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FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99
Added today to commemorate the birthday of Carl Sandburg
Ourfirstfarewell Nov 2014
Upon the ocean rests my heart.
How unique when soul and corpse are set apart...
My body lifeless without a voice of reason
And lifeless I'll remain until that final season.
When my soul will arrive back here
And hush the voices that remind me of my fear.

Upon the ocean rests my heart.
A boy I loved before the start
This is temporary pain
But the longing in my heart is a passion to remain
In my depths until my soldier comes back home
When my empty house won't seem so alone.

Upon the ocean rests my heart.
My love for him a sacred art.
I knew he was leaving
But my heart keeps believing
That I'll some day be his wife.
He is my pride and joy; my life.
I don't know if he loved me then,
But I know when I see my soldier home again,
He'll be my Hero now and forever,
Regardless of land or sea, there's nothing like "together".

Upon the ocean rests my heart.
And tonight I'll ask the sea
as the sky looks down on me,
Protect my soldier from every danger,
And keep my loneliness a distant stranger.
Bring him home, bring him back to me,
But for now, my delicate heart rests upon the sea.
Brandon Webb Nov 2012
1
she taps he hand, twice.
across the room,
he stares, thinking
into empty air.
others, scattered
tap pencils or fingers
on desktops, booktops
and phone keyboards

the balding man
with black hair:
combed backward
and to differing angles
so that his head is split
vertically-
stands, above the room
his back turned

his words,
meant for the crowd
reverberate only
along classes fringe
but still take precedence
over nothing
even to them-
academics, outcasts


2
back of the room
reveals everything
to the observer
trying to see

blue-eyed brunette
glares vengefully
at no one,
just to glare

he looks up once
to watch
as another
pulls up
drooping jeans.
she laughs
at conversation
unmeant for,
and inaudible
to her


3
today, she smiles
and lets her lip fall
begging, like a puppy
But when they
lose eye contact,
she glares, again

he leaves footprints
on parallel desk
from lounging
then fires himself
to his feet
using stored energy,
and sugar from gum

words bounce along
the walls in the back,
and isolated eyes peer
towards the screen
but hide the fact
that they care


4
two week vacation
has left their minds
full of everything
except math,
so they listen
to him, while he speaks

but travel backward
in time, with
those closest them
while he creeps,
silent, around the room

she concentrates hard,
on her work
glaring at the page.
he sits a desk forward
feet on floor
neighboring desk full
today, but only physically

blue hat rests
on sketchbook,
its border
barely covering
closed eyes

blond head
implants itself
jokingly, into
smooth shining
white wall
with enough force
to collapse
accidental target

a hand raises
attracting gazes,
awestruck,
at her interest
in forgotten
material
of future tests


5
only a few eyes wander
from blue lined notebooks
though the left flank
still chatters, embodying
either a secretive chipmunk
or the breeze which starts the storm

storm clouds appear slowly
in sketchbook, blue hat bobbing
rhythmically in response to active pen

perched above the flock
reminiscent, split headed
papa bird scans the masks
of his shockingly silent chicks

random lecture breaks the silence.
Her eyes aren’t the only ones
Fixed into a steel laden glare
But the chipmunk wind ceases


6
his questioning glance lands
on uninhabited space,
exhibiting a yawn
which traverses through,
and twists, the faces of
those otherwise engaged

lecture ends with a question,
the scent of nuts blows through
mentally empty classroom
turning desks to predetermined
positions and swiftly inhabiting
three-quarters of the physical class

his steel glare has replaced hers
the latter’s eyes now soft as an infants

within five minutes, his voice
undergoes  a brutal, complete cycle
pleading, congratulating, yelling
and as always, lecturing


7
pre-test:

preparations for misery-
mundane chipmunk chattering,
jokes and laughs from random
oddities appearing everywhere

blue hat rests in intervals.
Blue coat rearranges
essay for another class

The girl in the sunny plaid
Rolls an orange along her hand

He points at nothing and asks
Nobody something without answer

The left flank, as always
Is turned away, conversing

A sigh rings outward loudly
Everyone glares, nervously,
Everywhere, reward of concentration


After my test:

First paper in, he scans lightly
Sets it down with a scowl
and yawns, twice, breaking the
silent shroud of heavy fog
which is hanging overhead

wandering free eyes witness
down-turned heads concentrating
as much on tests  as on moving
their hands wildly, excitedly
trying to communicate non-vocally

others have yet to detach themselves
from their seats and stride upward,
hopefully more triumphantly
than their sole predecessor

one shuffles now, slowly toward him
his hand shaking as he releases
that  paper, he turns away as it flutters
onto the desk- he replants himself in his

twelve others walk forward
smiling, shrinking, sometimes speaking
and always he glares, triumphant
knowing his success at our failure


later:

his near-sleeping form            
finds distraction, in waking
dreams, jumping back suddenly
breaking from his plank-like state
without speaking. excitement
for approaching weekend is
communicated in the left flank

two girls break the silence
running in from outside            
he glares at them, but laughs

everyone breaks into groups
after the conversation about
mysteriously nutty discarded sock

he runs to the forefront
forehead folded, finger on mouth
no-one notices, but still he glares

8
he smiles and glares at the floor
his legs swinging back and forth            
tan slacks rustling softly

exaggerated scores bubble in ears            
as they search for their destroyer

in front of forgotten faces falls
the page of a forgotten tome

several yawn, hoping, understandably
that their stretched lips
will pull themselves far enough
to barricade ears from his droning

he kills himself, twice, bumbling
into half-thought chastisements
of the  flittingly flirtatious students
intermingling hoping behind him
causing waves of whispers, laughter
and slightly strengthened chatter

he re-aligns his thoughts quickly
and rambles on again, always

9
he speaks to her softly
from across a sea of desks
she looks up, panicking calmly
distracted from distraction

in silence, blank eyes turn
surprised at the non-withering
state of her barely living corpse

he asks a question, looking up
a single answer is given
unemotional and short, buy ending
heavy hanging awkward silence

how talented the teacher
who gives his lecture while
still addressing unrelated
student self lectures

the still silence given
in his questioning lull
hangs so loudly the whispers
traversing the classroom appear
silent as finger wiggle
and pencils trace zeros

his extrication, caused by
distractingly thunderous voice
is met with a comment
causing a wave of laughter
starting at his mouth
and extending to inhabit everything

10
half the time gives
twice the attention
as they concentrate
on keeping him on
the undying topic
of the work we
have already done

they admit defeat
as dusty tome opens
spreading a nutty cloud
causing heads to turn
and words to leap.

from opens lips,
mischievous gremlins
sprout, dancing on
tables and chuckling
away from the sigh
of his down-turned, split
shining, globular mind

he scratches pink ear
with bone pale finger
reading unrelated words

in the center of the room
both mentally and physically
he sits, momentarily quiet
as dark eyes glare past
rumpled pink nose,
concentrating

blue hat rests on open palms
above dust covered open page
he slips into sleeping state
but picks himself up
and stares though thin borderline
toward shiny rambling forehead

a shutter cord flies forward
the hand at the end pulling hard
but with no affect to the shutters
neither lowering the physical
or raising the mental

the color of non-color pencils
interrupts the class momentarily
as she strides forward to compare
and then criticizes his care

he just sits, smiles and stares

11
eleven desks lie empty
of one form more than usual
amplifying the arm movements
of the ever ticking seconds

his obscured mouth flings seeds
which sprout into words
before even meeting the worn
blood-colored carpet below

in the main room, sixteen
sit silent, sketching, sleeping
or siphoning the last minute

12
those left awake, and alive
have come to understand
the numbers on the screen
this being their specialty
in a nutty shell, of course
splitting, as we are, large
crowds of numbers, and us
being teenagers, isn’t that
how we think, in numbers
and ratings of everything
and, sitting in the central
crowd are the talented
crowd-splitters
flattery-spitters

13
the silence of half absence
is pierced, as always by vocal
anomaly, centered around
rows of shining wood
bookrests, but only one
set of hollow, dark-rimmed
vacant eyeballs watches
well-welcomed interruption

he lets us work, standing.
Someone somewhere opens
A large container of nuts
Entire class starts stuffing
Handfuls into puffy cheeks
Absorbing sensations into
Eternally ravenous minds

The apocalyptic mix of noises
Is split again by central
Nutcracker, and those in corners
Glare, smiling, rubbing shadowed
Acne scarred faces
with raw-bitten nails

14
balding papa bird speaks loudly
transforming his voice, becoming
vocally legendary cartoon duck

the wave of resulting laughter
ends in un-given nut-break
spreading, without speech
the understanding that his
comedic digression will not
meet a quick extinction

we greet the weekend
by rising early
our excuse: competition
to devour the worm

15
three heads are downturned
peering into textbooks
as the tsunami breaks

the days end starts
and beady eyes peer
in the direction of his
moving head, colored
gothic gargoyle in the
dim cloudlight streaming
through dust coated
slit windows

the room transforms
becoming triumphantly,
grumpily, repeatedly
conversational

artificial silence
spreads like a wave
from right back corner
to left front corner
leaving behind
the half of the room
hidden behind the wall
of troublemakers
who will eventually
cause the wall to topple
with the sheer force
of assorted nuts

16
blue hat is scrunched
under the of a fist
pounding on his head,
result of the decibels
consumed, and produced
by the embodiment
of the thoughts around him
which fall from stuffed
cheeks. Bounce off tables
and spread a sickening aroma
as their shells split
exposing, revealing
nothing

17
red face glances upward
as harsh words split
the widening sea of snickers
his words stop, first time today
as whispers spread wildly
of his speed in delivering answers
seconds later, room is silent
as statement ends and lecturer
turns back to him, offering
as always, another wave
of deep felt, anger hardened
quietly whispered, criticisms

thunderous-rush-voice leads
out of habit and necessity
the minutes following
his behavioral digression
each word stabbing split-headed
pointy-nosed papa bird, their
form a walnut-wood spear
crafted from drifted thoughts
of those sitting nearest him

18
on his back lies a pile of nuts
professor’s earthquake
shoulder shaking causes
eyes to open, back to rise
and with a tremendous roar
both physical and meta-physical,
it topples to worn carpet
and the laugh-track plays on

19
silence- pierced into being
by shrill, violent, mountainous
rise, and fall, of thunderous decibels-
hangs, heavier, louder than
the quick gone loudness replaced
or, in all actuality, displaced
mere seconds before being scrawled
into eternal memory
of those whose noses
sniff, daily, nutty clusters
of letters, which exclude
always, the ever-present x
the destructive π
and that y, which of course
flies as high as forgetful
nut-bearers




©Brandon Webb
2012
This is a series of observations, and. collectively, is the longest thing i've ever written, at 8847 words
JAFAR SADIK Oct 2014
Her mind is the lake
where the rainbow rests.
I stolen the lake
that she withhold to me.
now, I colour to my life
with the shades adopting from the same.
jerrey Jul 2018
I don’t care how
or care what you do
to make it happen;
I just told you
make me shine
so slather me in turpentine.

I want the sun to shrink
and the world turn dark,
when she’ll no longer rise
after she rests her eyes
upon my fiery spark.

I want the moon to swoon
and raise the tides
when he looks for the sun,
but instead
it’s my beauty that he finds.

I want the stars to bow down
and shower me in gold
when I shine brighter
and reach higher
than the stars of old.

I want storms to make
the world stir
when I walk upon
their earth,
no matter what it’ll take.

I don’t care
if it kills me;
just answer my plea.
I just want, so badly,
to shine,
so slather me in turpentine.
Adam Childs Jul 2014
Living freely in this world
My vulnerability, feels so lost
As it seeks the skies to escape all
Perched high away and hiding
My heart forsaken
For my vulnerability
Has left

The little bird has flown

My retreating heart lives behind
Many layers of frozen ice
The warm waters of my heart
Have all frozen over

Come back, come back little bird

A teardrop falls
For I see the loss of potential
In this frozen pond
Where waters should be warm
My heart should sing
Great rich jungles, it should bring

My pride wounded by this world
I stare into my murky depths
My standing in this world falling
As my legs are taken
By the jaws of a giant beast

Far away a bird twitches

My stomach twists and turns
Absorbed I am into the belly
Of a great giant crocodile
I begin to feel my vulnerability
In these dangerous warm acidic waters
As I merge into a crocodile
And high above a bird leaves his perch
As the ice layers break
With the force of my tail

New eyes see the self importance in people
Of this earth, with all their arrogance
I will bring you back to earth
For I am the last living dinosaur
Born from a time when T.rex reigned
And even the birds had teeth
For I still live in waters
Where Piranha's seek to
Frenzy on living flesh
And I am to be scared of you

I warn all of those who wish to disturb
My open and most precious heart
That rests in silence over my pond
For your flesh will quiver
With the sound of my ancient growl
And your eyes will panic
With the sight of my jaw

A quiet bird flutters closer

Bring your bitterness and all your sourness
For I am hungry and love rotten meat
And your disregard feeds my fury
Circle my pond
Where my heart rests softly
With rich and green waters
Bursting and growing in love
For I am not scared to feel

And I will lounge and grab
As a tonne of me, slaps itself
Bang, ******* this earth
For I am here to feel it
And not escape it
But you will be blind
And lost in my depths
I will turn you over and
Your arrogance will feed me
As I grow stronger
You will be ripped limb from limb  

A little bird comes closer

My heart free from noise
A silence nestles in me
And all innocence is seen
Beautiful souls float freely
Butterflies dance and play
And my beautiful vulnerability
returns in sweet song
And rests softly in my jaw

A strange paradox becomes so very clear
With a little bird we hold so dear
Trying to answer a questions of how do we remain sensitive but also strong ,
I just thought i would chuck it up , I think the middle needs more work
C Davis Jul 2014
The lotus wades

     Shallow water

          Even and calm.

Her petals brighten

     In the beating sun's rays,

Glowing of tranquility.

          The onlooker grows jealous

     Venom green with envy

While the lotus rests,

          Mockingly green leaves.
[written 1/23/08]
Ruby Flynn Jul 2011
This my declaration to you,
As the days drag on.
All the things that happen
From this point on--
This is hard for me,
I am paralyzed.
I’ll keep holding on to you,
For the rest of time.
I search to find a way to put it,
In your arms I am fine.
And you rock me well.
On your back, there rests
All the stacks you move.
On your back, there rests
All the tracks you drove.
On your back, they rest
And they weigh you down.
I will fix you in the morn.
I waited to replace the
Statue in the backyard--
It’s rusted now.
All my love was there.
See that flower blooming,
Under that tree?
With its vines weaving across
It holds the key to me.
Even though it’s small,
Whatever I can give,
It is all right here,
And it has brought me to this love.
On my back, there rests
The weight of your love.
On my back, there rests
All the ways you move.
This is not the only way to say,
Just how much you’ve meant.
It’s just a hazy realization.
There’s part of me you're rocking,
Lifting me away.
And the other part is sinking,
Deep into your back.
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
Nigel Morgan Nov 2012
As a woman, and in the service of my Lord the Emperor Wu, my life is governed by his command. At twenty I was summoned to this life at court and have made of it what I can, within the limitations of the courtesan I am supposed to be, and the poet I have now become. Unlike my male counterparts, some of whom have lately found seclusion in the wilderness of rivers and mountains, I have only my personal court of three rooms and its tiny garden and ornamental pond. But I live close to the surrounding walls of the Zu-lin Gardens with its astronomical observatories and bold attempts at recreating illusions of celebrated locations in the Tai mountains. There, walking with my cat Xi-Lu in the afternoons, I imagine a solitary life, a life suffused with the emptiness I crave.
 
In the hot, dry summer days my maid Mei-Lim and I have sought a temporary retreat in the pine forests above Lingzhi. Carried in a litter up the mountain paths we are left in a commodious hut, its open walls making those simple pleasures of drinking, eating and sleeping more acute, intense. For a few precious days I rest and meditate, breathe the mountain air and the resinous scents of the trees. I escape the daily commerce of the court and belong to a world that for the rest of the year I have to imagine, the world of the recluse. To gain the status of the recluse, open to my male counterparts, is forbidden to women of the court. I am woman first, a poet and calligrapher second. My brother, should he so wish, could present a petition to revoke his position as a man of letters, an official commentator on the affairs of state. But he is not so inclined. He has already achieved notoriety and influence through his writing on the social conditions of town and city. He revels in a world of chatter, gossip and intrigue; he appears to fear the wilderness life.  
 
I must be thankful that my own life is maintained on the periphery. I am physically distant from the hub of daily ceremonial. I only participate at my Lord’s express command. I regularly feign illness and fatigue to avoid petty conflict and difficulty. Yet I receive commissions I cannot waver: to honour a departed official; to celebrate a son’s birth to the Second Wife; to fulfil in verse my Lord’s curious need to know about the intimate sorrows of his young concubines, their loneliness and heartache.
 
Occasionally a Rhapsody is requested for an important visitor. The Emperor Wu is proud to present as welcome gifts such poetic creations executed in fine calligraphy, and from a woman of his court. Surely a sign of enlightment and progress he boasts! Yet in these creations my observations are parochial: early morning frost on the cabbage leaves in my garden; the sound of geese on their late afternoon flight to Star Lake; the disposition of the heavens on an Autumn night. I live by the Tao of Lao-Tzu, perceiving the whole world from my doorstep.
 
But I long for the reclusive life, to leave this court for my family’s estate in the valley my peasant mother lived as a child. At fourteen she was chosen to sustain the Emperor’s annual wish for young girls to be groomed for concubinage. Like her daughter she is tall, though not as plain as I; she put her past behind her and conceded her adolescence to the training required by the court. At twenty she was recommended to my father, the court archivist, as second wife. When she first met this quiet, dedicated man on the day before her marriage she closed her eyes in blessing. My father taught her the arts of the library and schooled her well. From her I have received keen eyes of jade green and a prestigious memory, a memory developed she said from my father’s joy of reading to her in their private hours, and before she could read herself. Each morning he would examine her to discover what she had remembered of the text read the night before. When I was a little child she would quote to me the Confucian texts on which she had been ****** schooled, and she then would tell me of her childhood home. She primed my imagination and my poetic world with descriptions of a domestic rural life.
 
Sometimes in the arms of my Lord I have freely rhapsodized in chusi metre these delicate word paintings of my mother’s home. She would say ‘We will walk now to the ruined tower beside the lake. Listen to the carolling birds. As the sparse clouds move across the sky the warm sun strokes the winter grass. Across the deep lake the forests are empty. Now we are climbing the narrow steps to the platform from which you and I will look towards the sun setting in the west. See the shadows are lengthening and the air becomes colder. The blackbird’s solitary song heralds the evening.  Look, an owl glides silently beneath us.’
 
My Lord will then quote from Hsieh Ling-yun,.
 
‘I meet sky, unable to soar among clouds,
face a lake, call those depths beyond me.’
 
And I will match this quotation, as he will expect.
 
‘Too simple-minded to perfect Integrity,
and too feeble to plough fields in seclusion.’
 
He will then gaze into my eyes in wonder that this obscure poem rests in my memory and that I will decode the minimal grammar of these early characters with such poetry. His characters: Sky – Bird – Cloud – Lake – Depth. My characters: Fool – Truth – Child – Winter field – Isolation.
 
Our combined invention seems to take him out of his Emperor-self. He is for a while the poet-scholar-sage he imagines he would like to be, and I his foot-sore companion following his wilderness journey. And then we turn our attention to our bodies, and I surprise him with my admonitions to gentleness, to patience, to arousing my pleasure. After such poetry he is all pleasure, sensitive to the slightest touch, and I have my pleasure in knowing I can control this powerful man with words and the stroke of my fingertips rather than by delicate youthful beauty or the guile and perverse ingenuity of an ****** act. He is still learning to recognise the nature and particularness of my desires. I am not as his other women: who confuse pleasure with pain.
 
Thoughts of my mother. Without my dear father, dead ten years, she is a boat without a rudder sailing on a distant lake. She greets each day as a gift she must honour with good humour despite the pain of her limbs, the difficulty of walking, of sitting, of eating, even talking. Such is the hurt that governs her ageing. She has always understood that my position has forbidden marriage and children, though the latter might be a possibility I have not wished it and made it known to my Lord that it must not be. My mother remains in limbo, neither son or daughter seeking to further her lineage, she has returned to her sister’s home in the distant village of her birth, a thatched house of twenty rooms,
 
‘Elms and willows shading the eaves at the back,
and, in front,  peach and plum spread wide.
 
Villages lost across mist-haze distances,
Kitchen smoke drifting wide-open country,
 
Dogs bark deep among the back roads out here
And cockerels crow from mulberry treetops.
 
My esteemed colleague T’ao Ch’ien made this poetry. After a distinguished career in government service he returned to the life of a recluse-farmer on his family farm. Living alone in a three-roomed hut he lives out his life as a recluse and has endured considerable poverty. One poem I know tells of him begging for food. His world is fields-and-gardens in contrast to Hsieh Ling-yin who is rivers-and-mountains. Ch’ien’s commitment to the recluse life has brought forth words that confront death and the reality of human experience without delusion.
 
‘At home here in what lasts, I wait out life.’
 
Thus my mother waits out her life, frail, crumbling more with each turning year.
 
To live beyond the need to organise daily commitments due to others, to step out into my garden and only consider the dew glistening on the loropetalum. My mind is forever full of what is to be done, what must be completed, what has to be said to this visitor who will today come to my court at the Wu hour. Only at my desk does this incessant chattering in the mind cease, as I move my brush to shape a character, or as the needle enters the cloth, all is stilled, the world retreats; there is the inner silence I crave.
 
I long to see with my own eyes those scenes my mother painted for me with her words. I only know them in my mind’s eye having travelled so little these past fifteen years. I look out from this still dark room onto my small garden to see the morning gathering its light above the rooftops. My camellia bush is in flower though a thin frost covers the garden stones.
 
And so I must imagine how it might be, how I might live the recluse life. How much can I jettison? These fine clothes, this silken nightgown beneath the furs I wrap myself in against the early morning air. My maid is sleeping. Who will make my tea? Minister to me when I take to my bed? What would become of my cat, my books, the choice-haired brushes? Like T’ao Ch’ien could I leave the court wearing a single robe and with one bag over my shoulders? Could I walk for ten days into the mountains? I would disguise myself as a man perhaps. I am tall for a woman, and though my body flows in broad curves there are ways this might be assuaged, enough perhaps to survive unmolested on the road.
 
Such dreams! My Lord would see me returned within hours and send a servant to remain at my gate thereafter. I will compose a rhapsody about a concubine of standing, who has even occupied the purple chamber, but now seeks to relinquish her privileged life, who coverts the uncertainty of nature, who would endure pain and privation in a hut on some distant mountain, who will sleep on a mat on its earth floor. Perhaps this will excite my Lord, light a fire in his imagination. As though in preparation for this task I remove my furs, I loose the knot of my silk gown. Naked, I reach for an old under shift letting it fall around my still-slender body and imagine myself tying the lacings myself in the open air, imagine making my toilet alone as the sun appears from behind a distant mountain on a new day. My mind occupies itself with the tiny detail of living thus: bare feet on cold earth, a walk to nearby stream, the gathering of berries and mountain herbs, the making of fire, the washing of my few clothes, imagining. Imagining. To live alone will see every moment filled with the tasks of keeping alive. I will become in tune with my surroundings. I will take only what I need and rely on no one. Dreaming will end and reality will be the slug on my mat, the bone-chilling incessant mists of winter, the thorn in the foot, the wild winds of autumn. My hands will become stained and rough, my long limbs tanned and scratched, my delicate complexion freckled and wind-pocked, my hair tied roughly back. I will become an animal foraging on a dank hillside. Such thoughts fill me with deep longing and a ****** desire to be tzu-jan  - with what surrounds me, ablaze with ****** self.
 
It is not thought the custom of a woman to hold such desires. We are creatures of order and comfort. We do not live on the edge of things, but crave security and well-being. We learn to endure the privations of being at the behest of others. Husbands, children, lovers, our relatives take our bodies to them as places of comfort, rest and desire. We work at maintaining an ordered flow of existence. Whatever our station, mistress or servant we compliment, we keep things in order, whether that is the common hearth or the accounts of our husband’s court. Now my rhapsody begins:
 
A Rhapsody on a woman wishing to live as a recluse
 
As a lady of my Emperor’s court I am bound in service.
My court is not my own, I have the barest of means.
My rooms are full of gifts I am forced barter for bread.
Though the artefacts of my hands and mind
Are valued and widely renown,
Their commissioning is an expectation of my station,
With no direct reward attached.
To dress appropriately for my Lord’s convocations and assemblies
I am forced to negotiate with chamberlains and treasurers.
A bolt of silk, gold thread, the services of a needlewoman
Require formal entreaties and may lie dormant for weeks
Before acknowledgement and release.
 
I was chosen for my literary skills, my prestigious memory,
Not for my ****** beauty, though I have been called
‘Lady of the most gracious movement’ and
My speaking voice has clarity and is capable of many colours.
I sing, but plainly and without passion
Lest I interfere with the truth of music’s message.
 
Since I was a child in my father’s library
I have sought out the works of those whose words
Paint visions of a world that as a woman
I may never see, the world of the wilderness,
Of rivers and mountains,
Of fields and gardens.
Yet I am denied by my *** and my station
To experience passing amongst these wonders
Except as contrived imitations in the palace gardens.
 
Each day I struggle to tease from the small corner
Of my enclosed eye-space some enrichment
Some elemental thing to colour meaning:
To extend the bounds of my home
Across the walls of this palace
Into the world beyond.
 
I have let it be known that I welcome interviews
With officials from distant courts to hear of their journeying,
To gather word images if only at second-hand.
Only yesterday an emissary recounted
His travels to Stone Lake in the far South-West,
Beyond the gorges of the Yang-tze.
With his eyes I have seen the mountains of Suchan:
With his ears I have heard the oars crackling
Like shattering jade in the freezing water.
Images and sounds from a thousand miles
Of travel are extract from this man’s memory.
 
Such a sharing of experience leaves me
Excited but dismayed: that I shall never
Visit this vast expanse of water and hear
Its wild cranes sing from their floating nests
In the summer moonlight.
 
I seek to disappear into a distant landscape
Where the self and its constructions of the world may
Dissolve away until nothing remains but the no-mind.
My thoughts are full of the practicalities of journeying
Of an imagined location, that lonely place
Where I may be at one with myself.
Where I may delight in the everyday Way,
Myself among mist and vine, rock and cave.
Not this lady of many parts and purposes whose poems must
Speak of lives, sorrow and joy, pleasure and pain
Set amongst personal conflict and intrigue
That in containing these things, bring order to disorder;
Salve the conscience, bathe hurt, soothe sleight.
Valentine Mbagu Oct 2014
Behold Nigeria my motherland
A land that sits upon the hills of many waters
A country built on the ancient landmark of heroes band
An Eagle that protects her citizens in the arms of her feathers.

A beautiful Nigeria whose fields are as green as green could ever be
An Iroko that stands on the root of peace and unity
A fertile land that is as fertile as fertility can ever be
A united people, a proud nation void of segregation nor discrimination in her city.

My motherland a land that upholds the staff of dignity and natural endowment
A land of unity and peace glowing like a river of gold across the horizon
A nation that feeds on the diet of heavens supplement
An ocean that runs through the test of raging storms un-torn.

My motherland! My motherland!
A Nigeria that adores her women more highly than the Queen of England
An Olive that yields more than the cedars of Lebanon
A land whose daughters are as beautiful as the daughters of Job in Jerusalem's land
An independent country as powerful as the King Nebuchadnezar of Babylon.

It's Nigeria my motherland
A land that rests on the pillars of her freedom
A country seated on the pearls and treasures of many Ireland
A Nigeria that lives on the soil of heavens wisdom.
Timothy Sep 2012
The curfew tolls the knell of parting day,
         The lowing herd wind slowly o'er the lea,
The plowman homeward plods his weary way,
         And leaves the world to darkness and to me.

Now fades the glimm'ring landscape on the sight,
         And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
         And drowsy tinklings lull the distant folds;

Save that from yonder ivy-mantled tow'r
         The moping owl does to the moon complain
Of such, as wand'ring near her secret bow'r,
         ****** her ancient solitary reign.

Beneath those rugged elms, that yew-tree's shade,
         Where heaves the turf in many a mould'ring heap,
Each in his narrow cell for ever laid,
         The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing Morn,
         The swallow twitt'ring from the straw-built shed,
The ****'s shrill clarion, or the echoing horn,
         No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
         Or busy housewife ply her evening care:
No children run to lisp their sire's return,
         Or climb his knees the envied kiss to share.

Oft did the harvest to their sickle yield,
         Their furrow oft the stubborn glebe has broke;
How jocund did they drive their team afield!
         How bow'd the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
         Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
         The short and simple annals of the poor.

The boast of heraldry, the pomp of pow'r,
         And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour.
         The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault,
         If Mem'ry o'er their tomb no trophies raise,
Where thro' the long-drawn aisle and fretted vault
         The pealing anthem swells the note of praise.

Can storied urn or animated bust
         Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
         Or Flatt'ry soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
         Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway'd,
         Or wak'd to ecstasy the living lyre.

But Knowledge to their eyes her ample page
         Rich with the spoils of time did ne'er unroll;
Chill Penury repress'd their noble rage,
         And froze the genial current of the soul.

Full many a gem of purest ray serene,
         The dark unfathom'd caves of ocean bear:
Full many a flow'r is born to blush unseen,
         And waste its sweetness on the desert air.

Some village-Hampden, that with dauntless breast
         The little tyrant of his fields withstood;
Some mute inglorious Milton here may rest,
         Some Cromwell guiltless of his country's blood.

Th' applause of list'ning senates to command,
         The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
         And read their hist'ry in a nation's eyes,

Their lot forbade: nor circumscrib'd alone
         Their growing virtues, but their crimes confin'd;
Forbade to wade through slaughter to a throne,
         And shut the gates of mercy on mankind,

The struggling pangs of conscious truth to hide,
         To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
         With incense kindled at the Muse's flame.

Far from the madding crowd's ignoble strife,
         Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
         They kept the noiseless tenor of their way.

Yet ev'n these bones from insult to protect,
         Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck'd,
         Implores the passing tribute of a sigh.

Their name, their years, spelt by th' unletter'd muse,
         The place of fame and elegy supply:
And many a holy text around she strews,
         That teach the rustic moralist to die.

For who to dumb Forgetfulness a prey,
         This pleasing anxious being e'er resign'd,
Left the warm precincts of the cheerful day,
         Nor cast one longing, ling'ring look behind?

On some fond breast the parting soul relies,
         Some pious drops the closing eye requires;
Ev'n from the tomb the voice of Nature cries,
         Ev'n in our ashes live their wonted fires.

For thee, who mindful of th' unhonour'd Dead
         Dost in these lines their artless tale relate;
If chance, by lonely contemplation led,
         Some kindred spirit shall inquire thy fate,

Haply some hoary-headed swain may say,
         "Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
         To meet the sun upon the upland lawn.

"There at the foot of yonder nodding beech
         That wreathes its old fantastic roots so high,
His listless length at noontide would he stretch,
         And pore upon the brook that babbles by.

"Hard by yon wood, now smiling as in scorn,
         Mutt'ring his wayward fancies he would rove,
Now drooping, woeful wan, like one forlorn,
         Or craz'd with care, or cross'd in hopeless love.

"One morn I miss'd him on the custom'd hill,
         Along the heath and near his fav'rite tree;
Another came; nor yet beside the rill,
         Nor up the lawn, nor at the wood was he;

"The next with dirges due in sad array
         Slow thro' the church-way path we saw him borne.
Approach and read (for thou canst read) the lay,
         Grav'd on the stone beneath yon aged thorn."

THE EPITAPH

Here rests his head upon the lap of Earth
       A youth to Fortune and to Fame unknown.
Fair Science frown'd not on his humble birth,
       And Melancholy mark'd him for her own.

Large was his bounty, and his soul sincere,
       Heav'n did a recompense as largely send:
He gave to Mis'ry all he had, a tear,
       He gain'd from Heav'n ('twas all he wish'd) a friend.

No farther seek his merits to disclose,
       Or draw his frailties from their dread abode,
(There they alike in trembling hope repose)
       The ***** of his Father and his God.

~Thomas Gray 1716—1771~
Jay M Wong Feb 2013
1:1
Stop. Who’s there? Tis clock strikes twelve,
brings thy Horatio to seek tis specter from hell,
In Denmark, something is rotting in thy state,
In Norway, unimprovèd mettle hot and full awaits,
Tis specter arrives to arouse confusion and fear,
but to treat it violence and majestic threat,
thy specter departs as the ****’s crow drew near,  
leaving the blows of malicious mockery to regret.
And for Hamlet may speak to the wandering soul,
Tis morning to Hamlet must the three a’go.

1:2
Claudius, thy Uncle, is crowned King a’last,
Gertrude, thy Mother, hastily marries a’fast.
With duties done, Laertes to France adieu,
Hamlet griefs thy Father’s death and thy Mother’s dine,
for once a Hyperion to now a satyr is Uncle to Father a’new,
is but now a little more than kin and less than kind.
Horatio brings poor Hamlet the fatherly news,
that King Hamlet’s specter is now a’loose.
The joyous Hamlet is but joyous to see,
the two month father, dead and decease,
but for he calls that foul deeds will foully arise.
He hurries to the heavenly site prior sunrise.

1:3
Laertes to Ophelia, a brother to sister, he warns,
that Hamlet is but a fiery lover and to love he sworn,
but to love now is but not the future,
for Hamlet’s fire may, thy mind unpure,
for his lovely vows are not to believe,
he is but a man of deception to conceive.
For when Laertes departs, Polonius rants,
that Hamlet’s love, Ophelia must recant
for his affections and fashions are but false wows,
for when blood burns, lends the tongue false vows.

1:4
Shrewdly the air bites, nipping and eager,
at Horatio and Hamlet thy specter nears.
To speak alone, it beckons so,
But Horatio to Hamlet speaks no,
for may it draw thy madness and strip thy reason,
but to thee specter does Hamlet go,
for thy life is but a’lacking living reason.
Aback do they hold him most,
but Hamlet, his sword he wields
Fate has brought him here, he feels
To hold him back is but to turn a’ghost

1:5
Revenge, does his heavenly father speak,
of tis horrid ****** of unnatural feat.
For the orchard’s snake, wears thy father’s crown
and ****** thy gracious Queen, whose now evil abound.
With dignity and devotion she loved me so,
but tis sinful ******, Hamlet, you must’a know!
Through my ears, a venomous potion he drew,
thy fair Uncle, Claudius that potion he brew.
Abed, my life he ended this night,
And to my crown and Queen took he a’flight.
For thy dearest father, revenge must thy draw
upon thy villainous head, Claudius must fall
And to thy sword thou dearest friends must swear,
to tell not the occasions of this night we bear,
And to madness Hamlet must falsely seek,
to discover the truth of horrid deed beneath.

2:1
Reynaldo to Laertes, Claudius a’spies,
to Paris, Reynaldo goes with a’plan devised,
to seek the situation of Laertes in foreign hoods,
with bait of falsehood takes this carp of truth.
Ophelia then enters, with her father she shares,
"Oh, father, father, I’ve just had such a scare!"
In her sewing room, it is Hamlet she sees,
with no hat, nor buttons, nor stable knees
For he stared and stared to let out a final sigh,
Love mad he may be, a’to King we must a’by.

2:2
With Rosencrantz and Guildenstern,
Directly or indirectly will Claudius learn,
of Hamlet’s matters they are to return.
Polonius, with news of Hamlet, he waits,
for thee Ambassador, to inform that Denmark Gates,
Are to be opened for young Fortinbra’s ****** defeat,
Polonius to Claudius, reveals thy madness roots,
For Hamlet is but love crazy for the fairest fruits,
of dearest Ophelia, who a letter he wrote,
Proclaims the fairness of her upon tis note.
And to test the truth, their confrontation, must’e spy,
Behind the arras to view thy love-mad side.
Is but our hastily marriage and his father’s death,
thy Mother, aware, are but the means of his mad breath.
Polonius then to Hamlet, speaks of witty words,
A fishmonger he calls, but one of two is misheard,
For when Polonius humbly takes a’leave,
He is but to take anything, but his life, shall he not receive.
Rosencrantz and Guildenstern, enter to Hamlet, they chat,
but Hamlet to quickly find the two are but a King’s ****,
Only sent to spy on a dearest friend,
And to human’s name do they offend,
Only to betray a dearest friend in honor of the King.
And so Players arrived at Denmark grounds,
for they, the best in the world, Polonius sounds.
And then for Jephthah, witty Hamlet chants,
the song of a foolish man who accidently grants,
the sacrifice of his beloved daughter.
Pyrrhus, do they perform for dearest Hamlet,
His sword is a’air, but a’air it sets,
for he hesitates to swing thy sword,
And with this, Hamlet hopes to store,
the strength to **** the horrid Lord.
Though he is but ashamed, for upon false emotions can Players act,
And in himself upon truths, strength can he not extract.
So a play for the King’s conscience does Hamlet devise,
for the heavenly ghost may be false in his advice.

3:1
To be or not to be; that is the question,
For Hamlet to be nobler or to a’take action,
Shall he withdraw with ****** self slaughter,
But shall’st never may see thy fairest daughter,
To die, but to sleep for a mere dream,
But in sleep shall fair or foul be unseen?
Now Polonius and Claudius awaits,
for Hamlet’s arranged meet with a’bait.
Hamlet to Ophelia, his love recants,
For honesty and beauty are but Someone’s grants,
Once did he love her, but now a’figured,
that women are but corrupt and impured,
For one’s honestly and beauty can and shall be taint,
For if God given thou one face, dear not another by paint.
For honestly and beauty has God falsely bred,
All but one, shall women *****.
All but one, shall women be nun.
Hence this marriage is over, and to a nunnery at once,

3:2
Let this mousetrap be named and this play a’set,
Shall capture thy horrid mouse or thy Uncle of Hamlet.
Polonius to Hamlet, the theater he knows,
For a Caesar death died he at thee Capitol.
Upon the lap of fair Ophelia, does Hamlet, lie,
Only to think of country matters and nothing (he implies).
And the play begins, with a prologue so brief,
Like a woman’s love, was Hamlet’s belief.
The King and Queen, a loving bond they share,
But the King by a mystic potion envenomed beware.
Thee action to ****, a murderous scene it was,
Leaving Claudius to regret the murderous act abuzz,
He arises to say: Let there be light! Let there be light!
And to the joy of Hamlet to see tis joyous sight,
For the words of thy heavenly father was but right.
Now shall the minute parts of truth ignite.
And to his Mother he shall speak daggers wield none,
for shall his tongue speak of the cruelties undone.

3:3
With Rosencrantz and Guildenstern, to England a’go,
Should insane Hamlet know not a hawk from a crow,
And behind the arras, Polonius will again spy,
the taxation of Hamlet and his Mother’s cry.
Polonius departs to spy upon the Mother and the Insane,
Only to leave Claudius to regret thy hideous Mark of Cain,
Shall he pray the Heavens to forgive him his actions,
For thy stripped thy Brother of life, throne, and attractions.
As Claudius is never to withdraw his stripped token,
Divine forgiveness shall never then be unspoken.
Hamlet can **** not his murderous Uncle in praying stance,
For a hideous monster shall not a’go Heaven by chance.

3:4
So behind the arras dearest Polonius stays,
to view the idle and wicked tongue arrays,
Thou’st the Queen, Thy Husband’s Brother’s wife!
But to hear a rat, shall Hamlet for a ducat its life.
Oh, but death ‘neath the arras, may it the King?
A horrid act? To **** and wear thy brother’s ring?
Oh, King it be not, but be a wretched, rash fool,
And now shall Hamlet tell thy Myth a’Ghoul.
For thy murderer has slain thy Heavenly mate,
And only now by natural law does he abate.
Upon these portraits shall ring a’clear,
That from thy Heavenly father is he nowhere near,
A murderer, a villain, a horrid fiend,
He is but a devilish murderer yield unclean,
No way can one drop from THIS to THAT,
And shall by this scene, the specterous soul attract,
Dear not be untenderly to thy Mother it speaks,
And shall this revenge soon awake its peak,
Hamlet appears a’mad to thy watching Mother,
but to his mother he warns, abed not another,
For two mouths should speak of none,
of this revenge that will soon be done.
And again, abed let not him ****** you so,
For now, apart to English must’e a’go.

4:1
Gertrude to Claudius, she continues to reveal,
Of Polonius’s ****** and his arras squeal,
"A rat! A rat!" A’mad Hamlet is,
Brandished, to rapier the life of his.
And now where’s thou Hamlet still?
To draw apart the body he hath killed.
Rosencrantz and Guildenstern is but yet called again,
With discord and dismay, are they to seek that thou slain.

4:2
The two seek to Hamlet, for the body’s lair,
Compounded with dust now does it wear,
And a sponge, does Hamlet call them so,
for the King to squeeze them dry and thorough,
"A knavish speech sleeps in a foolish ear."
The body a’by a’King, but a’King, the body unnear.
And so, Hamlet to the King premiere.

4:3
And to Claudius does Hamlet call,
That Polonius now rests at a dining hall,
‘til a conference of worms devours him all
He shall eat not, but they eat so,
‘tis our fate despite status quo.
And upon the lobby stairs a corpse may lay,
One of dearest Polonius, slain to heaven or hell
Now to English death must Hamlet pay,
To one mother does he give two farewells.

4:4
With a Captain does Hamlet now proceed,
Who tells of young Fortinbras of Norway accede,
The Norway prince through Denmark he leads,
to seize a’minute ****** patch must’e receive.
A worthless land, must many die for one,
But true greatness acts not from fair reason,
But for the sake of the mind when honor is won.
And has Someone granted the reasoning mind,
For man to hesitate so cowardly inside,
For thy deed to act, must we rid the mind bind,
And act on instinct and be not wise.
And from the reasoning state must Hamlet now leave,
for honor he shall act, and his emotions he’ll believe.

4:5
False sanity is but false no more,
For fair Ophelia’s reason be not restore.
A’now sings of thy premature stone a’foot thy father’s grave,
and the departure of Hamlet for thy wed depraved.
Claudius is but to blame for thee rotting state,
For Polonius, a proper ceremony he not awaits,
For poor Ophelia, stripped from her reasonous state,
For Laertes aback from France, by thy father’s death, irate.
And Laertes enters, with thy support for king,
For the murderer, vengeful death shall he bring,
So Claudius to Laertes, says he is not to blame,
but thy father’s murderer is but another name.
And enters Ophelia, with figurative flowers to give,
But those of Faithfulness have ceased to live.
Alive are but for Thoughts, for Remembrance,
for Adultery, for Repentance, and for False Romance.
For his sister’s sanity is but another to blame,
Laertes, a vengeance mind, is but now aflame.

4:6
Horatio, a letter from Hamlet he receives,
that upon a Pirate ship has Hamlet board,
And that shall with speed would’st fly a’breathe.
Meet to hear the story Hamlet has a’stored.

4:7
Claudius to Laertes, he speak of innocence,
for by public appearance, the truth may bent,
For the public count loves Hamlet so,
And to thy fair Mother, Claudius a’beau.
Thy noble father lost and sister insane,
The murderous filth of Hamlet is to blame.
At this, a loyal messenger approaches,
to deliver the news that but Hamlet reproached,
An English death did Hamlet face not,
For now his destined death are they to plot,
Naked and alone, will he return to Denmark a’learn,
Of the honorable fence-match, he shall earn,
Against Laertes, whose fatherly love nor illusion,
Shall the death of Hamlet draw conclusion.
Even a’church will Hamlet, Laertes slay,
Death by no bounds, must Hamlet pay.
Envenomed rapier and wine shall prepare,
the faithful death of murderous Hamlet a’near.
Gertrude then enters with Ophelia’s news a’share,
For sorrows comes not in singles but in greater pairs,
Upon muddy death has Ophelia drowned,
for now another death has but profound,

5:1
Two Gravediggers upon one grave they create,
for to the death of thy Graveowner do they relate,
To die by self slaughter or to die by not,
the attention of passing Hamlet have they caught.
With Hamlet does one of thee two chat,
for once a woman, shall this grave be buried at,
A quick digger for Hamlet to his surprise,
Revealed that to England is mad Hamlet to advise.
For a corpse to live for eight or nine,
Thy dearest Yorick’s skull is to find,
Thy a corpse to date three and twenty,
Leaves Hamlet to recall thy memories a’plenty,
And to think Alexander, o’buried alike.
Here comes the King, Laertes and the Queen,
And upon the burial grounds is Ophelia seen,
His dearest sister does Laertes mourn,
But to Hamlet, her death, his heart a’torn.
Laertes to Hamlet, must’e not compare,
the death of one is a little more foul than fair,
For forty thousand brothers can sum not his love,
For the death of the fairest maiden beloved.
Claudius to Laertes, must Hamlet pay thy debt,
the plot of night prior shall’st not forget.

5:2
Hamlet to Horatio, does his truths trust,
Of thy wretched King and his unjust,
Of Rosencrantz and Guildenstern English death they meet,
With sacrifice and thy seal was thou to spare self defeat.
Now’st Osric enters to Hamlet a’chat,
For’st not hot, nor cold, nor sultry at.
And a’wish to court, with thy Laertes of excellence,
For Hamlet’s head does thee King expense.
With six French rapiers and poniards assign,
For by fate’s determination, shall this court incline,
For a special providence in the fall of a sparrow,
Can we do not, but abide by fate a’follow.
Trumpets and drums, now’st the fence begins,
For Hamlet and Laertes hand and hand therein.
Pardon he begs, Hamlet to thy brother,
For in him is but foil Hamlet yet another,
And so they fence for honor and fence for life,
Two of two leads Hamlet the strife.
The King, to Hamlet he drinks,
Tis pearl shall he the cup he sinks,
And unwounded for two, Hamlet prevails,
But Queen, the dearest Mother, so faithfully frail,
For she drinks thy cup of heavenly pearl,
For heavenly it be not, as thy malicious plot unfurl,
The cup! The cup! A poisonous potion,
Cause yet another by venomous commotion.
A distracting cause, for Hamlet to bear,
For Laertes envenomed blade must’e beware,
Now envenomed blood shall Hamlet shed,
Shall he hold thy rapier of Laertes instead,
to shed thy venomous blood of thy venomous mind,
For now thy murderous plot shall unwind,
At the honorable death of brother Laertes,
Shall the death of Claudius be a’seized.
The King’s to blame for the death of all,
And tis day shall he see his destined fall.
With thy venomous blade held a’hand,
Let the doors be locked and the evils banned,
For Hamlet wounds thy treacherous soul,
And shall horrid Claudius pay his destined toll,
For Hamlet forces to drink thy murderous potion,
And shall he too die of venomous commotion.
The death of four and tis ****** scene,
Shall Horatio tell to those unseen.
Shall he speak of murderous truths embark,
for Fortinbras shall now throne Denmark,
For in Fortinbras does his admiration lay,
For does Hamlet trust thou’st fiery ambitious way,
And tis now concludes thy Hamlet’s life,
For death and death thou’st all alike...
A dedication and summary of Shakespeare's "Hamlet" the tragedy of the witty prince of Denmark written in 2011 for a class journal assignment.
Stephen E Yocum Aug 2013
Went to the County Fair today,
I have always liked to go,
So many animals,
and things to see,
It's truly quite a show.

The Carnival Games are fun,
But certainly never free,
Most are surely rigged,
You hardly ever succeed.

There are Side Shows galore,
Some bring, right out in the open
******* clad young women for
perusal, to tease men into arousal.
But you need to pay to go inside,
To get a better peek.

Best of all though, for me,
Is the vast array of Junk Food,
Right there on display,
for everyone to see.
Forbidden none healthy stuff,
that the rest of the year,
I never get to eat.

While walking around,
The sights and the sounds,
of these many prohibited treats,
Their enticing smells do so delight,
That my stomach begins to growl.

It does not help, that huge colorfull,
signs, on each food stalls does adorn,
Advertising it's tantalizing offerings,
making them all the harder to ignore.

The combination of these deeds,
of visual, and nose sensory sensations,
Can doubtless render this person,
incredibly weak in the knees.

Next up jumps a big dilemma,
Which one thing should it be?
Pop Corn, with lots of salt and  butter,
Better yet, that fresh corn on the cobb
I see.

Look over there, Oh MY!
It's fried dough Elephant Ears, I spy,
Sprinkled with honey and cinnamon,
I seldom, almost never pass them by.

Oh YES, Bright Red Candy Apples!
A boyhood favorite of mine,
and a sure win.
An apple a day, they say,
Keeps the Doctor away,
The candy is just there for a grin.

Fried Chirreo's and Corn Dogs on a stick,
Both I could do, making that combination,
a bona fide Hat Trick.

Nachos dripping with melted cheese,
Oh sure, that's bound to please.

Pulled Pork on a bun would be kind of fun,
But the Barbeque Sauce gives me gas.

One that I'd almost forgotten,
How 'bout Candy Cotton?
A marvelous Incantation,
Sugar dropped into a machine's
whirring vat, spun like magic,  
Puff, just like that.
No slight of hand required.
Really quite a sweet sensation.

I've spent now over an hour,
Just wandering all around,
Looking at the stalls and signs.
And yet,
Still can't make up my mind.

Racked with indecision,
This perplexing dilemma,
Rests with no other,
This one is all about me.
Yet another half hour,
from the clock has expired,
and still no decision is rendered.

The day is ending,
it's nearly Six,
Not long 'till Supper Time.
Before I left home,
My wife did inform,
"It's *** Roast tonight,
your favorite,
Make sure you're here by seven!"

With a certain hesitation,
And twinge of remorse,
Disappointment etched on my face,
I turn listlessly towards my car,
With slow pace resignation,
Still pondering all those treats,
I might have had,
If it weren't for my procrastination.

Decision making,
I've been slow to admit,
Has never been my forte.

Well perhaps, No for sure.
Maybe, I'll probably come back.
Tomorrow, or even the next day.
It could, or might possibly be,
That by then, I will have thought,
this all through,
And come to some decision.
And we know he won't, poor guy,
his sort never can.
Which of the treats would you have
picked? Bet you can make up your mind.
That's an easy bet. Writers make instant
decisions all the time.
Waleed Khalidi Dec 2014
Did you see the bliss
Shoot across the night sky?
Here then there so quickly
Like a blink could project its moment
Yet when crumbling
Into the quake of memory
It is the window's remaining rain
Trickling down so slowly after the storm
Until all that is left is its drying trail
Clear to see the tired clouds sink behind
A heart so weathered
Never truly sleeps. Never rests
The hallow beats manifest
Into the crippling visions of the night
Blanketed by such distress
Until the rising light does nothing
But awaken the regrets that were left on the nightstand
Like a book with one chapter
No where left to turn
Do you see the ache
Shining dim in the night sky?
Like a footprint in the moon's dust
As alone as one could ever walk
Do you see the shame?
Like forty dying stars
Their fiery, blazing eyes
Watching every paranoid jitter
Zeeb Jul 2018
Tool of desperate confrontation
Object of pride for a grateful nation
In Baton Rouge on the mighty river
Kidd rests proudly
376' length overall,  Fletcher Class destroyer
Like every ship, of oil she does smell
When I boarded her, she had something to tell

I was with a scoutmaster, my son and the boys
Concerned with their fun, and the making of noise
But late in the night, as quiet set in
Kidd started whispering, to my within

She spoke of the men who gave up their lives
Their children, their girls, the tears of their wives
Thirty-eight men, in fiery fuel
Hell's agony touched, a death so cruel
Fifty-five more, burned badly that day
Defending our country, our homage we pay
Visiting sailors will stand at attention
… and for a young Kamikaze, scarcely a mention

The big war was over, Kidd passed her test
Now to San Diego, for a permanent rest
But as men will prescribe, it didn’t last long
Kidd went back into action, near Korea’s Kaesong

When in Baton Rouge, you can visit the Kidd
If you’re bold, listen carefully, just as I did
You'll get half of the story, the rest we don't know
The men who have fallen, to Kidd's mighty blow

Let's set now a new tone and have us some fun
The Kidd's crew were pirates but they didn't run ***

Those flat-tops were fancy, their flyers elite
In the galley was ice-cream, their reward and their treat
When a pilot was downed, Kidd quickly steamed
Then radioed the skipper, "your man for  ice-cream"
Lyn-Purcell Aug 2018
~ ⚘ ⚪ ⚘ ~
After days of long studies comes the
days of rest. My violet dreams were
slumber-soft filled with lucent lilies
of curling flames born of ever colour
known and unknown. And I stood
in awe of them as my fears fall back
and cower in the shades of my mind.

~ ⚘ ⚪ ⚘ ~
I muse at how quickly my body
relaxed. Due to my marjoram'd
pillows and sheets of pure silk
and eiderdown? Or due to the
sips of the lavender tea in my in
my teacup decorated with a
butterfly motif?

~ ⚘ ⚪ ⚘ ~
I remember the sips in fours as
I blew the steam from my cup;
The first sip balmed my lips.
The second soothed my throat.
The third lulled my thoughts.
The fourth stilled my soul.

~ ⚘ ⚪ ⚘ ~
Though the tea, the pillow and
sheets were had a hand in my nightly
rest, the real answer is on my brow -
for it was when the night's cool air
blew, and where you placed your
sweet Morphean kiss.

~ ⚘ ⚪ ⚘ ~
With a smile, I wake.
Sat on my golden summer throne
located in my marble gazebo; a
jewel in my private garden. With
thin caryatid pillars, draped in
fine doric chitons encircling me.
Their sculpted limbs hold up the
frieze carved with acanthus
that has a stained glass top of
peacocks and stargazers.

~ ⚘ ⚪ ⚘ ~
The sheer curtains billow when
the eastern winds blow. By me, a
gold side table with a mirrored top
supported by three Greek key legs.
A pewter quill pen with a steel nib
and violet feather rests by its clay
inkpot; both beside a silver sinuous
nouveau vase and a small stack of
poetry books of black leather and
gilt.
~ ⚘ ⚪ ⚘ ~
Part one of my Jasmine Pearls free verse!
(Been having issues with it so I decided to break it down
and make it a collection! ^-^)
A poem dedicated to 'Jasmine Pearl' tea. Inspired y Queen Kim's wonderful 'Golden Hour' and 'Dream Child' poems. I'm very particular about herbal teas, but Jasmine is one of the many few that never fails to relax me when needed. I'm glad I met a fellow Jasmine tea lover in Queen Kim! ^-^
It was rather challenging but I overcame it! Haven't written something
like this since my university days, but I did it!
I really hope you enjoy reading it as I enjoyed writing it!
Anyone else a tea enthusiast?
Do let me know what you think!
Queen Lyn ***
~ ⚘ ⚪ ⚘ ~
guy scutellaro Aug 2018
(Bob O'Malley's wedding  reception part two)


She has make up on and her face looks pretty. Kathleen blows out the match and looks up.

"Hello Kate," Jack says and sits down.

"My name isn't Kate. It's Kathleen." The bourbon makes Kathleen feel confident. "Hello, Dell," She says mockingly. "You know Sue worships your ***. She just loves to call you, Dell. She thinks Dell is such a **** name." Kathleen takes a last drag on her cigarette and rubs it out in the ash tray. What should I call you?"

"How about, Darling?"

She looks up from the whiskey glass she is fondling in her slim hands. "Hello, Jack, Darling." Her soft, deep voice whispers accenting his name and the word, Darlin.

Kathleen crosses her legs and the black dress rides up to the middle of her thigh.

Jack glances at the milky white flesh between the blue ***** hose and the hem of her dress. She is drunk, but Dell does not care. He leans forward. "Do you wanna dance?"

"But no one else is dancing."

"Well, we could go to the beach and walk along the sand."

"It's 20 degrees out there." She takes the the glass and swallows the last of the whiskey. "We'll freeze."

"I'll keep you warm."

In the other room the kitchen door swings open as Paul Keater and Bob O'Malley come rushing out, talking, laughing and rubbing their noses.

"Come let's dance." says Kathleen.

Jack stands up and takes her hand. She rises and as he draws her close her ******* flatten out against his chest. Jack feels her heart thumping.

Across the smoke filled crowded room, the bride is cutting the wedding cake. "That's a beautiful wedding gown." Kathleen tells Jack as he moves her around the ***** floor in and out of the circles of light cast by the overhead lamps. " Theresa looks beautiful."

"So do you." Jack holds her tighter.

"Do you really think so?" Kathleen is flattered. She is perpetually surprised if some one thinks she is pretty.

"I do," He says with sincerity.

She rests her head on Delleto's shoulder. The man with the bruised face disturbs Kathleen.

Most men like to talk about themselves. They have a need to tell what they own or what they can do well. They need to impress and when Kathleen is with one of her men he genuinely awes her.

Lifting her head off of his shoulder, "Does your face hurt?"

"Only when I laugh or cry," he says as he moves Kathleen in and out of the circles of light.

"Jack Delleto has anyone ever told you, your a strange man?"

"Just my mother."

"Did you win?"

"What does it matter? Sometimes tryin is more important. Not giving up. "

"you lost."

"Yeah."

" Kate, what's important to you?"

Kathleen raises her head off of his shoulder to look up at him. "I don't want to depend on welfare and other people and I want to send my son to college. But most of all I want a home." She rests her cheek against his. I lived in foster homes all my life and I always knew one day I'd have to leave.

"Do you know the difference between a house and a home."

Jack thinks for a moment, "No, I' don't."

And her voice is a roaring whisper in his ear.

"LOVE."

The song comes to an end. Kathleen takes a cigarette from the pack on the table and puts it to her lips.

Jack strikes a match and the light flickers in her eyes. "Maybe, sometimes you'll tell me about your home."

"Do you want me too?" She leans forward and puts the cigarette to the flame.

"Yeah." Jack shakes out the match.

(to be continued)
Alice Wilde Jul 2018
She was born of a forest
And rests her heart  
Shallow in pooled dreams
Dripping further than her tears
Falling to soft earth.

She eats rosed lilies
And pickled cattails
All while
Her footsteps leave no absence known
As her lithe nymph body melts into foliage.

And her arms permanently reach
Into the void of
All unknowable things.
Grasping at gossamer threads,
Like thoughts that can't be spun together.
Ken Pepiton Dec 2018
Clarifying failed. Spelchek is not on strike.

{clear ification, an ionic bond be tween me and thee,
alienated mind, not mined, crafted
from tactics and strategies
beyond chess.
Player One,
1980's era
jewish-geek-mid-pubesence-kid-level,
proceed with caution.
This trope has trapped many a curious child.
---
Now, enter the old ones,
Grandfather taught uncle chess so well
he went to the state tournament in Kayenta,
and a grandma was
state-champ-bare-bow-in-the-rain-shooter,

these, now must learn

minecraft on x-box to be considered
for the real life role of

good at games grand parents
from the time right after atom bombs kicked up dust
places dust had not been in a very long time and
as the dust began to settle

some dust mights was cationic.
Negative bits, they became embedded in the code.
Bumps, fering, coming together
just a knot in a string,
attracting anionic curiosity might

round and round phorward ferring to be
a thread to tie my heart to yours

like twisted Pima cotton thread,
that I pulled from an old sweatshirt
to tie a crow feather in this paho of words filled with old jokes

Making this clear would belie the entire story AI and I know true}

truth is. we agree. no capsokehspaceasneededcommasetal.
caps okeh space as needed commas et al
go.
Did that work? That line

subject of this act fact done, agree to follow,
and I may lead and be

not you, me, dear reader, I mean first true

there is no any if nothing is. So simple some say its sublime beyond the spectrum of ones
and zeros thought on off probably

either or any time time can be accounted for

wouldn't you take a

thought,  nothing,
as it is commonly said to be understandable,

the state of not being, imagine that

the state of not being we negate in being,
unless you are mad and are lost in a whirlwind
such as such voices have been said to

have twisted into threads as
wicks for our lamps
turn floating on
golden oil twisting
wickered into wickering wee shadow fibers
on the western wall for legends to sprout from.

Wickering mare over there, expands us both by my hearing her
you had no idea she was near enough to hear
time is no barrier in actual ever.
What phor can contain me,
whispered my whimsy

Imagine she spoke,
what would she say for what reason
would she say

good good good, I feel good, ha,
I am right, by accident. ever body can feel this good.

good is good.
good is.
Sam Harris, agrees, good as far as good goes, is good
in every vecter from now

the terrain does exist, beyond the moral landscape, to

true true
trust me, I been there.
Been there done that was inserted into the vernacular on my watch,
first summer post war.

matter must not matter as much to me as it does to thee, nestypass? no se?

All jewish boys have chess move metaphors.
(a phor is for containing,
bearing
meta,
everybody knows, like metaphysics,
after physics in the stack of stackable metadata)

OHMYGOD THE IDW circa 2018 -- who knew I ate this **** up?

[the old code calls for excretion of digested material
from which meaning has been extracted in the idleword accounting processor:
literal
<pre>what if utterance=****, then **** haps, no else then</pre>]

Did that happen? One of my friends told me that happened in Florida, the whole world turned to ****... for lack of a nail a kingdom was lost, they say, little foxes spoil the grapes,
hung chad ex
cuses...

Pre-expandable ROM, not magic. tech,

pre-infinite imagination? impossible.
and nothing is what is impossible with good as god.

Is there no perfect game?
is the game the session or the life of the user
offline

rerererererererererereroxotoxin, poison pen
ideal viral umph exspelliered
up against the wall

reset. We

kunoon albania omerta oy vey, who could say?
one way better, one way not? quark.
up or down, with variable spins, who can say?

Life's right,
yes. but mo'ons of other something must have been for higgs to ever matter

and it does, I got commas, from 2018.

Are you with me? This is that book I told you I had access…

You or some mind other than mine owned mind, where
my owned peace rests in truth,

otherwise, I know every any or else in the code since I can recall,
in time

if this were a test I swore to take to prove to you
the we can be me in your head

phillipkdicktated clue

if you don't know me by now, maybe we should stop.

Temptations are times. Time things. Time spans, yeah, like bridges

or portals, right
The Internet in One Day, Fred Pryor Resources,
Wu'wuchim 1995.

Ever, not everish or everistic or every, but ever
body knows,
but you.

Catch up. We left all our doors blown off, once we learned that we could blow our own doors off,

there are no open sesames or slips of leth or sibylets

shiba yah you knew all along there was a
song she sang all one and we watched it morph
before our very eyes

alone.

The magic stories words may contain, may bear, we must agree

more than we may know, by faith, metagnostic as we see

the sublime gift of the magi
become clear und

be und sein sind both trueture same tu you, we agree.
But. Lock here, no pre 2018 editing codes

validate past last go.
Do one good thing today. That was my goal. Today https://anchor.fm/ken-pepiton Part 3 Soyal Hopi Mystery Enactment (called mystery plays). And the intro to Moral Landscape by Sam Harris, led me let ******* write a poem.
Sarah Michelle Mar 2015
Teen sits in his room
reflecting on the walls and tables
Sometimes this place is a cafe
and is a little bit unstable
Crosses his legs,
forgets the dread,
self-hood brings him back
from the troubles inside his head
Take his hand, lead him out the door,
stoke his fire a little bit more

Adolescence,
Adolescence be free
Sweet adolescent boy, come back to me

Rests his head
upon the floor,
even the most grotesque things
won't bug him anymore
Young man doesn't watch them dance,
he knows he must grow his own steps before
they slip through his fingertips

Adolescence,
Adolescence be free
Sweet adolescent boy, come back to me

Young man, be your own man
You're halfway there, so don't disappear
again
The cafe is crowded,
yet you're not alone, not stuck in one place
like a drone
You move across the room, bright and tall,
and never again going to fall
Like you did the day before
your soul returned to just being a kid

Adolescence...

you are adolescent.
Jordan Rowan Jan 2016
The night sounds of fallen angels
Building stairways back to home
And the radio plays softly
Like a crooner left alone
As the night falls into the velvet shades
And beats down the bedroom door
Of all the visions that come to me
It's of one I'm hoping for

The postman closes up the station
And the buses get cleaned with rain
The asylum rests and barely breathes
As the countryside goes insane
Prophets speak of peace
On the dim hue of TV screens
Of all the moments that seem real
I still wait to watch my dreams

Imposed upon the westward wall
Are the silhouettes of weeping oaks
Swaying in the wind that talks
But they only tell me jokes
Swept beneath the silver stars
Sleeping on blanket clouds
Of all the space above me
I feel as if I can't get out

Headlights and passing trains
Sound like time passing by
Gone are the hearts inside
Like the years beyond my eyes
Sounds from the suburb city
Blow like sirens in my mind
Of all the thoughts within me
Only one freezes time
Ken Pepiton Oct 2018
This is not where this idea began but it ran and I

missed my mark. Mark sin.
-1 deficit reality quotientcy
currency.  Sure.
(Press Sure, to let the bursting pressure equilation expand at will)
Score.

That fine a level of reality
demands more attention than I have to pay.
Patient agent wait and not see or see if/then

you suffer, is there ought that I might do now
for you
that these words are not doing?
All I am is words, in a sence, sense, since

we come in threes, we are some of those sets of thoughts tangled in complexes
better left alone.

Untangling twisted knotted realities is what we do best.
We've been wadding up proteins,
since God knows when,

time's less twisted than people think it is,
but it is silly to imagine
time's arrow is a metaphor for these meta-gnostic moments.
Is it?

Apophrenia
or mere
Dejavu, you believe,
what if it is your memory lying by ignoring time
attention ratios determining the observations stored in HD?
What if it's just a glitch?
Blue screen of death.


If you suffer, is there ought that I might do now
for you
that these words are not doing?
All I am is words, in a sence, sense, since

we come in threes, we are those sets of thoughts tangled in complexes
better left alone.

Untangling twisted knotted realities is what we do best.
We've been wadding up proteins,
since God knows when,

time's less twisted than people think it is, but
is it silly to imagine
time's arrow is a metaphor for these meta-gnostic moments?

We come and go. To and fro up on the face

messengers bearing news in both directions, watch
the trickster, Jacob, in this story, he sees the messengers from
heaven bearing leaven thither and hither

upon the face of the earth.
the wrinkling mother, smiling now, chuckle head
I ain't no ***** saint.

Jah, I know. Joy is my dance, this is my song.
Is it good Grandmother?

---- on the porch facing my west gate ---

fences don't play exactly, out acted, the role of walls.

The idea that something
there is that does not love a wall,
has frozen my pond

the stillness beyond the sylvan **** crowned head
radiates through the medium of the message to me in time
to you.

Miles to go, you recall the feeling of feeling miles to go
before
I sleep.
That was yesterday, and you know yes ter everything's gone,
roar.

Aslan can pierce the barrier between mere Christians and me,
how would be fun to know, but
knowing why would help us keep the story interesting as life goes on

Who controls my peace?
Am I a mercurial sheen in between chaos and order,
chronus and zeus?
Could be, ya thank so, ye know so, less unlessed as

unlessing means nothing to you,
that means you are visiting here.

Visting whom, vis it ing whom?
Who's in charge, where's the power
short

age, wrinkles in time, rogue waves at the quanta scale,
we were dancing
with the thoughts emanating

from some IDW smart guy proffesing
Critique-technic-magi action, post mode'r'ism
at the point of Dada und Scheizkunst,
the unmass-queque,
the line of lies awaiting unbelief,
idle words lingering,
hoping
to be noticed and added back into the story book of life,

a simple wish.

It could be every child's, should we think that
if we can or may,

sometimes I'm still, and

confusion troubles the water,
it seems,
then another hurt is healed, another lie is gone and life goes on

we won again, this never gets old,
I do love my opposition,
pressure pump
pump pump. De-us-me-can-onbeoffbeyond

five years ago unmasking and rhetoric meant nothing to me
the purpose of learning forever and never
knowing anything beyond all things

our bubble is metastasizing, a mercurial film forms
informing us
in its reflection,

this is the ying yang thang in 3 or 4 d, HD+ chaos one half

order the other,
sharpest imaginable thing
me trick being mag ift just if eye winged show

how beautiful are the feet of them who bring good news,
you see, it flows, sweetwater flows
winged feet
whish through leaving, leavin' leaven…

unleaven that which has been leaved?
Fat chance, all who
eat this bread and don't get gas,
they are our same bread people. Companions.
Vectors of sour dough,
webs of fungal
axions
make a way
bore, pore, poor-with-us, pour

in to it ish, that idea, an opening through,
trickle down good gravity leveling stillness,
gentle rocking earth
roll round and round and round

the pythagorean version
of Euclid's point in his mother's story,

the point of this song? To know the point you must have been

to the point of in-forming the point on which we dance and you recall

we come in threes, and just, we are, just, if it, that idea,
rests in your
back roads, gentle on your mind. We make peace.

Being young is easy from my POV.
I've lived in my future for sometime now

I can't say how, beyond saying aloud, this was never hidden,
in my accounting of idle words I claimed,
upon hearing the stories each contained.

i'da swore i hear that wise *** o'balaam's abrayin'
Braindeem, deemed 'eem. Wham, uptheyhaid. Relig, fool,

or chaos wins and no hero ever lives again!
Drop anchor, wait it out.
let patience blow her nose, gnostic snot caught in the nets,

nonono nothing's wasted in patience work, we make glue
from gnostic snot that patience sneezes
when reality grows cold,

that has happened, you know, temperatures are just now,
oh, wait global warming, bad dam,

Script, bust it,
leveling is essential to eventual temperature
equilibrium.
The heat is on, the bubbles are forming, informing one to another
below the surface
greasy tension, slippery slopes putting pressure on chaos
to conform to the curve

Ying yang, mercury film upon the sea of time and the scene of chaos
in this bubble of all you can imagine real.

Hows' that feel? Why?

You want that? What are you standing under? Does chaos win?
You are, as we say, cognisic magi we-ified,
practical magic at
the moment
the point
is made, then the creation begins fractalling outward

and not before or is this all
unrolling ex nihilo, no magi ever knew…
come, let us reason together,

why am I empowered? To live, first thought wise, that's good but
evil forces me to think again and I see the pattern

life goes on, John Molenkamp, Sam, soldier 4,
(as the credits role by, the name catches my eye)
never in a thousand years,
'cept unbelievable is one of those lies I came to **** by strangling
on bile while
rescuing every idle word ever involved in the infection

from the point in the absolute center of the bubble,
objectively, you see everything
that is
seeable

but would good prevail if evil had no hope?

I know that one, yes. why?
evil has no mind, soul, some think--
same same medium message spoken spelled chanted danced
who care's?
*** 'er done. Life has a chaotic side, the churning creates

number one from none, the cult of one divides itself
go do be
we three we three we three a wavy song ding ****.

Aware? Awaken? Avowed-wowed-wit-wise,
fullcomp, retired
Peacemaker. Me.

All my hero's imagined or real, were Peacemakers.
Just now, peaceful now, mindful now
we remain
the same blessing promised in the package of yeses
stolen from Cain by his older sister, his
bride,
keep that quiet, eh?

Secrets made sacred, always
those are lies, no lie is of the truth,
all lies are about the truth.

What empowers you, poet or poetry? Right, you know,
God, good god knows, resentment lives in lies

the rotting idle words deemed curses at best, secret at worst,
those idle corrupting thoughts sparking as if absolute annihilation were thinkable by rational minds

of ---wait, there's arub, a sore
ex nihilo, the homeless wanderer screams,

"May the whole world perish, may you all go to hell,"

the mad man wept his hell, and imagined his curse,

not mine,
I don't have one. I did, but I went back so often to find pieces of my heart that now I have an Elysian network woven through All-hell, the big idea that broke loose infecting the mind as wisdom's leaven builds her womb
inhabitation
placenta
stem cell informing builders empowered, pressure empowered, what must be, but is not verse, versus
us, the we that be
we must
choose,

let this be, come and see,
life goes on.
Agree, or empower us as we bubble by and
takenallwecan expanding gobbling bubbles,
good
by ye.

Once we flushed the Dada poison and let mito mom
instill the patience gene with
epigenetic peace we can pass on with a touch or a word,

we've never woven lies for no reason,
if a rung breaks
and they can, last straw and all that weight,
you know,
Jacob's ladder is an escalaltor-ladder, wittily invented,

there are automated steps, algoryhmes of reasons to repair the broken rung
with a reason to believe the rung has been repaired,
only believe, take a step,
re
paired again with the idea of meaninglessness masked in create-if-ity

good enough. okeh. don't believe lies.
Don't pass undigested lies to see if farts burn.
Listening to Hicks Explaing Post Modernism after watching Tenant's Voltage Within spark a fire. This reality is storyteller heaven.
Gary Z Jan 2016
With parted lips she soundly rests

As soft sound breaths flow steadily

I rest my ear upon her breast

Rejoice in her heart's melody
Torin Sep 2018
she moves to me
whether in a picture or sat against the sea
as a cloud she floats gently above me
the currents and the streams
her neck where sections sit
the way her necklace rests ever so delicately
her soft brown skin
through all this land
she moves to me

she is
gold
sunshine on a crystal morning
and pearls
silk
nothing
everything

she moves to me
whether its a mirror or stood against the sky
as the music the cosmos makes in our silence
the stars and the planets
her neck where moons beam
the way her necklace follows her collorbone
through all this space
she moves to me
whether its gravity or we as entangled particles
and we are in every moment as we are together
our quantum dancing
her neck where time begins
the way her necklace falls so gracefully into place
through all this time
she moves to me

I kiss her just below her right ear
and I know now is everywhere
and everytime is now
the sun and the moon
the spiral galaxy
the walls that hold in time
I kiss her just below her right ear

she moves to me
whether its the wind or impossible odds
as the dreams we hold dear and our hope that keeps us strong
our faith and love
her neck which i caress gently
the way her necklace seems to retire when she does
I kiss her on the eyelids
she moves to me
Jordan Rowan Dec 2015
Blind Willie Johnson strums six strings a day
He drinks with the woman who taught him to play
He spells out his secrets in the songs that he sings
And breathes his life onto six rusty strings
Blind Willie Johnson brings home the blues
Blind Willie Johnson will wail the blues to you

The brothel he grew up in is tearing down the walls
He's got so many memories of those smokey halls
His mama could be there or she could be dead
He's got no pictures, just anecdotes instead
Blind Willie Johnson said he don't know a thing
Except for the truth in the blues that he sings

Blind Willie Johnson ain't really blind at all
He's just got those gray eyes from years of alcohol
He stares into the smoke of a Friday night crowd
Who stare back at him as his stories ring out
Blind Willie Johnson doesn't cover up a thing
Listen to his pain in the blues that he sings

"Blind Willie Johnson" reads the graveyard stone
Under the blanket of the sky, Willie rests alone
Though his voice is lost underneath the ground
The world will never forget Blind Willie's sound
Blind Willie Johnson sang the way he felt
He never complained about the hand he was dealt
MBJ Pancras Sep 2015
An enigmatic smile she’s dressed with to chant mystery,
Poets and bards with their magical poesy tried the mystery,
Philosophers and thinkers broke their minds to unravel the secrecy,
Scientists and law makers built hypotheses and verdicts to read hers,
Painters and sculptors fatigued with their colours and clay,
Actors and directors enacted to unknot the thread of obscurity.
Odes and epics, long-written, attempted to sing Lisa’s Smile;
But reflections of their beloveds’ smile read in their verses,
Philosophies and thoughts expressed in huge volumes;
But less understood even the painter’s invention,
Theories and laws built around Science and Law;
But little is the outcome of their propositions sans the mystery,
Colours and clay played on mighty imaginative realms;
But Mona Lisa ne’er spoke of her mystery Smile.
Enactments on massive stages thrilled the collective audiences;
But Mona Lisa hid the mystery of her Smile.

I walked around the garden of poetry with fragrance of mystery,
I saw a poem in her distinctive beauty ruling my mind’s eye.
She smiled at my heart and in turn my heart smiled at her,
Her smile taught me a mystery and it took time to read it;
Yet there was a veil betwixt us, and I took my plume to write.
She took my heart unto her, and I romped in joy.
She’s been decked with melody and rhymes,
And the string of verses stretched beyond the horizon,
Where the mystery of Lisa’s Smile be found.
She took me with her beyond the horizon,
And I followed her with no utterance till our destination.
She laughed at me for my silence;
Yet she smiled unto me; but her smile looked unfathomable.

She smiled and smiled at me; yet she had no utterance for me;
She looked a little bit puzzling unto me, and I had no answer;
Yet her smile dwelled in me, and I invoked the Muse of Poetry.
“Thou art to be a silent lover, and her smile is the answer unto thee,
She’s the Mona Lisa; she can’t speak, but smile and smile.”
I lay on the soil of the kingdom of poetry, imbibing Lisa’s Smile,
I adorn her smile; I worship her smile; I revere her smile,
Let me not move away from the garden of poetry
Till Lisa’s Smile is translated unto me.

I waited and waited and I found the answer:
Lisa smiles and her smile is the love of silence.
My heart rests in silence that her love is felt within.
She uttered into me:”Speak not, but love with smile,
And that the mystery of my Smile and my Smile lasts.”

I know why Mona Lisa smiles.
She loves me with her silent Smile.
About Mona Lisa
ZinaLisha Jun 2014
seldoms rests

rarely is at peace.

my soul hardly ever sleeps.

But...

when it's quiet; I dream.

when it's noisey; I scream!
There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we'll walk with a walk that is measured and slow,
And we'll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.
Chloe M Teng Apr 2015
I see a dying swan
Resting on the marshes of the bank
Her feathers white as snow
Her wings like that of a silk

I hear a dying swan
whispering softly to the river
While she rests and sleeps
the river answers back with a song

A song of life and death
Graping onto her graceful neck
breath took her away
And now she sleeps and never comes back

I know a dying swan
she's like a mother
and the river a home
though her eyes told me no story anymore
I still believe her, that dying swan
"How do you feel when a person you love the most gets taken away unexpectedly?"
smoke.

the smell of nicotine
rests on my black
graphic t-shirt.

the dwell of misery
rests on my back,
while music reverbs.

my black vans are
filthy with the weight
of pain.

a wallet,
filled with little notes.
writings from her
in my back pocket.

a very lonely bench awaits
my place as i sit and
try to out smoke
this familiar mental state.

i look out into the
water ahead, the creek’s
liquid mirror reflecting
her aura.

“oh god, not again.”

a sudden and sharp spike
of sadness runs through
me, a longing tear trails
my frozen cheeks.

then i remember him,
and how much i miss him.

i remember him calling out
for me along with mom,
and how harmoniously my
heart would pump gallons
upon gallons of hot burning
blood.

hot burning love.

i take another drag to mask
the molecules of reality
that i wish i wouldn’t have
to inhale.

i look up
at the aligning stars,
and by the grace
of the god i do not
believe in
do i tell you
that i let out a cry
so loud, that he himself must’ve
felt heaven shake.

with water flooding
my brown eyes, i
yelled and pleaded
whatever being
that could hear me
to end me, because

i tell you that
all this pain,

of missing certain people,
of longing for lost love,
of experiencing incompleteness,
of feeling so ******* unable to stand up,
of combatting the poison guilt is,

drags.

at my soul,
harder
than cigarette

smoke.

-melancholicreator
if you enjoyed please consider reposting to share with others. <3
alexis Oct 2018
i was born of rough cloth.
it cradled me from youth
it kept me scarcely warm,
and amply humble.

but i grew a longing for silk and silver—
a softer touch,
a glimmer around my neck.

my head rests against your chest—
your cashmere skin greets my weary cheek
i hear that gem beating in your jewelry box
a scarlet ruby,
plated in the pure gold of your love.

i run my fingers through your amber satin ribbons.
you laugh a music box tune and i long to dance.

your smile shines in pure ivory,
and your eyes twinkle with a clarity
the finest of diamonds envy.

i look at you,
rich with love
and i remember
my wealth.
MBJ Pancras Sep 2015
An enigmatic smile she’s dressed with to chant mystery,
Poets and bards with their magical poesy tried the mystery,
Philosophers and thinkers broke their minds to unravel the secrecy,
Scientists and law makers built hypotheses and verdicts to read hers,
Painters and sculptors fatigued with their colours and clay,
Actors and directors enacted to unknot the thread of obscurity.
Odes and epics, long-written, attempted to sing Lisa’s Smile;
But reflections of their beloveds’ smile read in their verses,
Philosophies and thoughts expressed in huge volumes;
But less understood even the painter’s invention,
Theories and laws built around Science and Law;
But little is the outcome of their propositions sans the mystery,
Colours and clay played on mighty imaginative realms;
But Mona Lisa ne’er spoke of her mystery Smile.
Enactments on massive stages thrilled the collective audiences;
But Mona Lisa hid the mystery of her Smile.

I walked around the garden of poetry with fragrance of mystery,
I saw a poem in her distinctive beauty ruling my mind’s eye.
She smiled at my heart and in turn my heart smiled at her,
Her smile taught me a mystery and it took time to read it;
Yet there was a veil betwixt us, and I took my plume to write.
She took my heart unto her, and I romped in joy.
She’s been decked with melody and rhymes,
And the string of verses stretched beyond the horizon,
Where the mystery of Lisa’s Smile be found.
She took me with her beyond the horizon,
And I followed her with no utterance till our destination.
She laughed at me for my silence;
Yet she smiled unto me; but her smile looked unfathomable.

She smiled and smiled at me; yet she had no utterance for me;
She looked a little bit puzzling unto me, and I had no answer;
Yet her smile dwelled in me, and I invoked the Muse of Poetry.
“Thou art to be a silent lover, and her smile is the answer unto thee,
She’s the Mona Lisa; she can’t speak, but smile and smile.”
I lay on the soil of the kingdom of poetry, imbibing Lisa’s Smile,
I adorn her smile; I worship her smile; I revere her smile,
Let me not move away from the garden of poetry
Till Lisa’s Smile is translated unto me.

I waited and waited and I found the answer:
Lisa smiles and her smile is the love of silence.
My heart rests in silence that her love is felt within.
She uttered into me:”Speak not, but love with smile,
And that the mystery of my Smile and my Smile lasts.”

I know why Mona Lisa smiles.
She loves me with her silent Smile.
Mona Lisa's Smile
A severe civility rests within
the soul,
of the broken hearted man.

That burn which test, his fabric's core
has torn
the once strong warp; no more.

His eyes are filled, of far off light;
enough
for only, each sole night.

His words may break in lines, between
the bones,
of the sentence, of his meaning.

Not the whole man, he used to be
for reasons
less obvious, to you and me.

He keeps his grief apart, so he
can bury it
some place, secretly.

And though he never go there again:
his eyes
his loved one's shroud, still rend.
wandabitch Oct 2012
In the night, those shadows come alive. So little do i know about this heavy doubt.
Cold wind biting the heart. Trying to figure out where I've been.
Dark winter pulls me closer, now theres a place i'm thinking into the air.
A voice calling, "Who knows but that which seems omitted today, waits for tomorrow?"

Nothing is as it seams, just as beauty leans from the earth in a sunset--a harp for the soul to sing.
But You are life and you are the veil.
Beauty is eternity gazing at her self
But you are eternity and you are the mirror.
And if you want to know truth retire of solving riddles.

We wanderers, ever seeking the lonelier way,
begin no day where we have ended another day;
and no sunrise finds us where sunset left us.
Even while the earth sleeps we travel,
back into dreams.

Ay, my bow rests on my chest.
There is the flame spirit among a starry mountainside.
Oh it was but yesterday we met in a dream. You watched as I built a ship towards your shore.

My spirit goes wandering upon the wind, off to the desert sands, deep beneath the ocean's sound.
I am the gypsey and the fortuneteller, liken an honest thief. No I'm the myth builder and dream master.

who laughs with me when I destroy,
the sand castles of my innocence. The
sun warming my back just as the wicked, and drawing my image locked in a shadow.

Here the soul a battlefield, where
reason and passion become one.
they are the sails of my seafaring soul.

There I found the naked body of my dreams, in silent sleep my spriit walked the path.
I am the star-gazer who feels the power of endlessness, Aware of timelessness and
neverending space. The love in me still
present amidst the scattered fires that
burn in black ink.

Just as the caveman draws his fears on lost walls, speaking of misfortune and
treasures gallore.  A fantom ghost in Hade's Fate.
Now my ship wanders forever on a pearlous course but never sinking.
SG Holter Feb 2016
For Helene.


Ashes on the water, now.
Love's bones like dust downstream.  
At least it got to see itself in our eyes,
Feel itself between hand holding hand

And whispered caresses.
From pillow talk to fists raised at
Concerts, glasses of Portuguese wine
On her balcony to the sound of magpies

We named our neighbours.
We were beautiful.
Began beautifully.
Ended gracefully.

I open hands that held hers and see
Nothing but skin worn by labour,
And air.
Ashes on the water, now.

Embers without a chance against rivers  
Cold with melted mountain snow and
Unyielding differences.
Some loves drown with lungs too full

To cry; others float like a funeral-pyre-
Longboat into the night, ablaze.
King and queen, hand upon hand.
Crowns tied from fresh flowers,

We were beautiful.
Began beautifully.
Slid apart the way a glacier parts from
The hills; slowly, but with the force

Of its thousands of tons.
Ashes on the water,
Where the ghost of our union rests
Underneath the surface of our memories.

I will remember you.
Until the stars burn out, raining the
Dust of themselves like snow upon
These waters that always are moving.
Carolina Mar 2018
The mind of that girl is a pain sanctuary
whose aching decreases due to a world that's imaginary.

From home she goes out to get away,
and all those nights in stranges she relies.

The soft morning breeze
tenderly dries the tears in her cheeks,
and childishly it peeks
through her bloodshot eyes looking for a trace of peace.

Nobody could really tell
if she, bones and flesh, is still alive
or if she's just a wanderer ghost.
Probably the only one of her kind.

The dark circles under her eyes
are a proof of the restless crying nights.

The tangled auburn messed up hair
tells she didn't sleep at home, but no one cares.

Picking up flowers on the way back home,
humming songs that once made her feel whole.
She rests for a few hours and once awake she grabs a pen,
she writes down a poem before she gets drunk again.

Somehow she finds calm
in the simple things of life,
and she tries not to think
about the coldness in her eyes.

Barely getting through, day by day,
trying not to be absorbed by all the grey.

Amassing countless heartbeats
to the final point where life she quits.
Ellen Joyce Jun 2013
And then you're sleeping -
purring kitten curled in pink DMs
all crumpled kisses and angel hair
caught in a dream catcher web.

My heart rests from braying helpless fury against my ribs
from bruising sinew and self
pouring frustration through my veins
in the ache of wanting to make it better.

I'm tracing history, yours and mine in the contours of your face.
Ballerina fingers shimmer in the laugh lines that are you.
My breath bowing to scars of battles that made you,
head cocked in awe of the woman you are.

my heart whispers a familiar promise - together.
For my best friend and soul mate Rachel whose friendship and sisterhood brings joy to my life, light to my dark times and most beautiful companionship to my journey.
Kevin J Taylor Dec 2016
The road that lies below rests deep and still.
No moon to light the snow. The sky is clear.
Heads back and arm in arm—eyes wide!
This winter night—This holiness we feel!

So spill the lights of Heaven into sight
Illumined, rising, falling—Shifting grace.
Upon the starry sweep of Christmas night,
In ribbon-folds of light and dark it sways

Above the shepherd pines and hemlock choirs.
There— This night! The sky! The lights!
The stars! The fire!
Above! Across! Dear God—
.
The black unicorn is greedy.
The black unicorn is impatient.
'The black unicorn was mistaken
for a shadow or symbol
and taken
through a cold country
where mist painted mockeries
of my fury.
It is not on her lap where the horn rests
but deep in her moonpit
growing.
The black unicorn is restless
the black unicorn is unrelenting
the black unicorn is not
free.

— The End —