Hello Poetry
Submit your work and get some sparkles! Create free account
"responsive" poems
I’d rather write than speak My pen is always responsive My ink doesn’t judge my mistakes My paper doesn’t argue My lines never cross me My sentences never disappoint And my words will never leave me
0
Apr 2, 2018
Apr 2, 2018 at 10:36 AM UTC
I’d Rather Write
1445 Death is the supple Suitor That wins at last— It is a stealthy Wooing Conducted first By pallid innuendoes And dim approach But brave at last with Bugles And a bisected Coach It bears away in triumph To Troth unknown And Kindred as responsive As Porcelain.
0
23.6k
Death is the supple Suitor
The prologues are over. It is a question, now, Of final belief. So, say that final belief Must be in a fiction. It is time to choose. I That obsolete fiction of the wide river in An empty land; the gods that Boucher killed; And the metal heroes that time granulates - The philosophers' man alone still walks in dew, Still by the sea-side mutters milky lines Concerning an immaculate imagery. If you say on the hautboy man is not enough, Can never stand as a god, is ever wrong In the end, however naked, tall, there is still The impossible possible philosophers' man, The man who has had the time to think enough, The central man, the human globe, responsive As a mirror with a voice, the man of glass, Who in a million diamonds sums us up. II He is the transparence of the place in which He is and in his poems we find peace. He sets this peddler's pie and cries in summer, The glass man, cold and numbered, dewily cries, "Thou art not August unless I make thee so." Clandestine steps upon imagined stairs Climb through the night, because his cuckoos call. III One year, death and war prevented the jasmine scent And the jasmine islands were ****** martyrdoms. How was it then with the central man? Did we Find peace? We found the sum of men. We found, If we found the central evil, the central good. We buried the fallen without jasmine crowns. There was nothing he did not suffer, no; nor we. It was not as if the jasmine ever returned. But we and the diamond globe at last were one. We had always been partly one. It was as we came To see him, that we were wholly one, as we heard Him chanting for those buried in their blood, In the jasmine haunted forests, that we knew The glass man, without external reference.
0
17k
Asides on the Oboe
The prologues are over. It is a question, now, Of final belief. So, say that final belief Must be in a fiction. It is time to choose. I That obsolete fiction of the wide river in An empty land; the gods that Boucher killed; And the metal heroes that time granulates - The philosophers' man alone still walks in dew, Still by the sea-side mutters milky lines Concerning an immaculate imagery. If you say on the hautboy man is not enough, Can never stand as a god, is ever wrong In the end, however naked, tall, there is still The impossible possible philosophers' man, The man who has had the time to think enough, The central man, the human globe, responsive As a mirror with a voice, the man of glass, Who in a million diamonds sums us up. II He is the transparence of the place in which He is and in his poems we find peace. He sets this peddler's pie and cries in summer, The glass man, cold and numbered, dewily cries, "Thou art not August unless I make thee so." Clandestine steps upon imagined stairs Climb through the night, because his cuckoos call. III One year, death and war prevented the jasmine scent And the jasmine islands were ****** martyrdoms. How was it then with the central man? Did we Find peace? We found the sum of men. We found, If we found the central evil, the central good. We buried the fallen without jasmine crowns. There was nothing he did not suffer, no; nor we. It was not as if the jasmine ever returned. But we and the diamond globe at last were one. We had always been partly one. It was as we came To see him, that we were wholly one, as we heard Him chanting for those buried in their blood, In the jasmine haunted forests, that we knew The glass man, without external reference.
Continue reading...
41
Infinitely and often nightly but very quietly I creep into the garden shed and make a bed among the flower pots where those dainty blooms with purple spots spot me and open up their eyes to see who sits among the rakes and spades and somewhere in those dappled glades my eyes will rest upon a cur-ved apparition and entirely of an auto responsive suggestion I will greet her with a midnight smile taped on my lips and when my heart has done its forty skips and my body settles down I invite her to come a little close and sit beside me by the oak tree she smiles in a light to brighten any night and any day I know would be proud to say go with the moment it is yours to own but on my own trapped in a shady place I face the fact that this place in the garden shed is only pictures in my head and I retreat beat it back indoors where the thunderous snores of all my many days come back to haze me in some juvenilish way it's the way of it it is the way and I have bitten off more than a piece or two and flown too close to sit upon the heat of the sun burned my bridges burned my *** and never learnt to hold my tongue but it is the way and one day the way will become oh so clear the potting shed that's in my head will disappear and in its place the face I look to meet will greet me deferentially I shall shape my tongue to fit around the words I want to say It is and always has been this way.
0
Jun 5, 2013
Jun 5, 2013 at 5:00 PM UTC
Skiing Holidays
Fingers loosely interlaced, caressing the flesh cuddling the palms brimming with pristine emotions. I feel subtle touches tender, warm, responsive. Certainty intertwined commitment gently placed a promise of keeping knitted. Something runs deep through the veins affectionate racing pulses. With hands clenched and walking side by side we vow a journey of acceptance forever and for always.
0
Sep 6, 2020
Sep 6, 2020 at 3:47 PM UTC
Holding the Hand
I. While raging tempests shake the shore, While Ælus’ thunders round us roar, And sweep impetuous o’er the plain Be still, O tyrant of the main; Nor let thy brow contracted frowns betray, While my Susanna skims the wat’ry way. II. The Pow’r propitious hears the lay, The blue-ey’d daughters of the sea With sweeter cadence glide along, And Thames responsive joins the song. Pleas’d with their notes Sol sheds benign his ray, And double radiance decks the face of day. III. To court thee to Britannia’s arms Serene the climes and mild the sky, Her region boasts unnumber’d charms, Thy welcome smiles in ev’ry eye. Thy promise, Neptune keep, record my pray’r, Not give my wishes to the empty air.
0
6.7k
Ode To Neptune
#*Come after me, O glorious Divine Possessor. Conquer, shackle, and entomb my straying, faithless affections in Your love once more. Sweep me up into Your strong and jealous embrace till my heart is fully bent toward Yours. Have Your way with me until it is all I desire, until You are all I desire, Lord Jesus. Unveil me, uncover me and unbind me before Your penetrating eyes, the perfect gaze of You with Whom alone I have to do. Awaken me until I am wholly abandoned to Your pleasure, completely responsive to Your touch, utterly enraptured, enthralled and entangled with You. Break me for Your glory, sovereign Lord. Pierce my soul to its deepest hidden parts and pour Yourself into me until You have totally claimed me as Your own possession, Your willing captive, until there is no delight in my heart but You and Your delight. O Holy One above, set me to burning!*#
0
Jul 14, 2016
Jul 14, 2016 at 8:24 PM UTC
Capture and Possess, O Lord (II)
I take her frame in both hands, she lets me go for a spin. Chassis built for performance, responsive to every move, I steer her around the circuit. Following every change of direction with timing and precision, she lets me hug the curves just long enough to feel her power; not long enough to lose all control.
0
Mar 16, 2011
Mar 16, 2011 at 6:30 PM UTC
Swing dance
electromagnetically feelings occur, responsive to going ons, pineal gland awakens the senses. and almost every woman has heard it "you're so emotional." so electromagnetically aware and we don't remember this, now, the womb, the beat maker, she tunes the energy of the babe. mothers wave of waves fractionally lay a deep foundation of the babes waves. I tell my children if they can't find me to look in their hearts I reside there… my rhythm, my beat, my heat lives on. my womb charged that spark that started the parting of molecules fractionally creating its imagine time and time again, (as we do) until, begin again, a new life. rest your head upon my chest child for a recharge. in our civilized world we send mothers to work in a make believe cycle of need. babes heart searches for mamas tone she only cries short cautious of overspent energy first dose of sickness. and EVERY woman has heard it… "you're so emotional" notably more so during some part of her moon cycle. so obviously the moon is more electromagnetic than we guess. and women are more emotional because we are the heart of the species. we co-create the heart of the species. we require the emotional antenna to summon the essence of the heart. we didn't come from a rib… our ribs vibrate the harmony of life through our time! our hearts beat the pulse of the sun and the dark side of the moon and infinity. we are electromagnetically inclined to emotions. systematically processing the energy of existence. perhaps the first title I will accept a claim upon my being, the feminine sensitive.
0
Dec 8, 2014
Dec 8, 2014 at 5:19 PM UTC
feminine sensitive
electromagnetically feelings occur, responsive to going ons, pineal gland awakens the senses. and almost every woman has heard it "you're so emotional." so electromagnetically aware and we don't remember this, now, the womb, the beat maker, she tunes the energy of the babe. mothers wave of waves fractionally lay a deep foundation of the babes waves. I tell my children if they can't find me to look in their hearts I reside there… my rhythm, my beat, my heat lives on. my womb charged that spark that started the parting of molecules fractionally creating its imagine time and time again, (as we do) until, begin again, a new life. rest your head upon my chest child for a recharge. in our civilized world we send mothers to work in a make believe cycle of need. babes heart searches for mamas tone she only cries short cautious of overspent energy first dose of sickness. and EVERY woman has heard it… "you're so emotional" notably more so during some part of her moon cycle. so obviously the moon is more electromagnetic than we guess. and women are more emotional because we are the heart of the species. we co-create the heart of the species. we require the emotional antenna to summon the essence of the heart. we didn't come from a rib… our ribs vibrate the harmony of life through our time! our hearts beat the pulse of the sun and the dark side of the moon and infinity. we are electromagnetically inclined to emotions. systematically processing the energy of existence. perhaps the first title I will accept a claim upon my being, the feminine sensitive.
Continue reading...
74
Father is a verb. - Let me explain: Father's Day; and Father Christmas  have tried to convince us, but don't be fooled: You can, may or will father,  depending on your mood. For father is a verb. It only works in the transitive; you can't father alone, only in relationship. It doesn't resent hospital trips, and offers wrap-around comfort when a partnership splits. It's touch-line volume drowns out all rivals. And belly laughs come standard with jokes on recycle. [insert joke here] Yes, father is a verb. It's something we each do, despite the hour, it drives right on through the night when life’s gone sour. It'll hammer ten finger nails to get the job done. It will dance, heedless of decorum forgetting reputation.  It turns manliness into awesome-men-ness, It tempers strength  with a dose of gentleness, yes father is a verb. Be sure, whoever you are,  it works in the singular: I can father; You can father     (I'm not talking *** here;      that takes a partner.) But also,  -  it works in the plural - we can father; and they can father, because, you see, in this village it's an joint activity: we father (and we mother)  collaboratively. It works best in the present tense, happening now, not "LATER!". It can be said in a gentle voice or something - even - quieter; sometimes active: directive, protecting; but often responsive: just sitting, listening; ...holding, and, hugging; it responds to need, you see, but works best proactively, works great  sacrificially. For example,  though it cost him dearly, God Fathers us and through us daily. And one day, suit pressed,  He'll proudly walk  with the bride of Christ. And as Father of the bride,  He'll host the party and blow the price; (- BIGGEST - bar-bill - EVER) And we'll be sure to save at least one dance for Father. Oh yes, you heard, Father is a verb.
0
Jul 14, 2016
Jul 14, 2016 at 2:32 PM UTC
Father is a verb
Father is a verb. - Let me explain: Father's Day; and Father Christmas  have tried to convince us, but don't be fooled: You can, may or will father,  depending on your mood. For father is a verb. It only works in the transitive; you can't father alone, only in relationship. It doesn't resent hospital trips, and offers wrap-around comfort when a partnership splits. It's touch-line volume drowns out all rivals. And belly laughs come standard with jokes on recycle. [insert joke here] Yes, father is a verb. It's something we each do, despite the hour, it drives right on through the night when life’s gone sour. It'll hammer ten finger nails to get the job done. It will dance, heedless of decorum forgetting reputation.  It turns manliness into awesome-men-ness, It tempers strength  with a dose of gentleness, yes father is a verb. Be sure, whoever you are,  it works in the singular: I can father; You can father     (I'm not talking *** here;      that takes a partner.) But also,  -  it works in the plural - we can father; and they can father, because, you see, in this village it's an joint activity: we father (and we mother)  collaboratively. It works best in the present tense, happening now, not "LATER!". It can be said in a gentle voice or something - even - quieter; sometimes active: directive, protecting; but often responsive: just sitting, listening; ...holding, and, hugging; it responds to need, you see, but works best proactively, works great  sacrificially. For example,  though it cost him dearly, God Fathers us and through us daily. And one day, suit pressed,  He'll proudly walk  with the bride of Christ. And as Father of the bride,  He'll host the party and blow the price; (- BIGGEST - bar-bill - EVER) And we'll be sure to save at least one dance for Father. Oh yes, you heard, Father is a verb.
Continue reading...
75
One gorgeous Spring day we gathered on my deck, a few friends and I, to sing and play some beautiful music loved by us all. My home, on a remote ridge top of the Sierra mountains, offered a panoramic view. Not a single house could be seen-- only the vast forest surrounded us. We accompanied our voices with two guitars, a flute, and a small harp. As we sang, the air grew still, and the tall, fragrant pines encircling the house seemed to lean in, listening. After awhile we paused, to savor in silence the sublime feeling created by the music. The harpist stood her harp on the table. Just then, a gentle breeze came up and the harp began to sing as the wind's fingers caressed the strings, enchanting us all with a heavenly music unlike anything we had ever heard. Would that my heart were as that harp, responsive to Your lightest touch-- singing endlessly of love.
0
Feb 4, 2012
Feb 4, 2012 at 11:22 PM UTC
Wind Song
“A man is about as likely to ask for help for depression as to ask for directions, and for much the same reason,” said Real, who struggled with his own depression issues. “It's part of the male code, part of masculine culture.” ~~~ when they ask, I say, parrying fast, how you doing? to the persisters, I mutter fine which is 100% correct... been fined for the accumulated made-mistakes, wrong forks taken, the weight invisible but the body sags, nonetheless... you know they know, you know their thoughts, why doesn't he snap out of it, after all he is a man, he has always been what we needed, why can't he just go back to the person prior... this code, is not law, ten times worse, genetic and culture passed, double ****** code so real, like the headaches, the nightmares, that forbid equanimity... not true, we don't expect that of you, thankful for all you have done, but eyes betray, a simpatico misunderstanding, the instillers, can't take back what they celebrated previous... the signals everywhere, few ascertain, cause the rule is never complain, don't go near windows, lest the sunlight diffused, offers no cheer, but escape temptation ever on offer... forgive yourself, someone intones, but what infects my bones, is non-responsive to the forget antibiotic, which does not come in pill format ask me for directions, I will talk/walk you to your destination, but when I'm lost, I'm just a lost man, who needs to do better, forgetting is not in my DNA, but lost is...choking on expectations of being everyone's savior, with no one to save you from yourself...
0
Jan 9, 2015
Jan 9, 2015 at 6:51 AM UTC
WHY MEN TEND TO HIDE DEPRESSION
“A man is about as likely to ask for help for depression as to ask for directions, and for much the same reason,” said Real, who struggled with his own depression issues. “It's part of the male code, part of masculine culture.” ~~~ when they ask, I say, parrying fast, how you doing? to the persisters, I mutter fine which is 100% correct... been fined for the accumulated made-mistakes, wrong forks taken, the weight invisible but the body sags, nonetheless... you know they know, you know their thoughts, why doesn't he snap out of it, after all he is a man, he has always been what we needed, why can't he just go back to the person prior... this code, is not law, ten times worse, genetic and culture passed, double ****** code so real, like the headaches, the nightmares, that forbid equanimity... not true, we don't expect that of you, thankful for all you have done, but eyes betray, a simpatico misunderstanding, the instillers, can't take back what they celebrated previous... the signals everywhere, few ascertain, cause the rule is never complain, don't go near windows, lest the sunlight diffused, offers no cheer, but escape temptation ever on offer... forgive yourself, someone intones, but what infects my bones, is non-responsive to the forget antibiotic, which does not come in pill format ask me for directions, I will talk/walk you to your destination, but when I'm lost, I'm just a lost man, who needs to do better, forgetting is not in my DNA, but lost is...choking on expectations of being everyone's savior, with no one to save you from yourself...
Continue reading...
50
Lo! where the rosy-bosomed Hours, Fair Venus’ train, appear, Disclose the long-expecting flowers, And wake the purple year! The Attic warbler pours her throat, Responsive to the cuckoo’s note, The untaught harmony of spring: While, whisp’ring pleasure as they fly, Cool Zephyrs thro’ the clear blue sky Their gathered fragrance fling. Where’er the oak’s thick branches stretch A broader browner shade, Where’er the rude and moss-grown beech O’er-canopies the glade, Beside some water’s rushy brink With me the Muse shall sit, and think (At ease reclined in rustic state) How vain the ardour of the Crowd, How low, how little are the Proud, How indigent the Great! Still is the toiling hand of Care; The panting herds repose: Yet hark, how through the peopled air The busy murmur glows! The insect-youth are on the wing, Eager to taste the honied spring And float amid the liquid noon: Some lightly o’er the current skim, Some show their gayly-gilded trim Quick-glancing to the sun. To Contemplation’s sober eye Such is the race of Man: And they that creep, and they that fly, Shall end where they began. Alike the Busy and the Gay But flutter thro’ life’s little day, In Fortune’s varying colours drest: Brushed by the hand of rough Mischance, Or chilled by Age, their airy dance They leave, in dust to rest. Methinks I hear, in accents low, The sportive kind reply: Poor moralist! and what art thou? A solitary fly! Thy joys no glittering female meets, No hive hast thou of hoarded sweets, No painted plumage to display: On hasty wings thy youth is flown; Thy sun is set, thy spring is gone— We frolic while ’tis May.
0
3.1k
Ode On The Spring
Lo! where the rosy-bosomed Hours, Fair Venus’ train, appear, Disclose the long-expecting flowers, And wake the purple year! The Attic warbler pours her throat, Responsive to the cuckoo’s note, The untaught harmony of spring: While, whisp’ring pleasure as they fly, Cool Zephyrs thro’ the clear blue sky Their gathered fragrance fling. Where’er the oak’s thick branches stretch A broader browner shade, Where’er the rude and moss-grown beech O’er-canopies the glade, Beside some water’s rushy brink With me the Muse shall sit, and think (At ease reclined in rustic state) How vain the ardour of the Crowd, How low, how little are the Proud, How indigent the Great! Still is the toiling hand of Care; The panting herds repose: Yet hark, how through the peopled air The busy murmur glows! The insect-youth are on the wing, Eager to taste the honied spring And float amid the liquid noon: Some lightly o’er the current skim, Some show their gayly-gilded trim Quick-glancing to the sun. To Contemplation’s sober eye Such is the race of Man: And they that creep, and they that fly, Shall end where they began. Alike the Busy and the Gay But flutter thro’ life’s little day, In Fortune’s varying colours drest: Brushed by the hand of rough Mischance, Or chilled by Age, their airy dance They leave, in dust to rest. Methinks I hear, in accents low, The sportive kind reply: Poor moralist! and what art thou? A solitary fly! Thy joys no glittering female meets, No hive hast thou of hoarded sweets, No painted plumage to display: On hasty wings thy youth is flown; Thy sun is set, thy spring is gone— We frolic while ’tis May.
Continue reading...
50
My lovely dear friend Responsive, compassionate Warm wishes to you!
0
Feb 10, 2016
Feb 10, 2016 at 7:46 AM UTC
Belated Birthday Haiku
There was a Boy; ye knew him well, ye cliffs And islands of Winander! many a time, At evening, when the earliest stars began To move along the edges of the hills, Rising or setting, would he stand alone, Beneath the trees, or by the glimmering lake; And there, with fingers interwoven, both hands Pressed closely palm to palm and to his mouth Uplifted, he, as through an instrument, Blew mimic hootings to the silent owls That they might answer him.—And they would shout Across the watery vale, and shout again, Responsive to his call,—with quivering peals, And long halloos, and screams, and echoes loud Redoubled and redoubled; concourse wild Of jocund din! And, when there came a pause Of silence such as baffled his best skill: Then, sometimes, in that silence, while he hung Listening, a gentle shock of mild surprise Has carried far into his heart the voice Of mountain-torrents; or the visible scene Would enter unawares into his mind With all its solemn imagery, its rocks, Its woods, and that uncertain heaven received Into the ***** of the steady lake. This boy was taken from his mates, and died In childhood, ere he was full twelve years old. Pre-eminent in beauty is the vale Where he was born and bred: the churchyard hangs Upon a slope above the village-school; And through that churchyard when my way has led On summer-evenings, I believe that there A long half-hour together I have stood Mute—looking at the grave in which he lies!
0
2.6k
There Was A Boy
My jaw is frozen Ice and fire creep up my numb face Circling my eye with gentle hands Tingling across my stiff lips They call it 'filling,' but when I touch it It feels invisible, empty Unreceptive or responsive Numb like dead feet What a curious feeling That numb is
0
Mar 24, 2016
Mar 24, 2016 at 3:58 PM UTC
Numb
the attention deficit hyperactivity disorder poem is a strange animal with lines monosyllabically short and then perilously   freakishly    faulknerically long but not to worry the trick is to ***** around with the readers' heads a bit let them wonder    what's going on get them used to    obnoxious departures    sudden jolts       of expression    devious detours into      obscenity, indecency these are the tourette's moments of a poet's creative life: a move to keep those with the attention span of an infant gnat awake  alive  responsive some may expect poetry to take them down safe  bland  routes:          a snowfall enhanced by red robins          perched on a rustic fence          a lake with canoeing lovers cooing          in a shimmering moment                     heartfelt elegies          quaint quatrains          hip haikus but can these images really keep you entranced? well, can they? it isn't like i didn't warn you or the horse you rode in on
0
Jul 15, 2015
Jul 15, 2015 at 12:21 PM UTC
ADHD: The Poem
I am your Esclava. docile. responsive. submissive. You are my Maestro. virile. responsible. hunter. dominant. Your belt is my Extasis. sublime. enhancer. loving. demander.
0
Feb 10, 2015
Feb 10, 2015 at 3:36 AM UTC
Tu & I
And the demons gathered, robed in darkness; making enchantments- casting spells And the night screamed loud- tears flowing pass telling all what the shadows says for out of the night, came a strange howl- eerie and uncanny But the Demons hovered nearer as the stars shined on them meandering with deep glitters; they cast a spell- forcing all men to sleep in the dead of the night and they sent nightmares of terrors, to all mankind- inducing sleep paralysis And the moon lit the dark skies, with the shadows hunting men still the Demons gathered, making a wish; an evil wish setting forth a journey- as they hover-fly flying through those oikon trees, hovering in one accord above with their black robes floating But they missed their pathways; Embarking on a mixed enroute Then the Angels flew in, obstructing their responsive stimuli the Demons attacked;the Angels subserve In the midst of the turmoil, The Demons pathways they fly away; with all they had The Angels took charge; breaking seals And the Demons fell down flat all with broken wings The moon light comes sharper, illuminating all sense of evil out of the night Angels; with their signets breaking spells And the heat was felt; as the Demons strengths gave way Angels took charge.
0
Apr 8, 2015
Apr 8, 2015 at 11:07 AM UTC
"And the Demons path ways; As the Angels took charge"
Gloomy grammarians in golden gowns, Meekly you keep the mortal rendezvous, Eliciting the still sustaining pomps Of speech which are like music so profound They seem an exaltation without sound. Funest philosophers and ponderers, Their evocations are the speech of clouds. So speech of your processionals returns In the casual evocations of your tread Across the stale, mysterious seasons. These Are the music of meet resignation; these The responsive, still sustaining pomps for you To magnify, if in that drifting waste You are to be accompanied by more Than mute bare splendors of the sun and moon.
0
1.7k
On The Manner Of Addressing Clouds
My thoughts are merely a tangle of non-conformant chemicals in an ultra-responsive setting; echoes of scarcely delayed feelings, millimetrically placed and ready to be felt; remnants of cromagnon desires, keeping me occupied, unassuming and tame, while life rolls on silently, reflexively and impressively, with all its humiliating nerve. Rumination is for cows, guppies, and humans alike, and saffrons, sapphires and the snow all reason in their own way, no less conscious than our total unconsciousness. Like a rock or plant, man is authoritatively ignorant of his ignorance, and in his metaphysical realism lives and loves and dies, without a clue that he never lived, never loved and was perpetually dead. Thought’s true thought is to block awareness by darkening the place where true awareness lies. We think therefore we think: to god (I mean exact-Nature) no other valid reason exists. We conveniently overrate rationality in self-serving cycles of chronic urgency and folly, leaving us continually stuck to our cyclic fate. Life is Nature’s grunt or roar (whatever and the same) all just a sound, faint or not. We are unsubstantial and chimerical animals by excellence, and in the circle inside the box we live in, our fancy appears really real.   As a feeling awaits its chemical fate, in the millimetric second that lingers, whole worlds are imagined, and our universe and all is perceived: violence, joy, depression, hope, and unbearable pain are unleashed, cities are wanted, planned and assembled, while man, impeccably and in turns, plays god, king and beggar, and true lives, true loves and true deities are born. As man progresses (i.e. transgresses his own nature) and as he overcomes thought, word and feeling, he ceases to be restrictively alive: he is released, he is now free. Thought stands alongside feeling, without communication nor vibration, and gradually and painfully amalgamate into a new corrosive mix, directly eating into spirit, flesh, and understanding, until our wholeness wholly disintegrates.   The world as we know it folds upon itself,  layer by layer, in an inner spectacle of perfect annihilation and renewal. The chasm separating man from himself contracts (eventually to nil) and man plunges from the edge of this last plank (4). As he falls, in mid-flight, the ultimate metamorphosis occurs, and an übermensch is born.
0
May 5, 2012
May 5, 2012 at 4:04 PM UTC
Awareness (level 5 of 7)
My thoughts are merely a tangle of non-conformant chemicals in an ultra-responsive setting; echoes of scarcely delayed feelings, millimetrically placed and ready to be felt; remnants of cromagnon desires, keeping me occupied, unassuming and tame, while life rolls on silently, reflexively and impressively, with all its humiliating nerve. Rumination is for cows, guppies, and humans alike, and saffrons, sapphires and the snow all reason in their own way, no less conscious than our total unconsciousness. Like a rock or plant, man is authoritatively ignorant of his ignorance, and in his metaphysical realism lives and loves and dies, without a clue that he never lived, never loved and was perpetually dead. Thought’s true thought is to block awareness by darkening the place where true awareness lies. We think therefore we think: to god (I mean exact-Nature) no other valid reason exists. We conveniently overrate rationality in self-serving cycles of chronic urgency and folly, leaving us continually stuck to our cyclic fate. Life is Nature’s grunt or roar (whatever and the same) all just a sound, faint or not. We are unsubstantial and chimerical animals by excellence, and in the circle inside the box we live in, our fancy appears really real.   As a feeling awaits its chemical fate, in the millimetric second that lingers, whole worlds are imagined, and our universe and all is perceived: violence, joy, depression, hope, and unbearable pain are unleashed, cities are wanted, planned and assembled, while man, impeccably and in turns, plays god, king and beggar, and true lives, true loves and true deities are born. As man progresses (i.e. transgresses his own nature) and as he overcomes thought, word and feeling, he ceases to be restrictively alive: he is released, he is now free. Thought stands alongside feeling, without communication nor vibration, and gradually and painfully amalgamate into a new corrosive mix, directly eating into spirit, flesh, and understanding, until our wholeness wholly disintegrates.   The world as we know it folds upon itself,  layer by layer, in an inner spectacle of perfect annihilation and renewal. The chasm separating man from himself contracts (eventually to nil) and man plunges from the edge of this last plank (4). As he falls, in mid-flight, the ultimate metamorphosis occurs, and an übermensch is born.
Continue reading...
48
responsive wordplay resizes double entendre to single line call blocked the writers got more out by dialing 9 touch screens to text readers read text and seem touched the ringing in your ears was from a cellular punch I plan to limit my data but I always over share mastering dastardly dactyls pushes my meter to bare if you only think 1x you might struggle to get the picture take a 4G dose to flex your brain with crack and fissures lithium ironic that my low battery turns hyperbole to hypo I got you charged with flattery alas, you're not my typo
0
Jun 10, 2014
Jun 10, 2014 at 10:37 PM UTC
mobile pome
Many a flower hath perfume for its dower, And many a bird a song, And harmless lambs milkwhite beside their dams Frolic along,-- Perfume and song and whiteness offering praise In humble, peaceful ways. Man's high degree hath will and memory, Affection and desire; By loftier ways he mounts of prayer and praise, Fire unto fire, Deep unto deep responsive, height to height, Until he walk in white.
0
1.6k
Exultate Deo
Thou Power! who hast ruled me through Infancy’s days, Young offspring of Fancy, ’tis time we should part; Then rise on the gale this the last of my lays, The coldest effusion which springs from my heart. This ***** responsive to rapture no more, Shall hush thy wild notes, nor implore thee to sing; The feelings of childhood, which taught thee to soar, Are wafted far distant on Apathy’s wing. Though simple the themes of my rude flowing Lyre, Yet even these themes are departed for ever; No more beam the eyes which my dream could inspire, My visions are flown, to return,—alas, never! When drain’d is the nectar which gladdens the bowl, How vain is the effort delight to prolong! When cold is the beauty which dwelt in my soul, What magic of Fancy can lengthen my song? Can the lips sing of Love in the desert alone, Of kisses and smiles which they now must resign? Or dwell with delight on the hours that are flown? Ah, no! for those hours can no longer be mine. Can they speak of the friends that I lived but to love? Ah, surely Affection ennobles the strain! But how can my numbers in sympathy move, When I scarcely can hope to behold them again? Can I sing of the deeds which my Fathers have done, And raise my loud harp to the fame of my Sires? For glories like theirs, oh, how faint is my tone! For Heroes’ exploits how unequal my fires! Untouch’d, then, my Lyre shall reply to the blast— ’Tis hush’d; and my feeble endeavours are o’er; And those who have heard it will pardon the past, When they know that its murmurs shall vibrate no more. And soon shall its wild erring notes be forgot, Since early affection and love is o’ercast: Oh! blest had my Fate been, and happy my lot, Had the first strain of love been the dearest, the last. Farewell, my young Muse! since we now can ne’er meet; If our songs have been languid, they surely are few: Let us hope that the present at least will be sweet— The present—which seals our eternal Adieu.
0
1.6k
Farewell To The Muse
Thou Power! who hast ruled me through Infancy’s days, Young offspring of Fancy, ’tis time we should part; Then rise on the gale this the last of my lays, The coldest effusion which springs from my heart. This ***** responsive to rapture no more, Shall hush thy wild notes, nor implore thee to sing; The feelings of childhood, which taught thee to soar, Are wafted far distant on Apathy’s wing. Though simple the themes of my rude flowing Lyre, Yet even these themes are departed for ever; No more beam the eyes which my dream could inspire, My visions are flown, to return,—alas, never! When drain’d is the nectar which gladdens the bowl, How vain is the effort delight to prolong! When cold is the beauty which dwelt in my soul, What magic of Fancy can lengthen my song? Can the lips sing of Love in the desert alone, Of kisses and smiles which they now must resign? Or dwell with delight on the hours that are flown? Ah, no! for those hours can no longer be mine. Can they speak of the friends that I lived but to love? Ah, surely Affection ennobles the strain! But how can my numbers in sympathy move, When I scarcely can hope to behold them again? Can I sing of the deeds which my Fathers have done, And raise my loud harp to the fame of my Sires? For glories like theirs, oh, how faint is my tone! For Heroes’ exploits how unequal my fires! Untouch’d, then, my Lyre shall reply to the blast— ’Tis hush’d; and my feeble endeavours are o’er; And those who have heard it will pardon the past, When they know that its murmurs shall vibrate no more. And soon shall its wild erring notes be forgot, Since early affection and love is o’ercast: Oh! blest had my Fate been, and happy my lot, Had the first strain of love been the dearest, the last. Farewell, my young Muse! since we now can ne’er meet; If our songs have been languid, they surely are few: Let us hope that the present at least will be sweet— The present—which seals our eternal Adieu.
Continue reading...
40