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"resonant" poems
The mother is first— she is for all and down to earth. She, the mother Fathima, descended from uncharted Heaven— that pivotal frontier only the Prophet of all prophets has seen. Then, there was no Adam, nor Eve, nor even Jibreel. Every star across the seven skies wishes to kiss that golden dust. Not to mention the Moon at the center, waning and waxing—openly and secretly— unleashing its longing to rub this non-sublunary piece against its forehead. She knows—only then the rough seas beneath her will calm, bathed in the soft raining moonlight, rubbing off upon a lucky, blossomed forehead. Oh, if only— scarcely could they ever see it! The galaxies, since their inceptions, have longed for it. The bliss of the eyes—tucked away from the scene. Paradise lies beneath the mother’s feet! It finds its core, its resonant lore, in the shadow of the original feminine—Fathima. There, the original matter explored; Paradise breathed beneath her— but she touched down at the heart of the Earth without stepping or touching on Paradise, only to give her stake away to others. No land she would take on her way back, indeed. Not in her name. Do you know where Fathima’s grave is?
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Dec 28, 2017
Dec 28, 2017 at 4:01 PM UTC
Fathima Hailed From Pivotal Heaven
Ah vastness of pines, murmur of waves breaking, slow play of lights, solitary bell, twilight falling in your eyes, toy doll, earth-shell, in whom the earth sings! In you the rivers sing and my soul flees in them as you desire, and you send it where you will. Aim my road on your bow of hope and in a frenzy I will flee my flock of arrows. On all sides I see your waist of fog, and your silence hunts down my afflicted hours; my kisses anchor, and my moist desire nests in your arms of transparent stone. Ah your mysterious voice that love tolls and darkens in the resonant and dying evening! Thus in the deep hours I have seen, over the fields, the ears of wheat tolling in the mouth of the wind
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31.6k
Ah Vastness of Pines
As wide open as the sea as resonant as the waves splashing on the beach. For a moment or so I was pondering so full as the sea what has it left to tally with as empty as the the beach?
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Mar 20, 2017
Mar 20, 2017 at 11:42 PM UTC
Sea on the empty Beach
A man is like a flower Starts with a bud Blossoms into its nature Natural ecstasy and perfection In time it wears out too Finally falls off the tree A natural process A natural phenomenon Naturally the man See as a flower All the nature of being To the base is the same The intelligence the man puts into saying That he is only the creature of importance And everything in the world are the resource Resource to be consumed by himself Is the false flag he is raising And is in the denial of the very nature Anything which is resonant And synchronous to the nature Has the time in nature to the eternity Whereas if not In accordance to the nature Sooner or later On the verse of decay On the verse of extinction I see the human race is in the path of extinction As civilization denying nature rather than glorifying Human beings are far from the true essence And are not synchronizing in the heart Of the very nature The so called intelligence is what humans praise and glorifying A lot full of **** And it is a shame We see the population of human species To rise and rise So may presume the statement I just stated to be false But seeing the thought processes And so called intelligence Is setting the human species To a sense of decay The step to the human race to demolish its own race Is a unjustified intelligence in itself The truth and laws of nature Being in shade Humans incorporating thoughts As a tool of destruction Rather than construction In the field of criticism rather than motivation In the field of extinction rather than sustainability In the field of destruction rather than collaboration And effort in maintaining the continuity Of equilibrium and resonance with the nature On the contrary Making critics and complain about the others Not realizing all are the part of the whole Is creating a challenge to the nature Going off beat with the nature. We shall know Anything not synchronous And not resonant to the nature Nature wipes out sooner or later We cannot accept the very fact it is true Even seeing our own life As a child The bud to the flower The youth The perfection in being and entire existence The new ideas and new world The fruit of generation brings about The generation to come To fertilize the seeds of the existence The old age To be renewed thoughts Nature wipes out as per the plan of its own Accept it as a reality As it is the truth The sharpness of flower Remembered as the youthfulness of flower The bud is treated emotionally With care as it is to be the perfection In the time to come The flower to be wiped out is respected As it was once a perfection Once roared the magnificence of itself Upon this very world The being-wiped flower doesn’t ask For its claim in the now world And indulge the new with its now state But appreciate the perfection once it had   Make believe the youthful flower to blossom And accept its own existence in the present. Every species and beings Are in the nature of being We are no different from the other species We are no superior and at the same time no inferior To the other species And not the other species to us humans Everybody and everything Is the part of the whole The whole is the nature itself.
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May 26, 2018
May 26, 2018 at 2:33 PM UTC
Flower of life
A man is like a flower Starts with a bud Blossoms into its nature Natural ecstasy and perfection In time it wears out too Finally falls off the tree A natural process A natural phenomenon Naturally the man See as a flower All the nature of being To the base is the same The intelligence the man puts into saying That he is only the creature of importance And everything in the world are the resource Resource to be consumed by himself Is the false flag he is raising And is in the denial of the very nature Anything which is resonant And synchronous to the nature Has the time in nature to the eternity Whereas if not In accordance to the nature Sooner or later On the verse of decay On the verse of extinction I see the human race is in the path of extinction As civilization denying nature rather than glorifying Human beings are far from the true essence And are not synchronizing in the heart Of the very nature The so called intelligence is what humans praise and glorifying A lot full of **** And it is a shame We see the population of human species To rise and rise So may presume the statement I just stated to be false But seeing the thought processes And so called intelligence Is setting the human species To a sense of decay The step to the human race to demolish its own race Is a unjustified intelligence in itself The truth and laws of nature Being in shade Humans incorporating thoughts As a tool of destruction Rather than construction In the field of criticism rather than motivation In the field of extinction rather than sustainability In the field of destruction rather than collaboration And effort in maintaining the continuity Of equilibrium and resonance with the nature On the contrary Making critics and complain about the others Not realizing all are the part of the whole Is creating a challenge to the nature Going off beat with the nature. We shall know Anything not synchronous And not resonant to the nature Nature wipes out sooner or later We cannot accept the very fact it is true Even seeing our own life As a child The bud to the flower The youth The perfection in being and entire existence The new ideas and new world The fruit of generation brings about The generation to come To fertilize the seeds of the existence The old age To be renewed thoughts Nature wipes out as per the plan of its own Accept it as a reality As it is the truth The sharpness of flower Remembered as the youthfulness of flower The bud is treated emotionally With care as it is to be the perfection In the time to come The flower to be wiped out is respected As it was once a perfection Once roared the magnificence of itself Upon this very world The being-wiped flower doesn’t ask For its claim in the now world And indulge the new with its now state But appreciate the perfection once it had   Make believe the youthful flower to blossom And accept its own existence in the present. Every species and beings Are in the nature of being We are no different from the other species We are no superior and at the same time no inferior To the other species And not the other species to us humans Everybody and everything Is the part of the whole The whole is the nature itself.
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104
Dogs take new friends abruptly and by smell, Cats' meetings are neat, tactual, caressive. Monkeys exchange their fleas before they speak. Snakes, no doubt, coil by coil reach mutual knowledge. We then, at first encounter, should be silent; Not court the cortex but the epidermis; Not work from inside out but outside in; Discover each other's flesh, its scent and texture; Familiarize the sinews and the nerve-ends, The hands, the hair - before the inept lips open. Instead of which we are resonant, explicit. Our words like windows intercept our meaning. Our four eyes fence and flinch and awkwardly Wince into shadow, slide oblique to ambush. Hands stir, retract. The pulse is insulated. Blood is turned inwards, lonely; skin unhappy ... While always under all, but interrupted, Antennae stretch ... waver ... and almost ... touch.
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7.1k
Meeting
Can I write you a love song I’ll sing it softy in your ear all night long Blow gently without words on my saxophone Diamond and Pearls behind the throne A beautiful ensemble meant for only you As I give credence too Take my hand Cross this journey with me as I sing about faraway lands Past Egypt pyramids shifting Morocco sands Lay back my love, allow your mind to silently drift Feel the enchantment of my piano keys as it spiritual uplifts I’ll sing love songs of old A cappella chorus echoed from deep within my enlighten soul I’ll sing to you about the blues, society’s injustice, and elements of darken storms Keep your heart warm, while playing my French Horn Enrapture foretold from this dedicated symphonic poem A music sheet of percussion, woodwind, brass, keyboard, and strings Harmony carrying the mind away as the joy of coming spring I’ll hum your favorite beats, can you feel the crescendo now Fiddle from the heart by the sweat of one’s brow Submerge your cerebral cortex, lose yourself in the sultry tunes Harp sounds bathe of light kissed from the illuminating moon Destiny overcasts in the lyrics Fate floating stratospheric Karma of others handled in the eyes of satiric Opera, I give you so grand in its grace French Creole dialect murmured among silk and lace Sounds of my flute resonant to face Allowing my Cello sounds to thoroughly embrace Can I write you a love song Body and soul serenading soprano to keep you standing strong My guitar stringing your philosophies along An equal equation, one plus one equals two Emotions, feelings, sentiments, its tenor expressed only for you No compass to my heart, my seasonal love found in hidden melodies Trombone guiding back and forth breathless as it please Orchestra sounds Ascending minds, bodies, souls, pass the opening clouds, divine and profound The last note sung by me as we gradually come down Beautiful music embraced, needs never to make a sound Shh, close your eyes Meditate on the music for a little while Hush sweet baby don’t say a word My heart softly tweets to a mockingbird If that mockingbird don’t sing Can I write you a love song created only for your being As minds are sightseeing Hearts fleeing Timpani drums guaranteeing Entwined of our divine wellbeing Emotions freeing Crooning of bodies heard as the day is long Can I write you a love song
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Sep 9, 2018
Sep 9, 2018 at 10:39 AM UTC
Can I Write You A Love Song
Can I write you a love song I’ll sing it softy in your ear all night long Blow gently without words on my saxophone Diamond and Pearls behind the throne A beautiful ensemble meant for only you As I give credence too Take my hand Cross this journey with me as I sing about faraway lands Past Egypt pyramids shifting Morocco sands Lay back my love, allow your mind to silently drift Feel the enchantment of my piano keys as it spiritual uplifts I’ll sing love songs of old A cappella chorus echoed from deep within my enlighten soul I’ll sing to you about the blues, society’s injustice, and elements of darken storms Keep your heart warm, while playing my French Horn Enrapture foretold from this dedicated symphonic poem A music sheet of percussion, woodwind, brass, keyboard, and strings Harmony carrying the mind away as the joy of coming spring I’ll hum your favorite beats, can you feel the crescendo now Fiddle from the heart by the sweat of one’s brow Submerge your cerebral cortex, lose yourself in the sultry tunes Harp sounds bathe of light kissed from the illuminating moon Destiny overcasts in the lyrics Fate floating stratospheric Karma of others handled in the eyes of satiric Opera, I give you so grand in its grace French Creole dialect murmured among silk and lace Sounds of my flute resonant to face Allowing my Cello sounds to thoroughly embrace Can I write you a love song Body and soul serenading soprano to keep you standing strong My guitar stringing your philosophies along An equal equation, one plus one equals two Emotions, feelings, sentiments, its tenor expressed only for you No compass to my heart, my seasonal love found in hidden melodies Trombone guiding back and forth breathless as it please Orchestra sounds Ascending minds, bodies, souls, pass the opening clouds, divine and profound The last note sung by me as we gradually come down Beautiful music embraced, needs never to make a sound Shh, close your eyes Meditate on the music for a little while Hush sweet baby don’t say a word My heart softly tweets to a mockingbird If that mockingbird don’t sing Can I write you a love song created only for your being As minds are sightseeing Hearts fleeing Timpani drums guaranteeing Entwined of our divine wellbeing Emotions freeing Crooning of bodies heard as the day is long Can I write you a love song
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53
I remember the restaurant, The one Grandpa Had brought us to – Window panes in patriotism And pancakes atop, “America,” The world revolved, “America,” And how we’d made it “Home” – So came the syrup, destiny And fervor caked powder plate. He knew of my toil, ills, and tolls Pandered atop horizons Hindered Mao and red As we sat near dawn over coffee And something south of Conspiracy – opposite my dream And collusion to **** said Destiny, But it was still, “his America,” not mine and he’d Sleep when I wouldn’t. So it pained me, resonant a twitch Within this small inch of Remnant family, to tell him, “We’re going back, We’re leaving tomorrow,” And, “I don’t know when I’ll be Home,” gramps, “I don’t know if I’ll ever be home,” And he’d say prior ever’d silent – “Good luck sleeping on that one, Son,” I just know he would.
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Jun 29, 2015
Jun 29, 2015 at 9:39 AM UTC
One patriot on a platter, the other on a plank
I survived another day. I will rewrite the forgotten, before it is extinguished. Steam in my lungs. Carbon monoxide. We ate honey in the morning, to tablespoons. We kiss without tiredness. "Bathing together unites us," he said. Resonant palpitations. The guitar sounds soft. You give me music of spirit. I survived another day because you breathe.
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Sep 6, 2017
Sep 6, 2017 at 2:42 AM UTC
Music of spirit
Her words fell Like the limbs of a Dandelion Departed; Once a breath per Echoed meme And come another dream With every Feather’s frolic. The lips within this Captured moment Flutter and fall, Dismal and drunk, Like the butterfly prior winter; An excuse, And she deserved better. So to, I’ve learned to meander One Simple Breath, Be it the gasp, “final,” Parallel and the very same She’d blow and blow and Scatter seed with. And I’d love her Just as much, If only years ago, But now carry forth, Lash atop knowing “flee,” Merely inched And adjusted winds. It’s a “later” Sort of tale atop tongue, And idea coined “alive,” Albeit moments before born, So much closer to “Never-end,” Resonant, if only – Her dandelion’s dream And soon to be later patches Green; Come the grass, Come the amnesia, Come the cold, Oh girl! Come the day we both knew I’d leave.
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Aug 15, 2015
Aug 15, 2015 at 10:14 AM UTC
Her Dandelion's Dream
tug on your heartstrings, remember what it is to be human and to feel. nothing is more resonant than a reverberating vibration of positivity, in sorrow and in joy.
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Jun 6, 2014
Jun 6, 2014 at 6:47 AM UTC
Heartstrings
I listen and let you take me along always yearning, wishing hoping that I might land, wondering why I even need to find my footing. I am a complex soul, I keep telling myself that, while around me, in the active bustle of a sidewalk cafe, I see faces, so many lovely minds, untapped but directed, finding their own place, their own quiet destiny. ~ I hear the winds of 'winter's discontent.' Remains in my mind, always knocking in silence, my pulse awaits a shift, some opportunity to tick lasting effects, define my confusion, while you journey me on, music, my violins, I listen and feel pain, then resonant delight. I am alone, inside a quiet dream of human interaction. yet, where am I supposed to land. I can at least, count on you, the rhythms of my soul, to take me along on a quiet journey. Please remain discreet, lest those around recognize I may be incomplete.
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Jan 2, 2015
Jan 2, 2015 at 5:32 PM UTC
Violins My Woe
Carla kept nudging me to learn Italian. It is the language of lovers and liars she said, life’s two best friends, Discipline yourself, it will teach you to sing, she offered, Each phrase a lyric, a seduction, It will give you an unfair advantage over younger men, she promised, Tickle her ear with this tongue and she will shiver and unfold, Her heart, her knees unlocked. Italian is a calculate of rhythm, Carla suggested, Every woman understands timing and phase, Our life is nothing but cycles for god’s sakes, How have you not understood this? It is the lingua of fair play, she continued, each syllable an equal citizen, A dialect with an innate sense of justice, Women are as intrigued by its possibilities, As they are by threat and danger, Either of which you can no longer promise. Tell a woman you love her in Italian, Ti amo più respiro, I love you more than breath, And her ******* will disappear, She won’t be able to take her eyes off your lips, And as we all know, your mouth is your hook, Your irresistible smile, the pout, the persuasion. You are a poet, a miracle I know, Your words are narcotic when you put your mind to it, I’ve heard you quell an unruly crowd; Your resonant tone could soothe a pack of ravenous jackals. But with that intricate face of yours, Your accumulating age, the leather wrinkles, Believe me, you will soon need to help to ****** even a photograph. Enlist, become Italian, Carla told me, it is your only hope, And she tossed the last of her wine onto the sand, Watched the red stain saturate and fade, And lay back to face the sun.
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Aug 22, 2015
Aug 22, 2015 at 7:08 PM UTC
Beach
Carla kept nudging me to learn Italian. It is the language of lovers and liars she said, life’s two best friends, Discipline yourself, it will teach you to sing, she offered, Each phrase a lyric, a seduction, It will give you an unfair advantage over younger men, she promised, Tickle her ear with this tongue and she will shiver and unfold, Her heart, her knees unlocked. Italian is a calculate of rhythm, Carla suggested, Every woman understands timing and phase, Our life is nothing but cycles for god’s sakes, How have you not understood this? It is the lingua of fair play, she continued, each syllable an equal citizen, A dialect with an innate sense of justice, Women are as intrigued by its possibilities, As they are by threat and danger, Either of which you can no longer promise. Tell a woman you love her in Italian, Ti amo più respiro, I love you more than breath, And her ******* will disappear, She won’t be able to take her eyes off your lips, And as we all know, your mouth is your hook, Your irresistible smile, the pout, the persuasion. You are a poet, a miracle I know, Your words are narcotic when you put your mind to it, I’ve heard you quell an unruly crowd; Your resonant tone could soothe a pack of ravenous jackals. But with that intricate face of yours, Your accumulating age, the leather wrinkles, Believe me, you will soon need to help to ****** even a photograph. Enlist, become Italian, Carla told me, it is your only hope, And she tossed the last of her wine onto the sand, Watched the red stain saturate and fade, And lay back to face the sun.
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33
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
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Jan 5, 2013
Jan 5, 2013 at 3:13 AM UTC
On playing the Prelude from Bach’s Second Suite for Violoncello
It is so measured that rising arpeggio, only to fall and rise again in quicker values, through the dominant seventh to the heartache moment of that minor ninth, a very apogee of dissonance. Then it goes higher still to the fifth, holding to that Phrygian harmony before returning to the tonic minor and a measured fall in the bass. This is a deliberate descent to the sub-mediant, and Bach’s touch of magic, the equivalence with the dominant minor ninth. But then he gives us hope: an extended and joyful play through sequences that rise and fall within each bar, to rest finally on the mediant’s echo of that opening, that measured rise and the quickening fall. We have hardly smiled with relief when Bach pulls us back into the insecurity of the dominant of the subdominant, that V of IV acting like a bridge to a long, long discourse in the dominant, a pedal E holding firmly to itself whilst rising arpeggios and falling decorations and sequences pull and pull through innocently related keys. Longer and longer play the rising passages until short motives of imitation interrupt, treble to bass, tenor to alto, until:  a first inversion arpeggio of the dominant seventh measures out the opening rhythm. This happens twice in short succession, as though holding the progress of the music to account. A questioning perhaps before a four-fold sequence asserts the dominant and a chorded caesura. There is a pregnant, though faintly resonant silence as Bach spins the dice of tonality and chooses the subdominant to bring the music towards a waiting Allemande. The music moves through a play of subdominant to dominant, minor to major, the mix of flattened fifth and flattened ninth. It is those intervals that determine Bach as the father of ambiguity in the 20C school of jazz harmony, Arpeggio then a falling scale, and repeat and repeat again, but moving ever higher by sequence. At last five chords – merely a shorthand for closure via the expectation of a right display of the performer’s improvisatory prowess. They prepare us reverently for the tonic minor before the stately Allemande leads the music into the elegant steps of its walking dance.
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1
those quiet lonely nights when long shadows crawl over defeated days and the red orange sun drowns beneath dark waves a resonant loneliness washes over me dulling love and light and hope like the slow deliberate movement of the clock in the kitchen, hands that mark the passing time between jade scarabs like the soft lilt of a sparrow left outside my window, alone in the twilight as a church bell doles its distress, slow and deep in the distance, breaking the still darkness with its lament water cannot cover the spectre of memory I pour another whisky
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Mar 8, 2016
Mar 8, 2016 at 11:58 PM UTC
a whisky, darkly
We, too, had known golden hours When body and soul were in tune, Had danced with our true loves By the light of a full moon, And sat with the wise and good As tongues grew witty and gay Over some noble dish Out of Escoffier; Had felt the intrusive glory Which tears reserve apart, And would in the old grand manner Have sung from a resonant heart. But, pawed-at and gossiped-over By the promiscuous crowd, Concocted by editors Into spells to befuddle the crowd, All words like Peace and Love, All sane affirmative speech, Had been soiled, profaned, debased To a horrid mechanical screech. No civil style survived That pandaemonioum But the wry, the sotto-voce, Ironic and monochrome: And where should we find shelter For joy or mere content When little was left standing But the suburb of dissent?
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3.1k
We Too Had Known Golden Hours
For Madison Grace   So nice to know you play the cello, such a fine upstanding instrument this. It holds itself so firm to the floor, but needs the knees to keep it still.   That resonant rich bottom C, it never fails to move me. So when at the end of Bach’s Fifth Suite, the music dances its gigueing way to that low tessitura, it’s an open string end san pareil.
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Jan 4, 2013
Jan 4, 2013 at 3:04 AM UTC
The Cello
Here, I do not need to coax the sound— No more tremulous plucks, bated breath, Muting my voice as it slips from my throat Here, It falls as a gift, freely given Resonant as thunder in the mountains Bold and beautiful. How brightly I burn When I do not have to ask To be heard.
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Aug 8, 2022
Aug 8, 2022 at 8:42 PM UTC
Today, I sold the guitar we bought together
#*you came bearing words a transparent heart                       you said bombs of love exploding my defenses gifts i embraced until                       you drifted memories flooded in of betrayals past i'd been there before drugging narcissus                       you played further on my resonant soul strummed to fine pitch your favorite guitar till bored with the tune                       you cut all the strings i adjusted to silence relished my gains, but then                       you returned to play me some more and that's why                       you see i've bolted this door*#
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Jun 15, 2016
Jun 15, 2016 at 2:27 PM UTC
echo
**They loved each other with equal fervor, natural, he met her half way in everything, but was unaware never did they stop cuddling, still had own space he mended his ways when she said, something troubled her, they imbibed the spirit of "Half man half woman" the "Shiva-shakti" ideal, in the human form, they became. In their kind of love, there is no day and night, or distinction of body, mind or spirit the surrender was mutual and total, no going back from that, even the physical becomes supernatural then, so magical! It's a dance of resonant energies, perfectly synchronized they go up rung by rung on the ladder, to reach the perch at the zenith, from there the universe looks different, bathed in eternal silver light.**
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Jul 31, 2013
Jul 31, 2013 at 9:35 AM UTC
A Man and a Woman, at the Zenith
Please forget schoolwork, for there are heartier things, such as your forehead craving these good night lips. You thoroughly speak of entwining our limbs, while I'll dream of seeing my sleeping beauty, and a kiss. Although rhyme does not showcase wit, I'm still the man that tonight, you will miss. Moonlight peers over a crest of visions, or balances right on the cusp. With daylight matters so pressing, I'll press just enough. Upon the small of your back, your resonant blessing, to awaken your dreams with my morning touch. Now go to sleep with the help from countess sheep up above, and by my word, we'll catch up. In the early morrow, my love.
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Jul 18, 2016
Jul 18, 2016 at 12:23 PM UTC
Morrow
The graduation party with fried aubergine, croutons and rye whisky has raised the hairs of the alumni. Kismets  afoot about forming a band, named after actress Alice White, intuitive bluesy Psychedelicia. Devonport's dappling on bass and Schemtar's already on drums. The devils in the details with the lead singer, for the want of a lead guitarist they are gyved. But if they practice like clockwork the turnaround will resonant .
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Jun 16, 2013
Jun 16, 2013 at 11:19 AM UTC
Kirkdale takes 1968.
all i see now are the silent ruin of words teeming with wisdom in every trail. you are gleaming in the moony boondocks, Ibabá remembers you as you were - timeless and ruminative, pursuing the source of rivers. our sublime versifier, the crucifixes now tremble without the fullness of your flesh. each page is turned without the hover of your voice yet stills its resonant message in my mind's premises like redolent graffiti. striding river-pace, once in moonlit Orfeo graced by your sibilant being, leaving only the strongest of impression on the surly couch, a toppled glass of Shiraz remembering your attendance leaving the clamor of the audiences real to touch, elusive in thought. before the war was the ever-present word, and after the fray was the armistice of the Sun where in humdrum Sampiro, your fire's genealogy is in the hands of the muse! idly go the hours, wading everlong past Calle Herrán - the bells of Paco Church tell in this imperfect hour the roads where you once traversed, travailed and perhaps beer-maddened, putting a face in the metaphysical! in your banquet i partake the wisdom of your wine and the reason of your flesh - the gods delight in you, o, Manila of all Manila.
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Oct 2, 2015
Oct 2, 2015 at 2:05 AM UTC
Everlong (For Quijano de Manila)
A resonant black Field lies dormant in wait while Words exchange above
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Dec 12, 2013
Dec 12, 2013 at 4:24 PM UTC
Piano
The passion released in the medley of intrigue Flows restoring as an onrush of air Deeply inhaled as a kiss of aching persuasion Gently arresting the heart waiting there A resonant fascination mesmerizes the pulsation Tempting the acceleration to exceed The natural precision, which is known to maintain A rush of harmony, as the heart beats There are some who will emphatically attempt to deny This medley of delightful intrigue exists As they have never inhaled, the passion released By the aching persuasion of the kiss If your heart has never felt this deep fascination A swift acceleration that rises above The natural precision, the heart's known to maintain Then you have never, truly been in love
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Jul 18, 2010
Jul 18, 2010 at 6:56 PM UTC
Medley of Intrigue
listen to the orchestrated and syncopated clickety clack clankety, clonk clickety clack honks air through their snouts the sound that horses make when they trot plop gallop with their horseshoed feet upon the resonant red cobblestone streets brings sweet music to the blacksmith's ears
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Oct 26, 2015
Oct 26, 2015 at 9:19 PM UTC
Sweet Music To The Blacksmith's Ear