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AntRedundAnt Jan 2014
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difficult   darlings   overcome   oranges   keys   newfound   fairly   occasions   stats   ponder   pools   ablaze   rushes   fret   quell   breads   progress   comfortable   settling   desks   tile   trails   rainy   homemade   stunned   cemetery   plus   ideas   avocados   bananas   apply   latch   rocky   digress   experiences   vacation   sanctuary   earlier   rocket   precise   various   author   pie   explosions   *******   lighter   matched   plunged   isaac   jefferson   abe   measured   saturday   claw   welcoming   gear   trained   suffocation   leapt   gap   lee   disturbed   es   thrill   alarming   grill   frankly   importantly   una   fray   candied   amalgamation   nasty   american   optimism   guns   craters   contracted   rampant   unattainable   spilled   courts   carrots   shuffled   combined   blonde   forgave   artillery   sandwich   comfier   limitation   personalities   friday   strongly   crude   banana   tennis   limits   quaking   recesses   loot   andromeda   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haven't   what's   you'd   they'd   man's   boys'   god's   woman's   fruit's   orion's   newton's   lincoln's   adam's   momma's   ******   jackson's   audis   dulces   disproportionately   charon's   deseos   avocadoes   hailey   eran   beatles'   ingles   he   she   it   rackets   --   hashtag   sixty-three   duct-tape   joysticks   sherman's   15   6th   32   500   7th   2013   extraño   barenaked   tamales   6-year-old   tierras   derpy   ewell   rom-com   themit's   adan   mudpits   puddlepits   war--hell   culp's   shitpits   completaron   chocolatada   levantanse   duraznos   n'sync   huevo   cholitos   levantaron   manzanas   endurece   wozniak's   dispara   nuez   open-endedness   innies   cankles   dunder-mifflin   tunks   buck-toothed   outies   grief-blown   a-gawking
I uploaded all of my past work onto the site already, so everything from here on out will be new and original. This is sort of an experimental idea of mine: take all the words hellopoetry has tracked for me, put it down as if it were a poem, and see how it flows. It actually kind of works sometimes, but I'm not sure. I'm sure it's mostly terrible, but I wanted to try it. Let me know what you think in the comments below!

You are your own instrument in the
world orchestra

Join the chorus
Play a solo

Or

Simply stop
Rest
And listen to the beauty
happening all around you

The choice is yours

Be your own voice
Or follow another
But only follow another if
it resonates in your core
as your true calling

Above all else
follow your heart

Let your inner beauty shine
so that the world can
share in the special unique
characteristics and traits that glorify
your idiosyncratic nature
wholly encompassing
all that you are
Making you special
Making you YOU

Because the best version of you
is the authentic you
And it not only
brings inner peace
but is also
the greatest gift
you can give
the world
Written: March 8, 2018

All rights reserved
The Terry Tree Aug 2014
Spirit Dolphin

To be in tune in natures light
To be in touch and resonate
Intelligent communicate
Heartbeats of love and breath of life

Superior to human sight
Your sound waves and reverberates
To be in tune in natures light
To be in touch and resonate

You touch the stars and elevate
Our spirits to become alight
Giving us freedom to ignite
Centers begin to emanate
To be in tune in natures light

Beneath the sun, beneath the moon
You teach us how to breathe with care
Oceanic friend, solar flare
Communicating our monsoon

Teaching in us how to commune
Opening our minds to beware
Beneath the sun, beneath the moon
You teach us how to breathe with care

Your innocence rests like lagoon
On the surface emotions bare
Vulnerability is there
Beneath the sun, beneath the moon

A good omen to protect us
Saving the lives of so many
Selfless creature giving plenty
From outer space some do discuss

To touch you frees us from raucous
To ride with you fulfills empty
A good omen to protect us
Saving the lives of so many

With you we find our playfulness
Self-confidence more than any
Never to lose our assembly
Connect us all with inner trust
A good omen to protect us

Helping others finding our truth
To be One Universally
What might seem strange is certainly
A reflection upon our youth

Make bright our eyes with wisdom's root
Free from shame inadvertently
Helping others finding our truth
To be One Universally

Though we may taste forbidden fruit
What we will learn so artfully
Forgives our aches so perfectly
Flipping through curious pursuit
Helping others finding our truth

© tHE tERRY tREE
Poetic Form | Rondel
Nat Lipstadt Jul 2017
•<>•
the addicted pleasure words granted to we privileged few,
like every enslaved soul to the mind, which I am, I am,
evening dreams, midnight thinkings, sunrise seeings,
how can I infect and thus protect the young to the liberty
to love the crafted content of our human essence to better
comprehend that a moment caught on tape of our shared
words is a holiday, a celebration for the ages,
scar of pleasure, a forehead Cain mark, scarlet letter of pride,
for this reliving of our stories retelling is the skipped beat
of our connection not born from practical reason,
but from truths we own equally and though reason says
mine, it is not, it is only to be yours when the sharing
resonates resonates resonates resonates resonates
and every molecule, becomes a human tuning fork
in concert, in pitch identical, in blood tainted with
the simplicity of we are all the same, only words, this will transmit


                                          July 4th, 2017
                                                •<>•

"If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers … becomes a source of unbelievable joy. It’s like eating candy for the soul."
And I sometimes have a hard time understanding how people who don’t have that in their lives make it through the day.
David Foster Wallace
July 4th 2017 10:45am
Shelter Island
Chiyo Aug 2014
I have bruises like amethyst
But the truth is I’m the catalyst
When I see colours of bismuth
I know you mean business
Bruises like amethyst
But you say you’re a pacifist
An analyst an activist

But you held my mind so it contorts, distorts
And aborts so it can’t resonate or fabricate
Or rationalise a world inside
That doesn't exist and insists
That I can’t be kissed and won’t be missed

I've got a black heart like tourmaline
But I'm the alkaline to your acid time
Trust me I am fine, I'm a pale blue
Crystalline Structural perfection
Don’t need your affection or your ways
Of objections did my bra strap give you an
*******?  

You could say I'm a feminist
But I'm more of a scientist
Busting body myths like biologist
You say ‘but **** are ****** organs’
Listen you morons, all ******* are a erogenous zone
Regardless of gender , boys nips literally have no purpose
Except when they get nervous for getting a little lip service

Trust me I'm fine, I'm a pale white crystalline
Structural perfection I don’t need your objection
Not a gem stone for your collar bone I don’t give a **** about
Your muscle tone, I'm a cyclone all alone I could spend a
1,000 years on my own.
sorry not sorry ok
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
Nat Lipstadt Mar 2014
Everything in quotations marks and italics was written by TS Eliot.

eyes knowing glossy men,
sheer women, creatures,
not all artists, but artists,
always thus,
centrifugal, simple

from their core,
emanate, resonate,
expand the exterior
with interior precision sculpting

to the interior delve,
via brush or limb,
pen or music,
the exposition, the exploration,
the reconstruction of composing
one's self, creation and destruction
of your own myths

movement of arms and legs,
sparseness of simplicity
subsidiaries of centricity,
tributaries of complexity,
oriented to their locality

the simple purpose of inhalation,
to exhale, after transformation,
the calculus of thought into emotion:

"the tongues of flame are in-folded
into the crowned knot of fire and
the fire and rose are one"


the dancers hear the music:

"so deeply that it is not heard at all,
but you are the music
while the music lasts."


**”Quick now, here, now always –
A condition of complete simplicity
(Costing not less than everything)
And all shall be well and
All manner of thing shall be well"
"Immature poets borrow, mature poets steal." T.S. Eliot (1888 - 1965)

Inspired this evening by the Martha Graham Company, the words and wisdom of TS Eliot, from whom she took inspiration in her choreography of modern dance
Emily Pidduck Apr 2014
Behind your eyes I see lions
And you know them well
And you fear

Roars resonate in your tortured mind
And you regret being bizarre
You want to stay in line
But the bustle in the crowds won't accept your direction
You're an infection - peculiar
in a derogatory sense.
The howls from the people let you discover
That this place is for hyenas
You cower
Lest you be ripped to shreds
And on your panicked escape
You leave a lioness behind
The one you had named Unique
and her cries are of a dreadful kind

Claws feast into your weary soul
They are your own
As you keep under prison guard
The character given by God
Desperately you cling onto branches
Not sturdy enough to hold you forever
but you'd do anything to avoid being trampled
By the hooves of the many
When you have but a few lions left
The rest were dropped as uncertainty clouded your vision
Until your cat eyes
Did not even benefit in the night

But you are forgetting

Should you choose a weak road
At least chase the antelope
Heaven knows
You were meant to run wild
Not Climb

But when you become stronger
as lions always do
You will run before the hoof beats
Because you are extraordinary
And when you realize
They will have no choice but to
And the mass will part
The moment you roar

And when the herd is separated
Blind or awake
You shall find your lioness
As she is running home

Let her meld within your heart
Let her be part of your masterpiece
Until you recognize the majesty
of your lions

And without fear
When you love yourself
You will see the beast in mine eyes as well
Don't really know where this came from, but remember that each comes across hardships no matter their gifts.
Molly May 2014
****
isn't always dark alleys
and whistles
and pepper spray.
It isn't always
a stranger,
they don't always
look dangerous.
Whether it is
your boyfriend
or your teacher
or your uncle,
they are no longer on your side.
This is your attacker.
Do not be silent.
Do not be afraid to make a scene.
Whether it is a movie theatre
or a street corner
or your bedroom,
yell,
scream,
curse,
bite,
spit,
let no resonate from your lungs
so they cannot say they didn't hear you.
Send him home,
tell your parents,
tell your friends,
tell the police.
****
is not always
drunk men outside bars
or keys clenched between white knuckles.
Sometimes **** is silent.
Do not be silenced.
Čortoloman May 2018
A: Don't you find it irritating?

Z: Hm?

A: Don't you find irritating the human need to feel happiness?

Z: Isn't that only natural? When you are happy you feel good. So
you will want to feel good when you aren't happy right?

A: But that's not natural. Being happy is just a state you can be at. It's not the state you were at before or after. Being neutral is a state you came from and will go to.

Z: So should I feel the need to be sad when I'm happy just as I have the need to fell happy when I'm sad?

A: No, that does nothing. You shouldn't feel anything at all. Or have a need to in the first place.

Z: That makes no sense. Life is what the living does. You can't live without a need to feel can you?

A: Well maybe being alive is not a natural state to be at as well! If it was you wouldn't die or be born.

Z: What do you mean?

A: Well maybe life and death are also just a state you can be at, but neither are the natural states...

Z: Ugh... Third state beside Life and Death?

A: Yeah!

Z: What would that be?

A: Well for that to work I guess there would have to be a third party involved, like a soul or something, then we could say that it's only your body that is alive or dead. Your soul is then just a presence that trough a medium called body is collecting experience.

Z: What about emotions?

A: Let's add another body in the picture! Call it „emotional body“. Emotional body is using a physical body as a medium to get experience from the world and then there is a soul that is using the emotional body as a medium so we get a perfect being!

Z: Isn't that a bit of a stretch?

A: Who knows.... But then we could say that there is finally a natural state to be at. It is called „Soul state“. In this state you resonate your three bodies (the physical, emotional and soul bodies). In this state you are not „Alive“ or „Dead“, you are not „Happy“ or „Sad“, you are just a presence.

Z: And how would you get to this state called „Soul state“??

A: Well you should ask yourself why do the other two bodies exist in the first place?

Z: Hm.. Well to experience things right?

A: Yeah..

Z: Ohhh! So the soul is a presence that trough the two bodies experiences things! So once it has experienced all there is to see and feel. It will finally enter the „Soul state“!!

A: exactly!

Z: But isn't there just soo much? We don't really have enough time to experience all there is...

A: well who said you live only once..

Z: Reincarnations?

A: Mhm.

Z: But why don't we remember things from our past lives?

A: Well it would be rather easier to experience everything if you think you have only so much time. That way you will use all of the time given to you to live at your fullest!
Story I came up with to connect the puzzle pieces together in a way that i feel comfortable with XD
CJ Aug 2018
Season of rain is here
but I don't feel a thing
maybe cause the rain has always been here
or is it just because its spring

They say after rain comes a rainbow
but I don't even see the sun
only wondering where it go
maybe I'm just the unlucky one

I don't see the sun's brightness
that resonate within me
but only the rain's darkness
that has always engulfed me

So I always ask myself,
has there always been a rainbow?
Living is a cross
That any one of the rock-faces
Comprehends.


We are drawn
To many seas.
We drown wholesomely
In the failures of confrontation.
The rain
Drenching
Our doorsteps
Has nothing to do
With the simplest desires
And lacerations
We bring
To the smallest acts
Of living.


The child
On the broken catwalk
Hearing the sounds of our hunger
Without understanding
Throws echoes back
To the earliest abandonments
Of love.


Minor devastations preceding
Horror
Resonate the ineffable.
The mothers that wake
At the slightest sound
And the fathers that
Smoke all night
And the rest of us who are
Vigilantes from the demons
Of oppressed sleep
Find at dawn the clearest
Images of bewilderment.
Even the best things
Collapse beneath the weight
Of ignorance.


Living is a fire
That any one of the wave-lashes
Comprehends.
___
Source:
http://www.universeofpoetry.org/nigeria.shtml
Mateuš Conrad Apr 2019
.you can never really write any poetry by not covering the "heartbreak" the loss of your own "printed" words: how much different is the internet, from "real" life? just asking... since: internet banking & internet shopping... to lose a poem / pre-scriptum is not exactly the same as losing a person to mind: father's day... i cooked the dinner, i took out the trash, i wrote an invoice... i guess that's much better than leaving a card of greetings... and, come to think of it? why are we the sort of people subjugated to nostalgia, with but also "without" a history? aren't we subjugated to nostalgia and a history as a "fiction"? the beginning of the 21st century, the end of the 20th century... the 19th century germans associated themselves with a nostalgia for ancient greece, we're the only people who have an inbuilt nostalgia "safety-mechanism"... the only people in time who are nostalgic about the life surrounding their own existence slot, which doesn't have a trans-temporal dynamic... i remember times when we would be teenagers... spitting on people from car-parks on imaginary tonsures, buying *****-magazines from indian cornershops, or belgian freebies of non-insinuations, white lightning cider while sleeping over at youth centers playing snooker throughout the night... even at school: attending a catholic school with the irish east enders... uniforms, sure... a chequered shirt: blue, red, white... tag? made in canada... and if only capitalism worked as it once did, made in canada? lifetime of a shirt? 20 years... now? made in china... not exactly real cotton, is it? 2 years... before ironing the shirt *****... once upon in gants hill, st. valentine's park, and the pub, recently closed, decent karaoke... in the park? golf, basketball, rowing boats in the large ponds... when the jews were there... gants hill roundabout... the hanukkah torches... jews scuttling wearing trainers come rosh hashanah: jews can't wear leather on rosh hashanah (judgement day)... shy like rats... when the jews were there (gants hill, ilford)... the park looked great... tennis courts... now, when neo-Bangladesh moved in? ****** place. what else do i remember from my original pre-scriptum that i lost? oh, that once time in gants hill... walking into a kosher bakery with ****** knuckles, having tested them on a canvas of a brick wall, buying some dough-fused-sweets? with the girl selling the sweets bewildered by fear? i like the look of fear in people when tested by uncertainty, and bleeding knuckles? later? climbing over the park fence, taking a **** while squatting in the darkened palace of the park, walking into a brothel, having my wallet stolen, not reacting in what would have been justified... high school... we wore uniforms... so no high school h'american culture trap / culture... school uniforms are the best idea, there's no chance to "shine" in telling apart the rich kids from the poor kids... there's only the standard... walking to a supermarket, past a thai surprise... sports bra, short hair... walking back... she's still there pretending to talk on her mobile to someone... you take her home with a few beers... play her some jazz... take her into the garden, the moon is a beauty... you **** her... hand in her underwear and you're still gambling... before the emergence of the nag hammadi library and the whole androgynous vogue, the thai were already readied with the lady-boys... when i reached in and found nothing but oyster... would i have stopped finding a wink-wink slouching worm? slap a trans in the face? no, not really... a thai surprise is, a thai surprise... i would have considered doing my first ****... "lucky" for me she was a she... a girl... ****** her in the garden under the moonlight... gave her my hoodie, which she drowned in... finally... the level of interaction where the female is not a mantis, i.e. a female larger than the male... she drowned into my hoodie as i walked her home... i like the familiarity with the mammalian, not resorting to insect superiority of females... these days... i find that males are strictly mammalian... while females? they are borrowing insect-esque ontologies... well, darwinism allowed the time-frame... males are mammals... females are insects, behaviour-wise... two time frame i do not appreciate the english for... darwinism is prime.... cultural-marxism my ***... what about cultural-darwinism?! no?! that doesn't exist?! cultural-darwinism is as real as cultural-marxism, and, in the former sense? it really does belong to the conservative right-wing politico spectrum! might i add? isn't psychology merely pop philosophy? i find psychology riddled with rubric cohesion, it's all oh so "self"-evident! i abhor psychologists... these gypsy philosophers... medicine-men with no pharmacological shadow of power... to prescribe drugs... arguments, persuasions, but no dialectics... psychology will forever be, for me, a philosophy primer, short-cut... pop philosophy... psychologists can treat people who have never read a philosophy book... r. d. laing... i remember this one instace... me and a fwend of mine travelled into central london, went into a bookshop shy of trafalgar sq., i spotted an edition of: the scarlet and the black by stendhal... i told him: i will trade you linkin park's debut album, if you buy me this... the transaction was made... the one book i read after seeing a film adaptation starring rachel (rakhel) weisz and ewan mcgregor... ra-kh-el: not ray-chel... we used to be humans once... at high school getting bullied back... putting pins on chairs once we got up, sitting on them... playing bulldog in primary school, slap-ball, tag, playing cards at lunchtime... 16 fatty boy... one summer in poland, comes back aged 17... the irish girls take an interest while eating a pomegranate... what was the success of your diet? don't go to the gym... excess skin, an aesthetic surgeon is not what you need... there are only two ways to lose weight... either via swimming or by cycling... cycling is the best... lose weight by also toning your body... gym is a bad idea... by going to the gym you are straining exclusive parts of your body, either the torso, your hands, etc., jogging? unless on soft ground, bad idea on concrete, arthritis... cycling or swimming... lose weight... tone at the same time, the skin is allowed the required time to adapt to shrink, and forget what propped it up in plump form with all that excess flab... ugh... i hated being attractive to the opposite ***, i never used it to my advantage! imagine... an irish lad comes up to me, on behalf of some girl while i'm donning a french braid: you look just like johnny depp in blow, impersonating george jung... 14 year old girls walk up to you asking what shampoo you're using... herbal essences... i never used my looks... *******... now i'm a heavy drinker... so much for looks... first girlfriend? a fwend had to call me telling me she called him that she felt butterflies when i dropped her at the train platform after a day's worth of dating: tate modern, edward hopper exhibitions, cinema: troy, starring rose byrne (briseis) - honestly, a man can go crazy over curly hair... and then a restaurant date... that **** just flew over my head... i wouldn't have noticed... honestly though... i missed the whole h'american cultural excavation genesis in high school... catholic... uniforms... jesuit army-esque formation... now, i'm ageing... i'm starting to find the company of cats to be: clingy... my shadow included... i once thought that dogs were needy... i'm starting to think that cats are worse, esp. the maine **** breed... "lonely" or "loneliness" doesn't really resonate with me, esp. when thinking something "feels" like a variation of claustrophobia: hence i write... without a dialectic in place, ever since plato wrote his dialogues... what is philosophy, primarily? isn't it an off-shoot of "claustrophobia"? we write because we are seeking escape from congested thinking, a variation of "claustrophobia"... now imagine a schizoid character... having to focus on an imaginary dialectic, actually... having dialectics enforced on him, with no clarifying exodus to posit a gensis with! now, a clingy dog i could understand, given the overpowering status of the leash... but a clingy cat, when there's no leash involved?! shoom! right over my head... gone, somewhere into the distance!

what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions hype...
and didn't?
and instead took to patience?
it's free...
   where once,
a game would cost you 20 quid,
and a month's worth
of narrative,
back then, when games
resembled books,
when the gaming industry
was heavily influenced
by literature...
and now?
   the game's free...
sure...
it's "unfair", it's biased...
when you don't engage
in imported gambling
of succumbing to what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions...
       and didn't have the chance...
microtransactions are like
the old school cheat hacks...
but not quiet, but somehow quasi-,
       a modern microtransactions,
would be a cheat magazine
thorough-through
a game like final fantasy VII...
you have homework,
but you still want to complete the game...
modern games...
modern games...
there's an "end gole"?
  what modern game is worth
"completing"?
    
   again: tron, ready player one,
back to the future...
star wars just became dead
to me...
   sick people will plague hard-working
people, with a quasi-gambling
addiction,
needing to make microtransactions...
and they will,
my father was plagued by
an impostor, claiming to be a
tax office official:
and what if, that person had
an authentic position at the tax office?!

when gaming was for gamers,
the games were bought...
there was a narrative...
but now... now games don't have a narrative...
why would they?!
   who the hell plays games for
the narrative these days?
i know that on the crapper,
i need a game that allows me
to experience live-stream
interaction with non-bots...

       and these old gamers,
who still invest their money
in literature-esque-games?
so i was the sad one,
investing in vinyl?
   aren't the classic ******* gamers
just as bad,
investing in prepackaged
narrative gaming
experiences?
             a game with a narrative...
yeah... me buying vinyl
is: b'ah b'ah bad...
       what sort of game is alive and well...
when there isn't a crowd pushback
for the currency of microtransaction?

the narrative is time,
   the longer you endure the inadequacy...
the more you realise:
you're basically playing
the same game,
but in your scenario:
it's free...
   in some other ******'s scenario:
it cost him 70 hundred quid...

personally?
   i love this microtransaction dynamic...
concerning the people who
do not engage with it...
it's the perfect antithesis
   of what ruined the music industry
with genesis: napster...

you really are, playing the ultimate
game,
time...
         the one sort of commodity
that games,
without a clear narrative construct,
"forgot" to mention in terms
of them being exploited...
to their full capacity
of the one "commodity"
they "forgot", or rather,
couldn't "sell"...

              a tenchu PS1 game could
have lasted me a month...
now? a free game,
like war robots...
with absolutely no NPC?
hell... i'll be 90 and still be playing it;

what else? applause!
Aditi Kumar Aug 2015
I want my words to be beautiful.
Beautiful like yours.
I want to see ordinary things,
Find the magic in them,
And put the magic on a page, for everyone to understand.

I want to have a way with words.
I want every poem of mine
To become a masterpiece.
Just like yours.

I am not broken.

But you are.

You see the world through pain,
And pain makes the colors brighter.
It makes the value of feelings
Climb higher.

Sometimes I wonder
If I should be broken like you
If I want my words to resonate
Like yours.

Sometimes I wonder,
If it will be truly worth it
In the end.

I wonder what it will be like,
To cut myself up to pour out the beauty inside me.

Just like you.

I imagine that you
Raise the blade
Slice your feelings open
And write your masterpiece
In red.
Can only sad people write good poems? Can only broken people find inspiration in anything?
May this resonate with you.
May you be alleviated
Entirely in the wake of the dawn.
I will fulfill your spirit
With my lambent presence.

In other words, the perennial balm
Filled the pores of your conscious.

We are immense and intense
Like the god-inspired galaxies,
And as passionate as Hades.

May we carry on as one.

Originally written 11/12/10
Revised in 2014

(c) 2014 Brandon Antonio Smith
Mateuš Conrad Dec 2015
poet, or philosopher, it doesn't really matter which is which, or whether the two are indistinguishable, notable in the former scenario, when someone has an eclectic bounty of interest is simply not love-scorned or love-nostalgic, love-idealistic, does it really matter? i was once called a philosopher: a teenage girl said in third person (as if she was a puppet and some-thing was moving her tongue): 'talk to this philosopher'... not in that sarcastic way that philosopher is an misnomer or an abused term of: self-gratifying grandeour, it was quiet genuine, but: imagine my shock... i had an ambition in life, it was to perform a service to thinking: without doing as much as hammering a nail into a plank of wood, that's the ambition of any thinking man: to borderline on telekinesis or telepathy... that was Hegel's modus operandi, his categorical imperative... after all: ego is a metaphysical tool, while thought is its metaphysical canvas... the mere suggestion that a copernican inversion can happen in physics "contra" metaphysics... it's already apparent, any word can behave like a hand touching the sacred object / subject of transfiguration and become something else, even a misnomer can find itself given solace to the user... for now i've forged a belief in the ultimate: away from the absolute in relation to omni in unum - one first has to learn to think, before having to learn to feel... mind you, i don't like the current nietzschean inversion of the cartesian equation: (ego) sum ergo (ego) cogito... esp. among the youtube political commentators, too many examples to give: i'm a classical liberal, i'm a progressive, i'm a liberterian... i don't really like seeing: i am, precede i think... i don't even like the origin-argument of this inversion: i exist for the sole purpose of thinking... after all: i think prior to being, since i can also daydream and not be what my thinking suspects as a possible truth-outcome... that's the nature of the freedom of thought: i don't have to be what i think, i can find thinking to be a pleasure, when the senses do not offer me any pleasure derivative, e.g. eating can sometimes be boring, chewing, chewing, *******... i eat because i need to live: i don't live to eat... i really have under-appreciated Hegel, i should really visit my grandparents for two months and read the phenomenology of the spirit: i'm trying to replicate the saying attributed to him (verbatim), but i doubt that i will, i don't have the patience to sift through all the quotes, but it goes along the lines of: beware oh wordly man, to not be a pawn in a thinking man's game... hence my suggestion of philosophy entering into the realms of telekinesis and telepathy: you get to see things play out and people express the origin story, of your own memetic generation of the original idea... how are poets finally alligned to philosophers? good thing that i studied chemistry at edinburgh university: we return to atoms, words are no longer enough, sure, they are, contrary to the statement...  (why did i under-appreciate Hegel? ah... had my head stuck up heidegger's and kant's *****...

  integration? great!
but i'll meet you halfway...
    i'll eat your fish & chips,
your englush breakfast,
  i won't sing your anthem: god save the queen,
****** anthem, too short,
but i will whistle through:
the british grenadiers' fife & drum...
like i might through la marseillaise...
i'll meet you halfway...
i'm not a former colony member,
commonwealth,
   i'm not some ****- paying bribes
to the british powers
to join in on a world cup of cricket...
this is what happens when immigration
turns sour...
they either lesrn the host tongue,
or they don't learn it...
or they can't distinguish the two:
speak polonaise at home,
speak the hosts' sprechen outside of it...

   if the ******* aren't suspect:
by not being bilingual...
the arab beatles... jihadi john...
          ringo star h'ahmed...
  george ali...
                paul mecca rashid...
oh i'll settle for integration...
but don't you ******* think i'll give
up my mother tongue
for "c.c.t.v." close-ups back home,
home being my private lodge...
like ******* will...
  i'll speak your tongue in public...
but i'm not ******* former commonwealth
****- riddled with a need to play
cricket, "forget" my tongue in order
to compensate for olives
              and sun-burnt bananas!

a former colony ****-**** is about
to dictate the rules for fellow
europeans, on the tram-ride from
Birmingham to Nottingham?
seriously?
        but of course the englishman
will favor the former colony pet bush-monkey
from sri lanka...
since the brit can't really dictate
to a fellow european his superiority
complex... which he can...
with a petted copper skinned
toy-ting...
who brought 'im a korma curry!
nice one, ol' laddy...
        right on the plonker...
                 i'm not finished!
                        i'm just getting started!

gehirnablassen:

perfectly respected immigration,
given that so many english girls just love
the attention their **** minders,
sexually abused,
not really making it as nurses
or... ahem... karaoke superstars
worth the while of britain's got talent
or voice of britain,
or...whatever the ****** show was
that gave birth to one direction...

so a.... brain-drain? good immigration?
the best!

i can sit awhile by myself and count...
1. the sparrows,
2. the swallow,
3. the starlings,
   4. the crows,
5. the magpies,
6. the pigeons,
7. the woodland pigeons
(fatter, with dog collars),
8. kestrels
  (one is enough to begin
the count)...
9. the blackbirds....
10. seagulls... seagulls?! 25 miles from
romford to southend! seagulls?!
this far in-land?! fair enough...
11. a robin...
                   12. goldfinch...
i just sit and watch these birds
in my garden, i sometimes spot
a darting frog in the garden,
i'm more english than the english...
i actually enjoy owning a garden...
the "english" surrounding me
exemplify a bbq. as a luxury parade...
what's so luxury about marinating
some meat, and then grilling it?!
please! enlightend me!

    gehirnablassen...
                   brain-drain immigration,
the type asiatic tiger-mums brag about
at child olympics...
   for the required rubric stature...
******* mothers, basically...

1. χaron χaos - cha-cha-cha       khaos
2. theaetetus - so / ma   letters / syllables:
     graphemes: sz phi theta
      compound syllables (caron s) - Na (sodium)
3. music choice...
       brain damage perturbator ft. noir deco
    virga iesse floruit, gradual of eleanor of
britanny...
4. pride / stubborness (not equal to) honour,
tolerating islam is not the same
as respceting islam...
   german 19th century fascination
with islam...
     θought and φilosophy...
   greek in warsaw, giving him directions,
talks: sounds so much like spanish...
5. england a nation of singletons,
idiosyncracy... social pressures in poland
and even in h'america missing in england
to marry...

1.

chamaleon tongue,                    shape shifter,
bez akcentu w piśmie - więciej akcentu poza pismem
(trainspotting scottish), welsh, cockney,
east london altogether, pakistani english, etc.
e.g. rather, or raver, i.e. not rayver
(someone who parties at night on ecstasy pill)
but ra'ver, like verging on a new discovery,
it's not even the = ~v but is actually v...
english is a chamaleon tongue, you say 'nostic
when you write gnostic, i say diagnostic,
therefore say gnostic, you say 'nome, i say gnome,
as cf. with diagnostic;
then there's the case of the per se:
you say chamaleon - no kappa there apperent, eh?
but there's chappie, chap, chuckles,
no kappa in a millionth chance
to also say nough'ledge for knowledge,
a bit like that gnome of yours...
as i said before: a language without
a written insertion of stressors / distinctions
will produce a massive array of diacritical
stressors / distinctions outside the written format,
but it will also become as complex as to
allow adults with learning difficulties e.g. dyslexia,
and that horrid internet slang of shortcuts:
i ate my 8 when i was late for my disco date
with the cha cha cha melon.

p.s. if there's a hay patch at the beginning, the nasal flute
will ask larry 'the lynx' saxophone to hark it out with rasp
gritting of phlegm... but if it's somewhere else down
the piccadilly line... it will act like a nudist spy and resonate
less than expected; probably mingling with f, i think.
Lior Gavra Jan 2018
Liquid courage to numb the pain.
Intoxicated to forget.
Offbeat blood, sent from heart to vein.
Returns with a guest, she just met.


She closes up, leaves the bar clean.
To her apartment, around three.
In bed she lays, counting some sheep,
That mock her, thinking she will sleep.
She hears the crickets’ lonely beat.
Reminding her of creeps she meets.
Sometimes they have a potential start.
But never truly go that far.


Each night dealt with some other cards.
But slowly starts to build up guard.
She puts less time in her makeup.
But drunks continue to pick up.
She joins in shots, hopes to pass out.
But in her head she hears the shouts.
Her heart’s hunger for real love.
Her clouded thoughts rise above.


A newly turned insomniac.
No longer sleeping on her back.
Till curtains peek with starry eyes.
So bright, leaves a forceful rise.
Her sobs like strings of violin.
A void no liquor can fill in.
Despite how much she tries to drown.
The aches resonate with shrill sounds.


Another night, still found no one.
A man enters, two drinks and done.
She questions him, “What is the rush?”
Always pulled into a quick crush.
But never really tends to last.
As he mumbles about his past.
A bartender, like therapist.
As alcohol reveals the gist.


Now drunk and loud, he starts to shout.
Before his crash, he raises doubt.
He talks about, the best he lost.
Always at home, waits for the toss.
She cheers him up, when in a rut.
He gets up again, “That **** mutt!
To see her hurt, curled up in bed.
I held her paw, up till her death.”


The next night, slept pretty early.
He was perfect, brown hair curly.
Her eyes were lost, but not with lust.
Enjoyed his smells, delicious must.
A piece of her, became a part.
Happy to save his sinking heart.
Rescued him, he slept on her rug.
Named Milo, her three-legged dog.
This is one of the sample stories in my new book, "BitterSweet," which has become a #1 New Release on Amazon.

https://www.amazon.com/BitterSweet-Lior-Gavra/dp/0999497103/
sweetestdownfall Mar 2015
If love does not exist in this world,

We will make a new world
Furnish it with
Surprisingly vibrant red walls
and flamboyant interiors.

If love will exist in the other world
Love me back
So we can hear
Our voices to resonate
In unity
In clarity

If love will never exist
Let me still love you
Because love exists
Within me.
SøułSurvivør Jul 2015
---


the raw
wounded words in
Braille awaiting
a tender, gentle touch

waiting for
a voice

the silent ones
stare upward at the sun
their eyes streaming tears

notes that resonate
they fall into uncaring soil
silver seeds screaming
with none to listen

do they not listen to us?
the fortunate with full
rich operatic tenors

---

i have heard them

the two words as eloquent
as a simple "i love you"

those two words?

HELP ME.
I read sometimes and tears
come to my eyes.  There are many
who want SO much to let the pain
out, but don't know how

If someone reads this and
needs help, you can contact me
via the site message system

Thanks

---
Your smile.
.
endlessly,
my heart  searched
for a vibe on another
heart with which to
resonate and found none.
finding none, it  wandered endlessly like
Infra-red rays seeking a
suitable tempo upon which
to strike an interference.
i  wandered in search of a fertile
land in a heart upon
which to grow seeds of
love, my head burrowed
deep in a shell of
restlessness...
.
but on that fateful day,
too-good-to-be-true was
your smile--- it caused
my eyes to twitch,
borrowed a beat from my heart, transforming my
thoughts to an ode-- a
prelude to better days
.
i still see that smile,
lucid--- your lips opening
like windows of love,
revealing shiny white
louvres of beauty (teeth)
which opened to your
tongue-- a valley flowing
with sweetness as it
goes down your palate
like a parting curtain
welcoming love... then
you said "hi".
.
this friendship began with a smile,
it deepened with the " hi"
.
i have tapped from the
happiness let out from
the windows of your heart--
your smile..
my heart no longer wanders, in your smile,
it found rest
.
my greatest wish is
to make this smile mine
someday,
plant a kiss on your lips,
the happiness that
dwells in there becoming
a remedy to my malady.
.
.
Chukwudera Michael
Paolo C Perez Oct 2012
His Funeral was today.  Well, his wake rather.  It was in his old colonial home on Elm Street, a bought of irony that Paolo would never get.  Anyway, it was an odd set up at his house. Family and friends downstairs in the living room, acquaintances and honorable mentions meandering through the hallways clearly more interested in the intricate little floral patterns that adorned the wallpaper than how his family was holding up.  The company of the house was split, everyone either legitimately full of sorrow, or completely full of ****.  In everyone’s grasp either handkerchiefs or hand grenades it was as if the invitation read “Come see it to believe it!” In the study across the hall a small memorial was set up.  Big cards, tons of photos, some flowers, anyone who actually cared stayed there and stared at his once happy face, who knew what it looks like now.  
He had died of some sort of overdose, one that destroyed his heart, so he would have looked fine in an open casket.  The doctors say it was *******.  I don’t believe them.  Paolo had his fun in college, ***, *****, sure, but coke?  There’s no way.    The services weren’t to take place for another two hours, so his family rolled him onto the second floor balcony.  It was actually his dad’s decision, something about a “disgrace” and not wanting to look at his face.
Apparently his mom had felt bad letting her dead son chill on the porch for a few hours, so she rolled him across the hallway to his own room him and kind of laid him out on the bed, as if letting her baby boy take his eternal sleep where he’d have had most of his shorter ones.  
Picturing him lying up there was the first negative connotation I ever had with the image of him on that bed.  He had that kind of headboard that when we started getting at it the bed would hit the wall with each rhythmic movement.  Steady and almost tribal as our bodies danced to the ever increasing beat of a talking drum.  Our clothes off and our skin glazed with sweat it was like my own personal method for getting high. Now don’t get the impression that our relationship was based purely on a physical connection, we’d been dating for three and a half years, the love was there all right.  
We had met in the strangest of ways, through a mutual friend that I was kind of, almost, sort of, but not really having a “thing” with, you know?  Cisco was his name.  So we were together one day and he, being the adorable spaz that he was, had forgotten that his own birthday party was that same night.  He asked if I didn’t mind tagging along, it was a celebration for him and two friends whose birthdays followed his in sequence.  
This had been going on for several weeks, and I know we weren’t dating but I still had a feigning interest in the guy.  So we arrive to this girl, Cristina’s, house and I noticed this other boy almost immediately.  In a backwards cap and pair of boot cut jeans he was jumping around, tossing his arms, right in the middle of reciting some hilarious anecdote to any of his friends who hadn’t heard it yet; even those who had seemed riveted.  He was so full of charisma and with such assurance.  Besides that he was kind of cute so, though pathetically, I tried flirting with him for the rest of the night; he didn’t really catch on.  We left that night without having exchanged more than ten words between each other, I thought I’d never see him again, turns out I was wrong.  
“Broadway CAREols.  Show others that you care by enjoying a night of with your favorite blend of Christmas ditties and Broadway biddies” And before you ask, Yes, I did come up with that title, I think it was great and it was at the top of each flyer in big red and green letters and if you asked me “If you could do it again…” I would do it the same each and every time don’t judge me.
It was a show I had to direct for a community service project and of all people he played the piano for my show.  Only me and several other girls made up the cast, and I knew how easy it was to mistake a positive attitude for flirtation when it comes from a handsome young man.  He ran the music over three or four times individually with each cast member before the night of the show, but when Paolo and I worked that night he stopped me and just sang. For me.  
Each night after rehearsal I had to give him a ride home, I was a year older and thus had my license a year sooner.  I’d never mind allowing myself more time to bask in the glow of his perfectly understated confidence, so I was happy to oblige.  Technically Connecticut state imposed a law forbidding new drivers under the age of 18 to be on the roads past 11 at night.  My mom, being a government employee, really stressed this one.  His house was a solid ten minutes drive from our rehearsal spot, and my mom often warned me to allow myself enough time to get back home before 11.  What started as me beginning to drive faster and faster during the trip home ended as a routine each night, where I would finally allow him to step out of my car just as the clock read 11:00 PM.  
Our first kiss was in that car, my first uncontrollable breakdown was in the car, hell the first time he told me he loved me was in that car…right at the lip of the driveway.  I learned to ride my brakes perfectly to the point where I could park just beyond the edge of the sidewalk yet just before the point where the porch light would flash on, reminding his mother that his son is out past ten on a school night.  It was so warm.  I’ll never forget the cadence of his laughter as it trailed off, seamlessly merging with that next statement “Anna, I love you”.  I could have sworn the porch light went on.  

Now I know it may seem like I don’t care for his being dead right now, but the thing is, I did something.  I did something really bad.

You see, I had mentioned that he was up in his room, right?  Still, stiff, simply waiting to be brought down in a few hours as the catalyst to another round of tears.  Now don’t get me wrong, I did my share of crying the night before.  He’d been in the hospital for only a few days and when they told us he was dead…God, he was just so young, two years into college, the friend you have who was chasing his dreams down with a brand new pair of sneakers.  That kid the whole town knew because of the multitude of silly town functions he attended.  He would always insist.  Every other weekend was one silly thing or another “Oh you’re gonna love this.  Two words – ‘Poetry showdown’.  If you can’t take the heat, don’t stay in the kitchen”
The day of the funeral I just had to see him.  I snuck up the two floors to his room on the third floor.  As I neared his door at the top of that final flight of stairs each creak of the floorboard seemed to resonate through the house, followed by the hollow silence of my stillness.  I paused with each step as if stepping in larger spans of time would make what I was doing seem less suspicious, should someone hear me.  Upon touching his doorknob I felt an immediate chill. I couldn’t tell whether it was some ghostly feeling of being in the presence of a dead person, or the fact that the thermostat had been turned down to keep his body prime for viewing.
I held my breath as I opened the door, and blinked a couple times when I saw him.  He was wearing what everyone else was in downstairs, black tuxedo and a dark tie.  I know he would have scowled had he known he was going to be buried in a constricting penguin suit.  We had a conversation about it, you know?  Out on Academy Hill, right in the middle of a picnic. We were in enough shade that his transition lenses were only half tinted, and when he sat up, it was abruptly.  Pushing my head off his chest he kind of leaned in to the cemetery in the distance and pointed out how sad it is that no one really ever gets the chance to choose how they want to spend the rest of eternity dressed in.  He would have preferred his puma sneakers, still white after seven months, his striped green and blue socks, his only pair of ripped designer jeans and that express shirt he loved so much because it showed off his natural physique.  
I moved closer, inching toward him at first, then quicker as I broke through a place where I just relaxed, and for a moment he wasn’t dead.  For a moment he was just sleeping, all ready in his fancy get up simply waiting for me to wake him up.  I found myself sitting next to him, my eyes cast downward, half expecting his gaze to meet mine, and while stroking his hair I got an idea.  It happened quickly, and I kind of have a problem with acting upon my impulses, it’s something he used to criticize me on that and I never really improved.  Without thinking I threw open his drawer and pulled out what I knew he’d have wanted to be dressed in, should he have gotten the chance to create a will concerning his death-wear.  As I pulled of his starchy shirt my hand brushed against his chest, chilled as the room was, eerie as nothing else.  I finally got him down past his pants and saw, of all abominations, that he was outfitted in a fresh pair of tighty whities.  God, it’s as if the funeral home was asking to be haunted by his tormented soul.  I found his single pair of silk boxers and reassembled him in the way I knew he’d have wanted to be.
So great, now everyone will think I’m a loon for having desecrated his body.  Well what do they know; I’m the only one who ever really knew him! But how the hell would I explain it to his parents when the pallbearers march in and there he is, laying face up in his street clothes?  
This wasn’t right.  He didn’t belong here, he needed to be somewhere comfortable, someplace he enjoyed, not sitting upstairs in a suit with the lights off and the air blasting.  He hated the cold!  Certainly he would have hated a hundred people staring at his dead and lifeless shell, and he would, without a doubt, hate being six feet under, pushing daises at the Nichols Road cemetery.
I wrapped my arms around him, and as the building adrenaline made my breaths deepen I inhaled several moments of ecstasy off his clothes that still clung to his musty scent.  I lowered him gently to the floor and took care as I dragged him across the carpet to his door.  After fumbling, for what felt like several minutes, on his door handle I got him onto the awning introducing the stairs.  I even made it down the first flight of stairs without freezing up at the tiniest creak when I heard someone coming my way.  ******, they must need to use the bathroom, why couldn’t they just use the one downstairs like any normal person?  Without hesitation I throw open up the window near bottom of the stairs, heaving myself and him, sending us tumbling onto the garage roof.  Ignoring my probable bruises I spring up and slam the window behind me while taking special care to hide us both as far away from the bathroom window as possible.
Sitting up there, my heart racing, I felt his hand in mine and it was probably because my palms had gone clammy but I swear for a span of time he was alive again.  I closed my eyes and felt the breeze in my hair and was transported to a place where I spent a single moment in each day we ever shared.  Each beach side sandcastle, each afternoon spent cloud gazing, those same afternoons turning into evenings of star gazing, each and every night spent utterly and irrevocably lost with this silly boy that chose to love me.  
I was torn from my oasis as I heard the bathroom’s occupant exit and continue downstairs.   Knowing that my van was parked on the other side of the street I pushed his body as close to the edge of the roof as I could without his falling off and let him be. I hopped back inside and ran downstairs, but not before flying through the doors of the memorial and interrupting his mothers eulogy.  In an act of sheer brilliance I mustered a few tears and tore out the back door.  Everyone figured I was just so taken away by his death that I couldn’t stand to be there anymore.  Who knew anxiety could be mistook for remorse so easily?
I ran down the driveway, losing the grace I had composed in my dress in high heels the moment I slammed that door.  I jumped into Emmet, my van, because only crazy people drive around in un-named vehicles.  
I pulled out of my spot, nearly ruining the paint job on both my and his Uncle Ed’s car.  I flew my trunk door open and set the third row down, the general idea being his landing securely in my back seat.  I reversed up the driveway with the precision of a surgeon and the speed of a leopard right back to the edge of the garage where I had tossed his body.  I jumped out of my car nearly forgetting to put it into park before I shut off the engine.  I barely got halfway around my car before becoming transfixed on his hand, hanging off the gutter as if reaching for mine to grab hold and pull him to sweet salvation.  I jumped up a few times, unsuccessfully before I took off my shoes and got a good running start.  I flew up, grabbed his arm and ****** towards the car in a sideways downward motion.  He nearly cracked his head on the pavement coming down, he would have too if it wasn’t for my body breaking his fall.  I got up, too distracted by the sheer volume of my own heart to realize the pain I felt.  I shoved him into my back seat, slammed the trunk, stumbled into the car, stuck it in reverse and stepped on gas without even putting my shoes back on.

I told you I had done something bad.
This is a first draft, please, I welcome your critiques.
"So have you forgotten?"...

Those words you muttered so softly from those blushed lips.

"I have yet to lose grasp of the severity those words held"

Making the connection from the depths of your vocal box, to the cusp of your tongue, and out your lips.

Traveling through the atmosphere, into waves, down the tubes of my ear and rattling the drums within.  

What we once shared is now aged by the times.

Times we've spent silently mesmerized by the deep darkness of our pupils.

Ignoring the fate of our actions and its outcome.

Silently giggling, we explored the delicacy of the human body... and of the mind.

The world aged as we sat timeless, centered on my sheet-less bed.

As if we were curious children who have yet to be exposed to the harshness of the exploited world.

We have explored the realms of living nature and continuing the adventure.

We must continue onto different realms of perception and thought, in which we can't question the kinship of

our spirits.

My words do no more but go to waste as they fall on blind eyes, which are recited by mute mouths,

and are silenced by deaf ears.

But those words we spoke, silently into each others ears, later encrusting in our minds.

Those words... They will resonate.
A shallow breath,
A gentle tone,
Sustained,
Ringing out,
Calling the trees,
Whose ears bend to hear,
Subtle harmonies,
Growing,
Calling the hills,
Whose eyes close to hear,
More clearly,
The song,
Calling the earth,
Who stirs the sleeping seeds,
So they too,
Can hear,
The calling chimes,
Asking the world to smile,
As they resonate,
So easily,
And sing their metallic song.
Let the flow of wealth surround me
Fill my heart with love and peace
Let the energy more freely
Flow through me and never cease

Flow with vibrant love and wisdom
Flow with all I ever need
Flow with harmony and friendship
Flow til I feel ever free

Let the sounds of wealth keep ringing
Let my words run clean and strong
Let my cells rejoice in singing
With this happy wealthy song

Flow with vibrant love and wisdom
Flow with all I ever need
Flow with harmony and friendship
Flow til I feel ever free

Let the streams of wealth flow to me
Let me share this flow with you
Let my mind see ever clearly
All the tasks which I can do

Flow with vibrant love and wisdom
Flow with all I ever need
Flow with harmony and friendship
Flow til I feel ever free

Let the feel of wealth stay near me
Give me confidence to dream
Let me resonate so dearly
With God's never ending stream

Flow with vibrant love and wisdom
Flow with all I ever need
Flow with harmony and friendship
Flow til I feel ever free

Let the truth of wealth fulfill me
As I seek the higher way
Sharing love with friends and family
Counting blessings every day

Flow with vibrant love and wisdom
Flow with all I ever need
Flow with harmony and friendship
Flow til I feel ever free
This is Prosperity Poem 25 at ProsperityPoems.com and you can see it displayed on a background here http://prosperitypoems.com/delivery25FlowWithAllIEverNeed.html
You can sign up for free weekly delivery of poems at Prosperity Poems (.com)

I sing this one every day, and knew I wanted to improve some lines.  So I made some changes and added a new stanza.

So it's one of my longest poems, and dear to my heart. The part in the middle about my cells singing - always gives me a boost.  I really believe it's contributed to my health as well as my wealth.
Steven Hutchison Apr 2012
Resonate my veins
Setting my love in motion
Your satin voice
Finding frequencies of truth
Day 7
Victoria Essex Nov 2012
Life’s moments and happenings are like little thieves
They don’t want any money
They still take it
Putting salt on cracked lips, stealing the warmth of a heart
Sobs resonate in lonely halls
Everything reeks
Of lifeless dust
Even darkness can’t fight them off
Or push away the pain

The cold, swift figures taste like hatred
Longtime friend with the soul of a sister
Offers a consoling embrace
It bleeds good feelings
Now they want our money
Thieves aren’t fair, nor logical
No rhyme
No reason
Life’s a poorly written song
Bad music *****
The bold melody clashes
With its vague accompaniment
We didn’t want them so we welcomed them

‘There must be some way out of here’
Said the joker to the thief
I don’t think there is any way out

The precious tokens of life should be protected
By an army of mindlessly trained children
Who fall in love with the thieves
Whose forgiving minds omit the fear

Thieves call us easy
We are forever sobbing
Cries heard only by past selves and invisible belongings
When we prove we are great
And pass impassable tests
Everything will return

We aren’t capable of such feats
Our memories sing us haunting songs
We cry out with our salty lips
And empty hearts
Robbed of any motivation
Robbed of any care
Robbed of love
Axion Prelude Dec 2017
Seasons pass, tempered by insalubrious fervor; treasonous design remiss of fate

An echo of prior songs resonate somber atrophy; mourn the passing of  constant defeat, stained by triumphant dissonance and disdain

Fear strides along the broken path, left alone and solemn and crass: Through sour feats of vindication, tones of plight become dismissed

Surfeit, the sound of temptation rides upon the crest of dawn, blinding darkness like calming waves caressing infinite stretches of sand: soft and warm; kind and welcoming, embracing in its gentle touch

Sentience hides behind a creeping fog, whispering secrets of life eternal, bearing gifts wrought through sensuous candor

Two threads lost, now found; slowly bonding, uniting purpose, rhythm, rhyme, and reason; born from the same cloth, garnering habit, singing in harmony what echoes from within

Beautiful, intelligent, staunch with profundity; stark, handsome, wholesome, and good

The call of a true home may finally beckon..
The most enrapturing, green eyes, gently kissed by hues of orange and blue
Harsh Nov 2017
I listen to a lot of music loudly,
and I mean it in exactly what way;
It's not that I always listen to loud,
electric music that blasts your ears
like fireworks and gunshots firing.
I also listen to music quieter than
the stirring of a mouse, with
intimate notes and subtle crescendos.
Normally, when listening to my music,
I can feel the vibrations throughout
the lengths of my person; every
bass line shaking my vertebrae
and every falsetto ringing in my skull.
But today, I felt something different.
I was playing this one song in the car
and my bones didn't shake,
my hands didn’t tremble.
And it’s not that I didn’t feel it,
it’s really a matter of where;
I felt the music resonate
in the hollow chamber of my chest
where my heart should have been.
Frank Ruland Jan 2015
Okay, here is my list of people who I think are awesome. They come in no particular order, mind you! If you have been left off, I apologize </3 If you're reading this, you're probably awesome too! Except the artist, Logan Carveo, Beryl Dove, Edna SweetLove, Lovecraft, and every other troll on HP. Kindly fall off a cliff!
Now, let the list of awesomeness commence!

-Rex Forte': Dude, you and me and have been commenting back and fourth for awhile now and I think you're a really down to earth guy! You stand against the trolls when you have no obligation to and I have meassive respect for that!

-The Emerald Outcast: Emerald, you appear to me as one of those sweet, endearing innocent souls! I really admire the purity of your poetry and the word choices you employ. It's all so smooth and I want you to know you touch people on here.

-ThePoet: Sarah, how sorry I am to have left you out! Surely my wires became crossed when I was writing this. I've been messaging you for a while now, and you're nothing but a sugar cookie (sorry, southern euphemisms :p). Hello Poetry needs people like you to perk up the downtrodden masses. You are a beautiful person, your words are uplifting, and you are beyond poetically sound. Much love!

-Alyssa Rose:: I've only just begun to see you on here, but you are awesome none the less. I did my "I Love Doing Lines!' challenge on you because of the raw emotion I saw in your poetry.

-TSALOVERLOVER: I don't know you extremely well, but you appear to be kind, generous, and nurturing with your comments (compliments!). You are attentive, and you point out positive things in people's poetry.

-chimaera:You are a talented poet. Albeit I don't know you too well personally, you strike me with the power of your words.m

-The Girl Who Loved You: Melanie, you have been my personal friend and peer for quite some time now. We can joke, talk about poetry, and get pissy with each other from time to time, but it doesn't change the fact I love ya! Thanks for having my back with trolls <3

-SPT: I don't know you well personally, but not a day goes by where you don't post a poem that is just rich with personal experience and soul.

-Elsa Angelica: My, my, my. You are without a doubt, one of the sweetest people I have come to know. Your heart is gentle, but there is a fire that burns hotter than the sun above Texas! I thank you for being my friend on here and all your sweet words!

-Adreishka Luciano: I love you. i remember your first message to me concerning my profile background! You are one of the most creative, musically gifted, beautiful people I know. The collaboration that we did was one of the smoothest going I've ever done, and I think it's because we sync so well.

-WickedHope: Wicked, how I always wondered why you picked that for your screen name. You are the farthest thing from that ever! Try: gentle, loving, affectionate, kind, sweet and endearing! You write such heartfelt poetry and I have come to know you in depth more so than some others, and I think you have  a beautiful soul.

-Spencer Craig: Here's to my biggest Public Service Announcement supporter! You've been there from humble beginnings to what they have evolved to now. Thank you so much for your wonderful compliments.

-Maha Salman: I don't know you too well, but I think your poetry is divine! Keep writing!

-The Creep Who Loved You: Creep? Try Angel! You're as cool as the come, friend! Your poetry is wonderfully quirky, and you have spoken out against the nasty trolls a few times. Be well!

-Ember Evanescent: Ember, you speak your mind more so than probably anybody else on this site. Your words come from the soul, and I really respect who you are as a person. You've left me some lovely comments, and I truly think you are an awesome person!

-WolfSpirit aka Quinfinn: God almighty, is there a more humorous, upright, and amazingly talented poet than yourself? I don;t know of any. I truly respect who you are. You've backed me as well as numerous others on this site concerning trolls,and I thank you a million times over for your personal kindness and continued demonstration of your morality! I wish you all the best. I look up to you as a person and poet.

-Ryn: Oh my god, you are the F---ing master of the concrete poem! I can't tell you how many times I've seen the trending screen to see your latest literary concrete contraption! You have such a dedicated and creative mind. Dedicated, because even if I had come up with some of the ideas you've come up with, I would've given up on the first time after submitting and seeing how f---ed up it turned out. Much love, brother!

-Kollitiki Vradypodes: My good sloth friend! You created this challenge and I was your focal point! How taken back I was by your generosity! I don't know you too personally, but I can safely say that you are the coolest sloth I will ever come to know. Your poetry is very lax, and it all feels so very natural! Thanks for creating this challenge! Stay slothy!

-Ukcen: I don't know you personally too well, but your poetry is out of this world! It all comes from your soul, and it spills onto the page like the most gorgeous wildfire ever spawned! It just consumes your readers. Keep writing!

-Kalypso: Here's to you, doll! You are one of the most endearing souls I know, and so very beautiful on top of that! Truly, your poetry is awe inspiring, and there's no asking why you just made daily not too long ago! You don't just capture people's minds, you capture their hearts as well! Never stop writing!

-Sye: Sigh Sye, you are one of the most kind people I've ever encountered. You have nothing negative to say, and you carry yourself like a true poet! Wise, inspired, and heartfelt, I don't think anyone can trump the sheer inspiration that goes into your work! Much love!

-Ana Sophia: Ana, you've been paying attention to me longer than... probably everybody on this list! You are truly a sweetheart, and I love, Love, LOVE all of your poetry! Your happy writes bring smiles to my face, and your sadder ones grip my heart. Never stop putting out these works of art!

-Eudora: I think you message me more than any other person on here, and you are so wonderful for it! You come to me with nothing but kindness, and I love you for it. Thank you so much for your continued support, and I ask that you keep putting out your splendid poetry!

-Erenn Y: Dude, you are cool as all Hell. Your writes resonate with me more so than most. I get a laid back vibe from you, and i definitely sense your in depth artistic nature. Respect, my poet brother.

-Pradip Chattopadhyay: I don't know you too well personally, though I love your poetry! You've been paying attention to me for awhile, and it has not gone unnoticed. Please, continue being awesome, friend!

-Sir Poet: Adam, I know you somewhat personally, and I have a lot of respect for you. I love your nature inspired poetry, as well as your pieces concerning racial issues. You are a very in depth person. Keep at it.

-Rose: I love you so much! Your poetry is well inspired and so heartfelt! it really grips at me in one of the best ways possible. The lighthouse collaboration you did with Mel? Out of this world! Keep at it, Rose!

-KetomaRose: I don't know you personally, but you constantly read my poetry, and I think yours is awesome as well! Keep on writing!

-TheDedPoet:: You sir, are one hell of a powerful poet and you carry yourself with the utmost soul. I've read some of your works and found my mouth agape at times. Please, please, please, continue writing!

-Cat aka CatBird: Cat, you are one of the sweetest Cats I know! You are very friendly, open to comments, and genuinely welcome people! I love your style!

-Joe Cole: Sir, I look up to you. Your poetry is without a doubt, some of the most vivid writing that I've ever been graced with reading. On top of this, you have proven yourself morally upright concerning the recent waking of the trolls. You have come to the aid of those who have been besieged by trolls, and I applaud both you and your poetry.

-Poetic T: Dude, your stuff is far out! And I mean that in the best way possible, You really hooked me with your sci-fi writes, and I'll never forget the amazing collaboration that we did! I hope you feel better, man. I know you have some health issues. Never stop writing.

-WeepingWillow: I don't know you too well personally, but you write with all the soul, heart, and spirit in the world! I swear, it's almost unnatural, but I'll never stop loving it!

-Jaishree Kumar I've known you longer than most, and we've done a few collabs together. They were the most in depth and your conceptualization skills are beyond reproach. You are truly kind, smart, and beautiful person! Keep being you!

-Pamela Rae: You are a kind heart if ever I've seen one! You never stop giving, and I love the hell outta you! Your poetry is breath taking, and I'm not surprised in the least concerning how many other people love you as well.

-r: I don't know you personally, but you were one of the first people I took interest in when I joined this site. I'm amazed by the concepts you continue to come up with, and I love your style.

-Alexis Nicole Glover: Hon, you are one of the nicest people I've met on here! You just keep coming with your kindness, and I applaud you and your heartfelt writes. Keep at it!

-Jinxx: Kid, you are one hell of a person. You messaged me randomly, but I'm really glad you did. I know you're going through some s--- right now, but I wish you all the best. You seem very resilient, and I know you're going to get through this tragedy. You're strong, kid. Stronger than you might think. Keep at it. And, thanks for your tea suggestion. It's really helping me out.

-Joe Malgeri: Dude, you are one of the most socially conscious guys out there! So much of your poetry concerns things that are bigger than us, and I have the utmost respect for your style and continued interests in my works as well!

-Midnight Writer: Midnight, you are a kindhearted soul, and I love everything that you put out! Truly, you are an amazing person and writer! Please, never stop writing.

-Aesha nisar: I was a bit taken back when you messaged me saying you had mentioned me in one of your submissions! Truly, the tribute to me as well as the others was just lovely. Your poetry is just as beautiful as you and I hope you never stop inking!

-Musfiq us shaleheen: Sir, you've been on here for awhile, and you don not stop impressing people with your work, and your followers prove it! I love reading your stuff, and I wish you the best continued poetry career!


--Awesome people who I don't know too well--
-Sjr1000
-Bloom
-The Noose
-BetterDays
-Maggie Grace
-Earl Vandorn
-olestoryteller
-kylia
-The Jolteon
-MercuryChyld
-AcidLovesMercury
-Ashley Lopez
-lildicktornado
Okay, I tried REALLY HARD! I really hope I didn't leave anybody out. Seriously. I worked on this for like an hour. You guys are all awesome and I love you all.
Rangzeb Hussain Feb 2011
Journey to Mecca – The IMAX Experience

Imagine the scene... There are crowds of people milling about, some in queues, some chatting by the windows, others sipping a warm drink. There are children playing in corners, babies drinking milk, and wherever you look you see people of all creeds and races united under the banner of a shared humanity. And what is the reason for this diverse cross section of society to be present in one place on a quiet and sleepy Sunday afternoon at Birmingham’s ThinkTank? The answer is right there across the busy foyer. It is a poster for a new IMAX film called “Journey to Mecca”. The very air bubbles with excitement and expectation as the cinema staff cut the proverbial ribbon and usher the people into the auditorium.

Space, vast and open, is the first thing that hits the audience as they take their seats and let their eyes wander over the immense spectrum of the IMAX screen. A map unfurls across the screen and a narrator explains the time and lays down the background to the scene that is about to commence. The year is 1325, the place is Tangier and the story is about a man who is about to embark upon a journey to the holy city of Mecca on a pilgrimage. The charismatic young man is Ibn Battuta, he stares at the stars that twinkle across the canvas of the night sky and he dreams of spires, of domes, of jewelled cities that sparkle in the desert sands, and his vision swoops like a falcon over the alleys and streets of the kingdom until they rest upon the Ka’aba, the sacred building at the heart of Islam.

Ibn Battuta bids farewell to his beloved family and sets out on his journey which will see him tested, both physically and psychologically, as he travels to the fabled city of Mecca. His trials and tribulations on the road to Mecca are detailed with an emotional richness rarely seen in modern cinema. The script is nuanced in a way that allows the audience to connect with the action and the various characters. The depth of research and the care in which the tale is told is delicately balanced. This is cinema as entertainment and as education.

The film reveals the magic and wonder of the Hajj by contrasting the life of Ibn Battuta with modern day worshippers at the same holy sites as those visited by the young traveller all those years ago. The scale of the event is brought to realisation in a way that will make even the most jaded film connoisseur gasp with astonishment.

In terms of technicalities, the IMAX technology is notorious for being extremely expensive and difficult to master. The format does not allow for the creative freedom that one can utilize in 35mm, so it is to the credit of the crew that this film looks seamless and breathtaking. Every single frame of the drama is a beautifully crafted canvas that seems to glow like a painting. The cinematography is exemplary and employs a painterly palette. The deserts and mountains are dry, cracked and dusty brown like wrinkled parchment while the sun drips golden lava across the scorching landscape. The white garments of the pilgrims are like beacons floating in the creamy dust of the desert sands whilst the tapestries hanging in the bazaars are lovingly stitched in green and blue threads; and the silver and gold bangles on the arms and ankles of the village girls ****** and twinkle. The atmosphere of warmth and friendship is apparent in every scene, especially when the succulent food is shared by the soft red glow of the campfires. High above this blend of colours, languages and the swirl of human emotions are the dancing stars that ripple in the heavens. The spectacle and sounds of a bygone era are stunningly designed.

The soundtrack also serves the film quite well. The music is never intrusive or melodramatic, it is there as a soft accompaniment to the proceedings. The use of strings, Moorish mandolins, African percussion and the human voice brings an exotic and ethereal ambiance to the drama.

“Journey to Mecca” is a journey of hope, a journey of understanding and a journey that will inspire. The sheer magnitude and beauty of this film left the audience awed and instilled a desire to learn more about the past which we sometimes neglect to reflect upon in our fast moving lives. This film is an ode to peace, love and compassion, and acts as a bridge of understanding between the past and present. And, as the film fades to black at the ******, there is a final haunting image that will resonate with every member of the audience. The message is simple and poignant. It illustrates the transient and swift nature of life; it shows how we glow brightly by the light of the noon day sun and then fade into the tranquil shadows of the coming twilight. Our journey in this life should be one that respects all of humanity despite our cultural or political differences. It is not often that one leaves the cinema knowing that your soul has been moved by something rare, delicate and exquisite. This was one of those rare occasions.
Universal Thrum Sep 2013
Hey Delilah, whatchu doin tonight
I'm comin right over, we gotta get over our lives..our lives

Hey Delilah, take my hand it is strong
Its gonna get over, we gotta get over your howl..
the sound..of fear

Heed the call now
It's waves resonate in you
shredding the soul
many steps we walk through..to the tune

Circular Paths, streets are callin wild
Resides in our heart
Our vibrational soul
in the while, for awhile, all our days

It would be a sin against my God to live in ignorance of your touch
Feel the Divinity of your womanly warmth, of your warmth
To Explore your innermost fathoms
and the Reflection of Desire in your eye
Found in the sensual meditation of your gaze,
in the night

Our Bodies belong together
The story of their union was told
Long before our birth on this earth, in the old, it was told

Like David on the roof top
For you a man would die in war
So meet me by the hillside
We'll grow old, in the shadow of the wood

Away from tired world notion
of what is right or good
Lay with me next to gurgling streams
Adorned with Gold
Whose gaiety of movement
it will match our own
Finding ******* freedom in the forest
The air both sweet and pure

WE CAN BE TOGETHER
THERE LOST IN TIME
HEED MY CALL IT IS WILD AND WARM IN YOUR EYE,
IN YOUR EYE THROUGH THE NIGHT

HEYAHA!

What I am I don't Know!
I run along Rivers and stand naked in snow
Climb Waterfalls, Smile in Trees, and Howl at the Moon
Surf on the Dunes
Swim in the Sea
Lie on the shore in the breeze
If you should ask me I don't know ask me again
I'll never know my friend

You want something from me
a guarantee
Not mine to give
Falling right over, we gotta get over the fear
of the fear

Feel these arms, they can take you down
fold you right up in the valley of womanly streams
Lost in the waters, Life is a dream

There is nooo goin back....From whence we came
Time is like a river wild, untamed, untamed
Endlessly moving forward
into stratums unknown
Make the most of this moment or ever, forever, feel the pains of cowardice alone

The past is like a window
Burns HOT like the sun
Everyone makes choices and hopes they're not wrong

Life is like a river with so many streams
We all go into the ocean drowning with dreams
With dreams left unsaid

It's been awhile, we're gonna find it again
A human connection, Life is dominated by sin
The material
The desire for more, are we here to acquire a Mate?
A family, a woman, a house?
A couple share their drink


Listen to the river of sand
The torrent of Maia
The reign of illusion, found in your hand
Desire
Are we man enough to face it?
To seize our fates?

We live, as cowards, surviving in shadow
What is our personality, Id or the Ego
Liar...Livin in Time

Standing in the Present Moment
Ignoring my Father again
all things come to an end my friend, your lonely soul therein

Deadened tissue of the heart
nothingness invading
wink of the light
rapturous smile, earthly delight, breeds tomorrow's sorrow

Livin' on the last straw
cresting a turquoise wave
Risking the razor's edge of our fall
Dying with a Song on stage
Sensual desire,
wrapped in the spirit,
touched by the Dark, touched by the Light
Hundred million reasons to fight

Rain Wash this age away
Leave me naked in the wind as I came, as I came
Spread cushioned by the bedding of green moss
Birthed in a forest, sonic cataclysmic sound
Consequence, all our dreamin and dreamin and dreamin around

The cog revolves around the wheel
Fire dancer breathing still
In the harmonium of the heart
Into the night we fly to survive
https://soundcloud.com/universalthrum/heed-the-call-pt-1
https://soundcloud.com/universalthrum/heed-the-call-pt-2
Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey
CharlesC Feb 2013
Those who quilt
have their secrets..
emerging patterns
laced together..
an initiating flash
then flow of thread
filling the symmetry
with surprise..!
pained reluctance
those corrections..
finally uplifting joy..
Those who quilt
then ask this question:
does the recipient
of this labored gift
resonate with even
one-tenth appreciation..?
is she really
Quilt worthy...?
Mateuš Conrad Nov 2018
you fed me, therefore you armed me...
now show me the snowflake
trenches...
      i'll invite the vermin...
to keep them company...
  what?!
aren't all Polacks vermin?!
            oh... really?
             i heard otherwise...
eat your ******* ***** numb!
i am fury...
i am gorge...
i am everything but thought!
i! i... i debate with
the hive...
                        you start calling
one vermin,
you start calling all, vermin...
see how the hive reacts...
thank **** the ****** migrants
of the generation that joined
the European Union have
decided to move back...
  ******* applause!
who the **** would even be sane enough
to stay on these isles?!
what... like a Britney can't
get no Pakistani?!
  last time i inquired about
Rotherham...
that wasn't a problem...
        you didn't take to examine the words
politely...
mind you...
          rats have transcendent value,
well equipped with:
eating you;
  VER-MIN!
the English north Pakistanis could
have called me anything else...
now i have a ******* ringing
in my head...
like... eating out a **** could become
much more than a vegan enterprise
of oral...
  like...
         the prodigy & tom morello...
or pearl jam's rats...
only the northern ****...
your want your... "little" culture war?!
have it...
      vermin...
               Jew harbourers...
       us: Herr ****...
   we... vermin...
   people of neither book: but the sewers...
and whatever Palestine looks
like in the House of the Saudi...
they don't eat, don't sleep
they don't feed, they don't seethe
bare their gums when they moan and squeak
lick the dirt off a larger one's feet...
and the Lebanese wonder,
literally, "wonder"...
why aren't these vermin integrating?
who the **** said i wanted to
continue eating falafel?!
you want prejudice?!
what's up with your accent?!
huh?
where you from?!
  you want to hear that sort of *******
from immigrants?
esp. those who decided to settle...
what's wrong with the answer:
from 'ere... why?
i'm ******* praying for more Polacks
to leave these isles...
like...
i don't pray... but the insinuation
is there... **** them...
**** these David Attenborough masochistic
sadists...
        your women, your fate,
just like in the Victorian era
concerning the children...
     please... ****** is as much a racial
slur as Dr. Dre... is...
what? Mozart?!
have it, delete me...
                 whatever...
                i've learned one thing from
an innocent private conversation
on Wattpad in 2015...
           have it all...
          whatever...
               you die by the hand
that also feeds you...
        have it...
                          have it all...
              once upon a time,
once upon a space...
  once upon upon a once neither
space or time....
ended with:
  forever... what was always
what came prior, but never the after;
happy was never
a necessitated outcome...
to begin or end with...
      it was...
               a gambler's luck...
and since so many didn't gamble...
it was never supposed to resonate
as an opportunity of outcome,
or expectation...
                        namely?
happy is what people achieve...
when the angry do not resonate
within the inhibiting construct of fear...
happy is what people achieve...
when they learn to fail...
  fear? fear is coupled with anger...
happiness?
  that ******* is coupled with failure.
He was brought into the world in poverty, in confusion, into a world of conflict and pain all of which was not his fault, all of which had nothing to do with him. He was conceived in love, but by the time he was born love had passed and all that was left was isolation and two separate parents trying hard not to acknowledge that their life together was over.

I remember the many walks we took together, my son and I. He was so little and I carried him on my chest facing outward in a baby carrier and he learned how to “steer me” by pressing a foot against one of my thighs so that I would turn in the direction he pressed and he could see better what it was that had caught his eye.

We walked all summer and he learned to love a certain stray cat, garbage trucks, fire engines, and motorcycles. We found and explored, it seemed, every construction site in the city and I taught him the miracle of the sunflowers that bloomed in gardens of new life so big it made us think that, perhaps, this beauty that we shared could be enough and, perhaps, could make up for the everything else that was not. When summer ended and the sunflowers went away, I assured my son that it was all right. They would return again in the spring. I had really thought they would.

One day we walked on a devastating autumn day, the trees an explosion of colors, the afternoon deliciously crisp with a slight chill in the air. We were late and in a hurry to get home. Suddenly, he stopped me and turned me to see, what? I looked and, at first, I couldn’t see what it could possibly be. Suddenly, I saw. A breathtaking autumn leaf tumbled through parabolas of time now forever present, forever tumbling now for me to contemplate, there forever for me to long for, suddenly awakening our shared beginner’s mind, a moment that will resonate forever, long after the pain of many quiet afternoons without him fades relentlessly into the everlasting October light that leaves behind so many painful, unanswered questions.
Jeffrey Oliviero Jan 2016
Sometimes the flashbacks
Can be picture perfect like a gallery
Every once in a while
I struggle with what life's like actually
As the memories resonate
Depression eventually catches me
It always baffled me
and still rattles me
Why did my best friend
have to be a casualty

I'm setting my GPS
as I pull down the street
For Arlington Cemetery
in Washington D.C.
Whenever I feel the need
I just sit there with him
No reason to speak
I let the ground beneath me
relieve some of the grief
Then just before I leave
I about face and say
You'll always be with me
Semper Fi my brother
Rest in peace Marine
The handcuff bites my wrist
as teeth sink, searing flesh.
A breath, a scent too familiar to forget.
Blind.
Massive palms, razor point
carving canyons down my spine,
blood is the wine.
The burn of beard
feigning consent.
Fistfuls of hair conquering words.
A corpse to rob me of life,
the press of perversity against satin.
Fighting, writhing
satisfaction.
Pain swells in every limb
the wet swell reveal my sin.
Slaps stinging awake
every fiber of clothing still keeping me safe.
The drive of possession
splitting secrets wide,
fingers around throat clenching tight.
Sweat running red,
the rising growls growls resonate in my head.
The raw force bruising
like claiming a slave,
body & mind consuming.
Ferocity leads to frenzy,
my senses rage against me,
The thickness rips,
devours,
conquers my body for paradise.
And I scream in the ecstasy taken.
A clenching incites eruptions,
the pulsing beast flooding.
My purpose awakened.

— The End —