly
unromantic men.

Reaching for this sphere
it is into an unnamed sea
amid unmounted peaks
                            I shall fall,

a willfully disobedient
boy who drowned
with a hunger
that surpassed
                all worldly sustenance.

Though perhaps it’s for the best
I’ll never walk its corrugated

G a s e o u s
                surface,
for an epoch of chastity
would be corrupt
by my abrasive soles, my cutting
words, my fallible conscience
and mortal skin.


600 light-years?
I’ll save us both the effort.





©*Thomas Gabriel
Simply, i was inspired by the planet "Kepler-22b".
Google it, you'll see...
Hal Loyd Denton May 2013
They tell and show us about space debris this matter that freely floats in the vastness of space
There is a comparison to the inward being many emotional breezes come unannounced they
Live in these treasured sightings the wind undulating across the prairie grass it first is caught by
The eye then it is drawn down deep into the soul how much bigger and newer life it gets when
The great magnate of all life receives it invests in it truth value the outward being can never
Know take the common fire from a campfire the mystery rises from the crackle and the leaping
Flames no longer is it just chatter but it is soul talk produced in depths of wonder that emerge
At the surface level bestowing gold from common folds of life or the majestic views of
Mountain grandeur Vaulted sky
Shaded canyon breathtaking heights does the angry wind speak if so in a whisper the granite peaks austere and bleak seem to frown on the trees and lowly grass lands with their fertility and ease of growth. While he the monarch bristling with his cold barren armor of granite invites the stares the awe inspired gratitude of nature and mortal man he knows there dreams and thoughts how many have stood at the edge of wonder on his brow with fainted hearts. Their thoughts drift out and away ever upward reaching the clouds filled and clothed with mountain air brightly they are displayed in these untamable rays. Voices of the ancient ones still echo their wisdom still resounds in the summer thunder they visited and released many a tortured soul. Before Blind they stood before the closed door of their minds knowing there is a path but where can it be found. Riches unbound await the searcher who will go to any and all lengths to conquer unbelief freedom his guiding star he walks in great shadows. Mountainous men Jefferson Lincoln his stalwart companions stand with grandest stature takes from the mountain those teachings not found in musty universities. Thoughts born on creations morn formed and laid on this rocky foundation now for centuries they have bore the weight this colossus purified they are words more noble than gold. Share them invest them in the borderless world of human kind that circle the globe. Moses was familiar and consorted with mountains the angel made one his sepulcher. Waste not the golden hours they are the thread that sows life’s most exquisite moments together making a life. Turn aside seek the heights they will give you respect and honor words will flow that are uncommon they will fit any and all circumstances filling the empty void where hearts bleed without ceasing. Your voice will be like the cool mountain breeze soothing filled with substance and comfort
Is it molecular it is and so much more they tell us of the drive by shootings a wonderful place to
Draw this contrast is Los Angeles called the city of angels but the most beautiful is
Its Spanish interoperation Low hovering angels this loses if we say it but let a Mexican say it his
Inflection most perfect if he is saying it from love. Is there a seriousness here our blessing is not be in That crucible even New York is called the big apple but those in the know call it the volcano with all its Eruptions and pressures so does L A fall into this category in fact if you live on Pico Ave it’s a category Five tornado this is one of the most fought out streets in the turf war for space to sell the Bain to all Society drugs see the flame it consumes the guilty and the innocent view this common occurrence way To common how many small neighborhood chapels were filling with caskets instead of wedding Ceremonies look and listen a Mac Ten pistol grease gun thirty round capacity it has just started its Deadly chatter laying down a withering fire this isn’t battle ground conditions this is a neighborhood Strafing a car the widow’s blow out the shooter keeps the fire steady it starts plinking metal as it moves
To the front of the car off the car into a white small picked fence wood matching the spray of bullets as It Flies in all directions Chicago revisited instead of the Tommy gun chopper of probation you got a Crazed dope fiend punk without emotions the sight of fourteen year old Maria standing on the sidewalk Never registered or didn’t matter three red dots appeared on her bright blouse across her back the Center spot stopped her heart forever now these precious Spanish eyes closed never to  see her rightful Future instead of one day walking the Church isle in a wedding gown now she would lie in repose in White with the flowers not in a bouquet but neatly fixed in  her hair So robbed of youth and life her Budding life so filled with promise where angels hover yes this is the blackness the soul knows perpetrated by the evil one but
There exists a counter part to this evil the good gifts divinely wrought the walk by how many
Hearts have fallen to love by just the chance encounter of her loveliness just walking by you the
Hair flowing and glowing the face created in the throes of love and romantic overload
Spellbound was the creator what chance do you have a mere mortal we are not in casual
Observation the soul is processing this at deepest of levels magic is taken from theatrical
Surroundings to the open places of the heart and being of living two other places for instance
The sea shore a new vastness that overwhelms with delightful pleasure and promise

SeaThoughts

Oh stand thy great waters contained in thee is mirth and terror some you have beguiled and then
Have taken them to your depths of destruction but by your benevolence the sea breeze blows
Inland from this moisture rain is called from its dwelling place the earth is refreshed the tides
Have cosmic ties by gravity the lone solitary moon is entreated and responds one speaks if only
There was a love potion that I could give my beloved so she would respond to me favorably it
Can never be created it already exists go out into the mysterious night stand under a great tree its
Dark silhouette will be more bewitching than the days shade speak your heart as you do take her
Hand and stroll out into the moon beams that drew magic from the great waters as it passed over
Does not wonder advance in this light softer exquisite the hardness of life bows and retreats to
Wait the daylight hours where harshness has its intrepid way so it leaves you with the volumes’
Darkness of night every person desires excursions into intrigue shadows will touch your faces
As tender as the willow then the soft glare of the moons love the mind and heart as its signature
Equation that old crazy moon has moves that are centuries old that birth love every time romance
And her broadest throne follow and are attended by moon light to develop a relationship
Correctly don’t go to the artificial neon lights that are futile and tinged with wickedness but
Sea side strolls are the ultimate inducement a pure stimulus that thwarts the too often knotted
World that keeps everyone at odds with one another everyone knows a great deal of love and
Romance when they are younger to revisit those cherished memorable times that started your
Life of promise with your beloved is invaluable mature love needs to feel the saturation of sea
Breezes the moons ghostly sights will fill in deep shadows where hurts have collected they need
To be free so they can go back to the darkness that gave them life your lives shouldn’t be defined
by them But the deep calleth to the deep set sail for Trafalgar not to war with enemy ships but to
sign With tender’s hand a peace accord to stitch the soft fabric of love that life’s mean elements
can rend in this you will find the sea’s glory and the moons positive glow has become a true part
of your life it is time the spring of renewal is in the offing and it sways to love’s song this speaks
Of man and women’s love this speaks of God’s love they saw the works of the LORD, his wonderful deeds in the deep

Where God passes
The edge of forever where raw power is displayed
Walk the seascapes enter the story told in timelessness except for outer space it is the only place where man finds his mind freed so steep is the unending awe that without question he finally is able to present his self as the tiny speck lost is all ego all self importance he is open to the quest for ultimate truth. You perfect you’re thinking at the sea shore it is a storehouse that lends itself to grand thoughts no limitations hamper your endeavors aliveness engulfs you totally. Subdued moods excavate every shallow you start a down ward decent the deep cries out to your soul the part that never can be accessed on shore. The ground a foundation for raising up temporal structures your needs are served in waters that open as a mysterious gate the deeper the fathoms the more understanding is released. To abide in calm surface features of the sea what a waste take off the restraints become a voyager drift with churning twisting pressures they will give great reward for accosting your accustomed staid and uneventful living. Go deeper the mundane the so called important will be forced through your very pores as you continue calling the unknown manifest itself with great scrolls hidden beyond reach to those that plod along the sunny quiet banks. Life test all men you can face them unafraid armed with years not minutes of preparedness found alone in the struggle only found at sea. Pondered Plumbed in inexorable conditions that stretches changes a person’s character his stature tempered fired as steel in the caldron. We need leaders vibrant thinkers people who can and will accost hell in the very near future and come away victorious. They will have found their way through the untold deadly entanglements figuratively and real they’re not accustomed to ease and know perils at close quarters they learned them in great waters not in pools that have not the ability to stir you to your core you’re going to pour out your life in one form or another do it with sand and grit leave a scarred an effectual trail for others to follow not the light untraceable light footsteps of one who has never lived this just barely scratches the surface of the breezeless that tug and press the center and being of us all I wrote this to be another of the blessings that touch your soul

If there are any mistakes I will have to fix them in a bit I can only work at the computer for so long and I want to get this out
Roberta Day Jun 2014
The future is a sparkle
a firework feeling in my hands
that billows out and expands
to flash multicolored wants
       while crackling needs
I hope it blows our minds
    exploding blissfully
before our eyes
painting the sky with
our names in starry white;
Innocence revisited,
awakened by possibility

— The End —